Back Catcher Quotes

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Isabelle drifted over, Jace a pace behind her. She was wearing a long black dress with boots and an even longer cutaway coat of soft green velvet, the color of moss. "I can't believe you did it!" she exclaimed. "How did you get Magnus to let Jace leave?" "Traded him for Alec," Clary said. Isabelle looked mildly alarmed. "Not permanently?" "No," said Jace. "Just for a few hours. Unless I don't come back," he added thoughtfully. "In which case, maybe he does get to keep Alec. Think of it as a lease with an option to buy." Isabelle looked dubious. "Mom and Dad won't be pleased if they find out." "That you freed a possible criminal by trading away your brother to a warlock who looks like a gay Sonic the Hedgehog and dresses like the Child Catcher from Chitty Chitty Bang Bang?" Simon inquired. "No, probably not.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
I've learned that you shouldn't go through life with a catcher's mitt on both hands; you need to be able to throw some things back.
Maya Angelou
Ask her if she still keeps all her kings in the back row.
J.D. Salinger (The Catcher in the Rye)
As we left the kitchen, I asked, “Can I hold your sword today?” Catcher glanced back over his shoulder and lifted a brow. “The sword,” I corrected. “The sword.” We’ll see.
Chloe Neill (Some Girls Bite (Chicagoland Vampires, #1))
How much pain exists in the world because we cannot get past what has been done to us, because we insist on inflicting pain right back?
Sabaa Tahir (A ​Sky Beyond the Storm (An Ember in the Ashes, #4))
I looked at Ethan and smiled a little. “I love you,” he mouthed. “I love you, too,” I mouthed back. “And I’m nauseous,” Catcher grumbled. “Let’s get on with this. I am seriously in need of a beer and a Lifetime movie.
Chloe Neill (Biting Cold (Chicagoland Vampires, #6))
I’ve learned that no matter what happens, or how bad it seems today, life does go on, and it will be better tomorrow. I’ve learned that you can tell a lot about a person by the way he/she handles these three things: a rainy day, lost luggage, and tangled Christmas tree lights. I’ve learned that regardless of your relationship with your parents, you’ll miss them when they’re gone from your life. I’ve learned that making a “living” is not the same thing as making a “life.” I’ve learned that life sometimes gives you a second chance. I’ve learned that you shouldn’t go through life with a catcher’s mitt on both hands; you need to be able to throw something back. I’ve learned that whenever I decide something with an open heart, I usually make the right decision. I’ve learned that even when I have pains, I don’t have to be one. I’ve learned that every day you should reach out and touch someone. People love a warm hug, or just a friendly pat on the back. I’ve learned that I still have a lot to learn. I’ve learned that people will forget what you said, people will forget what you did, but people will never forget how you made them feel.
Maya Angelou
Catcher shrugged, refolded the paper, and stuffed it back into his pocket. "Anyone wanna dance?" "Oh, Jesus," Mallory muttered. "Dance?" I asked. "I could dance. I need to change, but I can dance." I could always dance. My hips didn't lie. Mallory tucked her tongue into her cheek, then gave Catcher a look of mock irritation. "Nice going, Gandalf. You'll rile her up, and I'll never get her tucked in. You wanna give her candy and caffeine while you're at it?
Chloe Neill
Lawyers are alright, I guess — but it doesn't appeal to me", I said. "I mean they're alright if they go around saving innocent guys' lives all the time, and like that, but you don't do that kind of stuff if you're a lawyer. All you do is make a lot of dough and play golf and play bridge and buy cars and drink Martinis and look like a hot-shot. And besides, even if you did go around saving guys' lives and all, how would you know if you did it because you really wanted to save guys' lives, or because you did it because what you really wanted to do was be a terrific lawyer, with everybody slapping you on the back and congratulating you in court when the goddam trial was over, the reporters and everybody, the way it is in the dirty movies? How would you know you weren't being a phony? The trouble is you wouldn't.
J.D. Salinger (The Catcher in the Rye)
When I was all set to go, when I had my bags and all, I stood for a while next to the stairs and took a last look down the goddam corridor. I was sort of crying. I don't know why. I put my red hunting hat on, and turned the peak around to the back, the way I liked it, and then I yelled at the top of my goddam voice, "Sleep tight, ya morons!" I'll bet I woke up every bastard on the whole floor. Then I got the hell out. Some stupid guy had thrown peanut shells all over the stairs, and I damn near broke my crazy neck.
J.D. Salinger (The Catcher in the Rye)
Mallory!" Catcher's voice boomed down the stairs. Mallory fixed her mouth into a tight line and walked me into the kitchen. "Ignore it," she advised. "Much like the bubonic plague, it'll go away if you give it enough time." "Mallory! You weren't finished! Get back in here!" I glanced up the stairway. "You didn't leave him handcuffed to the bed or something, did you?" "Jesus, no." I incrementally relaxed, until she continued. "My headboard's a single piece of wood. There's nothing to handcuff him to.
Chloe Neill
And yes, Holden would keep those kids from falling off the cliff, but WHO WOULDN'T? Does she think I would just fold my arms or give them a pat on the back before they sailed headfirst to the ground? We are all catchers, and it's sad that she doesn't see it. Instead she sees the PHONINESS, she deplores the world even after I point out that I am in it.
David Levithan (The Realm of Possibility)
Hey, better than the real thing,” I said. “What do you even do with a chimera?” “What wouldn’t you do with a chimera?” Jeff asked. “They’re like the Swiss Army knife of animals.” “Party in the front, business in the back,” Catcher agreed. That earned a snort and laugh from me. “Any animal that can be compared to a mullet is a good animal in my book.
Chloe Neill (Biting Bad (Chicagoland Vampires, #8))
Everyone wants to tell you that it isn't so bad, but it is. You will be so sad that you will feel like you will die. But you won't die. And with every day that passes, you will get back a little piece of yourself.
Cassandra Clare (Sword Catcher (Sword Catcher, #1))
I've read this same sentence about twenty times since you came in." Anybody else except Ackley would've taken the goddamn hint. Not him though... "What the hellya reading?" "Goddamn book." He shoved my book back with his hand so that he could see the name on it. "Any good?" he said. "This sentence I'm reading is terrific.
J.D. Salinger
Then I’d throw my automatic down the elevator shaft-after I’d wiped off all the fingerprints and all. Then I’d crawl back up to my room and call up Jane and have her come over and bandage up my guts. I pictured her holding a cigarette for me to smoke while I was bleeding and all. The goddam movies. They can ruin you. I’m not kidding.
J.D. Salinger (The Catcher in the Rye)
Of those of us who comprise the real clan of the book, who read not to judge the reading of others but to take the measure of ourselves. Of those of us who read because we love it more than anything, who feel about bookstores the way some people feel about jewelers. The silence about this was odd, both because there are so many of us and because we are what the world of books is really about. We are the people who once waited for the newest installment of Dickens's latest novel and who kept battered copies of Catcher in the Rye in our back pockets and backpacks. We are the ones who saw to it that Pride and Prejudice never went out of print.
Anna Quindlen (How Reading Changed My Life)
Ahead of me is the open desert, hot and merciless. Behind me is Sand. I don't turn back; I don't say goodbye. The Bullet Catcher carves a straight line through the desert, walking towards the distant mountains. And I follow.
Noemí Lowe (Bullet Catcher)
Finally, though, I’d leave the room without even taking a sock at him. I’d probably go down to the can and sneak a cigarette and watch myself getting tough in the mirror. Anyway, that’s what I thought about the whole way back to the hotel. It’s no fun to be yellow. Maybe I’m not all yellow. I don’t know. i think maybe I’m just partly yellow and partly the type that doesn’t give much of a damn if they lose their gloves.
J.D. Salinger (The Catcher in the Rye)
After I shut the door and stared back to the living room, he yelled something at me, but I couldn't exactly hear him. I'm pretty sure he yelled 'Good luck!' at me. I hope not. I hope to hell not. I'd never yell 'Good luck' at anybody. It sounds terrible, when you think about it.
J.D. Salinger (The Catcher in the Rye)
A lot of people, especially this one psychoanalyst guy they have here, keeps asking me if I'm going apply myself when I go back to school next September. It's such a stupid question, in my opinion. I mean how do you know what you're going to do till you do it? The answer is, you don't. I think I am, but how do I know? I swear it's a stupid question.
