Weddings Simple Quotes

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The most beautiful things in life are unassuming and simple to begin with.
Merlin Franco (A Dowryless Wedding)
Do you love me?' I asked her. She smiled. 'Yes.' 'Do you want me to be happy?' as I asked her this I felt my heart beginning to race. 'Of course I do.' 'Will you do something for me then?' She looked away, sadness crossing her features. 'I don't know if I can anymore.' she said. 'but if you could, would you?' I cannot adequately describe the intensity of what I was feeling at that moment. Love, anger, sadness, hope, and fear, whirling together sharpened by the nervousness I was feeling. Jamie looked at me curiously and my breaths became shallower. Suddenly I knew that I'd never felt as strongly for another person as I did at that moment. As I returned her gaze, this simple realization made me wish for the millionth time that I could make all this go away. Had it been possible, I would have traded my life for hers. I wanted to tell her my thoughts, but the sound of her voice suddenly silenced the emotions inside me. 'yes' she finally said, her voice weak yet somehow still full of promise. 'I would.' Finally getting control of myself I kissed her again, then brought my hand to her face, gently running my fingers over her cheek. I marveled at the softness of her skin, the gentleness I saw in her eyes. even now she was perfect. My throat began to tighten again, but as I said, I knew what I had to do. Since I had to accept that it was not within my power to cure her, what I wanted to do was give her something that she'd wanted. It was what my heart had been telling me to do all along. Jamie, I understood then, had already given me the answer I'd been searching for, the answer my heart needed to find. She'd told me outside Mr. Jenkins office, the night we'd asked him about doing the play. I smiled softly, and she returned my affection with a slight squeeze of my hand, as if trusting me in what I was about to do. Encouraged, I leaned closer and took a deep breath. When I exhaled, these were the words that flowed with my breath. 'Will you marry me?
Nicholas Sparks (A Walk to Remember)
If our brains were simple enough for us to understand them, we'd be so simple that we couldn't.
Ian Stewart (The Collapse of Chaos: Discovering Simplicity in a Complex World)
First of all, love is a joint experience between two persons — but the fact that it is a joint experience does not mean that it is a similar experience to the two people involved. There are the lover and the beloved, but these two come from different countries. Often the beloved is only a stimulus for all the stored-up love which had lain quiet within the lover for a long time hitherto. And somehow every lover knows this. He feels in his soul that his love is a solitary thing. He comes to know a new, strange loneliness and it is this knowledge which makes him suffer. So there is only one thing for the lover to do. He must house his love within himself as best he can; he must create for himself a whole new inward world — a world intense and strange, complete in himself. Let it be added here that this lover about whom we speak need not necessarily be a young man saving for a wedding ring — this lover can be man, woman, child, or indeed any human creature on this earth. Now, the beloved can also be of any description. The most outlandish people can be the stimulus for love. A man may be a doddering great-grandfather and still love only a strange girl he saw in the streets of Cheehaw one afternoon two decades past. The preacher may love a fallen woman. The beloved may be treacherous, greasy-headed, and given to evil habits. Yes, and the lover may see this as clearly as anyone else — but that does not affect the evolution of his love one whit. A most mediocre person can be the object of a love which is wild, extravagant, and beautiful as the poison lilies of the swamp. A good man may be the stimulus for a love both violent and debased, or a jabbering madman may bring about in the soul of someone a tender and simple idyll. Therefore, the value and quality of any love is determined solely by the lover himself. It is for this reason that most of us would rather love than be loved. Almost everyone wants to be the lover. And the curt truth is that, in a deep secret way, the state of being beloved is intolerable to many. The beloved fears and hates the lover, and with the best of reasons. For the lover is forever trying to strip bare his beloved. The lover craves any possible relation with the beloved, even if this experience can cause him only pain.
Carson McCullers (The Ballad of the Sad Café and Other Stories)
This is your life. Do what you want and do it often. If you don't like something, change it. If you don't like your job, quit. If you don't have enough time, stop watching TV. If you are looking for the love of your life, stop; they will be waiting for you when you start doing things you love. Stop over-analysing, life is simple. All emotions are beautiful. When you eat, appreciate every last bite. Life is simple. Open your heart, mind and arms to new things and people, we are united in our differences. Ask the next person you see what their passion is and share your inspiring dream with them. Travel often; getting lost will help you find yourself. Some opportunities only come once, seize them. Life is about the people you meet and the things you create with them, so go out and start creating. Life is short, live your dream and wear your passion.
Holstee Manifesto (The Wedding Day)
Swim, crawl, stagger, walk, bend, stagger and gone – that’s life in simple terms, and all that matters here is how well we fought.
Merlin Franco (A Dowryless Wedding)
You had this young man with you for... what, six years?" Halt shrugged. "Near enough," he replied. "And did you ever understand a word he was saying?" "Not a lot of the time, no," Halt said. Crowley shook his head in wonder. "It's just as well he didn't go into the Diplomatic Service. We'd be at war with half a dozen countries by now if he was on the loose." Will drew a deep breath to begin talking. He noticed that both men took an involuntary half step backward and he decided he'd better try to keep it as simple as possible.
John Flanagan (The Sorcerer in the North (Ranger's Apprentice, #5))
We'd been twelve years old together. We'd shared the convictions that only twelve year olds can share, that love is simple and powerful and easy and inevitable.
Emily Horner (A Love Story Starring My Dead Best Friend)
It felt as if we'd been to war together. Deep in a jungle, alone, I had relied on them, these strangers. They'd held me up in ways only people could. When it was over, an ending never felt like an ending, only an exhausted draw, we went our separate ways. Be we were bonded forever by the history of it, the simple fact they'd seen the raw side of me and me of them, a side no one, not even closest friends or family had ever seen before, or probably ever would.
Marisha Pessl (Night Film)
No one's place in this world is guaranteed. Not everyone is going to get a happy ending. But life isn't about how it ends. It's about the moments between. It's about the small things. The way our loved ones laugh. The sight of a butterfly in the sunlight after a year or two in the darkness. The love and support of an old friend. They might not be with us in body, but they are with us in spirit. The feeling of something we'd thought lost to us forever returned in a single, life-changing moment. Yes, that is simple, even though it might be momentous to us as individuals. Because every day, on this planet, people are born and people die and stranger things happen. But I know my place now, and my purpose. And no matter what trial you have to endure to find that out... It's worth it.
Jenny Trout (All Souls' Night (Blood Ties, #4))
1. Society needs laws. While anarchy can often turn a humdrum weekend into something unforgettable, eventually the mob must be kept from stealing the conch and killing Piggy. And while it would be nice if that "something" was simple human decency, anybody who has witnessed the "50% Off Wedding Dress Sale" at Filene's Basement knows we need a backup plan—preferably in writing. On the other hand, too many laws can result in outright tyranny, particularly if one of those laws is "Kneel before Zod." Somewhere between these two extremes lies the legislative sweet-spot that produces just the right amount of laws for a well-adjusted society—more than zero, less than fascism.
Jon Stewart (America (The Book): A Citizen's Guide to Democracy Inaction)
That's right," said Pepper. "Because," she added, "if we beat them, we'd have to be our own deadly enemies. It'd be me an' Adam against Brian an' Wensley," She sat back. "Everyone needs a Greasy Johnson," she said. "Yeah," said Adam. "That's what I thought. It's no good anyone winning. That's what I thought." He stared at Dog, or through Dog. "Seems simple enough to me," said Wensleydale, sitting back. "I don't see why it's taken thousands of years to sort out.
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
Because this was real life. And in real life, you are tested, simple as that. We’d be tested, and we’d have to see how we did.
Alice Clayton (The Unidentified Redhead (Redhead, #1))
Son, that's a pretty hard question to answer. But I do believe that any wish you make can come true if you help the wish. I don't think that the Lord meant for our lives to be so simple and easy that every time we wanted something, all we had to do was wish for it and we'd get it. I don't believe that at all. If that were true, there would be a lot of lazy people in this old world. No one would be working. Everyone would be wishing for what they needed or wanted. "Papa," I asked, "how can you help a wish?" "Oh, there are a lot of ways," Papa said. "Hard work, faith, patience, and determination. I think prayer and really believing in your wish can help more than anything else.
Wilson Rawls (Summer of the Monkeys)
True contentment is found in the quiet moments, wrapped in each other’s arms, with no place we'd rather be.
Rendi Ansyah (Beyond the Bouquet: A Symphony of Love in Fifty Movements)
Why?” I asked him tiredly. “What would it have changed? What could you possibly have said that would have made a difference?” “That I was your brother, Harry,” he said. “That I loved you. That I knew a few things about denying the dark parts of your nature. And that we would get through it.” He put his elblows on his knees and rested his forehead on his hands. “That we’d figure it out. That you weren’t alone.” Stab. Twist. He was right. It was just that simple.
Jim Butcher (Cold Days (The Dresden Files, #14))
I wasn’t able to be that person for you, and I did a terrible thing. I feel awful about it. But there was something wrong between us from the start, as if we’d done the buttons up wrong.
Haruki Murakami
A wedding was a strange ceremony, she thought, with all those formal words, those solemn vows made by one to another; whereas the real question that should be put to the two people involved was a very simple one. Are you happy with each other? was the only question that should be asked; to which they both should reply, preferably in unison, Yes.
Alexander McCall Smith (The Saturday Big Tent Wedding Party (No. 1 Ladies' Detective Agency, #12))
In a different world, in a different life, we'd be together," I whisper. "No kingdoms to rule, no people to save, just you and me and a simple life loving each other." "But we're in this world. In this life." He presses a kiss to the top of my head, and it feels like goodbye. "So I'll have to save that for my dreams.
Lexi Ryan (These Twisted Bonds (These Hollow Vows, #2))
Once you get over the simple unpleasantness of it - I suspect most people would gag, the first time - it is easier to wipe somebody else's bum than it is your own, because you can see what you're doing and use both hands at once if necessary. The whole process is much more efficient and uses no more toilet paper than is strictly required, so it's better for the environment, too. If we were really green we'd all have somebody else wipe our bums, though I can't see it catching on.
Iain Banks (The Quarry)
Some people put more effort and money into the wedding day than they do into the marriage itself, then it’s all downhill from there. I was happy for a simple start; things could only get better.
Sam Torode (The Dirty Parts of the Bible)
The problem here is that you think love will take all the pain away, like it does for characters in a book. It's not that easy, Stephen, and not that simple; despite all your bards and how much we'd like that to be true. It isn't. Love isn't going to fix me, or you. It's not a laxative that just helps you shit out all the crap you'd rather forget.
Brandon Shire (Listening To Dust)
We'd all be lucky in life if we had the chance to experience an unexpected adventure, and then make our way back safely to a place of comfort. Sometimes the only way we can appreciate our home and the simple happiness it has to offer is to be away from it for a while.
Noble Smith (The Wisdom of the Shire: A Short Guide to a Long and Happy Life)
Nick stopped on the sidewalk, pulled a ring from his pocket, and handed it to Kate. "Your wedding ring." It was a platinum band inlaid with diamonds. Simple but elegant. Kate put the ring on her finger. "That's got to be the least romantic proposal in history. Where did you steal this?" "I bought it," he said. "That must have been a new experience for you." "It was. Cost me ten grand." He slipped a matching platinum band onto his finger. "I want that ring back when this marriage is over." "No way," she said. "You can keep the dishes.
