Ballard High Rise Quotes

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Let the psychotics take over. They alone understood what was happening.
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J.G. Ballard (High-Rise)
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They thrived on the rapid turnover of acquaintances, the lack of involvement with others, and the total self-sufficiency of lives which, needing nothing, were never dissapointed.
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J.G. Ballard (High-Rise)
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In a sense life in the high-rise had begun to resemble the world outside - there were the same ruthlessness and agression concealed within a set of polite conventions.
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J.G. Ballard (High-Rise)
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First she would try to kill him, but failing this give him food and her body, breast-feed him back to a state of childishness and even, perhaps, feel affection for him. Then, the moment he was asleep, cut his throat. The synopsis of the ideal marriage.
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J.G. Ballard (High-Rise)
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this was an environment built, not for man, but for man's absence.
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J.G. Ballard (High-Rise)
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In a sense, these people were the vanguard of a well-to-do and well-educated proletariat of the future, boxed up in these expensive apartments with their elegant furniture and intelligent sensibilities, and no possibility of escape.
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J.G. Ballard (High-Rise)
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Our neighbours had happy childhoods to a man and still feel angry. Perhaps they resent never having had a chance to become perverse …
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J.G. Ballard (High-Rise)
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He methodically basted the dark skin of the Alsatian, which he had stuffed with garlic and herbs. "One rule in life", he murmured to himself. "If you can smell garlic, everything is all right".
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J.G. Ballard (High-Rise)
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Not for the first time Laing reflected that he and his neighbors were eager for trouble as the most effective means of enlarging their sex lives.
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J.G. Ballard (High-Rise)
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Within half an hour almost all the women were drunk, a yardstick Laing had long used to measure the success of a party.
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J.G. Ballard (High-Rise)
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Togetherness is beating up an empty elevator.
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J.G. Ballard (High-Rise)
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Even their insistence on educating their children, the last reflex of any exploited group before it sank into submission, marked the end of their resistance.
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J.G. Ballard (High-Rise)
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She referred to the high-rise as if it were some kind of huge animate presence, brooding over them and keeping a magisterial eye on the events taking place.
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J.G. Ballard (High-Rise)
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Without knowing it, he had constructed a gigantic vertical zoo, its hundreds of cages stacked above each other. All the events of the past few months made sense if one realised that these brilliant and exotic creatures had learned to open the doors.
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J.G. Ballard (High-Rise)
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One rule in life", he murmured to himself. "If you can smell garlic, everything is alright.
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J.G. Ballard (High-Rise)
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A new social type was being created by the apartment building, a cool, unemotional personality impervious to the psychological pressures of high-rise life, with minimal needs for privacy, who thrived like an advanced species of machine in the neutral atmosphere. This was the sort of resident who was content to do nothing but sit in his over-priced apartment, watch television with the sound turned down, and wait for his neighbours to make a mistake.
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J.G. Ballard (High-Rise)
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Looking up at the endless tiers of balconies, he felt uneasily like a visitor to a malevolent zoo where terraces of vertically mounted cages contained creatures of random and ferocious cruelty.
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J.G. Ballard (High-Rise)
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What's been happening?" "Nothing... It's already happened
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J.G. Ballard (High-Rise)
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Visiting his neighbours’ apartments, he would find himself physically repelled by the contours of an award-winning coffee-pot, by the well-modulated colour schemes, by the good taste and intelligence that, Midas-like, had transformed everything in these apartments into an ideal marriage of function and design.
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J.G. Ballard (High-Rise)
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Mrs Wilder stood passively with her tray, unaware of Royal fondling her, partly because she had been molested by so many men during the past months, but also because the sexual assault itself had ceased to have any meaning.
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J.G. Ballard (High-Rise)
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However, for all his affection and loyalty towards the animal, the dog would soon be leaving him - they would both be present at a celebratory dinner when they reached the roof, he reflected with a touch of gallows-humour, but the poodle would be in the pot.