J.D. Salinger (The Catcher in the Rye)
Not unless he crossed the line.’ Holly supposed she should let this go, but she was tired of Vera’s bullying. ‘Ah, that line . . .’ Vera leaned back in her chair with her eyes half-closed. ‘If only we knew exactly where it was.’ There
Ann Cleeves (The Moth Catcher (Vera Stanhope, #7))
Look. I know why you gave me that speech earlier today. I know you have an obligation to protect your vampires. But irrespective of the way that I was made, I have done everything that you’ve asked of me. I’ve taken training, I gave up my dissertation, I moved into the House, I got you in to see my father, I got you into the Breckenridge house, and I’ve dated the man you asked me to.” I pointed at the house behind us. “And even though I was supposed to get a few hours free from the drama of Cadogan House tonight with said man, I followed you here because you requested it. At some point, Ethan, you might consider giving me a little credit.” I didn’t wait for him to answer, but turned on my heel and went to the car. I opened the back door, climbed inside, and slammed it shut behind me. Catcher caught my gaze in the rearview mirror. “Feel better?” “Is he still standing there with that dumbstruck expression on his face?” There was a pause while he checked, then a chuckle. “Yes, he is.” “Then, yes, I feel better.
Chloe Neill (Friday Night Bites (Chicagoland Vampires, #2))
God had to break Jacob to make him useful. In the breaking process, Jacob—the deceiving “heel-catcher”—became Israel, a “prince with God” who purposed to serve God rather than himself. Natural leaders often need to be broken. Consider your natural ability to lead a gift from God, but your character a gift to present back to God. Remember: Every time you stand up under the weight of adversity, you are being prepared, as Jacob was, to better serve God and lead people.
John C. Maxwell (NKJV, Maxwell Leadership Bible: Holy Bible, New King James Version)
Artists, composers and writers...are bent upon capturing and reining in the insights of a fugitive imagination, always inclined to shoot off into the distance, before they can get away, and on bringing them back into the immediacy of material engagement. Like hunters, they too are dream-catchers.
Tim Ingold (Imagining Landscapes: Past, Present and Future)
A girl silly enough to leave her private thoughts displayed so blatantly in a plain notebook tucked snugly in the back of an undistinguished piece of furniture in the corner of an out-of-the-way parlor frequented only by her closest female companions deserved to have her privacy invaded. He continued to invade.
Katharine Ashe (Kisses, She Wrote (The Prince Catchers, #1.5))
Yes, I know that now that there is truth in beauty and beauty in truth. My nature is to be depressive and come out of it and write, and enjoy writing and feeling as if I have a passion and excitement and love and euphoria for it and then I go 'back to sleep again' where I can eat and watch television and not work, not be productive and then just as if a magic switch is turned on I can do it all over again. I don't mind the being depressed part. Sometimes it seems to fuel me. The anger though is gone now that was there in my twenties and even earlier in my youth. Your voice is Tolstoy’s, Hemingway’s, Updike’s, Styron’s, Mcewan’s, Greene’s, Fugard’s, Kundera’s, Rilke’s while I am the incarnate of Radcliffe Hall crossing both genders effortlessly. You betray nothing. There is son in the picture. A small boy but you don’t introduce him to me. Obsessions are unhealthy creatures. They make you mentally ill, emotionally unstable; leave you with a chemistry of deep sadness in your life. I have my writing. It keeps me from disintegrating into fractions. I should stop now before I begin to make myself cry.
Abigail George (Winter in Johannesburg)
And everyone got mad about Kaepernick tweeting an image of a police badge and a slave catcher’s badge with the caption “You Can’t Ignore Your History—Always Remember Who They Are.” People can get mad, but he was telling the truth: throughout the South, that’s exactly how police departments started. Police in the South were in charge of maintaining the economic order, especially retaining the “property” of slave owners. After the Civil War, the cops were back in action making sure that blacks were staying in their place.
D.L. Hughley (How Not to Get Shot: And Other Advice From White People)
A lot of people, especially this one psychoanalyst guy they have here, keeps asking me if I’m going to apply myself when I go back to school next September. It’s such a stupid question, in my opinion. I mean how do you know what you’re going to do till you do it? The answer is, you don’t. I think I am, but how do I know? I swear it’s a stupid question.
J.D. Salinger (The Catcher in the Rye)
As we left the kitchen, I asked, “Can I hold your sword today?” Catcher glanced back over his shoulder and lifted a brow. “The sword,” I corrected. “The sword.
Chloe Neill (Some Girls Bite (Chicagoland Vampires, #1))
What good is war, Blood Shrike?" The sadness etched into his face feels ancient, the sorrow of a Soul Catcher instead of the friend I've known since childhood. "How many have died because of a king's greed or a commander's pride? How much pain exists in the world because we cannot get past what has been done to us, because we insist on inflicting pain right back
Sabaa Tahir (A ​Sky Beyond the Storm (An Ember in the Ashes, #4))
Here is the thing you should know about children,” said Lilibet. Up close, it was clear to see that the Prince’s looks came from his mother: He had her black hair, her lush mouth at odds with those fine, almost too-sharp bones. “Children make you helpless. You can have all the power one can imagine, and if you cannot keep them safe from themselves and the world, it does not matter.” Lin inclined her head, not sure what to say. “I ought to remain with the Prince tonight. Make sure his condition is stable.” The Queen nodded. As Lin turned toward the door of the royal apartment, the Queen said abruptly, “And if you do have children, physician—” Lin looked back over her shoulder. Lilibet was not looking at her, but into the distance, as if recalling some past event. “If you do have children, make sure to have more than one.
Cassandra Clare (Sword Catcher (Sword Catcher, #1))
One other thing I just thought of. One time, in this movie, Jane did something that just about knocked me out. The newsreel was on or something, and all of a sudden I felt this hand on the back of my neck, and it was Jane's. It was a funny thing to do. I mean she was quite young and all, and most girls if you see them putting their hand on the back of somebody's neck, they're around twenty-five or thirty and usually they're doing it to their husband or their little kid--I do it to my kid sister Phoebe once in a while, for instance. But if a girl's quite young and all and she does it, it's so pretty it just about kills you.
J.D. Salinger (The Catcher in the Rye)
There are men who tell you revenge will never be worth it. They will tell you it will not bring back the dead, and only makes you as evil as your victim. I’d say these men, never in their life, had anything to revenge
Alaric Longward (The Snake Catcher (Hraban Chronicles, #4))
I went to my room and put some water on my hair, but you can't really comb a crew cut or anything. Then I tested to see if my breath stank from so many cigarettes and the Scotch and sodas I drank at Ernie's. All you do is hold your hand under your mouth and blow your breath up toward the old nostrils. It didn't seem to stink much, but I brushed my teeth anyway. Then I put on another clean shirt. I knew I didn't have to get all dolled up for a prostitute or anything, but it sort of gave me something to do. I was a little nervous. I was starting to feel pretty sexy and all, but I was a little nervous anyway. If you want to know the truth, I'm a virgin. I really am. I've had quite a few opportunities to lose my virginity and all, but I've never got around to it yet. Something always happens. For instance, if you're at a girl's house, her parents always come home at the wrong time – or you're afraid they will. Or if you're in the back seat of somebody's car, there's always somebody's date in the front seat – some girl, I mean – that always wants to know what's going on all over the whole goddam car. I mean some girl in front keeps turning around to see what the hell's going on. Anyway, something always happens. I came quite close to doing it a couple of times, though. One time in particular, I remember. Something went wrong, though – I don't even remember what any more. The thing is, most of the time when you're coming pretty close to doing it with a girl – a girl that isn't a prostitute or anything, I mean – she keeps telling you to stop. The trouble with me is, I stop. Most guys don't. I can't help it. You never know whether they really want you to stop, or whether they're just scared as hell, or whether they're just telling you to stop so that if you do go through with it, the blame'll be on you not them. Anyway, I keep stopping. The trouble is, I get to feeling sorry for them. I mean most girls are so dumb and all. After you neck them for a while, you can really watch them losing their brains. You take a girl when she really gets passionate, she just hasn't any brains. I don't know. They tell me to stop, so I stop. I always wish I hadn't, after I take them home, but I keep doing it anyway.
