Moonless Night Quotes

Before you, Bella, my life was like a moonless night. Very dark, but there were stars, points of light and reason. ...And then you shot across my sky like a meteor. Suddenly everything was on fire; there was brilliancy, there was beauty. When you were gone, when the meteor had fallen over the horizon, everything went black. Nothing had changed, but my eyes were blinded by the light. I couldn’t see the stars anymore. And there was no more reason, for anything.

I've always liked the moonless night best. It's easier to say things in the dark. It's easier to be yourself.

Once there was a princess who was very beautiful. She shone bright as the stars on a moonless night. But what difference did it make that she was beautiful? None. No difference." Why did it make no difference?" asked Abilene. Because," said Pellegrina, "She was a princess who loved no one and cared nothing for love, even though there were many who loved her.

My Heart Is Afraid that it will have to suffer," the boy told the alchemist one night as they looked up at the moonless sky. "Tell your heart that the fear of suffering is worse than the suffering itself. And that no heart has ever suffered when it goes in search of its dreams.

Sometimes, they say, the moon is so busy with the new souls of the world that it disappears from the sky. That is why we have moonless nights. But in the end, the moon always returns, as do we all.

It is spring, moonless night in the small town, starless and bible-black, the cobbledstreets silent and the hunched courters'-and-rabbits' wood limping invisible down to the sloeblack, slow, black, crowblack, fishingboat-bobbing sea.

I do this so you cannot help but hear. A wise man views a moonless night with fear.

In Chinese love stories the one who loves always starts by borrowing a book from the beloved.

And give me some coffee. Black as midnight on a moonless night." Harga looked surprised. That wasn't like Vimes. "How black's that, then?" he said. "Oh, pretty damn black, I should think." "Not necessarily." "What?" "You get more stars on a moonless night. Stands to reason. They show up more. It can be quite bright on a moonless night." Vimes sighed. "An overcast moonless night?" he said. Harga looked carefully at his coffee pot. "Cumulus or cirro-nimbus?" "I'm sorry? What did you say?" "You get city lights reflected off cumulus, because it's low lying, see. Mind you, you can get high-altitude scatter off the ice crystals in--" "A moonless night," said Vimes, in a hollow voice, "that is as black as coffee.

People used to say that on moonless nights Her Ladyship's broad-skirted scarlet trousers would glide eerily along the outdoor corridor, never touching the floor.

It was in China, late one moonless night, The Simorgh first appeared to mortal sight – He let a feather float down through the air, And rumours of its fame spread everywhere...

When darkness comes over your soul, it doesn’t come in light shades; it descends with all the black of a moonless night.

I’ve always liked moonless nights best. It’s easier to say things in the dark. It’s easier to be yourself.

In the moonless night, she traced the scar on her palm, the oath to Nehemia. She would retrieve the first wyrdkey from Arobynn and track down the others, and then find a way to put the Wyrdkeys back in their Gate. She would free magic and destroy the king and save her people. No matter the odds, no matter how long it took, no matter how far she had to go. She lifted her face to the stars. She was Aelin Ashryver Galathynius, heir of two mighty bloodlines, protector of a once-glorious people, and Queen of Terrasen She was Aelin Ashryver Galathynius- and she would not be afraid.

A shaft of sunlight fell on me, making my dress look like fire and my skin glow like pearls. The shadows around me darkened, as if my glowing skin were leeching the light from everything around me. I was a lantern on the longest, darkest moonless night.

When she spoke her voice was clear. "I do this so you cannot help but hear. a wise man views a moonless night with fear.

Autumn has come and reason has gone. Yesterday, I sold the sun for you and tonight the stars are running away from me. When you first spoke, you slowly annihilated my world. Your mouth was like the sea — in your kisses I sank. Your hands were like the ocean — in your caresses I sank. I ask for no salvation on this moonless night. I only ask for more Autumn.

FYI: Mother and daughter constellations are very close to each other. So close, in fact, that if you listen in on a moonless night you can hear Andromeda telling Cassiopeia to "back off and give her some space already".

I tilted my head back, breathing deeply. It was a clear, moonless night, and after those long months underground, the sight of all that sky was dizzying. And so many stars—a glittering, tangled mass that seemed close enough to touch. I let their light fall over me like a balm, grateful for the air in my lungs, the night all around me.

But no one ever explains how it's the little choices that send your life careening in another direction, like deciding to send a poem in the mail or saying yest to a walk on a moonless night.

The painting was framed in a misty view of sky, sea, and valley. Newt's painting was small, black, and warty. It consisted of scratches made in a black, gummy impasto. The scratches formed a sort of spider's web, and I wondered if they might not be the sticky nets of human futility hung up on a moonless night to dry.

I took the dog out for a walk tonight, and together we wandered across the meadow next door. It was a warm summer's night, dark, and moonless. There were a handful of fireflies flickering intermittently, some so close to me I could see they were burning green as they flew, and some further away, who seemed to be flashing white. And in the sky above them a continual roil of distant summer lightning (the storm distant enough that it was silent) burned and flashed and illuminated the clouds. It seemed as if the lightning bugs were talking to the lightning, in a perfect call and response of flash and counterflash. I watched the sky and the meadow flash and flash while the dog walked ahead of me, and realised that I was perfectly happy...