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J.G. Ballard (High-Rise)
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The staircase was desertedβ€”the higher up the building the more reluctant were the residents to use the stairs, as if this in some way demeaned them.
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J.G. Ballard (High-Rise)
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the run-down nature of the high-rise was a model of the world into which the future was carrying them, a landscape beyond technology where everything was either derelict or more ambiguously recombined in unexpected but more meaningful ways
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J.G. Ballard (High-Rise)
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Now and then, the slight lateral movement of the building in the surrounding airstream sent a warning ripple across the flat surface of the water, as if in its pelagic deeps an immense creature was stirring in its sleep.
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J.G. Ballard (High-Rise)
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future that had already taken place, and was now exhausted.
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J.G. Ballard (High-Rise)
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These people were content with their environment, and felt no particular objection to an impersonal steel and concrete landscape, no qualms about the invasion of their privacy by government agencies and organizations, and if anything welcoming these intrusions, using them for their own purposes. These people were the first to master a new kind of 20th century life. They thrived on the rapid turnover of acquaintances, the lack of involvement with others, and the total self-sufficiency of lives which, needing nothing, were never disappointed. Alternatively, their real needs might emerge later.
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J.G. Ballard (High-Rise)
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Wilder went into his sons' bedroom. Glad to see Wilder, they banged their empty feeding-bowls with their plastic machine-pistols. They were dressed in miniature paratroopers' camouflage suits and tin helmets -- the wrong outfit, Wilder reflected, in light of what had been taking place in the high-rise. The correct combat costume was stockbrokers' pin-stripe, briefcase and homburg.
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J.G. Ballard (High-Rise)
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The internal time of the high-rise, like an artificial psychological climate, operated to its own rhythms, generated by a combination of alcohol and insomnia.
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J.G. Ballard (High-Rise)
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When he had first met her, Royal had taken for granted her absolute self-confidence, but in fact the reverse was true - far from being sure of herself, Anne needed constantly to re-establish her position on the top rung of the ladder. By comparison, the professional people around her, who had achieved everything as a result of their own talents, were models of self-assurance
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J.G. Ballard (High-Rise)
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The sight of the freshly swept floors and neatly furled curtains unsettled Wilder. He pulled the drawers on to the floor, heaved the mattresses off the beds, and urinated into the bath. His burly figure, trousers open to expose his heavy genitalia, glared at him from the mirrors in the bedroom. He was about to break the glass, but the sight of his penis calmed him, a white club hanging in the darkness. He would have liked to dress it in some way, perhaps with a hair-ribbon tied in a floral bow.
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J.G. Ballard (High-Rise)
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All the evidence over several decades cast a critical light on the high-rise as a viable social structure, but cost-effectiveness in the area of public housing and the profitability in the private sector kept pushing these vertical townships into the sky, against the real needs of their occupants. The psychology of high-rise life had been exposed with damaging results. Living in high-rises required a special type of behavior, one that was acquiescent, restrained, even perhaps slightly mad. A psychotic would have a ball here.
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J.G. Ballard (High-Rise)
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The more arid and affectless life became in the high-rise, the greater the possibilities it offered. By its very efficiency, the high-rise took over the task of maintaining the social structure that supported them all. For the first time, it removed the need to suppress every kind of anti-social behavior and left them free to explore any deviant or wayward impulses. It was precisely in these areas where the most important and interesting aspects of their lives would take place. Secure within the shell of the high-rise, like passengers on board an automatically-piloted airliner, they were free to behave in any way they wished, explore the darkest corners they could find. In many ways, the high-rise was a model of all that technology had done to make possible the expression of a truly free psychopathology.
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J.G. Ballard (High-Rise)
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In effect, the apartment block was a small vertical city, its two thousand inhabitants boxed up into the sky.j.g.
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J.G. Ballard (High-Rise)
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In short, their territorial instinct, in its psychological and social senses, had atrophied to the point where they were ripe for exploitation.
