Bad Cops Quotes

We've searched our database for all the quotes and captions related to Bad Cops. Here they are! All 100 of them:

I get it,' said the prisoner. 'Good Cop, Bad Cop, eh?' If you like.' said Vimes. 'But we're a bit short staffed here, so if I give you a cigarette would you mind kicking yourself in the teeth?
Terry Pratchett (Night Watch (Discworld, #29; City Watch, #6))
Bad boys, bad boys, whatcha gonna do, watcha gonna do when they cut your wiener,” Gavin sang as he pointed his gun at random objects. “Wow, cops have gotten pretty hardcore lately” Carter muttered.
Tara Sivec (Seduction and Snacks (Chocolate Lovers, #1))
A uniformed cop around 6’4” with pock marked face squinted, “Looky here, if it ain’t one a the bad seed O’Shaughnessy’s, female version.
A.G. Russo (O'SHAUGHNESSY INVESTIGATIONS, INC.: The Cases Nobody Wanted)
Have McNab take the edge if you need one. Can he handle bad cop?" "He does it really well during personal role-playing games when I'm the reluctant witness.
J.D. Robb (Survivor In Death (In Death, #20))
How'd it go with Leesha?" "It was great! We were bad cop and bad cop!
Cinda Williams Chima (The Dragon Heir (The Heir Chronicles, #3))
He crossed his arms stiffly over his chest. "Oh yeah," he said, with a pleased nod. "Bad cop is ready." -Oscar
Marissa Meyer (Renegades (Renegades, #1))
If Anderson was the good cop, and Blake was the bad cop, Jamaal was the complete psycho cop.
Jenna Black
Cops before breakfast. Before coffee even. As if Mondays weren't bad enough.
Josh Lanyon (Fatal Shadows (The Adrien English Mysteries, #1))
You'd be surprised at how many of us want justice in this case," says Uncle Carlos. "But of course, classic Maverick. Every cop is automatically a bad cop.
Angie Thomas (The Hate U Give (The Hate U Give, #1))
Are you suggesting we pull a little good cop, bad cop scenario on him? And You're even letting me be the bad cop?" He bowed his head. "That, my pretera, is how much I love you." "You have never been sexier than at this very moment." "It is a shame we have so much company," he agreed quietly.
Jennifer Rardin (The Deadliest Bite (Jaz Parks, #8))
...Right now there's a pair of bad cops on their way out here to shoot me." "You don't know that." "Yeah, you're right," Stranahan said. "They're probably just collecting Toys for Tots. Now go.
Carl Hiaasen (Sick Puppy (Skink, #4))
It never works out! *kicks rock, it hits a window, sirens go off* (iggy) Uh oh. (max) Up and away guys! Come on iggy, we gotta go. (iggy) No. *sits down* (max) Iggy, come on! (iggy) No! It's different for you, you don't know what it's like, Yeah I make jokes- I'm the blind kid, but don't you see? Every time we move I'm lost all over again, you guys- It's much easier for you. Even your lost isn't as bad as my lost. You know *sirens coming closer* (max) Ig, i know it's hard, but if you think I'm going to let you give up on us now, you've got another think coming. Yes, you're a blind mutant freak, but you're my blind mutant freak, and you're coming with me, now, you're coming with us right now, or I swear I will kick your skinny white ass from here to the middle of next week. *Iggy raises his head lights flashing telling max that he cops were almost on top of them* (max) Iggy, I need you, I love you. I need all of you, all five of you, to fell whole myself. Now get up, before I kill you." *Iggy stands* "Well, when you put it that way..." *max smiles* come on ig *they fly off*
James Patterson (School's Out—Forever (Maximum Ride, #2))
Mr. Bialy said you were a good guy.” “You don’t want a good guy representing you in situations like this one. You want a barracuda when it comes to dealing with bad cops, negligent police departments, and attorneys who represent them. They are afraid of me; they think I’m a bad guy. Please don’t give away my secret.” Sarah chuckles through her tears. He has an easy way about him. I hope he’s an ass-kicker in court. “Your secret is safe with me, Zack.
Mark M. Bello (Betrayal In Black (Zachary Blake Legal Thriller, #4))
he thinks of it as playing good cop/bad cop. Except we play bad gang member/worse gang member.
Simone Elkeles
For, you see, he had found his center, his own center, inside him: and it showed. He wasn’t anybody’s nigger. And that’s a crime, in this fucking free country. You’re suppose to be somebody’s nigger. And if you’re nobody’s nigger, you’re a bad nigger: and that’s what the cops decided when Fonny moved downtown.
James Baldwin (If Beale Street Could Talk)
It was actually pretty common for women not to scream or call the cops in rape cases I prosecuted,” Roe said, “at least partly because women aren’t wired to react that way. We are socialized to be likeable and not to create friction. We are brought up to be nice. Women are supposed to resolve problems without making a scene—to make bad things go away as if they never happened.
Jon Krakauer (Missoula: Rape and the Justice System in a College Town)
I’ll tell you what love is. Love is walking up and down Archer Road in Gainesville, Florida and feeling like Cupid. Too bad the cops took issue with me hitch hiking with a bow and arrow.
Jarod Kintz (Love quotes for the ages. Specifically ages 18-81.)
Cop a squat, animals and folks. I don’t want to be here any more than the rest of you so make it fast and get out of my hair. Let’s quickly run down the bullshit pedagogy. Hear ye…Who the hell wrote this crap?...Welcome to the Omegrion Chamber. Here we gather, one rep from each branch of the two patrias. We come in peace (he paused to snort derisively) to make peace. I’m your mediator, Savitar, and if you don’t know that by now, you need to be hit in the head with a jackhammer and replaced because you’re too stupid to represent your patria. But in case you’re dense and forgot, I am the summation of all that was and what will one day be again. I make order from chaos and chaos from order, which is how I got drafted into this shit. Now let’s get on with this before I start splitting your hairs. (Savitar)
Sherrilyn Kenyon (Bad Moon Rising (Dark-Hunter, #18; Were-Hunter, #4; Hellchaser, #2))
Renton asks the cop: ‘But what did ye say tae get him tae come back inside?’ The officer replies: ‘I just told him that no matter how bad it all seemed right now, it’s just part and parcel of being young. That it gets easier.’ ‘Does it?’ Renton asks, and the policeman shakes his head: ‘Does it fuck; it gets bleeding worse. All that happens is that the expectations you have of life fall. You just get used to all the shit.’ But what if you can’t get used to it? The officer shrugs: ‘Well, that window’s still gonna be there.
Irvine Welsh (Skagboys (Mark Renton, #1))
But then, no one really got her. No one in the world understood. Hell, if she was honest with herself, not even she understood.
Lacey Alexander (Bad Girl by Night (H.O.T. Cops, #1))
I'm neither a good cop nor a bad cop, Jerome. Like yourself, I'm a complex amalgam of positive and negative personality traits that emerge or not, depending on circumstances.
Mick Stevens
So are we going to play this good cop, bad cop?" Brett asked as Nathan returned to the monitoring room. "Absolutely not. We're going to play this bad cop and on-the-verge-of-homicidal-maniac cop. You get to play bad cop." "But you know I love the maniacal, homicidal role better." "Let's just do it cleanly.
Jordyn Redwood (Proof (Bloodline Trilogy, #1))
If we do, I want to be the bad cop.” “You’re a lousy bad cop, Feeney. Face it.” He gave her a mournful look. “I outrank you, Dallas.” “I’m primary, and I’m better at bad cop. Live with it.” “I always have to be the good cop,” he muttered as they stepped into a well-lighted hallway with more marble, more gilt.
J.D. Robb (Immortal in Death (In Death, #3))
Sam O’Neill drew a deft little caricature of the two of us as Mulder and Scully (I still have it, somewhere) and Cassie stuck it to the side of her computer, next to a bumper sticker that said BAD COP! NO DOUGHNUT!
