Balcony Best Quotes

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Clearly," Jason said, "you are not doing nothing. You are most definitely doing something. What it looks like you're doing is pouring packets of sugar on Lauren Moffat's head." Shhh," I said. "It's snowing. But only on Lauren." I shook more sugar out of the packets. "'Merry Christmas, Mr. Potter,'" I called softly down to Lauren in my best Jimmy Stewart imitation. "'Merry Christmas, you old building and Loan.'" Jason started cracking up, and I had to hush him as Becca saw my sugar supply running low and hastened to hand me more packets. Stop laughing so loud," I said to Jason. "You'll spoil this beautiful moment for them." I sprinkled more sugar over the side of the balcony. "'Merry Christmas to all, and to all a good night.
Meg Cabot (How to Be Popular)
You’re never quite alone when you can stand on a balcony—you have all the cars and houses and the people in the streets. You’re among them, but also not. That’s the best thing about balconies.
Fredrik Backman (Britt-Marie Was Here)
The first thing you notice about New Orleans are the burying grounds - the cemeteries - and they're a cold proposition, one of the best things there are here. Going by, you try to be as quiet as possible, better to let them sleep. Greek, Roman, sepulchres- palatial mausoleums made to order, phantomesque, signs and symbols of hidden decay - ghosts of women and men who have sinned and who've died and are now living in tombs. The past doesn't pass away so quickly here. You could be dead for a long time. The ghosts race towards the light, you can almost hear the heavy breathing spirits, all determined to get somewhere. New Orleans, unlike a lot of those places you go back to and that don't have the magic anymore, still has got it. Night can swallow you up, yet none of it touches you. Around any corner, there's a promise of something daring and ideal and things are just getting going. There's something obscenely joyful behind every door, either that or somebody crying with their head in their hands. A lazy rhythm looms in the dreamy air and the atmosphere pulsates with bygone duels, past-life romance, comrades requesting comrades to aid them in some way. You can't see it, but you know it's here. Somebody is always sinking. Everyone seems to be from some very old Southern families. Either that or a foreigner. I like the way it is. There are a lot of places I like, but I like New Orleans better. There's a thousand different angles at any moment. At any time you could run into a ritual honoring some vaguely known queen. Bluebloods, titled persons like crazy drunks, lean weakly against the walls and drag themselves through the gutter. Even they seem to have insights you might want to listen to. No action seems inappropriate here. The city is one very long poem. Gardens full of pansies, pink petunias, opiates. Flower-bedecked shrines, white myrtles, bougainvillea and purple oleander stimulate your senses, make you feel cool and clear inside. Everything in New Orleans is a good idea. Bijou temple-type cottages and lyric cathedrals side by side. Houses and mansions, structures of wild grace. Italianate, Gothic, Romanesque, Greek Revival standing in a long line in the rain. Roman Catholic art. Sweeping front porches, turrets, cast-iron balconies, colonnades- 30-foot columns, gloriously beautiful- double pitched roofs, all the architecture of the whole wide world and it doesn't move. All that and a town square where public executions took place. In New Orleans you could almost see other dimensions. There's only one day at a time here, then it's tonight and then tomorrow will be today again. Chronic melancholia hanging from the trees. You never get tired of it. After a while you start to feel like a ghost from one of the tombs, like you're in a wax museum below crimson clouds. Spirit empire. Wealthy empire. One of Napoleon's generals, Lallemaud, was said to have come here to check it out, looking for a place for his commander to seek refuge after Waterloo. He scouted around and left, said that here the devil is damned, just like everybody else, only worse. The devil comes here and sighs. New Orleans. Exquisite, old-fashioned. A great place to live vicariously. Nothing makes any difference and you never feel hurt, a great place to really hit on things. Somebody puts something in front of you here and you might as well drink it. Great place to be intimate or do nothing. A place to come and hope you'll get smart - to feed pigeons looking for handouts
Bob Dylan (Chronicles, Volume One)
There's a saying,' Dad said. 'When you hear hoofbeats, think horses, not zebras...' 'YOU look for horses,' I said. 'While you spent your whole life at work, me and Mom were having the best, funnest time ever. Mom and I lived for each other. She wouldn't do anything CLOSE to getting drunk and walking next to a ship's balcony because it would mean she might never see me again. That you think she would shows how little you know her. YOU look for horses, Dad.
Maria Semple (Where'd You Go, Bernadette)
So, there was this beautiful princess. She was locked in a high tower, one whose smart walls had cleaver holes in them that could give her anything: food, a clique of fantastic friends, wonderful clothes. And, best of all, there was this mirror on the wall, so that the princess could look at her beautiful self all day long. The only problem with the tower was that there way no way out. The builders had forgotten to put in an elevator, or even a set of stairs. She was stuck up there. One day, the princess realized that she was bored. The view from the tower--gentle hills, fields of white flowers, and a deep, dark forest--fascinated her. She started spending more time looking out the window than at her own reflection, as is often the case with troublesome girls. And it was pretty clear that no prince was showing up, or at least that he was really late. So the only thing was to jump. The hole in the wall gave her a lovely parasol to catch her when she fell, and a wonderful new dress to wear in the fields and forest, and a brass key to make sure she could get back into the tower if she needed to. But the princess, laughing pridefully, tossed the key into the fireplace, convinced she would never need to return to the tower. Without another glance in the mirror, she strolled out onto the balcony and stepped off into midair. The thing was, it was a long way down, a lot farther than the princess had expected, and the parasol turned out to be total crap. As she fell, the princess realized she should have asked for a bungee jacket or a parachute or something better than a parasol, you know? She struck the ground hard, and lay there in a crumpled heap, smarting and confused, wondering how things had worked out this way. There was no prince around to pick her up, her new dress was ruined, and thanks to her pride, she had no way back into the tower. And the worst thing was, there were no mirrors out there in the wild, so the princess was left wondering whether she in fact was still beautiful . . . or if the fall had changed the story completely.
Scott Westerfeld (Pretties (Uglies, #2))
She misses her balcony more than anything. You're never quite alone when you and stand on a balcony - you have all the cars and houses and the people in the streets. You're among them, but also not. That's the best thing about balconies.
Fredrik Backman (Britt-Marie Was Here)
I alight at Esplanade in a smell of roasting coffee and creosote and walk up Royal Street. The lower Quarter is the best part. The ironwork on the balconies sags like rotten lace. Little French cottages hide behind high walls. Through deep sweating carriageways one catches glimpses of courtyards gone to jungle.