J.D. Salinger (The Catcher in the Rye)
Ford hired the quality management guru Edward Deming to train his people on quality principles. In the kick-off meeting, he introduced Deming, spoke briefly about the critical need for quality management and then, leaving Deming to do the rest, left the room. As he was walking out, he realized Deming was following him. Surprised, he asked what had happened. In answer, Deming famously quipped that he was simply following the leader. Ford immediately realized his mistake and turned back to sit down with his team to learn about Total Quality Management (TQM).
Subroto Bagchi (The Elephant Catchers: Key Lessons for Breakthrough Growth)
To translate man back into nature, to become master over the many vain and overly enthusiastic interpretations and connotations that have so far been scrawled and painted over that eternal basic text of homo natura; to see to it that the human being henceforth stands before human beings as even today, hardened in the discipline of science, he stands before the rest of nature, with intrepid Oedipus eyes and sealed Odysseus ears, deaf to the siren songs of old metaphysical bird catchers who have been piping at him all too long, "you are more, you are higher, you are of a different origin"—that may be a strange and insane task, but it is a task —who would deny that?
Friedrich Nietzsche (Beyond Good and Evil)
don’t b’lieve in ‘evil’ in most ways,” Miz Lottie said. “I believe in the devil, all right, but man don’t need no help from Satan to do what folks call ‘evil.’ Man do evil ev’ry day and call it doin’ their job. Slave drivers was ‘doin’ their job,’ beatin’ the skin off folks. Slave catchers settin’ dogs to rip out eyes and limbs. Don’t nobody know to this day how many Negro men and boys got kilt on McCormack’s land when Isaiah Timmons faced McCormack with a shotgun looking for his missing sons. Back in ’09, that was. I guess the sheriff was jus’ ‘doin’ his job’ when he rounded up men that had nothin’ to do with Timmons and his gun—and nobody saw ’em again. ’Cuz, see, colored folks fighting for what’s theirs is like a virus to white folks—and they kill a virus so it don’t spread. That killing is the work of man, not the devil. And if there’s any such thing as evil on this earth, Gloria, it’s here in Gracetown. In the soil, hear? Gracetown soil remembers. It’s like a mirror that shines yo’ ugly back at you.
Tananarive Due (The Reformatory)
The underground railroad maintained no lines to speak of. The decoys in negro dress, the secret codes in the back pages of newspapers. They openly bragged of their subversion, hustling a slave out the back door as the slave catchers broke down the front. It was a criminal conspiracy devoted to theft of property, and Ridgeway suffered their brazenness as a personal slur.
Colson Whitehead (The Underground Railroad)
THERE ARE AS MANY stories as there are jokes about consultants. One of my favourites is about a shepherd who encounters one while grazing his flock in the countryside. A man appears from nowhere, screeches to a halt, steps out of a fancy automobile and offers to tell the shepherd the exact number of animals he has in his flock if the latter agrees to give him a sheep. The shepherd says, ‘All right.’ The man takes out his smartphone, jabs at a couple of keys, downloads a few industry reports, activates an applet, and within a few minutes tells the shepherd he has 1,628 grazing animals. The shepherd is dumbfounded. The man then points to the animals and asks, ‘Now can I pick up one of the sheep?’ The shepherd nods. The man picks out an animal, puts it in the car and is ready to zoom off when the shepherd says, ‘Hey, wait a minute. If I tell you your profession, will you give my animal back?’ ‘Okay,’ says the man with a smirk. ‘You are a consultant,’ the shepherd announces. This time, it is the consultant’s jaw that drops. ‘How on earth could you tell?’ he asks in complete astonishment. The shepherd says, ‘Well, first you stopped by without an invitation. Second, you know nothing about the subject on which you offered expert advice. And third, the animal in your car isn’t a sheep. It’s my dog.
Subroto Bagchi (The Elephant Catchers: Key Lessons for Breakthrough Growth)
He went over to this desk on the other side of the room, and without sitting down wrote something on a piece of paper. Then he came back and sat down with the paper in his hand. “Oddly enough, this wasn’t written by a practicing poet. It was written by a psychoanalyst named Wilhelm Stekel. Here’s what he—Are you still with me?” “Yes, sure I am.” “Here’s what he said: ‘The mark of the immature man is that he wants to die nobly for a cause, while the mark of the mature man is that he wants to live humbly for one.
J.D. Salinger (The Catcher in the Rye)
But everyone likes dogs," Cassandra protested. "I don't dislike dogs. I just don't want one in my house." "Our house." She braced her elbows on the table and massaged her temples. "I've always had dogs. Pandora and I couldn't have survived our childhood without Napoleon and Josephine. If cleanliness is what worries you, I'll make certain the dog is bathed often, and accidents will be disposed of right away." That drew a grimace from him. "I don't want there to be accidents in the first place. Besides, you'll have more than enough to keep you busy- you won't have time for a pet." "I need a dog." Tom held the propelling pencil between his first and second fingers, and flipped it back and forth to make the ends tap on the table. "Let's look at this logically- you don't really need a dog. You're not a shepherd or a rat catcher. Household dogs serve no useful purpose." "They fetch things," Cassandra pointed out. "You'll have an entire staff of servants to fetch anything you want." "I want a companion who'll go on walks with me, and sit on my lap while I pet him." "You'll have me for that." Cassandra pointed to the contract. "Dog," she insisted. "I'm afraid it's nonnegotiable.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
Cobb’s perfectly timed base running turned a tap-back to the box into an inside-the-park home run. Davy Jones had been on third, and when Cobb made contact Jones unwisely got caught in a rundown while Cobb flew around the bases at top speed. The second Jones was tagged out by catcher Steve O’Neill, “a foot from third,” said ex-umpire (and ex-Tiger) Babe Pinelli, who dined out on the story for years, Cobb passed him, kept on going for home—and, without sliding, scored the game-winning run, first baseman Doc Johnston being “too awed by what he was witnessing,” said Pinelli, to cover home plate, as the textbook suggests.
Charles Leerhsen (Ty Cobb: A Terrible Beauty)
You did the right thing." "Yes, I did." He stroked her cheek with his thumb. "But with you, Arabella Anne Westfall, I have done everything wrong, from the moment we met, at nearly every turn. I have been arrogant and overly confident and short-tempered and deeply, insatiably lustful"-a bystander gasped-"and afraid of this between us. I was everything that must have been abhorrent to you when all you wished was to find your prince charming. Instead you ended up with a blind, surly, autocratic fool. If I could turn back time, if I could so what I should have done-" "Before I fell in love with you?" "-b-before I stole your virtue." His brow cut down. "By God, woman, you will always say what I least expect, won't you?" -Arabella & Luc
Katharine Ashe (I Married the Duke (The Prince Catchers, #1))
Of course, they say you can't steal first.  Detroit's Germany Schaefer did though. That zany character used to do his own announcing:  "Ladies and gentlemen!" he'd call out.  "Herman 'Germany' Schaefer now coming to bat for the Dee-troit Tagers.  That was the way he pronounced 'Tigers.'  Well, he was on first this day and Davy Jones on third in the ninth inning when they try to pull a double steal.  Nig Clarke, the catcher doesn't throw the ball, so on the next pitch Germany runs back to first.  He yells that he is gonna steal second again, and this time Nig tries to throw him out and Davy steals home with the winning run.  Craziest damned play you'll ever see.  They changed the rules after that.  Once you reach second, you can't run back and steal first.
John J. Rooney (Bleachers In the Bedroom: the Swampoodle Irish and Connie Mack)
The book I was reading was this book I took out of the library by mistake. They gave me the wrong book, and I didn't notice it till I got back to my room. They gave me Out of Africa, by Isak Dinesen. I thought it was going to stink, but it didn’t. It was a very good book. I’m quite illiterate, but I read a lot. My favorite author is my brother D.B., and my next favorite is Ring Lardner. My brother gave me a book by Ring Lardner for my birthday, just before I went to Pencey. It had these very funny, crazy plays in it, and then it had this one story about a traffic cop that falls in love with this very cute girl that's always speeding. Only, he's married, the cop, so he can't marry her or anything. Then this girl gets killed, because she's always speeding. That story just about killed me. What I like best is a book that’s at least funny once in a while. I read a lot of classical books, like The Return of the Native and all, and I like them, and I read a lot of war books and mysteries and all, but they don’t knock me out too much. What really knocks me out is a book that, when you’re all done reading it, you wish the author that wrote it was a terrific friend of yours and you could call him up on the phone whenever you felt like it. That doesn’t happen much, though. I wouldn’t mind calling this Isak Dinesen up. And Ring Lardner, except that D.B. told me he’s dead. You take that book Of Human Bondage, by Somerset Maugham, though. I read it last summer. It’s a pretty good book and all, but I wouldn’t want to call Somerset Maugham up. I don’t know. He just isn’t the kind of a guy I’d want to call up, that’s all. I’d rather call old Thomas Hardy up. I like that Eustacia Vye.