Tana French (In the Woods (Dublin Murder Squad, #1))
ALL THOSE GOOD COPS YALL LOVE BRINGING UP WHEN YOU SAY NOT ALL COPS ARE BAD SEEM TO NEVER BE AROUND WHEN THEIR COMRADES ARE KILLING INNOCENT PEOPLE
Chris Rock
I once defenestrated a guy. The cops got all pissed off at me. I was drunk, but they said that was no excuse." "Ah well," Virgil said. Then, "The guy hurt bad?" "Cracked his hip. Landed on a Prius. Really fucked up the Prius, too." "I can tell you, just now is the only time in my life I ever heard 'defenestration' used in a sentence," Virgil said. "It's a word you learn after you done it," Morton said. "Yup. The New Prague AmericInn, 2009." Virgil was amazed. "Really? The defenstration of New Prague?
John Sandford (Mad River (Virgil Flowers, #6))
America was never innocent. We popped our cherry on the boat over and looked back with no regrets. You can't ascribe our fall from grace to any single event or set of circumstances. You can't lose what you lacked at conception. Mass-market nostalgia gets you hopped up for a past that never existed. Hagiography sanctifies shuck-and-jive politicians and reinvents their expedient gestures as moments of great moral weight. Our continuing narrative line is blurred past truth and hindsight. Only a reckless verisimilitude can set that line straight. The real Trinity of Camelot was Look Good, Kick Ass, Get Laid. Jack Kennedy was the mythological front man for a particularly juicy slice of our history. He called a slick line and wore a world-class haircut. He was Bill Clinton minus pervasive media scrutiny and a few rolls of flab. Jack got whacked at the optimum moment to assure his sainthood. Lies continue to swirl around his eternal flame. It's time to dislodge his urn and cast light on a few men who attended his ascent and facilitated his fall. They were rouge cops and shakedown artist. They were wiretappers and soldiers of fortune and faggot lounge entertainers. Had one second of their lives deviated off course, American History would not exist as we know it. It's time to demythologize an era and build a new myth from the gutter to the stars. It's time to embrace bad men and the price they paid to secretly define there time. Here's to them.
James Ellroy (American Tabloid (Underworld USA #1))
Now that he was dead, Paul could look at him. The cop looked like a big doll that has been badly treated by a gang of nasty children.
Stephen King (Misery)
Shit, the fun's over. The bad guys called the cops." -Micah
Kampar
You don't get it, do you? This isn't 'good cop, bad cop.' This is fag and New Yorker. You're in a lot of trouble.
Shane Black
Still i knew because of my own feelings there was something wrong with me and i knew it wasnt only me. I knew it was everybody. It was like a bacteria or a cancer or a trance. It wasnt on the skin, it was in the soul. It showed itself in lonliness, lust, anger , jealousy and depression. It had people screwed up bad everywhere you went- at the store, at home, at church, it was ugly and deep. Lots of singers on the radio were singing about it and cops had jobs because of it. It was as if we were broken I thought, as if we were never supposed to feel these sticky emotions. It was as if we were cracked, coudlnt love right, couldnt feel good things for a long before screwing it all up. I am talking about the broken quality of life.
Donald Miller (Blue Like Jazz: Nonreligious Thoughts on Christian Spirituality (Paperback))
Ever wonder what happens to those final girls? After the cops eliminate them as suspects, after the press releases their brace-faced, pizza-cheeked, bad-hair-day class photos that inevitably get included on the cover of the true crime book? After the candlelight vigils and the moments of silence, after someone plants the memorial shrub?
Grady Hendrix (The Final Girl Support Group)
Would the people in her life still love her if they knew the whole truth about her? Perhaps, but would they love her the same?
Lacey Alexander (Bad Girl by Night (H.O.T. Cops, #1))
A good cop, a smart cop, closes cases and locks up the bad guys.
J.D. Robb (Three in Death (In Death, #7.5, 12.5, 22.5))
Paul'd gotten it all wrong. Becoming a cop would not make him a hero- but what kind of cop he became could have.
Jason Reynolds (All American Boys)
There was no concept of good or bad within those two grey men that night, only green, as in currency they were soon to secure for these clandestine exploits.
Locke Wood (Sunflowers & Scorched Earth: The History of American Vigilante Expression and The Found Works of B.L. Ashburn.)
(from his random observations after reading David Copperfield by Charles Dickens) In the Old Curiosity Shop I discovered that in the character of Dick Swiveller, Dickens provided P.G. Wodehouse with pretty much the whole of his oeuvre. In David Copperfield, David's bosses Spenlow and Jorkins are what must be the earliest fictional representations of good cop/bad cop.
Nick Hornby (The Polysyllabic Spree)
I'm not really like a cop at all. I haven't got any actual authority. If someone does show up to do anything bad, I am not allowed to touch them or interfere with them in anyway. I'm a scarecrow. I'm like one of those plastic owls that are supposed to scare away the pigeons, but that the pigeons shit all over.
Joey Comeau (We all got it coming)
I had received a t-shirt from my best friend Veronica at my police academy graduation. It reads, ‘Throw your donut in the opposite direction and the cops won’t get you.’ I love wearing that t-shirt.
Suzie Ivy (Bad Luck Officer)
Sunny called the cops. Twenty minutes later, a police cruiser quietly pulled up to the building with its lights off. A highly agitated Sunny told the officer that an employee had quit and departed with company property. When the officer asked what he’d taken, Sunny blurted out in his accented English, “He stole property in his mind.
John Carreyrou (Bad Blood: Secrets and Lies in a Silicon Valley Startup)
I had that hole in me, that empty space. I could have lived my life with it, content enough. I wasn’t an unhappy man.” He kept his eyes on hers as his thumb brushed lightly over the back of her hand. “Then, one day I felt something—a prickle at the back of my neck, a heat at the base of my spine. And standing at a memorial for the dead, I turned, and there you were.” He turned her hand over, interlocking fingers. “There you were, and it all shifted under my feet. You were everything I shouldn’t have, shouldn’t want or need. A cop for Jesus’ sake, with eyes that looked right into me.” He reached out, just a whisper of fingers on her face. And the quiet touch was somehow wildly passionate, desperately intimate. “A cop wearing a bad gray suit and a coat that didn’t even fit. From that moment, the hole inside me began to fill. I couldn’t stop it. I couldn’t stop what rooted there, or what grew. The tears came now. He watched them drip down her cheeks, wondered if she were even aware they leaked out of her. “She was part of my life. You are my life. If I have a regret, it’s that even for an instant you could think otherwise. Or that I allowed you to.
J.D. Robb (Innocent in Death (In Death, #24))
Everyone is so cheerful and happy,” I said “This isn’t Mister Rogers Neighborhood, Dex. It’s Miami. Only the bad guys are happy.” She looked at me without expression, a perfect cop stare. “How come you’re not laughing and singing?” “Unkind, Deb. Very unkind. I’ve been good for months.” She took a sip of water. “Uh-huh. And it’s making you crazy.
Jeff Lindsay (Dearly Devoted Dexter (Dexter, #2))
She considered, as she never had, that she could install Roarke's real and excellent blend in the break room. But then she rejected the notion as temporarily sentimental. You just didn't go around breaking tradition of bad cop break-room coffee because you felt good about having good cops under your command. Besides, they'd lose the fun of sneaking in and stealing it from her AutoChef. Who was she to spoil their good time?
J.D. Robb
When animals make a stupid mistake, you laugh at them. A cat misjudges a leap. A dog looks overly quizzical about a simple object. These are funny things. But when a person doesn’t understand something, if they miscalculate and hit the brakes too late, blame is assigned. They are stupid. They are wrong. Teachers and cops are there to sort it out, with a trail of paperwork to illustrate the stupidity. The faults. The evidence and incidents of these things. We have entire systems in place to help decide who is what. Sometimes the systems don’t work. Families spend their weekend afternoons at animal shelters, even when they’re not looking for a pet. They come to see the unwanted and unloved. The cats and dogs who don’t understand why they are these things. They are petted and combed, walked and fed, cooed over and kissed. Then they go back in their cages and sometimes tears are shed. Fuzzy faces peering through bars can be unbearable for many. Change the face to a human one and the reaction changes. The reason why is because people should know better. But our logic is skewed in this respect. A dog that bites is a dead dog. First day at the shelter and I already saw one put to sleep, which in itself is a misleading phrase. Sleep implies that you have the option of waking up. Once their bodies pass unconsciousness to something deeper where systems start to fail, they revolt a little bit, put up a fight on a molecular level. They kick. They cry. They don’t want to go. And this happens because their jaws closed over a human hand, ever so briefly. Maybe even just the once. But people, they get chances. They get the benefit of the doubt. Even though they have the higher logic functioning and they knew when they did it THEY KNEW it was a bad thing.