Walker Percy (The Moviegoer)
One day about a month ago, I really hit bottom. You know, I just felt that in a Godless universe, I didn't want to go on living. Now I happen to own this rifle, which I loaded, believe it or not, and pressed it to my forehead. And I remember thinking, at the time, I'm gonna kill myself. Then I thought, what if I'm wrong? What if there is a God? I mean, after all, nobody really knows that. But then I thought, no, you know, maybe is not good enough. I want certainty or nothing. And I remember very clearly, the clock was ticking, and I was sitting there frozen with the gun to my head, debating whether to shoot. [The gun fires accidentally, shattering a mirror] All of a sudden, the gun went off. I had been so tense my finger had squeezed the trigger inadvertently. But I was perspiring so much the gun had slid off my forehead and missed me. And suddenly neighbors were, were pounding on the door, and, and I don't know, the whole scene was just pandemonium. And, uh, you know, I-I-I ran to the door, I-I didn't know what to say. You know, I was-I was embarrassed and confused and my-my-my mind was r-r-racing a mile a minute. And I-I just knew one thing. I-I-I had to get out of that house, I had to just get out in the fresh air and-and clear my head. And I remember very clearly, I walked the streets. I walked and I walked. I-I didn't know what was going through my mind. It all seemed so violent and un-unreal to me. And I wandered for a long time on the Upper West Side, you know, and-and it must have been hours. You know, my-my feet hurt, my head was-was pounding, and-and I had to sit down. I went into a movie house. I-I didn't know what was playing or anything. I just, I just needed a moment to gather my thoughts and, and be logical and put the world back into rational perspective. And I went upstairs to the balcony, and I sat down, and, you know, the movie was a-a-a film that I'd seen many times in my life since I was a kid, and-and I always, uh, loved it. And, you know, I'm-I'm watching these people up on the screen and I started getting hooked on the film, you know. And I started to feel, how can you even think of killing yourself. I mean isn't it so stupid? I mean, l-look at all the people up there on the screen. You know, they're real funny, and-and what if the worst is true. What if there's no God, and you only go around once and that's it. Well, you know, don't you want to be part of the experience? You know, what the hell, it's-it's not all a drag. And I'm thinkin' to myself, geez, I should stop ruining my life - searching for answers I'm never gonna get, and just enjoy it while it lasts. And, you know, after, who knows? I mean, you know, maybe there is something. Nobody really knows. I know, I know maybe is a very slim reed to hang your whole life on, but that's the best we have. And then, I started to sit back, and I actually began to enjoy myself.
Woody Allen
many impressions to seize and hold, familiar loved façades, balconies, windows, water lapping the cellar steps of decaying palaces, the little red house where D’Annunzio lived, with its garden—our house, Laura called it, pretending it was theirs—and too soon the ferry would be turning left on the direct route to the Piazzale Roma, so missing the best of the Canal, the Rialto, the further palaces.
Daphne du Maurier (Don't Look Now and Other Stories)
EAMES: Word is, you're not welcome in these parts. COBB: Yeah? EAMES: There's a price on your head from Cobol Engineering. Pretty big one, actually. COBB: You wouldn't sell me out. Eames looks at Cobb, offended. EAMES: 'Course I would. COBB: (smiles) Not when you hear what I'm selling. A ramshackle balcony overlooking a busy street. Eames pours. COBB: Inception. Eames' glass stops halfway to his mouth. COBB: Don't bother telling me it's impossible. EAMES: It's perfectly possible. Just bloody difficult. COBB: That's what I keep saying to Arthur. EAMES: Arthur? You're still working with that stick-in-the-mud? COBB: He's a good point man. EAMES: The best. But he has no imagination. If you're going to perform inception, you need imagination. COBB: You've done it before? EAMES: Yes and no. We tried it. Got the idea in place, but it didn't take. COBB: You didn't plant it deep enough? EAMES: It's not just about depth. You need the simplest version of the idea-the one that will grow naturally in the subject's mind. Subtle art.
Christopher Nolan (Inception: The Shooting Script)
At our one local movie theater, blacks and whites had to sit apart—the blacks in the balcony. My mother and father urged my brother and me to bring home our black playmates, to consider them equals, and to respect the religious views of our friends, whatever they were. My brother’s best friend was black, and when they went to the movies, Neil sat with him in the balcony. My mother always taught us: “Treat thy neighbor as you would want your neighbor to treat you,” and “Judge everyone by how they act, not what they are.
Ronald Reagan (An American Life: The Autobiography)
My parents constantly drummed into me the importance of judging people as individuals. There was no more grievous sin at our household than a racial slur or other evidence of religious or racial intolerance. A lot of it, I think, was because my dad had learned what discrimination was like firsthand. He’d grown up in an era when some stores still had signs at their door saying, NO DOGS OR IRISHMEN ALLOWED. When my brother and I were growing up, there were still ugly tumors of racial bigotry in much of America, including the corner of Illinois where we lived. At our one local movie theater, blacks and whites had to sit apart—the blacks in the balcony. My mother and father urged my brother and me to bring home our black playmates, to consider them equals, and to respect the religious views of our friends, whatever they were. My brother’s best friend was black, and when they went to the movies, Neil sat with him in the balcony. My mother always taught us: “Treat thy neighbor as you would want your neighbor to treat you,” and “Judge everyone by how they act, not what they are.” Once my father checked into a hotel during a shoe-selling trip and a clerk told him: “You’ll like it here, Mr. Reagan, we don’t permit a Jew in the place.” My father, who told us the story later, said he looked at the clerk angrily and picked up his suitcase and left. “I’m a Catholic,” he said. “If it’s come to the point where you won’t take Jews, then some day you won’t take me either.” Because it was the only hotel in town, he spent the night in his car during a winter blizzard and I think it may have led to his first heart attack.
Ronald Reagan (An American Life: The Autobiography)
Pastor Daniel, meanwhile, is sipping water on the balcony of a former sailing clubhouse, I ask if he can show me which parts of the Qur'an cause him concern. He tells me he's not the best person to ask. 'I can introduce you to a guy – I wouldn't call myself a scholarly person on Islam.' Strange response, considering his travelling roadshow routine.
John Safran (Depends What You Mean By Extremist)
to, and some like the engineer never do get comfortable with them and use the less garish auditory side-doors; and the abundant sulcus-fissures and gyrus-bulges of the slick latex roof make rain-drainage complex and footing chancy at best, so there’s not a whole lot of recreational strolling up here, although a kind of safety-balcony of skull-colored polybutylene resin, which curves around the midbrain from the inferior frontal sulcus to the parietooccipital sulcus—a halo-ish ring at the level of like eaves, demanded by the Cambridge Fire Dept. over the heated pro-mimetic protests of topological Rickeyites over in the Architecture Dept. (which the M.I.T. administration, trying to placate Rickeyites and C.F.D. Fire Marshal both, had had the pre-molded resin injected with dyes to render it the distinctively icky brown-shot off-white of living skull, so that the balcony resembles at once corporeal bone and numinous aura)—which balcony means that
David Foster Wallace (Infinite Jest)
First thing Monday morning, Ruby came in. She seemed upset. "Zach, I've had a vision," she said immediately. "Was it a dream," Angelo began suddenly, with a wicked grin on his face, "where you see yourself standing in sort of sun-god robes on a pyramid with a thousand naked women screaming and throwing little pickles at you?" Ruby and I both gaped at him. "Of course not," Ruby said with disgust, "Why would you even ask something like that?" "Just wonderin'." He was facing her, But he held up a DVD case, facing me. 'Real Genius'. I had no idea what that was supposed to mean. Ruby shook her head at him and then turned back to me. "There was a bird. It tried to land in your hands, but a giant horse scared it away." As usual when Ruby announced her visions, I had no idea how to respond. I just smiled. "That's fascinating." She nodded sagely. "I hope you're nat planning any horse riding this weekend." Before I could answer, Nero Sensei burst through the doo, breathless. "Do any of you own the blue convertible parked at Jeremy's?" Which meant another kid had pucked off the balcony. "Hope the top wasn't down," Angelo said lightly. Sensei shook his head as he headed back out the door. "No, but it's a soft top, and Tim had cranberry juice before class. It's gonna stain." Ruby followed Nero out the door. Angelo turned to me. His eyes were sparkling and he was grinning from ear to ear. "Best job I ever had," he said. and I had to smile back.
