Backyard View Quotes

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The eastern sky was red as coals in a forge, lighting up the flats along the river. Dew had wet the million needles of the chaparral, and when the rim of the sun edged over the horizon the chaparral seemed to be spotted with diamonds. A bush in the backyard was filled with little rainbows as the sun touched the dew. It was tribute enough to sunup that it could make even chaparral bushes look beautiful, Augustus thought, and he watched the process happily, knowing it would only last a few minutes. The sun spread reddish-gold light through the shining bushes, among which a few goats wandered, bleating. Even when the sun rose above the low bluffs to the south, a layer of light lingered for a bit at the level of the chaparral, as if independent of its source. The the sun lifted clear, like an immense coin. The dew quickly died, and the light that filled the bushes like red dirt dispersed, leaving clear, slightly bluish air. It was good reading light by then, so Augustus applied himself for a few minutes to the Prophets. He was not overly religious, but he did consider himself a fair prophet and liked to study the styles of his predecessors. They were mostly too long-winded, in his view, and he made no effort to read them verse for verse—he just had a look here and there, while the biscuits were browning.
Larry McMurtry (Lonesome Dove (Lonesome Dove, #1))
Obviously, the problem of the shadow plays a great role in all political conflicts. If the man who had this dream had not been sensible about his shadow problem, he could easily have identified the desperate Frenchman with the "dangerous Communists" of outer life, or the official plus the prosperous man with the "grasping capitalists." In this way he would have avoided seeing that he had within him such warring elements. If people observe their own unconscious tendencies in other people, this is called a "projection." Political agitation in all countries is full of such projections, just as much as the backyard gossip of little groups and individuals. Projections of all kinds obscure our view of our fellow men, spoiling its objectivity, and thus spoiling all possibility of genuine human relationships.
C.G. Jung (Man and His Symbols)
Have you ever wondered What happens to all the poems people write? The poems they never let anyone else read? Perhaps they are Too private and personal Perhaps they are just not good enough. Perhaps the prospect of such a heartfelt expression being seen as clumsy shallow silly pretentious saccharine unoriginal sentimental trite boring overwrought obscure stupid pointless or simply embarrassing is enough to give any aspiring poet good reason to hide their work from public view. forever. Naturally many poems are IMMEDIATELY DESTROYED. Burnt shredded flushed away Occasionally they are folded Into little squares And wedged under the corner of An unstable piece of furniture (So actually quite useful) Others are hidden behind a loose brick or drainpipe or sealed into the back of an old alarm clock or put between the pages of AN OBSCURE BOOK that is unlikely to ever be opened. someone might find them one day, BUT PROBABLY NOT The truth is that unread poetry Will almost always be just that. DOOMED to join a vast invisible river of waste that flows out of suburbia. well Almost always. On rare occasions, Some especially insistent pieces of writing will escape into a backyard or a laneway be blown along a roadside embankment and finally come to rest in a shopping center parking lot as so many things do It is here that something quite Remarkable takes place two or more pieces of poetry drift toward each other through a strange force of attraction unknown to science and ever so slowly cling together to form a tiny, shapeless ball. Left undisturbed, this ball gradually becomes larger and rounder as other free verses confessions secrets stray musings wishes and unsent love letters attach themselves one by one. Such a ball creeps through the streets Like a tumbleweed for months even years If it comes out only at night it has a good Chance of surviving traffic and children and through a slow rolling motion AVOIDS SNAILS (its number one predator) At a certain size, it instinctively shelters from bad weather, unnoticed but otherwise roams the streets searching for scraps of forgotten thought and feeling. Given time and luck the poetry ball becomes large HUGE ENORMOUS: A vast accumulation of papery bits That ultimately takes to the air, levitating by The sheer force of so much unspoken emotion. It floats gently above suburban rooftops when everybody is asleep inspiring lonely dogs to bark in the middle of the night. Sadly a big ball of paper no matter how large and buoyant, is still a fragile thing. Sooner or LATER it will be surprised by a sudden gust of wind Beaten by driving rain and REDUCED in a matter of minutes to a billion soggy shreds. One morning everyone will wake up to find a pulpy mess covering front lawns clogging up gutters and plastering car windscreens. Traffic will be delayed children delighted adults baffled unable to figure out where it all came from Stranger still Will be the Discovery that Every lump of Wet paper Contains various faded words pressed into accidental verse. Barely visible but undeniably present To each reader they will whisper something different something joyful something sad truthful absurd hilarious profound and perfect No one will be able to explain the Strange feeling of weightlessness or the private smile that remains Long after the street sweepers have come and gone.