Mindy McGinnis (The Female of the Species)
Louie's mother, Louise, took a different tack. Louie was a copy of herself, right down to the vivid blue eyes. When pushed, she shoved; sold a bad cut of meat, she'd march down to the butcher, frying pan in hand. Loving mischief, she spread icing over a cardboard box and presented it as a birthday cake to a neighbor, who promptly got the knife stuck. When Pete told her he'd drink his castor oil if she gave him an empty candy box. "You only asked for the box, honey," she said with a smile. "That's all I got." And she understood Louie's restiveness. One Halloween, she dressed as a boy and raced around town trick-or-treating with Louie and Pete. A gang of kids, thinking she was one of the local toughs, tackled her and tried to steal her pants. Little Louise Zamperini, mother of four, was deep in the melee when the cops picked her up for brawling.
Laura Hillenbrand (Unbroken: A World War II Story of Survival, Resilience and Redemption)
You know this is breaking and entering, don’t you? I remember locking my door. So either let me dress your wounds or I’m calling the cops on you.” “Did you hear yourself?” I ask, exasperatedly. “Are you saying if I don’t let you take care of me, you’ll have me arrested?
Saffron A. Kent (Bad Boy Blues (St. Mary’s Rebels #0))
It wasn't awful to be a man's sex object if you wanted to be, if it made you feel good, if everyone was happy in the end.
Lacey Alexander (Bad Girl by Night (H.O.T. Cops, #1))
I couldn’t believe this was Danner I was listening to, that the gentleman cop could get off on something so goddamn dirty.
Giana Darling (Good Gone Bad (The Fallen Men, #3))
I am so sick and tired of seeing a black person shot in the back, shot dead, followed by people saying, “Not all cops are bad.” You know how many lawyers get disbarred every year? But you never hear, “Not all lawyers are bad.” You know how many doctors lose their medical licenses? But you never hear anybody talking about, “Not all doctors are bad.” Police departments are filthy. If I pay a lawyer, I don’t expect him to sue me. If I go to a doctor, he’s not supposed to give me a disease. But we pay taxes so cops will protect us, and they shoot us instead—and the response is, “Not all cops are bad”? And still we think we’re part of America.
Dick Gregory (Defining Moments in Black History: Reading Between the Lies)
I'm driving." Roarke's hand paused as it reached for the car door, and his brow winged up. "It's my car." "It's my deal." They studied each other a minute, crowded together at the driver's side door. "Why are you driving?" "Because." Vaguely embarrassed, she dug her hands in her pockets. "Don't smirk." "I'll try to resist. Why?" "Because," she said again, "I drive when I'm on a case, so if I drive, it'll feel like -- it'll feel official instead of criminal." "I see. Well, that makes perfect sense. You drive." She started to climb in while he circled around to the passenger side. "Are you smirking behind my back?" "Yes, of course." He sat, stretched out his legs. "Now, to make it really official, I should have a uniform. I'll go that far, but I refuse to wear those amazingly ugly cop shoes." "You're a real joker," she muttered and jerked the car into reverse, did a quick, squealing spin, and shot out of the garage. "Too bad this vehicle doesn't have a siren. But we can pretend nothing works on it, so you'll feel official." "Keep it up. Just keep it up." "Maybe I'll call you sir. Could be sexy." He smiled blandly when she glared at him. "Okay, I'm done. How do you want to play this?
J.D. Robb (Conspiracy in Death (In Death, #8))
Keep your voice down. And before you go all badass cop on me, I’m the one who saved your life outside. (Nathan) How do I know that? (Terri) Let’s use some logic. You stuck your head in here. Someone tried to use it for target practice, but I yanked you away before you ended up headless. If I was the shooter, you’d be dead now and we wouldn’t be having this conversation. (Nathan)
Sherrilyn Kenyon (Phantom in the Night (B.A.D. Agency, #2))
New Mexico is my favorite state,” I declared as we pulled onto I-40. “I'm waiting to see it all before I decide. And by the way, your driving isn't half bad. I expected to be terrified.” “Why?” “I imagined a timid, overly cautious little angel, but you've got an impressive lead foot.” Whoops. “Your car drives so quietly,” I said, "I don't realize how fast I'm going. I'll set the cruise control from now on.” “Don't worry. I'll keep an ear out for cops,” he told me. “Will we be passing the Grand Canyon?” I asked. “I've always wanted to see it.” Kaidan pulled out the map and studied it. “It's a bit out of the way, more than an hour. But how about this? We can go on the way back, since we won't have a time crunch.” I didn't know if it was the desert air or what, but I felt at ease. I still had a thousand questions for Kaidan, but I wasn't in the mood for another heavy conversation just yet. I liked talking to him. We were still guarded, and it wasn't nearly as carefree as talking with Jay, but I was beginning to imagine keeping Kaidan in my life as a friend after this trip. Time would help us forget the kiss. My crush on him would fade. If I could stop analyzing every touch and every look, then maybe it could work. I vowed to myself at that moment: No more jealousy. No more flirting. No more lustful longing for the elusive Kaidan Rowe.
Wendy Higgins (Sweet Evil (Sweet, #1))
turn to the cops. “I’m sick of this! Just like y’all think all of us are bad because of some people, we think the same about y’all. Until you give us a reason to think otherwise, we’ll keep protesting.
Angie Thomas (The Hate U Give (The Hate U Give, #1))
And that damned man in the White House doesn’t help things any. He represents the type of political hatred I’m talking about. Guys like him play to the worst fears of white men. Are you having a bad time of it right now? Lost your job? Having difficulty making ends meet? It’s not my fault or your fault. It’s the black man’s fault. It’s the Muslims’ fault. Blame a Mexican immigrant. Man’s got everyone lining up, taking sides, white people versus people of color, different religions arguing their way is the right way. This is a bad time in America. It’s an especially terrible time for a black woman to be taking on a white cop or the white establishment.
Mark M. Bello (Betrayal In Black (Zachary Blake Legal Thriller, #4))
And while Canada purports to be multicultural, Toronto in particular, a place where everyone is holding hands and cops are handing out ice cream cones instead of, say, shooting black men, our inability to talk about race and its complexities actually means our racism is arguably more insidious. We rarely acknowledge it, and when we do, we're punished, as if we're speaking badly of an elderly relative who can't help but make fun of the Irish. The white majority doesn't like being reminded that the cultural landscape is still flawed, still broken...
Scaachi Koul (One Day We'll All Be Dead and None of This Will Matter)
I drink because I don't stand a chance and I know it. I couldn't drive a truck and I couldn't get on the cops with my build. I got to sling beer and sing when I just want to sing. I drink because I got responsibilities that I can't handle...I am not a happy man. I got a wife and children and I don't happen to be a hard-working man. I never wanted a family...Yes, your mother works hard. I love my wife and I love my children. But shouldn't a man have a better life? Maybe someday it will be that the Unions will arrange for a man to work and to have time for himself too. But that won't be in my time. Now, it's work hard all the time or be a bum... no in-between. When I die, nobody will remember me for long. No one will say, "He was a man who loved his family and believed in the Union." All they will say is," Too bad. But he was nothing but a drunk no matter which way you look at it." Yes they'll say that.
Betty Smith (A Tree Grows in Brooklyn)
Every day there had been rotten cops in the news and still she had been bamboozled. ‘I mean, they’re supposed to protect people, right? How can they be so bad at their jobs?’ ‘They protect people from other people. Question is, who are people, and who are other people?
