Bad Cook Quotes

We've searched our database for all the quotes and captions related to Bad Cook. Here they are! All 100 of them:

Heifer.” “Rich man’s whore!” “At least mine can cook the food he eats. And replaces it, too.” “Now see, Dee-Ann Smith. That was just mean!
Shelly Laurenston (Big Bad Beast (Pride, #6))
The smell of cooking food is often a calming one.
Lemony Snicket (The Bad Beginning (A Series of Unfortunate Events, #1))
I am here to arrest your manservant. The one named Bugg.’ ‘Oh, now really, his cooking isn’t that bad.
Steven Erikson (Reaper's Gale (Malazan Book of the Fallen, #7))
The fight unfolded like background noise. White noise. In the foreground, even with his ghastly pale face looking dead in my hands, my fingers clenching his ragged hair, all I could see was random images of Fang, not dead. Fang telling me stupid fart jokes from the dog crate next to mine at the school, trying to make me laugh. Fang asleep at Jeb's old house, and me jumping wildly on his bed to wake him up. Him pretending to be asleep. Me laughing when I "accidentally" kicked him where it counts. Him dumping me off the bed. Fang gagging on my first attempt at cooking dinner after Jeb disappeared. Him spitting out the mac and cheese. Me dumping the rest of the bowl on him in response. Fang on the beach, that first time he was badly injured. Me realizing how I felt about him. Fang kissing me. So close I couldn't even see his dark eyes anymore. The first time. The second time. The third. I could always remember each and every one of them. Would always remember them. Fang. Not. Dead.
James Patterson (Fang (Maximum Ride, #6))
It's really not as bad as it sounds. I was attacked by a shark once, back when I was alive. Well, not so much a shark as a rather large fish. And not so much attacked as looked at menacingly. But it had murder in its eyes, that fish. I knew, in that instant, if our roles had been reversed and the fish had been holding the fishing pole and I had been the one to be caught, it wouldn't hesitate a moment before eating me. So I cooked it and ate before it had a chance to turn the tables.
Derek Landy (The Wonderful Adventures of Geoffrey Scrutinous (Skulduggery Pleasant, #5.5))
my wifes cooking is so bad the flys fix our screens
Rodney Dangerfield
Is it so bad to want something that you know is wrong?
Eileen Cook (What Would Emma Do?)
Great. Abducted by aliens. She’d never live this one down. She wondered if they would dissect her. Maybe grab a steak of the tender parts and cook her up. Any sex stuff was too weird and horrible to think about, though it had been awhile. What the hell did she know? Brad Pitt. Surely, he wasn’t entirely human. Maybe it wouldn’t be so bad.
William Kely McClung (LOOP)
Change always sounds bad <...> we make it worse by resisting it. Sometimes the only thing worth pursuing is change. How else would we learn anything?
Deborah Cooke (Kiss of Fire (Dragonfire, #1))
Dear Max - You looked so beautiful today. I'm going to remember what you looked like forever. ... And I hope you remember me the same way - clean, ha-ha. I'm glad our last time together was happy. But I'm leaving tonight, leaving the flock, and this time it's for good. I don't know if I'll ever see any of you again. The thing is, Max, that everyone is a little bit right. Added up all together, it makes this one big right. Dylan's a little bit right about how my being here might be putting the rest of you in danger. The threat might have been just about Dr. Hans, but we don't know that for sure. Angel is a little bit right about how splitting up the flock will help all of us survive. And the rest of the flock is a little bit right about how when you and I are together, we're focused on each other - we can't help it. The thing is, Maximum, I love you. I can't help but be focused on you when we're together. If you're in the room, I want to be next to you. If you're gone, I think about you. You're the one who I want to talk to. In a fight, I want you at my back. When we're together, the sun is shining. When we're apart, everything is in shades of gray. I hope you'll forgive me someday for turning our worlds into shades of gray - at least for a while. ... You're not at your best when you're focused on me. I mean, you're at your best Maxness, but not your best leaderness. I mostly need Maxness. The flock mostly needs leaderness. And Angel, if you're listening to this, it ain't you, sweetie. Not yet. ... At least for a couple more years, the flock needs a leader to survive, no matter how capable everyone thinks he or she is. The truth is that they do need a leader, and the truth is that you are the best leader. It's one of the things I love about you. But the more I thought about it, the more sure I got that this is the right thing to do. Maybe not for you, or for me, but for all of us together, our flock. Please don't try to find me. This is the hardest thing I've ever done in my life, besides wearing that suit today, and seeing you again will only make it harder. You'd ask me to come back, and I would, because I can't say no to you. But all the same problems would still be there, and I'd end up leaving again, and then we'd have to go through this all over again. Please make us only go through this once. ... I love you. I love your smile, your snarl, your grin, your face when you're sleeping. I love your hair streaming out behind you as we fly, with the sunlight making it shine, if it doesn't have too much mud or blood in it. I love seeing your wings spreading out, white and brown and tan and speckled, and the tiny, downy feathers right at the top of your shoulders. I love your eyes, whether they're cold or calculating or suspicious or laughing or warm, like when you look at me. ... You're the best warrior I know, the best leader. You're the most comforting mom we've ever had. You're the biggest goofball, the worst driver, and a truly lousy cook. You've kept us safe and provided for us, in good times and bad. You're my best friend, my first and only love, and the most beautiful girl I've ever seen, with wings or without. ... Tell you what, sweetie: If in twenty years we haven't expired yet, and the world is still more or less in one piece, I'll meet you at the top of that cliff where we first met the hawks and learned to fly with them. You know the one. Twenty years from today, if I'm alive, I'll be there, waiting for you. You can bet on it. Good-bye, my love. Fang P.S. Tell everyone I sure will miss them
James Patterson
I’m alone. When I’m comatose from writing and mothering, when I’m hurting too badly to cook, talk, or smile, I curl up with ‘alone’ like a security blanket. Alone doesn’t care that I don’t shave my legs in the winter. Alone never gets disappointed by me.” Eva sighed. “It’s the best relationship I’ve ever been in.
Tia Williams (Seven Days in June)
I'm a bad man. I need to understand the past. It illuminates the present.
Glen Cook (Swords & Dark Magic: The New Sword and Sorcery)
The prospect of future lives in remote heavens as a compensation for the inadequacy of our present lives is a bad tradeoff for losing out on the present.
Francis Harold Cook (How to Raise an Ox: Zen Practice as Taught in Zen Master Dogen's Shobogenzo)
Old movies are black-and-white; they’ve got good guys and bad guys. The thing was, I didn’t want to live in the past anymore. It was time for my life to go full color.
Eileen Cook (Getting Revenge on Lauren Wood)
Who we are is what comes out when shit goes bad. You can't tell anything about a person when things are great. If you want to really know someone, be there when everything goes to hell.
Eileen Cook (With Malice)
An unhappily married woman is necessarily a bad cook.
Ann-Marie MacDonald (Fall on Your Knees)
Would it really be so bad if you slowed your life down even a teensy bit? If you took charge of the ingredients of your food instead of letting corporations stuff you and your family, like baby birds, full of sugar, corn products, chemicals, and meat from really, really unhappy animals?
Catherine Friend (Compassionate Carnivore: Or, How to Keep Animals Happy, Save Old Macdonald's Farm, Reduce Your Hoofprint, and Still Eat Meat)
All ingredients need salt. The noodle or tender spring pea would be narcissistic to imagine it already contained within its cell walls all the perfection it would ever need. We seem, too, to fear that we are failures at being tender and springy if we need to be seasoned. It’s not so: it doesn’t reflect badly on pea or person that either needs help to be most itself.
Tamar Adler (An Everlasting Meal: Cooking with Economy and Grace)
I could stay here, I thought, make money at the track while she nurses me over the bad moments, rubs oil on my body, cooks for me, talks to me, goes to bed with me. Of course, there would always be arguments. That is the nature of a woman. They like the mutual exchange of dirty laundry, a bit of screaming, a bit of dramatics. Then an exchange of vows.