Shaun Tan (Tales from Outer Suburbia)
My little brother's greatest fear was that the one person who meant so much to him would go away. He loved Lindsey and Grandma Lynn and Samuel and Hal, but my father kept him stepping lightly, son gingerly monitoring father every morning and every evening as if, without such vigilance, he would lose him. We stood- the dead child and the living- on either side of my father, both wanting the same thing. To have him to ourselves forver. To please us both was an impossibility. ... 'Please don't let Daddy die, Susie,' he whispered. 'I need him.' When I left my brother, I walked out past the gazebo and under the lights hanging down like berries, and I saw the brick paths branching out as I advanced. I walked until the bricks turned to flat stones and then to small, sharp rocks and then to nothing but churned earth for miles adn miles around me. I stood there. I had been in heaven long enough to know that something would be revealed. And as the light began to fade and the sky to turn a dark, sweet blue as it had on the night of my death, I saw something walking into view, so far away I could not at first make out if it was man or woman, child or adult. But as moonlight reached this figure I could make out a man and, frightened now, my breathing shallow, I raced just far enough to see. Was it my father? Was it what I had wanted all this time so deperately? 'Susie,' the man said as I approached and then stopped a few feet from where he stood. He raised his arms up toward me. 'Remember?' he said. I found myself small again, age six and in a living room in Illinois. Now, as I had done then, I placed my feet on top of his feet. 'Granddaddy,' I said. And because we were all alone and both in heaven, I was light enough to move as I had moved when I was six and in a living room in Illinois. Now, as I had done then, I placed my feet on top of his feet. 'Granddaddy,' I said. And because we were all alone and both in heaven, I was light enough to move as I had moved when I was six and he was fifty-six and my father had taken us to visit. We danced so slowly to a song that on Earth had always made my grandfather cry. 'Do you remember?' he asked. 'Barber!' 'Adagio for Strings,' he said. But as we danced and spun- none of the herky-jerky awkwardness of Earth- what I remembered was how I'd found him crying to this music and asked him why. 'Sometimes you cry,' Susie, even when someone you love has been gone a long time.' He had held me against him then, just briefly, and then I had run outside to play again with Lindsey in what seemed like my grandfather's huge backyard. We didn't speak any more that night, but we danced for hours in that timeless blue light. I knew as we danced that something was happening on Earth and in heaven. A shifting. The sort of slow-to-sudden movement that we'd read about in science class one year. Seismic, impossible, a rending and tearing of time and space. I pressed myself into my grandfather's chest and smelled the old-man smell of him, the mothball version of my own father, the blood on Earth, the sky in heaven. The kumquat, skunk, grade-A tobacco. When the music stopped, it cold have been forever since we'd begun. My grandfateher took a step back, and the light grew yellow at his back. 'I'm going,' he said. 'Where?' I asked. 'Don't worry, sweetheart. You're so close.' He turned and walked away, disappearing rapidly into spots and dust. Infinity.
Alice Sebold
One of Ronald Reagan’s fantasies as president was that he would take Mikhail Gorbachev on a tour of the United States so the Soviet leader could see how ordinary Americans lived. Reagan often talked about it. He imagined that he and Gorbachev would fly by helicopter over a working-class community, viewing a factory and its parking lot filled with cars and then circling over the pleasant neighborhood where the factory workers lived in homes “with lawns and backyards, perhaps with a second car or a boat in the driveway, not the concrete rabbit warrens I’d seen in Moscow.” The helicopter would descend, and Reagan would invite Gorbachev to knock on doors and ask the residents “what they think of our system.” The workers would tell him how wonderful it was to live in America.
Henry Kissinger (Diplomacy)
You can’t go to the bank and deposit likes, views, retweets, viral explosions, social media conversations, or brand recognition. Bankers are extremely narrow-minded. They won’t even accept vegetables grown in your backyard garden or bitcoin. They want real money.
