“
Clinton lied. A man might forget where he parks or where he lives, but he never forgets oral sex, no matter how bad it is.
”
”
Barbara Bush
“
The first time he'd held her hand, it felt so good that it crowded out all the bad things. It felt better than anything had ever hurt.
”
”
Rainbow Rowell (Eleanor & Park)
“
Nothing before you counts," he said. "And I can't even imagine an after."
She shook her head. "Don't."
"What?"
"Don't talk about after."
"I just meant that... I want to be the last person who ever kisses you, too.... That sounds bad, like a death threat or something. What I'm trying to say is, you're it. This is it for me.
”
”
Rainbow Rowell (Eleanor & Park)
“
I have a free couple of hours," I told him, walking toward my car, which was parked on the next block. "There's a very private, very secluded barn in Lookout Hill Park behind the carousel. I could be there in fifteen minutes."
I heard the smile in his voice. "You want me bad.
”
”
Becca Fitzpatrick (Finale (Hush, Hush, #4))
“
1. I’m lonely so I do lonely things
2. Loving you was like going to war; I never came back the same.
3. You hate women, just like your father and his father, so it runs in your blood.
4. I was wandering the derelict car park of your heart looking for a ride home.
5. You’re a ghost town I’m too patriotic to leave.
6. I stay because you’re the beginning of the dream I want to remember.
7. I didn’t call him back because he likes his girls voiceless.
8. It’s not that he wants to be a liar; it’s just that he doesn’t know the truth.
9. I couldn’t love you, you were a small war.
10. We covered the smell of loss with jokes.
11. I didn’t want to fail at love like our parents.
12. You made the nomad in me build a house and stay.
13. I’m not a dog.
14. We were trying to prove our blood wrong.
15. I was still lonely so I did even lonelier things.
16. Yes, I’m insecure, but so was my mother and her mother.
17. No, he loves me he just makes me cry a lot.
18. He knows all of my secrets and still wants to kiss me.
19. You were too cruel to love for a long time.
20. It just didn’t work out.
21. My dad walked out one afternoon and never came back.
22. I can’t sleep because I can still taste him in my mouth.
23. I cut him out at the root, he was my favorite tree, rotting, threatening the foundations of my home.
24. The women in my family die waiting.
25. Because I didn’t want to die waiting for you.
26. I had to leave, I felt lonely when he held me.
27. You’re the song I rewind until I know all the words and I feel sick.
28. He sent me a text that said “I love you so bad.”
29. His heart wasn’t as beautiful as his smile
30. We emotionally manipulated one another until we thought it was love.
31. Forgive me, I was lonely so I chose you.
32. I’m a lover without a lover.
33. I’m lovely and lonely.
34. I belong deeply to myself .
”
”
Warsan Shire
“
Sometimes things would be so much simpler if you could just pull out your gun and shoot the bad guy. Reason number seventeen why Indiana Jones is my hero.
”
”
Jennifer Rardin (Once Bitten, Twice Shy (Jaz Parks, #1))
“
I think I understand for a fleeting moment why everything that’s bad and painful and sad is worth it if you love someone, because I’ll remember how he’s looking at me now forever.
”
”
Jessa Hastings (Daisy Haites (Magnolia Parks Universe, #2))
“
The worst thing we know about other people is that we’re dependent upon them. That their actions affect our lives. Not just the people we choose, the people we like, but all the rest of them: the idiots. You who stand in front of us in every line, who can’t drive properly, who like bad television shows and talk too loud in restaurants and whose kids infect our kids with the winter vomiting bug at preschool. You who park badly and steal our jobs and vote for the wrong party. You also influence our lives, every second.
”
”
Fredrik Backman (Us Against You (Beartown, #2))
“
Jeff: The drive from the valley?
Peanut: Was bad as hell!
Jeff: Traffic?
Peanut: Sucked like hell!
Jeff: Drivers?
Peanut: Angry as hell!
Jeff: And you?
Peanut: Were scared as hell!
Jeff: Parking?
Peanut: Sucked more like hell!
Jeff: So?
Peanut: We're in hell!
”
”
Jeff Dunham
“
Don’t ever use an insult for a woman that you wouldn’t use for a man. Say “jerk” or “shithead” or “asshole.” Don’t say “bitch” or “whore” or “slut.” If you say “asshole,” you’re criticizing her parking skills. If you say “bitch,” you’re criticizing her gender.
”
”
Roxane Gay (Not That Bad: Dispatches from Rape Culture)
“
This is new to us, you know? Your mother's sorry. She's sorry that she hurt your feelings, and she wants you to invite your girlfriend over for dinner."
"So that she can make her feel bad and weird?"
"Well she is kind of weird, isn't she?"
Park didn't have the energy to be angry. He sighed and let his head fall back on the chair.
His dad kept talking. "Isn't that why you like her?
”
”
Rainbow Rowell (Eleanor & Park)
“
I dug the untraceable phone Patch had given me out of my handbag and dialled his number.
"I have a free couple of hours," I told him, walking toward my car, which was parked on the next block. "There's a very dark, very secluded barn in Lookout Hill Park behind the carousel. I could be there in fifteen minutes."
I heard the smile in his voice."You want me bad."
"I need and an endorphin boost."
"And making out in an abandoned barn with me will give you one?"
"No, it will probably put me in an endorphin coma, and I'm more than happy to test the theory.
”
”
Becca Fitzpatrick (Finale (Hush, Hush, #4))
“
My name’s Oliver. Though if you want to call me Pretty Eyes Park again, I promise I’ll still come running.
”
”
Charlie Adhara (The Wolf at the Door (Big Bad Wolf, #1))
“
Then I got this image of my big toe, painted bright red, suddenly developing a face and a hot Southern temper to match, screaming, "What the hell is wrong with mah bad self?
”
”
Jennifer Rardin (One More Bite (Jaz Parks, #5))
“
…when people are waiting, they are bad judges of time, and every half minute seems like five.
”
”
Jane Austen (Mansfield Park)
“
You’re not a very pleasant damsel in distress,” Park remarked.
“And you’re a shitty Lassie. Timmy never had to wait this long when he fell down a well.
”
”
Charlie Adhara (The Wolf at the Door (Big Bad Wolf, #1))
“
Okay, okay, backing off. Um, I suppose this would be a bad time to ask you to talk to Pete for me, you know, about the car?'
His eyes widened. I could almost hear him thinking, Of all the nerve! 'You were driving,' he said.
'But he likes you so much better than me.'
'That is because I do not keep wrecking the rentals.
”
”
Jennifer Rardin (Once Bitten, Twice Shy (Jaz Parks, #1))
“
This is bad enough without mentioning ducks,” said James. He had never fancied ducks since one had bitten him in Hyde Park as a small child.
”
”
Cassandra Clare (Chain of Gold (The Last Hours, #1))
“
I sat up. Slowly. Between the belly dancing, the fire, the visit to Dave and it's aftermath, the night had taken its toll.
You look like crap!" Cole said merrily. "I like the hair though."
He made a camera frame with his thumbs and forefingers and in the genie voice from Aladdin said, "Now what does this say to me? Homeless women? Tornado victim? Britney Spears? I've got it! Preschooler who's misplaced her gum!"
I regarded him balefully. "You're a morning person, aren't you?"
You make that sound like a bad thing."
Not if you stop talking.
”
”
Jennifer Rardin (Another One Bites the Dust (Jaz Parks, #2))
“
I tell you this not as aimless revelation but because I want you to know, as you read me, precisely who I am and where I am and what is on my mind. I want you to understand exactly what you are getting: you are getting a woman who for some time now has felt radically separated from most of the ideas that seem to interest people. You are getting a woman who somewhere along the line misplaced whatever slight faith she ever had in the social contract, in the meliorative principle, in the whole grand pattern of human endeavor. Quite often during the past several years I have felt myself a sleepwalker, moving through the world unconscious of the moment’s high issues, oblivious to its data, alert only to the stuff of bad dreams, the children burning in the locked car in the supermarket parking lot, the bike boys stripping down stolen cars on the captive cripple’s ranch, the freeway sniper who feels “real bad” about picking off the family of five, the hustlers, the insane, the cunning Okie faces that turn up in military investigations, the sullen lurkers in doorways, the lost children, all the ignorant armies jostling in the night. Acquaintances read The New York Times, and try to tell me the news of the world. I listen to call-in shows.
”
”
Joan Didion (The White Album)
“
How do I look?” he blurted as they approached the car. He couldn’t help it.
“Like you’ve seen some shit,” Park said.
“Oh, good. I like to stay on brand.
”
”
Charlie Adhara (Thrown to the Wolves (Big Bad Wolf, #3))
“
We keep our heads down and work hard, believing that our diligence will reward us with our dignity, but our diligence will only make us disappear. By not speaking up, we perpetuate the myth that our shame is caused by our repressive culture and the country we fled, whereas America has given us nothing but opportunity. The lie that Asians have it good is so insidious that even now as I write, I’m shadowed by doubt that I didn’t have it bad compared to others. but racial trauma is not a competitive sport. The problem is not that my childhood was exceptionally traumatic but that it was in fact rather typical. Most white Americans can only understand racial trauma as a spectacle.
”
”
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
“
He parked his car carefully, made sure he'd set all the locks and the alarm. On the steps he kept looking behind him, snapping glances into shadows like he expected this to be a set-up with my gang waiting to roll him. Nervous. But I got this feeling the possibility of danger was all part of it for him. What he wanted was something with an edge to it, something stamped as unmistakable bad.
Welcome to the club, dude.
”
”
Matthew Stokoe (High Life)
“
But you couldn’t enjoy the fact that he was in a good mood, because it was the kind of good mood that was just on the edge of a bad one. They were all waiting for him to cross over …
”
”
Rainbow Rowell (Eleanor & Park)
“
Thomas was frowning. “My aunt Tatiana is mad. My father has often said so, that his sister was driven to madness by what happened to her father and her husband. She blames our parents for their deaths.”
“But James has never done anything to her,” said Christopher, his eyebrows knitting together.
“He’s a Herondale,” said Thomas. “That’s enough.”
“That’s ridiculous,” Christopher said. “It is as if one was bitten by a duck and years later one shot a completely different duck and ate it for dinner, and called that revenge.”
“Please do not use metaphors, Christopher,” said Matthew. “It gives me the pip.”
“This is bad enough without mentioning ducks,” said James. He had never fancied ducks since one had bitten him in Hyde Park as a small child.