Steph Cha (Your House Will Pay)
I arrested some bad doers when I was on the cops, some very bad doers – one was a mother who killed her three-year-old for insurance that didn’t amount to a hill of beans – but I never felt the presence of evil in any of them once they were caught. It’s like evil’s some kind of vulture that flies away once these mokes are locked up. But I felt it that day, Holly. I really did. I felt it in Brady Hartsfield.
Stephen King (End of Watch (Bill Hodges Trilogy, #3))
I’m scared to be in my own head, Molloy,” I croaked out, feeling a shiver rack through my body. “I’m fucking terrified of my inability to control my own actions, and what’s worse is knowing that, at any point, I could end up going too far and driving you away. I could push away the one person, the only fucking person, who has even given a shit about me.” I exhaled a ragged breath, feeling torn and exposed to this girl. “I don’t want to go back to how it was – to how I was. I know what’s at stake. I see you; I fucking see you standing right here in front of me, and my heart is screaming at me to cop the hell on and get my shit together. And I want to. I want to so fucking bad, but it’s like this…” Frustrated, I reached up and pressed my fingers to my temples, trying to get the words out, to make it all make sense to her, which was impossible considering I didn’t understand it myself. Still, I tried, knowing that she deserved nothing less. “It’s like I have this whole other person in my head, a whole other voice, even though I know it’s me. It’s my voice, but it’s a destructive fucking voice that rears its head every time I’m stressed.
Chloe Walsh (Redeeming 6 (Boys of Tommen, #4))
Has this situation made you fearful of cops?" she eventually asks. "I don't know," I say truthfully. "My uncle's a cop. I know not all cops are bad. And they risk their lives, you know? I'm always scared for my uncle. But I'm tired of them assuming. Especially when it comes to black people.
Angie Thomas (The Hate U Give (The Hate U Give, #1))
An overweight officer, having delivered a batch of children to the home, started telling one of the guards about his heart problem. “You think you want to be a cop, but you don’t, because it kills you,” said the officer, mopping his brow. Then he told of another officer with a lung problem, and one who had cancer, and of others who were stress-sick, and of how none of them earned enough to afford decent doctors. Abdul hadn’t previously thought of policemen as people with hearts and lungs who worried about money or their health. The world seemed replete with people as bad off as himself, and this made him feel less alone.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
He nods. “Even if he was, I knew that boy. Watched him grow up with you. He was more than any bad decision he made,” he says. “I hate that I let myself fall into that mind-set of trying to rationalize his death. And at the end of the day, you don’t kill someone for opening a car door. If you do, you shouldn’t be a cop.
Angie Thomas (The Hate U Give (The Hate U Give, #1))
And that damned man in the White House doesn’t help things any. He represents the type of political hatred I’m talking about. Guys like him play to the worst fears of white men. Are you having a bad time of it right now? Lost your job? Having difficulty making ends meet? It’s not my fault or your fault. It’s the black man’s fault. It’s the Muslims’ fault. Blame a Mexican immigrant. Man’s got everyone lining up, taking sides, white people versus people of color, different religions arguing their way is the right way. This is a bad time in America. It’s an especially terrible time for a black woman to be taking on a white cop or the white establishment.
Mark M. Bello (Betrayal In Black (Zachary Blake Legal Thriller, #4))
You and I, my son, are that “below.” That was true in 1776. It is true today. There is no them without you, and without the right to break you they must necessarily fall from the mountain, lose their divinity, and tumble out of the Dream. And then they would have to determine how to build their suburbs on something other than human bones, how to angle their jails toward something other than a human stockyard, how to erect a democracy independent of cannibalism. But because they believe themselves to be white, they would rather countenance a man choked to death on film under their laws. And they would rather subscribe to the myth of Trayvon Martin, slight teenager, hands full of candy and soft drinks, transforming into a murderous juggernaut. And they would rather see Prince Jones followed by a bad cop through three jurisdictions and shot down for acting like a human. And they would rather reach out, in all their sanity, and push my four-year-old son as though he were merely an obstacle in the path of their too-important day.
Ta-Nehisi Coates (Between the World and Me)
A little boy, he can play like he's a fireman or a cop--although fewer and fewer are pretending to be cops, thank God--or a deep-sea diver or a quarterback or a spaceman or a rock 'n roll star or a cowboy, or anything else glamorous and exciting (Author's note: What about a novelist, Jellybean?), and although chances are by the time he's in high school he'll get channeled into safer, duller ambitions, the great truth is, he can be any of those things, realize any of those fantasies, if he has the strength, nerve and sincere desire...But little girls? Podner, you know that story as well as me. Give 'em doll babies, tea sets and toy stoves. And if they show a hankering for more bodacious playthings, call 'em tomboy, humor 'em for a few years and then slip 'em the bad news...And the reality is, we got about as much chance of growing up to be cowgirls as Eskimos have got being vegetarians.
Tom Robbins (Even Cowgirls Get the Blues)
... at thirty-two she had less dating experience than the average high school student.
Lacey Alexander (Bad Girl by Night (H.O.T. Cops, #1))
That she lived a lie. That she wasn't the good girl everyone believed her to be, wanted her to be.
Lacey Alexander (Bad Girl by Night (H.O.T. Cops, #1))
What if I'm truly never happy again? What if I've just experienced the most happiness, the most love, I'll ever know?
Lacey Alexander (Bad Girl by Night (H.O.T. Cops, #1))
I know we planned to walk down to Schubert's for burgers, but can we go upstairs first?' She raised her eyebrows. 'What for?' 'Because I need to be inside you. Like...now.
Lacey Alexander (Bad Girl by Night (H.O.T. Cops, #1))
I don't know how to be me and how to be sexual at the same time.
Lacey Alexander (Bad Girl by Night (H.O.T. Cops, #1))
As a girl, as a woman, how did you possibly win? When faced with a whole damn life full of sexual situations and decisions, how did you possibly make all the right moves?
Lacey Alexander (Bad Girl by Night (H.O.T. Cops, #1))
Direct questions are the worst. Cops must know this--when someone asks you a question, it is really, really hard not to answer it. It's even harder when people dig up old tweets and put them side by side with new ones and you can't really explain the discrepancy. And then other people see the discrepancy and they start liking and retweeting and rephrasing. And they also see your silence, and your silence looks like an answer. It's an extremely effective interrogation tactic, and most people make either a tearful apology or an enraged counterattack. This is why Twitter callouts tend to end so badly. Apology is never enough (and probably shouldn't be), so you're basically being asked to willingly give up power for no clear end. The best people actually do that. But the real shitfucks go on the offense, and then their communities get an infusion of victimhood narratives straight into their veins.
Hank Green (A Beautifully Foolish Endeavor (The Carls, #2))
Another fallen warrior, Capitol Police Officer Brian Sicknick, died in the line of duty. On January 6th, Officer Sicknick engaged rioters and was badly injured around 2:30 p.m., when he was sprayed with chemicals by someone in the crowd. Later that evening, while still on duty guarding the Capitol, he suffered a series of strokes. He died the following morning.
Michael Fanone (Hold the Line: The Insurrection and One Cop's Battle for America's Soul)
I think it should be done over, Buddy. …Please make peace with your wit. It's not going to go away, Buddy. To dump it on your own advice would be as bad and unnatural as dumping your adjectives and your adverbs because Prof. B. wants you to. What does he know about it? What do you really know about your own wit? I've been sitting here tearing up notes to you. I keep starting to say things like 'This one is wonderfully constructed,' and 'The conversation between the two cops is terrific.' So I'm hedging. I'm not sure why. I started to get a little nervous right after you began to read. It sounded like the beginning of something your arch-enemy Bob B. calls a rattling good story. Don't you think he would call this a step in the right direction? Doesn't that worry you? Even what is funny about the woman on the back of the truck doesn't sound like something you think is funny. It sounds much more like something that you think is universally considered funny. I feel gypped. Does that make you mad? You can say our relatedness spoils my judgement. It worries me enough. But I'm also just a reader. Are you a writer or just a writer of rattling good stories. I mind getting a rattling good story from you.