Charles Bukowski (Post Office)
Brother Gains wasn’t the cook because he was good at cooking. He was just bad at everything else.
Mark Lawrence (Prince of Thorns (The Broken Empire, #1))
Everything in the world cooks down to two. Either- or, if-then, yes-no, night-day, good-bad. You all believe in twos so much I wonder if any of you can count to three.
Marlon James (Black Leopard, Red Wolf (The Dark Star Trilogy, #1))
Cooking wasn’t so bad, I thought. In fact, it was a lot like sex. Sometimes it didn’t seem like such a good idea in the beginning, but then after you got into it …
Janet Evanovich (Hot Six (Stephanie Plum, #6))
I thought that I’d found my new favorite hobby—watching Tristan cook anything at all. “Bev has this really great frilly pink apron,” I told him. “What would I have to do to get you to wear it while you cook for me?” “You don’t even want to know, boo,” he said. That effectively shut me up again.
R.K. Lilley (Bad Things (Tristan & Danika, #1))
There are no bad books. Reading is reading and the mind will benefit from the exercise regardless of the content.
Kade Cook
Cash winks at me from in front of the stove and pure lust twitches in my lower belly. There’s no denying this man is hot. Effing hot. Probably hotter than the stove he’s cooking on.
M. Leighton (Down to You (The Bad Boys, #1))
Warning: This book contains graphic language, sex, lies, intrigue, clowns, kleptomania, anal sex, oral sex, mutual masturbation, bad driving, good cooking, and the missing head of a Justin Timberlake statue. Not for the sour of disposition.
L.B. Gregg (Catch Me If You Can (Romano and Albright, #1))
Now, before I extend this metaphor, let me make a distinction between career and creativity. Creativity is connected to your passion, that light inside you that drives you. That joy that comes when you do something you love. That small voice that tells you, “I like this. Do this again. You are good at it. Keep going.” That is the juicy stuff that lubricates our lives and helps us feel less alone in the world. Your creativity is not a bad boyfriend. It is a really warm older Hispanic lady who has a beautiful laugh and loves to hug. If you are even a little bit nice to her she will make you feel great and maybe cook you delicious food.
Amy Poehler (Yes Please)
Everyone knows how to cook parasols—you soak them in milk, then dip them in egg and breadcrumbs and fry them until they're brown as chops. You can do the same thing with a panther amanita that smells of nuts, but people don't pick amanitas. They divide mushrooms into poisonous and edible, and the guidebooks discuss the features that allow you to tell the difference—as if there are good mushrooms and bad mushrooms. No mushroom book separates them into beautiful and ugly, fragrant and stinking, nice to touch and nasty, or those that induce sin and those that absolve it. People see what they want to see, and in the end they get what they want—clear, but false divisions. Meanwhile, in the world of mushrooms, nothing is certain.
Olga Tokarczuk
What I like about cooking is that, so long as you follow the recipe exactly, everything always turns out perfect. It’s too bad there’s no recipe for happiness. Happiness is more like pastry—which is to say that you can take pains to keep cool and not overwork the dough, but if you don’t have that certain light touch, your best efforts still fall flat. The work-around is to buy what you need. I’m talking about pastry, not happiness, although money does make things easier all around.
Josh Lanyon (The Dark Horse (The Dark Horse, #1))
I'm not saying my wife's a bad cook, but she uses a smoke alarm as a timer.
Bob Monkhouse
The beans are done when at least five of them taste tender and are cooked through. One bean can be a fucking liar so taste a few.
Thug Kitchen (Bad Manners: The Official Cookbook: Eat Like You Give a F*ck: A Vegan Cookbook)
Part of winning is a downdeep certainty that, no matter how bad things look, a road to victory will open.
Glen Cook (The Black Company (The Chronicle of the Black Company, #1))
Perhaps this war will make it simpler for us to go back to some of the old ways we knew before we came over to this land and made the Big Money. Perhaps, even, we will remember how to make good bread again. It does not cost much. It is pleasant: one of those almost hypnotic businesses, like a dance from some ancient ceremony. It leaves you filled with peace, and the house filled with one of the world's sweetest smells. But it takes a lot of time. If you can find that, the rest is easy. And if you cannot rightly find it, make it, for probably there is no chiropractic treatment, no Yoga exercise, no hour of meditation in a music-throbbing chapel, that will leave you emptier of bad thoughts than this homely ceremony of making bread.
M.F.K. Fisher (How to Cook a Wolf)
These women lived their lives happily. They had been taught, probably by loving parents, not to exceed the boundaries of their happiness regardless of what they were doing. But therefore they could never know real joy. Which is better? Who can say? Everyone lives the way she knows best. What I mean by 'their happiness' is living a life untouched as much as possible by the knowledge that we are really, all of us, alone. That's not a bad thing. Dressed in their aprons, their smiling faces like flowers, learning to cook, absorbed in their little troubles and perplexities, they fall in love and marry. I think that's great. I wouldn't mind that kind of life. Me, when I'm utterly exhausted by it all, my skin breaks out, on those lonely evenings when I call my friends again and again and nobody's home, then I despise my own life - my birth, my upbringing, everything. I feel only regret for the whole thing.
Banana Yoshimoto (Kitchen)
The only bad parts of it were cooking for one and eating alone.
Pat Frank (Alas, Babylon)
Yes, we love the good men in our lives and sometimes, oftentimes, the bad ones too- but that we're not in full revolution against the lot of them is pretty amazing when you consider this truth: men get to rape and kill women and still come home to a dinner cooked by one.
Jessica Valenti (Sex Object: A Memoir)
If I was home alone at night, I cooked myself an entire meal from one of these cookbooks. Then I sat down in front of the television set and ate it. I felt very brave and plucky as I ate my perfect dinner. Okay, I didn’t have a date, but at least I wasn’t one of those lonely women who sat home with a pathetic container of yogurt.
Nora Ephron (I Feel Bad About My Neck)
I love you. I love your smile, your snarl, your grin, your face when you’re sleeping. I love your hair streaming out behind you as we fly, with the sunlight making it shine, if it doesn’t have too much mud or blood in it. I love seeing your wings spreading out, white and brown and tan and speckled, and the tiny, downy feathers right at the top of your shoulders. I love your eyes, whether they’re cold or calculating or suspicious or laughing or warm, like when you look at me. You’re the best warrior I know, the best leader. You’re the most comforting mom we’ve ever had. You’re the biggest goof ball, the worst driver, and a tr uly lousy cook. You’ve kept us safe and provided for us, in good times and bad. You’re my best friend, my first and only love, and the most beautiful girl I’ve ever seen, with wings or without.
James Patterson (Fang (Maximum Ride, #6))
You should have tried the eggplant parmesan she tried to hoist on me at the church bake sale. No wonder her children turned to Satan. He probably showed up as an angel of light and promised them a decent meal.
Kathy Hepinstall (The Book of Polly)
Well, every art requires appreciation, doesn't it? I mean people who paint, sculpt, or write books want an audience. that's the reason they're doing it for, and it's the same when you're a cook. You need somebody who savours it, not one who just says, 'Oh it's not bad.
Margaret Powell (Below Stairs)
Now he came home to Flit's cheerful smile, and Flit's annoying remarks, and Flit's bossy attitude, and Flit's decorating fanaticism, and Flit's delicious cooking, and Flit's dumb advice column mail, and Flit's kisses, and it was all his. That made it different, because all of it – the good, the bad, the stupid, the annoying – it belonged to Talon.
Aggy Bird (Like a Sparrow Through the Heart (Like a Sparrow, #1))
Celery as celery was bad. Celery fried was the work of Satan.
Kristen Ashley (Wild Man (Dream Man, #2))
...accepted that bad things rose out of thin air, in the middle of normal life- when you weren't even looking, even if you were being careful, or good.
Lorna Jane Cook (Outside Wonderland: A Novel)
He stood there breathing hard, getting fat on bad news.
Vera Jane Cook (Pleasant Day)
A good spice often deceives us into thinking that someone is a good cook.