”
”
Cassandra Clare (Chain of Gold (The Last Hours, #1))
“
When you’re in between dreams, you get to lean back and relax and stop trying so hard. Trying to be somebody, I mean. It’s not as exciting as being a television star, but it’s not that bad, either. You just have to learn to be satisfied with the way you are for a while. Not Forever. Just until you’re finished resting.
”
”
Barbara Park
“
I just meant that … I want to be the last person who ever kisses you, too.… That sounds bad, like a death threat or something. What I’m trying to say is, you’re it. This is it for me.
”
”
Rainbow Rowell (Eleanor & Park)
“
When you keep hitting walls of resistance in life, the universe is trying to tell you that you are going the wrong way. It's like driving a bumper car at an amusement park. Each time you slam into another car or the edge of the track, you are forced to change direction.
”
”
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
“
Outside, Pip stopped in the middle of the parking lot and looked up into the sky, clouds hiding the stars from her, hoarding them for themselves.
”
”
Holly Jackson (Good Girl, Bad Blood (A Good Girl's Guide to Murder, #2))
“
I don’t need you,” Cooper repeated, whispering into Park’s sweaty hair now. “But I want you. All the time.
”
”
Charlie Adhara (The Wolf at Bay (Big Bad Wolf #2))
“
Fortunately, Park seemed more bemused than offended. “Do you disapprove of human-werewolf relationships, Agent Dayton?”
“No. Of course not. I—that’s not what I meant. I just didn’t understand...” Cooper trailed off, thoroughly uncomfortable, and Park took pity on him.
“She’s not my type because I’m gay.”
The silence was sharp. Vaguely Cooper was aware his mouth was hanging open. He shut it quickly. Then opened it again to say, “Oh, that’s nice.
”
”
Charlie Adhara (The Wolf at the Door (Big Bad Wolf, #1))
“
Are you suggesting we pull a little good cop, bad cop scenario on him? And You're even letting me be the bad cop?"
He bowed his head. "That, my pretera, is how much I love you."
"You have never been sexier than at this very moment."
"It is a shame we have so much company," he agreed quietly.
”
”
Jennifer Rardin (The Deadliest Bite (Jaz Parks, #8))
“
Mum used to say to me—when you pick who you want to be with, you have to imagine every part of life, every scenario. Good, bad, happy, sad, painful, beautiful—not just the person you want to do road trips with, but the person you want to be stuck in gridlock traffic with. Not just the person you want to have babies with, but the person you want to grieve with, the person you want next to you on the worst day of your life, at the funeral of someone you love, who's next to you? You don't need a fair-weather lover, you need the person that's going to stand next to you in their wellies, staring down the barrel of the storm.
”
”
Jessa Hastings (Daisy Haites: The Great Undoing (Magnolia Parks Universe, #4))
“
So instead, I went to good old “Spare Parts” Rover 1 and stole its environment heater. I’ve gutted that poor rover so much, it looks like I parked it in a bad part of town. I
”
”
Andy Weir (The Martian)
“
Standing in the nordic nook of the kitchen, I can gaze down at the flimsy-limbed joggers heading south towards the Park. It's nearly as bad as New York. Some of these gasping fatsos, these too-little-too-late artists, they look as though they're running up rising ground, climbing ground. My generation, we started all this. Before, everyone was presumably content to feel like death the whole time. Now they want to feel terrific for ever.
”
”
Martin Amis (Money)
“
Suddenly, in the space of a moment, I realized what it was that I loved about Britain - which is to say, all of it. Every last bit of it, good and bad - Marmite, village fetes, country lanes, people saying 'mustn't grumble' and 'I'm terribly sorry but', people apologizing to me when I conk them with a nameless elbow, milk in bottles, beans on toast, haymaking in June, stinging nettles, seaside piers, Ordnance Survey maps, crumpets, hot-water bottles as a necessity, drizzly Sundays - every bit of it.
What a wondrous place this was - crazy as fuck, of course, but adorable to the tiniest degree. What other country, after all, could possibly have come up with place names like Tooting Bec and Farleigh Wallop, or a game like cricket that goes on for three days and never seems to start? Who else would think it not the least odd to make their judges wear little mops on their heads, compel the Speaker of the House of Commons to sit on something called the Woolsack, or take pride in a military hero whose dying wish was to be kissed by a fellow named Hardy? ('Please Hardy, full on the lips, with just a bit of tongue.') What other nation in the world could possibly have given us William Shakespeare, pork pies, Christopher Wren, Windsor Great Park, the Open University, Gardners' Question Time and the chocolate digestive biscuit? None, of course.
How easily we lose sight of all this. What an enigma Britain will seem to historians when they look back on the second half of the twentieth century. Here is a country that fought and won a noble war, dismantled a mighty empire in a generally benign and enlightened way, created a far-seeing welfare state - in short, did nearly everything right - and then spent the rest of the century looking on itself as a chronic failure. The fact is that this is still the best place in the world for most things - to post a letter, go for a walk, watch television, buy a book, venture out for a drink, go to a museum, use the bank, get lost, seek help, or stand on a hillside and take in a view.
All of this came to me in the space of a lingering moment. I've said it before and I'll say it again. I like it here. I like it more than I can tell you.
”
”
Bill Bryson (Notes from a Small Island)
“
How To Tell If Somebody Loves You:
Somebody loves you if they pick an eyelash off of your face or wet a napkin and apply it to your dirty skin. You didn’t ask for these things, but this person went ahead and did it anyway. They don’t want to see you looking like a fool with eyelashes and crumbs on your face. They notice these things. They really look at you and are the first to notice if something is amiss with your beautiful visage!
Somebody loves you if they assume the role of caretaker when you’re sick. Unsure if someone really gives a shit about you? Fake a case of food poisoning and text them being like, “Oh, my God, so sick. Need water.” Depending on their response, you’ll know whether or not they REALLY love you. “That’s terrible. Feel better!” earns you a stay in friendship jail; “Do you need anything? I can come over and bring you get well remedies!” gets you a cozy friendship suite. It’s easy to care about someone when they don’t need you. It’s easy to love them when they’re healthy and don’t ask you for anything beyond change for the parking meter. Being sick is different. Being sick means asking someone to hold your hair back when you vomit. Either love me with vomit in my hair or don’t love me at all.
Somebody loves you if they call you out on your bullshit. They’re not passive, they don’t just let you get away with murder. They know you well enough and care about you enough to ask you to chill out, to bust your balls, to tell you to stop. They aren’t passive observers in your life, they are in the trenches. They have an opinion about your decisions and the things you say and do. They want to be a part of it; they want to be a part of you.
Somebody loves you if they don’t mind the quiet. They don’t mind running errands with you or cleaning your apartment while blasting some annoying music. There’s no pressure, no need to fill the silences. You know how with some of your friends there needs to be some sort of activity for you to hang out? You don’t feel comfortable just shooting the shit and watching bad reality TV with them. You need something that will keep the both of you busy to ensure there won’t be a void. That’s not love. That’s “Hey, babe! I like you okay. Do you wanna grab lunch? I think we have enough to talk about to fill two hours!" It’s a damn dream when you find someone you can do nothing with. Whether you’re skydiving together or sitting at home and doing different things, it’s always comfortable. That is fucking love.
Somebody loves you if they want you to be happy, even if that involves something that doesn’t benefit them. They realize the things you need to do in order to be content and come to terms with the fact that it might not include them. Never underestimate the gift of understanding. When there are so many people who are selfish and equate relationships as something that only must make them happy, having someone around who can take their needs out of any given situation if they need to.
Somebody loves you if they can order you food without having to be told what you want. Somebody loves you if they rub your back at any given moment. Somebody loves you if they give you oral sex without expecting anything back. Somebody loves you if they don’t care about your job or how much money you make. It’s a relationship where no one is selling something to the other. No one is the prostitute. Somebody loves you if they’ll watch a movie starring Kate Hudson because you really really want to see it. Somebody loves you if they’re able to create their own separate world with you, away from the internet and your job and family and friends. Just you and them.
Somebody will always love you. If you don’t think this is true, then you’re not paying close enough attention.
”
”
Ryan O'Connell
“
What am I supposed to be doing on this hike? Trying to start a…a…”
“Investigation?” Park suggested.
“Threesome?” Cooper finished.
Park choked. “Okay. We’re obviously not a couple that should be trying to finish each other’s sentences.
”
”
Charlie Adhara (Thrown to the Wolves (Big Bad Wolf, #3))
“
Lydia shook her head. "This is my life. Getting yelled at in a Walmart parking lot on a Friday night by somebody doing a bad impression of PG-13 fart-joke-movie comedian.
”
”
Jeff Zentner (The Serpent King)
“
But I don’t like it. I don’t like the idea that we’re born bad because if we’re all born sinners, I don’t know if we can ever really wash ourselves clean.
”
”
Jessa Hastings (Daisy Haites (Magnolia Parks Universe, #2))
“
Dwelling over this loss while wandering down Central Park West somewhere around Seventy-sixth, Seventy-fifth, it strikes me profoundly that the world is more often than not a bad and cruel place.
”
”
Bret Easton Ellis (American Psycho)
“
Children experience loneliness like shame. They imagine the reason they are alone is that there is something wrong with them, that they have done something bad, something that makes them too gross to touch.
”
”
Mikel Jollett (Hollywood Park)
“
The fact is I am quite happy in a movie, even a bad movie. Other people, so I have read, treasure memorable moments in their lives: the time one climbed the Parthenon at sunrise, the summer night one met a lonely girl in Central Park and achieved with her a sweet and natural relationship, as they say in books. I too once met a girl in Central Park, but it is not much to remember. What I remember is the time John Wayne killed three men with a carbine as he was falling to the dusty street in Stagecoach, and the time the kitten found Orson Welles in the doorway in The Third Man.
”
”
Walker Percy (The Moviegoer)
“
The itch for naming things is almost as bad as the itch for possessing things. Let them and leave them alone--they'll survive for a few more thousand years, more or less, without any glorification from us.
”
”
Edward Abbey (Desert Solitaire)
“
He'd discovered that his memories of that summer were like bad movie montages - young lovers tossing a Frisbee in the park, sharing a melting ice-cream cone, bicycling along the river, laughing, talking, kissing, a sappy score drowning out the dialogue because the screenwriter had no idea what these two people might say to each other.
”
”
Richard Russo (That Old Cape Magic)
“
Ronan pointed at the cart. "Get in there."
"What?"
He just continued pointing.
Adam said, "Give me a break. This is a public parking lot."