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J.G. Ballard (High-Rise)
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Reluctantly, he knew that he despised his fellow residents for the way in which they fit so willingly into their appointed slots in the apartment buildings, for their overdeveloped sense of responsibility and lack of flamboyance. Above all, he looked down on them for their good taste. The building was a monument to good taste, to the well-designed kitchen, to sophisticated utencils and fabrics, to elegant and never ostentatious furnishings. In short, to that whole aesthetic sensibility which these well-educated, professional people had inherited from all the schools of industrial design, all the award-winning schemes of interior decoration institutionalized by the last quarter of the century. Royal detested this orthodoxy of the intelligent. Visiting his neighbors’ apartments, he would find himself physically repelled by the contours of an award-winning coffee pot, but the well-modulated color schemes, by the good taste and intelligence that, Midas-like, had transformed everything in these apartments into an ideal marriage of function and design. In a sense, these people were the vanguard of a well-to-do and well-educated proletariat of the future, boxed up in these expensive apartments with their elegant furniture, and intelligent sensibilities, and no possibility of escape.
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J.G. Ballard (High-Rise)
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He picked at the thick rims of dirt under his nails. This decline, both of himself and his surroundings, was almost to be welcomed. In a way he was forcing himself down these steepening gradients, like someone descending into a forbidden valley. The dirt on his hands, his stale clothes and declining hygiene, his fading interest in food and drink, all helped to expose a more real version of himself.
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J.G. Ballard (High-Rise)
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In a sense life in the high-rise had begun to resemble the world outside--there were the same ruthlessness and aggression concealed within a set of polite conventions (High-Rise).
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J.G. Ballard
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the dog-owners habitually transferred to the lower-level elevators, encouraging their pets to use them as lavatories. This rivalry between the dog-owners and the parents of small children had in a sense already polarized the building. Between the upper and lower floors the central mass of apartmentsβ€”roughly from the 10th floor to the 30thβ€”formed a buffer state.
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J.G. Ballard (High-Rise)
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He though continually about the apartment building, a Pandora’s Box whose thousand lids were one by one, inwardly opening. The dominant tenants of the high-rise, those who had adapted most successfully to life there, were not the unruly airline pilots and film technicians of the lower floors, nor the bad-tempered and aggressive wives of the tax specialists on the upper levels. Although at first sight these people appeared to provoke all the tension and hostility, the people really responsible were the quiet and self-contained residents, like the dental surgeons Steele and his wife.
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J.G. Ballard
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Without knowing it, he had constructed a gigantic vertical zoo, it s hundreds of cages stacked above each other. All the events of the past few months made sense if one realized that these brilliant and exotic creatures had learned to open the doors. (from High-Rise).
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J.G. Ballard
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Through the window I looked across the oil-black Tigris at the Green Zone, lit up like Disneyland in Dystopia. I thought about J.G. Ballard's novel High Rise, where a state-of-the-art London tower block is the vertical stage for civilization to unpeel itself until nothing but primal violence remains.
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David Mitchell (The Bone Clocks)
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Visiting his neighbours’ apartments, he would find himself physically repelled by the contours of an award-winning coffee-pot, by the well-modulated colour schemes, by the good taste and intelligence that, Midas-like, had transformed everything in these apartments into an ideal marriage of function and design. In a sense, these people were the vanguard of a well-to-do and well-educated proletariat of the future, boxed up in these expensive apartments with their elegant furniture and intelligent sensibilities, and no possibility of escape.