Mokokoma Mokhonoana
So I added in all the pains I'd learned. Cooking blunders I'd had to eat anyways. Equipment and property constantly breaking down, needing repairs and attention. Tax insanity, and rushing around trying to hack a path through a jungle of numbers. Late bills. Unpleasant jobs that gave you horribly aching feet. Odd looks from people who didn't know you, when something less than utterly normal happened. The occasional night when the loneliness ached so badly that it made you weep. The occasional gathering during with you wanted to escape to your empty apartment so badly that you were willing to go out of the bathroom window. Muscle pulls and aches you never had when you were younger, the annoyance as the price of gas kept going up to some ridiculous degree, the irritation with unruly neighbors, brainless media personalities, and various politicians who all seemed to fall on a spectrum somewhere between the extremes of "crook" and "moron." You know. Life.
Jim Butcher (White Night (The Dresden Files, #9))
I am not suggesting that everything bad that happens to us is sent directly by a knowing hand—cooked up specially for our personal development. Nor do I mean that by using the stuff of life as grist for the mill you will learn what you need to learn and move on into a problem-free world. And I also don’t recommend courting drama and disaster so that you can be broken open to the truth. A catastrophe is not a sign that God has singled you out for greatness. What I do mean is that you can use anything—everything—as a wake-up call; you can find a treasure trove of information about yourself and the world in the big trials and the little annoyances of daily life. If you turn around and face yourself in times of loss and pain, you will be given the key to a more truthful—and therefore a more joyful—life.
Elizabeth Lesser (Broken Open: How Difficult Times Can Help Us Grow)
The Lady was medicine bad enough. The Dominator, though, was the body of which her evil was but a shadow. Or so the legend goes. I sometimes wonder why, if that is true, she walks the earth and he lies restless in the grave.
Glen Cook (Shadows Linger (The Chronicles of the Black Company, #2))
You can say a lot of bad things about Alabama, but you can't say Alabamans as a people are unduly afraid of deep fryers. In that first week at the Creek, the cafeteria served fried chicken, chicken fried steak, and fried okra, which marked my first foray into the delicacy that is the fried vegetable.
John Green (Looking for Alaska)
... has three different sizes of saucepans, and a dutch-oven. The skillet will be a give-away – too bad, stainless and all - but the sides are just not deep enough to-" "Fine fine fine – gawd, would you shut up and just buy it? Shees! I'm gonna go look at plates or something..." "Whoa – hold on there. You think I'm letting you pick out the plates all by yourself? I'm the cook. I get to pick the plates." "Oh god... I am not eating off Spiderman dishes!
Failte (The Girl For Me)
He admired bears because everyone was afraid to disturb them while they slept and fish were so in love with bears that they jumper right into their mouths. He ate meat and never felt bad about it unless he saw how the animal was slaughtered or if the meat was not cooked properly but he thought thrice about killing bus.
Robb Todd
To get acceptable quality at the lowest cost, it is vitally important to reject defective material at a stage where its accumulated value is at the lowest possible level. Thus, as noted, we are better off catching a bad raw egg than a cooked one, and screening out our college applicant before he visits Intel. In short, reject before investing further value.
Andrew S. Grove (High Output Management)
All the fruit is ripe, plunged in fire, cooked, And they have passed their test on earth, and one law is this: That everything curls inward, like snakes, Prophetic, dreaming on The hills of heaven. And many things Have to stay on the shoulders like a load of failure. However the roads Are bad. For the chained elements, Like horses, are going off to the side, And the old Laws of the earth. And a longing For disintegration constantly comes. Many things however Have to stay on the shoulders. Steadiness is essential. Forwards, however, or backwards we will Not look. Let us learn to live swaying As in a rocking boat on the sea.
Friedrich Hölderlin
I could stay here, I thought, make money at the track while she nurses me over the bad moments, rubs oils on my body, cooks for me, talks to me, goes to bed with me.
Charles Bukowski (Post Office)
Many foods that are cooked, such as meats and grains, would otherwise be unappetizing or inedible to humans. Cooking allows foods to bypass sensory safeguards that would normally protect us from ingesting unnatural and unhealthful substances. Essentially, cooking makes it possible for us to eat (and to call “good”) food we would otherwise consider to have gone “bad.
Douglas N. Graham (The 80/10/10 Diet: Balancing Your Health, Your Weight, and Your Life, One Luscious Bite at a Time)
His meals were always punctual. Whether she cooked well or badly he did not know; it was a matter of total indifference to him. During his meals, which he ate at his writing desk, he was busy with important considerations. As a rule he would not have been able to say what precisely he had in his mouth. He reserved consciousness for real thoughts; they depend upon it; without consciousness, thoughts are unthinkable. Chewing and digestion happen of themselves.
Elias Canetti (Auto-da-Fé)
Although we couldn’t entertain on the same level we had previously enjoyed, we did have several friends over for dinner and managed to cook some delectable meals. For Mama’s birthday, we made a delicious chilled artichoke soup to accompany a French Provencal chicken dish served with leeks, rice, and John’s special green salad. We poured a classic white Burgundy and topped it off with a frozen lemon souffle. Not too bad for an out-of-work couple with a new baby.
Mallory M. O'Connor (The Kitchen and the Studio: A Memoir of Food and Art)
I had a lot of disasters in the kitchen, even during the long period when I was cooking under my mother's supervision and with the benefit of her experience. I still fail all the time, in particular when I turn to baking. After hundreds of attempts, following dozens of different formulas, I don't think I have ever made what I would consider to be a completely successful pie crust. Disaster is somehow part of the appeal of cooking for me. If that first Velvet Crumb Cake had turned out to be a flop, I don't know if I would have pursued my interest in cooking. But cooking entails stubbornness and a tolerance--maybe even a taste--for last-minute collapse. You have to be able to enjoy the repeated and deliberate following of a more of less lengthy, more or less complicated series of steps whose product is very likely--after all that work, with no warning, right at the end--to curdle, sink, scorch, dry up, congeal, burn, or simply taste bad.
Michael Chabon (Manhood for Amateurs)
The truth is, most of the genuinely tragic episodes of lost food are things that are somewhat outside the reach of the home cook, even a home cook like me who has been known to overreach from time to time.
Nora Ephron (I Feel Bad About My Neck, And Other Thoughts on Being a Woman)
The journey through another world, beyond bad dreams beyond the memories of a murdered generation, cartographed in captivity by bare survivors makes sacristans of us all. The old ones go our bail, we oblate preachers of our tribes. Be careful, they say, don't hock the beads of kinship agonies; the moire-effect of unfamiliar hymns upon our own, a change in pitch or shrillness of the voice transforms the ways of song to words of poetry or prose and makes distinctions no one recognizes. Surrounded and absorbed, we tread like Etruscans on the edge of useless law; we pray to the giver of prayer, we give the cane whistle in ceremony, we swing the heavy silver chain of incense burners. Migration makes new citizens of Rome.
Elizabeth Cook-Lynn
There aren’t a lot of hobbies you can eat. Like, let’s say you love to cook. That’s a bad example. Let’s say you love to travel, and everywhere you go, you try the food at the best local— My point is, I love gardening as a hobby. Right now in our garden, Portia and I are growing tomatoes, peppers, zucchini, beets, eggplant,
Ellen DeGeneres (Seriously...I'm Kidding)
How bad do you want cancer? Bad enough to eat a rainbow of it? Personally, I think the red cancer would be the worst, but anything you swallow with artificial hues in it is going to pop a tumor out of your body the day after you eat it.
Laurie Notaro (The Potty Mouth at the Table)
Lewis had said that there is no creativity de novo in us—that we are all sub-creators pirating and rearranging portions of reality. I agreed. But it was only an idea. And then it took on flesh. I began to see the world more like a cook than a writer. There were boundless ingredients out there, combinations waiting to be discovered and simmered and served. There were truths and stories and characters and quirks that could clash badly, and some that could marry and birth sequels. I began to feel a lot more comfortable. It wasn't all on me to create. It was on me to find. To catch. To arrange.