"Don't make this ugly, Parrish."
As an old lady headed past them, Adam sighed and climbed into the basket of the shopping cart. He drew his knees up so that he would fit. He was full of the knowledge that this was probably going to end with scabs.
Ronan gripped the handle with the skittish concentration of a motorcycle racer and eyed the line between them and the BMW parked on the far side of the lot. "What do you think the grade is on this parking lot?"
"C plus, maybe a B. Oh. I don't know. Ten degrees?" Adam held the sides of the cart and then thought better of it. He held himself instead.
With a savage smile, Ronan shoved the cart off the curb and belted towards the BMW. As they picked up speed, Ronan called out a joyful and awful swear and then jumped on to the back of the cart himself. As they hurtled towards the BMW, Adam realised that Ronan, as usual, had no intention of stopping before something bad happened. He cupped a hand over his nose just as they glanced off the side of the BMW. The unseated cart wobbled once, twice, and then tipped catastrophically on to its side. It kept skidding, the boys skidding along with it.
The three of them came to a stop.
"Oh, God," Adam said, touching the road burn on his elbow. It wasn't that bad, really. "God, God. I can feel my teeth."
Ronan lay on his back a few feet away. A box of toothpaste rested on his chest and the cart keeled beside him. He looked profoundly happy.
"You should tell me what you've found out about Greenmantle," Ronan said, "so that I can get started on my dreaming."
Adam picked himself up before he got driven over. "When?"
Ronan grinned.
”
”
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
“
We’d all lost ourselves and found something far more significant together. We reached with gaping wounds for a healing we desired so badly, like a blind man picturing the world around him—the lively children skipping rope, green grass, blue sky. It’s like that man standing in his vision, rising from the park bench, arms outstretched, taking the first steps into a world he only hopes exists.
”
”
Christopher Hawke (Unnatural Truth)
“
I stood there, watching her. The whole world was a dream, I realized. Everyone was acting in a bad soap opera. The whole world was one big FOX TV show.
”
”
Blake Nelson (Paranoid Park)
“
When I parked in front of Charlie's house, he reached over to take my face in his hands. He handled me very carefully, pressing just the tips of his fingers softly against my temples, my cheekbones, my jawline. Like I was especially breakable. Which was exactly the case--compared with him, at least.
"You should be in a good mood, today of all days," he whispered. His sweet breath fanned across my face.
"And if I don't want to be in a good mood?" I asked, my breathing uneven.
His golden eyes smoldered. "Too bad."
My head was already spinning by the time he leaned closer and pressed his icy lips against mine. As he intended, no doubt, I forgot all about my worries, and concentrated on remembering how to inhale and exhale.
”
”
Stephenie Meyer (New Moon (The Twilight Saga, #2))
“
All the way out I listen to the car AM radio, bad lyrics of trailer park love, gin and tonic love, strobe light love, lost and found love, lost and found and lost love, lost and lost and lost love—some people were having no luck at all. The DJ sounds quick and smooth and after-shaved, the rest of the world a mess by comparison.
”
”
Lorrie Moore (Self-Help)
“
All night long I worried, not about myself but about Jimmy. I imagined him looking for me, running through the park, looking in the movie theatres. He was a good man, considerate and kind, but he was not strong. He had never been through any kind of bad hardship before. So I worried.
”
”
Amy Tan (The Kitchen God's Wife)
“
Amy turned to Nellie. "Can you create a diversion to draw the clerk outside?"
The au pair was wary. "What kind of diversion?"
"You could pretend to be lost," Dan proposed. "The guy comes out to give you directions, and we slip inside."
"That's the most sexist idea I've ever heard," Nellie said harshly. "I'm female, so I have to be clueless. He's male, so he's got a great sense of direction."
"Maybe you're from out of town," Dan suggested. "Wait–you are from out of town."
Nellie stashed their bags under a bench and set Saladin on the seat with a stern "You're the watchcat. Anybody touches those bags, unleash your inner tiger."
The Egyptian Mau surveyed the street uncertainly. "Mrrp."
Nellie sighed. "Lucky for us there's no one around. Okay, I'm going in there. Be ready."
The clerk said something to her–probably May I help you? She smiled apologetically. "I don't speak Italian."
"Ah–you are American." His accent was heavy, but he seemed eager to please. "I will assist you." He took in her black nail polish and nose ring. "Punk, perhaps, is your enjoyment?"
"More like a punk/reggae fusion," Nellie replied thoughtfully. "With a country feel. And operatic vocals."
The clerk stared in perplexity.
Nellie began to tour the aisles, pulling out CDs left and right. "Ah–Artic Monkeys–that's what I'm talking about. And some Bad Brains–from the eighties. Foo Fighters–I'll need a couple from those guys. And don't forget Linkin Park..."
He watched in awe as she stacked up an enormous armload of music. "There," she finished, slapping Frank Zappa's Greatest Hits on top of the pile. "That should do for a start."
"You are a music lover," said the wide-eyed cashier.
"No, I'm a kleptomaniac." And she dashed out the door.
”
”
Gordon Korman (One False Note (The 39 Clues, #2))
“
I was having dinner…in London…when eventually he got, as the Europeans always do, to the part about “Your country’s never been invaded.” And so I said, “Let me tell you who those bad guys are. They’re us. WE BE BAD. We’re the baddest-assed sons of bitches that ever jogged in Reeboks. We’re three-quarters grizzly bear and two-thirds car wreck and descended from a stock market crash on our mother’s side. You take your Germany, France, and Spain, roll them all together and it wouldn’t give us room to park our cars. We’re the big boys, Jack, the original, giant, economy-sized, new and improved butt kickers of all time. When we snort coke in Houston, people lose their hats in Cap d’Antibes. And we’ve got an American Express card credit limit higher than your piss-ant metric numbers go. You say our country’s never been invaded? You’re right, little buddy. Because I’d like to see the needle-dicked foreigners who’d have the guts to try. We drink napalm to get our hearts started in the morning. A rape and a mugging is our way of saying 'Cheerio.' Hell can’t hold our sock-hops.
We walk taller, talk louder, spit further, fuck longer and buy more things than you know the names of. I’d rather be a junkie in a New York City jail than king, queen, and jack of all Europeans. We eat little countries like this for breakfast and shit them out before lunch.
”
”
P.J. O'Rourke (Holidays in Hell: In Which Our Intrepid Reporter Travels to the World's Worst Places and Asks, "What's Funny about This?")
“
Ivy shook her head with a look of disgust. "So you got caught. Big freaking deal. They knew who Rachel was, and you don't see her whining over it."
Actually, I had thrown my tantrum on the way home, which might have accounted for the odd noise Francis's car was making when I left it in the mall parking lot in the shade of a tree.
Jenks darted to hover three inches before Ivy's nose. His wings were red in anger. "You have a gardener trap you in a glass ball and see if it doesn't give you a new outlook on life, Little Miss Merry Sunshine."
My bad mood slipped away as I watched a four-inch pixy confront a vamp.
”
”
Kim Harrison (Dead Witch Walking (The Hollows, #1))
“
There are things you don’t notice until you accompany someone with a wheelchair. One is how rubbish most pavements are, pockmarked with badly patched holes, or just plain uneven. Walking slowly next to Will as he wheeled himself along, I noticed how every uneven slab caused him to jolt painfully, or how often he had to steer carefully round some potential obstacle. Nathan pretended not to notice, but I saw him watching too. Will just looked grim-faced and resolute. The other thing is how inconsiderate most drivers are. They park up against the cutouts on the pavement, or so close together that there is no way for a wheelchair to actually cross the road. I was shocked, a couple of times even tempted to leave some rude note tucked into a windscreen wiper, but Nathan and Will seemed used to it. Nathan pointed out a suitable crossing place and, each of us flanking Will, we finally crossed.
”
”
Jojo Moyes (Me Before You (Me Before You, #1))
“
Then let’s do this.” He opened the door and hopped out. “Just, if things get to be too much around here, remember your safe word.”
Park smiled and followed him toward the front door. “Right. What was it again?”
“‘Safe word.’”
“Ah. Nice, easy, and just a little bit subversive.”
“My yearbook quote.”
“What, easy or—
”
”
Charlie Adhara (The Wolf at Bay (Big Bad Wolf #2))
“
Pink Balloons
My name is Olivia King
I am five years old
My mother bought me a balloon. I remember the day she walked through the front door with it. The curly hot pink ribbon
trickling
down her arm,
wrapped
around her
wrist
. She was
smiling
at me as she
untied
the ribbon and wrapped it around my hand.
"Here Livie, I bought this for you."
She called me Livie.
I was so
happy
. I'd
never
had a
balloon
before. I mean, I always saw balloon wrapped around
other
kids wrist in the parking lot of
Wal-Mart
, but I never
dreamed
I would have my very
own.
My
very own
pink balloon.
I was
excited!
So
ecstatic!
So
thrilled!
i couldn't
believe
my mother bought me something! She'd
never
bought me
anything
before! I played with it for
hours
. It was full of
helium
and it
danced
and
swayed
and
floated
as I
drug
it around from
room
to
room
with me, thinking of places to take it. Thinking of places the balloon had
never
been before. I took it in the
bathroom
, the
closet
, the
laundry room
, the
kitchen
, the
living room
. I wanted my new best friend to see
everything
I saw! I took it to my mother's
bedroom!
My mothers
Bedroom?
Where I wasn't supposed to be?
With my pink
balloon...
I
covered
my ears as she
screamed
at me,
wiping
the
evidence
off her
nose!
She
slapped
me across the face as she told me how
bad
I was! How much I
misbehaved!
How I never
listened!
She
shoved
me into the hallways and
slammed
the door, locking my pink balloon inside with her. I wanted him
back!
He was
my
best friend!
Not her!
The pink ribbon was
still
tied around my
wrist
so I
pulled
and
pulled
, trying to get my new best friend
away
from her.
And
it
popped.
My name is Eddie.
I'm seventeen years old.
My birthday is next week. I'll be big One-Eight. My foster dad is buying me these boots I've been wanting. I'm sure my friends will take me out to eat. My boyfriend will buy me a gift, maybe even take me to a movie. I'll even get a nice little card from my foster care worker, wishing me a happy eighteenth birthday, informing me I've aged out of the system.
I'll have a good time. I know I will.
But there's
one
thing I know
for
sure
I better not get any
shitty ass pink balloons!
