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I know in the spy movies it always looks really cool when the operative goes from a maid's uniform to a slinky, sexy, ballgown in the amount of time it takes an elevator to climb three floors. Well, I don't know how it is for TV spies, but I can tell you that even with Velcro, the art of the quick change is one that must take a lot of practice (not to mention better lighting than one is likely to find in a tunnel that was once part of the underground railroad).
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Ally Carter (I'd Tell You I Love You, But Then I'd Have to Kill You (Gallagher Girls, #1))
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So if you had the chanceΒ .Β .Β . even if there was no music and no ballgown, no tuxedo or galaΒ .Β .Β . when your true love asked you to dance? It was important to say yes.
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J.R. Ward (The Beast (Black Dagger Brotherhood, #14))
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Some people have eyes like sapphire lagoons with lashes like lace trims on ballgowns, sweeping their cheeks as they twirl.
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Joanna Ho (Eyes that Kiss in the Corners)
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Why are Georgette Heyer's covers so naff? When you think of all the exciting things that happen - abductions, false identities, wild horseback chases - the front of the book nearly always shows a woman in a ballgown, simpering sweetly up at a man.
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Elly Griffiths (The Stranger Diaries (Harbinder Kaur, #1))
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Strengths: Extremely fast flyers; adept with small, sharp weaponry.
(STILL VERY GOOD WITH THE LADIES.)
Weaknesses: Honey, torn ballgowns.
(and closets)
(AND A CERTAIN HUMAN COMPANION BUT NOW IβM GETTING TOO SENTIMENTAL AND THEREβS SOMETHING IN MY EYE.)
Well. Now I have something in my eye, too.
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Elizabeth May (The Vanishing Throne (The Falconer, #2))
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...outrageous flowers swagging off balconies like bright skirts of ballgowns...
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Frances Mayes (A Year in the World: Journeys of a Passionate Traveller)
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Some people have
eyes like sapphire lagoons
with lashes like lace trim on ballgowns,
sweeping their cheeks as they twirl.
Big eyes, long lashes.
Not me.
I have eyes that kiss on the corners and glow like warm tea.
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Joanna Ho (Eyes that Kiss in the Corners)
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the future was unknown and unknowable. So if you had the chanceΒ .Β .Β . even if there was no music and no ballgown, no tuxedo or galaΒ .Β .Β . when your true love asked you to dance? It was important to say yes.
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J.R. Ward (The Beast (Black Dagger Brotherhood, #14))
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As striking as she was in the ballgown, he couldn't deny he still thought she'd been most beautiful when she'd shown up at his doorstep, weak and sickly pale from the poison. She'd been alive. That had been what was beautiful.
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Celeste Baxendell (Cinders of Glass (Bewitching Fairy Tales #4))
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She was wearing her best dress, a ball gown made of iridescent shot silk, which appeared silver from one angle, and lavender from another. The front was simple in design, with a smooth, tight-fitting bodice and a low scooped neckline. A web of intricate tucks in the back flowed into a cascade of silk that fluttered and shimmered whenever she moved.
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Lisa Kleypas (Devil in Spring (The Ravenels, #3))
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Why, Dain Aetos,' I grin and walk toward him, then grasp the door handle at his side. 'You've seen me in swimwear, tunics, and even ballgowns. Are you telling me it's the leather that does it for you?'
He scoffs, but there's a slight flush to his cheeks as his hands covers mine to open the door. 'Glad to see our year apart hasn't dulled your tongue, Vi.'
'Oh,' I toss over my shoulder as we walk into the hallway, 'I can do quite a few things with my tongue. You'd be impressed.
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Rebecca Yarros (Fourth Wing (The Empyrean, #1))
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A gentle breeze rustled through the leaves, bringing with it the scent of fresh-turned earth and lavender blossoms. Amanda drew to the side of the balcony, where she was completely concealed from view. As she leaned against the wall of the house, the rough texture of the red brick gently abraded her bare shoulders.
She had worn a pale blue, corded-silk gown with a low-cut back, and draperies of gauze that crossed over the bodice in an X pattern. The long sleeves of the gown were made of more transparent gauze, while her hands were encased in white gloves. The flash of her bare arms beneath the filmy blue silk made Amanda feel sophisticated and daring.