Dan S. Kennedy (No B.S. Guide to Direct Response Social Media Marketing: The Ultimate No Holds Barred Guide to Producing Measurable, Monetizable Results with Social Media Marketing)
Contentment is not something I’ve known much in my life and not something I ever really knew I wanted. This, too, is the body’s grace—a gift of physiology, right there alongside my fading hair and skin. At younger ages, our brains are tuned to learn by novelty. At this stage in life, they incline to greater satisfaction in what is routine. Slowing down is accompanied by space for noticing. I am embodied with an awareness that eluded me when my skin was so much more glowy. I become attentive to beauty in ordinary, everyday aspects of my life. There is nothing more delicious than my first cup of tea in the morning; no experience more pleasurable than when my son, now much taller than me, wraps me in a hug; no view I find more breathtaking, over and over again, than the white pine that stands day in and day out behind my backyard.
Krista Tippett (Becoming Wise: An Inquiry into the Mystery and Art of Living)
resolved to assign Bartleby a corner by the folding-doors, but on my side of them, so as to have this quiet man within easy call, in case any trifling thing was to be done. I placed his desk close up to a small side-window in that part of the room, a window which originally had afforded a lateral view of certain grimy back-yards and bricks, but which, owing to subsequent erections, commanded at present no view at all, though it gave some light.
Herman Melville (Bartleby, the Scrivener: A Story Of Wall-Street)
Make exercising fun. The same old routine at the gym can be a drag. It’s good to mix it up. In addition to dancing I also enjoy hiking and swimming. And when you work out, do it someplace you find inspiring: a hike that brings you to a gorgeous view or a workout in the sand with the surf in your sight, even a small grassy spot in your backyard or a serene, uncluttered corner of your apartment. Recreational team sports also add variety to the mix: they put the focus on the fun of the game rather than the pain of the effort.
Derek Hough (Taking the Lead: Lessons from a Life in Motion)
The tree comes to me for the first time in weeks. When did all its colors, like some commercial for dying, start shooting out of its skin? This morning, we fucked each other into a regular backyard bonfire-- cold wood turned to coal in the fine, fine flame. And now, this tree breaks into view, lurid red leaves that demand a clanging, screaming alarm, and I think-- this tree has been here all this time, and I didn't notice. I swear, I'll try harder not to miss as much: the tree, or how your fingers under still sleep-stunned sheets coaxed all my colors back.
Ada Limon (Bright Dead Things)
Obviously, the problem of the shadow plays a great role in all political conflicts. If the man who had this dream had not been sensible about his shadow problem, he could easily have identified the desperate Frenchman with the “dangerous Communists” of outer life, or the official plus the prosperous man with the “grasping capitalists.” In this way he would have avoided seeing that he had within him such warring elements. If people observe their own unconscious tendencies in other people, this is called a “projection.” Political agitation in all countries is full of such projections, just as much as the backyard gossip of little groups and individuals. Projections of all kinds obscure our view of our fellow men, spoiling its objectivity, and thus spoiling all possibility of genuine human relationships.
C.G. Jung (Man and His Symbols)
from her soul. “Jeff?” She touched his face. “Jeff? Goddamn it, Jeff—don’t you dare die on me.” He squeezed her hand. Blood trickled from his ear and nose. “Go. . . .” He was going to die. She knew it the same way she knew she’d never been destined for true happiness. She was tainted, one of life’s misfits, not deserving, unworthy. There was a dark corner of her mind that reminded her of these things, a voice that warned her and kept her from being surprised when something bad happened. She was the dog raised alone on a chain in a backyard with a clear view of the dog next door, the one that had never known a boot in the ribs or a night in the rain. “All right. I’m going.” She reached for the handle; the door was jammed. She climbed through the window and dropped to the sand. She caught her breath as pain shot through her body. Everything hurt, her head, her lungs, her knees, even her breast where the seat belt had lain across her chest.
