Backwards Graduation Quotes

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Gabriel slowly raised his head and stared at her. Ten graduate students inhaled as one and began to move backward in their chairs, fearful that he might explode, or that a dagger from his eye might fly out and gut them.
Sylvain Reynard (Gabriel's Inferno (Gabriel's Inferno, #1))
We were kissing and everything was going really well in my opinion, and then he put a hand on the side of my breast mostly by accident and panicked and jerked back from me and babbled, "I've got, it's, uh, I didn't, you have, we," incoherently, and nearly walked himself backwards right onto the corpse of the very real drencher he'd killed in our first run, which was still sopping wet and perfectly capable of dissolving the flesh off his feet and legs if he touched it on his own. I had to jump after him and drag him to one side, and he didn't even notice why, he just pulled free of me and fled, leaving me standing alone in front of the doors.
Naomi Novik (The Last Graduate (The Scholomance, #2))
Finally, we came to Madonna's basic feeling that Limbaugh was defending her against insults she felt liberals were lobbing at her: "Oh, liberals think that Bible-believing Southerners are ignorant, backward, rednecks, losers. They think we're racist, sexist, homophobic, and maybe fat." Her grandfather had struggled as a desperately poor Arkansas sharecropper. She was a gifted singer, beloved by a large congregation, a graduate of a two-year Bible college, and a caring mother of two. In this moment, I began to recognize the power of blue-state catcalls taunting red state residents. Limbaugh was a firewall against liberal insults thrown at her and her ancestors, she felt. Was the right-wing media making them up to stoke hatred, I wondered, or were there enough blue-state insults to go around?
Arlie Russell Hochschild (Strangers in Their Own Land: Anger and Mourning on the American Right)
The Golden Bough captured the imagination of many artists in the early twentieth century. Eliot, certainly, was immersed in it, discussing it familiarly in his graduate school papers and book reviews and constantly alluding to it in his art. The most straightforward advice he offers to readers of The Waste Land (given in the notes to the poem) is, in paraphrase, that any serious reader of the poem must take into consideration modern scholarship in myth and anthropology, especially Frazer Golden Bough and Jessie Weston From Ritual to Romance. The poet says that he is indebted to this scholarship for his title, his plan, his symbolism, and many of his references to ancient religion and society. His claim about the title, taken from the monomyth of Frazer and Weston, his claim about the symbolism, associated with the birth-death-rebirth cycles of the myths, and his claim about the miscellaneous undergirding references have been discussed by Grover Smith and other scholars. We wish to focus more on Eliot's claim about being indebted to Frazer for the plan of the poem. We believe it refers, at least in part, to Frazer's use of the comparative method and to his practice of assembling many perspectives and allowing these perspectives to make his point. It must be noted at once that Eliot was quite selective in his admiration of Frazer. For example, he did not admire Frazer's positivism. Frazer put his faith in science and celebrated what he called the evolution from magic to religion to science. Nor did Eliot share Frazer's conclusions. In his 1913 paper on the interpretation of primitive ritual, he says that Frazer's interpretations of specific myths (the myth of the dying god is his example) are almost certainly mistaken. But Eliot did admire Frazer's erudition and his increasingly nontheoretical presentation of many angles of vision which in themselves tend to generate an overarching abstract primitive vision. In 1924, on the occasion of the publication of a condensed edition of The Golden Bough, Eliot wrote a review in which he lauded Frazer for having "extended the consciousness of the human mind into as dark a backward and abysm of time as has yet been explored." Eliot argues that Frazer's importance for artists is in his exemplary withdrawal from speculation, his adoption of the absence of interpretation as a positive modus operandi.