”
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J.G. Ballard (High-Rise)
β€œ
A new social type was being created by the apartment building, a cool, unemotional personality impervious to the psychological pressures of high-rise life, with minimal needs for privacy, who thrived like an advanced species of machine in the neutral atmosphere. This was the sort of resident who was content to do nothing but sit in his over-priced apartment, watch television with the sound turned down, and wait for his neighbours to make a mistake. Perhaps the recent incidents represented a last attempt by Wilder and the airline pilots to rebel against this unfolding logic? Sadly, they had little chance of success, precisely because their opponents were people who were content with their lives in the high-rise, who felt no particular objection to an impersonal steel and concrete landscape, no qualms about the invasion of their privacy by government agencies and data-processing organizations, and if anything welcomed these invisible intrusions, using them for their own purposes. These people were the first to master a new kind of late twentieth-century life. They thrived on the rapid turnover of acquaintances, the lack of involvement with others, and the total self-sufficiency of lives which, needing nothing, were never disappointed. Alternatively,
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J.G. Ballard (High-Rise)
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One of the signs of this [screen] promiscuity is the compulsion of confinement which we see flourishing everywhere - whether it is like the confinement seen in Loft Story or that of an island, a gated community, a luxury ghetto, or any space where people recreate in an experimental nest or privileged zone - some sort of equivalent space of initiation where the laws of open society are abolished. It is no longer about protecting a symbolic territory but of closing oneself off with one’s own self-image, to live promiscuously with it as in a nest, in an incestuous complicity with it and with all the effects of transparency and feedback images which are those of a total screen, no longer having anything to do with others but via the relationship of image-to-image.
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Jean Baudrillard (Telemorphosis (Univocal))
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They had reached the french windows when there was an explosion of breaking glass from a balcony high above them. Fragments of glass flicked away like knives through the night air. A large, ungainly object whirled past,no more than twenty feet from the balcony. Startled, Eleanor blundered into Laing. As they caught their balance there was the sound of a harsh metallic collision from the ground below, almost as if a car had crashed. A short but unbroken silence followed, the first true quiet, Laing realized, that the building had known for days. Everyone crowded on to the balcony, Crosland and Steele grappling together as if each was trying to prevent the other from jumping over the ledge. Pushed along the railing, Laing saw his own empty balcony fifteen feet away. In an absurd moment of panic he wondered if he himself was the victim.
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J.G. Ballard (High-Rise)
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As if nervous of disturbing the interior of the apartment building, the morning sun explored the half-shuttered skylight of the 40th floor stairwell, slipped between the broken panes and fell obliquely down the steps.
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J.G. Ballard (High-Rise)
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Her suede jacket was unbuttoned to reveal a pair of grimy breasts, but her hair was elaborately wound into a mass of rollers, as if she were preparing parts of her body for some formal gala to which the rest of herself had not been invited.
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J.G. Ballard (High-Rise)
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When at last an elevator arrived, the doors opened to reveal a solitary passenger, a thin-shouldered and neurasthenic young masseuse who lived with her mother on the 5th floor. Laing immediately recognized her as one of the β€˜vagrants’, of whom there were many in the high-rise, bored apartment-bound housewives and stay-at-home adult daughters who spent a large part of their time riding the elevators and wandering the long corridors of the vast building, migrating endlessly in search of change or excitement. Alarmed
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J.G. Ballard (High-Rise)
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by the drunken crowd reeling towards her, the young woman snapped out of her reverie and pressed a button at random. A derisory hoot went up from the swaying guests. Within seconds she was pulled from the elevator and put through a mock-playful grilling. A statistician’s over-excited wife shouted at the hapless girl in a shrill voice, pushed a strong arm through the front rank of interrogators and slapped her face.
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J.G. Ballard (High-Rise)
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Sober she soon became tiresomely maudlin, wandering about the corridors in a vacant way as if she had lost the key to her own mind.
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J.G. Ballard (High-Rise)
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As far as many of the crew members knew, we were just heading out to resume the search for Titanic. Given the highly classified nature of the mission, the Navy would only let me tell those with a need-to-know status what was really happening. How could I conceal our first stop over Scorpion’s wreckage? It was south of the Azores. Titanic was west. I was waiting for someone to say, β€œBob, why is the sun rising on our port instead of our stern?” We told everyone we were testing equipment for the Navy.
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Robert D. Ballard (Into the Deep: A Memoir from the Man Who Found the Titanic)