J.D. Salinger (The Catcher in the Rye)
[...]a man and a boy, side by side on a yellow Swedish sofa from the 1950s that the man had bought because it somehow reminded him of a zoot suit, watching the A’s play Baltimore, Rich Harden on the mound working that devious ghost pitch, two pairs of stocking feet, size 11 and size 15, rising from the deck of the coffee table at either end like towers of the Bay Bridge, between the feet the remains in an open pizza box of a bad, cheap, and formerly enormous XL meat lover’s special, sausage, pepperoni, bacon, ground beef, and ham, all of it gone but crumbs and parentheses of crusts left by the boy, brackets for the blankness of his conversation and, for all the man knew, of his thoughts, Titus having said nothing to Archy since Gwen’s departure apart from monosyllables doled out in response to direct yes-or-nos, Do you like baseball? you like pizza? eat meat? pork?, the boy limiting himself whenever possible to a tight little nod, guarding himself at his end of the sofa as if riding on a crowded train with something breakable on his lap, nobody saying anything in the room, the city, or the world except Bill King and Ken Korach calling the plays, the game eventless and yet blessedly slow, player substitutions and deep pitch counts eating up swaths of time during which no one was required to say or to decide anything, to feel what might conceivably be felt, to dread what might be dreaded, the game standing tied at 1 and in theory capable of going on that way forever, or at least until there was not a live arm left in the bullpen, the third-string catcher sent in to pitch the thirty-second inning, batters catnapping slumped against one another on the bench, dead on their feet in the on-deck circle, the stands emptied and echoing, hot dog wrappers rolling like tumbleweeds past the diehards asleep in their seats, inning giving way to inning as the dawn sky glowed blue as the burner on a stove, and busloads of farmhands were brought in under emergency rules to fill out the weary roster, from Sacramento and Stockton and Norfolk, Virginia, entire villages in the Dominican ransacked for the flower of their youth who were loaded into the bellies of C-130s and flown to Oakland to feed the unassuageable appetite of this one game for batsmen and fielders and set-up men, threat after threat giving way to the third out, weak pop flies, called third strikes, inning after inning, week after week, beards growing long, Christmas coming, summer looping back around on itself, wars ending, babies graduating from college, and there’s ball four to load the bases for the 3,211th time, followed by a routine can of corn to left, the commissioner calling in varsity teams and the stars of girls’ softball squads and Little Leaguers, Archy and Titus sustained all that time in their equally infinite silence, nothing between them at all but three feet of sofa;
Michael Chabon (Telegraph Avenue)
Jason, it’s a pleasure.” Instead of being in awe or “fangirling” over one of the best catchers in the country, my dad acts normal and doesn’t even mention the fact that Jason is a major league baseball player. “Going up north with my daughter?” “Yes, sir.” Jason sticks his hands in his back pockets and all I can focus on is the way his pecs press against the soft fabric of his shirt. “A-plus driver here in case you were wondering. No tickets, I enjoy a comfortable position of ten and two on the steering wheel, and I already established the rule in the car that it’s my playlist we’re listening to so there’s no fighting over music. Also, since it’s my off season, I took a siesta earlier today so I was fresh and alive for the drive tonight. I packed snacks, the tank is full, and there is water in reusable water bottles in the center console for each of us. Oh, and gum, in case I need something to chew if this one falls asleep.” He thumbs toward me. “I know how to use my fists if a bear comes near us, but I’m also not an idiot and know if it’s brown, hit the ground, if it’s black, fight that bastard back.” Oh my God, why is he so adorable? “I plan on teaching your daughter how to cook a proper meal this weekend, something she can make for you and your wife when you’re in town.” “Now this I like.” My dad chuckles. Chuckles. At Jason. I think I’m in an alternate universe. “I saw this great place that serves apparently the best pancakes in Illinois, so Sunday morning, I’d like to go there. I’d also like to hike, and when it comes to the sleeping arrangements, I was informed there are two bedrooms, and I plan on using one of them alone. No worries there.” Oh, I’m worried . . . that he plans on using the other one. “Well, looks like you’ve covered everything. This is a solid gentleman, Dottie.” I know. I really know. “Are you good? Am I allowed to leave now?” “I don’t know.” My dad scratches the side of his jaw. “Just from how charismatic this man is and his plans, I’m thinking I should take your place instead.” “I’m up for a bro weekend,” Jason says, his banter and decorum so easy. No wonder he’s loved so much. “Then I wouldn’t have to see the deep eye-roll your daughter gives me on a constant basis.” My dad leans in and says, “She gets that from me, but I will say this, I can’t possibly see myself eye-rolling with you. Do you have extra clothes packed for me?” “Do you mind sharing underwear with another man? Because I’m game.” My dad’s head falls back as he laughs. “I’ve never rubbed another man’s underwear on my junk, but never say never.” “Ohhh-kay, you two are done.” I reach up and press a kiss to my dad’s cheek. “We are leaving.” I take Jason by the arm and direct him back to the car. From over his shoulder, he mouths to my dad to call him, which my dad replies with a thumbs up. Ridiculous. Hilarious. When we’re saddled up in the car, I let out a long breath and shift my head to the side so I can look at him. Sincerely I say, “Sorry about that.” With the biggest smile on his face, his hand lands on my thigh. He gives it a good squeeze and says, “Don’t apologize, that was fucking awesome.
Meghan Quinn (The Lineup)
I went out the doors and started down these stone stairs to meet her. The thing I couldn't understand, she had this big suitcase with her. She was just coming across Fifth Avenue, and she was dragging this goddam big suitcase with her. She could hardly drag it. When I got up closer, I saw it was my old suitcase, the one I used to use when I was at Whooton. I couldn't figure out what the hell she was doing with it. "Hi," she said when she got up close. She was all out of breath from that crazy suitcase. "I thought maybe you weren't coming," I said. "What the hell's in that bag? I don't need anything. I'm just going the way I am. I'm not even taking the bags I got at the station. What the hellya got in there?" She put the suitcase down. "My clothes," she said. "I'm going with you. Can I? Okay?" "What?" I said. I almost fell over when she said that. I swear to God I did. I got sort of dizzy and I thought I was going to pass out or something again. "I took them down the back elevator so Charlene wouldn't see me. It isn't heavy. All I have in it is two dresses and my moccasins and my underwear and socks and some other things. Feel it. It isn't heavy. Feel it once...Can't I go with you? Holden? Can't I? Please?
J.D. Salinger (The Catcher in the Rye)
Palermo is dotted everywhere with frittura shacks- street carts and storefronts specializing in fried foods of all shapes and cardiac impacts. On the fringes of the Ballarò market are bars serving pane e panelle, fried wedges of mashed chickpeas combined with potato fritters and stuffed into a roll the size of a catcher's mitt. This is how the vendors start their days; this is how you should start yours, too. If fried chickpea sandwiches don't register as breakfast food, consider an early evening at Friggitoria Chiluzzo, posted on a plastic stool with a pack of locals, knocking back beers with plates of fried artichokes and arancini, glorious balls of saffron-stained rice stuffed with ragù and fried golden- another delicious ode to Africa. Indeed, frying food is one of the favorite pastimes of the palermitani, and they do it- as all great frying should be done- with a mix of skill and reckless abandon. Ganci is among the city's most beloved oil baths, a sliver of a store offering more calories per square foot than anywhere I've ever eaten. You can smell the mischief a block before you hit the front door: pizza topped with french fries and fried eggplant, fried rice balls stuffed with ham and cubes of mozzarella, and a ghastly concoction called spiedino that involves a brick of béchamel and meat sauce coated in bread crumbs and fried until you could break someone's window with it.