Georgia Bockoven (The Year that Everything Changed)
It was my father who called the city the Mansion on the River. He was talking about Charleston, South Carolina, and he was a native son, peacock proud of a town so pretty it makes your eyes ache with pleasure just to walk down its spellbinding, narrow streets. Charleston was my father’s ministry, his hobbyhorse, his quiet obsession, and the great love of his life. His bloodstream lit up my own with a passion for the city that I’ve never lost nor ever will. I’m Charleston-born, and bred. The city’s two rivers, the Ashley and the Cooper, have flooded and shaped all the days of my life on this storied peninsula. I carry the delicate porcelain beauty of Charleston like the hinged shell of some soft-tissued mollusk. My soul is peninsula-shaped and sun-hardened and river-swollen. The high tides of the city flood my consciousness each day, subject to the whims and harmonies of full moons rising out of the Atlantic. I grow calm when I see the ranks of palmetto trees pulling guard duty on the banks of Colonial Lake or hear the bells of St. Michael’s calling cadence in the cicada-filled trees along Meeting Street. Deep in my bones, I knew early that I was one of those incorrigible creatures known as Charlestonians. It comes to me as a surprising form of knowledge that my time in the city is more vocation than gift; it is my destiny, not my choice. I consider it a high privilege to be a native of one of the loveliest American cities, not a high-kicking, glossy, or lipsticked city, not a city with bells on its fingers or brightly painted toenails, but a ruffled, low-slung city, understated and tolerant of nothing mismade or ostentatious. Though Charleston feels a seersuckered, tuxedoed view of itself, it approves of restraint far more than vainglory. As a boy, in my own backyard I could catch a basket of blue crabs, a string of flounder, a dozen redfish, or a net full of white shrimp. All this I could do in a city enchanting enough to charm cobras out of baskets, one so corniced and filigreed and elaborate that it leaves strangers awed and natives self-satisfied. In its shadows you can find metalwork as delicate as lace and spiral staircases as elaborate as yachts. In the secrecy of its gardens you can discover jasmine and camellias and hundreds of other plants that look embroidered and stolen from the Garden of Eden for the sheer love of richness and the joy of stealing from the gods. In its kitchens, the stoves are lit up in happiness as the lamb is marinating in red wine sauce, vinaigrette is prepared for the salad, crabmeat is anointed with sherry, custards are baked in the oven, and buttermilk biscuits cool on the counter.
Pat Conroy (South of Broad)
For while asceticism is certainly an important strand in the frugal tradition, so, too, is the celebration of simple pleasures. Indeed, one argument that is made repeatedly in favor of simple living is that it helps one to appreciate more fully elementary and easily obtained pleasures such as the enjoyment of companionship and natural beauty. This is another example of something we have already noted: the advocates of simple living do not share a unified and consistent notion of what it involves. Different thinkers emphasize different aspects of the idea, and some of these conflict. Truth, unlike pleasure, has rarely been viewed as morally suspect. Its value is taken for granted by virtually all philosophers. Before Nietzsche, hardly anyone seriously considered as a general proposition the idea that truth may not necessarily be beneficial.26 There is a difference, though, between the sort of truth the older philosophers had in mind and the way truth is typically conceived of today. Socrates, the Epicureans, the Cynics, the Stoics, and most of the other sages assume that truth is readily available to anyone with a good mind who is willing to think hard. This is because their paradigm of truth—certainly the truth that matters most—is the sort of philosophical truth and enlightenment that can be attained through a conversation with like-minded friends in the agora or the garden. Searching for and finding such truth is entirely compatible with simple living. But today things are different. We still enjoy refined conversation about philosophy, science, religion, the arts, politics, human nature, and many other areas of theoretical interest. And these conversations do aim at truth, in a sense. As Jürgen Habermas argues, building on Paul Grice’s analysis of conversational conventions, regardless of how we actually behave and our actual motivations, our discussions usually proceed on the shared assumption that we are all committed to establishing the truth about the topic under discussion.27 But a different paradigm of truth now dominates: the paradigm of truth established by science. For the most part this is not something that ordinary people can pursue by themselves through reflection, conversation, or even backyard observation and experiment. Does dark matter exist? Does eating blueberries decrease one’s chances of developing cancer? Is global warming producing more hurricanes? Does early involvement with music and dance make one smarter or morally better? Are generous people happier than misers? People may discuss such questions around the table. But in most cases when we talk about such things, we are ultimately prepared to defer to the authority of the experts whose views and findings are continually reported in the media.