Janet Evanovich (The Chase (Fox and O'Hare, #2))
No, that's not the case at all. Shishio's logic dictates that the winner of a battle, in other words, the strong, is always correct that it does. If the truth could be discovered through fighting one or two battles, then we'd all be going through life without ever being wrong. A person's life isn't so simple a matter that it isn't. The true answer is something you find out yourself by how you live your life from this day onward that it is." -Kenshin
Nobuhiro Watsuki
We have almost always been linked," Brigitte told Nynaeve without taking her eyes from Cain's. "He is usually born well before me--so I know my time approches again when I cannot find him--and I usually hate him at first sight in the flesh. But we nearly always end lovers or wed. A simple story, but I think we have spun it out in a thousand variations.
Robert Jordan (The Shadow Rising (The Wheel of Time, #4))
Love one another." If we took those simple words to heart, we'd already be the Buddhas Jesus wanted us to be.
Kathleen Dowling Singh (The Grace in Aging: Awaken as You Grow Older)
What simple and ordinary lives we live, underneath the shadows of projection screen artists
Phil Volatile (White Wedding Lies, and Discontent: An American Love Story)
The hug was a simple gesture. Perhaps, the end of the cold war. Perhaps, the fragile beginning of love.
Mariyam Hasnain (The Wedding Planner)
If we all reacted the same way, we'd be predictable, and there's always more than one way to view a situation...It's simple: overspecialize, and you breed in weakness. It's slow death.
Motoko Kusanagi ⎯ Ghost in the Shell (1995)
God abides in men" "God abides in men, These are men who are simple, they are fields of corn... Such men have minds like wide grey skies, they have the grandeur that the fools call emptiness. God abides in men. Some men are not simple, they live in cities among the teeming buildings, wrestling with forces as strong as the sun and the rain. Often they must forgo dream upon dream... Christ walks in the wilderness in such lives. God abides in men, because Christ has put on the nature of man, like a garment, and worn it to his own shape. He has put on everyone's life... to the workman's clothes to the King's red robes, to the snowy loveliness of the wedding garment... Christ has put on Man's nature, and given him back his humanness... God abides in man.
Caryll Houselander (Flowering Tree (Prayer & Practice))
There was our love - there was our hope that we'd walk out of this with a future. There was our acceptance of each other - the good, the bad, and the downright ugly. There was so much pent-up longing. So much emotion that it packed a sucker punch straight to my soul and his, and I knew it, because I could feel his heart rate picking up. Mine matched his - made for his. All of that was in a simple kiss and it was too much, not enough, and just perfect.
Jennifer L. Armentrout
Now some of you will say that the two are one and the same - happiness and joy - but this is not so. Happiness is a feeling. Happiness is fleeting, dependent on the moment, the circumstances, even the weather. Joy is transcendent, enduring, and, in the biblical context, is not an emotion. Joy is an attitude of the heart. Joy brings us peace, a refuge in the midst of troubles. God gives us joy through His Spirit. But the enemy tries to steal your joy and give you temporary happiness instead. Now, is there anything wrong with being happy? Nee, but it cannot last. So, you may wonder why I bring up the difference between these two - it is simple really. [...] marriage is sacred before the Lord, a decision for a lifetime, but too often I think young people look upon it as a source of happiness. Do not look at marriage this way. See it as a reservoir of joy, a deep, welling spring that endures the icy blast of temper, the bite of an angry word, the void of loneliness in a heart hungry for talk when there is no response. [...] Seek joy in each other, not happiness.
Kelly Long (Lilly's Wedding Quilt (Patch of Heaven, #2))
Keep it simple' wasn't always the right response. Many things that boosted my happiness also added complexity to my life. Having children. Learning to post videos to my website. Going to an out-of-town wedding. Applied too broadly, my impulse to 'Keep it simple' would impoverish me. 'Life is barren enough surely with all her trappings,' warned Samuel Johnson, 'let us therefore by cautious how we strip her.
Gretchen Rubin (Happier at Home: Kiss More, Jump More, Abandon Self-Control, and My Other Experiments in Everyday Life)
Whatever it was that had drawn him to police work, that had wed him to the job for so many years, it surely wasn't the appeal of a gun or the deceptively simple solution it offers.
John Verdon (Shut Your Eyes Tight (Dave Gurney, #2))
Simple questions--and simple answers--were what we needed in life. That was what Mma Ramotswe believed. Yes.
Alexander McCall Smith (The Saturday Big Tent Wedding Party (No. 1 Ladies' Detective Agency, #12))
Men, she thought to herself with a sigh, didn’t really have to perform grand expansive gestures to have a woman melt inside. A simple arm crooked for their use was the equivalent of at least a dozen bouquets.
Milly Johnson (White Wedding)
We really never, never threw anything away. You think you know about recycling? We invented it. We had to. We were desperate. Sometimes maybe the only thing we had to work with was a couple of leftover baked potatoes from the weekend, and that was all there was to eat. Didn't matter to us that much. Ma just baked them again. Twice-Baked Potatoes really were kind of a treat for us, and we'd never complain when she served them.
Clara Cannucciari (Clara's Kitchen: Wisdom, Memories, and Recipes from the Great Depression)
Dany "Bring me that book I was reading last night." She wanted to lose herself in the words, in other times and other places. The fat leather-bound volume was full of songs and stories from the Seven Kingdoms. Children's stories, if truth be told; too simple and fanciful to be true history. All the heroes were tall and handsome, and you could tell the traitors by their shifty eyes. Yet she loved reading them all the same. Last night she had been reading of the three princesses in the red tower, locked away by the king for the crime of being beautiful. When her handmaiden brought the book, dany had no trouble finding the page where she had left off, but is was no good. She found herself reading the same passage half a dozen times. "Ser Jorah gave me this book as a bride's gift, the day I we'd Khal Drogo" She played at at being a queen, yet sometimes she felt like a scared little girl.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
Most of us will. We'll choose knowledge no matter what, we'll maim ourselves in the process, we'll stick our hands into the flames for it if necessary. Curiosity is not our only motive: love or grief or despair or hatred is what drives us on. We'll spy relentlessly on the dead: we'll open their letters, we'll read their journals, we'll go through their trash, hoping for a hint, a final word, an explanation, from those who have deserted us--who've left us holding the bag, which is often a good deal emptier than we'd supposed. But what about those who plant such clues, for us to stumble on? Why do they bother? Egotism? Pity? Revenge? A simple claim to existence, like scribbling your initials on a washroom wall? The combination of presence and anonymity--confession without penance, truth without consequences--it has its attractions. Getting the blood off your hands, one way or another. Those who leave such evidence can scarcely complain if strangers come along afterwards and poke their noses into every single thing that would once have been none of their business. And not only strangers: lovers, friends, relations. We're voyeurs, all of us. Why should we assume that anything in the past is ours for the taking, simply because we've found it? We're all grave robbers, once we open the doors locked by others. But only locked. The rooms and their contents have been left intact. If those leaving them had wanted oblivion, there was always fire.
Margaret Atwood (The Blind Assassin)
I don't know that you'll understand this, but once upon a time, long ago, I was a scholar and a marathon man, but that fella's gone now, dead I suppose, but I remember something he thought, which was that if you don't learn the mistakes of the past, you'll be doomed to repeat them. Well we've been making a mistake with people like you, because public trials are bullshit and executions are games for winners - all this time we should have been giving back pain. That's the real lesson. That's the loser's share, just pain, pure and simple, pain and torture, no hotshot lawyers running around trying to see that justice is done. I think we'd have a nice peaceful place here if all you warmakers knew you better not start something because if you lost, agony was just around the bend. That's what I'd like to give you. Agony. Not what you're suffering now. I mean a lifetime of it, 'cause that's the only degree of justice I think we're ready for down here yet, and I know any humanist might disagree with me too, but I don't think you will, because you had a lot to do with educating me, I'm like you now, except I'm better at it, because you're going to die and I've still got a long way to go.
William Goldman (Marathon Man)
If we all reacted the same way, we'd be predictable, and there's always more than one way to view a situation. What's true for the group is also true for the individual. It's simple: Overspecialize, and you breed in weakness. It's slow death.
Motoko Kusanagi
People settle by acquiring a first-person plural – a place, a community and a way of life that is ‘ours’. The need for this ‘we’ is not accepted by internationalists, by revolutionary socialists, or by intellectuals wedded to the Enlightenment’s timeless, placeless vision of the ideal community. But it is a fact, and indeed the primary fact from which all community and all politics begin. George Orwell noticed this, during the course of the Second World War. The disloyalty of the left intelligentsia was, for Orwell, all the more evident and all the more shocking, when set beside the simple, dogged ‘we’ of the ordinary people. And the real political choice, about which Orwell had no hesitation, was whether to join the intellectuals in their work of destruction, or to stand by the ordinary people in defending their country in its hour of need.
Roger Scruton (How to Be a Conservative)
This is what makes me crazy in this family, Dad. I don't care that you hit us. I really don't. That's over and there's nothing any of us can do about it. But I can't stand it when I state a simple fact about this family's history and I'm told by you or Mom that it didn't happen. But you've got to know, Dad, and I'm saying this as a son who loves you, that you were a shit to your kids. Not all the time. Not every day. Not every month. But we never knew what would set you off. We never knew when your temper would explode and we'd have the strongest shrimper on the river knocking us around the house. So we learned to be afraid without making a sound. And Mom was a loyal wife to you, Dad. She would never let us tell a soul that you were hitting us. Most of the time, she was like you and would simply tell us it didn't happen the way we remembered it.
Pat Conroy (The Prince of Tides)
Cinder." Kai pulled one leg onto the bank, turning his body so they were facing each other. He took her hands between his and her heart began to drum unexpectedly. Not because of his touch, and not even because of his low, serious tone, but because it occurred to Cinder all at once that Kai was nervous. Kai was never nervous. "I asked you once," he said, running his thumbs over her knuckles, "if you thought you would ever be willing to wear a crown again. Not as the queen of Luna, but ... as my empress. And you said that you would consider it, someday." She swallowed a breath of cool night air. "And ... this is that day?" His lips twitched, but didn't quite become a smile. "I love you. I want to be with you for the rest of my life. I want to marry you, and, yes, I want you to be my empress." Cinder gaped at him for a long moment before she whispered, "That's a lot of wanting." "You have no idea." She lowered her lashes. "I might have some idea." Kai released one of her hands and she looked up again to see him reaching into his pocket - the same that had held Wolf's and Scarlet's wedding rings before. His fist was closed when he pulled it out and Kai held it toward her, released a slow breath, and opened his fingers to reveal a stunning ring with a large ruby ringed in diamonds. It didn't take long for her retina scanner to measure the ring, and within seconds it was filling her in on far more information than she needed - inane worlds like carats and clarity scrolled past her vision. But it was the ring's history that snagged her attention. It had been his mother's engagement ring once, and his grandmother's before that. Kai took her hand and slipped the ring onto her finger. Metal clinked against metal, and the priceless gem looked as ridiculous against her cyborg plating as the simple gold band had looked on Wolf's enormous, deformed, slightly hairy hand. Cinder pressed her lips together and swallowed, hard, before daring to meet Kai's gaze again. "Cinder," he said, "will you marry me?" Absurd, she thought. The emperor of the Eastern Commonwealth was proposing to her. It was uncanny. It was hysterical. But it was Kai, and somehow, that also made it exactly right. "Yes," she whispered. "I will marry you." Those simple words hung between them for a breath, and then she grinned and kissed him, amazed that her declaration didn't bring the surge of anxiety she would have expected years ago. He drew her into his arms, laughing between kisses, and she suddenly started to laugh too. She felt strangely delirious. They had stood against all adversity to be together, and now they would forge their own path to love. She would be Kai's wife. She would be the Commonwealth's empress. And she had every intention of being blissfully happy for ever, ever after.