From where you are you can hear in Cockle Row in the spring, moonless night, Miss Price, dressmaker and sweetshop-keeper, dream of her lover, tall as the town clock tower, Samson syrup-gold-maned, whacking thighed and piping hot, thunderbolt-bass'd and barnacle-breasted, flailing up the cockles with his eyes like blowlamps and scooping low over her lonely loving hotwaterbottled body.

I need to use my mind in a way that slows the out-of-control beating in my chest. The darkness around us could be anywhere, anytime. I could be alive or dead. Okay, I choose alive. While I’m at it, I choose the darkness to be a gentle blanket on a moonless night, where I rest a few feet from a boy who’s warm and sweet. When he holds me, his heart beats strong with what I tell myself is passion, not fear.

Just someone who gets bounced around in whatever position needs to be filled, used and used like a candle on a moonless night until I burn away into a puddle of compliance and obedience.

At various points in our lives, or on a quest, for reasons that often remain obscure , we are driven to make decisions which prove with hindsight to be loaded with meaning.

There is the darkness of a moonless night out of doors, and there is the darkness of a house with its shutters closed and the lamps quenched. There is the darkness of sleep, relieved by the bright images of dreams. But no darkness is as complete, as blanketing, as terrifying as the utter darkness of underground.

Moonless nights haunt me. They evoke my once carefree life when I dreamed without doubt to what my future could be. I yearn for a time when my mother’s tree swayed beneath the dusk like an amber sea, but the past is locked without a key. Never to return—only flee.

Calligraphy may well be simply an artistic version of another form, that is the ideograms which make up the poem, but then not only does it reflect the character and temperament of the artist but . . . also betrays his heart rate, his breathing.

Our imagination is dictated by who we are. (198)

As my visits with Morrie go on, I begin to read about death, how different cultures view the final passage. There is a tribe in the North American Arctic, for example, who believe that all things on earth have a soul that exists in a miniature form of the body that hold it -so that a deer has a tiny deer inside it, and a man has a tiny man inside him. When the large being dies, that tiny form lives on. It can slide into something being born nearby, or it can go to a temporary resting place in the sky, in the belly of a great feminine spirit, where it waits until the moon can send it back to earth. Sometimes, they say, the moon is so busy with the new souls of the world that it disappears from the sky. That is why we have moonless nights. But in the end, the moon always returns, as do we all. That is what they believe.

My feet they are sore, and my limbs they are weary; Long is the way, and the mountains are wild; Soon will the twilight close moonless and dreary Over the path of the poor orphan child. Why did they send me so far and so lonely, Up where the moors spread and gray rocks are piled? Men are hard-hearted, and kind angels only Watch o'er the steps of a poor orphan child. Ye, distant and soft, the night-breeze is blowing, Clouds there are none, and clear starts beam mild; God, in His mercy, protection is showing, Comfort and hope to the poor orphan child. Ev'n should I fall o'er the broken bridge passing, Or stray in the marshes, by false lights beguiled, Still will my Father, with promise and blessing, Take to his bosom the poor orphan child. There is a thought that for strength should avail me; Thought both of shelter and kindred despoiled; Heaven is a home, and a rest will not fail me; God is a friend to the poor orphan child.

Both carried, despite their martial postures, an aura of sorrow, though ghosts of smiles flickered across their faces. They would have recognized one another from a mere turn of the head observed from hundreds of yards away on a moonless night in January.

I do this so you cannot help but hear. a wise man views a moonless night with fear.

On silent moonless nights, I don't feel lonely! I have my greatest friends - my books for company!

When darkness comes over your soul, it doesn't come in light shades; it descends with all the black of a moonless night.

I would know you anywhere. I would recognize you at the bottom of a mineshaft on a moonless night if I were deaf and blind.

Before you, Bella, my life was like a moonless night. 

Now, it's full night, clear, moonless and filled with stars, which are not eternal as we once thought, which are not where we think they are. If they were sounds, they would be echoes, of something that happened millions of year ago: a word made of numbers. Echoes of light, shining out of the midst of nothing. It's old light, and there's not much of it. But it's enough to see by.

It’s still possible for an American to make a fortune on his own.” “Sure—provided somebody tells him when he’s young enough that there is a Money River, that there’s nothing fair about it, that he had damn well better forget about hard work and the merit system and honesty and all that crap, and get to where the river is. ‘Go where the rich and the powerful are,’ I’d tell him, ‘and learn their ways. They can be flattered and they can be scared. Please them enormously or scare them enormously, and one moonless night they will put their fingers to their lips, warning you not to make a sound. And they will lead you through the dark to the widest, deepest river of wealth ever known to man. You’ll be shown your place on the riverbank, and handed a bucket all your own. Slurp as much as you want, but try to keep the racket of your slurping down. A poor man might hear.