Marie Sexton (A to Z (Coda, #2))
wheelchair-accessible front ramp, take a bit of getting used to, and some like the engineer never do get comfortable with them and use the less garish auditory side-doors; and the abundant sulcus-fissures and gyrus-bulges of the slick latex roof make rain-drainage complex and footing chancy at best, so there’s not a whole lot of recreational strolling up here, although a kind of safety-balcony of skull-colored polybutylene resin, which curves around the midbrain from the inferior frontal sulcus to the parietooccipital sulcus—a halo-ish ring at the level of like eaves, demanded by the Cambridge Fire Dept. over the heated pro-mimetic protests of topological Rickeyites over in the Architecture Dept. (which the M.I.T. administration, trying to placate Rickeyites and C.F.D. Fire Marshal both, had had the pre-molded resin injected with dyes to render it the distinctively icky brown-shot off-white of living skull, so that the balcony resembles at once corporeal bone and
David Foster Wallace (Infinite Jest)
There was a note on the table.” “Bring it here,” Van Eck barked. The boy strode down the aisle, and Van Eck snatched the note from his hand. “What does it … what does it say?” asked Bajan. His voice was tremulous. Maybe Inej had been right about Alys and the music teacher. Van Eck backhanded him. “If I find out you knew anything about this—” “I didn’t!” Bajan cried. “I knew nothing. I followed your orders to the letter!” Van Eck crumpled the note in his fist, but not before Inej made out the words in Kaz’s jagged, unmistakable hand: Noon tomorrow. Goedmedbridge. With her knives. “The note was weighted down with this.” The boy reached into his pocket and drew out a tie pin—a fat ruby surrounded by golden laurel leaves. Kaz had stolen it from Van Eck back when they’d first been hired for the Ice Court job. Inej hadn’t had the chance to fence it before they left Ketterdam. Somehow Kaz must have gotten hold of it again. “Brekker,” Van Eck snarled, his voice taut with rage. Inej couldn’t help it. She started to laugh. Van Eck slapped her hard. He grabbed her tunic and shook her so that her bones rattled. “Brekker thinks we’re still playing a game, does he? She is my wife. She carries my heir.” Inej laughed even harder, all the horrors of the past week rising from her chest in giddy peals. She wasn’t sure she could have stopped if she wanted to. “And you were foolish enough to tell Kaz all of that on Vellgeluk.” “Shall I have Franke fetch the mallet and show you just how serious I am?” “Mister Van Eck,” Bajan pleaded. But Inej was done being frightened of this man. Before Van Eck could take another breath, she slammed her forehead upward, shattering his nose. He screamed and released her as blood gushed over his fine mercher suit. Instantly, his guards were on her, pulling her back. “You little wretch,” Van Eck said, holding a monogrammed handkerchief to his face. “You little whore. I’ll take a hammer to both your legs myself—” “Go on, Van Eck, threaten me. Tell me all the little things I am. You lay a finger on me and Kaz Brekker will cut the baby from your pretty wife’s stomach and hang its body from a balcony at the Exchange.” Ugly words, speech that pricked her conscience, but Van Eck deserved the images she’d planted in his mind. Though she didn’t believe Kaz would do such a thing, she felt grateful for each nasty, vicious thing Dirtyhands had done to earn his reputation—a reputation that would haunt Van Eck every second until his wife was returned. “Be silent,” he shouted, spittle flying from his mouth. “You think he won’t?” Inej taunted. She could feel the heat in her cheek from where his hand had struck her, could see the mallet still resting in the guard’s hand. Van Eck had given her fear and she was happy to return it to him. “Vile, ruthless, amoral. Isn’t that why you hired Kaz in the first place? Because he does the things that no one else dares? Go on, Van Eck. Break my legs and see what happens. Dare him.” Had she really believed a merch could outthink Kaz Brekker? Kaz would get her free and then they’d show this man exactly what whores and canal rats could do. “Console yourself,” she said as Van Eck clutched the ragged corner of the table for support. “Even better men can be bested.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Early in this book, I said that the feeling I got from buying a Polish stock that went up ten times was the best thing to ever happen to me in my career. But the feeling I had on that balcony in Brussels with Sergei’s widow and son, as we watched the largest lawmaking body in Europe recognize and condemn the injustices suffered by Sergei and his family, felt orders of magnitude better than any financial success I’ve ever had. If finding a ten bagger in the stock market was a highlight of my life before, there is no feeling as satisfying as getting some measure of justice in a highly unjust world.
Bill Browder (Red Notice: A True Story of High Finance, Murder, and One Man’s Fight for Justice)
Ella?” Cinder asked when things got quiet. “Are you there?” He sounded hesitant. “Welcome to my life,” I said with a sigh of defeat. “Sorry about that.” “It’s okay.” It was definitely not okay. I was so humiliated. It was a miracle I wasn’t crying. I think that was only because I was still in so much shock. “Look, thanks for giving me your phone number, but maybe this is a bad time.” My dad scrambled to his feet, waving his hands at me. “No! You don’t have to end your call. We’ll give you some privacy.” He glanced at both Jennifer and Juliette. “Won’t we, ladies?” His blatant desperation for me to talk to someone—even a stranger from the Internet—was as embarrassing as Anastasia’s outburst. Even worse, Jennifer was just as bad. “Of course! You go ahead and talk to your boyfriend, Ella,” she squealed. “We can keep an eye on you from the kitchen. I have to get dinner started anyway.” While I was busy dying from her use of the word boyfriend, she hopped off the elliptical. She hurried to catch up to my dad, seeming more than happy to finish her workout early. As they started up the steps, they both turned back to Juliette, who had sprawled out on the couch instead of getting up. “I was here first,” Juliette said in response to their expectant looks. “There’s no way I’m going anywhere near the upstairs with Ana in the mood she’s in, and I really don’t care about Ella’s love life. Besides, she’s not supposed to be alone, anyway. What if she tries to throw herself off the balcony or something?” Was there anyone in the world that didn’t feel the need to humiliate me? I glared at Juliette, and she just waved a pair of earbuds at me and shoved them in her ears. “I’ll turn the volume up.” My dad and Jennifer both gave me such hopeful looks that I couldn’t argue anymore. I rolled my eyes and made my way over to the armchair my father had been lounging in. Once Dad and Jennifer were gone, I glanced over at the couch. Juliette was already doing what she did best—ignoring me. She was bobbing her head along with her music as she read out of a textbook. I doubted she could hear me, but I spoke softly anyway, just in case. “Cinder? Are you still there?” “I didn’t realize upping our relationship to phone buddies would come with a boyfriend title. Does that mean if we ever meet in person, we’ll have to get married?” Surprised, I burst into laughter. Juliette glanced at me with one raised eyebrow, but went back to her textbook without saying anything.