”
”
Colleen Hoover (Slammed (Slammed, #1))
“
The family which takes its mauve an cerise, air-conditioned, power-steered and power-braked automobile out for a tour passes through cities that are badly paved, made hideous by litter, lighted buildings, billboards and posts for wires that should long since have been put underground. They pass on into countryside that has been rendered largely invisible by commercial art. (The goods which the latter advertise have an absolute priority in our value system. Such aesthetic considerations as a view of the countryside accordingly come second. On such matters we are consistent.) They picnic on exquisitely packaged food from a portable icebox by a polluted stream and go on to spend the night at a park which is a menace to public health and morals. Just before dozing off on an air mattress, beneath a nylon tent, amid the stench of decaying refuse, they may reflect vaguely on the curious unevenness of their blessings. Is this, indeed, the American genius?
”
”
John Kenneth Galbraith
“
For years I’d been awaiting that overriding urge I’d always heard about, the narcotic pining that draws childless women ineluctably to strangers’ strollers in parks. I wanted to be drowned by the hormonal imperative, to wake one day and throw my arms around your neck, reach down for you, and pray that while that black flower bloomed behind my eyes you had just left me with child. (With child: There’s a lovely warm sound to that expression, an archaic but tender acknowledgement that for nine months you have company wherever you go. Pregnant, by contrast, is heavy and bulging and always sounds to my ear like bad news: “I’m pregnant.” I instinctively picture a sixteen-year-old at the dinner table- pale, unwell, with a scoundrel of a boyfriend- forcing herself to blurt out her mother’s deepest fear.) (27)
”
”
Lionel Shriver (We Need to Talk About Kevin)
“
Cooper slipped his lips around Park’s thumb and sucked, looking up at Park in what he hoped was an alluring way, though an ex had once told him the wide-eyed thing just made him look like a terrified squirrel getting some bad news. Definitely not the image he was going for when trying to get his face fucked.
”
”
Charlie Adhara (The Wolf at Bay (Big Bad Wolf #2))
“
The avant-garde genealogy could be tracked through stories of bad-boy white artists who “got away with it,” beginning with Duchamp signing a urinal and calling it art. It’s about defying standards and initiating a precedent that ultimately liberates art from itself. The artist liberates the art object from the rules of mastery, then from content, then frees the art object from what Martin Heidegger calls its very thingliness, until it becomes enfolded into life itself. Stripped of the artwork, all we are left with is the artist’s activities. The problem is that history has to recognize the artist’s transgressions as “art,” which is then dependent on the artist’s access to power. A female artist rarely “gets away with it.” A black artist rarely “gets away with it.
”
”
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
“
Being afraid's not always bad." he said gently. "It can keep you moving forward. It can help you get things done."
The silence between us was different than any silence I'd known before, full and warm and waiting. "What are you afraid of?" I dared to ask.
There was a flicker of surprise in his eyes, as if it were something he'd never been asked before. For a moment I thought he wouldn't answer. But he let out a slow breath, and his gaze left mine to sweep across the trailer park. "Staying here." he finally said. "Staying until I'm not fit to belong anywhere else."
"Where do you want to belong?" I half whispered.
His expression changed with quicksilver speed, amusement dancing in his eyes. "Anywhere they don't want me.
”
”
Lisa Kleypas (Sugar Daddy (Travises, #1))
“
i wanted to take
your hand and run with you
together toward
ourselves down the street to your street
i wanted to laugh aloud
and skip the notes past
the marquee advertising “women
in love” past the record
shop with “The Spirit
In The Dark” past the smoke shop
past the park and no
parking today signs
past the people watching me in
my blue velvet and i don’t remember
what you wore but only that i didn’t want
anything to be wearing you
i wanted to give
myself to the cyclone that is
your arms
and let you in the eye of my hurricane and know
the calm before
and some fall evening
after the cocktails
and the very expensive and very bad
steak served with day-old baked potatoes
after the second cup of coffee taken
while listening to the rejected
violin player
maybe some fall evening
when the taxis have passed you by
and that light sort of rain
that occasionally falls
in new york begins
you’ll take a thought
and laugh aloud
the notes carrying all the way over
to me and we’ll run again
together
toward each other
yes?
”
”
Nikki Giovanni
“
Bad thing upon bad thing upon bad thing until you can't take anymore, and then it's off to the nearest multistory car park in the family hatchback with a length of rubber tubing. Surely that's fair enough? Surely the coroner's report should read, "He took his own life after sober and careful contemplation of the fucking shambles it had become.
”
”
Nick Hornby (A Long Way Down)
“
The overseer beat him, tried to starve him, wouldn't let him have any shoes, treated him so badly that he had a very intense, passionate hatred for white people. My grandfather was the one who instilled in my mother and her sisters, and in their children, that you don't put up with bad treatment from anybody. It was passed down almost in our genes,
”
”
Rosa Parks (Rosa Parks: My Story)
“
As we pull out of the parking lot, it occurs to me that maybe it’s not so complicated at all. Most of the time—99 percent of the time—you just don’t know how and why the threads are looped together, and that’s okay. Do a good thing and something bad happens. Do a bad thing and something good happens. Do nothing and everything explodes.
And very, very rarely—by some miracle of chance and coincidence, butterflies beating their wings just so and all the threads hanging together for a minute—you get the chance to do the right thing.
”
”
Lauren Oliver (Before I Fall)
“
Like the rich boarding school kid who gets away with a hit-and-run, getting away with it doesn’t mean that you’re lawless but that you are above the law. The bad-boy artist can do whatever he wants because of who he is. Transgressive bad-boy art is, in fact, the most risk-averse, an endless loop of warmed-over stunts for an audience of one: the banker collector.
”
”
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
“
You already know I love you,” Park said, shaking his head impatiently. “So today I promise, I vow that I know you love me, too. I never doubt it. How could I when I feel it all the time? I feel it when you make me laugh and then watch with that pleased little look on your face. I feel it when you touch me like I’m special and when you can’t touch me anymore because you’re over-full of sensations, but let me stay by you anyway. I feel so safe in loving you, because I know you love me, too. And it’s the greatest gift of my life.”
“You love me,” Cooper said.
“Obviously.” And it was, wasn’t it? Park pulled Cooper closer, arms around his waist. “So if you’re the Moon, fine. I’m the sky. If you’re a human, I’m your wolf. If you’re a prickly, sarcastic, awkward, independent, randy-as-hell, secretly good-hearted porcupine, well, then I’m Oliver Park.”
“I can’t believe I’m being slandered in my own vows.”
“Whatever happens next, whoever we are or whoever they think we are, it doesn’t matter. Because the way we love is already the stuff of legends.”
Cooper couldn’t help smiling. “Well. I guess if you say it like that, it doesn’t sound like such a bad life,” he said, leaning in to kiss him, and felt Park’s body sigh into his like it was coming home.
No, not a bad life at all.
”
”
Charlie Adhara (Cry Wolf (Big Bad Wolf, #5))
“
Have you ever wondered
What happens to all the
poems people write?
The poems they never
let anyone else read?
Perhaps they are
Too private and personal
Perhaps they are just not good enough.
Perhaps the prospect
of such a heartfelt
expression being seen as
clumsy
shallow silly
pretentious saccharine
unoriginal sentimental
trite boring
overwrought obscure stupid
pointless
or
simply embarrassing
is enough to give any aspiring
poet good reason to
hide their work from
public view.
forever.
Naturally many poems are IMMEDIATELY DESTROYED.
Burnt shredded flushed away
Occasionally they are folded
Into little squares
And wedged under the corner of
An unstable piece of furniture
(So actually quite useful)
Others are
hidden behind
a loose brick
or drainpipe
or
sealed into
the back of an
old alarm clock
or
put between the pages of
AN OBSCURE BOOK
that is unlikely
to ever be opened.
someone might find them one day,
BUT PROBABLY NOT
The truth is that unread poetry
Will almost always be just that.
DOOMED
to join a vast invisible river
of waste that flows out of suburbia.
well
Almost always.
On rare occasions,
Some especially insistent
pieces of writing will escape
into a backyard
or a laneway
be blown along
a roadside embankment
and finally come
to rest in a
shopping center
parking lot
as so many
things do
It is here that
something quite
Remarkable
takes place
two or more pieces of poetry
drift toward each other
through a strange
force of attraction
unknown
to science
and ever so slowly
cling together
to form a tiny,
shapeless ball.
Left undisturbed,
this ball gradually
becomes larger and rounder as other
free verses
confessions secrets
stray musings wishes and unsent
love letters
attach themselves
one by one.
Such a ball creeps
through the streets
Like a tumbleweed
for months even years
If it comes out only at night it has a good
Chance of surviving traffic and children
and through a
slow rolling motion
AVOIDS SNAILS
(its number one predator)
At a certain size, it instinctively
shelters from bad weather, unnoticed
but otherwise roams the streets
searching
for scraps
of forgotten
thought and feeling.
Given
time and luck
the poetry ball becomes
large HUGE ENORMOUS:
A vast accumulation of papery bits
That ultimately takes to the air, levitating by
The sheer force of so much unspoken emotion.
It floats gently
above suburban rooftops
when everybody is asleep
inspiring lonely dogs
to bark in the middle
of the night.
Sadly
a big ball of paper
no matter how large and
buoyant, is still a fragile thing.
Sooner or
LATER
it will be surprised by
a sudden
gust of wind
Beaten by
driving rain
and
REDUCED
in a matter
of minutes
to
a billion
soggy
shreds.
One morning
everyone will wake up
to find a pulpy mess
covering front lawns
clogging up gutters
and plastering car
windscreens.
Traffic will be delayed
children delighted
adults baffled
unable to figure out
where it all came from
Stranger still
Will be the
Discovery that
Every lump of
Wet paper
Contains various
faded words pressed into accidental
verse.
Barely visible
but undeniably present
To each reader
they will whisper
something different
something joyful
something sad
truthful absurd
hilarious profound and perfect
No one will be able to explain the
Strange feeling of weightlessness
or the private smile
that remains
Long after the street sweepers
have come and gone.
”
”
Shaun Tan (Tales from Outer Suburbia)
“
Bullying has consequences. It creates ripples that span for years. Sometimes for an entire life. They call you fat and so you stop eating. You watch what you eat until you die. They call you a nerd and so you stop reading in public. You still look over your shoulder when you read on a park bench. It destroys you, a vital part of you. It fucks with your mind, with your heart, with your soul even. It changes your beliefs, your lifestyle. It makes you anxious. It causes panic. It won’t let you sleep. But then again, the bullied are powerful, aren’t they? We’re resilient. We’re strong. We’re a motherfucking force.