Marissa Meyer (Stars Above (The Lunar Chronicles, #4.5))
I don’t think any other retail company in the world could do what I’m going to propose to you. It’s simple. It won’t cost us anything. And I believe it would just work magic, absolute magic on our customers, and our sales would escalate, and I think we’d just shoot past our Kmart friends in a year or two and probably Sears as well. I want you to take a pledge with me. I want you to promise that whenever you come within ten feet of a customer, you will look him in the eye, greet him, and ask him if you can help him. Now I know some of you are just naturally shy, and maybe don’t want to bother folks. But if you’ll go along with me on this, it would, I’m sure, help you become a leader. It would help your personality develop, you would become more outgoing, and in time you might become manager of that store, you might become a department manager, you might become a district manager, or whatever you choose to be in the company. It will do wonders for you. I guarantee it. Now, I want you to raise your right hand—and remember what we say at Wal-Mart, that a promise we make is a promise we keep—and I want you to repeat after me: From this day forward, I solemnly promise and declare that every time a customer comes within ten feet of me, I will smile, look him in the eye, and greet him. So help me Sam.
Sam Walton (Sam Walton: Made In America)
Open Letter to Neil Armstrong" Dear Neil Armstrong, I write this to you as she sleeps down the hall. I need answers I think only you might have. When you were a boy, and space was simple science fiction, when flying was merely a daydream between periods of History and Physics, when gifts of moon dust to the one you loved could only be wrapped in your imagination.. Before the world knew your name; before it was a destination in the sky.. What was the moon like from your back yard? Your arm, strong warm and wrapped under her hair both of you gazing up from your back porch summers before your distant journey. But upon landing on the moon, as the earth rose over the sea of tranquility, did you look for her? What was it like to see our planet, and know that everything, all you could be, all you could ever love and long for.. was just floating before you. Did you write her name in the dirt when the cameras weren't looking? Surrounding both your initials with a heart for alien life to study millions of years from now? What was it like to love something so distant? What words did you use to bring the moon back to her? And what did you promise in the moons ear, about that girl back home? Can you, teach me, how to fall from the sky? I ask you this, not because I doubt your feat, I just want to know what it's like to go somewhere no man had ever been, just to find that she wasn't there. To realize your moon walk could never compare to the steps that led to her. I now know that the flight home means more. Every July I think of you. I imagine the summer of 1969, how lonely she must have felt while you were gone.. You never went back to the moon. And I believe that's because it dosen't take rockets to get you where you belong. I see that in this woman down the hall, sometimes she seems so much further. But I'm ready for whatever steps I must take to get to her.I have seem SO MANY skies.. but the moon, well, it always looks the same. So I gotta say, Neil, that rock you landed on, has got NOTHING on the rock she's landed on. You walked around, took samples and left.. She's built a fire cleaned up the place and I hope she decides to stay.. because on this rock.. we can breath. Mr. Armstrong, I don't have much, many times have I been upside down with trauma, but with these empty hands, comes a heart that is often more full than the moon. She's becoming my world, pulling me into orbit, and I now know that I may never find life outside of hers. I want to give her EVERYTHING I don't have yet.. So YES, for her, I would go to the moon and back.... But not without her. We'd claim the moon for each other, with flags made from sheets down the hall. And I'd risk it ALL to kiss her under the light of the earth, the brightness of home... but I can do all of that and more right here, where she is..And when we gaze up, her arms around ME, I will NOT promise her gifts of moon dust, or flights of fancy. Instead I will gladly give her all the earth she wants, in return for all the earth she is. The sound of her heart beat and laughter, and all the time it takes to return to fall from the sky,down the hall, and right into love. God, I'd do it every day, if I could just land next to her. One small step for man, but she's one giant leap for my kind.
Mike McGee
No one’s place in this world is guaranteed. Not everyone is going to get a happy ending. But life isn’t about how it ends. It’s about the moments between. It’s about the small things. The way our loved ones laugh. The sight of a butterfly in the sunlight after a year or two in the darkness. The love and support of an old friend. They might not be with us in body, but they are with us in spirit. The feeling of something we’d thought lost to us forever returned in a single, life-changing moment. Yes, that is simple, even though it might be momentous to us as individuals. Because every day, on this planet, people are born and people die and stranger things happen. But I know my place now, and my purpose. And no matter what trial you have to endure to find that out… It's worth it.
Jenny Trout (All Souls' Night (Blood Ties, #4))
It was as if the two women represented the poles of his desires, one of them forthright, spontaneous and simple in her tastes; the other engimatic, sophisticated, wedded to luxury.
Amitav Ghosh (Flood of Fire)
He and I were walking hand in hand, just after we’d had sex for the first and only time—and right before we’d gone into battle against the cannibals. ’Bout to face shittier odds than I ever have, stone-cold sober, and I never felt so good. Is this what being at peace means? No damn wonder everyone wants to feel this way. Evie glances up at me with those blue eyes, and she’s so fucking beautiful I nearly trip over my feet. Her scent is honeysuckle, which means she’s all but purring. Her lips curve, and that smile hits me harder than any punch. She’s got no regrets. Good. ’Cause I’m never letting her go. I might reach too high to have her, but she doan think so. I want to say something, to tell her how I feel about what we just did. Everything I think to say could be taken the wrong way. So I squeeze her hand and keep it simple. “À moi, Evangeline.” Mine. She promises me: “Always.” And I believe her.
Kresley Cole (Dead of Winter (The Arcana Chronicles, #3))
So I might say to her: look, the thing you have to appreciate is that we’d just been through a century of relativism and deconstruction, in which we were informed that most of our fondest-held principles were either uncertain or simple wishful thinking, and in many areas of our lives we had already been asked to accept that nothing is essential and everything changes—and this had taken the fight out of us somewhat.
Zadie Smith (Feel Free: Essays)
Are you, are you Coming to the tree Where they strung up a man they say murdered three. Strange things did happen here No stranger would it be If we met up at midnight in the hanging tree.” The mockingjays begin to alter their songs as they become aware of my new offering. “Are you, are you Coming to the tree Where the dead man called out for his love to flee. Strange things did happen here No stranger would it be If we met up at midnight in the hanging tree.” I have the birds’ attention now. In one more verse, surely they will have captured the melody, as it’s simple and repeats four times with little variation. “Are you, are you Coming to the tree Where I told you to run, so we’d both be free. Strange things did happen here No stranger would it be If we met up at midnight in the hanging tree.” A hush in the trees. Just the rustle of leaves in the breeze. But no birds, mockingjay or other. Peeta’s right. They do fall silent when I sing. Just as they did for my father. “Are you, are you Coming to the tree Wear a necklace of rope, side by side with me. Strange things did happen here No stranger would it be
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Это просто, как кровь и пот: Царь — народу, царю — народ. Это ясно, как тайна двух: Двое рядом, а третий — Дух. Царь с небес на престол взведён: Это чисто, как снег и сон. Царь опять на престол взойдёт — Это свято, как кровь и пот. 7 мая 1918, 3-ий день Пасхи (а оставалось ему жить меньше трёх месяцев!) It is simple, as blood and sweat: Tsar and people - in destiny wed. It is clear, as a secret shared Between two, an the Spirit- the third. Heaven summoned the tsar to his throne: It is spotless, as sleep as snow. And the tsar shall regain his throne yet: It is sacred, as blood and sweat. 24th April 1918 3rd day of Easter (and he had - less than three months to live!)
Marina Tsvetaeva (The Demesne of the Swans)
We live in a culture of reductionism. Or better, we are living in the aftermath of a culture of reductionism, and I believe we have reduced the complexity and diversity of the Scriptures to systematic theologies that insist on ideological conformity, even when such conformity flattens the diversity of the Scriptural witness. We have reduced our conception of gospel to four simple steps that short-circuit biblical narratives and notions of the kingdom of God on earth as it is in heaven in favor of a simplified means of entrance to heaven. Our preaching is often wed to our materialistic, consumerist cultural assumptions, and sermons are subsequently reduced to delivering messages that reinforce the worst of what American culture produces: self-centered end users who believe that God is a resource that helps an individual secure what amounts to an anemic and culturally bound understanding of the 'abundant life.
Tim Keel (Intuitive Leadership: Embracing a Paradigm of Narrative, Metaphor, and Chaos (ēmersion: Emergent Village resources for communities of faith))
Communication isn’t as simple as saying what you mean. How you say what you mean is crucial, and differs from one person to the next, because using language is learned social behavior: How we talk and listen are deeply influenced by cultural experience. Although we might think that our ways of saying what we mean are natural, we can run into trouble if we interpret and evaluate others as if they necessarily felt the same way we’d feel if we spoke the way they did.
Harvard Business Publishing (HBR's 10 Must Reads on Communication (with featured article "The Necessary Art of Persuasion," by Jay A. Conger))
The human mind loves either/or choices. We prefer a choice of A or B. Yes or no. Chicken or beef. Simple choices give us a feeling of control, while open-ended choices give us a feeling of unease. Therefore we’d rather choose between than among.
Marty Neumeier (The 46 Rules of Genius: An Innovator's Guide to Creativity (Voices That Matter))
— If love wants you; if you’ve been melted down to stars, you will love with lungs and gills, with warm blood and cold. With feathers and scales. Under the hot gloom of the forest canopy you’ll want to breathe with the spiral calls of birds, while your lashing tail still gropes for the waes. You’ll try to haul your weight from simple sea to gravity of land. Caught by the tide, in the snail-slip of your own path, for moments suffocating in both water and air. If love wants you, suddently your past is obsolete science. Old maps, disproved theories, a diorama. The moment our bodies are set to spring open. The immanence that reassembles matter passes through us then disperses into time and place: the spasm of fur stroked upright; shocked electrons. The mother who hears her child crying upstairs and suddenly feels her dress wet with milk. Among black branches, oyster-coloured fog tongues every corner of loneliness we never knew before we were loved there, the places left fallow when we’re born, waiting for experience to find its way into us. The night crossing, on deck in the dark car. On the beach wehre night reshaped your face. In the lava fields, carbon turned to carpet, moss like velvet spread over splintered forms. The instant spray freezes in air above the falls, a gasp of ice. We rise, hearing our names called home through salmon-blue dusk, the royal moon an escutcheon on the shield of sky. The current that passes through us, radio waves, electric lick. The billions of photons that pass through film emulsion every second, the single submicroscopic crystal struck that becomes the phograph. We look and suddenly the world looks back. A jagged tube of ions pins us to the sky. — But if, like starlings, we continue to navigate by the rear-view mirror of the moon; if we continue to reach both for salt and for the sweet white nibs of grass growing closest to earth; if, in the autumn bog red with sedge we’re also driving through the canyon at night, all around us the hidden glow of limestone erased by darkness; if still we sish we’d waited for morning, we will know ourselves nowhere. Not in the mirrors of waves or in the corrading stream, not in the wavering glass of an apartment building, not in the looming light of night lobbies or on the rainy deck. Not in the autumn kitchen or in the motel where we watched meteors from our bed while your slow film, the shutter open, turned stars to rain. We will become indigestible. Afraid of choking on fur and armour, animals will refuse the divided longings in our foreing blue flesh. — In your hands, all you’ve lost, all you’ve touched. In the angle of your head, every vow and broken vow. In your skin, every time you were disregarded, every time you were received. Sundered, drowsed. A seeded field, mossy cleft, tidal pool, milky stem. The branch that’s released when the bird lifts or lands. In a summer kitchen. On a white winter morning, sunlight across the bed.