N.D. Wilson (Death by Living: Life Is Meant to Be Spent)
Tired of his lack of understanding, she asked him for an unusual birthday gift: that for one day he would take care of the domestic chores. He accepted in amusement, and indeed took charge of the house at dawn. He served a splendid breakfast, but he forgot that fried eggs did not agree with her and that she did not drink café con leche. Then he ordered a birthday luncheon for eight guests and gave instructions for tidying the house, and he tried so hard to manage better than she did that before noon he had to capitulate without a trace of embarrassment. From the first moment he realized he did not have the slightest idea where anything was, above all in the kitchen, and the servants let him upset everything to find each item, for they were playing the game too. At ten o’clock no decisions had been made regarding lunch because the housecleaning was not finished yet, the bedroom was not straightened, the bathroom was not scrubbed; he forgot to replace the toilet paper, change the sheets, and send the coachmen for the children, and he confused the servants’ duties: he told the cook to make the beds and set the chambermaids to cooking. At eleven o’clock, when the guests were about to arrive, the chaos in the house was such that Fermina Daza resumed command, laughing out loud, not with the triumphant attitude she would have liked but shaken instead with compassion for the domestic helplessness of her husband. He was bitter and offered the argument he always used: “Things did not go as badly for me as they would for you if you tried to cure the sick.” But it was a useful lesson, and not for him alone. Over the years they both reached the same wise conclusion by different paths: it was not possible to live together in any way, or love in any other way, and nothing in this world was more difficult than love.
Gabriel García Márquez (Love in the Time of Cholera)
Just before I'd moved to New York, two historic events had occurred: The birth control pill had been invented, and the first Julia Child cookbook was published. As a result, everyone was having sex, and when the sex was over, you cooked something.
Nora Ephron (I Feel Bad About My Neck, And Other Thoughts on Being a Woman)
Every day, there are a handful of moments that deliver an outsized impact. I refer to these little choices as decisive moments. The moment you decide between ordering takeout or cooking dinner. The moment you choose between driving your car or riding your bike. The moment you decide between starting your homework or grabbing the video game controller. These choices are a fork in the road.
James Clear (Atomic Habits: An Easy & Proven Way to Build Good Habits & Break Bad Ones)
Our parents are never people to us, never, they're always traits, Achilles' heels, dim nightmares, vocal tics, bad noses, hot tears, all handed down and us stuck with them. Our dilemma is utter: turn and look at this woman, understand and pity her, like and talk with her, recognize that she has taken the cold cleanliness of the spartan rooms in which she grew up and turned them, with her considerable and perhaps wounded heart, into a lifelong burst of cooking and cosseting and making her own little corner of the world pretty and welcoming, and the separation is complete - but when that happens you will have to be an adult. There is only room in the lifeboat of your life for one, and you always choose yourself, and turn your parents into whatever it takes to keep you afloat.
Anna Quindlen (One True Thing)
I am not so much fun Anymore; Couldn’t carry the role of ingenue In a bucket, you say, laughing. And I want to punch you. I was never innocent, but Thanks to you I know things I wish I did not remember. You don’t like it When I talk to the man myself, Specifying quantities and Give him the money Instead of giving it to you And letting you take care of it. You keep asking me, Where’s the dope? Until I finally say, I hid it. The look you give me is Pure bile. Well, fuck you. This isn’t like Buying somebody a drink. You don’t leave your stash out Where I might find it. Finally I think I’ve made you wait Long enough, So I get out the little paper envelope And hand it to you. You are still in charge of This part, so you relax. Performing your junky ritual with Your favorite razor blade, until I ask you how to calculate my dose So I won’t O.D. when I do this And you’re not around. Then you really flip. You tell me it’s a bad idea For me to do this with other people. ** Was it such a good idea For me to do it with you? Do you wait for me to turn up Once every three months So you can get high? Is this our version of that famous Lesbian fight about Nonmonogamy? Let me tell you what I don’t like. I don’t like it when you Take forever to cut up brown powder And cook it down and Suck it up into the needle And measure it, then take Three times as much for yourself AS you give me. I don’t like it when you Fuck me After you’ve taken the needle Out of my arm. You talk too much And spoil my rush. All I really want to do Is listen to the tides of blood Wash around inside my body Telling me everything is Fine, fine, fine._ And I certainly don’t want to Eat you or fuck you Because it will take forever To make you come, If you can come at all, And by then the smack will have worn off And there isn’t any more. I’m trying to remember What the part is that I do like. I think this shit likes me A lot more than I like it. Now you’re hurt and angry because I don’t want to see you again And the truth is, I would love to see you, As long as I knew you were holding. So you tell me Is this what you want? I bet it was what you wanted All along.
Patrick Califia-Rice
Instead of glimpsing anonymous individuals hurrying by, I see different archetypal products of bad parenting. That meek old man with the blank stare was probably beaten senseless by his father; the sad-looking obese guy in an undersized T-shirt may have grown up with a mom who expressed love only through her cooking; the uptight businessman was likely raised by strict parents who never allowed him to be imperfect. Suddenly there seem to be very few adults in the world, just suffering children and overcompensating adolescents.
Neil Strauss (The Truth: An Uncomfortable Book about Relationships)
She glared down at the pan. And then she kicked it. The first kick sent it tumbling a couple of feet; something black and gooey came out. The second kick got better distance, maybe because it wasn’t as heavy now. Evidently unsatisfied, she advanced on one of the pickups and grabbed a hammer from the back. Going down on one knee, she swung the hammer for all she was worth and beat the hell out of that pan, then she got up and kicked it one more time for good measure. “Damn,” Walt muttered. “I’m not ever going to say a single bad thing about her cooking. “Yeah,” Eli muttered in return. “No matter what it is, I’ll eat it or die. Even that cake.” “More like, eat it and die,” Patrick put in.
Linda Howard (Running Wild)
You learned good, Uncle Fifty," Lou said, shoveling beans onto her plate. "You get an A-plus. Will you teach Mattie how to cook? She can only make mush and pancakes. And a pea soup that's so bad, it's more pee than soup." Uncle Fifty roared. My sisters laughed. Especially Lou. Pa raised an eyebrow at her, but that didn't quiet her. She knew she was safe because our uncle was laughing. "Don't mind them, Mattie," Abby said, petting me. "You like my pea soup, don't you Ab?" I asked, hurt. She looked at me with her kind eyes. "No, Mattie, I don't. It's awful.
Jennifer Donnelly (A Northern Light)
In the remote towns of the west there are few of the amenities of civilization; there is no sewerage, there are no hospitals, rarely a doctor; the food is dreary and flavourless from long carrying, the water is bad; electricity is for the few who can afford their own plant, roads are mostly non-existent; there are no theatres, no picture shows and few dance halls; and the people are saved from stark insanity by the one strong principle of progress that is ingrained for a thousand miles east, north, south and west of the Dead Heart - the beer is always cold.
Kenneth Cook (Wake in Fright (Text Classics))
But who cooks it?" I asked, imaging an underground kitchen staffed by tiny, invisible chefs. "Who serves it?" "I don't know," he said, with a disinterested shrug. I couldn't help laughing. "John, food magically appears here three times a day, and you don't know where it comes from? You've been here for almost two hundred years. Haven't you ever tried to find out?" He shot me a sarcastic look of his own. "Of course. I have theories. I think it's part of the compensation for the job I do, since there isn't any pay. But there's room and board. Anything I've ever wanted or needed badly enough usually appears, eventually. For instance"-he sent one of those knee-melting smiles in my direction-"you." I swallowed. The smile made it astonishingly hard to follow the conversation, even though I was the one who'd started it. "Compensation from whom?" He shrugged again. It was clear this was something he didn't care to discuss. "I have passengers waiting. For now, here." He lifted the lid of a platter. "I highly recommend these." I don't know what I expected to see when I looked down...a big platter of pomegranates? Of course that wasn't it at all. "Waffles?
Meg Cabot (Underworld (Abandon, #2))
How do you go to your own house when something has gone bad on the inside, when it doesn't seem like your place to live anymore, when you almost cannot recall living there although it was the place you mostly ate and slept for all your grown-up life? Try to remember two or three things about living there. Try to remember cooking one meal.