Matt Goulding (Pasta, Pane, Vino: Deep Travels Through Italy's Food Culture (Roads & Kingdoms Presents))
They had this course you had to take, Oral Expression. That I flunked. 'Why?' 'Oh, I don't know.' I didn't feel much like going into it. I was still feeling sort of dizzy or something, and I had a helluva headache all of a sudden. I really did. But you could tell he was interested, so I told him a little bit about it. 'It's this course where each boy in class has to get up in class and make a speech. You know. Spontaneous and all. And if the boy digresses at all, you're supposed to yell "Digression!" at him as fast as you can. It just about drove me crazy. I got an F in it.' 'Why?' 'Oh, I don't know. That digression business got on my nerves. I don't know. The trouble with me is, I like it when somebody digresses. It's more interesting and all.' 'You don't care to have somebody stick to the point when he tells you something?' 'Oh, sure! I like somebody to stick to the point and all. But I don't like them to stick too much to the point. I don't know. I guess I don't like it when somebody sticks to the point all the time. The boys that got the best marks in Oral Expression were the ones that stuck to the point all the time—I admit it. But there was this one boy, Richard Kinsella. He didn't stick to the point too much, and they were always yelling "Digression!" at him. It was terrible, because in the first place, he was a very nervous guy—I mean he was a very nervous guy—and his lips were always shaking whenever it was his time to make a speech, and you could hardly hear him if you were sitting way in the back of the room. When his lips sort of quit shaking a little bit, though, I liked his speeches better than anybody else's. He practically flunked the course, though, too. He got a D plus because they kept yelling "Digression!" at him all the time. For instance, he made this speech about this farm his father bought in Vermont. They kept yelling "Digression!" at him the whole time he was making it, and this teacher, Mr. Vinson, gave him an F on it because he hadn't told what kind of animals and vegetables and stuff grew on the farm and all. What he did was, Richard Kinsella, he'd start telling you all about that stuff—then all of a sudden he'd start telling you about this letter his mother got from his uncle, and how his uncle got polio and all when he was forty-two years old, and how he wouldn't let anybody come to see him in the hospital because he didn't want anybody to see him with a brace on. It didn't have much to do with the farm—I admit it—but it was nice. It's nice when somebody tells you about their uncle. Especially when they start out telling you about their father's farm and then all of a sudden get more interested in their uncle. I mean it's dirty to keep yelling "Digression!" at him when he's all nice and excited... I don't know. It's hard to explain.' I didn't feel too much like trying, either. For one thing, I had this terrific headache all of a sudden. I wished to God old Mrs. Antolini would come in with the coffee. That's something that annoys hell out of me—I mean if somebody says the coffee's all ready and it isn't.
J.D. Salinger (The Catcher in the Rye)
Taking the catcher’s place, he sank to his haunches and gestured to Arthur. “Throw some easy ones to begin with,” he called, and Arthur nodded, seeming to lose his apprehensiveness. “Yes, milord!” Arthur wound up and released a relaxed, straight pitch. Squinting in determination, Lilian gripped the bat hard, stepped into the swing, and turned her hips to lend more impetus to the motion. To her disgust, she missed the ball completely. Turning around, she gave Westcliff a pointed glance. “Well, your advice certainly helped,” she muttered sarcastically. “Elbows,” came his succinct reminder, and he tossed the ball to Arthur. “Try again.” Heaving a sigh, Lillian raised the bat and faced the pitcher once more. Arthur drew his arm back, and lunged forward as he delivered another fast ball. Lillian brought the bat around with a grunt of effort, finding an unexpected ease in adjusting the swing to just the right angle, and she received a jolt of visceral delight as she felt the solid connection between the bat and the leather ball. With a loud crack the ball was catapulted high into the air, over Arthur’s head, beyond the reach of those in the back field. Shrieking in triumph, Lillian dropped the bat and ran headlong toward the first sanctuary post, rounding it and heading toward second. Out of the corner of her eye, she saw Daisy hurtling across the field to scoop up the ball, and in nearly the same motion, throwing it to the nearest boy. Increasing her pace, her feet flying beneath her skirts, Lillian rounded third, while the ball was tossed to Arthur. Before her disbelieving eyes, she saw Westcliff standing at the last post, Castle Rock, with his hands held up in readiness to catch the ball. How could he? After showing her how to hit the ball, he was now going to tag her out? “Get out of my way!” Lillian shouted, running pellmell toward the post, determined to reach it before he caught the ball. “I’m not going to stop!” “Oh, I’ll stop you,” Westcliff assured her with a grin, standing right in front of the post. He called to the pitcher. “Throw it home, Arthur!” She would go through him, if necessary. Letting out a warlike cry, Lillian slammed full-length into him, causing him to stagger backward just as his fingers closed over the ball. Though he could have fought for balance, he chose not to, collapsing backward onto the soft earth with Lillian tumbling on top of him, burying him in a heap of skirts and wayward limbs. A cloud of fine beige dust enveloped them upon their descent. Lillian lifted herself on his chest and glared down at him. At first she thought that he had been winded, but it immediately became apparent that he was choking with laughter. “You cheated!” she accused, which only seemed to make him laugh harder. She struggled for breath, drawing in huge lungfuls of air. “You’re not supposed…to stand in front…of the post…you dirty cheater!” Gasping and snorting, Westcliff handed her the ball with the ginger reverence of someone yielding a priceless artifact to a museum curator. Lillian took the ball and hurled it aside. “I was not out,” she told him, jabbing her finger into his hard chest for emphasis. It felt as if she were poking a hearthstone. “I was safe, do you…hear me?” She heard Arthur’s amused voice as he approached them. “Actually, miss—” “Never argue with a lady, Arthur,” the earl interrupted, having managed to regain his powers of speech, and the boy grinned at him. “Yes, milord.” “Are there ladies here?” Daisy asked cheerfully, coming from the field. “I don’t see any.” Still smiling, the earl looked up at Lillian.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
I've learned that no matter what happens, or how bad it seems today, life does go on, and it will be better tomorrow. I've learned that you can tell a lot about a person by the way he/she handles these three things: a rainy day, lost luggage, and tangled Christmas tree lights. I've learned that regardless of your relationship with your parents, you'll miss them when they're gone from your life. I've learned that making a "living" is not the same thing as making a "life." I've learned that life sometimes gives you a second chance. I've learned that you shouldn't go through life with a catcher's mitt on both hands; you need to be able to throw something back.