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Lisa Kleypas (Suddenly You)
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At first glance you would think it was nothing more than an ordinary house-gown, but only at first glance. If you looked at it again, you could tell right away that it met all the requirements of a fancy ball-gown. What struck Abramka most was that it had no waist line, that it did not consist of bodice and skirt. That was strange. It was just caught lightly together under the bosom, which it brought out in relief. Draped over the whole was a sort of upper garment of exquisite old-rose lace embroidered with large silk flowers, which fell from the shoulders and broadened out in bold superb lines. The dress was cut low and edged with a narrow strip of black down around the bosom, around the bottom of the lace drapery, and around the hem of the skirt. A wonderful fan of feathers to match the down edging gave the finishing touch.
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Thomas Seltzer (Best Russian Short Stories)
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The other evening, in that cafe-cabaret in the Rue de la Fontaine, where I had run aground with Tramsel and Jocard, who had taken me there to see that supposedly-fashionable singer... how could they fail to see that she was nothing but a corpse?
Yes, beneath the sumptuous and heavy ballgown, which swaddled her and held her upright like a sentry-box of pink velvet trimmed and embroidered with gold - a coffin befitting the queen of Spain - there was a corpse! But the others, amused by her wan voice and her emaciated frame, found her quaint - more than that, quite 'droll'...
Droll! that drab, soft and inconsistent epithet that everyone uses nowadays! The woman had, to be sure, a tiny carven head, and a kind of macabre prettiness within the furry heap of her opera-cloak. They studied her minutely, interested by the romance of her story: a petite bourgeoise thrown into the high life following the fad which had caught her up - and neither of them, nor anyone else besides in the whole of that room, had perceived what was immediately evident to my eyes. Placed flat on the white satin of her dress, the two hands of that singer were the two hands of a skeleton: two sets of knuckle-bones gloved in white suede. They might have been drawn by Albrecht
Durer: the ten fingers of an evil dead woman, fitted at the ends of the two overlong and excessively thin arms of a mannequin...
And while that room convulsed with laughter and thrilled with pleasure, greeting her buffoonery and her animal cries with a dolorous ovation, I became convinced that her hands no more belonged to her body than her body, with its excessively high shoulders, belonged to her head...
The conviction filled me with such fear and sickness that I did not hear the singing of a living woman, but of some automaton pieced together from disparate odds and ends - or perhaps even worse, some dead woman hastily reconstructed from hospital remains: the macabre fantasy of some medical student, dreamed up on the benches of the lecture-hall... and that evening began, like some tale of Hoffmann, to turn into a vision of the lunatic asylum.
Oh, how that Olympia of the concert-hall has hastened the progress of my malady!
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Jean Lorrain (Monsieur de Phocas)
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The princess found herself being gently prodded and pushed and combed and magicked, and her hair felt weird. When she was spun around to face the mirror again, she was in a yellow dress, waves of sunshine spilling down from her bodice to her toes. Her shoulders were bare, which was a little strange, but they were pale and perfect and delicate. 'Swanlike,' she could hear the minstrel saying. Her hair was loosely braided over one shoulder, a yellow ribbon tying it off.
The fairies gasped.
"You are 'sooooo' beautiful!"
Even 'more' beautiful!"
"Can it be possible?"
"Look at 'this'," a fairy commanded. With a serious look and a wave of her wand, she transformed the princess again. This time her hair was piled high on her head in an elegant chignon, a simple ribbon holding it back. A light blue dress puffed out around her softly, like a cloud. The finest gloves she had ever worn covered her bare arms up to her shoulders. Funny little tinkling shoes felt chilly on her feet.
She put her hands on the skirt and twisted this way and that; what a dress to dance in! She would look like a fairy herself.
Or a bride.
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Liz Braswell (Once Upon a Dream)
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The gown Lottie had decided to wear tonight was a pale blue satin overlaid with white tulle, with a daring scooped neckline that bared the tops of her shoulders. Lottie stood in the center of the bedroom while Mrs. Trench and Harriet pulled the billowing gown over her head and helped guide her arms through the puffed sleeves of stiffened satin. It was a gown as beautiful- no, more beautiful- than any she had seen during the parties at Hampshire. Thinking of the ball she was about to attend, and Nick's reaction when he saw her, Lottie was nearly giddy with excitement.