William Kittredge
I used to tell myself that I regretted the choices I'd made in my life. But every choice, including the wrong ones, made me who I was... -both the good and bad experiences strengthened you, shaped you. We are not just made of blood and bone- we are made of stories. Some of us have our stories told for us, other write their own- you wrote yours.
C.J. Cooke (The Lighthouse Witches)
In (hyper-loyal) cultures, loyalty is so highly prized that it covers a multitude of leadership sins. I’ve seen numerous bad leaders cover their ineptitude by stressing the importance of loyalty over competence. They teach that loyalty is more important than excellence and they use that idea to distract the team from their own inability to perform.
Phil Cooke
Cookery simulates the disguise of medicine, and pretends to know what food is the best for the body; and if the physician and the cook had to enter into a competition in which children were the judges, or men who had no more sense than children, as to which of them best understands the goodness or badness of food, the physician would be starved to death.
Plato (Plato: The Complete Works (31 Books) (Illustrated))
I wouldn’t know what to do with daughters,' he says. 'Exchange them for sons?' 'But then I could wind up with something like you.' 'I’m not so bad,' he says. 'I’m smart.' 'You’re about a hundred miles away from the town of Smart, my friend.' 'You’re mistaken, counselor,' he says. 'I’m smart, I can take care of myself. I’m an awesome tennis player, a keen observer of life around me. I’m a good cook. I always have weed.' 'I’m sure your parents are proud.' 'It’s possible.' He looks at his knees and I wonder if I’ve offended him.
Kaui Hart Hemmings (The Descendants)
He did not share his father’s belief that the Germans were a superior type of human, but on the other hand he could see that German mastery of Europe would be no bad thing. The French had many brilliant talents—cooking, painting, fashion, wine—but they were not good at government. French officials saw themselves as some kind of aristocracy, and thought it was perfectly all right to
Ken Follett (Fall of Giants (The Century Trilogy #1))
When sleep came, I would dream bad dreams. Not the baby and the big man with a cigarette-lighter dream. Another dream. The castle dream. A little girl of about six who looks -like me, but isn’t me, is happy as she steps out of the car with her daddy. They enter the castle and go down the steps to the dungeon where people move like shadows in the glow of burning candles. There are carpets and funny pictures on the walls. Some of the people wear hoods and robes. Sometimes they chant in droning voices that make the little girl afraid. There are other children, some of them without any clothes on. There is an altar like the altar in nearby St Mildred’s Church. The children take turns lying on that altar so the people, mostly men, but a few women, can kiss and lick their private parts. The daddy holds the hand of the little girl tightly. She looks up at him and he smiles. The little girl likes going out with her daddy. I did want to tell Dr Purvis these dreams but I didn’t want her to think I was crazy, and so kept them to myself. The psychiatrist was wiser than I appreciated at the time; sixteen-year-olds imagine they are cleverer than they really are. Dr Purvis knew I had suffered psychological damage as a child, that’s why she kept making a fresh appointment week after week. But I was unable to give her the tools and clues to find out exactly what had happened.
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
Wait!” I turn and put my hands in the air. The figure halts. “The dead Mask in the desert,” I say. “You did that?” “A message for you, little singer,” the woman rasps. “So you wouldn’t be stupid enough to fight me. Don’t feel badly about it. He was a murderer and a rapist. He deserved to die. Which reminds me.” She tilts her head. “The girl—Laia. Don’t touch her. If any harm comes to her, no force in this land will stop me from gutting you. Slowly.” With that, she is moving again. I leap up and unsheathe my blade. Too late. The woman is through the open window and scuttling away across the rooftops. But not before I catch sight of her face—hardened by hatred, mangled beyond belief, and instantly recognizable. The Commandant’s slave. The one who is supposed to be dead. The one everyone called Cook.
Sabaa Tahir (A Torch Against the Night (An Ember in the Ashes, #2))
Bad feminism seems like the only way I can both embrace myself as a feminist and be myself, and so I write. I chatter away on Twitter about everything that makes me angry and all the small things that bring me joy. I write blog posts about the meals I cook as I try to take better care of myself, and with each new entry, I realize that I'm undestroying myself after years of allowing myself to stay damaged.
Roxane Gay (Bad Feminist)
In that panic I convinced myself that this was all my fault; had I not come here under false pretenses, the lie that was my photograph? Did my husband not have the right to be disappointed in me? And I had been callow and stupid to criticize him. I thought of the night a week before when he praised the meal I had cooked and had allowed me to sit and eat with him. He was not a bad man; I was a bad wife. I would have to become a better one, that was all. It was the only way I could walk back into that little bungalow: to embrace the illusion that I could somehow change the situation, that I had some say over it. To admit that I had no say—that was too terrifying to contemplate. And so I sat there on the ground, weaving an illusion from strands of desperation, until at last I got up and started the long walk back to my husband’s house.
Alan Brennert (Honolulu)
My mother believed in God's will for many years. It was af if she had turned on a celestial faucet and goodness kept pouring out. She said it was faith that kept all these good things coming our way, only I thought she said "fate" because she couldn't pronounce the "th" sound in "faith". And later I discovered that maybe it was fate all along, that faith was just an illusion that somehow you're in control. I found out the most I could have was hope, and with that I wasn't denying any possibility, good or bad. I was just saying, If there is a choice, dear God or whatever you are, here's where the odds should be placed. I remember the day I started thinking this, it was such a revelation to me. It was the day my mother lost her faith in God. She found that things of unquestioned certainty could never be trusted again. We had gone to the beach, to a secluded spot south of the city near Devil's Slide. My father had read in Sunset magazine that this was a good place to catch ocean perch. And although my father was not a fisherman but a pharmacist's assistant who had once been a doctor in China, he believed in his nenkan, his ability to do anything he put his mind to. My mother believed she had nenkan to cook anything my father had a mind to catch. It was this belief in their nenkan that had brought my parents to America. It had enabled them to have seven children and buy a house in Sunset district with very little money. It had given them the confidence to believe their luck would never run out, that God was on their side, that house gods had only benevolent things to report and our ancestors were pleased, that lifetime warranties meant our lucky streak would never break, that all the elements were now in balance, the right amount of wind and water.
Amy Tan (The Joy Luck Club)
Work hard. Work dirty. Choose your favourite spade and dig a small, deep hole; located deep in the forest or a desolate area of the desert or tundra. Then bury your cellphone and then find a hobby. Actually, 'hobby' is not a weighty enough word to represent what I am trying to get across. Let's use 'discipline' instead. If you engage in a discipline or do something with your hands, instead of kill time on your phone device, then you have something to show for your time when you're done. Cook, play music, sew, carve, shit - bedazzle! Or, maybe not bedazzle... The arrhythmic is quite simple, instead of playing draw something, fucking draw something! Take the cleverness you apply to words with friends and utilise it to make some kick ass cornbread, corn with friends - try that game. I'm here to tell you that we've been duped on a societal level. My favourite writer, Wendell Berry writes on this topic with great eloquence, he posits that we've been sold a bill of goods claiming that work is bad. That sweating and working especially if soil or saw dust is involved are beneath us. Our population especially the urbanites, has largely forgotten that working at a labour that one loves is actually a privilege.
Nick Offerman (Paddle Your Own Canoe: One Man's Fundamentals for Delicious Living)
I started thinking about all the other people living there. All those different lives. Even if they were all just cooking dinner, one guy could be making his kid's favorite to cheer her up after a bad day at school, some couple could be celebrating finding out she was pregnant...Every one of them, making dinner out there, every one of them was thinking something all their own. Loving someone all their own. Every time I was up there, it hit me harder. That kind of life: it's beautiful, after all.
Tana French (Broken Harbor (Dublin Murder Squad, #4))
will ever really understand. Not even those who shook our hands when we left. Not even those who welcomed us back with mighty hugs and no conception whatsoever what it was like to sit there watching the life bleed out of a man whose throat you’d cut so you could go on, undetected, to murder some other poor boy whose bad luck had placed him in your path at the wrongest time possible in the entire history of the human species. So that someday, somewhere far away, some woman would cry because she no longer had a son.