Windfall" What is love if it is not an unravelling against the dark? In the moonless field between house and river, remember how you stood with your arms wide to the night, under every tumid star, waiting for one to drop.

The grounds seemed eerie in the moonless night as the couple walked quietly, beaming their flashes ahead of them. They circled the inn. The place was completely dark, with the exception of the tiny night light in the main lobby.

Wherever I place this heart, I acknowledge falling in love with loneliness. There's another language whispering from every leaf, singing from every corner, shimmering on a dark moonless night. I don't know at what moment what cool gust of wind will come and close my eyes for the last time. I will remain enchanted without a beating in my heart.

a name with a gently exotic ring to it, like birdsong, like a grain of sand in the far-off Gobi Desert or the northern steppes, whipped up by the wind, carried by storms, swirling through the sky, travelling, crossing whole countries without knowing quite how, and ending up in the crook of my ear.

If it were worth the while to settle in those parts near to the Pleiades or the Hyades, to Aldebaran or Altair, then I was really there, or at an equal remoteness from the life which I had left behind, dwindled and twinkling with as fine a ray to my nearest neighbor, and to be seen only in moonless nights by him. Such was that part of creation where I had squatted;

On moonless nights in haunted hollow The tongues of beasts, men's blood do swallow Shape shifting shadows that soon will fade Leaving lifeless husks in that mountain glade Swift now close thy sleepy eyes Hope that your dreams hold no surprise.

B4 U,my life ws lyk a moonless night.Very dark, but der wer stars,points of light & reason.And den you shot across my sky like a meteor.Suddenly everythng ws on fire;ter ws brilliancy,der ws beauty.Wen u wer gone,wen d meteor had fallen over d horizon,everythng went black.Nothing had changed,but my eyes wer blinded by d light I cudn’t c d stars anymore & ter was no more reason, for anything.

Daydream, which is to thought as the nebula is to the star, borders on sleep, and is concerned with it as its frontier. An atmosphere inhabited by living transparencies: there's a beginning of the unknown. But beyond it the Possible opens out, immense. Other beings, other facts, are there. No supernaturalism, only the occult continuation of infinite nature. . . . Sleep is in contact with the Possible, which we also call the improbable. The world of the night is a world. Night, as night, is a universe. . . . The dark things of the unknown world become neighbors of man, whether by true communication or by a visionary enlargement of the distances of the abyss . . . and the sleeper, not quite seeing, not quite unconscious, glimpses the strange animalities, weird vegetations, terrible or radiant pallors, ghosts, masks, figures, hydras, confusions, moonless moonlights, obscure unmakings of miracle, growths and vanishings within a murky depth, shapes floating in shadow, the whole mystery which we call Dreaming, and which is nothing other than the approach of an invisible reality. The dream is the aquarium of Night.

Moonless Night Existence is lost in bottomless waters and has been held captive by sticky webs of darkness. Oceans are formed by waterfalls of shedded tears, while inhabiting eerie musings for arriving at the shore of wisdom. When life submerges in the tidal wave of passion, then the moon will enlighten the night by reflecting on hidden pearls.

She gave a low and delighted chuckle. Her eyes were black as a moonless December night and reflected the electric lights like stars.

It seemed to Thomas that the stars were drumming in the moonless deep.

Outside it was startlingly cold, clear, moonless night. The stars shimmered overhead like splinters of exploded champagne bottles.

The greatest part of human existence was spent in such a time. Over the dying embers of the campfire, on a moonless night, we watched the stars.

Though books were potentially harmful, novels were all the more dangerous. The path of fiction could easily mislead you into the cosmos of stories where everything was fluid, quixotic, and as open to surprises as a moonless night in the desert. Before you knew it you could be so carried away that you could lose touch with reality—that stringent and stolid truth from which no minority should ever veer too far from in order not to end up unguarded when the winds shifted and bad times arrived. It didn’t help to be so naïve to think things wouldn’t get bad, for they always did. Imagination was a dangerously captivating magic for those compelled to be realistic in life, and words could be poisonous for those destined always to be silenced.

Is there just one single love in a lifetime? Are all our lovers ― from the first to the last, including the most fleeting ― part of that unique love, and is each of them merely an expression of it, a variation, a particular version? In the same way that in literature there is just one true masterpiece to which different writers give a particular form (taking the twentieth century alone: Joyce, who explores everything happening inside his character;s head with microscopic precision; Proust, for whom the present is merely a memory of the past; Kafka, who drifts on the margins between dream and reality; the blind Borges, probably the one I relate to best, etc).

Sometimes, they say , the moon is so buy with the new souls of the world that it disappears from the sky. That is why we have moonless nights. But in the end, the moon always return as do we all. That’s is what they believe.

What did she do that made her happy? The question implied action, a conscious purpose. She did many things in a day, and many things made her happy, but that, Claire could tell, wasn’t the issue. Nor the only one, Claire realized. Because in order to consciously do something that made you happy, you’d have to know who you were. Trying to figure that out these days was like fishing on a lake on a moonless night—you had no idea what you would get.