J.D. Salinger (Raise High the Roof Beam, Carpenters & Seymour: An Introduction)
That cop," Fonny says, "that cop." "What about that cop?" But I am suddenly, and I don't know why, as still and as dry as a stone: with fear. "He's going to try to get me," Fonny says. "How? You didn't do anything wrong. The Italian lady said so, and she said that she would swear to it." "That's why he's going to try to get me," Fonny says. "White men don't like it at all when a white lady tells them, You a boatful of motherfuckers, and the black cat was right, and you can kiss my ass." He grins. "Because that's what she told him. In front of a whole lot of people. And he couldn't do shit. And he ain't about to forget it.
James Baldwin (If Beale Street Could Talk)
And yes—he will come to puking himself and feeling like stabbed through the head, but better there than in ambulance, BOOM, shirt cut open, mask jammed down on him, peoples slapping his face to wake him, laws involved, everyone very harsh and judgmental—believe me, Narcan, very very violent experience, you feel bad enough when you come round without being in hospital, bright lights and everyone very disapproving and hostile, treating you like shit, ‘drug addict,’ ‘overdose,’ all these nasty looks, maybe not letting you go home when you want, psych ward maybe, social worker marching in to give you the big ‘So Much to Live For’ talk and maybe on top of it all, nice visit from the cops—Hang
Donna Tartt (The Goldfinch)
You know who used to scare me when I was a little kid? Snuggle the Bear." "Do I know Snuggle?" "In those TV ads for that fabric softener. Somebody would say how soft their robe was or their towels, and Snuggle the teddy bear would be hiding behind a pillow or creeping around under a chair, giggling." "He was just happy that people were pleased." "No, it was maniacal little giggle. And his eyes were glazed. And how did he get in all those houses to hide and giggle?" "You're saying Snuggle should've been charged with B and E?" "Absolutely. Most of the time when he giggled, he covered his mouth with one paw. I always thought he didn't want you to see his teeth." "Snuggle had bad teeth?" she asked. "I figured they were rows of tiny vicious fangs he was hiding. When I was maybe four or five, I used to have nightmares where I'd be in bed with a teddy bear, and it was Snuggle, and he was trying to chew open my jugular and suck the lifeblood out of me." She said, "So much about you suddenly makes more sense than it ever did before." "Maybe if we aren't cops someday, we can open a toy shop." "Can we run a toy shop and have guns?" "I don't see why not," he said.
Dean Koontz (City of Night (Dean Koontz's Frankenstein, #2))
So they were going to put me in a jail cell. I wondered if this body was strong enough to bend bars. If they were only going to keep me in there a night, that shouldn’t be a big deal. I could wait a night. Then, whenever they took me away, I’d just run. I wouldn’t have to stop. I’d be halfway across the country before they got out of the state. But in the middle of my scheming, I heard Akinli’s voice. “What if she stayed here with us?” he asked. I couldn’t see it, but the silence let me know they were all staring at him. “Dude, the cop just told you the girl could be nuts. Yeah, why don’t we just let a psycho move in? Great idea.” Ben had the same strange sarcasm as Akinli. “Ben, are you seriously telling me you’re scared of a girl in a prom dress who can barely walk and can’t speak. Ohhhh, she’s sooo dangerous.” Yes, they were definitely related. I smiled to myself. I was dangerous, but I was glad Akinli didn’t see me that way. He paused for a moment. “Besides, I carried her here, and she was trembling. She’s scared. I think something bad happened to her, and I don’t think she should be put in a jail cell after whatever she went through.” Had I really trembled? I didn’t know I could do that.
Kiera Cass (The Siren)
Okay, i admit it," Connor looked away, "I'm a little disappointed." "Excuse me?" snapped Kevin, sure he hadn't heard right. "Well, now that I'm thoroughly and diligently queer, I expected more manly love-talk, you know? Not like Pretty Baby and feeding you graped and stuff," he snorted. "Uh, you mean like, hey you bastard I don't have a beer and nobody's sucking my dick, what's wrong with this picture?" "Oh," Connor climbed Kevin a little, his cock becoming interested again. "That's the spirit." "Like, I've got handcuffs and I'm not afraid to yo use them, that kind of talk?" "Oh, officer, show me your nightstick." "I'm not even a cop anymore." "No but oddly enough, I am." Connor grinned, holding Kevin's hands above his head. "And you there, are looking a little guilty." "Oh man," Kevin bit his lip. "I just can't help myself, Officer Dougal. I've been such a bad, bad boy." "Oh, well then, son, I guess you'll just have to spead 'em." He slid down beneath the covers, "This will require some in depth observation, I think." Kevin's cock was getting hard again as Connor's tongue lapped all the way down on it then back up again, teasing the little slit in the top. "Yep, just as I thought, blunt instrument. I'm afraid you'll have to come with me...
Z.A. Maxfield (The Long Way Home)
I smoked my first pipe with Seth. I knew the stuff was bad, but I was so tired of being the cop, begging and ragging at him, throwing Pampers in his face when he walked in the door. I wanted to be on the same side again. So I smoked with Seth one afternoon when the girls were napping, and oh my God, I can only think about this for a minute or every part of me will turn into a mouth wanting more: the sexiness of it, fucking Seth like wild for the first time in months, going on even when the girls started to whimper and bang on the door. Then looking out the window and seeing the world shake itself to life: the heavy trees, the sky. And I was back on top. We were going to make it, Seth and I. The voice in my head was back again, telling me stories, too many to write down or even tell one from another.
Jennifer Egan (The Keep)
This is a tough business. The cops, the army…,” he said, and he appeared to be struggling for words. “Put a uniform on somebody, tell ’em you got to kill this other guy because he’s the bad guy, you got to kill him—and then anybody can pull the trigger. But in this business, sometimes you got to kill people who maybe they’re your friends.” He stopped and shrugged, as if he were taking a moment to think about this himself. “That’s the way it is in this business. Sometimes maybe it’s even people you love and you got to do it. That’s just the way it is,” he repeated, “in this business.
Edward Falco (The Family Corleone)
The latest studies conducted on mice prove that this inflammatory response is also a major cause of aging. In 2018, researchers at the Yale School of Medicine correlated a microbe that was present in mice with a lupuslike autoimmune condition that crossed from the gut into the mice’s organs. The result was gut wall disintegration and immune cells (which you can think of in this case as mouse cops) in the same organs as the invading bacteria. Notably, the same bad bugs were found in liver biopsies of human patients with autoimmune diseases, but not in healthy control subjects.6 In other words, a leaky gut that allows bacteria to cross the border of the gut lining causes autoimmune disease in both mice and humans.
Steven R. Gundry (The Longevity Paradox: How to Die Young at a Ripe Old Age (The Plant Paradox, #4))
Such was the short bitter life of Brother Tod Clifton. Now he’s in this box with the bolts tightened down. He’s in the box and we’re in there with him, and when I’ve told you this you can go. It’s dark in this box and it’s crowded. It has a cracked ceiling and a clogged-up toilet in the hall. It has rats and roaches, and it’s far, far too expensive a dwelling. The air is bad and it’ll be cold this winter. Tod Clifton is crowded and he needs the room. Tell them to get out of the box,’ that’s what he would say if you could hear him. Tell them to get out of the box and go teach the cops to forget that rhyme. Tell them to teach them that when they call you nigger to make a rhyme with trigger it makes the gun backfire.
Ralph Ellison (Invisible Man)
I’ll have to think about it, but I can do that,” Taryn said. “Of course you can,” Dannon said. “But don’t think about ways to trick them or outsmart them. Just focus on your ignorance. You don’t know anything, but you’re willing to speculate, and you’d like some information from them—to hear what they think.” “What about you and Carver?” “We can handle it,” Dannon said. “We’ve spent half our lives lying to cops, of one kind or another. Nobody else on the staff knows. Might not be a bad idea for us to stay away completely . . . unless they ask for us.” “Let’s do that,” Taryn said. “Maybe you two could start doing some advance security work.” “I’ll talk to Ron,” Dannon said. He heard high heels, and said, “Here comes Alice.