Joy Lincoln (Maya Angelou: Maya Angelou 450+ Greatest Quotes)
We trapped several smaller females, all around the nine-foot mark. That’s when Steve stepped back and let the all-girl team take over: all the women in camp, zoo workers mainly, myself, and others. We would jump on the croc, help secure the tracking device, and let her go. At one point Steve trapped a female that he could see was small and quiet. He turned to Bindi. “How would you like to jump the head?” Bindi’s eyes lit up. This was what she had been waiting for. Once Steve removed the croc from the trap and secured its jaws, the next step was for the point person to jump the croc’s head. Everybody else on the team followed immediately afterward, pinning the crocodile’s body. “Don’t worry,” I said to Bindi. “I’ll back you up.” Or maybe I was really talking to Steve. He was nervous as he slipped the croc out of its mesh trap. He hovered over the whole operation, knowing that if anything went amiss, he was right there to help. “Ready, and now!” he said. Bindi flung herself on the head of the crocodile. I came in right over her back. The rest of the girls jumped on immediately, and we had our croc secured. “Let’s take a photo with the whole family,” Professor Franklin said. Bindi sat proudly at the crocodile’s head, her hand casually draped over its eyes. Steve was in the middle, holding up the croc’s front legs. Next in line was me. Finally, Robert had the tail. This shot ended up being our 2006 family Christmas card. I look at it now and it makes me laugh out loud. The family that catches crocs together, rocks together. The Irwin family motto. Steve, Bindi, and I are all smiling. But then there is Robert’s oh-so-serious face. He has a top-jaw rope wrapped around his body, with knots throughout. He took his job seriously. He had the rope and was ready as the backup. He was on that croc’s tail. It was all about catching crocs safely, mate. No mucking around here. As we idled back in to camp, Robert said, “Can I please drive the boat?” “Crikey, mate, you are two years old,” Steve said. “I’ll let you drive the boat next year.” But then, quite suddenly and without a word, Steve scooped Robert up and sat him up next to the outboard. He put the tiller in his hand. “Here’s what you do, mate,” Steve said, and he began to explain how to drive the boat. He seemed in a hurry to impart as much wisdom to his son as possible. Robert spent the trip jumping croc tails, driving the boat, and tying knots. Steve created a croc made of sticks and set it on a sandbar. He pulled the boat up next to it, and he, Robert, and Bindi went through all the motions of jumping the stick-croc. “I’m going to say two words,” Robert shouted, imitating his father. “’Go,’ and ‘Now.’ First team off on ‘Go,’ second team off on ‘Now.’” Then he’d yell “Go, now” at the top of his lungs. He and Steve jumped up as if the stick-croc was about to swing around and tear their arms off. “Another croc successfully caught, mate,” Steve said proudly. Robert beamed with pride too. When he got back to Croc One, Robert wrangled his big plush crocodile toy. I listened, incredulous, as my not-yet-three-year-old son muttered the commands of a seasoned croc catcher. He had all the lingo down, verbatim. “Get me a twelve-millimeter rope,” Robert commanded. “I need a second one. Get that top-jaw rope under that tooth, yep, the eye tooth, get it secured. We’ll need a third top-jaw rope for this one. Who’s got a six-millimeter rope? Hand me my Leatherman. Cut that rope here. Get that satellite tracker on.” The stuffed animal thoroughly secured, Robert made as if to brush off his little hands. “Professor Franklin,” he announced in his best grown-up voice, “it’s your croc.
Terri Irwin (Steve & Me)
As we idled back in to camp, Robert said, “Can I please drive the boat?” “Crikey, mate, you are two years old,” Steve said. “I’ll let you drive the boat next year.” But then, quite suddenly and without a word, Steve scooped Robert up and sat him up next to the outboard. He put the tiller in his hand. “Here’s what you do, mate,” Steve said, and he began to explain how to drive the boat. He seemed in a hurry to impart as much wisdom to his son as possible. Robert spent the trip jumping croc tails, driving the boat, and tying knots. Steve created a croc made of sticks and set it on a sandbar. He pulled the boat up next to it, and he, Robert, and Bindi went through all the motions of jumping the stick-croc. “I’m going to say two words,” Robert shouted, imitating his father. “’Go,’ and ‘Now.’ First team off on ‘Go,’ second team off on ‘Now.’” Then he’d yell “Go, now” at the top of his lungs. He and Steve jumped up as if the stick-croc was about to swing around and tear their arms off. “Another croc successfully caught, mate,” Steve said proudly. Robert beamed with pride too. When he got back to Croc One, Robert wrangled his big plush crocodile toy. I listened, incredulous, as my not-yet-three-year-old son muttered the commands of a seasoned croc catcher. He had all the lingo down, verbatim. “Get me a twelve-millimeter rope,” Robert commanded. “I need a second one. Get that top-jaw rope under that tooth, yep, the eye tooth, get it secured. We’ll need a third top-jaw rope for this one. Who’s got a six-millimeter rope? Hand me my Leatherman. Cut that rope here. Get that satellite tracker on.” The stuffed animal thoroughly secured, Robert made as if to brush off his little hands. “Professor Franklin,” he announced in his best grown-up voice, “it’s your croc.
Terri Irwin (Steve & Me)
I guess since there are so few of us, you could just call it a back-to-school get-together,” Dane said. Maybe he shouldn’t have told Malini. He hoped Ethan wouldn’t get in trouble because of him. Dane liked the school in Eden better than Paris. He felt safe there. Unlike Malini and Jacob, he didn’t have Soulkeeper powers to protect him if the Watchers returned for a replay of prom night. He was vulnerable to any demon who wanted him dead. Worse, the time he spent in Hell gave Lucifer an imprint of his soul. Outside of Eden, the devil had constant supernatural GPS on his ass and could demand his astral projected presence on a whim. He was a sitting duck
G.P. Ching (Soul Catcher (The Soulkeepers Series #4))
They would begin shooting in 1914, a year out. Curtis felt renewed. With a fresh bounce in his step, he walked the shore of Vancouver Island, all pulsing tides and overgrowth, more than fifty pounds on his back, and slogged through the rainforest in search of people unaffected by modern life. In one of the wettest parts of the world, the Indians spoke of two broad categories for rain: male and female. "A 'she-rain' is gentle, caressing, clinging, persistent," Curtis explained in an extended note to his daughter Florence, one of the many letters to his children that picked up as he entered middle age. "A 'he-rain' is quite the opposite in all ways but that of persistence.
Timothy Egan (Short Nights of the Shadow Catcher: The Epic Life and Immortal Photographs of Edward Curtis)
I was on the old Senators back in the ’33 Series, and Monte Davis stole all the Giants’ signals. What good did it do us? We couldn’t lick ’em. Any first-class catcher can mix up signs so that wiseacre out there on second will be crossed up. If he signs in a fast ball and the pitcher serves a hook—well, you know the answer. That’s one reason you don’t find Scrapper Knight or the good hitters taking information. I want this club to play heads-up, percentage ball; most of all I want them to do their own thinking out there, not be relying on someone handing them the signals....
John R. Tunis (The Brooklyn Dodgers Series: The Kid from Tomkinsville, Keystone Kids, and World Series)
The professionals were heroes. The physicians and nurses and medical students and student nurses who were all dying in large numbers themselves held nothing of themselves back. And there were others. Ira Thomas played catcher for the Philadelphia Athletics. The baseball season had been shortened by Crowder’s “work or fight” order, since sport was deemed unnecessary labor. Thomas’s wife was a six-foot-tall woman, large-boned, strong. They had no children. Day after day he carried the sick in his car to hospitals and she worked in an emergency hospital.
John M. Barry (The Great Influenza: The Story of the Deadliest Pandemic in History)
Played catcher, just like you. We had these dreams that took us far beyond Minor League ball. Reality set in when we faced actual Major League talent. That's when we realized what our hopes actually were—dreams. The Marine Corps became a life we knew we could succeed in. I missed playing ball, sure, but when I think back on it, you kids gave me a life far more satisfying than any dream. That's what I was always meant to be—a father and a coach. That's what made sense.
Michael Dault (The Sons of Summer)
Do you find your Bliss or does your Bliss find you? When you step out of the earning-a-living or economic circle of your Life, when you are willing to allow Life to lead you, your Bliss will come calling. It will come back, again and again, whenever you step out of the earning-a-living circle…until you embrace it, until your make your Bliss your Life! This is an irrefutable truth, this is how Life works!
AVIS Viswanathan
Do you find your Bliss or does your Bliss find you? When you step out of the earning-a-living or economic circle of your Life, when you are willing to allow Life to lead you, your Bliss will come calling. It will come back, again and again, whenever you step out of the earning-a-living circle…until you embrace it, until you make your Bliss your Life! This is an irrefutable truth, this is how Life works!