Anne Michaels
WHAT WE WANT of course is the same old story. The trees pushing out their leaves, fluttering them, shucking them off, the water thrashing around in the oceans, the tweedling of the birds, the unfurling of the slugs, the worms vacuuming dirt. The zinnias and their pungent slow explosion. We want it all to go on and go on again, the same thing each year, monotonous and amazing, just as if we were still behaving ourselves, living in tents, raising sheep, slitting their throats for God’s benefit, refusing to invent plastics. For unbelief and bathrooms you pay a price. If apples were the Devil’s only bait we’d still be able to call our souls our own, but then the prick threw indoor plumbing into the bargain and we were doomed. Now we use up a lot of paper telling one another how to conserve paper, and the sea fills up with killer coffee cups, and we worry about the sun and its ambivalent rays.
Margaret Atwood (Good Bones and Simple Murders)
These days, there are so few pure country people left on the concession roads that we may be in need of a new category of membership, much as sons and daughters of veterans are now allowed to join the Legion. A few simple questions could be asked, a small fee paid and (assuming that the answers are correct) you could be granted the status of an "almost local." Here are some of the questions you might be asked: Do you have just one suit for weddings and funerals? Do you save plastic buckets? Do you leave your car doors unlocked at all times? Do you have an inside dog and an outside dog? Has your outside dog never been to town? When you pass a neighbour in the car, do you wave from the elbow or do you merely raise one finger from the steering wheel? Do you have trouble keeping the car or truck going in a straight line because you are looking at crops or livestock? Do you sometimes find yourself sitting in the car in the middle of a dirt road chatting with a neighbour out the window while other cars take the ditch to get around you? Can you tell whose tractor is going by without looking out the window? Can people recognize you from three hundred yards away by the way you walk or the tilt of your hat? If somebody honks their horn at you, do you automatically smile and wave? Do most of your conversations open with some observation about the weather? Is your most important news source the store in the village? Have you had surgery in the local hospital? If you hear about a death or a fire in the community, does the woman in your house immediately start making sandwiches or a cake? Do you sometimes find yourself referring to a farm in the neighbourhood by the name of someone who owned it more than twenty-five years ago? If you answered yes to all of the above questions, consider it official: you are a local.
Dan Needles (True Confessions from the Ninth Concession)
There ought to be a different word for it once you’ve been married for enough years. When you’ve long since passed the point where it stopped feeling like a choice. I no longer choose you every morning, that was a beautiful thing we said on our wedding day, I just can’t imagine life without you now. We aren’t freshly blooming flowers, we’re two trees with intertwined roots, you’ve grown old within me. When you’re young you believe that love is infatuation, but infatuation is simple, any child can become infatuated, fall in love. But real love? Love is a job for an adult. Love demands a whole person, all the best of you, all the worst. It has nothing to do with romance, because the hard part of a marriage isn’t that I have to live seeing all your faults, but that you have to live with me seeing them. That I know everything about you now. Most people aren’t brave enough to live without secrets. Everyone dreams about being invisible sometimes, no one dreams of being transparent. Marriage? There ought to be a different word for it after a while. Because there’s no such thing as “eternal infatuation,” only love lasts that long, and it’s never simple. It requires a whole person, everything you have. The whole lot.
Fredrik Backman (The Winners (Beartown, #3))
There ought to be a different word for it once you’ve been married for enough years. When you’ve long since passed the point where it stopped feeling like a choice. I no longer choose you every morning, that was a beautiful thing we said on our wedding day, I just can’t imagine life without you now. We aren’t freshly blooming flowers, we’re two trees with intertwined roots, you’ve grown old within me. When you’re young you believe that love is infatuation, but infatuation is simple, any child can become infatuated, fall in love. But real love? Love is a job for an adult. Love demands a whole person, all the best of you, all the worst. It has nothing to do with romance, because the hard part of a marriage isn’t that I have to live seeing all your faults, but that you have to live with me seeing them. That I know everything about you now. Most people aren’t brave enough to live without secrets. Everyone dreams about being invisible sometimes, no one dreams of being transparent.
Fredrik Backman (The Winners (Beartown, #3))
When I was a young girl, I studied Greek in school. It's a beautiful language and ever so many good things were written in it. When you speak Greek, it feels like a little bird flapping its wings on your tongue as fast as it can. This is why I sometimes put Greek words into my stories, even though not so many people speak Ancient Greek anymore. Anything beautiful deserves to be shared round, and anything I love goes into my stories for safekeeping. The word I love is Arete. It has a simple meaning and a complicated meaning. The simple one is: excellence. But if that were all, we'd just use Excellence and I wouldn't bring it up until we got to E. Arete means your own excellence. Your very own. A personal excellence that belongs to no one else, one that comes out of all the things that make you special and different. Arete means whatever you are best at, no matter what that is. You might think the Greeks only meant things like fighting with bronze swords or debating philosophy, but they didn't. They meant whatever you're best at. What makes you feel like you're doing the rightest thing in the world. And that might be fighting with bronze swords and it might mean debating philosophy—but it also might mean building machines, or drawing pictures, or playing the guitar, or acting in Shakespeare plays, or writing books, or making a home for people who need one, or listening so hard and so well that people tell you the things they really need to say even if they didn't mean to, or running faster than anyone else, or teaching people patiently and boldly, or even making pillow forts or marching in parades or baking bread. It could be lending out just the right library book to just the right person at just the right moment. It could be standing up to the powerful even if you don't feel very powerful yourself, even if you're lost and as far away from home as you can get. It could be loving someone with the same care and thoroughness that a Wyvern takes with alphabetizing. It could be anything in the world. And it isn't easy to figure out what that is. It's even harder to get that good at it, because nothing, not even being yourself, comes without practice. But your arete goes with you everywhere, just waiting for you to pay attention to it. You can't lose it. You can only find it. And that's my favorite thing that starts with A.
Catherynne M. Valente (The Girl Who Fell Beneath Fairyland and Led the Revels There (Fairyland, #2))
Though Beckett remained confined to the same claustrophobic hotel room that had housed him for weeks now, he’d attended the wedding in every sense but literally. He dressed for the occasion, and Eve helped him get his bow tie just right before she left, promising once again that her hummingbird pin would send him every detail it could. Riveted to the live feed from Eve’s transmitter on his hotel room TV, Beckett stood when the congregation stood, and he sat when they sat. And when he noticed that the camera had bounced even lower, Beckett knelt. As Kyle came fluttering down the aisle in her simple blue dress, Beckett swore aloud in the empty room. “Shit, Fairy Princess, you’re an angel.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
Amanda was probably in her mid-fifties, a small woman, maybe five-three on a good day. Her attitude filled the room, and she walked with a swagger that rivaled a bullfighter's. She wore a simple diamond ring on her wedding finger, though Will knew she wasn't currently married. She had no children, or perhaps she had eaten them when they were young.
Karin Slaughter (Triptych (Will Trent, #1))
An old Buddhist parable illustrates the challenge—and the value—of letting go of the past. Two monks were strolling by a stream on their way home to the monastery. They were startled by the sound of a young woman in a bridal gown, sitting by the stream, crying softly. Tears rolled down her cheeks as she gazed across the water. She needed to cross to get to her wedding, but she was fearful that doing so might ruin her beautiful handmade gown. In this particular sect, monks were prohibited from touching women. But one monk was filled with compassion for the bride. Ignoring the sanction, he hoisted the woman on his shoulders and carried her across the stream—assisting her journey and saving her gown. She smiled and bowed with gratitude as the monk splashed his way back across the stream to rejoin his companion. The second monk was livid. ‘How could you do that?’ he scolded. ‘You know we are forbidden to touch a woman, much less pick one up and carry her around!’ The offending monk listened in silence to a stern lecture that lasted all the way back to the monastery. His mind wandered as he felt the warm sunshine and listened to the singing birds. After returning to the monastery, he fell asleep for a few hours. He was jostled and awakened in the middle of the night by his fellow monk. ‘How could you carry that woman?’ his agitated friend cried out. ‘Someone else could have helped her across the stream. You were a bad monk.’ ‘What woman?’ the sleepy monk inquired. ‘Don’t you even remember? That woman you carried across the stream,’ his colleague snapped. ‘Oh, her,’ laughed the sleepy monk. ‘I only carried her across the stream. You carried her all the way back to the monastery.’ The learning point is simple: When it comes to our flawed past, leave it at the stream. I am not suggesting that we should always let go of the past. You need feedback to scour the past and identify room for improvement. But you can’t change the past. To change you need to be sharing ideas for the future.
Marshall Goldsmith (What Got You Here Won't Get You There: How successful people become even more successful)
She found herself thinking about the games that she had played when she was young with other children in the village. Those whose parents hadn’t forbidden them from playing with her, that is. They were princes and princess. Damsels and knights. They built castles of twigs and made woven crowns of bluebells and swanned around the fields as if they were nobles in Verene. The had imagined a life of jewels and parties and feasts— oh, the feasts they had dreamed up—the dances, the balls. Serilda had been so very good at dreaming. Even then, her peers were eager to hear her turn their simple musings into unparalleled adventures. But never had it crossed Serilda’s mind, not for the shortest swallow trill, that it might come true. She would live in a castle. She would be wed to a king. She would be wed to a monster.
Marissa Meyer (Gilded (Gilded, #1))
It seems so simple, even with the black and white taking away even more of what we’d see normally. But in the simplicity, there’s so much more there that speaks to a raw side of your soul like you can feel what the photographer feels, or any artist by focusing on an object that would have such little meaning if you saw it in passing. In the art, it begs to tell you a story and you can already feel what the story is about.
W. Winters (All He'll Ever Be (Merciless #1-4))
Thinking back, we decided the girls had been trying to talk to us all along, to elicit our help, but we’d been too infatuated to listen. Our surveillance had been so focused we missed nothing but a simple returned gaze. Who else did they have to turn to? Not their parents. Nor the neighborhood. Inside their house they were prisoners; outside, lepers. And so they hid from the world, waiting for someone — for us — to save them.