Her light-headedness was no doubt encouraged by the fact that her corset was laced with unusual tightness, to enable Mrs. Trench to fasten the close-fitting gown. Wincing in the confinement of stays and laces, Lottie stared into the looking glass as the two women adjusted the ballgown. The transparent white tulle overslip was embroidered with sprays of white silk roses. White satin shoes, long kid gloves, and an embroidered gauze scarf were the final touches, making Lottie feel like a princess. The only flaw was her stick-straight hair, which refused to hold a curl no matter how hot the tongs were. After several fruitless attempts to create a pinned-up mass of ringlets, Lottie opted for a simple braided coil atop her head, encircled with fluffy white roses.
When Harriet and Mrs. Trench stood back to view the final results of their labors, Lottie laughed and did a quick turn, making the blue skirts whirl beneath the floating white tulle.
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Lisa Kleypas (Worth Any Price (Bow Street Runners, #3))
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may have marched to war to ragtime tunes, but few troops could have suspected that among their ranks were men with ballgowns packed in their kitbags
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Philip Hoare (Oscar Wilde's Last Stand: Decadence, Conspiracy, and the Most Outrageous Trial of the Century)
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Thistle and Twig had pushed, prodded, pulled, and cajoled me into an elaborate construction of a gown. It was a little out of date from the current fashions of the world above, something a fine lady might have worn fifty or sixty years ago. The gown was a russet and bronze damask, lined with a stomacher of watered silk striped with cream and violet. It was trimmed with rosettes cunningly shaped like alder catkins. Little as I was, the waist of the gown was even littler, the stays pinching my lower ribs so painfully I could not draw a deep breath. Even more impressive was the dΓ©colletage the bodice was able to give me. Despite the yards of fabric, I still felt naked.
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S. Jae-Jones (Wintersong (Wintersong, #1))
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He was reminding her that the future was unknown and unknowable. So if you had the chanceΒ .Β .Β . even if there was no music and no ballgown, no tuxedo or galaΒ .Β .Β . when your true love asked you to dance? It was important to say yes.
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J.R. Ward (The Beast (Black Dagger Brotherhood, #14))
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He was polite; he was cool; he was enigmatic. He was every bit what they expected and wanted the storied Duke of Falconbridge to be, because it amused him to be so.
In truth, his eyes were on the stairs. He waited with the patience of a cat near a mouse hole for Genevieve Eversea to arrive.
He almost didn't recognize her when she did appear.
Her dress was a glossy silk of midnight blue, cut very low, and the "sleeves"- really scraps of net- clung to her pale, flawless shoulders, as though she'd tumbled down through clouds to get here and brought a few sheds of sky with her.
Her neck was long. Her collarbone had that smooth pristine temptation of a bank of new-fallen snow. It was interrupted only by a drop of a blue stone on a chain that pointed directly at quite confident cleavage, as if the owner knew full well it was splendid and was accustomed to exposing it. Her sleek dark hair was dressed up high and away from her face, and tiny diamantΓ© sparks were scattered through it. Her face beneath it was revealed in delicate simplicity. A smooth, pale, high forehead, etched cheekbones. Elegant as Wedgwood, set off by that dark, dark hair and those vivid eyes.
He stared.
He wasn't precisely... nonplussed. Still, this particular vision of Genevieve Eversea required reconciling with the quiet girl in the morning dress, the moor pony with the determined gait. As though they were not quite the same thing, or were perhaps 'variations' of the same thing, like verb tenses. He felt a bit like a boy who needed to erase his morning lessons and begin again.
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Julie Anne Long (What I Did for a Duke (Pennyroyal Green, #5))
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giving you the ultimate Moscow fashion tour,β she said directly into the lens. βWeβre in front of Cartier, but not because Iβm going to show you any jewelry or accessories. I want to tell you about a nineteenth-century celebutante named Anna Annenkova, whose house stood on this very spot. Anna was part of Russian nobility and was so worried that she might be unprepared for any sudden high-society happenings that instead of pajamas, she went to bed every night fully dressed in a ballgown with silk stockings and shoes. Talk about your fear of missing out.
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James Ponti (Forbidden City (City Spies, #3))
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Donβt mess with a bunch of girls in ballgowns. The corsetry make them crazy,β Gavin said, with Alicia swatting at him.
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Molly Harper (Calling (Sorcery and Society, #3))
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Still, Iβd be lying if I said Iβd never fantasized about getting into a ballgown and having some intensely romantic night. Sans singing, though. I have a stunning skill at being perpetually off-key.