”
”
Saffron A. Kent (Bad Boy Blues (St. Mary’s Rebels, #0))
“
People won’t see you as just another woman any more, but as a white woman who hangs with brownies, and you’ll lose a bit of your privilege, you should still check it, though, have you heard the expression, check your privilege, babe?
Courtney replied that seeing as Yazz is the daughter of a professor and a very well-known theatre director, she’s hardly underprivileged herself, whereas she, Courtney, comes from a really poor community where it’s normal to be working in a factory at sixteen and have your first child as a single mother at seventeen, and that her father’s farm is effectively owned by the bank
Yes but I’m black, Courts, which makes me more oppressed than anyone who isn’t, except Waris who is the most oppressed of all of them (although don’t tell her that)
In five categories, black, Muslim, female, poor, hijab bed
She’s the only one Yazz can’t tell to check her privilege
Courtney replied that Roxane Gay warned against the idea of playing ‘privilege Olympics’ and wrote in Bad Feminist that privilege is relative and contextual, and I agree, Yazz, I mean, where does it all end? Is Obama less privileged than a white hillbilly growing up in a trailer park with a junkie single mother and a jailbird father? Is a severely disabled person more privileged than a Syrian asylum-seeker who’s been tortured? Roxane argues that we have to find a new discourse for discussing inequality
Yazz doesn’t know what to say, when did Court read Roxane Gay - who’s amaaaazing?
Was this a student outwitting the master moment?
#whitegirltrumpsblackgirl
”
”
Bernardine Evaristo (Girl, Woman, Other)
“
You see, Squirt, there's heaven, and then there's hell. Hell is where they send all the bad people, like criminals and con artists and parking inspectors. And heaven is where they send all the good people, like you and me and that nice blonde from MasterChef.
What happens when you get there?
In heaven, you hang out with God and Jimi Hendrix, and you get to eat doughnuts whenever you want. In hell, you have to, uh . . . do the Macarena. Forever. To that "Grease Megamix."
Where do you go if you're good and bad?
What? I don't know. IKEA?
”
”
Brooke Davis (Lost & Found)
“
You are the opposite of romantic. Did anyone ever tell you that?"
"I am full of romance. I like sunsets and the ocean and beaches and flowers and love songs and Shakespeare in the park and all that kind of shit." Eli's cheeks flushed. It was adorable on him. "I don't get what any of that has to do with sex."
"I'm not talking about sex, Eli. I'm talking about a kiss."
"Fine. I'll kiss the romantic fuck out of you.
”
”
K.A. Mitchell (Bad Boyfriend (Bad in Baltimore, #2))
“
There was a low growling sound and the Munstermobile came gliding up out of the parking garage, dripping water from its gleaming surface like some lantern-eyed leviathan rising from the depths. There were still a few dents and dings in it, but the broken glass had all been replaced, and the engine sounded fine.
Okay, I'm not like a car fanatic or anything - but the guitar riff from "Bad to the Bone" started playing in my head.
”
”
Jim Butcher (Cold Days (The Dresden Files, #14))
“
The indignity of being Asian in this country has been underreported. We have been cowed by the lie that we have it good. We keep our heads down and work hard, believing that our diligence will reward us with our dignity, but our diligence will only make us disappear. By not speaking up, we perpetuate the myth that our shame is caused by our repressive culture and the country we fled, whereas America has given us nothing but opportunity. The lie that Asians have it good is so insidious that even now as I write, I'm shadowed by doubt that I didn't have it bad compared to others. But racial trauma is not a competitive sport. The problem is not that my childhood was exceptionally traumatic but that it was in fact rather typical.
”
”
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
“
Money in hand, I glanced up to find Glenn eyeing a rack of stuffed rats. As the salesman rang up my purchase, Glenn leaned close and, still staring at the rats, whispered, “What are those used for?”
“I have no idea.” I got my receipt and jammed everything in my bag…
Glenn surprised me by opening the car door for me, and as I settled in the seat, he leaned against the frame of the open window. “I’ll be right back,” he said, and strode inside. He was out in a moment with a small white bag. I watched him cross in front of the car—wondering. Timing himself between the traffic, he opened the door and slid in behind the wheel.
“Well?” I asked as he set the package between us. “What did you get?” Glenn started the car and pulled out into traffic. “A stuffed rat.”
“Oh,” I said, surprised. What the devil was he going to do with it? Even I didn’t know what it was for. I was dying to ask all the way to the FIB building but managed to keep my mouth shut even as we slipped into the cold shade of their underground parking.
”
”
Kim Harrison (The Good, the Bad, and the Undead (The Hollows, #2))
“
So-called real life has only once interfered with me, and it had been a far cry from what the words, lines, books had prepared me for. Fate had to do with blind seers, oracles, choruses announcing death, not with panting next to the refrigerator, fumbling with condoms, waiting in a Honda parked round the corner and surreptitious encounters in a Lisbon hotel. Only the written word exists, everything one must do oneself is without form, subject to contingency without rhyme or reason. It takes too long. And if it ends badly the metre isn't right, and there's no way to cross things out.
”
”
Cees Nooteboom (The Following Story)
“
Justin: I am falling so in love with you.
Her body electrified. Celeste wiped her eyes and read his text again. The drone of the plane disappeared; the turbulence was no more. There was only Justin and his words.
Justin: I lose myself and find myself at the same time with you.
Justin: I need you, Celeste. I need you as part of my world, because for the first time, I am connected to someone in a way that has meaning. And truth. Maybe our distance has strengthened what I feel between us since we’re not grounded in habit or daily convenience. We have to fight for what we have.
Justin: I don’t know if I can equate what I feel for you with anything else. Except maybe one thing, if this makes any sense.
Justin: I go to this spot at Sunset Cliffs sometimes. It’s usually a place crowded with tourists, but certain times of year are quieter. I like it then. And there’s a high spot on the sandstone cliff, surrounded by this gorgeous ice plant, and it overlooks the most beautiful water view you’ve ever seen. I’m on top of the world there, it seems.
Justin: And everything fits, you know? Life feels right. As though I could take on anything, do anything. And sometimes, when I’m feeling overcome with gratitude for the view and for what I have, I jump so that I remember to continue to be courageous because not every piece of life will feel so in place.
Justin: It’s a twenty-foot drop, the water is only in the high fifties, and it’s a damn scary experience. But it’s a wonderful fear. One that I know I can get through and one that I want.
Justin: That’s what it’s like with you. I am scared because you are so beyond anything I could have imagined. I become so much more with you beside me. That’s terrifying, by the way. But I will be brave because my fear only comes from finally having something deeply powerful to lose. That’s my connection with you. It would be a massive loss.
Justin: And now I am in the car and about to see you, so don’t reply. I’m too flipping terrified to hear what you think of my rant. It’s hard not to pour my heart out once I start. If you think I’m out of mind, just wave your hands in horror when you spot the lovesick guy at the airport.
Ten minutes went by. He had said not to reply, so she hadn’t.
Justin: Let’s hope I don’t get pulled over for speeding… but I’m at a stoplight now.
Justin: God, I hope you aren’t… aren’t… something bad.
Celeste: Hey, Justin?
Justin: I TOLD YOU NOT TO REPLY!
Justin: I know, I know. But I’m happy you did because I lost it there for a minute.
Celeste: HEY, JUSTIN?
Justin: Sorry… Hey, Celeste?
Celeste: I am, unequivocally and wholly falling in love with you, too.
Justin: Now I’m definitely speeding. I will see you soon.
”
”
Jessica Park (Flat-Out Celeste (Flat-Out Love, #2))
“
Imagine yourself taking a stroll through Manhattan, somewhere north of 68th street, deep inside Central Park, late at night. It would be nice to meet someone friendly, but you know that the park is dangerous at night. That's when the monsters come out. There's always a strong undercurrent of drug dealings, muggings, and occasional homicides.
It is not easy to distinguish the good guys from the bad guys. They dress alike, and the weapons are concealed. The only difference is intent, and you can't read minds.
Stay in the dark long enough and you may hear an occasional distance shriek or blunder across a body.
How do you survive the night? The last thing you want to do is shout, "I'm here!" The next to last thing you want to do is reply to someone who shouts, "I'm a friend!"
What you would like to do is find a policeman, or get out of the park. But you don't want to make noise or move towards a light where you might be spotted, and it is difficult to find either a policeman or your way out without making yourself known. Your safest option is to hunker down and wait for daylight, then safely walk out.
There are, of course, a few obvious differences between Central Park and the universe.
There is no policeman.
There is no way out.
And the night never ends.
”
”
Charles Pellegrino (The Killing Star)
“
And how do you know he has a big dick? You’ve seen him once. And it was a five-second ‘Oh, that’s my boss, Kline’ conversation while we were walking across the parking lot. You haven’t even met him in person.”
“Five seconds is all I need.” She tapped the side of her head. “You know my cockdar is off the chain. I can sense a giant swinging penis pendulum from at least ten miles away. It’s a God-given talent, Georgie.”
I choked on my wine. “Let’s not bring God into this.”
She raised an eyebrow. “God knows the G-spot needs a more than adequate-sized wiener to get the job done.”
“I’m pretty sure that comment just got you wait-listed for heaven.
”
”
Max Monroe (Tapping the Billionaire (Billionaire Bad Boys, #1))
“
LIFE DOESN'T FRIGHTEN ME
Shadows on the wall
Noises down the hall
Life doesn't frightnes me at all
Bad dogs barking loud
Big ghosts in a cloud
Life doesn't frighten me at all.
Mean old Mother Goose
Lions on the loose
They don't frighten me at all
Dragons breathing flame
On my counterpane
That doesn't frighten me at all.
I go boo
Make them shoo
I make fun
Way they run
I won't cry
So they fly
I just smile
They go wild
Life doesn't frighten me at all.
Tough guys in a fight
All alone at night
Life doesn't frighten me at all.
Panthers in the park
Strangers in the dark
No, they don't frighten me at all.
That new classrom where
Boys all pull my hair
(Kissy little girls
With their hair in curls)
They don't frighten me at all.
Don't show me frogs and snakes
And listen for my scream,
If I'm afraid at all
It's only in my dreams.
I've got a magic charm
That I keep up my sleeve,
I can walk the ocean floor
And never have to breathe.
Life doesn't frighten me at all
Not at all
Not at all.
Life doesn't frigthen me at all.