Jeffrey Eugenides (The Virgin Suicides)
Did I hate the structure we were concocting? On some level, yes: it was a betrayal of everything we’d been taught in our former lives, and of all that we’d achieved. Was I proud of what we managed to accomplish, despite the limitations? Also, on some level, yes. Things are never simple. For a time I almost believed what I understood I was supposed to believe. I numbered myself among the faithful for the same reason that many in Gilead did: because it was less dangerous. What good is it to throw yourself in front of a steamroller out of moral principles and then be crushed flat like a sock emptied of its foot? Better to fade into the crowd, the piously praising, unctuous, hate-mongering crowd. Better to hurl rocks than to have them hurled at you. Or better for your chances of staying alive. They knew that so well, the architects of Gilead. Their kind has always known that.
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
Blake shook his head at Beckett’s lack of manners but held the chair out for Livia. She sat and smiled at Beckett like he was a guest at her freaking wedding. She’s so damn happy. Blake accepted the two water bottles from a server with a nod of gratitude. He opened his first and handed it to Livia, taking her unopened one as his own. She bit her lip and smiled. Simple shit makes this chick crap bubbles and rainbows. Beckett shook his head, rattling his mental snow globe again.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
I used to think one day we'd tell the story of us ; How we met, and the sparks flew instantly. People would say have said they're the lucky ones. I used to know my place was a spot next to you and then it went to me searching the room for an empty seat 'Cause lately I don't even know what page you're on Oh, a simple complication, Miscommunications lead to fall out. So many things that I wish you knew oh and So many walls up, I can't break through Now I'm back again on this website after five years And I'm dying to know does it still hurt you like it hurts me? I don't know what to say since a twist of fate, when it all broke down and the story of us looks a lot like a tragedy now How'd we end up this way? With both of us deleting our accounts and going our separate ways So, today I'm telling the story of us of how I was losing my mind when I saw you had deleted the account and gone away without a goodbye and no I miss yous leaving me with just your quotes on Goodreads How you held your pride like you should've held me Why did we pretend this is nothing? I'd tell you I miss you, but I don't know how I never heard silence quite this loud Now I'm standing alone in a crowded room in a UK library reminiscing about the days when I was 15 and you were a 16 California boy; how we fell for each and how we fought both too immature to realize what we were setting up in flames How I still recall your replies and my singing heart and shining eyes. Didn't tell you back then and now I'm saying I liked it better when you were on my side So many things that you wish I knew ; So many that I wish I had told you But the story of us has broken, burned and ended Now I'm standing alone in a crowded room And we're not speaking : And I'm dying to know Is it killing you like it's killing me? But I don't know what to say Since a twist of fate, when it all broke down And the story of us looks a lot like a tragedy now.
Hearts Can Break and Never Make a Sound
Let’s talk about ‘Coexist’ bumper stickers for a second. You’ve definitely seen them around. They’re those blue strips with white lettering that assemble a collection of religious icons and mystical symbols (e.g., an Islamic crescent, a Star of David, a Christian cross, a peace sign, a yin-yang) to spell out a simple message of inclusion and tolerance. Perhaps you instinctively roll your eyes at these advertisements of moral correctness. Perhaps you find the sentiment worthwhile, but you’re not a wear-your-politics-on-your-fender type of person. Or perhaps you actually have ‘Coexist’ bumper stickers affixed to both your Prius and your Beamer. Whatever floats your boat, man; far be it from us to cast stones. But we bring up these particular morality minibillboards to illustrate a bothersome dichotomy. If we were to draw a Venn diagram of (a) the people who flaunt their socially responsible “coexist” values for fellow motorists, and (b) the people who believe that, say, an evangelical Christian who owns a local flower shop ought to be sued and shamed for politely declining to provide floral arrangements for a same-sex wedding, the resulting circles would more or less overlap. The coexist message: You people (i.e., conservatives) need to get on board and start coexisting with groups that might make you uncomfortable. It says so right here on my highly enlightened bumper sticker. But don’t you dare ask me to tolerate the ‘intolerance’ of people with whom I disagree. Because that’s different.
Mary Katharine Ham
When I looked at them sitting around me, the church in the distance, beyond that our school, with throngs of girls crossing back and forth in the schoolyard, beyond that the world, how I wished that everything would fall away, so that suddenly we'd be sitting in some different atmosphere, with no future full of ridiculous demands, no need for any sustenance save our love for each other, with no hindrance to any of our desires, which would, of course, be simple desires — nothing, nothing, just sitting on our tombstones forever.
Jamaica Kincaid
Recognizing that open relationships work for some doesn't threaten anyone else's relationship; it won't discourage anyone from choosing to be exclusive or from forming pair-bonds. We expect the majority will do just that and that dyadic and exclusive relationships will remain the predominant model. While we'd like to see people in those dyadic and exclusive relationships thinking their decisions through more carefully than they often do, we're not encouraging them to do anything that feels wrong. The simple answer to those who object to nonmonogamy is "Then be monogamous.
Mark A. Michaels (Designer Relationships: A Guide to Happy Monogamy, Positive Polyamory, and Optimistic Open Relationships)
He did not find out until the wedding that she was simple. Her father had been scrupulous about keeping her veiled until the ceremony, and my father had humored him. If she was ugly, there were always slave girls and serving boys. When at last they pulled off the veil, they say my mother smiled. That is how they knew she was quite stupid. Brides did not smile. When I was delivered, a boy, he plucked me from her arms and handed me to a nurse. In pity, the midwife gave my mother a pillow to hold instead of me. My mother hugged it. She did not seem to notice a change had been made.
Madeline Miller (The Song of Achilles)
Are you, are you Coming to the tree Where they strung up a man they say murdered three. Strange things did happen here No stranger would it be If we met up at midnight in the hanging tree.” The mockingjays begin to alter their songs as they become aware of my new offering. “Are you, are you Coming to the tree Where the dead man called out for his love to flee. Strange things did happen here No stranger would it be If we met up at midnight in the hanging tree.” I have the birds’ attention now. In one more verse, surely they will have captured the melody, as it’s simple and repeats four times with little variation. “Are you, are you Coming to the tree Where I told you to run, so we’d both be free. Strange things did happen here No stranger would it be If we met up at midnight in the hanging tree.” A hush in the trees. Just the rustle of leaves in the breeze. But no birds, mockingjay or other. Peeta’s right. They do fall silent when I sing. Just as they did for my father. “Are you, are you Coming to the tree Wear a necklace of rope, side by side with me. Strange things did happen here No stranger would it be If we met up at midnight in the hanging tree.” The
Suzanne Collins (Mockingjay (The Hunger Games, #3))
I begin to describe a three-tier cake. The bottom tier would be a deep, dark devil's food cake filled with thick chocolate custard. The middle tier would be a vanilla cake filled with a fluffy vanilla mousse and a layer of roasted strawberries. The top tier, designed to be removed whole and frozen for the first anniversary, would be one layer of chocolate cake and one of vanilla with a strawberry buttercream filling. The whole cake would be covered in a layer of vanilla buttercream, perfectly smoothed, and the tiers separated by a simple line of piped dots, looking like a string of pearls.
Stacey Ballis (Wedding Girl)
It's hard for me to speak to you as if you were not a tyrant," I say. "You sit here and think you are more civilized than Luna because you obey your creed of honor, because you show restraint." I gesture to the simple house. "But you are not more civilized," I say, "You're just more disciplined." "Isn't that civilization? Order? Denying animal impulse for stability?" He eats his fruit in measured bites. I set mine on the stone. "No, it's not. But, I'm not here to debate philosophy or politics." "Thank Jove. I doubt we'd agree upon much. He watches me carefully. "I'm here to discuss what we both know best, war.
Pierce Brown (Morning Star (Red Rising Saga, #3))
I have not sung “The Hanging Tree” out loud for ten years, because it’s forbidden, but I remember every word. I begin softly, sweetly, as my father did. “Are you, are you Coming to the tree Where they strung up a man they say murdered three. Strange things did happen here No stranger would it be If we met up at midnight in the hanging tree.” The mockingjays begin to alter their songs as they become aware of my new offering. “Are you, are you Coming to the tree Where the dead man called out for his love to flee. Strange things did happen here No stranger would it be If we met up at midnight in the hanging tree.” I have the birds’ attention now. In one more verse, surely they will have captured the melody, as it’s simple and repeats four times with little variation. “Are you, are you Coming to the tree Where I told you to run, so we’d both be free. Strange things did happen here No stranger would it be If we met up at midnight in the hanging tree.” A hush in the trees. Just the rustle of leaves in the breeze. But no birds, mockingjay or other. Peeta’s right. They do fall silent when I sing. Just as they did for my father. “Are you, are you Coming to the tree Wear a necklace of rope, side by side with me. Strange things did happen here No stranger would it be If we met up at midnight in the hanging tree.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Sal and Henry return with a gust of warm garden air and I settle down to create miniature roses from sugarpaste using tiny ivory spatulas and crimpers. I will have no antique tester bed crowning my cake, only a posy of flowers: symbols of beauty and growth, each year new-blossoming. I let Henry paint the broken pieces with spinach juice, while I tint my flowers with cochineal and yellow gum. As a pretty device I paint a ladybird on a rose, and think it finer than Sèvres porcelain. At ten o'clock tomorrow, I will marry John Francis at St. Mark's Church, across the square. As Sal and I rehearse our plans for the day, pleasurable anticipation bubbles inside me like fizzing wine. We will return from church for this bride cake in the parlor, then take a simple wedding breakfast of hot buttered rolls, ham, cold chicken, and fruit, on the silver in the dining room. Nan has sent me a Yorkshire Game Pie, so crusted with wedding figures of wheatsheafs and blossoms it truly looks too good to eat. We have invited few guests, for I want no great show, and instead will have bread and beef sent to feed the poor. And at two o'clock, we will leave with Henry for a much anticipated holiday by the sea, at Sandhills, on the southern coast. John Francis has promised Henry he might try sea-bathing, while I have bought stocks of cerulean blue and burnt umber to attempt to catch the sea and sky in watercolor.