Emrys Westacott (The Wisdom of Frugality: Why Less Is More - More or Less)
By the numbers, Accomack could look like a desolate place to live. The Opportunity Index, a nonprofit measurement of sixteen different indicators of success in every county in America, gives it a forty-three out of one hundred. But numbers can be misleading. To residents, statistics could not account for the deep feeling of belonging that came from being able to find your surname in three hundred-year-old county records. They couldn’t account for how clean the air felt and how orange the sun was setting over the Chesapeake Bay. How do you calculate fish fries in the backyard, kiddie pools in the front yard, and unfettered views of a thousand stars in the night sky? So much of life is intangible, and places don’t feel like they’re disappearing to the people who are living there.
Monica Hesse (American Fire: Love, Arson, and Life in a Vanishing Land)
YOU CAN SEE FOR MILES in both directions from the point on Ruby Ridge. From here, the paths of the Weaver family and the federal government seem inevitable, trucks barreling toward each another on a one-lane road. The government’s route to Ruby Ridge was a twenty-year drift toward militaristic law enforcement, in which quiet agents in suits gave way to federal SWAT teams competing for funding, in which unchecked arrogance and zeal allowed federal agents to act as if their ends justified their means. For the Weavers, the trail to this place cuts right through our own backyards, through patriotism, the military, fundamentalist Christianity, and eventually paranoia. Randy and Vicki’s story is a map of disenfranchisement. They were seduced by conspiracy and a religion called Christian Identity, by beliefs steeped in racism and fear of government oppression, beliefs that helped bring about the very thing they feared. Ultimately, you come to the Weaver story along the same trail Randy and Vicki took, from the heart of Christian Iowa to the deep woods of North Idaho. There is much to ponder along the way—the accountability of government and the danger of paranoia, the villainy of coincidence and the desperate need to decide, every day all over again, where society’s lines will be drawn. Up a twisting, rutted dirt road, past gnarled pine trees and scrub grass, you come finally to a sign at the edge of the old Weaver property. Two sets of unbending law clashed on the mountain, two incompatible views of the world, outlined by defiant red letters painted on a plywood sign: “Every knee shall bow to Yahshua Messiah.
Jess Walter (Ruby Ridge: The Truth and Tragedy of the Randy Weaver Family)
How do you calculate fish fries in the backyard, kiddie pools in the front yard, and unfettered views of a thousand starts in the night sky? So much of life is intangible, and places don't feel like they're disappearing to the people who are living there. I went to Accomack County and I found endless metaphors for a dying county in a changing landscape. There were endless metaphors that went the opposite way, too: rural life as a fairy tale, better than the rest of the country. The reality is probably somewhere in between. The people who lived in Accomack were happy to live in Accomack. It wasn't small, it was close-knit. It wasn't backward, it was simple. There weren't a hundred things to do every night, but if you went to the one available thing, you were pretty much guaranteed to run into someone you knew.
Monica Hesse (American Fire: Love, Arson, and Life in a Vanishing Land)
Yet even these missionaries of mechanical progress cannot entirely ignore the older passion for nature that still survives as an essential part of our New World heritage; for they have invented a prefabricated substitute for the wilderness, or at least an ingenious equivalent for the hunter's campfire. That ancient paleolithic hearth has become a backyard picnic grill, where, surrounded by plastic vegetation, factory-processed frankfurters are broiled on an open fire made with pressed charcoal eggs, brought to a combustion point by an electric torch connected by wire to a distant socket, while the assembled company views, either on television or on a domestic motion-picture screen, a travelogue through an African game preserve, or scenes with the grizzly bears in Yellowstone. Ah! Wilderness. For many of my own countrymen this is, I fear, the terminus of the pioneers' New World dream.