AVIS Viswanathan
Ken Wharfe In 1987, Ken Wharfe was appointed a personal protection officer to Diana. In charge of the Princess’s around-the-clock security at home and abroad, in public and in private, Ken Wharfe became a close friend and loyal confidant who shared her most private moments. After Diana’s death, Inspector Wharfe was honored by Her Majesty Queen Elizabeth II at Buckingham Palace and made a Member of the Victorian Order, a personal gift of the sovereign for his loyal service to her family. His book, Diana: Closely Guarded Secret, is a Sunday Times and New York Times bestseller. He is a regular contributor with the BBC, ITN, Sky News, NBC, CBS, and CNN, participating in numerous outside broadcasts and documentaries for BBC--Newsnight, Channel 4 News, Channel 5 News, News 24, and GMTV. And so, early one morning less than a week later, we left Kensington Palace and drove to the Sandbanks ferry at Poole in an ordinary saloon car. As we gazed at the coastline from the shabby viewing deck of the vintage chain ferry, Diana’s excitement was obvious, yet not one of the other passengers recognized her. But then, no one would have expected the most photographed woman in the world to be aboard the Studland chain ferry on a sunny spring morning in May. As the ferry docked after its short journey, we climbed back into the car and then, once the ramp had been lowered, drove off in a line of cars and service trucks heading for Studland and Swanage. Diana was driving, and I asked her to stop in a sand-covered area about half a mile from the ferry landing point. We left the car and walked a short distance across a wooded bridge that spanned a reed bed to the deserted beach of Shell Bay. Her simple pleasure at being somewhere with no one, apart from me, knowing her whereabouts was touching to see. Diana looked out toward the Isle of Wight, anxious by now to set off on her walk to the Old Harry Rocks at the western extremity of Studland Bay. I gave her a personal two-way radio and a sketch map of the shoreline she could expect to see, indicating a landmark near some beach huts at the far end of the bay, a tavern or pub, called the Bankes Arms, where I would meet her. She set off at once, a tall figure clad in a pair of blue denim jeans, a dark-blue suede jacket, and a soft scarf wrapped loosely around her face to protect her from the chilling, easterly spring wind. I stood and watched as she slowly dwindled in the distance, her head held high, alone apart from busy oyster catchers that followed her along the water’s edge. It was a strange sensation watching her walking away by herself, with no bodyguards following at a discreet distance. What were my responsibilities here? I kept thinking. Yet I knew this area well, and not once did I feel uneasy. I had made this decision--not one of my colleagues knew. Senior officers at Scotland Yard would most certainly have boycotted the idea had I been foolish enough to give them advance notice of what the Princess and I were up to.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
African Americans understood they were at war, and reacted accordingly: running away, rebelling violently, fleeing to the British, murdering slave-catchers, and—less spectacularly, though more significantly—refusing to work, breaking tools, bending a Christian God to their own interpretation, stealing back the fruits of their labor, and, in covert corners of their world, committing themselves to the illegal act of learning to read.
Ta-Nehisi Coates (We Were Eight Years in Power: An American Tragedy)
The AR-57, also known as the AR Five Seven, is available as either an upper receiver for the AR-15/M16 rifle or a complete rifle, firing 5.7×28mm rounds from standard FN P90 magazines. It was designed by AR57 LLC and[3] was produced by AR57 of Kent, Washington, United States. The AR-57 PDW upper is a new design on AR-15/M16 rifles, blending the AR-15/M16 lower with a lightweight, monolithic upper receiver system chambered in FN 5.7×28mm. This model is also sold as a complete rifle, supplied with two 50-round P90 magazines.[1] The magazines mount horizontally on top of the front handguard, with brass ejecting through the magazine well. Hollow AR-15 magazines can be used to catch spent casings. Unlike the standard AR-15 configuration which uses a gas-tube system , the AR-57 cycles via straight blowback.[6] A fully automatic version exists and was marketed as a competitor to the P90 and other personal defense weapons.[7] Manufactured by the eponymous AR57 LLC, and chambered in 5.7x28mm, this upper is less powerful than the standard 5.56mm version, but it has certain tangible advantages, including reduced muzzle blast, a high practical rate of fire, nonexistent recoil, and the ability to use folding stocks. Since the buffer is located within the receiver, folding stocks may also be used for compact storage or carry. To load, place the base plate of a standard FN P90 magazine into the recess on the front of the upper, then press the feed lip side down on the catch located above and slightly back of the bolt. To charge, pull on the right-side nonreciprocating handle and release. The right-side charging hand placement makes it accessible for operation by the strong hand. Since it only has to be operated once every 50 shots, the time penalty for moving the hand off the pistol grip isn’t too great. Empties will eject downward through the nominal magazine well. Some people use a 20-round magazine body with the feed lips, spring and follower removed to act as a brass catcher. The magazine has no provision for activating the bolt lock when empty, but the bolt can be locked open using the catch on the lower. The upper runs very cleanly and reliably, requiring no maintenance after the first 500 shots. The AR57 comes with a medium fluted barrel, reasonable for a varmint rifle but excessive for a defensive carbine. Burning around six grains per shot, 5.7x28mm runs much cooler than 5.56mm, which burns four or more times as much. That yields much reduced muzzle blast and far greater heat endurance, of course at the cost of a roughly 40 percent slower bullet.
ssecurearmsllc
Where did she come from?” Sanja stood, her jaw set. “The Mouth of Flowers. Menlas bought me from the child-catcher as a sacrifice to bring them back, so Kaiisteron could be in my body and Menlas could make him a slave.” She added decisively, “So fuck you.” Ziede said, “Sanja, if you’re going to swear, don’t do it in Old Imperial. If you use their curses, you’ll take on their beliefs.” Sanja blinked, distracted by that thought. “That’s the only language I know,” she pointed out. Kai told her the Saredi word that meant “go into the wetland and eat shit-mud.” Sanja repeated it twice, trying to get the vowels right.
Martha Wells (Witch King)
So Benton was collateral damage?’ Vera closed her eyes for a moment. ‘He was never an intended victim.’ She stood, as still as some bloated and ancient Buddha, and then snapped back to life. ‘Actions for the day,’ she said.
Ann Cleeves (The Moth Catcher (Vera Stanhope #7))
Conor captured one of Falconet's pieces and chuckled. Kel noted it in the back of his mind, where his awareness of Conor always lived. He wondered if mothers were like this about their children—always knowing where they were, if they were wounded or pleased. He didn't know; he had little experiences of mothers.
Cassandra Clare (Sword Catcher (Sword Catcher, #1))
Ruth had three more games to outdo himself. Number fifty-seven was a grand slam off Lefty Grove in Philadelphia. Numbers fifty-eight and fifty-nine came at home against the Washington Senators. The record-tying home run—a grand slam!—came off a rookie pitcher, Paul Hopkins, making his major-league debut. His catcher told him to throw only curves, so that’s what he did. The one Ruth hit, Hopkins told Sports Illustrated in 1998, was “so slow Ruth started to swing and then hesitated, hitched on it and brought the bat back. And then he swung, breaking his wrists as he came through it. What a great eye he had! He hit it at the right second. Put everything behind it.
Jane Leavy (The Big Fella: Babe Ruth and the World He Created)
I couldn’t decide who I wanted to murder more, the serenely self-confident man in front of me, or the handsome Satanist at my back.
Kat Beyer (The Halcyon Bird (The Demon Catchers of Milan, #2))
What sin have you committed for which you seek absolution, mon fils?" the priest said, then added, "This time." "Father..." "Did you act in anger?" the hermit asked this according to ancient tradition, urging a confession from the sinner through questioning. During the two years Vitor had lived in a hilltop monastery in the Serra dal Estrela, he'd read everything in the library of the Benedictine brothers, including confessor manuals. This hermit not did not fix upon the sin of anger at whim. He knew Vitor's special interest in it. "No," he replied, his throat dry. "Not anger." Not this time. "Greed?" "No." "Pride?" "No." "Envy?" "No." "It could not have been sloth." The hermit's voice gentled. "You've never slept a full night in your life, young vagabond." "No." Get to the relevant sin. "Did you lie?" "No." "Did you steal?" A case could be made for it. "Not quite." "Did you covet your neighbor's goods?" Momentarily, though "goods" didn't quite express it, really. "No." "Son-" "Father..." Vitor pressed his brow into his knuckles. The priest paused for a moment that stretched in the chill air. "Did you commit murder again?" "No." The Frenchman's breath of relief whispered across the chancel. He sat back on his heels and folded his arms within voluminous sleeves. "Then what did you do that brings you from the gathering at the house where your half brother needs you now?" "I kissed a girl." Silence. "Father?" "Vitor, you are bound for the madhouse." -Denis & Vitor
Katharine Ashe (I Adored a Lord (The Prince Catchers, #2))
Biography Titles Fowl Tips: My Favorite Chicken Recipes by Wade Boggs … It Pays to Steal by Maury Wills … Planet of the Umps by Ken Kaiser … Some of My Best Friends Are Crazy by Jay Johnstone … Sox and the City by Richard Roeper … The Umpire Strikes Back by Ron Luciano … Veeck as in Wreck by Bill Veeck … The Catcher in the Wry by Bob Uecker … The Wrong Stuff by Bill Lee … The Zen of Zim by Don Zimmer.