Kelly Oram (Cinder & Ella (Cinder & Ella, #1))
Of the Poet’s Youth" When the man behind the counter said, “You pay by the orifice,” what could we do but purchase them all? Ah, Sandy, vou were clearly the deluxe doll, modish and pert in your plastic nurse whites, official hostess to our halcyon days, where you bobbed in the doorway of our dishabille apartment, a block downwind from the stockyards. Holding court on the corroded balcony, K. and I passed hash brownies, collecting change for the building’s monthly pool to predict which balcony would fall off next. That’s when K. was fucking M. and M. was fucking J., and even B. and I threw down once on the glass-speckled lawn, adrift in the headlights of his El Camino. Those were immortal times, Sandy! Coke wasn’t addictive yet, condoms prevented herpes and men were only a form of practice for the Russian novel we foolishly hoped our lives would become. Now it’s a Friday night, sixteen years from there. Don’t the best characters know better than to live too long? My estranged husband house-sits for a spoiled cockatoo while saving to buy his own place. My lover’s gone back to his gin and the farm-team fiancée he keeps in New York. What else to do but read Frank O’Hara to my tired three-year-old? When I put him to bed, he mutters “more sorry” as he turns into sleep. Tonight, I find you in a box I once marked “The Past.” Well, therapy’s good for some things, Sandy, but who’d want to forgive a girl like that? Frank says Destroy yourself if you don’t know! Deflated, you’re simply the smile that surrounds a hole. I don’t know anything.
Erin Belieu
He conjured a spotlight, which travelled down along the balcony, and rested on her face. ‘Your hair,’ he said. ‘All of the lights land in it.’ (All of the lights land in it: an excellent line. While I try to deny it, there were times – when I was younger – when this would have impressed me, too.) ‘Is this how you usually spend your Saturday nights?’ Mother asked. ‘No. Sometimes. I like the technology, you see. And I like to help out.’ Mother leaned against the railing alongside him. She let her hair fall against his arm. ‘I’ve never had company before,’ Father said, and smiled. ‘This makes things much more interesting.’ ‘I’m not that interesting at all,’ Mother said. ‘I mean, I’m pretty boring. Actually.’ ‘I don’t believe you. What’s the best thing that’s ever happened to you?’ ‘What?’ ‘Tell me the best thing that’s ever happened to you. Nobody’s boring when they tell you the best thing that’s ever happened. Go.’ Mother thought of her princess dress, and the faces of the villagers watching the Harvest Festival. In her mind, they multiplied, so that she led the parade through a crowd of hundreds – thousands – of well-wishers. ‘Fine,’ she said. She knew exactly how she would tell it. ‘See,’ Father said, at the end. ‘That wasn’t boring. But it wasn’t the best thing that ever happened to you, either.’ ‘It wasn’t?’ ‘Of course not,’ Father said. He concentrated on the fuse box, passing it from one great palm to the other. He was smiling, close to laughter. ‘That’s tonight.
Abigail Dean (Girl A)
One of our best dates was actually a weekend when we went to the wedding of a friend from the Teams. The couple married in Wimberley, Texas, a small town maybe forty miles south of Austin and a few hours’ drive from where we lived. We were having such a pleasant day, we didn’t want it to end. “It doesn’t have to end,” suggested Chris as we headed for the car. “The kids are at my parents’ for the weekend. Where do you want to go?” We googled for hotels and found a place in San Antonio, a little farther south. Located around the corner from the Alamo, the hotel seemed tailor-made for Chris. There was history in every floorboard. He loved the authentic Texan and Old West touches, from the lobby to the rooms. He read every framed article on the walls and admired each artifact. We walked through halls where famous lawmen-and maybe an outlaw or two-had trod a hundred years before. In the evening, we relaxed with coffee out on the balcony of our room-something we’d never managed to do when we actually owned one. It was one of those perfect days you dream of, completely unplanned. I have a great picture of Chris sitting out there in his cowboy boots, feet propped up, a big smile on his face. It’s still one of my favorites. People ask about Chris’s love of the Old West. It was something he was born with, really. It had to be in his genes. He grew up watching old westerns with his family, and for a time became a bronco-bustin’ cowboy and ranch hand. More than that, I think the clear sense of right and wrong, of frontier justice and strong values, appealed to him.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
We look to the stars. Backs on the grass. Danny rolls on his side. Props his head up with his left hand. ‘Hey, you still wanna know why I was crying on the bridge?’ he asks. ‘Yeah.’ He sits up. He’s breaking fragments of a twig between his fingers. ‘It’s a bit messed up.’ ‘It is?’ I sit up now, too. ‘Well, now I really wanna know.’ He tosses a bit of a twig over his feet. ‘Sometimes I go to the middle of that bridge and I look over the edge and I think about jumping off,’ he says. ‘Right,’ I say, wondering where he’s going with this. ‘But I’m not doing that in a sad, death way,’ he says. ‘I’m doing that in an alive way.’ ‘An alive way?’ I nod, trying my best to keep up. ‘I don’t think I’d ever jump, but sometimes I really think hard about it, and it terrifies me,’ he says. ‘And then it makes me feel alive. It makes me feel grateful. Because in that instant I feel like I’ve saved myself from certain death. I don’t know what part of me wants to jump, I can’t explain where it comes from, but it’s like some weird part of me always wants to die. I think that’s why I’m scared of heights. Like, have you ever been on one of those balconies in one of those high-rise apartments on the Gold Coast?’ ‘No,’ I say. ‘I live in a van.’ ‘Right,’ he says. ‘Sorry. Entitled dick.’ ‘You’re entitled to be.’ ‘Those Gold Coast apartments have balconies as high as the clouds, but the railings on the balconies don’t even go up past your belly button. You could trip over and that’d be it. Splat. I think some people get scared on those balconies because they are scared of the part of themselves that wants to die. For most of us it’s among the few times in our lives when we come so close to so easily being able to end it all, and we’re terrified by that voice in our heads screaming, “Don’t jump, arsehole,” and it’s like, what sort of crazy fuck has to even say that to themselves? So, sometimes when I’m on that bridge I think all that stuff, and then those thoughts are like reminders of how fucking beautiful it all is. The thought of dying reminds me why I love it all so much. I look at the river and the buildings and the lights and the moon and the stars and the people going past and I say these same words: “You’re so fucking lucky.