There was a time before television, before motion pictures, before radio, before books. The greatest part of human existence was spent in such a time. Over the dying embers of the campfire, on a moonless night, we watched the stars.

And the uneasy truth was that thinking on it felt like standing at the shores of an ocean on a moonless night—something terrible, vast, and unseen roaring before her, waiting to swallow her whole the moment she stepped beyond solid ground.

My heart is afraid that it will have to suffer,” the boy told the alchemist one night as they looked up at the moonless sky. “Tell your heart that the fear of suffering is worse than the suffering itself. And that no heart has ever suffered when it goes in search of its dreams, because every second of the search is a second’s encounter with God and with eternity.

When darkness comes over your soul, it doesn’t come in light shades; it descends with all the black of a moonless night. In the faces of the women around that cook fire, what I saw was the vacant look of abandonment, and I knew it was all my fault.

Now it’s full night, clear, moonless and filled with stars, which are not eternal as was once thought, which are not where we think they are. If they were sounds, they would be echoes, of something that happened millions of years ago: a word made of numbers. Echoes of light, shining out of the midst of nothing. It’s old light, and there’s not much of it. But it’s enough to see by.

never seen real darkness, not in the city, but how, if you stood peeing off the cabin porch on a moonless night, or took a walk through the woods where the treetops stitched out the stars, you could almost forget you were there, you felt invisible. Country dark, his mother called it.

SILENT, SHE WAITS FOR the sky to fall, standing upon an island of volcanic rock amidst a black sea. The long moonless night yawns before her. The only sounds, a flapping banner of war held in her lover’s hand and the warm waves that kiss her steel boots. Her heart is heavy. Her spirit wild. Peerless knights tower behind her. Salt spray beads on their family crests—emerald centaurs, screaming eagles, gold sphinxes, and the crowned skull of her father’s grim house. Her Golden eyes look to the heavens. Waiting. The water heaves in. Out. The heartbeat of her silence.

Did you know, that one night; one moonless, clear, shining night; with the shadowy silhouettes of trees crisp against the star-filled sky – I, on the high, level terrace of my flat, stretched out my hand! Against all odds and possibilities of unbelief and grief – a life of searchings, discontent, and a nagging sense of unreality… A spider-web intuition of a spread-out, intricate illusion that wilfully withheld the truth from me.

It had been cold in Vermont, with early snow, but the white drifts lay to the earth so quietly, in unstained air, that the world seemed a silver-painted carnival, left to silence. Even on a moonless night, a pale radiance came from the snow, from the earth itself, and the stars were drops of quicksilver.

The number of stars visible to unaided human vision, in clear air on a moonless night, is at best a few thousand. Ten octillion, on the other hand, the number of atoms within us, is about a million times the number of stars in the entire visible universe. In that very concrete sense, a universe dwells within us.

I'm sitting on the back deck, gazing up at the moonless night sky. The Milky Way is a hazy diagonal across the star-glittery blackness. In the immensely vast universe, we are a tiniest speck. In the billions of years of history, we are the merest infinitesimal instant. Yet we persist in believing that what we do can be important.

And as for god, if all it takes is a flair for drama and a bit of golden trim… he flicks his fingers and suddenly the buttons on his coat, the buckles on his shoes, the trim on his waistcoat are no longer black but gilded, burnished stars against a moonless night. But this is the difference between us Adeline, I will always answer.

As night fell, the shadows bloomed. They ran together with the river and the mist and the moonless sky until they were everywhere.

The night was moonless overhead, the sea and sky mirroring the starry darkness to every side; only the ripple of water beneath the rocking boat marked the difference between up and down.

My heart is afraid that it will have to suffer,” the boy told the alchemist one night as they looked up at the moonless sky. “Tell your heart that the fear of suffering is worse than the suffering itself.

My feet they are sore, and my limbs they are weary; Long is the way, and the mountains are wild; Soon will the twilight close moonless and dreary Over the path of the poor orphan child. Why did they send me so far and so lonely, Up where the moors spread and grey rocks are piled? Men are hard-hearted, and kind angels only Watch o’er the steps of a poor orphan child. Yet distant and soft the night breeze is blowing,

Before you, my life was a moonless night. Very dark, but there were stars - points of light and reason... and then you shot across the sky like a meteor. Suddenly everything was on fire. There was brilliancy, there was beauty. Now you are gone, when the meteor had fallen over the horizon, everything went black. Nothing has changed, but my eyes were blinded by the light. I couldn't see the stars anymore. And there was no more reason for anything.

A behavior has occurred that is good, bad, or ambiguous. How have cultural factors stretching back to the origins of humans contributed to that behavior? And rustling cattle on a moonless night; or setting aside tending your cassava garden to raid your Amazonian neighbours; or building fortifications; or butchering every man, woman, and child in a village is irrelevant to that question. That's because all these study subjects are pastoralists, agriculturalists, or horticulturalists, lifestyles that emerged only in the last ten thousand to fourteen thousand years, after the domestication of plants and animals. In the context of hominin history stretching back hundreds of thousands of years, being a camel herder or farmer is nearly as newfangled as being a lobbyist advocating for legal rights for robots. For most of history, humans have been hunter-gatherers, a whole different kettle of fish.