John Sandford (Silken Prey (Lucas Davenport #23))
happened. Cops, on a daily basis, had to deal with so much shit from everyone that, at times, we expected everyone to be bad. When we pulled someone over, we aren’t happy to do it. We’re wary. When we pull you over, are you going to be accepting of why we pulled you over? Will you rant and scream at us for doing our jobs? Will you pull your gun on us? Pull out a knife from some hidden place inside your car and stab us with it. Will your passenger do something? A car to most people is just that, a car. A car to a police officer is a weapon. It can run over us. It can hide larger weapons. It can get you away from us and put other people, innocent people, in jeopardy. It can house more than one person who could potentially harm us. So you see, there are multiple facets to look at when a police officer pulls someone over. All of this is running through our brain.
Lani Lynn Vale (Coup De Grâce (Code 11-KPD SWAT, #7))
Remember Martin L. King’s organization, the Southern Christian Leadership Conference? When it staged marches in Alabama, that state’s governor, George Wallace, called the organization’s members “professional agitators with pro-Communist affiliations.” Sound familiar? How close to “outside agitators”! The phrase begs the question: outside of what? The state? America? This country is called the United States of America, founded upon a national Constitution. Do all citizens have the right to protest, or just some? Is what happened to Mike Brown a local matter, or is his unjustifiable killing actually a national issue? It’s not the job of media to police protests—deciding who are “good” demonstrators, who are “bad” ones. Their job is to report what is happening, period. Were it not for these protests, let us be frank, the mass media would’ve ignored the crimes police committed against Michael Brown, against his family, against his community, and against his fellow citizens—us. If media were doing their job, reporting on the vicious violence launched against young Blacks the nation over, perhaps Michael Brown would be alive today. Let us look at the cops, almost 98 percent of whom are outsiders to Ferguson. They work there, they kill there, but they don’t live there. They dwell in neighboring, whiter counties and towns. Who are the real outside agitators?
Mumia Abu-Jamal (Have Black Lives Ever Mattered? (City Lights Open Media))
The psychology of sanction.’ ‘If you’re right, then why does anyone protest against torture? Why don’t we all just go, “Oh well, we’ve seen how well it works in the movies, let’s just go along with it”?’ Carol leaned on her fists on the edge of his bed as she spoke, her tumbled blonde hair falling into her eyes. ‘Carol, you might not have noticed, but there’s a significant number of people out there who do say just that. Look at the opposition in the US when the Senate decided to outlaw torture just the other year. People believe in its efficacy precisely because they’ve seen it in the movies. And some of those believers are in positions of power. The reason we don’t all fall for it is that we’re not all equally credulous. Some of us are much more critical of what we see and read than others. But you can fool some of the people all of the time. And when spooks and cops go bad, that’s what they rely on.’ She
Val McDermid (Beneath The Bleeding (Tony Hill & Carol Jordan, #5))
America was never innocent. We popped our cherry on the boat over and looked back with no regrets. You can't ascribe our fall from grace to any single event or set of circumstances. You can't lose what you lacked at conception. Mass-market nostalgia gets you hopped up for a past that never existed. Hagiography sanctifies shuck-and-jive politicians and reinvents their expedient gestures as moments of great moral weight. Our continuing narrative line is blurred past truth and hindsight. Only a reckless verisimilitude can set that line straight. The real Trinity of Camelot was Look Good, Kick Ass, Get Laid. Jack Kennedy was the mythological front man for a particularly juicy slice of our history. He called a slick line and wore a world-class haircut. He was Bill Clinton minus pervasive media scrutiny and a few rolls of flab. Jack got whacked at the optimum moment to assure his sainthood. Lies continue to swirl around his eternal flame. It's time to dislodge his urn and cast light on a few men who attended his ascent and facilitated his fall. They were rouge cops and shakedown artists. They were wiretappers and soldiers of fortune and faggot lounge entertainers. Had one second of their lives deviated off course, American History would not exist as we know it. It's time to demythologize an era and build a new myth from the gutter to the stars. It's time to embrace bad men and the price they paid to secretly define their time. Here's to them.
James Ellroy (American Tabloid (Underworld USA #1))
Try it! You might like it !! I wrote this letter to tell you that I am very, very sorry. When you are mad at me, your face looks like Daddy’s when he smelled that skunk that was hiding in the garage. And this made me very sad. Your face, not the smelly skunk. Are you still mad? Pleeze circle one: YES NO If you are still mad, pleeze accept my sorryness for taking your clock, calling you a sandwich stealer, playing games on your phone and drawing my very cute face on it, and trying to call Price Princess Sugar Plum. I did not reech her. But I did reech a guy named Moe by mistake, and he was not very polite at all. He said if I reech him again he will call the cops. That would be very bad becuz I do not think they serve chicken nuggets in jail. Then I would starve to death, which would not be a very fun time . Anyway, I made this sandwich just for you because I really care about you. I hope you love it! You are my very best friend! After Miss Penelope and Princess Sugar Plum.
Rachel Renée Russell (Dork Diaries 8: Tales from a Not-So-Happily Ever After)
I would respect feminist who said "Single moms, are you kidding me? Stop taking government benefits because, the government is the patriarchy. So, you are taking things from the patriarchy so you dont have to be responsible. Any woman who takes money from the government using cops who usually extract it from men by force is not a feminist. Is a exceedingly bad bride of the state." I would admire that but, of course feminism doesn't have anything to do with any of that stuff. Look, it's fine. Have your fun. Make fun of men. Go for it. Yea, we're all idiots, we're all selfish, greedy bastards. Ok, it's fine because the government is going to run out of money soon and then all these woman are going to try to find some guy to latch onto when the benefits stop flowing and I mean, you saw this happening with the soviet union. "Now we need you! You guys are great! We missed you so much! Give me some money!" It's just a bunch of noise from a bunch of people who are stealing from the productive.
Stefan Molyneux
After his initial homecoming week, after he'd been taken to a bunch of sights by his cousins, after he'd gotten somewhat used to the scorching weather and the surprise of waking up to the roosters and being called Huascar by everybody (that was his Dominican name, something else he'd forgotten), after he refused to succumb to that whisper that all long-term immigrants carry inside themselves, the whisper that says You do not belong, after he'd gone to about fifty clubs and because he couldn't dance salsa, merengue, or bachata had sat and drunk Presidentes while Lola and his cousins burned holes in the floor, after he'd explained to people a hundred times that he'd been separated from his sister at birth, after he spent a couple of quiet mornings on his own, writing, after he'd given out all his taxi money to beggars and had to call his cousin Pedro Pablo to pick him up, after he'd watched shirtless shoeless seven-year-olds fighting each other for the scraps he'd left on his plate at an outdoor cafe, after his mother took them all to dinner in the Zona Colonial and the waiters kept looking at their party askance (Watch out, Mom, Lola said, they probably think you're Haitian - La unica haitiana aqui eres tu, mi amor, she retorted), after a skeletal vieja grabbed both his hands and begged him for a penny, after his sister had said, You think that's bad, you should see the bateys, after he'd spent a day in Bani (the camp where La Inca had been raised) and he'd taken a dump in a latrine and wiped his ass with a corn cob - now that's entertainment, he wrote in his journal - after he'd gotten somewhat used to the surreal whirligig that was life in La Capital - the guaguas, the cops, the mind-boggling poverty, the Dunkin' Donuts, the beggars, the Haitians selling roasted peanuts at the intersections, the mind-boggling poverty, the asshole tourists hogging up all the beaches, the Xica de Silva novelas where homegirl got naked every five seconds that Lola and his female cousins were cracked on, the afternoon walks on the Conde, the mind-boggling poverty, the snarl of streets and rusting zinc shacks that were the barrios populares, the masses of niggers he waded through every day who ran him over if he stood still, the skinny watchmen standing in front of stores with their brokedown shotguns, the music, the raunchy jokes heard on the streets, the mind-boggling poverty, being piledrived into the corner of a concho by the combined weight of four other customers, the music, the new tunnels driving down into the bauxite earth [...]