Trent Dalton (Lola in the Mirror)
You don't get to ask questions,' I said, and he looked up at me, exhaustion and pain lining his face, my blood shining on his lips. Part of me hated the words, for acting like this while he was wounded, but I didn't care. 'You only get to answer them. And nothing more.' Wariness flooded his eyes, but he nodded, biting off another mouthful of the weed and chewing. I stared down at him, the half-Illyrian warrior who was my soul-bonded partner. 'How long have you know that I'm your mate?' Rhys stilled. The entire world stilled. He swallowed. 'Feyre.' 'How long have you know that I'm your mate.' 'You... You ensnared the Suriel?' How he'd pieced it together, I didn't give a shit. 'I said you don't get to ask questions.' I thought something like panic might have flashed over his features. He chewed again on the plant- as if it instantly helped, as if he knew that he wanted to be at his full strength to face this, face me. Colour was already blooming on his cheeks, perhaps from whatever healing was in my blood. 'I suspected for a while,' Rhys said, swallowing once more. 'I knew for certain when Amarantha was killing you. And when we stood on the balcony Under the Mountain- right after we were freed, I felt it snap into place between us. I think when you were Made, it... it heightened the smell of the bond. I looked at you then and the strength of it hit me like a blow.' He'd gone wide-eyed, had stumbled back as if shocked- terrified. And had vanished. That had been over half a year ago. My blood pounded in my ears. 'When were you going to tell me?' 'Feyre.' 'When were you going to tell me?' 'I don't know. I wanted to yesterday. Or whenever you'd noticed that it wasn't just a bargain between us. I hoped you might realise when I took you to bed, and-' 'Do the others know?' 'Amren and Mor do. Azriel and Cassian suspect.' My face burned. They knew- they- 'Why didn't you tell me?' 'You were in love with him; you were going to marry him. And then you... you were enduring everything and it didn't feel right to tell you.' 'I deserved to know.' 'The other night you told me you wanted a distraction, you wanted fun. Not a mating bond. And not to someone like me- a mess.' So the words I'd spat after the Court of Nightmares had haunted him. 'You promised- you promised no secrets, no games. You promised.' Something in my chest was caving in on itself. Some part of me I'd thought long gone. 'I know I did,' Rhys said, the glow returning to his face. 'You think I didn't want to tell you? You think I liked hearing you wanted me only for amusement and release? You think it didn't drive me out of my mind so completely that those bastards shot me out of the sky because I was too busy wondering if I should just tell you, or wait- or maybe take whatever pieces that you offered me and be happy with it? Or that maybe I should let you go so you don't have a lifetime of assassins and High Lords hunting you down for being with me?' 'I don't want to hear this. I don't want to hear you explain how you assumed that you knew best, that I couldn't handle it-' 'I didn't do that-' 'I don't want to hear you tell me that you decided I was to be kept in the dark while you friends knew, while you all decided what was right for me-' 'Feyre-' 'Take me back to the Illyrian camp. Now.' He was panting in great, rattling gulps. 'Please.' But I stormed to him and grabbed his hand. 'Take me back now.' And I saw the pain and sorrow in his eyes. Saw it and didn't care, not as that thing in my chest was twisting and breaking. Not as my heart- my heart- ached, so viciously that I realised it'd somehow been repaired in these past few months. Repaired by him. And now it hurt. Rhys saw all that and more on my face, and I saw nothing but agony in his as he rallied his strength, and, grunting in pain, winnowed us into the Illyrian camp.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Along the rough cobbled streets that had served so well in surprise attacks and buccaneer landings, weeds hung from the balconies and opened cracks in the whitewashed walls of even the best-kept mansions, and the only signs of life at two o’clock in the afternoon were languid piano exercises played in the dim light of siesta. Indoors, in the cool bedrooms saturated with incense, women protected themselves from the sun as if it were a shameful infection, and even at early Mass they hid their faces in their mantillas. Their love affairs were slow and difficult and were often disturbed by sinister omens, and life seemed interminable. At nightfall, at the oppressive moment of transition, a storm of carnivorous mosquitoes rose out of the swamps, and a tender breath of human shit, warm and sad, stirred the certainty of death in the depths of one’s soul. And
Gabriel García Márquez (Love in the Time of Cholera)
If you stay in your place they’ll leave you alone—and did our best not to offend. Still, they gave us a hard time. Their men slapped our husbands on the back and shouted out, “So solly!” as they knocked off our husbands’ hats. Their children threw stones at us. Their waiters always served us last. Their ushers led us upstairs, to the second balconies of their theaters, and seated us in the worst seats in the house. Nigger heaven, they called it. Their barbers refused to cut our hair. Too coarse for our scissors.
Julie Otsuka (The Buddha in the Attic)
You shouldn’t pay any attention to what she says,” Kendra says firmly, nodding at Elisa sprawled out on the terrace chair. “She’s just a nasty bitch. Ignore her.” Elisa hears this, as she’s meant to. “And you,” she calls to Kendra, swiveling on her chair to face inside the dining room, “you think you are so pretty, so beautiful, because all the boys want you. Well, they only want you because you are different. They think you are esotica. Exotic.” Kendra looks as if Elisa just slapped her in the face, and Paige draws in her breath sharply. “Are you kidding me?” Paige snaps at Elisa. “What did you just call her?” Her hands clenched into fists, Paige marches around the table in Elisa’s direction; skinny Elisa flinches at the sight of 140 pounds of super-confident, sporty, protein-fed American girl heading toward her with fury in her eyes. I nip around the table from the other side and head Paige off before she backhands Elisa like Serena Williams hits a tennis ball, and sends her flying across the terrace and into the olive grove beyond. I’m not an etiquette expert, but I can’t help feeling that knocking our hostess’s daughter over a stone balcony might not be considered the most appropriate way to celebrate the first full day of our summer course. “Paige, leave it! She’s just jealous,” I say swiftly. “Ignore her. She’s having a go at us because she’s pissed off that Luca likes foreign girls--he doesn’t want her.” Elisa grabs her cigarettes and her phone, jumps up, and, sneering at us all, storms off the terrace, muttering, “Vaffanculo!” as she flees the wrath of Killer Barbie. That’s right--run away. To me, “exotic” sounds nice, like a compliment: out-of-the-ordinary, glamorous, exciting. But Kendra clearly hasn’t taken it that way, nor did Paige. I want to ask them why, but it’s Kelly, of all people, who saves the moment by saying meditatively: “You know, we should make a note of all the mean things Elisa says to us in Italian. That way, we’ll learn all the best swearwords.
Lauren Henderson (Flirting in Italian (Flirting in Italian #1))
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Door On The Go of East York
Somewhere in the city of Vadodara, a young woman named Zaheera Sheikh stood on the balcony of her friend’s house and watched in helpless stupefaction all the members of her family along with a couple of their staff being engulfed by fires of hatred. Best Bakery which also served as their residence was in flames. It was locked from outside by some people whose slogans would remain beyond Zaheera Sheikh’s comprehension for years. The religious fervour of those slogans would go on scorching her in a different way even years after all her beloved people were interred.
Tomichan Matheikal (Black Hole)
Eve was beside herself. Whatever this is, Deene had best appreciate—why are you staring at me like that?” He closed the door and stepped closer. The room was unusual, built with a small balcony overlooking a conservatory that might have been added as an afterthought, hence its relative warmth and humidity, and the lush scent of foliage blending with all the other fragrances wafting through the house. “Looking at you like what?” “Like… you just lost your best friend? Won’t it be wonderful to go home to Flint Hall, Elijah?” Elijah was better than my lord, and because she seemed to need it, he lied for her. “Wonderful, indeed. Have you told your parents yet that you’re going to Paris?” He had the sense she was waiting for him to leave Morelands first, unwilling to have his support even tacitly. “Not… not yet.” She set the perfect little gift down. “Louisa says I must, and she grasps tactics with an intuition I can only admire. I wish…” Her gaze went to the elegant little parcel. “I wish…” While Elijah watched, Jenny lost some of that distant, preoccupied quality that had characterized her since they’d finished their paintings. She gazed on that parcel as if it held secrets and treats and even a happy ending or two. Once they completed the twenty-minute walk back to Morelands, they’d have no more private moments ever. He’d leave for London at first light; she’d sail for Paris, probably before the New Year. “What do you wish, Genevieve?” Because whatever it was, he’d give it to her. His heart, his soul, his hands, passage to Paris—passage home from Paris. How he wished she’d ask him for that, but passage home was something she could only give herself. “Will you make love with me, Elijah? You’re leaving tomorrow, I know that, and I shouldn’t ask it. I shouldn’t want it, but I do. I want you, so much. Please?