Glen Cook (Angry Lead Skies (Garrett P.I., #10))
He was going to enjoy pressing his little scheming hostess into improprieties she'd not soon forget. He didn't need a storm to make his point; he had his own powers of persuasion-and he'd use them all on her. He led her to the library, to the table holding the sherry. "Will you do the honors?" He leaned forward and added in a low voice, "Or perhaps you'd like us to do it together-your hand under mine, your fingers wrapped around the neck of the decanter as we-" Color flooded her cheeks, and she said in a breathless voice, "I will be glad to pour us some sherry-though I'm surprised you wish for some more." "It is wretched, but your cook has ruined my palate.When I return to London, I won't know good port from bad, burned meat from raw, and don't begin to talk to me about soups.
Karen Hawkins (To Catch a Highlander (MacLean Curse, #3))
Poor health was not just the result of random acts, bad luck, bad behavior or unfortunate genetics. Deliberate public policy decision about housing, education, parks and streets were the key drivers of racial differences in mortality. Crime kept people off the streets and limited their ability to exercise. The lack of grocery stores limited dietary choices. The lack of primary care doctors and specialists in these communities made chronic disease care more difficult. The degradation and loss of hospital services in these communities affected hospital-based outcomes. … The chronic underfunding of critical health services at Cook County Hospital and other safety-net providers contributed to these poor outcomes as well. The deleterious impact of social structures such as urban poverty and racism on health has been called 'structural violence.
David A. Ansell (County: Life, Death and Politics at Chicago's Public Hospital)
I used to believe that I could do everything and be everywhere. I could work longer hours, make the dead line, cook delicious meals, play with the kids, get enough sleep, focus on my health. And I can absolutely can do all these things. But not at the same time. Not on the same day. Realizing that was a delightful freedom. Letting go of that notion of constant balance was releasing a breath I didn't realize I'd been holding. You mean I don't have to be everything to everyone all the time? I don't have to keep all the balls in the air all the time? I can change balls? I can choose different balls? Balance is finding the correct weight for every area of life and understanding that the correctness of that weight will change over time. Balance is fluid and flexible. Balance is alive and aware. Balance is intention. This idea of balance- a correctness rather than an equalness has taught me some of the most important lessons of my life. - I can not be everything to everyone - I can not be in all places at once. - Saying yes to one thing means saying no to another. - Saying no to one thing means I can say yes to another. - Perfection doesn't exist. Let it go. - I can not change people - I have to stop comparing myself to others. They aren't me. I'm not them. - I will never finish the laundry - I can't control everything - Bad things happen to good people and vice versa. - My kids aren't me. - Being all in a moment means I'm all out of another. - Envy and jealousy are different things. - Achievements never look like I thought they were going to. - Being kind to others is addictive. - I can't always be self- possessed. - Sometimes I need a cheerleader. - I like being part of a community. - Asking for help is hard, but necessary. Embrace the wobbly balance.
Brooke McAlary (Slow: Simple Living for a Frantic World)
Camped somewhere deep in an impenetrable crag of the immense Powder River Country during the late autumn of 1856, more than likely in the shadow of the sacred Black Hills, one imagines the thirty-five-year-old Red Cloud stepping from his tepee to listen to the bugle of a bull elk in its seasonal rut. Around him women haul water from a crystalline stream as cottonwood smoke rises from scores of cook fires and coils toward a sky the color of brushed aluminum. The wind sighs, and a smile creases his face as he observes a pack of mounted teenagers collect wagers in preparation for the Moccasin Game, or perhaps a rough round of Shinny. His gaze follows the grace and dexterity of one boy in particular, a slender sixteen-year-old with lupine eyes. The boy is Crazy Horse, and the war leader of the Bad Faces makes a mental not to keep tabs on this one.
Bob Drury (The Heart of Everything That Is: The Untold Story of Red Cloud, An American Legend)
For months beforehand, I fielded calls from British media. A couple of the reporters asked me to name some British chefs who had inspired me. I mentioned the Roux brothers, Albert and Michel, and I named Marco Pierre White, not as much for his food as for how—by virtue of becoming an apron-wearing rock-star bad boy—he had broken the mold of whom a chef could be, which was something I could relate to. I got to London to find the Lanesborough dining room packed each night, a general excitement shared by everyone involved, and incredibly posh digs from which I could step out each morning into Hyde Park and take a good long run around Buckingham Palace. On my second day, I was cooking when a phone call came into the kitchen. The executive chef answered and, with a puzzled look, handed me the receiver. Trouble at Aquavit, I figured. I put the phone up to my ear, expecting to hear Håkan’s familiar “Hej, Marcus.” Instead, there was screaming. “How the fuck can you come to my fucking city and think you are going to be able to cook without even fucking referring to me?” This went on for what seemed like five minutes; I was too stunned to hang up. “I’m going to make sure you have a fucking miserable time here. This is my city, you hear? Good luck, you fucking black bastard.” And then he hung up. I had cooked with Gordon Ramsay once, a couple of years earlier, when we did a promotion with Charlie Trotter in Chicago. There were a handful of chefs there, including Daniel Boulud and Ferran Adrià, and Gordon was rude and obnoxious to all of them. As a group we were interviewed by the Chicago newspaper; Gordon interrupted everyone who tried to answer a question, craving the limelight. I was almost embarrassed for him. So when I was giving interviews in the lead-up to the Lanesborough event, and was asked who inspired me, I thought the best way to handle it was to say nothing about him at all. Nothing good, nothing bad. I guess he was offended at being left out. To be honest, though, only one phrase in his juvenile tirade unsettled me: when he called me a black bastard. Actually, I didn’t give a fuck about the bastard part. But the black part pissed me off.
Marcus Samuelsson (Yes, Chef)
About sexuality of English mice. A warm perfume is growing little by little in the room. An orchard scent, a caramelized sugar scent. Mrs. MOUSE roasts apples in the chimney. The apple fruits smell grass of England and the pastry oven. On a thread drawn in the flames, the apples, from the buried autumn, turn a golden color and grind in tempting bubbles. But I have the feeling that you already worry. Mrs. MOUSE in a Laura Ashley apron, pink and white stripes, with a big purple satin bow on her belt, Mrs. MOUSE is certainly not a free mouse? Certainly she cooks all day long lemon meringue tarts, puddings and cheese pies, in the kitchen of the burrow. She suffocates a bit in the sweet steams, looks with a sigh the patched socks trickling, hanging from the ceiling, between mint leaves and pomegranates. Surely Mrs. MOUSE just knows the inside, and all the evening flavours are just good for Mrs. MOUSE flabbiness. You are totally wrong - we can forgive you – we don’t know enough that the life in the burrow is totally communal. To pick the blackberries, the purplish red elderberries, the beechnuts and the sloes Mr. and Mrs. MOUSE escape in turn, and glean in the bushes the winter gatherings. After, with frozen paws, intoxicated with cold wind, they come back in the burrow, and it’s a good time when the little door, rond little oak wood door brings a yellow ray in the blue of the evening. Mr. and Mrs. MOUSE are from outside and from inside, in the most complete commonality of wealth and climate. While Mrs. MOUSE prepares the hot wine, Mr. MOUSE takes care of the children. On the top of the bunk bed Thimoty is reading a cartoon, Mr. MOUSE helps Benjamin to put a fleece-lined pyjama, one in a very sweet milky blue for snow dreams. That’s it … children are in bed …. Mrs. MOUSE blazes the hot wine near the chimney, it smells lemon, cinnamon, big dry flames, a blue tempest. Mr. and Mrs. MOUSE can wait and watch. They drink slowly, and then .... they will make love ….You didn’t know? It’s true, we need to guess it. Don’t expect me to tell you in details the mice love in patchwork duvets, the deep cherry wood bed. It’s just good enough not to speak about it. Because, to be able to speak about it, it would need all the perfumes, all the silent, all the talent and all the colors of the day. We already make love preparing the blackberries wine, the lemon meringue pie, we already make love going outside in the coldness to earn the wish of warmness and come back. We make love downstream of the day, as we take care of our patiences. It’s a love very warm, very present and yet invisible, mice’s love in the duvets. Imagine, dream a bit ….. Don’t speak too badly about English mice’s sexuality …..