Before you, Bella, my life was like a moonless night. Very dark, but there were stars—points of light and reason....And then you shot across my sky like a meteor. Suddenly everything was on fire; there was brilliancy, there was beauty. When you were gone, when the meteor had fallen over the horizon, everything went black. Nothing had changed, but my eyes were blinded by the light. I couldn’t see the stars anymore. And there was no more reason for anything.

I wished upon the moon one night, bewitched by how it shone so white. While staring up with some excite my eyes beheld a wondrous sight!  The moon so lustrous and white transformed into an armored knight who caused me just a moments fright when he jumped down from such a height.  No more a soft, celestial light, he was my lover, day and night.   This caused the world a serious plight.  How harsh a sting and deep the bite inflicted on the world, alright, to lose their blackest-hour light.   And so I've come to set things right, to offer up without a fight my lover wished for one clear night.  I hold him close.  He hugs me tight, then climbs again to heaven's height to glow a bluer shade of bright.  I stare at my beloved knight, not wanting to be impolite, and in my heart with all my might I wish a wish that isn't right.   Now and then the world still spites a shadowless and moonless night when we steal softly out of sight to hold each other 'til daylight and share in lovers true delight.

As the dawn loves the sunlight that must cease Ere dawn again may rise and pass in peace; Must die that she being dead may live again, To be by his new rising nearly slain. So rolls the great wheel of the great world round, And no change in it and no fault is found, And no true life of perdurable breath, And surely no irrevocable death. Day after day night comes that day may break, And day comes back for night’s reiterate sake. Each into each dies, each of each is born: Day past is night, shall night past not be morn? Out of this moonless and faint-hearted night That love yet lives in, shall there not be light? Light strong as love, that love may live in yet? Alas, but how shall foolish hope forget How all these loving things that kill and die Meet not but for a breath’s space and pass by? Night is kissed once of dawn and dies, and day But touches twilight and is rapt away. So may my love and her love meet once more, And meeting be divided as of yore. Yea, surely as the day-star loves the sun And when he hath risen is utterly undone, So is my love of her and hers of me— And its most sweetness bitter as the sea.

All along, let us remember, we are not asked to understand, but simply to obey. . . . On July 28, Saturday, I sailed. We had to come on board on Friday night, and just as the tender (a small boat) where were the dear friends who had come to say goodbye was moving off, and the chill of loneliness shivered through me, like a warm love-clasp came the long-loved lines—‘And only Heaven is better than to walk with Christ at midnight, over moonless seas.’ I couldn’t feel frightened then. Praise Him for the moonless seas—all the better the opportunity for proving Him to be indeed the El Shaddai, ‘the God who is Enough.

Indeed, nothing is further from realizing the pretension of the beautiful than an ill-arranged ball. So many things difficult to assemble are necessary that during an entire century perhaps only two are given that can satisfy the artist. There must be the right climate, locale, decoration, food and costumes. It must be a Spanish or Italian night, dark and moonless, because the moon, when it reigns in the sky, throws an influence of languor and melancholy over men that is reflected in all their sensations. It must be a fresh, airy night with stars shining feebly through the clouds. There must be large gardens whose intoxicating perfume penetrates the rooms in waves. The fragrance of orange trees and of the Constantinople rose are especially apt to develop exaltation of heart and mind. There must be light food, delicate wines, fruit of all climates, and flowers of all seasons. There must be a profusion of things rare and difficult to possess, because a ball should be a realization of the most voracious imaginations and the most capricious desires. One must understand one thing before giving a ball: rich, civilized human beings find pleasure only in the hope of the impossible. So one must approach the impossible as closely as one can.

As we drove off into the moonless night, raindrops danced through our headlights like the fireflies of my childhood. I silently cursed the frailty of happiness and doubted whether it ever existed for me. I could remember happier times, though, and those memories fluttered about my mind like fireflies, beckoning with their elusive splendor. But chasing memories held no more promise than catching fireflies. The pursued feelings either vanished or lost their magic upon examination, hardly the green-glowing beauty seen at a distance. So I looked ahead of me and dreamed on into the darkness, hoping to one day find someone who would love me.

There is a tribe in the North American Arctic, for example, who believe that all things on earth have a soul that exists in a miniature form of the body that holds it—so that a deer has a tiny deer inside it, and a man has a tiny man inside him. When the large being dies, that tiny form lives on. It can slide into something being born nearby, or it can go to a temporary resting place in the sky, in the belly of a great feminine spirit, where it waits until the moon can send it back to earth. Sometimes, they say, the moon is so busy with the new souls of the world that it disappears from the sky. That is why we have moonless nights. But in the end, the moon always returns,as do we all. That is what they believe.