Grace Burrowes (Lady Jenny's Christmas Portrait (The Duke's Daughters, #5; Windham, #8))
Unbeknownst to Miko and Jordyn, Lo and Ben had walked upstairs because she was tired of Nas staring at her as if she had done something wrong. Lauren stood over the balcony, watching those two talk, as if they were long lost best friends. “Okay,
Nako (From His Rib (The Underworld, #3))
Piers Morgan Piers Morgan is a British journalist best known for his editorial work for the Daily Mirror from 1995 through 2004. He is also a successful author and television personality whose recent credits include a recurring role as a judge on NBC’s America’s Got Talent. A controversial member of the tabloid press during Diana’s lifetime, Piers Morgan established a uniquely close relationship with the Princess during the 1990s. Lunch with Diana. A big day--a massive, humongous day, in fact. I got there ten minutes early, feeling decidedly nervous. The Kensington Palace front door was opened by her beaming butler. He walked me up the stairs, chatting cheerfully about the weather and my journey, as if a tabloid editor prowling around Diana’s home was a perfectly normal occurrence. He said that the “Boss” was running a bit late, joking that “she’ll be furious you are here first!” and invited me to have a drink. “What does she have?” I asked. “Water, usually,” he replied, “but wouldn’t you rather have a nice glass of wine? She won’t mind in the slightest.” I readily agreed, if only to calm my racing heartbeat. He then left me alone in the suitably regal sitting room. Diana had a perfectly normal piano covered in perfectly normal family snaps. It’s just that this family was the most photographed on the planet. Lots of pictures of her boys, the young heirs, perhaps the men who will kill off, or secure, the very future of the monarchy. To us, they were just soap opera stars, semi-real figments of tabloid headlines and the occasional palace balcony wave. But here they were, her boys, in picture frames, like any other adored sons. Just sitting in her private room was fascinating. Her magazines lay on the table, from Vogue to Hello, as well as her newspapers--the Daily Mail at the top of the pile, obviously, if distressingly. After I had spent ten minutes on my own, she swept in, gushing: “I’m so sorry to have kept you, Piers. I hope Paul has been looking after you all right.” And then came what was surely one of the most needless requests of all time: “Would you mind awfully if William joins us for lunch? He’s on an exeat from Eton, and I just thought that given you are a bit younger than most editors, it might be good for both of you to get to know each other.” “I’m sorry, but that would be terribly inconvenient,” I replied sternly. Diana blushed slightly and started a stuttering “Yes, of course, I’m so sorry…” apology, when I burst out laughing. “Yes, ma’am, I think I can stretch to allowing the future king to join us for lunch.” The absurdity of this conversation held no apparent bounds.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
Neil’s feet were still numb from the frostbite. Long exposure up high, sat waiting in the snow for all those hours at the Balcony, had taken their toll. At base camp, we bandaged them up, kept them warm, and purposefully didn’t discuss the very real prospect of him losing his toes. He didn’t need to be told that he was unlikely ever to feel them again properly. Either way, we realized that the best option for them was to get him proper medical attention and soon. There was no way he was going to be walking anywhere with his feet bandaged up like two white balloons. We needed an air-evacuation. Not the easiest of things in the thin air of Everest’s base camp. The insurance company said that at dawn the next day they would attempt to get him out of there. Weather permitting. But at 17,450 feet we really were on the outer limits of where helicopters could fly. True to their word, at dawn we heard the distant rotors of a helicopter, far beneath us in the valley. A tiny speck against the vast rock walls on either side. In a matter of sixty short minutes, that thing could whisk Neil away to civilization, I thought. Hmm. My goodness, that was a beautiful prospect. Somehow I had to get on that chopper with him. I packed in thirty seconds flat, everything from the past three months. I taped a white cross onto my sleeve, and raced out to where Neil was sat waiting. One chance. What the heck. Neil shook his head at me, smiling. “God, you push it, Bear, don’t you?” he shouted over the noise of the rotors. “You’re going to need a decent medic on the flight,” I replied, with a smile. “And I’m your man.” (There was at least some element of truth in this: I was a medic and I was his buddy--and yes, he did need help. But essentially I was trying to pull a bit of a fast one.) The pilot shouted that two people would be too heavy. “I have to accompany him at all times,” I shouted back over the engine noise. “His feet might fall off at any moment,” I added quietly. The pilot looked back at me, then at the white cross on my sleeve. He agreed to drop Neil somewhere down at a lower altitude, and then come back for me. “Perfect. Go. I’ll be here.” I shook his hand firmly. Let’s just get this done before anyone thinks too much about it, I mumbled to myself.
Bear Grylls (Mud, Sweat and Tears)
On my first Sunday morning visiting Capitol Hill Baptist Church in Washington, DC, my family and I sat in front of a lovely family in the church balcony. I first noticed them because their young children sat attentively and patiently as they participated in the service. I then noticed their lovely, vigorous singing. But they really grabbed my attention when they greeted us warmly immediately after the service. The man of the family took me around and introduced me to many of the men in the church, and after about fifteen minutes or so invited my family to join his family at their home for lunch—right then. Honestly, the experience made me feel a little weirded out. First of all, his name was Jim, and literally the first three men he introduced me to were all named Jim. Strange, I thought. What kind of church is this? Will I have to change my name again? Then the quick invitation to lunch about knocked me down. It happened too fast. And with my Southern upbringing, it might have even been considered impolite. So I gave him my best polite Southern way of saying no: “That is mighty nice of you. Perhaps some other time.” Everybody down South knows that a sentence like that means no. Southerners know that that is how you must say no because saying no itself is impolite. Southerners are nothing if not polite. So I had clearly said no to this man’s kind but hasty offer of lunch. And wouldn’t you know it? The very next week, when we went to this strange church again, he insisted that we join them for lunch. I was North Carolina. He was New Jersey. There was a failure to communicate. He didn’t understand the rules of the South, but Washington, DC, apparently was too close to the Mason-Dixon Line to clearly establish which “Rome” we were in and what we should do. But I was wrong, and Jim was right. He was the godlier man. He was more hospitable than anyone I had ever met and remains more hospitable than I am today. He embodied Paul’s insistence that hospitable men lead Christ’s church. And rightly, he was a church elder.
Thabiti M. Anyabwile (Finding Faithful Elders and Deacons (9Marks))
Well…” drawled Stanhope once he disappeared, “that was certainly more illuminating than I had expected it would be.” “Oh, shut up, Freddie.” “My lips are sealed, kitten…but may I make a small suggestion? Two, actually.” “As if I could stop you?” “First, I wouldn’t necessarily mention that part about balconies so freely and in such close company. It’s not exactly a flattering picture of Blackmoor…and could be damaging to your reputation.” “Thank you, Freddie.” Her voice was laced with sarcasm. “I hadn’t realized that.” “Sarcasm doesn’t become you, sweet.” He pressed on. “Second…I’d imagine Blackmoor will be rather…put out…that you brought that up in front of me.” “More than put out,” she replied. “Livid.” “A choice word.” “So what’s your second suggestion?” “Tread lightly.” “That’s it? That’s the best advice you can give me?” “All right, tread very lightly.