Junot Díaz (The Brief Wondrous Life of Oscar Wao)
With Milch fully in charge of the writing process — or, in many cases, the rewriting process — it became all-consuming. When Milch and Lewis replaced Bochco on Hill Street, Milch had developed a working method that he would continue to use for the next several decades: he would lie on the floor of the writers’ room (Milch has a bad back, which can make sitting for long periods difficult) while a typist scrolled through each script at his instruction; Milch made changes line by line, word by word. By the early days of NYPD Blue, it was understood that regardless of whose name was on the script, the bulk of the words — and, almost as importantly, their order— came from Milch.
Alan Sepinwall (The Revolution Was Televised: The Cops, Crooks, Slingers and Slayers Who Changed TV Drama Forever)
Jay came over as soon as Violet called him; she didn’t even have to give him a reason. He was there in less than ten minutes. Of course, he’d heard about what had happened to Hailey. Everyone had. Buckley was a small town, and news traveled fast . . . especially bad news. When he got there she told him what she was thinking about doing. It was nothing dangerous, at least as far as she was concerned, and she hadn’t expected Jay to disagree with her about it. So when he did, she was more than a little bit surprised by his stubborn reaction. “No way,” he insisted, and his voice left little room for argument. “There is no way you’re going to go around looking for this guy.” Violet was shocked by the tone of his voice, and by the harsh look he shot at her. She thought maybe he misunderstood her plan, so she tried to explain it to him again. “Jay, I’m only going to public places, like malls and parks, to see if I can get a feeling for who this guy is. Who knows, maybe he goes to places like that to find them, maybe he hands out there waiting to pick out a girl to . . . you know, kidnap.” She tried to make her argument sound logical, but there was a desperate edge to her voice. “I’m not going out alone . . . you can go with me. We’ll just hang out at different places to see if we can find him. And if we do, we’ll call my uncle. It’s not like we’d do anything stupid.” “’Anything stupid’ would be going out to look for a killer. I won’t let you go looking for trouble, Violet. This guy is dangerous, and you need to leave it to the cops. They know what they’re doing. And they’re armed.” He sounded like he thought she’d lost her mind, and maybe she had, but she had already made her decision. “Look, I’m doing this. I was just asking you to come along with me.” “You’re not,” he insisted. “Even if I have to tell your uncle and your parents what you’re planning. I promise you, you’re not doing it.” She could feel her temper flaring. “You can’t stop me, Jay. If you tell on me, then I’ll lie. I’ll bat my eyes innocently and promise not to go looking for this guy. But I swear to you that every chance I get, even if I have to sneak out of the house to do it, I will be trying to find him.” She stood up, meaning to glare back at him, but instead found herself craning her neck just so she could see his face. The awkward position didn’t steal nay of her thunder. She refused to back down. “I mean it, Jay. You can’t stop me.” Jay glared incredulously back at her. Emotions ranging from disbelief to frustration and back to disbelief again flashed darkly across his face. He seemed to be fighting with himself now. But when she heard him sigh, and then saw him raking his hand restlessly through his hair, she knew she’d won. His icy determination seemed to melt right before her eyes. “Damn it, Violet.” He sighed brusquely, wrapping his arms around her and holding her tightly. “What choice do I have?” he asked as he practically squeezed the life out of her. She wasn’t sure how to react to him now. It definitely wasn’t a tender hug, but the close contact made her undisclosed desires stir all the same. She couldn’t help wondering if he felt even a fraction of what she did. His arms were strong, and she felt safe in the circle of them. She’d never imaged that she could feel so comfortable and so uncomfortable at the same time. She waited within the space of his embrace to see where this was going. “So, how is this going to work?” he demanded roughly against the top of her head.
Kimberly Derting (The Body Finder (The Body Finder, #1))
Minutes after Eve stepped into her office to coordinate her next move, Peabody rushed in. “I’ve got the initial sweeper’s report on the room the Lombards vacated—nothing,” Peabody said hurriedly. “Canvassing cops found the bar—one block east, two south of the hotel. Door was unlocked. Zana’s purse was inside on the floor. I have a team heading there now.” “You’ve been busy,” Eve said. “How did you manage to fit in sex?” “Sex? I don’t know what you’re talking about. I bet you want coffee.” She darted to the AutoChef, then whirled back. “How do you know I had sex? Do you have sex radar?” “Your shirt’s not buttoned right, and you’ve got a fresh hickey on your neck.” “Damn it.” Peabody slapped a hand to the side of her neck. “How bad is it? Why don’t you have a mirror in here?” “Because, let’s see, could it be because it’s an office?
J.D. Robb
After his initial homecoming week, after he'd been taken to a bunch of sights by his cousins, after he'd gotten somewhat used to the scorching weather and the surprise of waking up to the roosters and being called Huascar by everybody (that was his Dominican name, something else he'd forgotten), after he refused to succumb to that whisper that all long-term immigrants carry inside themselves, the whisper that says You do not belong, after he'd gone to about fifty clubs and because he couldn't dance salsa, merengue, or bachata had sat and drunk Presidentes while Lola and his cousins burned holes in the floor, after he'd explained to people a hundred times that he'd been separated from his sister at birth, after he spent a couple of quiet mornings on his own, writing, after he'd given out all his taxi money to beggars and had to call his cousin Pedro Pablo to pick him up, after he'd watched shirtless shoeless seven-year-olds fighting each other for the scraps he'd left on his plate at an outdoor cafe, after his mother took them all to dinner in the Zona Colonial and the waiters kept looking at their party askance (Watch out, Mom, Lola said, they probably think you're Haitian - La unica haitiana aqui eres tu, mi amor, she retorted), after a skeletal vieja grabbed both his hands and begged him for a penny, after his sister had said, You think that's bad, you should see the bateys, after he'd spent a day in Bani (the camp where La Inca had been raised) and he'd taken a dump in a latrine and wiped his ass with a corn cob - now that's entertainment, he wrote in his journal - after he'd gotten somewhat used to the surreal whirligig that was life in La Capital - the guaguas, the cops, the mind-boggling poverty, the Dunkin' Donuts, the beggars, the Haitians selling roasted peanuts at the intersections, the mind-boggling poverty, the asshole tourists hogging up all the beaches, the Xica de Silva novelas where homegirl got naked every five seconds that Lola and his female cousins were cracked on, the afternoon walks on the Conde, the mind-boggling poverty, the snarl of streets and rusting zinc shacks that were the barrios populares, the masses of niggers he waded through every day who ran him over if he stood still, the skinny watchmen standing in front of stores with their brokedown shotguns, the music, the raunchy jokes heard on the streets, the mind-boggling poverty, being piledrived into the corner of a concho by the combined weight of four other customers, the music, the new tunnels driving down into the bauxite earth,
Junot Díaz (The Brief Wondrous Life of Oscar Wao)
Like many in his generation, Billy had grown up playing first-person-shooter video games. He decided to take that experience a few steps further and resolved to join a SWAT team and shoot bad guys for real. He visited the local police station to find out what requirements and training were necessary to become a SWAT team member. He found out that the process was a lot more involved than he expected. He first needed to attend a police academy and become a police officer. Afterwards he would have to work his way onto a SWAT team over time. There were no guarantees. During his visit to the police station he learned that many SWAT members were former Marine Corps snipers. During that same visit the cops ran Billy’s plates through their criminal database and learned that he had outstanding warrants for speeding tickets. They unceremoniously arrested him and tossed him into jail.