”
”
Maya Angelou (And Still I Rise)
“
The ceaseless rain is falling fast,
And yonder gilded vane,
Immovable for three days past,
Points to the misty main,
It drives me in upon myself
And to the fireside gleams,
To pleasant books that crowd my shelf,
And still more pleasant dreams,
I read whatever bards have sung
Of lands beyond the sea,
And the bright days when I was young
Come thronging back to me.
In fancy I can hear again
The Alpine torrent's roar,
The mule-bells on the hills of Spain,
The sea at Elsinore.
I see the convent's gleaming wall
Rise from its groves of pine,
And towers of old cathedrals tall,
And castles by the Rhine.
I journey on by park and spire,
Beneath centennial trees,
Through fields with poppies all on fire,
And gleams of distant seas.
I fear no more the dust and heat,
No more I feel fatigue,
While journeying with another's feet
O'er many a lengthening league.
Let others traverse sea and land,
And toil through various climes,
I turn the world round with my hand
Reading these poets' rhymes.
From them I learn whatever lies
Beneath each changing zone,
And see, when looking with their eyes,
Better than with mine own.
”
”
Henry Wadsworth Longfellow (The Complete Poems of Henry Wadsworth Longfellow)
“
The Janus Guard will also be out that night,” he said, one hand reaching out to squeeze her shoulder. “Just as we have been and will be for every night of the Nine.”
“Good.”
“Speaking of which—Kelley…” Sonny seemed suddenly exhausted. He turned his face to the west, and she could see the fatigue etched into the lines and planes of his face. “It’s getting late. You need to leave the park. Please. Don’t argue with me this time. Just go. The sun will set soon, and I have to go to work.”
He squared his shoulders as though he expected her to put up a fight. She did—a little—but only out of actual concern for him. “Shouldn’t you be taking it easy? I mean, you try to hide it with the whole tough-guy-swagger thing and all, but I saw the bandages. You’re really hurt. Aren’t you?”
“It’s not so bad.”
“Wow. You are a terrible liar.”
He frowned fiercely at her.
“You also look like you haven’t slept in a week.” She took a tentative step toward him and put a hand on his chest, looking up into his silver-gray eyes. He put his hand over the top of hers, and she could feel the rhythm of his heart beating under her palm, through his shirt and the bandages.
“I’m fine.”
“Are you sure?”
With his other hand, Sonny reached up and brushed a stray auburn curl out of her eyes.
“I’m sure.”
He smiled down at her, and she felt her insides melt a little. His whole face changed when he smiled. It was like the sun coming out.
“But,” he continued, “I’ll be even better if you are safe at home and I don’t have to worry about you for tonight.”
“I can take care of myself, Sonny Flannery,” she bristled, halfheartedly.
“Please?” He turned up the wattage on his smile.
“I…okay.” She felt her own lips turn up in a shy, answering smile. “I’ll be good. This once.”
“That’s my girl.”
Kelley was silent. Those three words of Sonny’s had managed to render her utterly speechless.
”
”
Lesley Livingston (Wondrous Strange (Wondrous Strange, #1))
“
Because it is the triumph of a lack of planning –both for good and bad. It's chaos –and whether you say that with a gasp of despair or glee or both is up to you. Whereas Paris (certainly in the centre) is the success of a single overarching monomaniacal topographic vision, London is a chaotic patchwork of history, architecture, style, as disorganised as any dream, and like any dream possessing an underlying logic, but one that we can't quite make sense of, though we know it's there. A shoved-together city cobbled from centuries of distinct aesthetics disrespectfully clotted in a magnificent triumph of architectural philistinism. A city of jingoist sculptures, concrete caryatids, ugly ugly ugly financial bombast, reconfiguration. A city full of parks and gardens, which have always been magic places, one of the greenest cities in the world, though it's a very dirty shade of green –and what sort of grimy dryads does London throw up? You tell me.
”
”
China Miéville
“
Adam,' I say, 'had good times and he had bad times.' I pause here and glance at Nana, see that she is crying silently, the way I cried at the duck pond in the park. I was going to say something more about the bad times- how Adam's bad times were different from most people's, and that I'll never really understand them. But now that I see Nana's tears, see her start to reach for Papa's hand, then pull back and fold her hands in her lap again- now that I see Nana, I change my mind.
I think we should remember that Adam was one of those people who could lift the corners of our universe,' I say. I clear my throat. 'Thank you.'
As I slide into our pew I realize I feel older. I think of Janet and Nancy and find that nonw I can brush them away. And I understand that Adam and I are not as alike as I had thought. I remembered the tortured look on Adam's face the night of the Ferris wheel and the look of happiness, happiness, and realize that Adam's decision to take his life was not made easily. It took a certain kind of courage. Just not the kind of courage I chose.
I settle between Mom and Dad, and they take my hands and smmile at me. No tears. I squeeze their hands.
~pgs 177-178; Hattie on life
”
”
Ann M. Martin (A Corner of the Universe)
“
Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally believed to be, and this hermetic, overheated atmosphere made it a thriving black petrie dish of melodrama and distortion. I remember well, for instance, the blind animal terror which ensued when some townie set off the civil defense sirens as a joke. Someone said it was a nuclear attack; TV and radio reception, never good there in the mountains, happened to be particularly bad that night, and in the ensuing stampede for the telephones the switchboard shorted out, plunging the school into a violent and almost unimaginable panic. Cars collided in the parking lot. People sceamed, wept, gave away t heir possessions, huddled in small groups for comfort and warmth. Some hippies barricaded themselves in the Science Building, in the lone bomb shelter, and refused to let anyone in who didn't know the world to "Sugar Magnolia." Factions formed, leaders rose from the chaos. Though the world, in fact, was not destroyed, everyone had a marvelous time and people spoke fondly of the event for years afterward.
”
”
Donna Tartt (The Secret History)
“
I played basketball freshman year of high school. Does that count?”
Cooper laughed. “No, not at all. In fact, that’ll probably just set him off on a lecture about follow-through and commitment. Why’d you stop?”
“I got cut. I was terrible.”
“Really?”
“Yes.” Park tilted his head. “Why do you look so happy about that?”
“Do I? No.” Cooper tried to school his expression, but Park squinted at him suspiciously, and eventually a grin broke free again. He snagged the front of Park’s shirt and twisted it in his fingers, suddenly unable to resist touching him. “I guess it’s just nice to know you’re not perfect at everything.”
Park seemed to think that over, perhaps looking for hidden digs or sarcasm. Eventually, almost tentatively, he said, “Well, I was really, embarrassingly bad. Can’t dribble for shit.”
Cooper tugged Park still closer and slid his free hand around Park’s waist. “Go on.”
“When my hands are above my head, I’m all thumbs. Can’t catch a thing.”
“Mmm.” Cooper pressed their bodies together and inhaled the curve of Park’s neck to his shoulder.
“I never once made a free throw.”
“Oh baby, the things you say,” Cooper groaned.
”
”
Charlie Adhara (The Wolf at Bay (Big Bad Wolf #2))
“
I just mean that I used to think about old Spencer quite a lot, and if you thought about him too much, you wondered what the heck he was still living for. I mean he was all stooped over, and he had very terrible posture, and in class, whenever he dropped a piece of chalk at the blackboard, some guy in the first row always had to get up and pick it up and hand it to him. That's awful, in my opinion. But if you thought about him just enough and not too much, you could figure it out that he wasn't doing too bad for himself. For instance, one Sunday when some other guys and I went over there for hot chocolate, he showed us this old beat-up Navajo blanket that he and Mrs. Spencer'd bought off some Indian in Yellowstone Park. You could tell old Spencer'd got a big bang out of buying it. That's what I mean. You take somebody old as hell, like old Spencer, and they can get a big bang out of buying a blanket.
”
”
J.D. Salinger (The Catcher in the Rye)
“
All right,” Malcolm said. “Let’s go back to the beginning.” He paused, staring at the ceiling. “Physics has had great success at describing certain kinds of behavior: planets in orbit, spacecraft going to the moon, pendulums and springs and rolling balls, that sort of thing. The regular movement of objects. These are described by what are called linear equations, and mathematicians can solve those equations easily. We’ve been doing it for hundreds of years.” “Okay,” Gennaro said. “But there is another kind of behavior, which physics handles badly. For example, anything to do with turbulence. Water coming out of a spout. Air moving over an airplane wing. Weather. Blood flowing through the heart. Turbulent events are described by nonlinear equations. They’re hard to solve—in fact, they’re usually impossible to solve. So physics has never understood this whole class of events. Until about ten years ago. The new theory that describes them is called chaos theory.
”
”
Michael Crichton (Jurassic Park (Jurassic Park, #1))
“
I vowed to myself to read one hundred books a year, and I did. I read to fill my mind and to block out the bad memories. But I found that as I read more, my thoughts were getting deeper, my vision wider, and my emotions less shallow. The vocabulary in South Korea was so much richer than the one I had known, and when you have more words to describe the world, you increase your ability to think complex thoughts. In North Korea, the regime doesn’t want you to think, and they hate subtlety. Everything is either black or white, with no shades of gray. For instance, in North Korea, the only kind of “love” you can describe is for the Leader. We had heard the “love” word used in different ways in smuggled TV shows and movies, but there was no way to apply it in daily life in North Korea—not with your family, friends, husband, or wife. But in South Korea there were so many different ways of expressing love—for your parents, friends, nature, God, animals, and, of course, your lover.
”
”
Yeonmi Park (In Order to Live: A North Korean Girl's Journey to Freedom)
“
Where are we?” she asked when I pulled into a parking lot.
“The park.”
“Isn’t it dangerous at night?”
“Not here. Come on.” I pulled her out of her seat and grabbed a blanket from the trunk before trekking through the soft grass.
“You always keep a blanket in your car?”
“Yeah, for emergencies. Never know when you might need it. Food, water, first-aid kit, too.”
“Oh!” she grunted and caught my arm as one of her heels pierced the soft dirt and sank.
“You should take those off.”
“And walk around barefoot? Hello? Ever heard of hookworms and tetanus?”
“Ever heard of snapping your ankles as you fall flat on your face in the dark?” I asked as I squatted in front of her and slipped her foot out of the high heels.
“What are you doing?” she gasped, tumbling forward and grabbing onto my shoulders for support.
“Removing your obstacles.”
She landed a bare foot on the grass as I undid the other shoe. “So now I get tetanus?”
I looked up at her, my hands lightly stroking her ankles up to her calves. “You worry too much.”