Philippe Delerm
He overheard the director talking to one of the cameramen. The cameraman was explaining that he couldn’t get a good long shot on the exterior because someone had set up a fake graveyard right in the plaza. “Kids just playing around, I guess, but it’s morbid; we’ll have to get rid of it, maybe bring in some sod to—” “No,” Albert said. “We’re almost ready for you,” the director assured him. “That’s not a fake graveyard. Those aren’t fake graves. No one was playing around.” “You’re saying those . . . those are actually . . .” “What do you think happened here?” Albert asked in a soft voice. “What do you think this was?” Absurdly, embarrassingly, he had started to cry. “Those are kids buried there. Some of them were torn apart, you know. By coyotes. By . . . by bad people. Shot. Crushed. Like that. Some of those kids in the ground there couldn’t take it, the hunger and the fear . . . some of those kids out there had to be cut down from the ropes they used to hang themselves. Early on, when we still had any animals? I had a crew go out and hunt down cats. Cats and dogs and rats. Kill them. Other kids to skin them . . . cook them up.” There were a dozen crew people in the McDonald’s. None spoke or moved. Albert brushed away tears and sighed. “Yeah. So don’t mess with the graves. Okay? Other than that, we’re good to go.
Michael Grant (Light (Gone, #6))
I go to one of my favorite Instagram profiles, the.korean.vegan, and I watch her last video, in which she makes peach-topped tteok. The Korean vegan, Joanne, cooks while talking about various things in her life. As she splits open a peach, she explains why she gave up meat. As she adds lemon juice, brown sugar, nutmeg, a pinch of salt, cinnamon, almond extract, maple syrup, then vegan butter and vegan milk and sifted almond and rice flour, she talks about how she worried about whitewashing her diet, about denying herself a fundamental part of her culture, and then about how others don't see her as authentically Korean since she is a vegan. I watch other videos by Joanne, soothed by her voice into feeling human myself, and into craving the experiences of love she talks of and the food she cooks as she does. I go to another profile, and watch a person's hands delicately handle little knots of shirataki noodles and wash them in cold water, before placing them in a clear oden soup that is already filled with stock-boiled eggs, daikon, and pure white triangles of hanpen. Next, they place a cube of rice cake in a little deep-fried tofu pouch, and seal the pouch with a toothpick so it looks like a tiny drawstring bag; they place the bag in with the other ingredients. "Every winter my mum made this dish for me," a voice says over the video, "just like how every winter my grandma made it for my mum when she was a child." The person in the video is half Japanese like me, and her name is Mei; she appears on the screen, rosy cheeked, chopsticks in her hand, and sits down with her dish and eats it, facing the camera. Food means so much in Japan. Soya beans thrown out of temples in February to tempt out demons before the coming of spring bring the eater prosperity and luck; sushi rolls eaten facing a specific direction decided each year bring luck and fortune to the eater; soba noodles consumed at New Year help time progress, connecting one year to the next; when the noodles snap, the eater can move on from bad events from the last year. In China too, long noodles consumed at New Year grant the eater a long life. In Korea, when rice-cake soup is eaten at New Year, every Korean ages a year, together, in unison. All these things feel crucial to East Asian identity, no matter which country you are from.
Claire Kohda (Woman, Eating)
It is true. I did fall asleep at the wheel. We nearly went right off a cliff down into a gorge. But there were extenuating circumstances.” Ian snickered. “Are you going to pull out the cry-baby card? He had a little bitty wound he forgot to tell us about, that’s how small it was. Ever since he fell asleep he’s been trying to make us believe that contributed.” “It wasn’t little. I have a scar. A knife fight.” Sam was righteous about it. “He barely nicked you,” Ian sneered. “A tiny little slice that looked like a paper cut.” Sam extended his arm to Azami so she could see the evidence of the two-inch line of white marring his darker skin. “I bled profusely. I was weak and we hadn’t slept in days.” “Profusely?” Ian echoed. “Ha! Two drops of blood is not profuse bleeding, Knight. We hadn’t slept in days, that much is true, but the rest . . .” He trailed off, shaking his head and rolling his eyes at Azami. Azami examined the barely there scar. The knife hadn’t inflicted much damage, and Sam knew she’d seen evidence of much worse wounds. “Had you been drinking?” she asked, her eyes wide with innocence. Those long lashes fanned her cheeks as she gaze at him until his heart tripped all over itself. Sam groaned. “Don’t listen to him. I wasn’t drinking, but once we were pretty much in the middle of a hurricane in the South Pacific on a rescue mission and Ian here decides he has to go into this bar . . .” “Oh, no.” Ian burst out laughing. “You’re not telling her that story.” “You did, man. He made us all go in there, with the dirtbag we’d rescued, by the way,” Sam told Azami. “We had to climb out the windows and get on the roof at one point when the place flooded. I swear ther was a crocodile as big as a house coming right at us. We were running for our lives, laughing and trying to keep that idiot Frenchman alive.” “You said to throw him to the crocs,” Ian reminded. “What was in the bar that you had to go in?” Azami asked, clearly puzzled. “Crocodiles,” Sam and Ian said simultaneously. They both burst out laughing. Azami shook her head. “You two could be crazy. Are you making these stories up?” “Ryland wishes we made them up,” Sam said. “Seriously, we’re sneaking past this bar right in the middle of an enemy-occupied village and there’s this sign on the bar that says swim with the crocs and if you survive, free drinks forever. The wind is howling and trees are bent almost double and we’re carrying the sack of shit . . . er . . . our prize because the dirtbag refuses to run even to save his own life—” “The man is seriously heavy,” Ian interrupted. “He was kidnapped and held for ransom for two years. I guess he decided to cook for his captors so they wouldn’t treat him bad. He tried to hide in the closet when we came for him. He didn’t want to go out in the rain.” “He was the biggest pain in the ass you could imagine,” Sam continued, laughing at the memory. “He squealed every time we slipped in the mud and went down.” “The river had flooded the village,” Sam added. “We were walking through a couple of feet of water. We’re all muddy and he’s wiggling and squeaking in a high-pitched voice and Ian spots this sign hanging on the bar.
Christine Feehan (Samurai Game (GhostWalkers, #10))
They sit and stare and stare and sit Until they're hypnoti[z]ed by it, Until they're absolutely drunk With all that shocking ghastly junk. Oh yes, we know it keep them still, They don't climb out the window sill, They never fight or kick or punch, They leave you free to cook the lunch And wash the dishes in the sink- But did you ever stop to think, To wonder just exactly what This does to your beloved tot? It rots the senses in the head! It kills imagination dead! It clogs and clutters up the mind! It makes a child so dull and blind He can no longer understand A fantasy, a fairyland! His brain becomes as soft as cheese! His powers of thinking rust and freeze! He cannot think-he only sees! 'All right' you'll cry. 'All right' you'll say, 'But if we take the set away, What shall we do to entertain Our darling children? Please explain!' We'll answer this by asking you, 'How used they keep themselves contented Before this monster was invented?' Have you forgotten? Don't you know? We'll say it very loud and slow: They... used ... to... read! They'd read and read, And read and read, and then proceed To read some more, Great Scott! Gadzooks! One half their lives was reading books!... Oh books, what books they used to know, Those children living long ago! So please, oh please, we beg, we pray, Go throw your TV set away, And in its place you can install A lovely bookshelf on the wall... ...They'll now begin to feel the need Of having something good to read. And once they start-oh boy, oh boy! You watch the slowly growing joy That fills their hearts. They'll grow so keen They'll wonder what they'd ever seen In that ridiculous machine, That nauseating, foul, unclean, Repulsive television screen! And later, each and every kid Will love you more for what you did...