There is a tribe in the North American Arctic, for example, who believe that all things on earth have a soul that exists in a miniature form of the body that holds it—so that a deer has a tiny deer inside it, and a man has a tiny man inside him. When the large being dies, that tiny form lives on. It can slide into something being born nearby, or it can go to a temporary resting place in the sky, in the belly of a great feminine spirit, where it waits until the moon can send it back to earth. Sometimes, they say, the moon is so busy with the new souls of the world that it disappears from the sky. That is why we have moonless nights. But in the end, the moon always returns, as do we all. That is what they believe.

Obsidian rests around your neck as if you are carrying the history of every night sky in one stone Smile young girl Your eyes are moonless, grimmer than the rock revolved around your throat Your voice is weak when you speak of the things you love You do not love things properly Your jaw was battered against the ceramic when your father screamed of your selfishness and slapped you with all the anger your grandfather bred in him You conduct yourself in spite of his judgement In spite of being just like him But while you chase after reckless habits and restless bodies you are mirroring his tantrums Drain the anger from your blood, young girl Do not make this tempered interpretation a trio Your Obsidian is the cooling heat of lava and only pure when it maintains its darkness But there is more power in your will than in the frozen anger of the stone Your body does not have to erupt when you feel the heat of an outrage bubbling at the rim Keep your composure, you are not a volcano You do not have to hang around someone’s neck like a chunk of lava wishing to explode

I walk at night under a moonless sky. Only the terrain guides my steps, yet my footfall is as sure as if a dozen suns lit the way. I go to meet you under a leafless tree that never seems to grow or alter its shape. I am uncertain if it still lives or has learned to disguise its death. The same thought crosses my mind when I feel your cold fingers take my hand. It is not the tree I reflect upon. ‘Do you still love me?’ The words tumble clumsily out of the dark. Hesitation is its own answer, but I reply ‘I’m here’ anyway as if my words were whispered comfort and not a weathered blade. They are taken wrong. ‘I love you too.’ Your arms wrap me up and clamp tightly around my waist. An old, familiar kiss hardens my lips. I wonder why it is I return to this place every year where only memories remain fond. Perhaps it is because I keep hoping this leafless tree will either change or die.

Ashes were already falling, not as yet very thickly. I looked round: a dense black cloud was coming up behind us, spreading over the earth like a flood. 'Let us leave the road while we can still see,'I said,'or we shall be knocked down and trampled underfoot in the dark by the crowd behind.' We had scarcely sat down to rest when darkness fell, not the dark of a moonless or cloudy night, but as if the lamp had been put out in a closed room. You could hear the shrieks of women, the wailing of infants, and the shouting of men; some were calling their parents, others their children or their wives, trying to recognize them by their voices. People bewailed their own fate or that of their relatives, and there were some who prayed for death in their terror of dying. Many besought the aid of the gods, but still more imagined there were no gods left, and that the universe was plunged into eternal darkness for evermore. ~Pliny the Younger Trust me…history will record the battle at the Puerto Rico Trench the same way. ~High Commander Mustafa

On the slope of the desolate river among tall grasses I asked her, `Maiden, where do you go shading your lamp with your mantle? My house is all dark and lonesome---lend me your light!' she raised her dark eyes for a moment and looked at my face through the dusk. `I have come to the river,' she said, `to float my lamp on the stream when the daylight wanes in the west.' I stood alone among tall grasses and watched the timid flame of her lamp uselessly drifting in the tide. In the silence of gathering night I asked her, `Maiden, your lights are all lit---then where do you go with your lamp? My house is all dark and lonesome---lend me your light.' She raised her dark eyes on my face and stood for a moment doubtful. `I have come,' she said at last, `to dedicate my lamp to the sky.' I stood and watched her light uselessly burning in the void. In the moonless gloom of midnight I ask her, `Maiden, what is your quest, holding the lamp near your heart? My house is all dark and lonesome---lend me your light.' She stopped for a minute and thought and gazed at my face in the dark. `I have brought my light,' she said, `to join the carnival of lamps.' I stood and watched her little lamp uselessly lost among lights.

It was one of those warm, still, almost tropical nights, so rarely seen on the northern waters, when a profound calm reigns in the moonless heavens, and the hush of absolute repose rests upon the tired, storm-vexed sea. There was not the faintest breath of air to stir even the reef-points of the motionless sails, or roughen the dark, polished mirror of water around the ship. A soft, almost imperceptible haze concealed the line of the far horizon, and blended sky and water into one great hollow sphere of twinkling stars. Earth and sea seemed to have passed away, and our motionless ship floated, spell-bound, in vacancy - the only earthly object in an encircling universe of stars and planets.

People are afraid to pursue their most important dreams, because they feel that they don’t deserve them, or that they’ll be unable to achieve them. We, their hearts, become fearful just thinking of loved ones who go away forever, or of moments that could have been good but weren’t, or of treasures that might have been found but were forever hidden in the sands. Because, when these things happen, we suffer terribly.” “My heart is afraid that it will have to suffer,” the boy told the alchemist one night as they looked up at the moonless sky. “Tell your heart that the fear of suffering is worse than the suffering itself. And that no heart has ever suffered when it goes in search of its dreams, because every second of the search is a second’s encounter with God and with eternity.