Sarah MacLean (The Season)
Let’s find out, shall we?” Then, louder and with a rakish grin, “Shall we find the exit to the garden, my lady? I daresay we both could use some…air.” “I don’t think that will be at all necessary, Stanhope.” The statement cut through the air like a knife, and Alex felt her stomach drop with the realization that Blackmoor was standing immediately behind her. She looked up at Freddie, wide-eyed, not quite knowing what to do. He spoke with an air of bored dismissal. “Blackmoor, what a surprise. What is it you want?” Blackmoor’s tone brooked no refusal, but was surprisingly hushed, only loud enough for the three of them to hear. “I want you to stay away from Lady Alexandra, Stanhope. She is most definitely not in need of a walk in the gardens with the likes of you.” “I suppose you would be a better companion?” Freddie drawled. Alex could sense that this conversation was not going to end well but had a nagging suspicion that Freddie was quite enjoying himself. “Most certainly. I’m practically her brother.” Freddie gave a short laugh at this, which made Blackmoor even more angry. “More importantly,” he continued, “I’m her escort this evening, and I say where she goes and who she goes with. And she is most certainly not going anywhere with you.” “I beg your pardon?” Alex spoke, keeping her voice hushed, but pulling herself up to her full height and stepping between the two men. Her face flushed with indignation as she leveled Blackmoor with a dark look. “What did you just say?” He looked down at her mutely as she pressed on. “I’m almost certain that you implied…nay…dictated…that you have some kind of control over my behavior.” He opened his mouth to speak, but she cut him off. “I think it best you say no more, my lord, lest you embarrass yourself further. Let me be clear. Last I was aware, you were neither my husband nor my father nor my king. Therefore, any control you may imagine you hold over me is just that—imaginary.” She continued, her anger making her voice waver, “If I want to take a walk in the gardens with Stanhope, or with anyone else for that matter, that is entirely my business. I will thank you to stay out of my affairs. Or need I remind you that it is not Stanhope whom I’ve had to be wary of on balconies recently?” Her
Sarah MacLean (The Season)
Laughing with blood relatives amidst memorable melodies in the background, styrofoam plate in hand, topped with foods that restaurants can’t duplicate, it hit me: I don’t belong here. Staring at an unbelievable sunrise from a balcony villa in Tanzania, it hit me: I don’t belong here. Recognized and awarded for notable news journalism, a few semesters away from achieving a prestigious degree decorated with promised opportunities, it hit me: I don’t belong here. Hoping quietly for the best, to “win my husband over” with traditional submission, more frequent sex, and minimized speech, it hit me: I don’t belong here. Walking down a dusty Egyptian street filled with the welcoming laughter of carefree children, it hit me: I don’t belong here. Sitting in a church pew notating another good message, clapping to some of my favorite songs, and then exiting to talk with familiar faces, it hit me: I don’t belong here. Communing with those who know who the “real chosen” are, beholding their unknown names unmasked, and secret knowledges revealed to ponder incessantly, it hit me: I don’t belong here. Placed underneath the wanting body of a rare man who showed me unprecedented love, it hit me: I don’t belong here. My soul. My mind. My body. Each malnourished. My community. My life purpose. Both misplaced. All starving for home. So, I moved. Not to what looks and feels good for them, but to what
Zara Hairston
Laughing with blood relatives amidst memorable melodies in the background, styrofoam plate in hand, topped with foods that restaurants can’t duplicate, it hit me: I don’t belong here. Staring at an unbelievable sunrise from a balcony villa in Tanzania, it hit me: I don’t belong here. Recognized and awarded for notable news journalism, a few semesters away from achieving a prestigious degree decorated with promised opportunities, it hit me: I don’t belong here. Hoping quietly for the best, to “win my husband over” with traditional submission, more frequent sex, and minimized speech, it hit me: I don’t belong here. Walking down a dusty Egyptian street filled with the welcoming laughter of carefree children, it hit me: I don’t belong here. Sitting in a church pew notating another good message, clapping to some of my favorite songs, and then exiting to talk with familiar faces, it hit me: I don’t belong here. Communing with those who know who the “real chosen” are, beholding their unknown names unmasked, and secret knowledges revealed to ponder incessantly, it hit me: I don’t belong here. Placed underneath the wanting body of a rare man who showed me unprecedented love, it hit me: I don’t belong here. My soul. My mind. My body. Each malnourished. My community. My life purpose. Both misplaced. All starving for home. So, I moved. Not to what looks and feels good for them, but to what
Zara Hairston
Laughing with blood relatives amidst memorable melodies in the background, styrofoam plate in hand, topped with foods that restaurants can’t duplicate, it hit me: I don’t belong here. Staring at an unbelievable sunrise from a balcony villa in Tanzania, it hit me: I don’t belong here. Hoping quietly for the best, to “win my husband over” with traditional submission, more frequent sex, and minimized speech, it hit me: I don’t belong here. Walking down a dusty Egyptian street filled with the welcoming laughter of carefree children, it hit me: I don’t belong here. Sitting in a church pew notating another good message, clapping to some of my favorite songs, and then exiting to talk with familiar faces, it hit me: I don’t belong here. Communing with those who know who the “real chosen” are, beholding their unknown names unmasked, and secret knowledges revealed to ponder incessantly, it hit me: I don’t belong here. Placed underneath the wanting body of a rare man who showed me unprecedented love, it hit me: I don’t belong here. My soul. My mind. My body. Each malnourished. My community. My life purpose. Both misplaced. All starving for home. So, I moved. Not to what looks and feels good for them, but to what
Zara Hairston
My best thoughts came to me through revelation—while taking long walks in the countryside, sipping wine and watching the sun go down, or doing nothing on my balcony other than admiring the view. Almost nothing of value ever came to me sitting at my desk, through the instrument of reason. My office helps me be productive—that’s indeed where the “hard” work gets done—but seldom creative. Most ideas produced in my office are inevitably flawed, corrupted, and easy to dismantle.
Vizi Andrei (The Sovereign Artist: Meditations on Lifestyle Design)
And, sugar, if you’re gonna sit out on that balcony at night, half-naked, smellin’ so sweet and sighing like you just had the best fuck of your life, then you might as well put a leash around my neck and call me yours.
Shelly Laurenston (Here Kitty, Kitty! (Magnus Pack, #3))
After he blows out a breath of smoke, he says, “Start running.” “Vane,” Pan warns again. “Start running, Winnie Darling.” I right my dress. “And if I don’t?” He doesn’t answer me. I suppose there is no if. When Vane gives a command, you best start running. The dark thing likes the sound of that. Likes the game. And I like the way Vane is looking at me like he’s not sure if he should be punishing me or thanking me. I turn for the balcony and start running.