“It’s a real risk. Ask Preeti.”
I stood slowly, moving up her body, and hovered above her.
“How…how far are we walking?” she asked.
“To the river.”
“In the dark?”
I nodded and handed her the shoes.
“Took these off and you won’t even carry them?”
“I’ll carry them,” I replied, swooped down, and threw her over the blanket on my shoulder.
Liya yelped. “Put me down!”
“So you can get tetanus?” I asked and walked toward the river.
She laughed. “I hate you!”
“You love it.”
She slapped my butt and then poked her pointy elbows into my shoulder as she arched her back. “Enjoying the view of my backside from over there?”
I slid my hand up the back of her thighs and tugged her dress down to keep her covered.
“This isn’t so bad,” she said.
“Oh, yeah?”
“Yeah.” She slapped my butt again. “Giddyap!”
“All right. You asked for it.”
Her next words were swallowed up in a scream as I took off at a full sprint.
She gripped my shirt, clutching for my waist, as the breeze broke around us. I ran the short distance to the riverside in no time, slowing only when the moonlit gleam on the water’s surface appeared.
I placed Liya on the grass, but she swayed away. I grabbed her by the waist to steady her and chuckled. “Are you okay?”
“You try doing that upside down.
”
”
Sajni Patel (The Trouble with Hating You (The Trouble with Hating You, #1))
“
We pass the apartment we rented five years ago, when I swore off Florence. In summer, wads of tourists clog the city as if it's a Renaissance theme park. Everyone seems to be eating. That year, a garbage strike persisted for over a week and I began to have thoughts of plague when I passed heaps of rot spilling out of bins. I was amazed that long July when waiters and shopkeepers remained as nice as they did, given what they had to put up with. Everywhere I stepped I was in the way. Humanity seemed ugly—the international young in torn T-shirts and backpacks lounging on steps, bewildered bus tourists dropping ice cream napkins in the street and asking, “How much is that in dollars?” Germans in too-short shorts letting their children terrorize restaurants. The English mother and daughter ordering lasagne verdi and Coke, then complaining because the spinach pasta was green. My own reflection in the window, carrying home all my shoe purchases, the sundress not so flattering. Bad wonderland. Henry James in Florence referred to “one's detested fellow-pilgrim.” Yes, indeed, and it's definitely time to leave when one's own reflection is included. Sad that our century has added no glory to Florence—only mobs and lead hanging in the air.
”
”
Frances Mayes (Under the Tuscan Sun)
“
In the parking lot, she drove and parked in a dark area with no other cars around. She reclined her seat, and listened to music. Outside there were trees, a ditch, a bridge; another parking lot. It was very dark. Maybe the Sasquatch would run out from the woods. Chelsea wouldn’t be afraid. She would calmly watch the Sasquatch jog into the ditch then out, hairy and strong and mysterious—to be so large yet so unknown; how could one cope except by running?—smash through some bushes, and sprint, perhaps, behind Wal-Mart, leaping over a shopping cart and barking. Did the Sasquatch bark? It used to alarm Chelsea that this might be all there was to her life, these hours alone each day and night—thinking things and not sharing them and then forgetting—the possibility of that would shock her a bit, trickily, like a three-part realization: that there was a bad idea out there; that that bad idea wasn’t out there, but here; and that she herself was that bad idea. But recently, and now, in her car, she just felt calm and perceiving, and a little consoled, even, by the sad idea of her own life, as if it were someone else’s, already happened, in some other world, placed now in the core of her, like a pillow that was an entire life, of which when she felt exhausted by aloneness she could crumple and fall towards, like a little bed, something she could pretend, and believe, even (truly and unironically believe; why not?), was a real thing that had come from far away, through a place of no people, a place of people, and another place of no people, as a gift, for no occasion, but just because she needed—or perhaps deserved; did the world try in that way? to make things fair?—it.
”
”
Tao Lin
“
Oh, America the Beautiful, where are our standards? How did Europeans, ancestral cultures to most of us, whose average crowded country would fit inside one of our national parks, somehow hoard the market share of Beautiful? They’ll run over a McDonald’s with a bulldozer because it threatens the way of life of their fine cheeses. They have international trade hissy fits when we try to slip modified genes into their bread. They get their favorite ham from Parma, Italy, along with a favorite cheese, knowing these foods are linked in an ancient connection the farmers have crafted between the milk and the hogs. Oh. We were thinking Parmesan meant, not “coming from Parma,” but “coming from a green shaker can.” Did they kick us out for bad taste?
No, it was mostly for vagrancy, poverty, or being too religious. We came here for the freedom to make a Leaves of Grass kind of culture and hear America singing to a good beat, pierce our navels as needed, and eat whatever we want without some drudge scolding: “You don’t know where that’s been!” And boy howdy, we do not.” (p.4)
”
”
Barbara Kingsolver (Animal, Vegetable, Miracle: A Year of Food Life)
“
Introductory paragraph incorporating the thesis: After a challenging childhood marked by adversity, Adam Parrish has become a successful freshman at Harvard University. In the past, he had spent his time doubting himself, fearing he would become like his father, obsessing that others could see his trailer-park roots, and idealizing wealth, but now he has built a new future where no one has to know where he's come from. Before becoming a self-actualized young man at Harvard, Adam had been deeply fascinated by the concept of the ley lines and also supernaturally entangled with one of the uncanny forests located along one, but he has now focused on the real world, using only the ghost of magic to fleece other students with parlor trick tarot card readings. He hasn't felt like himself for months, but he is going to be just fine.
Followed by three paragraphs with information that supports the thesis. First: Adam understands that suffering is often transient, even when it feels permanent. This too shall pass, etc. Although college seems like a lifetime, it is only four years. Four years is only a lifetime if one is a guinea pig.
Second paragraph, building on the first point: Magic has not always been good for Adam. During high school, he frequently immersed himself in it as a form of avoidance. Deep down, he fears that he is prone to it as his father is prone to abuse, and that it will eventually make him unsuitable for society. By depriving himself of magic, he forces himself to become someone valuable to the unmagic world, i.e. the Crying Club.
Third paragraph, with the most persuasive point: Harvard is a place Ronan Lynch cannot be, because he cannot survive there, either physically or socially. Without such hard barriers, Adam will surely continue to return to Ronan Lynch again and again, and thus fall back in with bad habits. He will never achieve the life of financial security and recognition he planned.
Thesis restated, bringing together all the information to prove it: Although life is unbearable now, and Adam Parrish seems to have lost everything important to him in the present by pursuing the things important to him in the past, he will be fine.
Concluding paragraph describing what the reader just learned and why it is important for them to have learned it: He will be fine. He will be fine. He will be fine. He will be fine.
”
”
Maggie Stiefvater (Greywaren (Dreamer Trilogy, #3))
“
Emma, I came out here to tell you that you don't have to mate with Grom."
I raise a brow. "Uh, I was never going to mate with Grom."
"What I mean is, Grom is mating with someone else who has the gift of Poseidon. Which means that-"
"I don't have to mate with Grom," I finish for him.
"That's what I just said."
"I mean, I don't have to feel like I've let the entire species of Syrena go extinct because I won't mate with Grom."
He grins. "Exactly."
"But that doesn't change what I am-a Half-Breed. You still can't be with me, can you?"
He rubs his thumb over my bottom lip, thoughtful. "The law forbids it right now. But I think if we give it time, we could get it overturned somehow. And I'm not going anywhere until I do."
He turns us toward the SUV, stopping to retrieve my heels from the side of the road. He helps me in the passenger seat of the Escalade, then hands me my shoes.
"Thank you," I tell him as he walks around to the driver's side.
"It's a little late to blush," he says, strapping in.
"I don't think I'll ever stop blushing."
"I really hope not," he says, shutting his door. Taking my face into both hands, he pulls me to him again. His lips brush mine, but I want more. Sensing my intention, he puts his hand over mine and the seat belt I'm trying to unsnap. "Emma," he says against my lips. "I've missed you so much. But we can't. Not yet."
I'm not trying to do that, I just want to get in a better position to accept his lips. Telling him so would just embarrass us both. But he says yet. What does that mean? That he wants to wait until he can get the law overturned? Or will he give it time, and if it doesn't work out, break Syrena law to be with me?
For some reason, I don't want the answer bad enough to ask. Images of "that girl" flare up in my head. I don't want Galen to break his laws-it's a big part of why I love him so much. His loyalty to his people, his commitment to them. It's the kind of devotion almost nonexistent among humans. But I don't want to be "that girl" either. Syrena or not, I want to go to college. I want to experience the world above and below sea level.
But it's not like any decisions need to be made right now, do they? I mean, life-changing decisions take time to make. Time and meditation. And physical space between my lips and his.
I pull back. "Right. Sorry."
He seizes a few tendrils of my hair and runs them along his face, grinning. "Not as sorry as I am. You'll have to help me keep my hands off you."
I laugh, even as a charge runs through my veins. "Yeah. No."
He laughs too and turns to start the car, then stops. Letting go of the keys, he says, "So. About breaking up."
"Let me think about it some more," I tell him on the brink of giggling at his expression.
"I'll see what I can do to help you make up your mind."
We stay parked for another fifteen minutes. But at least we're not broken up anymore.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
For months beforehand, I fielded calls from British media. A couple of the reporters asked me to name some British chefs who had inspired me. I mentioned the Roux brothers, Albert and Michel, and I named Marco Pierre White, not as much for his food as for how—by virtue of becoming an apron-wearing rock-star bad boy—he had broken the mold of whom a chef could be, which was something I could relate to. I got to London to find the Lanesborough dining room packed each night, a general excitement shared by everyone involved, and incredibly posh digs from which I could step out each morning into Hyde Park and take a good long run around Buckingham Palace. On my second day, I was cooking when a phone call came into the kitchen. The executive chef answered and, with a puzzled look, handed me the receiver. Trouble at Aquavit, I figured.
I put the phone up to my ear, expecting to hear Håkan’s familiar “Hej, Marcus.” Instead, there was screaming. “How the fuck can you come to my fucking city and think you are going to be able to cook without even fucking referring to me?” This went on for what seemed like five minutes; I was too stunned to hang up. “I’m going to make sure you have a fucking miserable time here. This is my city, you hear? Good luck, you fucking black bastard.” And then he hung up.