My feet they are sore, and my limbs they are weary; Long is the way, and the mountains are wild; Soon will the twilight close moonless and dreary Over the path of the poor orphan child. Why did they send me so far and so lonely, Up where the moors spread and grey rocks are piled? Men are hard-hearted, and kind angels only Watch o’er the steps of a poor orphan child. Yet distant and soft the night breeze is blowing, Clouds there are none, and clear stars beam mild, God, in His mercy, protection is showing, Comfort and hope to the poor orphan child. Ev’n should I fall o’er the broken bridge passing, Or stray in the marshes, by false lights beguiled, Still will my Father, with promise and blessing, Take to His bosom the poor orphan child. There is a thought that for strength should avail me, Though both of shelter and kindred despoiled; Heaven is a home, and a rest will not fail me; God is a friend to the poor orphan child.” “Come, Miss

The Leaving" My father said I could not do it, but all night I picked the peaches. The orchard was still, the canals ran steadily. I was a girl then, my chest its own walled garden. How many ladders to gather an orchard? I had only one and a long patience with lit hands and the looking of the stars which moved right through me the way the water moved through the canals with a voice that seemed to speak of this moonless gathering and those who had gathered before me. I put the peaches in the pond’s cold water, all night up the ladder and down, all night my hands twisting fruit as if I were entering a thousand doors, all night my back a straight road to the sky. And then out of its own goodness, out of the far fields of the stars, the morning came, and inside me was the stillness a bell possesses just after it has been rung, before the metal begins to long again for the clapper’s stroke. The light came over the orchard. The canals were silver and then were not. and the pond was–I could see as I laid the last peach in the water–full of fish and eyes.

Let Me Begin Again” Let me begin again as a speck of dust caught in the night winds sweeping out to sea. Let me begin this time knowing the world is salt water and dark clouds, the world is grinding and sighing all night, and dawn comes slowly and changes nothing. Let me go back to land after a lifetime of going nowhere. This time lodged in the feathers of some scavenging gull white above the black ship that docks and broods upon the oily waters of your harbor. This leaking freighter has brought a hold full of hayforks from Spain, great jeroboams of dark Algerian wine, and quill pens that can’t write English. The sailors have stumbled off toward the bars of the bright houses. The captain closes his log and falls asleep. 1/10’28. Tonight I shall enter my life after being at sea for ages, quietly, in a hospital named for an automobile. The one child of millions of children who has flown alone by the stars above the black wastes of moonless waters that stretched forever, who has turned golden in the full sun of a new day. A tiny wise child who this time will love his life because it is like no other.

What makes you come alive? What keeps you going ? Is there hope in your heart still or has the weariness of the world attached itself to you like a limpet leaving you afraid and passionless? Do you wake up with a smile and stars in your eyes after restless, feverish soul-searching in the night? Do you dream, dream beyond what is possible and beyond the narrow confines of your jaded existence? How old do you feel? How much in love can you fall? How much step is there in your dance, o how many notes left in your song ? Have you decided to sit by and watch others dance or weep at the dying notes of your own swan song? Shake your lethargy. Come alive to innocence once more. Believe past your own jaded cynicism. Pretend you are young once more. Jump up with a spring in your feet, fall breathlessly in love again. Let the colors of the world wash over your walls, brushing the greys away. Let the sunlight of hope flood through your doubting self, o let the music play. Dance till you ache and drop, laugh till you cry. Sing till your lungs burst, and journey till the very road ends and dream by the moonless starless nights. Sleep with a secret smile on your lips, your body flush with the imprints of lips. Come alive, my dearest ...reclaim yourself from the living dead. Life beckons

Hekate in Byzantium (also Constantinople, now Istanbul, Turkey) It is probable that Hekate had an established presence in Byzantium from a time before the city was founded. Here Hekate was invoked by her title of Phosphoros by the local population for her help when Philip of Macedon (father of Alexander the Great) attacked the city in 340 BCE. Petridou summarises the account given by Hsych of Miletus: "Hecate, or so we are told, assisted them by sending clouds of fire in a moonless rainy night; thus, she made it possible for them to see clearly and fight back against their enemies. By some sort of divine instigation the dogs began barking[164], thus awakening the Byzantians and putting them on a war footing."[165] There is a slightly alternative account of the attack, recorded by Eustathios. He wrote that Philip of Macedon's men had dug secret tunnels from where they were preparing a stealth attack. However, their plans were ruined when the goddess, as Phosphoros, created mysterious torchlight which illuminated the enemies. Philip and his men fled, and the locals subsequently called the place where this happened Phosphorion. Both versions attribute the successful defence of the city to the goddess as Phosphoros. In thanksgiving, a statue of Hekate, holding two torches, was erected in Byzantium soon after. The support given by the goddess in battle brings to mind a line from Hesiod’s Theogony: “And when men arm themselves for the battle that destroys men, then the goddess is at hand to give victory and grant glory readily to whom she will.” [166] A torch race was held on the Bosphorus each year, in honour of a goddess which, in light of the above story, is likely to have been Phosphoros. Unfortunately, we have no evidence to clarify who the goddess the race was dedicated to was. Other than Phosphoros, it is possible that the race was instead held in honour of the Thracian Bendis, Ephesian Artemis or Hekate. All of which were also of course conflated with one another at times. Artemis and Hekate both share the title of Phosphoros. Bendis is never explicitly named in texts, but a torch race in her honour was held in Athens after her cult was introduced there in the fifth-century BCE. Likewise, torch-races took place in honour of Artemis. There is also a theory that the name Phosphoros may have become linguistically jumbled due to a linguistic influence from Thrace becoming Bosphorus in the process[167]. The Bosphorus is the narrow, natural strait connecting the Black Sea to the Sea of Marmara, separating the European side of Istanbul from the Asian side. The goddess with two torches shown on coins of the time is unnamed. She is usually identified as Artemis but could equally represent Hekate.