Peter Handrinos (The Funniest Baseball Book Ever: The National Pastime's Greatest Quips, Quotations, Characters, Nicknames, and Pranks)
I want you now. Always. Everywhere and as my everything-my lover, my friend, my sharp-tongued beauty, my drinking companion, my children's mother, my courage in the face of certain defeat. My sactuary." He captured her lips. "My duchess." He kissed her. She returned his kiss with great enthusiasm. "But at this specific moment," he said between kisses, "I just really want you in my bed." With eager compliance, she accepted his kisses on her throat. "I can oblige you in that, your grace." "Or your bed. Whichever we come to first." "You are all that is wise and efficient." "Or the carriage." She grabbed his hand. "Let's be off then, shall we?" Laughter bubbling from her, she dragged him toward the carriage. He snatched her back to him and with his hands around her face said, "Arabella, I love you." -Luc & Arabella
Katharine Ashe (I Married the Duke (The Prince Catchers, #1))
I am not in the habit of forgiving." "Perhaps you might make an exception this time." "I don't know why I should." "Consider my injuries." The dent deepened anew. "Perhaps I am already sufficiently punished." She tried not to smile. "I won't apologize for that." "I never expected you to. Now may we put this unfortunate episode behind us and instead pretend to be two people who happened to become acquainted over spilled champagne?" "Why should we pretend that?" "It's either that or the pitchfork." His dark eyes glimmered. "All right. But don't do it again." "Kiss you in the stable or defend you from tabbies?" The heat was back in her face. "Either." "I believe I can promise that." He bowed again. "Good night, madam." He walked away. -Ravenna & Vitor
Katharine Ashe (I Adored a Lord (The Prince Catchers, #2))
Is that all I am to have?" She followed him. "I suppose you consider an apology beneath you." Rather, he was considering her beneath him, how good she'd felt there, and how he would like that again. He halted. "Madam, I offer my profoundest apology. It shan't happen again." As though his feet moved of their own will, he found himself stepping toward her. "Unless you wish it to." She backed up. "Not in this life." But her eyes were wary. Good. He did not wish to frighten her. But keeping her wary could work. And yet the most powerful need to be near her would not leave him. Of course it wouldn't. After two long years he wanted a woman. Among his brother's potential brides was not, however, the place to go searching for one. "That must be to my advantage, then," he said. She screwed up her brow. "Must it?" "You wield an impressive pitchfork." -Ravenna & Vitor
Katharine Ashe (I Adored a Lord (The Prince Catchers, #2))
Suspicion prickled at Ravenna. "Who is to say you are not the murderer, and now that you know I have useful information you won't dispatch me too?" "None but me." She glanced into the darkness where the butler had disappeared, then back at the tall, dark man who had subdued her quite effectively in a stable the previous night. "This is the part where you pull out the bloodstained dagger, isn't it?" "Why wouldn't I have done it earlier, before Monsieur Brazil knew of your involvement?" "No doubt you only thought of it at this moment." "It seems I am carelessly shortsighted." "It does." "Miss Caulfield?" "You are not the murderer?" "Go to bed." -Ravenna & Vitor
Katharine Ashe (I Adored a Lord (The Prince Catchers, #2))
Colhoes!" He jerked away and rolled off her and to his feet. She scuttled back, skirts tangling in her boots as she jumped up, leaping to avoid puppies. The man's shadowed eyes swung to her, anger sparking in them in the dim light. Blood dripped between his fingers clamped over his mouth. "I hope I bit it off," she said, unwisely. He dropped his hand and his lower lip was still intact, though bleeding down his chin. "Damn it, woman. I only kissed you." "While you had me trapped beneath you." "Yes, well, obviously that was a mistake." -Vitor & Ravenna
Katharine Ashe (I Adored a Lord (The Prince Catchers, #2))
He folded the diary closed and considered. It would be the height of dishonorableness to continue reading. The princess deserved her privacy. Merely because she was writing about him gave him no right to read it. On the other hand, weren’t ladies supposed to keep their diaries hidden beneath pillows or locked in dressing tables? A girl silly enough to leave her private thoughts displayed so blatantly in a plain notebook tucked snugly in the back of an undistinguished piece of furniture in the corner of an out-of-the-way parlor frequented only by her closest female companions deserved to have her privacy invaded. He continued to invade.
Katharine Ashe (Kisses, She Wrote (The Prince Catchers, #1.5))
The cornflowers shuttered. "This ring is none of your business." "It is if you intend to carry it aboard my ship. That's no mean trinket you have there. Where are you going with it?" She stuffed it back into her dress. "I am traveling to a house near Saint-Nazaire to take up a new position at which I must report before the first of September. And what do you think you're doing, reaching down a helpless woman's gown? You should be ashamed of yourself, Captain." "If you are helpless, madam, then I've something yet to learn about women." -Arabella & Luc
Katharine Ashe (I Married the Duke (The Prince Catchers, #1))
Kellen, I will find my way back to you."—Calienta, The Star Catcher
Stephanie Keyes (The Star Catcher (The Star Child, #3))
In early 1945 Berg did go to Switzerland, as depicted here a bit earlier, to kill Heisenberg if necessary. Sitting in the front row of Heisenberg’s seminar, he determined that the Germans were nowhere near their goal, so he complimented Heisenberg on his speech about field theory and walked him back to his hotel. Moe Berg’s report was distributed to Britain’s prime minister, Winston Churchill, President Franklin D. Roosevelt, and key figures in the team developing the atomic bomb. Roosevelt responded: “Give my regards to the catcher.” Werner
Gregory Benford (The Berlin Project)
Dear Olaf, How are you? I am well, though Gunhilda has got a touch of dragon pox. We enjoyed a spirited game of Kwidditch last Saturday night, though poor Gunhilda was not up to playing Catcher, and we had to use Radulf the blacksmith instead. The team from Ilkley played well though was no match for us, for we had been practising hard all month and scored forty-two times. Radulf got a Blooder in the head because old Ugga wasn’t quick enough with his club. The new scoring barrels worked well. Three at each end on stilts, Oona from the inn gave us them. She let us have free mead all night because we won as well. Gunhilda was a bit angry I got back so late. I had to duck a couple of nasty jinxes but I’ve got my fingers back now. I’m sending this with the best owl I’ve got, hope he makes it. Your cousin, Goodwin
J.K. Rowling (Quidditch Through the Ages)
only true mystery is the Floppy Fish. From the report, it’s a useless monster whose only attack is to flop around. Even fishermen throw it back into the water since it doesn’t even taste good when cooked, but apparently, the Beast Catcher claims it’ll one day transform into a fearsome monster if he keeps giving it fighting experience.
R.A. Mejia (Rescue (Adventures on Terra, #3))
The Prince was smiling, a cool little smile, and she suddenly hated him so much that it was as if she were back in her vision, on the tower, choking on smoke. Her whole body seemed to burn with hatred for his arrogance, his contempt. For the fact that he clearly saw her as a joke, a plaything. And she hated that because he was beautiful he was loved and forgiven, no matter what he did. He would always be wanted. The whole world wanted him. She could feel a violent trembling in her hands, utterly at odds with her healer’s instincts: For the first time since she had been an angry child, she wanted to slap and scratch and claw. To wreck his pretty face, to stop his sideways smirk.
Cassandra Clare (Sword Catcher (Sword Catcher, #1))
You were angry at Bensimon?” “Yes,” she said. “Because he ignored me, you see. He was busy here on the Hill. I was so angry I would hit things and tear at them. Curtains and scarves. Other children.” She smoothed the salve as gently as she could over the lattice of cuts that feathered like wings across his shoulders. “All thst anger never amounted to anything, though. It never changed the situation. It never brought him back.” “Bensimon did that?” The Prince sounded genuinely surprised. “I never thought of him as someone who could neglect a responsibility.” No one wants to be a responsibility, Lin thought. They want to be loved.
Cassandra Clare (Sword Catcher (Sword Catcher, #1))
What good is war, Blood Shrike?" The sadness etched into his face feels ancient, the sorrow of a Soul Catcher instead of the friend I've known since childhood. "How many have died because if a king's greed or a commander's pride? How much pain exists in the world because we cannot get past what has been done to us, because we insist on inflicting pain right back?
Sabaa Tahir (A ​Sky Beyond the Storm (An Ember in the Ashes, #4))