Roald Dahl (Charlie and the Chocolate Factory (Charlie Bucket, #1))
If you’re hoping for a good meal, you’ve come to the wrong place. Miss Cameron has already attempted to sacrifice herself on the altar of domesticity this morning, and we both narrowly escaped death from her efforts. I’m cooking supper,” he finished, “and it may not be much better.” “I’ll try my hand at breakfast,” the vicar volunteered good-naturedly. When Elizabeth was out of earshot, Ian said quietly, “How badly is the woman hurt?” “It’s hard to say, considering that she was almost too angry to be coherent. Or it might have been the laudanum that did it.” “Did what?” The vicar paused a moment to watch a bird hop about in the rustling leaves overhead, then he said, “She was in a rare state. Quite confused. Angry, too. On the one hand, she was afraid you might decide to express your ‘tender regard’ for Lady Cameron, undoubtedly in much the way you were doing it when I arrived.” When his gibe evoked nothing but a quirked eyebrow from his imperturbable nephew, Duncan sighed and continued, “At the same time, she was equally convinced that her young lady might try to shoot you with your own gun, which I distinctly understood her to say the young lady had already tried to do. It is that which I feared when I heard the gunshots that sent me galloping up here.” “We were shooting at targets.” The vicar nodded, but he was studying Ian with an intent frown. “Is something else bothering you?” Ian asked, noting the look. The vicar hesitated, then shook his head slightly, as if trying to dismiss something from his mind. “Miss Throckmorton-Jones had more to say, but I can scarcely credit it.” “No doubt it was the laudanum,” Ian said, dismissing the matter with a shrug. “Perhaps,” he said, his frown returning. “Yet I have not taken laudanum, and I was under the impression you are about to betroth yourself to a young woman named Christina Taylor.” “I am.” His face turned censorious. “Then what excuse can you have for the scene I just witnessed a few minutes ago?” Ian’s voice was clipped. “Insanity.” They walked back to the house, the vicar silent and thoughtful, Ian grim. Duncan’s untimely arrival had not bothered him, but now that his passion had finally cooled he was irritated as hell with his body’s uncontrollable reaction to Elizabeth Cameron. The moment his mouth touched hers it was as if his brain went dead. Even though he knew exactly what she was, in his arms she became an alluring angel.
Judith McNaught (Almost Heaven (Sequels, #3))
Alice's Cutie Code TM Version 2.1 - Colour Expansion Pack (aka Because this stuff won’t stop being confusing and my friends are mean edition) From Red to Green, with all the colours in between (wait, okay, that rhymes, but green to red makes more sense. Dang.) From Green to Red, with all the colours in between Friend Sampling Group: Fennie, Casey, Logan, Aisha and Jocelyn Green  Friends’ Reaction: Induces a minimum amount of warm and fuzzies. If you don’t say “aw”, you’re “dead inside”  My Reaction: Sort of agree with friends minus the “dead inside” but because that’s a really awful thing to say. Puppies are a good example. So is Walter Bishop. Green-Yellow  Friends’ Reaction: A noticeable step up from Green warm and fuzzies. Transitioning from cute to slightly attractive. Acceptable crush material. “Kissing.”  My Reaction: A good dance song. Inspirational nature photos. Stuff that makes me laugh. Pairing: Madison and Allen from splash Yellow  Friends’ Reaction: Something that makes you super happy but you don’t know why. “Really pretty, but not too pretty.” Acceptable dating material. People you’d want to “bang on sight.”  My Reaction: Love songs for sure! Cookies for some reason or a really good meal. Makes me feel like it’s possible to hold sunshine, I think. Character: Maxon from the selection series. Music: Carly Rae Jepsen Yellow-Orange  Friends’ Reaction: (When asked for non-sexual examples, no one had an answer. From an objective perspective, *pushes up glasses* this is the breaking point. Answers definitely skew toward romantic or sexual after this.)  My Reaction: Something that really gets me in my feels. Also art – oil paintings of landscapes in particular. (What is with me and scenery? Maybe I should take an art class) Character: Dean Winchester. Model: Liu Wren. Orange  Friends’ Reaction: “So pretty it makes you jealous. Or gay.”  “Definitely agree about the gay part. No homo, though. There’s just some really hot dudes out there.”(Feenie’s side-eye was so intense while the others were answering this part LOLOLOLOLOL.) A really good first date with someone you’d want to see again.  My Reaction: People I would consider very beautiful. A near-perfect season finale. I’ve also cried at this level, which was interesting. o Possible tie-in to romantic feels? Not sure yet. Orange-Red  Friends’ Reaction: “When lust and love collide.” “That Japanese saying ‘koi no yokan.’ It’s kind of like love at first sight but not really. You meet someone and you know you two have a future, like someday you’ll fall in love. Just not right now.” (<-- I like this answer best, yes.) “If I really, really like a girl and I’m interested in her as a person, guess. I’d be cool if she liked the same games as me so we could play together.”  My Reaction: Something that gives me chills or has that time-stopping factor. Lots of staring. An extremely well-decorated room. Singers who have really good voices and can hit and hold superb high notes, like Whitney Houston. Model: Jasmine Tooke. Paring: Abbie and Ichabod from Sleepy Hollow o Romantic thoughts? Someday my prince (or princess, because who am I kidding?) will come? Red (aka the most controversial code)  Friends’ Reaction: “Panty-dropping levels” (<-- wtf Casey???).  “Naked girls.” ”Ryan. And ripped dudes who like to cook topless.”  “K-pop and anime girls.” (<-- Dear. God. The whole table went silent after he said that. Jocelyn was SO UNCOMFORTABLE but tried to hide it OMG it was bad. Fennie literally tried to slap some sense into him.)  My Reaction: Uncontrollable staring. Urge to touch is strong, which I must fight because not everyone is cool with that. There may even be slack-jawed drooling involved. I think that’s what would happen. I’ve never seen or experienced anything that I would give Red to.
Claire Kann (Let's Talk About Love)
Separately they surveyed their individual plates, trying to decide which item was most likely to be edible. They arrived at the same conclusion at the same moment; both of them picked up a strip of bacon and bit into it. Noisy crunching and cracking sounds ensued-like those of a large tree breaking in half and falling. Carefully avoiding each other’s eyes, they continued crunching away until they’d both eaten all the bacon on their plates. That finished, Elizabeth summoned her courage and took a dainty bite of egg. The egg tasted like tough, salted wrapping paper, but Elizabeth chewed manfully on it, her stomach churning with humiliation and a lump of tears starting to swell in her throat. She expected some scathing comment at any moment from her companion, and the more politely he continued eating, the more she wished he’d revert to his usual unpleasant self so that she’d at least have the defense of anger. Lately everything that happened to her was humiliating, and her pride and confidence were in tatters. Leaving the egg unfinished, she put down her fork and tried the biscuit. After several seconds of attempting to break a piece off with her fingers she picked up her knife and sawed away at it. A brown piece finally broke loose; she lifted it to her mouth and bit-but it was so tough her teeth only made grooves on the surface. Across the table she felt Ian’s eyes on her, and the urge to weep doubled. “Would you like some coffee?” she asked in a suffocated little voice. “Yes, thank you.” Relieved to have a moment to compose herself, Elizabeth arose and went to the stove, but her eyes blurred with tears as she blindly filled a mug with freshly brewed coffee. She brought it over to him, then sat down again. Sliding a glance at the defeated girl sitting with her head bent and her hands folded in her lap, Ian felt a compulsive urge to either laugh or comfort her, but since chewing was requiring such an effort, he couldn’t do either. Swallowing the last piece of egg, he finally managed to say, “That was…er…quite filling.” Thinking perhaps he hadn’t found it so bad as she had, Elizabeth hesitantly raised her eyes to his. “I haven’t had a great deal of experience with cooking,” she admitted in a small voice. She watched him take a mouthful of coffee, saw his eyes widen with shock-and he began to chew the coffee. Elizabeth lurched to her feet, squired her shoulders, and said hoarsely, “I always take a stroll after breakfast. Excuse me.” Still chewing, Ian watched her flee from the house, then he gratefully got rid of the mouthful of coffee grounds.
Judith McNaught (Almost Heaven (Sequels, #3))