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Mila Noir (A Bite in the Dark)
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Diana said: βGuess what, Iβm going on a shooting weekend to Sandringham.β Lucinda replied: βGosh, perhaps you are going to be the next queen of England.β As she wrung out a cloth which she was using to mop the floor Diana joked: βBeryl, I doubt it. Can you see me swanning around in kid gloves and a ballgown?
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Andrew Morton (Diana: Her True Story in Her Own Words)
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Venice was a woman, la bella donna, elegant in her age, sensual in her watery curves, mysterious in her shadows. The first sight of her, rising over the Grand Canal with her colors tattered and faded like old ballgowns, called to the blood. The light, a white, washing sun, would sweep over her and lose itself like a wanderer in her sinuous veins, her secret turns. Here
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Nora Roberts (The Villa)
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This was a girl who belonged in ballgowns and expensive jewels, not tattered hand-me-downs. This was a girl who brought me, a fucking mafia kingpin, to my knees, with one. Single. Look.
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Isabella Starling (Breaking Belle (Princess After Dark #2))
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But from what I can tell, there isnβt enough kissing and waltzing in ballgowns, so I donβt.
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Melanie Jacobson (Betting on the Brainiac (Betting on Love))
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I'm just not a glitter person," I was telling her as she led me back out into the main space, but the words stopped short when she shoved me in front of the mirrors and there I was, glittering at angle after angle.
I almost didn't recognize myself. The dress was another simple A-line in shape, gathered at the bust and flowing past my waist to the floor. Its sleeves were loops that circled around my upper arms, baring my shoulders so that my hair could tumble over them or be tied up high to showcase the elegant flow of my throat into my clavicle, which I'd only just now realized was elegant. The dress was black--- my favorite color--- and covered with tiny chips of what must have been rhinestones, small and subtle and scattered enough where I didn't glow like a disco ball under the lights but instead shimmered whenever I moved.
I looked like a princess of the night sky.
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Amanda Elliot (Love You a Latke)
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this dress is the most perfect article of clothing I've ever worn - not only because it's beautiful and fits me like a dream, but also because it has deep pockets that hold a phone and some lipstick without ruining the line of the dress.
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Karen M. McManus (The Cousins)
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Bloodshed and ballgowns. They really went together.
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Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
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I'm very good at arranging hair," the maid said firmly. "And Lady Westcliff told me to use her very own pearl hairpins for you. Now, if you'll sit at the dressing table, miss...?"
Touched by Lillian's generosity in sending her own maid, Hannah complied. It took an eternity to curl her hair with hot tongs, and arrange it in pinned-up curls, with gleaming white pearls scattered amid the dark locks of her hair. The maid helped her into the white ballgown, and gave her a pair of silver-embroidered silk stockings from Evie. After fastening a pearl necklace from Annabelle Hunt around Hannah's neck, the maid helped her to tug on a pair of long white satin gloves from Daisy Swift. The wallflowers, Hannah thought with a grateful smile, were her own group of fairy godmothers.
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Lisa Kleypas (A Wallflower Christmas (Wallflowers, #4.5))
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Etta sticks a small hand into a rack of crimson ball gowns and plucks out one of her loveliest creations. The bodice is made of spiderweb lace, thousands of roses embroidered over herringbone, ending at the waist with waterfalls of dark red silk cascading to the floor.
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Menna Van Praag (The Dress Shop of Dreams)
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a Magdalene in a Parisian ballgown.
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Anton Chekhov (The Cherry Orchard)
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multiple tiny shops, fronted by blank-faced men and women with rainbow hair, black rimmed eyes, ripped leather, white lips, shredded chiffon, fishnets, studs, platforms, nose piercings, face piercings, dog collars, quiffs, drapes, net petticoats, peroxide, pink gingham, PVC thigh-high boots, pixie boots, baseball jackets, sideburns, beehives, ballgowns, black lips, red lips, chewing gum, eating a bacon roll, drinking tea from a floral teacup with a black-painted pinkie fingernail held aloft, holding a ferret wearing a studded leather lead.
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Lisa Jewell (The Family Upstairs (The Family Upstairs, #1))
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Youβve seen me in swimwear, tunics, and even ballgowns. Are you telling me itβs the leather that does it for you?
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Rebecca Yarros (Fourth Wing (The Empyrean, #1))
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donβt intend to offer a pence less.
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Kelley Armstrong (Ballgowns & Butterflies)
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Bloodsheds and ballgowns. They really went together.
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Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))