Martine Bailey (A Taste for Nightshade)
I was visiting Marcus and his wife when a friend asked if she could talk to me alone. Teresa was the spouse of a Team member who’d served with Chris. We hadn’t spent a lot of time together, but we’d always had a connection. “I have something I want to give you,” she said. “I don’t know if it’s going to seem corny to you or what, but I kind of want to do it for me.” She pressed a medal into my hand. I looked at it--it was the medal she’d received for completing the Boston Marathon. “You and Chris kept me going,” she explained. “It was almost eerie how, when my legs were tired and I wanted to quit, Randy Travis’s song came on the iPod. It was the one he played at the memorial. My iPod was on random shuffle but it was always at just the right moment. I would hear that song and it would spur me on.” Maybe Chris was somehow behind that. People have told me of other inspirational incidents; each one, from simple to grand, has touched me with its beauty.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
You’ve always been so agreeable,” he remarked with something of a rueful tone. “I don’t understand why you haven’t told me to sod off.” She couldn’t help but chuckle. “Other than the simple fact that I would never say those words to anyone?” He glanced at her, eyes sparkling. “Even so. I am humbled by your easy acceptance of me. I behaved abominably toward you years ago and yet you act as though nothing ever happened.” Rose twirled the handle of her parasol. “We cannot change the past, Mr. Maxwell. I reckon I would be a much happier woman if I could. No, all we can do is go forward.” His brow furrowed. “Does that mean you forgive me?” She laughed again. “Yes, it does. I understand why you had to abandon your courtship after my father’s misfortune and I do not blame you for it.” Kellan shook his head. “You are too good.” “No,” she insisted with a sharp shake of her head. “I am not.” Lord, if he but knew just how not good she could be! Of course, if they were married he’d realize that on their wedding night, wouldn’t he? Or could she deceive him and make him believe she was a virgin? It wouldn’t be right, but she would do it to spare his feelings, and keep her secrets. “But, I can be practical when the situation calls for it.” “Is that why you’re here with me now?” he asked with amusement. “Practicality?” Rose’s smile was coy in reply. “Perhaps. Or perhaps I like giving the gossips something to natter about.” Kellan laughed aloud. “I’ve missed your wit, Rose. You always knew how to make me laugh.” “Yes.” She twirled her parasol again. “You as well. I’m glad that we are friends again.” “Friends,” he repeated. “Is that what we are?” It had been a while since she’d flirted with a man without the benefit of a mask, but she thought she remembered how to do it. “For now.” They were smiling at each other as they passed beneath the thick shade of trees that lined the track, and Rose felt a stirring of hope in her breast. Her heart wasn’t totally under Grey’s control, and for that she was extraordinarily happy.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
I didn’t want a fancy engagement ring or a gaudy wedding band; for me, a plain wedding ring was a perfect symbol. I like simple, especially in a wedding ring: it reminds you that love is about love, nothing else--not money, not appearances, not showing off. But it seemed almost impossible to convince anyone of that. Including Chris. He kept asking me what I wanted, and wouldn’t take “simple” for an answer. Then my mother got into the act. My grandmother had left her a diamond from a ring that she had had. Mom suggested that I use it as the centerpiece of an engagement ring. I told her thanks, but no thanks. “I don’t care whether you wear it as an engagement ring or a belly button ring,” she insisted after we went around a bit. “But I’m sending it.” She did. It was lovely. Chris and I ended up taking it to a local jewelry store. We found a wonderful setting we both loved and had the jeweler set the diamond in it. We got our wedding rings the same day, adding an engraving on the inside. “All of me,” Chris wrote on mine. “My love, my life,” I said on his.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
Well, now, if we’d known we were going to have such…ah…gra…that is, illustrious company, we’d have-“ “Swept off the chairs?” Lucinda suggested acidly. “Shoveled off the floor?” “Lucinda!” Elizabeth whispered desperately. “They didn’t know we were coming.” “No respectable person would dwell in such a place even for a night,” she snapped, and Elizabeth watched in mingled distress and admiration as the redoubtable woman turned around and directed her attack on their unwilling host. “The responsibility for our being here is yours, whether it was a mistake or not! I shall expect you to rout your servants from their hiding places and have them bring clean linens up to us at once. I shall also expect them to have this squalor remedied by morning! It is obvious from your behavior that you are no gentleman; however, we are ladies, and we shall expect to be treated as such.” From the corner of her eye Elizabeth had been watching Ian Thornton, who was listening to all of this, his jaw rigid, a muscle beginning to twitch dangerously in the side of his neck. Lucinda, however, was either unaware of or unconcerned with his reaction, for, as she picked up her skirts and turned toward the stairs, she turned on Jake. “You may show us to our chambers. We wish to retire.” “Retire!” cried Jake, thunderstruck. “But-but what about supper?” he sputtered. “You may bring it up to us.” Elizabeth saw the blank look on Jake’s face, and she endeavored to translate, politely, what the irate woman was saying to the startled red-haired man. “What Miss Throckmorton-Jones means is that we’re rather exhausted from our trip and not very good company, sir, and so we prefer to dine in our rooms.” “You will dine,” Ian Thornton said in an awful voice that made Elizabeth freeze, “on what you cook for yourself, madam. If you want clean linens, you’ll get them yourself from the cabinet. If you want clean rooms, clean them! Am I making myself clear?” “Perfectly!” Elizabeth began furiously, but Lucinda interrupted in a voice shaking with ire: “Are you suggesting, sirrah, that we are to do the work of servants?” Ian’s experience with the ton and with Elizabeth had given him a lively contempt for ambitious, shallow, self-indulgent young women whose single goal in life was to acquire as many gowns and jewels as possible with the least amount of effort, and he aimed his attack at Elizabeth. “I am suggesting that you look after yourself for the first time in your silly, aimless life. In return for that, I am willing to give you a roof over your head and to share our food with you until I can get you to the village. If that is too overwhelming a task for you, then my original invitation still stands: There’s the door. Use it!” Elizabeth knew the man was irrational, and it wasn’t worth riling herself to reply to him, so she turned instead to Lucinda. “Lucinda,” she said with weary resignation, “do not upset yourself by trying to make Mr. Thornton understand that his mistake has inconvenienced us, not the other way around. You will only waste your time. A gentleman of breeding would be perfectly able to understand that he should be apologizing instead of ranting and raving. However, as I told you before we came here, Mr. Thornton is no gentleman. The simple fact is that he enjoys humiliating people, and he will continue trying to humiliate us for as long as we stand here.” Elizabeth cast a look of well-bred disdain over Ian and said, “Good night, Mr. Thornton.” Turning, she softened her voice a little and said, “Good evening, Mr. Wiley.
Judith McNaught (Almost Heaven (Sequels, #3))
But before my eyes, in a matter of a few short months, sushi had metamorphosed into steak, and nightclubs had changed into the front porch of Marlboro Man’s quiet house in the country. I hadn’t felt the reverb of a thumping club beat in months and months. My nervous system had never known such calm. That is, until Marlboro Man called one morning that August with his simple request: “My cousin Kim is getting married next weekend,” he said. “Can you come?” An uncomfortable wave washed over my body. “You there?” he asked. I’d paused longer than I’d intended. “Yeah…I’m here,” I replied. “But, um…will I…will I have to meet anyone?” Marlboro Man laughed. The answer, obviously, was yes. Yes, I’d have to meet “anyone.” In fact, I’d have to meet everyone: everyone in his extended family of cousins, aunts, uncles, grandparents, and friends; and his family, by all accounts, was large. We’d talked about our families before, and he knew good and well that I had all of three cousins. Three. He, on the other hand, had fifty. He knew how intimidating a family wedding would be to an outsider, especially when the family is as large as his. He knew this would be way out of my comfort zone. And he was right.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
What if you had one day perfectly healthy, I asked? What would you do? “Twenty-four hours?” Twenty-four hours. “Let’s see…I’d get up in the morning, do my exercises, have a lovely breakfast of sweet rolls and tea, go for a swim, then have my friends come over for a nice lunch. I’d have them come one or two at a time so we could talk about their families, their issues, talk about how much we mean to each other.“Then I’d like to go for a walk, in a garden with some trees, watch their colors, watch the birds, take in the nature that I haven’t seen in so long now. “In the evening, we’d all go together to a restaurant with some great pasta, maybe some duck—I love duck—and then we’d dance the rest of the night. I’d dance with all the wonderful dance partners out there, until I was exhausted. And then I’d go home and have a deep, wonderful sleep.” That’s it? “That’s it.” It was so simple. So average. I was actually a little disappointed. I figured he’d fly to Italy or have lunch with the President or romp on the seashore or try every exotic thing he could think of. After all these months, lying there, unable to move a leg or a foot—how could he find perfection in such an average day? Then I realized this was the whole point.
Mitch Albom (Tuesdays with Morrie)
Starting with the chocolate version, I swap out some of the cocoa powder with melted bittersweet chocolate and add some sour cream for balance and moistness, as well as some instant espresso powder, my secret ingredient for anything chocolate, which doesn't so much make something taste like coffee, but rather just makes chocolate taste more chocolaty. While the chocolate cupcakes are baking, I turn my attention to the vanilla recipe, adding some vanilla bean paste to amp up the vanilla flavor and show off those awesome little black-speck vanilla seeds, and mixing some buttermilk into the batter to prevent it from being overly sweet and unbalanced. The banana version uses very ripe bananas that I've been stashing in the freezer, as well as a single slice of fresh banana that has been coated in caramel and is pushed halfway into each cup of batter for a surprise in the middle of the cupcakes. Herman's frostings are close to the frostings of my youth, simple faux buttercreams made with softened butter and confectioners' sugar. Nothing fancy. In my newer versions, the chocolate gets melted chocolate and chocolate milk mixed in, the vanilla gets more vanilla bean paste and a tiny hit of lemon zest, and the peanut butter gets a blend of butter and cream cheese for some tang.
Stacey Ballis (Wedding Girl)
Then I got to the point: “I don’t think any other retail company in the world could do what I’m going to propose to you. It’s simple. It won’t cost us anything. And I believe it would just work magic, absolute magic on our customers, and our sales would escalate, and I think we’d just shoot past our Kmart friends in a year or two and probably Sears as well. I want you to take a pledge with me. I want you to promise that whenever you come within ten feet of a customer, you will look him in the eye, greet him, and ask him if you can help him. Now I know some of you are just naturally shy, and maybe don’t want to bother folks. But if you’ll go along with me on this, it would, I’m sure, help you become a leader. It would help your personality develop, you would become more outgoing, and in time you might become manager of that store, you might become a department manager, you might become a district manager, or whatever you choose to be in the company. It will do wonders for you. I guarantee it. Now, I want you to raise your right hand—and remember what we say at Wal-Mart, that a promise we make is a promise we keep—and I want you to repeat after me: From this day forward, I solemnly promise and declare that every time a customer comes within ten feet of me, I will smile, look him in the eye, and greet him. So help me Sam.
Sam Walton (Sam Walton: Made In America)
So? When do you want to be turned?” “I didn’t agree to turn,” Valerie squawked with amazement. “You haven’t, but you will,” he said with a shrug. “What makes you think that?” she asked warily. “Because if you don’t, I’m going to have to wipe your memories and have you returned to your life and neither of us wants that,” he said simply. “Anders said I could have time to decide,” Valerie protested, and then frowned and added, “And what do you mean, neither of us wants that? Why would you care?” “You saved my wife and children, Valerie. And Leigh adores you. You’re family now.” “Oh.” She stared at him nonplussed, wondering if he meant that. “I mean it,” he said firmly. “Leigh has decided it’s so, so it’s so. She’d be disappointed if you didn’t become one of us and I won’t have her disappointed.” Valerie scowled slightly. The last part sounded like a threat. “As for Anders saying you could have time to decide,” Lucian continued. “What do you need time for? The nanos have paired you, you’re meant to be together.” “You make it sound so simple,” she said wearily. “It is simple. Don’t make it hard.” “Great, the nanos paired us. But what about love?” she asked. Lucian shifted impatiently. “Do you like him?” “Yes,” she admitted. “Respect him?” She nodded. “Trust him?” “Of course,” she said without hesitation. Lucian nodded and said dryly, “I don’t need to ask if you want him sexually.” Valerie flushed and raised her chin. “All those things combined make up love,” Lucian assured her. “Whether you realize it or not, you already do love him.” Valerie swallowed, knowing in her heart he was right. She bit her lip, and then blurted, “But does he love me?” “Ah.” Lucian nodded. “So that’s the holdup, is it? He hasn’t said it yet.” Valerie sighed and looked away, muttering, “When he asked me to be his life mate he went on about finding peace and being able to relax and be at peace. It was all peace, peace, peace,” she added with frustration and glanced to Lucian, eyes narrowing when she caught his lips twitching. If he laughed at her, she would— “Don’t you feel at peace with him?” he asked, and then added, “When you’re not hot and bothered, I mean.” “Well, yeah, but—” “But you want to hear that he loves you,” Lucian said and shrugged. “I guess you’ll have to ask him then.” “Ask him if he loves me?” she asked with dismay. Lucian sighed with exasperation. “You took on Igor and staked him, saving yourself and six other women in the process—” “Four,” she corrected unhappily. “Two died, remember.” “And then,” he continued heavily, ignoring her interruption. “You took on Ambrose and saved my wife and unborn twins by crashing the van you were all in and repeatedly bashing the man over the head until help got there. You are not a coward, Valerie, so stop acting like one. Ask him. And when he says yes he loves you, I will personally oversee the turning and pay for the wedding.