I had cooked with Gordon Ramsay once, a couple of years earlier, when we did a promotion with Charlie Trotter in Chicago. There were a handful of chefs there, including Daniel Boulud and Ferran Adrià, and Gordon was rude and obnoxious to all of them. As a group we were interviewed by the Chicago newspaper; Gordon interrupted everyone who tried to answer a question, craving the limelight. I was almost embarrassed for him. So when I was giving interviews in the lead-up to the Lanesborough event, and was asked who inspired me, I thought the best way to handle it was to say nothing about him at all. Nothing good, nothing bad. I guess he was offended at being left out. To be honest, though, only one phrase in his juvenile tirade unsettled me: when he called me a black bastard. Actually, I didn’t give a fuck about the bastard part. But the black part pissed me off.
”
”
Marcus Samuelsson (Yes, Chef)
“
Diana” was the first thing out of her mouth. “I’m dying,” the too familiar voice on the other end moaned.
I snorted, locking the front door behind me as I held the phone up to my face with my shoulder. “You’re pregnant. You’re not dying.”
“But it feels like I am,” the person who rarely ever complained whined. We’d been best friends our entire lives, and I could only count on one hand the number of times I’d heard her grumble about something that wasn’t her family. I’d had the title of being the whiner in our epic love affair that had survived more shit than I was willing to remember right then.
I held up a finger when Louie tipped his head toward the kitchen as if asking if I was going to get started on dinner or not. “Well, nobody told you to get pregnant with the Hulk’s baby. What did you expect? He’s probably going to come out the size of a toddler.”
The laugh that burst out of her made me laugh too. This fierce feeling of missing her reminded me it had been months since we’d last seen each other. “Shut up.”
“You can’t avoid the truth forever.” Her husband was huge. I didn’t understand why she wouldn’t expect her unborn baby to be a giant too.
“Ugh.” A long sigh came through the receiver in resignation. “I don’t know what I was thinking—”
“You weren’t thinking.”
She ignored me. “We’re never having another one. I can’t sleep. I have to pee every two minutes. I’m the size of Mars—”
“The last time I saw you”—which had been two months ago—“you were the size of Mars. The baby is probably the size of Mars now. I’d probably say you’re about the size of Uranus.”
She ignored me again. “Everything makes me cry and I itch. I itch so bad.”
“Do I… want to know where you’re itching?”
“Nasty. My stomach. Aiden’s been rubbing coconut oil on me every hour he’s here.”
I tried to imagine her six-foot-five-inch, Hercules-sized husband doing that to Van, but my imagination wasn’t that great. “Is he doing okay?” I asked, knowing off our past conversations that while he’d been over the moon with her pregnancy, he’d also turned into mother hen supreme. It made me feel better knowing that she wasn’t living in a different state all by herself with no one else for support. Some people in life got lucky and found someone great, the rest of us either took a long time… or not ever.
“He’s worried I’m going to fall down the stairs when he isn’t around, and he’s talking about getting a one-story house so that I can put him out of his misery.”
“You know you can come stay with us if you want.”
She made a noise.
“I’m just offering, bitch. If you don’t want to be alone when he starts traveling more for games, you can stay here as long as you need. Louie doesn’t sleep in his room half the time anyway, and we have a one-story house. You could sleep with me if you really wanted to. It’ll be like we’re fourteen all over again.”
She sighed. “I would. I really would, but I couldn’t leave Aiden.”
And I couldn’t leave the boys for longer than a couple of weeks, but she knew that. Well, she also knew I couldn’t not work for that long, too.
“Maybe you can get one of those I’ve-fallen-and-I-can’t-get-up—”
Vanessa let out another loud laugh. “You jerk.”
“What? You could.”
There was a pause. “I don’t even know why I bother with you half the time.”
“Because you love me?”
“I don’t know why.”
“Tia,” Louie hissed, rubbing his belly like he was seriously starving.
“Hey, Lou and Josh are making it seem like they haven’t eaten all day. I’m scared they might start nibbling on my hand soon. Let me feed them, and I’ll call you back, okay?”
Van didn’t miss a beat. “Sure, Di. Give them a hug from me and call me back whenever. I’m on the couch, and I’m not going anywhere except the bathroom.”
“Okay. I won’t call Parks and Wildlife to let them know there’s a beached whale—”
“Goddammit, Diana—”
I laughed. “Love you. I’ll call you back. Bye!”
“Vanny has a whale?” Lou asked.
”
”
Mariana Zapata (Wait for It)
“
Jay came over as soon as Violet called him; she didn’t even have to give him a reason. He was there in less than ten minutes.
Of course, he’d heard about what had happened to Hailey. Everyone had. Buckley was a small town, and news traveled fast . . . especially bad news.
When he got there she told him what she was thinking about doing. It was nothing dangerous, at least as far as she was concerned, and she hadn’t expected Jay to disagree with her about it. So when he did, she was more than a little bit surprised by his stubborn reaction.
“No way,” he insisted, and his voice left little room for argument. “There is no way you’re going to go around looking for this guy.”
Violet was shocked by the tone of his voice, and by the harsh look he shot at her. She thought maybe he misunderstood her plan, so she tried to explain it to him again. “Jay, I’m only going to public places, like malls and parks, to see if I can get a feeling for who this guy is. Who knows, maybe he goes to places like that to find them, maybe he hands out there waiting to pick out a girl to . . . you know, kidnap.” She tried to make her argument sound logical, but there was a desperate edge to her voice. “I’m not going out alone . . . you can go with me. We’ll just hang out at different places to see if we can find him. And if we do, we’ll call my uncle. It’s not like we’d do anything stupid.”
“’Anything stupid’ would be going out to look for a killer. I won’t let you go looking for trouble, Violet. This guy is dangerous, and you need to leave it to the cops. They know what they’re doing. And they’re armed.” He sounded like he thought she’d lost her mind, and maybe she had, but she had already made her decision.
“Look, I’m doing this. I was just asking you to come along with me.”
“You’re not,” he insisted. “Even if I have to tell your uncle and your parents what you’re planning. I promise you, you’re not doing it.”
She could feel her temper flaring. “You can’t stop me, Jay. If you tell on me, then I’ll lie. I’ll bat my eyes innocently and promise not to go looking for this guy. But I swear to you that every chance I get, even if I have to sneak out of the house to do it, I will be trying to find him.” She stood up, meaning to glare back at him, but instead found herself craning her neck just so she could see his face. The awkward position didn’t steal nay of her thunder. She refused to back down. “I mean it, Jay. You can’t stop me.”
Jay glared incredulously back at her. Emotions ranging from disbelief to frustration and back to disbelief again flashed darkly across his face. He seemed to be fighting with himself now. But when she heard him sigh, and then saw him raking his hand restlessly through his hair, she knew she’d won. His icy determination seemed to melt right before her eyes.
“Damn it, Violet.” He sighed brusquely, wrapping his arms around her and holding her tightly. “What choice do I have?” he asked as he practically squeezed the life out of her.
She wasn’t sure how to react to him now. It definitely wasn’t a tender hug, but the close contact made her undisclosed desires stir all the same. She couldn’t help wondering if he felt even a fraction of what she did.
His arms were strong, and she felt safe in the circle of them. She’d never imaged that she could feel so comfortable and so uncomfortable at the same time. She waited within the space of his embrace to see where this was going.
“So, how is this going to work?” he demanded roughly against the top of her head.
”
”
Kimberly Derting (The Body Finder (The Body Finder, #1))
“
few years later, Demeter took a vacation to the beach. She was walking along, enjoying the solitude and the fresh sea air, when Poseidon happened to spot her. Being a sea god, he tended to notice pretty ladies walking along the beach. He appeared out of the waves in his best green robes, with his trident in his hand and a crown of seashells on his head. (He was sure that the crown made him look irresistible.) “Hey, girl,” he said, wiggling his eyebrows. “You must be the riptide, ’cause you sweep me off my feet.” He’d been practicing that pickup line for years. He was glad he finally got to use it. Demeter was not impressed. “Go away, Poseidon.” “Sometimes the sea goes away,” Poseidon agreed, “but it always comes back. What do you say you and me have a romantic dinner at my undersea palace?” Demeter made a mental note not to park her chariot so far away. She really could’ve used her two dragons for backup. She decided to change form and get away, but she knew better than to turn into a snake this time. I need something faster, she thought. Then she glanced down the beach and saw a herd of wild horses galloping through the surf. That’s perfect! Demeter thought. A horse! Instantly she became a white mare and raced down the beach. She joined the herd and blended in with the other horses. Her plan had serious flaws. First, Poseidon could also turn into a horse, and he did—a strong white stallion. He raced after her. Second, Poseidon had created horses. He knew all about them and could control them. Why would a sea god create a land animal like the horse? We’ll get to that later. Anyway, Poseidon reached the herd and started pushing his way through, looking for Demeter—or rather sniffing for her sweet, distinctive perfume. She was easy to find. Demeter’s seemingly perfect camouflage in the herd turned out to be a perfect trap. The other horses made way for Poseidon, but they hemmed in Demeter and wouldn’t let her move. She got so panicky, afraid of getting trampled, that she couldn’t even change shape into something else. Poseidon sidled up to her and whinnied something like Hey, beautiful. Galloping my way? Much to Demeter’s horror, Poseidon got a lot cuddlier than she wanted. These days, Poseidon would be arrested for that kind of behavior. I mean…assuming he wasn’t in horse form. I don’t think you can arrest a horse. Anyway, back in those days, the world was a rougher, ruder place. Demeter couldn’t exactly report Poseidon to King Zeus, because Zeus was just as bad. Months later, a very embarrassed and angry Demeter gave birth to twins. The weirdest thing? One of the babies was a goddess; the other one was a stallion. I’m not going to even try to figure that out. The baby girl was named Despoine, but you don’t hear much about her in the myths. When she grew up, her job was looking after Demeter’s temple, like the high priestess of corn magic or something. Her baby brother, the stallion, was named Arion. He grew up to be a super-fast immortal steed who helped out Hercules and some other heroes, too. He was a pretty awesome horse, though I’m not sure that Demeter was real proud of having a son who needed new horseshoes every few months and was constantly nuzzling her for apples. At this point, you’d think Demeter would have sworn off those gross, disgusting men forever and joined Hestia in the Permanently Single Club. Strangely, a couple of months later, she fell in love with a human prince named Iasion (pronounced EYE-son, I think). Just shows you how far humans had come since Prometheus gave them fire. Now they could speak and write. They could brush their teeth and comb their hair. They wore clothes and occasionally took baths. Some of them were even handsome enough to flirt with goddesses.
”
”
Rick Riordan (Percy Jackson's Greek Gods)