Lewis Mumford (The Pentagon of Power (The Myth of the Machine, Vol 2))
Thanks to these efforts, Telepinu is viewed as one of the greatest Hittite kings, but before he could end the orgy of violence in the Hittite Dark Age, a new and powerful state came to power in Hatti’s backyard. While the Hittites had been preoccupied with killing each other during the middle of the second millennium BCE, the Hurrian people coalesced and formed a powerful kingdom in northern Mesopotamia and the Levant known as Mitanni. For a brief period, Mittani was one of the most powerful kingdoms in the ancient Near East, and it was a perpetual thorn in the Hittites’ side for over 200 years. Like
Charles River Editors (The Hittites and Lydians: The History and Legacy of Ancient Anatolia’s Most Influential Civilizations)
Could this be a picture of me praying by the kitchen sink while I’m washing my dishes? It could be. And, yes, the Lord assures me that my eyes might be open as I take in the view from the backyard. I see the trees that my husband and I planted together, and I praise God for His gift of a husband. Could this be a picture of me praising the Lord as I snuggle in close to my husband
Darlene Schacht (Messy Beautiful Love: Hope and Redemption for Real-Life Marriages)
than those who are less skilled. The most critical information comes from the bowling hand and its relationship to the bowling arm after front foot contact has occurred. Abernethy is of the view that anticipatory skill develops slowly and requires extensive exposure to adult movement patterns. Retrospective studies of successful batsmen frequently reveal that these players have experienced large amounts of unstructured practice during their developing years (especially informal activities such as backyard cricket) and have had early exposure to playing against adults. The latter may be important not only in providing early opportunities to start learning the features
Cricket Australia (The Cutting Edge Cricket)
On the top rack is a cooled and decorated seven-layered 'opera' cake. Her client- the Peruvian ambassador- had requested a "tropical" theme for a dinner party dessert. Avis had based the decoration on the view through the kitchen window, re-creating in lime, lemongrass, and mint frostings the curling backyard flora, curving foliage shaped like tongues and hearts, fat spines bisecting the leaves.
Diana Abu-Jaber (Birds of Paradise)
Trust is like a sheet of paper; once it’s crumpled, it is never viewed the same again.
Vikki Walton (Chicken Culprit (Backyard Farming Mystery, #1))
Wish I could pull out my cell phone and text a status update to my Facebook. It'd say: Bored as all hell. So bored in fact, I may just drop dead. A voice catches me off-guard. “You should learn to take a hint.” It's a male voice, coming from the neighbor's backyard. I freeze in the beanbag chair, not wanting to move and give myself away. A shadow comes into view just to my right. I turn my head and squint in the dark to see him. He's a younger guy, definitely not a grown man but probably older than high school. He's wearing dark jeans and no shirt, holding a cell phone to his ear. I guess some phones can get reception out here. “I don't care what you feel,” he says, running a hand through his short hair. It looks green from the reflection of his porch light, but it's probably brown. “You should have thought about that before you screwed that dude.” I gasp and turn away, feeling guilty for eavesdropping on such a private conversation. I'm glad he doesn't know I'm here. “Stop calling me,” he says, his voice weary. “I don't want to hear from you again, or I swear I'll break this phone in half.” I let out a deep breath. Break his phone in half? He has no idea what life is like without a phone.
Amy Sparling (Summer Unplugged (Summer Unplugged #1))
Improve your world to improve your poetry, for poetry is the last window of your world from where you look at future. POETRY IS THE LAST WINDOW OF YOUR WORLD FROM WHERE YOU LOOK AT FUTURE OR PAST. IMPROVE YOUR WORLD TO IMPROVE YOUR POETRY. SOME PEOPLE USE IT TO LOOK AT THEIR PAST. OF COURSE THROUGH THE BACKYARD WINDOW
Vineet Raj Kapoor
Nest box curtains provide the hens extra privacy when laying. They can also help keep drafts away from the eggs and any baby chicks a mama hen might be brooding. In addition, nest curtains can help block the view and thus keep hens from fighting and harassing each other over a box.
Anne Kuo (The Beginner's Guide to Raising Chickens: How to Raise a Happy Backyard Flock (Raising Chickens Guide))
There hasn't been a war fought on American soil in more than 145 years. We've been distanced, protected, and made safe from the fear and horrors of war, especially from the possibility of having one in our own backyard...In the United States, we have helped support and create a government and a media machine that puts us in a bubble, reinforces a xenophobic view of the world, and puts all of our troubles "out of sight and out of mind.
Brian Wood (DMZ, Vol. 7: War Powers)