Lynsay Sands (Immortal Ever After (Argeneau, #18))
So, we’ve got a problem,” I said. “What?” Lend yelled. “We’ve got a problem!” I shouted. “No, I heard that. I mean, what’s the problem now?” “I have the solution!” Jack interrupted. “What?” I sat up, all ears. “Bells!” “What?” Lend and I asked at the same time. “Get her a kitty collar with bells on it. That way you can hear her coming and get someplace where you won’t be hurt by collapsing immediately into sleep.” There was a thumping noise, followed by an indignant “Ow!” from Jack. “The problem,” I said, “is that Raquel is going on trial with IPCA and I am not about to let them lock her up forever.” She was my Raquel. How dare they. My fear was quickly shifting to anger. Tasing me was one thing. But if they thought they could get away with persecuting the very best person they’d ever had working for them, they had another think coming. “Where?” Jack asked. “At the Center,” David answered, coming down the stairs, but he was cut off by Lend snapping, “You aren’t involved in this, Jack.” “Oh, I think you want me involved. I believe I’m the only one here who has ever been to a disciplinary hearing. Five, actually. I was shooting for my lucky number seven, but alas, IPCA and I parted ways too soon.” That settled it. A cheery band we’d make, no doubt. I’d been looking forward to starting some new Christmas traditions this year. Simple things. Reading the Grinch. Decorating a tree. Making cookies. Storming the Center to rescue the closest person I’d ever had to a mom. The usual holiday fare. Merry freaking Christmas.
Kiersten White (Endlessly (Paranormalcy, #3))
I remembered meeting the Dharma Raja’s gaze and wreathing his neck with a wedding garland of sweet marigold and blood red roses. Death clung to him subtly, robbing the warmth of his eyes and silvering his beauty with a wintry touch. And yet, I saw how he was beautiful. It was his presence that conjured the brilliant peacock shades of the late-season monsoon sky. It was his aura that withered sun-ripe mangos and ushered in the lush winter fruits of custard apple and singhora chestnuts. And it was his stride that adorned the Kalidas Mountains with coronets of snow clouds. His hands moved to my shoulders, warm and solid, and his arms were a universe for me alone. He had enthralled me, unwound the seams of my being until I was filled with the sight of him and still ached with want. “I hoped you would choose me,” he said. I blushed, suddenly aware of my unbraceleted arms and simple sari. “I have no dowry.” He laughed, a hesitant, half-nervous sound that did not match his stern features. “I don’t care.” “Then what do you want from me?” “I want to lie beside you and know the weight of your dreams,” he said, brushing his lips against my knuckles. “I want to share whole worlds with you and write your name in the stars.” He moved closer and a chorus of songbirds twittered silver melodies. “I want to measure eternity with your laughter.” Now, he stood inches from me; his rough hands encircled my waist. “Be my queen and I promise you a life where you will never be bored. I promise you more power than a hundred kings. And I promise you that we will always be equals.
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
Herman and I have been doing a lot of talking about the cake the past couple of days, and we think we have a good plan for the three tiers. The bottom tier will be the chocolate tier and incorporate the dacquoise component, since that will all provide a good strong structural base. We are doing an homage to the Frango mint, that classic Chicago chocolate that was originally produced at the Marshall Field's department store downtown. We're going to make a deep rich chocolate cake, which will be soaked in fresh-mint simple syrup. The dacquoise will be cocoa based with ground almonds for structure, and will be sandwiched between two layers of a bittersweet chocolate mint ganache, and the whole tier will be enrobed in a mint buttercream. The second tier is an homage to Margie's Candies, an iconic local ice cream parlor famous for its massive sundaes, especially their banana splits. It will be one layer of vanilla cake and one of banana cake, smeared with a thin layer of caramelized pineapple jam and filled with fresh strawberry mousse. We'll cover it in chocolate ganache and then in sweet cream buttercream that will have chopped Luxardo cherries in it for the maraschino-cherry-on-top element. The final layer will be a nod to our own neighborhood, pulling from the traditional flavors that make up classical Jewish baking. The cake will be a walnut cake with hints of cinnamon, and we will do a soaking syrup infused with a little bit of sweet sherry. A thin layer of the thick poppy seed filling we use in our rugelach and hamantaschen, and then a layer of honey-roasted whole apricots and vanilla pastry cream. This will get covered in vanilla buttercream.
Stacey Ballis (Wedding Girl)
I use the following scenario in my classes to illustrate the nature of the moral circle. Imagine, I ask my students, that your best friend just got a job waiting tables at a restaurant. To celebrate with her you arrange with friends to go to the restaurant to eat dinner on her first night. You ask to be seated in her section and look forward to surprising her and, later, leaving her a big tip. Soon your friend arrives at your table, sweating and stressed out. She is having a terrible night. Things are going badly and she is behind getting food and drinks out. So, I ask my students, what do you do? Easily and naturally the students respond, “We’d say, ‘Don’t worry about us. Take care of everyone else first.’” I point out to the students that this response is no great moral struggle. It’s a simple and easy response. Like breathing. It is just natural to extend grace to a suffering friend. Why? Because she is inside our moral circle. But imagine, I continue with the students, that you go out to eat tonight with some friends. And your server, whom you vaguely notice seems stressed out, performs poorly. You don’t get good service. What do you do in that situation? Well, since this stranger is not a part of our moral circle, we get frustrated and angry. The server is a tool and she is not performing properly. She is inconveniencing us. So, we complain to the manager and refuse to tip. In the end, we fail to treat another human being with mercy and dignity. Why? Because in a deep psychological sense, this server wasn’t really “human” to us. She was a part of the “backdrop” of our lives, part of the teeming anonymous masses toward which I feel indifference, fear, or frustration. The server is on the “outside” of my moral circle.
Richard Beck (Unclean: Meditations on Purity, Hospitality, and Mortality)
God. God has no religion. God does not care if you're rich or poor, if you're black, white, Hispanic, Arabic or Asian. God does not care if you go to the temple on a full moon day or if you missed your weekly Sunday church mass. God does not care if you walk around in a bikini or Hijab. God is not moved by the man or woman who takes a moment off every day to be religious or fasts in his name for weeks at a time. God dwells within a being's mind, body and soul. God cares about their intentions. God is indeed almighty; he is a maestro of logic and a brilliant multi-tasker who dwells within billions of minds at a time. But that is only the big picture. So is there a smaller picture? Why yes, there is. But, it’s not so simple. In fact it may be the most denied fact in human life. You see, we humans are of dependent nature. We depend on the earth's soil and animals for food, we depend on its water, light and oxygen. We are a civilization of dependents. Someone once said that our biggest fear is not that we are inadequate but that we are powerful beyond measure. That is indeed true. We refuse to believe that God lives within us. We refuse to believe that our intelligence is God himself. We refuse to believe that we have all the power in the world within ourselves. We refuse to believe that we are stronger than our fears, larger than our limits and more than just a name. We would rather praise our successes and blame our ill fates to an external God. We refuse to take responsibility for our fate or what we do with it. We'd rather have someone to blame it all on. Maybe the thought of having so much power within ourselves scares us. Maybe we are too irresponsible to have such authority over our own lives. Maybe we are cowards. So we look for God in an outer space that we can't reach.
Thisuri Wanniarachchi (The Terrorist's Daughter)
You act like a normal human and you’ll win an Oscar,” Marco said. He led the way up to his house and opened the door. “Okay, look, you wait right there by that table. Don’t go anywhere. If my dad comes in and talks to you, just say ‘yes’ and ‘no.’ Got it? Yes and no answers only. I’ll run up to my room. I’m gonna call one of the others to meet us at the bookstore. You’re already driving me nuts.” I stood by the table. There was a primitive computer on the table. It even had a solid, two-dimensional screen. And a keyboard! An actual keyboard. I touched the keyboard. It was amazing. Andalite computers once had keyboards, too. Although ours were very different. And it had been centuries since we’d used them. On the screen of the computer was a game. The object of the game was to spot the errors in a primitive symbolic language and correct them. Of course, before I could play I had to make sense of the system. But that was simple enough. Once I understood the system, it was easy to spot the errors. I quickly rewrote it to make sense out of it. I said to myself. “Hello?” I turned around. It was an older human. He was paler than Marco, but other features were similar. Marco had warned me to say nothing to his father but “yes” and “no.” “No,” I said to Marco’s father. “I’m Marco’s dad. Are you a friend of his?” “Yes.” “What’s your name?” “No,” I answered. “Your name is ‘No’?” “Yes.” “That’s an unusual name, isn’t it?” “No.” “It’s not?” “Yes.” “Yes, it’s not an unusual name?” “No.” “Now I’m totally confused.” “Yes.” Marco’s father stared at me. Then, in a loud voice, he yelled, “Hey, Marco? Marco? Would you . . . um . . . your friend is here. Your friend ‘No’ is here.” “No,” I said. “Yes, that’s what I said.” Marco came running down the stairs. “Whoa!” he cried. “Um, Dad! You met my friend?” “No?” Marco’s father said. “What?” Marco asked. Marco’s father shook his head. “I must be getting old. I don’t understand you kids.” “Yes,” I offered.
Katherine Applegate (The Alien (Animorphs, #8))
How do you build peaks? You create a positive moment with elements of elevation, insight, pride, and/ or connection. We’ll explore those final three elements later, but for now, let’s focus on elevation. To elevate a moment, do three things: First, boost sensory appeal. Second, raise the stakes. Third, break the script. (Breaking the script means to violate expectations about an experience—the next chapter is devoted to the concept.) Moments of elevation need not have all three elements but most have at least two. Boosting sensory appeal is about “turning up the volume” on reality. Things look better or taste better or sound better or feel better than they usually do. Weddings have flowers and food and music and dancing. (And they need not be superexpensive—see the footnote for more.IV) The Popsicle Hotline offers sweet treats delivered on silver trays by white-gloved waiters. The Trial of Human Nature is conducted in a real courtroom. It’s amazing how many times people actually wear different clothes to peak events: graduation robes and wedding dresses and home-team colors. At Hillsdale High, the lawyers wore suits and the witnesses came in costume. A peak means something special is happening; it should look different. To raise the stakes is to add an element of productive pressure: a competition, a game, a performance, a deadline, a public commitment. Consider the pregame jitters at a basketball game, or the sweaty-hands thrill of taking the stage at Signing Day, or the pressure of the oral defense at Hillsdale High’s Senior Exhibition. Remember how the teacher Susan Bedford said that, in designing the Trial, she and Greg Jouriles were deliberately trying to “up the ante” for their students. They made their students conduct the Trial in front of a jury that included the principal and varsity quarterback. That’s pressure. One simple diagnostic to gauge whether you’ve transcended the ordinary is if people feel the need to pull out their cameras. If they take pictures, it must be a special occasion. (Not counting the selfie addict, who thinks his face is a special occasion.) Our instinct to capture a moment says: I want to remember this. That’s a moment of elevation.