Jewel Spears Brooker (Reading the Waste Land: Modernism and the Limits of Interpretation)
She went to move around Jacques, strongly objecting to the this woman label. She did have a name. She was a person. She had a feeling they all thought her the hysterical type. She certainly hadn’t managed to show them her normal calm self. Jacques stepped backward and his arm swept behind him to pin her against the wall. He never took his eyes from the trio before them. He knew he was unstable, still fighting to hold on to reason when his every instinct was to attack. He trusted none of them and would not allow Shea to be put in any danger. Shea retaliated with a hard pinch. She was not going to cower behind her wild man like some seventeenth-century heroine fainting with the vapors. So she was surrounded by a few vampires. Big deal. Carpathians. Jacques sounded amused. If you laugh at me, Jacques, I might find another wooden stake and come after you myself, she warned him silently. “Well, for heaven’s sake.” Shea sounded exasperated as she addressed the group. “We’re all civilized, aren’t we?” She shoved at Jacques’ broad back. “Aren’t we?” “Absolutely.” Raven stepped forward, ignoring Mikhail’s restraining hand. “At least the women are. The men around here haven’t quite graduated from the swinging-through-trees stage yet.
Christine Feehan (Dark Desire (Dark, #2))
Once the writers of the Common Core arrived at what standards they concluded were needed to graduate from high school – and to be “college and career ready” – they simply kept stepping-down while walking backwards – all the way downward to the kindergarten level.
Terry Marselle (Perfectly Incorrect: Why The Common Core Is Psychologically And Cognitively Unsound)
I could instead launch an Expedia-for-the-regretful site, which would include special travel packages for the legions of college graduates in the surveys who regretted not studying abroad.
Daniel H. Pink (The Power of Regret: How Looking Backward Moves Us Forward)
I drive into the high school parking lot with my mind more on my sister than on the road. My wheels screech to a stop when I almost hit a guy and girl on a motorcycle. I thought it was an empty parking space. “Watch it, bitch,” Carmen Sanchez, the girl on the back of the motorcycle, says as she flips me the finger. She obviously missed the Road Rage lecture in Driver’s Ed. “Sorry,” I say loudly so I can be heard over the roar of the motorcycle. “It didn’t look like anyone was in this spot.” Then I realize whose motorcycle I almost hit. The driver turns around. Angry dark eyes. Red and black bandana. I sink down into the driver’s seat as far as I can. “Oh, shit. It’s Alex Fuentes,” I say, wincing. “Jesus, Brit,” Sierra says, her voice low. “I’d like to live to see graduation. Get outta here before he decides to kill us both.” Alex is staring at me with his devil eyes while putting the kickstand down on his motorcycle. Is he going to confront me? I search for reverse, frantically moving the stick back and forth. Or course it’s no surprise my dad bought me a car with a stick shift without taking the time to teach me how to master driving the thing. Alex takes a step toward my car. My instincts tell me to abandon the car and flee, as if I was stuck on railroad tracks with a train heading straight for me. I glance at Sierra, who’s desperately searching through her purse for something. Is she kidding me? “I can’t get this damn car in reverse. I need help. What are you looking for?” I ask. “Like…nothing. I’m trying not to make eye contact with those Latino Bloods. Get a move on, will ya?” Sierra responds through gritted teeth. “Besides, I only know how to drive an automatic.” Finally grinding into reverse, my wheels screech loud and hard as I maneuver backward and search for another parking spot. After parking in the west lot, far from a certain gang member with a reputation that could scare off even the toughest Fairfield football players, Sierra and I walk up the front steps of Fairfield High. Unfortunately, Alex Fuentes and the rest of his gang friends are hanging by the front doors. “Walk right past them,” Sierra mutters. “Whatever you do, don’t look in their eyes.” It’s pretty hard not to when Alex Fuentes steps right in front of me and blocks my path. What’s that prayer you’re supposed to say right before you know you’re going to die?