Abortive time: unwilling to tarry Daylight begins to hide into the heat His moonless night desires to be starry Those lame knees want to break down on his feet From the poem Sonnet For A Man (Part I)

Fionna loved the dark, for it lit her mind, her muse; it was truly her inspiration. It fired her imagination as nothing else could. She had never feared the depths of night, not even as a child. She reveled in it, particularly on those moonless nights, when all the world lay closed and sleeping, while she lay awake and dreaming- of legends and myths, and stories yet to be told. That was when her mind came alive, when she came alive.

The moonless night has come to an end!

My heart is afraid that it will have to suffer,” the boy told the alchemist one night as they looked up at the moonless sky. “Tell your heart that the fear of suffering is worse than the suffering itself. And that no heart has ever suffered when it goes in search of its dreams, because every second of the search is a second’s encounter with God and with eternity.” “Every second of the search is an encounter with God,” the boy told his heart. “When I have been truly searching for my treasure, every day has been luminous, because I’ve known that every hour was a part of the dream that I would find it. When I have been truly searching for my treasure, I’ve discovered things along the way that I never would have seen had I not had the courage to try things that seemed impossible for a shepherd to achieve.” So his heart was quiet for an entire afternoon. That night, the boy slept deeply, and, when he awoke, his heart began to tell him things that came from the Soul of the World. It said that all people who are happy have God within them. And that happiness could be found in a grain of sand from the desert, as the alchemist had said. Because a grain of sand is a moment of creation, and the universe has taken millions of years to create it. “Everyone on earth has a treasure that awaits him,” his heart said. “We, people’s hearts, seldom say much about those treasures, because people no longer want to go in search of them. We speak of them only to children. Later, we simply let life proceed, in its own direction, toward its own fate. But, unfortunately, very few follow the path laid out for them—the path to their Personal Legends, and to happiness.

My heart is afraid that it will have to suffer,” the boy told the alchemist one night as they looked up at the moonless sky. “Tell your heart that the fear of suffering is worse than the suffering itself. And that no heart has ever suffered when it goes in search of its dreams, because every second of the search is a second’s encounter with God and with eternity.” “Every second of the search is an encounter with God,” the boy told his heart. “When I have been truly searching for my treasure, every day has been luminous, because I’ve known that every hour was a part of the dream that I would find it. When I have been truly searching for my treasure, I’ve discovered things along the way that I never would have seen had I not had the courage to try things that seemed impossible for a shepherd to achieve.” So his heart was quiet for an entire afternoon. That night, the boy slept deeply, and, when he awoke, his heart began to tell him things that came from the Soul of the World. It said that all people who are happy have God within them. And that happiness could be found in a grain of sand from the desert, as the alchemist had said. Because a grain of sand is a moment of creation, and the universe has taken millions of years to create it. “Everyone on earth has a treasure that awaits him,” his heart said. “We, people’s hearts, seldom say much about those treasures, because people no longer want to go in search of them. We speak of them only to children. Later, we simply let life proceed, in its own direction, toward its own fate. But, unfortunately, very few follow the path laid out for them—the path to their Personal Legends, and to happiness. Most people see the world as a threatening place, and, because they do, the world turns out, indeed, to be a threatening place. “So, we, their hearts, speak more and more softly. We never stop speaking out, but we begin to hope that our words won’t be heard: we don’t want people to suffer because they don’t follow their hearts.” “Why don’t people’s hearts tell them to continue to follow their dreams?” the boy asked the alchemist. “Because that’s what makes a heart suffer most, and hearts don’t like to suffer.” From then on, the boy understood his heart. He asked it, please, never to stop speaking to him. He asked that, when he wandered far from his dreams, his heart press him and sound the alarm. The boy swore that, every time he heard the alarm, he would heed its message.

The Instructor is an unexpected pleasure, crackling with intensity, vivid with authenticity and emotion. T.R. Hendricks writes like a knife fight on a moonless night―fast, brutal, and bloody.