Chip Heath (The Power of Moments: Why Certain Moments Have Extraordinary Impact)
But then the cowboy standing in front of you smiles gently and says, “You sure?” Those two simple words opened up the Floodgates of Hell. I smiled and laughed, embarrassed, even as two big, thick tears rolled down both my cheeks. Then I laughed again and blew a nice, clear explosion of snot from my nose. Of all the things that had happened that day, that single moment might have been the worst. “Oh my gosh, I can’t believe I’m doing this,” I insisted as another pair of tears spilled out. I scrambled around the kitchen counter and found a paper towel, using it to dab the salty wetness on my face and the copious slime under my nose. “I am so, so sorry.” I inhaled deeply, my chest beginning to contract and convulse. This was an ugly cry. I was absolutely horrified. “Hey…what’s wrong?” Marlboro Man asked. Bless his heart, he had to have been as uncomfortable as I was. He’d grown up on a cattle ranch, after all, with two brothers, no sisters, and a mother who was likely as lacking in histrionics as I wished I was at that moment. He led a quiet life out here on the ranch, isolated from the drama of city life. Judging from what he’d told me so far, he hadn’t invited many women over to his house for dinner. And now he had one blubbering uncontrollably in his kitchen. I’d better hurry up and enjoy this evening, I told myself. He won’t be inviting me to any more dinners after this. I blew my nose on the paper towel. I wanted to go hide in the bathroom. Then he took my arm, in a much softer grip than the one he’d used on our first date when he’d kept me from biting the dust. “No, c’mon,” he said, pulling me closer to him and securing his arms around my waist. I died a thousand deaths as he whispered softly, “What’s wrong?” What could I possibly say? Oh, nothing, it’s just that I’ve been slowly breaking up with my boyfriend from California and I uninvited him to my brother’s wedding last week and I thought everything was fine and then he called last night after I got home from cooking you that Linguine and Clam Sauce you loved so much and he said he was flying here today and I told him not to because there really wasn’t anything else we could possibly talk about and I thought he understood and while I was driving out here just now he called me and it just so happens he’s at the airport right now but I decided not to go because I didn’t want to have a big emotional drama (you mean like the one you’re playing out in Marlboro Man’s kitchen right now?) and I’m finding myself vacillating between sadness over the end of our four-year relationship, regret over not going to see him in person, and confusion over how to feel about my upcoming move to Chicago. And where that will leave you and me, you big hunk of burning love.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Where the bloody hell is my wife?” Godric yelled into the aether. As if in response, a footman came up the stairs and handed Cedric a slip of paper. Dumbfounded, Cedric opened it and read it aloud. My Dear Gentlemen, We await you in the dining room. Please do not join us until you have decided upon a course of action regarding the threat to Lord Sheridan. We will be more than delighted to offer our opinions on the matter, but in truth, we suspect you do not wish to hear our thoughts. It is a failing of the male species, and we shan’t hold it against you. In the future, however, it would be advisable not to lock us in a room. We simply cannot resist a challenge, something you should have learned by now. Intelligent women are not to be trifled with. Fondest Regards, ~ The Society of Rebellious Ladies ~ “Fondest regards?” Lucien scoffed. A puzzled Jonathan added, “Society of Rebellious Ladies?” “Lord help us!” Ashton groaned as he ran a hand through his hair. “They’ve named themselves.” “I’ll wager a hundred pounds that Emily’s behind this. Having a laugh at our expense,” Charles said in all seriousness. “Let’s go and see how rebellious they are when we’re done with them.” Cedric rolled up the sleeves of his white lawn shirt as he and the others stalked down the stairs to the dining room. They found it empty. The footman reappeared and Cedric wondered if perhaps the man had never left. At the servant’s polite cough he handed Cedric a second note. “Another damn note? What are they playing at?” He practically tore the paper in half while opening it. Again he read it aloud. Did you honestly believe we’d display our cunning in so simple a fashion? Surely you underestimated us. It is quite unfair of you to assume we could not baffle you for at least a few minutes. Perhaps you should look for us in the place where we ought to have been and not the place you put us. Best Wishes, ~ The Society of Rebellious Ladies ~ “I am going to kill her,” Cedric said. It didn’t seem to matter which of the three rebellious ladies he meant. The League of Rogues headed back to the drawing room. Cedric flung the door open. Emily was sitting before the fire, an embroidery frame raised as she pricked the cloth with a fine pointed needle. Audrey was perusing one of her many fashion magazines, eyes fixed on the illustrated plates, oblivious to any disruption. Horatia had positioned herself on the window seat near a candle, so she could read her novel. Even at this distance Lucien could see the title, Lady Eustace and the Merry Marquess, the novel he’d purchased for her last Christmas. For some reason, the idea she would mock him with his own gift was damned funny. He had the sudden urge to laugh, especially when he saw a soft blush work its way up through her. He’d picked that particular book just to shock her, knowing it was quite explicit in parts since he’d read it himself the previous year. “Ahem,” Cedric cleared his throat. Three sets of feminine eyes fixed on him, each reflecting only mild curiosity. Emily smiled. "Oh there you are.
Lauren Smith (His Wicked Seduction (The League of Rogues, #2))
I took a shower after dinner and changed into comfortable Christmas Eve pajamas, ready to settle in for a couple of movies on the couch. I remembered all the Christmas Eves throughout my life--the dinners and wrapping presents and midnight mass at my Episcopal church. It all seemed so very long ago. Walking into the living room, I noticed a stack of beautifully wrapped rectangular boxes next to the tiny evergreen tree, which glowed with little white lights. Boxes that hadn’t been there minutes before. “What…,” I said. We’d promised we wouldn’t get each other any gifts that year. “What?” I demanded. Marlboro Man smiled, taking pleasure in the surprise. “You’re in trouble,” I said, glaring at him as I sat down on the beige Berber carpet next to the tree. “I didn’t get you anything…you told me not to.” “I know,” he said, sitting down next to me. “But I don’t really want anything…except a backhoe.” I cracked up. I didn’t even know what a backhoe was. I ran my hand over the box on the top of the stack. It was wrapped in brown paper and twine--so unadorned, so simple, I imagined that Marlboro Man could have wrapped it himself. Untying the twine, I opened the first package. Inside was a pair of boot-cut jeans. The wide navy elastic waistband was a dead giveaway: they were made especially for pregnancy. “Oh my,” I said, removing the jeans from the box and laying them out on the floor in front of me. “I love them.” “I didn’t want you to have to rig your jeans for the next few months,” Marlboro Man said. I opened the second box, and then the third. By the seventh box, I was the proud owner of a complete maternity wardrobe, which Marlboro Man and his mother had secretly assembled together over the previous couple of weeks. There were maternity jeans and leggings, maternity T-shirts and darling jackets. Maternity pajamas. Maternity sweats. I caressed each garment, smiling as I imagined the time it must have taken for them to put the whole collection together. “Thank you…,” I began. My nose stung as tears formed in my eyes. I couldn’t imagine a more perfect gift. Marlboro Man reached for my hand and pulled me over toward him. Our arms enveloped each other as they had on his porch the first time he’d professed his love for me. In the grand scheme of things, so little time had passed since that first night under the stars. But so much had changed. My parents. My belly. My wardrobe. Nothing about my life on this Christmas Eve resembled my life on that night, when I was still blissfully unaware of the brewing thunderstorm in my childhood home and was packing for Chicago…nothing except Marlboro Man, who was the only thing, amidst all the conflict and upheaval, that made any sense to me anymore. “Are you crying?” he asked. “No,” I said, my lip quivering. “Yep, you’re crying,” he said, laughing. It was something he’d gotten used to. “I’m not crying,” I said, snorting and wiping snot from my nose. “I’m not.” We didn’t watch movies that night. Instead, he picked me up and carried me to our cozy bedroom, where my tears--a mixture of happiness, melancholy, and holiday nostalgia--would disappear completely.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
What’ll it be?” Steve asked me, just days after our wedding. “Do we go on the honeymoon we’ve got planned, or do you want to go catch crocs?” My head was still spinning from the ceremony, the celebration, and the fact that I could now use the two words “my husband” and have them mean something real. The four months between February 2, 1992--the day Steve asked me to marry him--and our wedding day on June 4 had been a blur. Steve’s mother threw us an engagement party for Queensland friends and family, and I encountered a very common theme: “We never thought Steve would get married.” Everyone said it--relatives, old friends, and schoolmates. I’d smile and nod, but my inner response was, Well, we’ve got that in common. And something else: Wait until I get home and tell everybody I am moving to Australia. I knew what I’d have to explain. Being with Steve, running the zoo, and helping the crocs was exactly the right thing to do. I knew with all my heart and soul that this was the path I was meant to travel. My American friends--the best, closest ones--understood this perfectly. I trusted Steve with my life and loved him desperately. One of the first challenges was how to bring as many Australian friends and family as possible over to the United States for the wedding. None of us had a lot of money. Eleven people wound up making the trip from Australia, and we held the ceremony in the big Methodist church my grandmother attended. It was more than a wedding, it was saying good-bye to everyone I’d ever known. I invited everybody, even people who may not have been intimate friends. I even invited my dentist. The whole network of wildlife rehabilitators came too--four hundred people in all. The ceremony began at eight p.m., with coffee and cake afterward. I wore the same dress that my older sister Bonnie had worn at her wedding twenty-seven years earlier, and my sister Tricia wore at her wedding six years after that. The wedding cake had white frosting, but it was decorated with real flowers instead of icing ones. Steve had picked out a simple ring for me, a quarter carat, exactly what I wanted. He didn’t have a wedding ring. We were just going to borrow one for the service, but we couldn’t find anybody with fingers that were big enough. It turned out that my dad’s wedding ring fitted him, and that’s the one we used. Steve’s mother, Lyn, gave me a silk horseshoe to put around my wrist, a symbol of good luck. On our wedding day, June 4, 1992, it had been eight months since Steve and I first met. As the minister started reading the vows, I could see that Steve was nervous. His tuxedo looked like it was strangling him. For a man who was used to working in the tropics, he sure looked hot. The church was air-conditioned, but sweat drops formed on the ends of his fingers. Poor Steve, I thought. He’d never been up in front of such a big crowd before. “The scariest situation I’ve ever been in,” Steve would say later of the ceremony. This from a man who wrangled crocodiles! When the minister invited the groom to kiss the bride, I could feel all Steve’s energy, passion, and love. I realized without a doubt we were doing the right thing.
Terri Irwin (Steve & Me)