William F. Sine (Guardian Angel: Life and Death Adventures with Pararescue, the World's Most Powerful Commando Rescue Force)
Then, suddenly, a shadowy flash came to me. Tiffany, taking an order, arguing with a girl. Shockingly, not me. Another flash, of Detective Toscano walking into Yummy’s minutes ago. Tiffany nervously kneading a coaster between her fingers. The coaster I held in my hands right now. Tiffany was scared. Why was she scared of the cop? “Hey! Space shot! You want your Coke or not?” I tried to ignore Tiffany’s screeching and hold on to the vision, but it blurred and disappeared. I grabbed my new glass from her outstretched hand. “I heard you got into an argument last night,” I said. Tiffany paled, which I never thought possible since her skin was so fake-and-bake tan. She nervously twirled a lock of her bleach blond hair around her finger. “Where did you hear that?” “Doesn’t matter where I heard it.” I took a chance and added, “But it was pretty juicy gossip, considering who she was.” Tiffany’s pale face turned to green and I involuntarily took a step back ,half expecting an Exorcist-style stream of vomit to shoot out of her gaping mouth. Instead, she narrowed her eyes and leaned closer. “Get away from me,” she growled. And then it became clear. My flash of her argument. Her fear of the detective. She’d argued with the girl who was murdered last night. And she did not want Detective Toscano to find out about it. I stepped away from the bar, giddy with my new knowledge. I had the upper hand on Tiffany Desposito. I could torture her with this. Drag it out. Hold it over her head for days, even weeks. “It’s too bad you’re not with Justin anymore,” she said to my back. “He’s a cutie. And such a good kisser.” And that was my limit. I spun around and dumped my brand-new Coke over her head. She shrieked and flailed her hands as the liquid streamed over her face and down between her giant boobs. She peeled her sticky hair off her eyes and snarled, “I’ll get you for this.” I merely smiled, then sauntered over to the two Toscanos, who had apparently been watching this whole display with entertained grins on their faces. “You’re the new detective?” I asked the elder Toscano. He nodded. Either his mouth was too full with French fries or he was too scared of me to speak at the moment. “Tiffany Desposito, the wet and sticky waitress over there? She had a fight with the girl who was murdered. Last night, at this restaurant. You should question her right away. I wouldn’t even give her a chance to go home and shower first. I think she’s a flight risk.” I strolled back to my booth, sat down, and tore into my pancakes, happy as a kid on Christmas. Nate and Perry stared at me in silence for a few moments. Then Perry said, “Maybe you should have let me go over.” Nate shook his head. “Nah. She did just fine.
Kim Harrington (Clarity (Clarity, #1))
Wait in the car." He opened the door and started to climb out. "Hold on! How long should I give you? What if you don't come back in a certain number of minutes? Should I call the cops?" "Don't do anything. Don't call anyone. I'll be fine." "But what if you're not?" "Then go home." And with that, he got out and jogged down the street, like if I heard screams or gunshots or whatever I would just drive on home like nothing happened. Well, good for you, I thought, watching him climb a short cement staircase and put a key in the door. You don't need anyone. Fine. I watched the clock. Three minutes went by, four. I thought about knocking on the door, having of course no idea what I would actually do once I got there. Maybe I'd have to break the door down, wrestle Cameron away from the bad men, and then carry him out the way you hear people when they get a huge burst of adrenaline. Except the person I pictured rescuing was little Cameron, in shorts and a striped T-shirt, his arms wrapped around my neck. Then there he was, bursting out of the apartment door and bounding down the steps, a big garbage bag in hand. He ran to the car, fast. I reached over and opened the passenger door and he jumped in. "Go." You can't exactly peel out in a '94 Escort, but I did my best. Cameron breathed hard, clutching the garbage bag to his chest. "What happened?" I drove a good fifteen miles per hour over the speed limit, convinced we were being chased by angry roommates with guns. "Nothing. You can slow down." I didn't. "Nothing? Nothing happened?" "They weren't even there." Then I did slow down. "No one was there? At all?" "Right." His breathing had returned to almost normal. "Then what's the deal with freaking me out like that?" My voice came out high and hysterical and I realized how nervous I'd been, imagining some dangerous scenario from which Cameron had barely escaped, an echo of that day at his house. "I don't know. I started to picture one of them pulling up and finding me there and...I panicked.
Sara Zarr (Sweethearts)
I backed my car into a cop car the other day Well he just drove off sometimes life's OK I ran my mouth off a bit too much oh what did I say Well you just laughed it off it was all OK And we'll all float on OK And we'll all float on OK And we'll all float on OK And we'll all float on any way Well, a fake Jamaican took every last dime with that scam It was worth it just to learn from sleight of hand Bad news comes don't you worry even when it lands Good news will work its way to all them plans We both got fired on exactly the same day Well we'll float on good news is on the way And we'll all float on OK And we'll all float on OK And we'll all float on OK And we'll all float on alright Already we'll all float on Now don't you worry we'll all float on alright Already we'll all float on alright Don't worry we'll all float on (alright already) And we'll all float on alright Already we'll all float on alright Don't worry even if things end up a bit too heavy We'll all float on alright Already we'll all float on alright Already we'll all float on OK Don't worry we'll all float on Even if things get heavy we'll all float on alright Already we'll all float on alright Don't you worry we'll all float on alright All float on
Modest Mouse
Hiya, cutie! How was your first day of school?" She pops the oven shut with her hip. He shakes his head and pulls up a bar stool next to Rayna, who's sitting at the counter painting her nails the color of a red snapper. "This won't work. I don't know what I'm doing," he says. "Sweet pea, what happened? Can't be that bad." He nods. "It is. I knocked Emma unconscious." Rachel spits the wine back in her glass. "Oh, sweetie, uh...that sort of thing's been frowned upon for years now." "Good. You owed her one," Rayna snickers. "She shoved him at the beach," she explains to Rachel. "Oh?" Rachel says. "That how she got your attention?" "She didn't shove me; she tripped into me," he says. "And I didn't knock her out on purpose. She ran from me, so I chased her and-" Rachel holds up her hand. "Okay. Stop right there. Are the cops coming by? You know that makes me nervous." "No," Galen says, rolling his eyes. If the cops haven't found Rachel by now, they're not going to. Besides, after all this time, the cops wouldn't still be looking. And the other people who want to find her think she's dead. "Okay, good. Now, back up there, sweet pea. Why did she run from you?" "A misunderstanding." Rachel clasps her hands together. "I know, sweet pea. I do. But in order for me to help you, I need to know the specifics. Us girls are tricky creatures." He runs a hand through his hair. "Tell me about it. First she's being nice and cooperative, and then she's yelling in my face." Rayna gasps. "She yelled at you?" She slams the polish bottle on the counter and points at Rachel. "I want you to be my mother, too. I want to be enrolled in school." "No way. You step one foot outside this house, and I'll arrest you myself," Galen says. "And don't even think about getting in the water with that human paint on your fingers." "Don't worry. I'm not getting in the water at all." Galen opens his mouth to contradict that, to tell her to go home tomorrow and stay there, but then he sees her exasperated expression. He grins. "He found you." Rayna crosses her arms and nods. "Why can't he just leave me alone? And why do you think it's so funny? You're my brother! You're supposed to protect me!" He laughs. "From Toraf? Why would I do that?" She shakes her head. "I was trying to catch some fish for Rachel, and I sensed him in the water. Close. I got out as fast as I could, but probably he knows that's what I did. How does he always find me?" "Oops," Rachel says. They both turn to her. She smiles apologetically at Rayna. "I didn't realize you two were at odds. He showed up on the back porch looking for you this morning and...I invited him to dinner. Sorry." As Galen says, "Rachel, what if someone sees him?" Rayna is saying, "No. No, no, no, he is not coming to dinner." Rachel clears her throat and nods behind them. "Rayna, that's very hurtful. After all we've been through," Toraf says. Rayna bristles on the stool, growling at the sound of his voice. She sends an icy glare to Rachel, who pretends not to notice as she squeezes a lemon slice over the fillets. Galen hops down and greets his friend with a strong punch to the arm. "Hey there, tadpole. I see you found a pair of my swimming trunks. Good to see your tracking skills are still intact after the accident and all." Toraf stares at Rayna's back. "Accident, yes. Next time, I'll keep my eyes open when I kiss her. That way, I won't accidentally bust my nose on a rock again. Foolish me, right?" Galen grins.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))