Nikki St. Crowe (Their Vicious Darling (Vicious Lost Boys, #3))
Three men were standing in line to get into heaven one day. Apparently it had been a pretty busy day, though, so Peter had to tell the first one, "Heaven’s getting pretty close to full today, and I’ve been asked to admit only people who have had particularly horrible deaths. So what’s your story?" So the first man replies: "Well, for a while I’ve suspected my wife has been cheating on me, so today I came home early to try to catch her red-handed. As I came into my 25th floor apartment, I could tell something was wrong, but all my searching around didn’t reveal where this other guy could have been hiding. Finally, I went out to the balcony, and sure enough, there was this man hanging off the railing, 25 floors above ground! By now I was really mad, so I started beating on him and kicking him, but wouldn’t you know it, he wouldn’t fall off. So finally I went back into my apartment and got a hammer and starting hammering on his fingers. Of course, he couldn’t stand that for long, so he let go and fell, but even after 25 stories, he fell into the bushes, stunned but okay. I couldn’t stand it anymore, so I ran into the kitchen, grabbed the fridge and threw it over the edge where it landed on him, killing him instantly. But all the stress and anger got to me, and I had a heart attack and died there on the balcony." "That sounds like a pretty bad day to me," said Peter, and let the man in. The second man comes up and Peter explains to him about heaven being full, and again asks for his story. "It’s been a very strange day. You see, I live on the 26th floor of my apartment building, and every morning I do my exercises out on my balcony. Well, this morning I must have slipped or something, because I fell over the edge. But I got lucky, and caught the railing of the balcony on the floor below me. I knew I couldn’t hang on for very long, when suddenly this man burst out onto the balcony. I thought for sure I was saved, when he started beating on me and kicking me. I held on the best I could until he ran into the apartment and grabbed a hammer and started pounding on my hands. Finally I just let go, but again I got lucky and fell into the bushes below, stunned but all right. Just when I was thinking I was going to be okay, this refrigerator comes falling out of the sky and crushes me instantly, and now I’m here." Once again, Peter had to concede that that sounded like a pretty horrible death. The third man came to the front of the line, and again Peter explained that heaven was full and asked for his story. "Picture this," says the third man, "I’m hiding inside a refrigerator..." A
Adam Smith (Funny Jokes: Ultimate LoL Edition (Jokes, Dirty Jokes, Funny Anecdotes, Best jokes, Jokes for Adults) (Comedy Central Book 1))
Upstairs, on the balcony, the chairs are laid out for one of the most extraordinary – though invisible – rituals of a Palace banquet. In a tradition harking back to the medieval custom of royal meals as public entertainment, two dozen people will have tickets to sit behind the Band of the Grenadier Guards and simply watch the banquet. The ‘audience’ will be made up of members of staff, each of whom can bring a guest, and it’s always extremely popular as the ‘audience’ have dinner thrown in. However, once seated no one is allowed to budge for the best part of two hours.
Robert Hardman (Her Majesty: The Court of Queen Elizabeth II)
Ghosts are free spirits who can interact with their surroundings, whilst revenants can best be described as a repetition of a certain image, like a broken projector. Revenants relive events which have taken place in reality, often in dramatic circumstances. This includes murder for example. Other more everyday revenants have also been observed, such as a housewife floating outside of a second-floor window at a country house where there was once a balcony. Revenants always have a strong emotional connection to the place or building where they are seen. Ghosts on the other hand, are more concerned with contacting those who see them.
Emma Ångström (The Man In The Wall)
We call this building the Architects’ Revenge. The balconies are designed to be too sunny, too windy, and too dirty. The cinders that hurtle through my living room are capable of putting out an eyeball. But it’s a good address. Some of the best people live in this building, several of them blind in one eye.
Lilian Jackson Braun (The Cat Who Ate Danish Modern (Cat Who..., #2))
Neither coach nor leader can adapt and change until we are willing to step onto the balcony and gain new views of ourselves.
Pamela McLean (Self as Coach, Self as Leader: Developing the Best in You to Develop the Best in Others)
What the fuck? He looked up at the balcony where a group of drunk frat boys were throwing beads down to the street. Another one went whizzing past his ear. Jesus, they weren’t supposed to wind up to throw the things. And did he look like he had tits?
Erin Nicholas (My Best Friend's Mardi Gras Wedding (Boys of the Bayou, #1))
I do know that Mikhail said when the male of his race meets his true lifemate, he can say ritual words to her and bind them together as they were meant to be. If she is not the one, neither is affected in any way, but if she is, one can’t be without the other.” Raven put a defensive hand to her throat. “What words? Did he tell you the actual words?” She remembered the words he’d whispered in his native language and then repeated to her in her language. She’d felt different, and he’d told her they were married in the eyes of his people, but that hadn’t seemed real. A dream, perhaps, hadn’t it been? Father Hummer shook his head regretfully. “Only that once said to the right woman, she is bound to him and can’t escape. The words are like our marriage vows. Carpathians have a different standard of values, of right and wrong. There is no such thing as divorce to them, it isn’t in their vocabulary. The two people are virtually two halves of the same whole.” “What if one was unhappy?” Her fingers were twisting together in agitation. She remembered hearing Mikhail say something unusual. The memory was hazy, but he’d referred to her as his lifemate more than once. She should have known he was being literal. “A Carpathian male will do anything necessary to ensure the happiness of his lifemate. I don’t know or understand how it works, but Mikhail told me the bond is so strong, a male can’t do anything else but make his woman happy.” “I don’t understand how taking away choices would ever make anyone happy.” “I believe, in this instance,” Father Hummer pointed out with a small smile, “Mikhail has no real choice either, not if you’re his true lifemate. He accepts what is because he is a true Carpathian.” “But I’m not,” Raven said. “I don’t like secrets and I abhor lies, yet I find myself saying things that aren’t true because it seems in Mikhail’s best interest.” “He didn’t ask it of you, did he? That was your choice,” he argued gently. “How much has he told you of himself?” “Not much.” Wary now, she felt she was treading on treacherous ground. At all costs, she had to protect Mikhail--even if it meant lying to a priest. She hated that she would, but she knew she would never betray Mikhail. Raven touched her neck, her palm lingering over her pulse. “Whatever he did must work, Father, because I’m not the type to throw myself off a balcony because I’ve been away from a man a couple of hours.” “I guess we should both be hoping Mikhail is getting a taste of his own medicine,” Father Hummer said with a small smile.
Christine Feehan (Dark Prince (Dark, #1))
When I was forty-three, I lost one of my best friends to breast cancer. One of the things I remember most is sitting on the little balcony off her kitchen with her one evening at sunset, looking out over the acres of land so she could see from there, the hills and winding roads and houses nestled into their lots as though settled on their mothers' laps. I remember her saying, "I just want to be here." Earlier that day, I'd sat at the kitchen table and listened while she spoke to someone on the phone, making her own arrangements for a burial plot. She told whomever she was speaking to her name, her address. When she gave her age, she said, "Well, I'm only forty-four. Which is really terrible.
Elizabeth Berg (I'll Be Seeing You: A Memoir)
Cecilia looked for Isabel on the Year 6 balcony and saw her standing in between her best friends, Marie and Laura. The three girls had their arms slung around one another, indicating that their tumultuous three-way relationship was currently at a high point, where nobody was being ganged up on by the other two and their love for one another was pure and intense. It was lucky that there was no school for the next four days, because their intense times were inevitably followed by tears and betrayal and long, exhausting stories of she said, she texted, she posted and I said, I texted, I posted.
Liane Moriarty (The Husband's Secret)
On average, married couples experience a slow decline in the quality of their marriage as the years go by. It’s a depressing but well-established pattern. But when couples practice a version of going to the balcony, something unexpected happens. Social psychologist Eli Finkel and his colleagues directed a group of sixty married couples to spend seven minutes writing about their most recent fight from a different perspective. Specifically, “from the perspective of a neutral third party who wants the best for all involved.” They imagined a mediator like Gary in the room, in other words. “How might this person think about the disagreement? How might he or she find the good that could come from it?” Then they were asked to think about that person’s perspective during their next fight. Every four months, for a year, they repeated this writing exercise. The couples who did this marriage hack, reconsidering their conflicts from an imaginary third party’s point of view, reported feeling less upset about their disputes than couples who hadn’t done it. More importantly, the usual, slow loss of marital satisfaction did not happen for these couples that year. They still had conflict, but it didn’t wear on them the same way. Because it was healthy.
Amanda Ripley (High Conflict: Why We Get Trapped and How We Get Out)