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
We thank you for the offer, healer, but Shea is unused to our ways.” Jacques couldn’t remember most of them himself. He was as uneasy in the presence of the Carpathian as Shea. His black eyes glittered like ice, caught and trapped the reflection of a lightning whip as it sizzled across the dark sky. “The other male is not with you.” “Byron,” Mikhail supplied. “He has been a good friend to you for centuries. He is aware that you completed the ritual and this woman is your true lifemate. Search your mind, Jacques. Remember how difficult this time is on our unattached males.” Shea’s face went crimson under the unearthly paleness. The reference to the ritual had to mean they were aware Jacques had made love to her. The lack of privacy disturbed her immensely. She went to move around Jacques, strongly objecting to the this woman label. She did have a name. She was a person. She had a feeling they all thought her the hysterical type. She certainly hadn’t managed to show them her normal calm self. Jacques stepped backward and his arm swept behind him to pin her against the wall. He never took his eyes from the trio before them. He knew he was unstable, still fighting to hold on to reason when his every instinct was to attack. He trusted none of them and would not allow Shea to be put in any danger. Shea retaliated with a hard pinch. She was not going to cower behind her wild man like some seventeenth-century heroine fainting with the vapors. So she was surrounded by a few vampires. Big deal. Carpathians. Jacques sounded amused. If you laugh at me, Jacques, I might find another wooden stake and come after you myself, she warned him silently. “Well, for heaven’s sake.” Shea sounded exasperated as she addressed the group. “We’re all civilized, aren’t we?” She shoved at Jacques’ broad back. “Aren’t we?” “Absolutely.” Raven stepped forward, ignoring Mikhail’s restraining hand. “At least the women are. The men around here haven’t quite graduated from the swinging-through-trees stage yet.” “I owe you an apology for last night, Miss O’Halloran,” Mikhail said with far too much Old World charm. “When I saw you crouched over my brother, I thought…” Raven snorted. “He didn’t think, he reacted. He really is a great man, but overprotective with the people he loves.” There was a wealth of love in her teasing tone. “Honestly, Jacques, you can’t keep her prisoner, locked up like some nun in a convent.” Shea was mortified. Jacques, move! You’re embarrassing me.
Christine Feehan (Dark Desire (Dark, #2))
You must be new to DSI.” “Graduated two weeks ago. What gave me away?” I mimic her smile. “The fresh, handsome face, or the fact that I didn’t slip a knife out of my belt when I walked in, wary of you getting funny ideas?” She raises her hands in a mocking gesture of peace. “Both, if you must know. New Crows always have this air of undue confidence hanging around them. Think they can take on the magic world with a .45 and a few fake magic rings, defeat the big bad monsters, play the valiant knights. But they learn real quick, most of them, the truth of the matter. That—” “The world of monsters and mayhem can’t be controlled by mortal hands.” My voice drops two octaves. “Don’t mistake my inexperience for naïveté, witch.” The woman shifts backward a step, and I sense a stream of magic building in her palms. A faint aura forms around her hands, an earthy green hue. A sign she’s preparing to attack. I respond by activating my beggar rings with a simple mental command, Build. My fingers begin to grow warm as the rings absorb the energy in the air around me. There’s a bit more than usual—a consequence of being in the presence of a magic user
Clara Coulson (Soul Breaker (City of Crows, #1))
It is why so many graduate students in science and engineering at American graduate schools - still the best in the world - are from other countries. The corollary, one that the United States sometimes fails to grasp, is that abandoning science is the road back into poverty and backwardness.
Anonymous
As I said before, when I first started here at Everdale, I tried my hardest to fit in with Montana and her friends. People referred to them as the Shinies because everything about them was pretty and attention-grabbing. I’d bent over backward trying to be their friend, and in return, Montana played vicious pranks on me. One morning she’d nabbed my clothes while I was taking a shower and locked me in the girls’ room, leaving me completely naked. She also lied to me about a school rule which landed me in early morning detention. If I didn’t do something to stop her, she was going to make my life miserable until our graduation day. If we were going to be spending three more long years together, I was going to have to nip her behavior in the bud. The plan was simple enough. Montana
Tiffany Nicole Smith (Glam and Gossip: The Ava G Chronicles Book Three)
Investment in officer training has recently played out exactly backward: OCS trainees stay the longest, followed by ROTC trainees who did not receive any college scholarship, followed by ROTC trainees who received two-year scholarships, followed by ROTC trainees with three-year scholarships, followed finally by West Point graduates and full-scholarship ROTC trainees.
David Epstein (Range: Why Generalists Triumph in a Specialized World)