Babe Picture Quotes

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If you are a girl, and you’ve had a significant relationship with someone, chances are you’ve saved all the pictures/letters/supercute little notes from that relationship in a box that is somewhere in your room or apartment or mansion.
Babe Walker (White Girl Problems)
So why’d you flake out on the party?” “I wasn’t in the mood. I kept picturing you crying here alone and pity won out.” “I’m not crying, jackass.” I point to the boring-ass milk documentary that’s flashing on the TV screen. “I’m learning about pasteurization.” She stares at me. “You guys pay money to subscribe to a gazillion channels and this is what you choose to watch?” “Well, I flipped by it and saw a bunch of cow udders, and, well, you know, it turned me on, so—” “EW!” I burst out laughing. “Kidding, babe. If you must know, the batteries in the remote died and I was too lazy to get up and change the channel. I was watching this wicked-awesome miniseries about the Civil War before cow udders came on.
Elle Kennedy (The Deal (Off-Campus, #1))
Why, my goodness, honey. After looking at all those pictures of seraphic and perspirationless babes for so long in the privacy of a foxhole, what is a poor doughfoot going to do when he comes home and discovers that American women are, after all, biological and given, under stress, to shiny noses?
Margaret Mitchell
Never loved the taste of someone before baby, but with you, I would willingly drown in it.  I’m going to devour you Tessa, from the inside out, and you’re going to come so many times that you’ll forget there even was anyone before.  Focus on us babe.  You and me together is all that will ever matter.
Ella Fox (Picture Perfect (Renegade Saints, #1))
All my girlhood I always planned to do something big…something constructive. It’s queer what ambitious dreams a girl has when she is young. I thought I would sing before big audiences or paint lovely pictures or write a splendid book. I always had that feeling in me of wanting to do something worth while. And just think, Laura…now I am eighty and I have not painted nor written nor sung.” “But you’ve done lots of things, Grandma. You’ve baked bread…and pieced quilts…and taken care of your children.” Old Abbie Deal patted the young girl’s hand. “Well…well…out of the mouths of babes. That’s just it, Laura, I’ve only baked bread and pieced quilts and taken care of children. But some women have to, don’t they?...But I’ve dreamed dreams, Laura. All the time I was cooking and patching and washing, I dreamed dreams. And I think I dreamed them into the children…and the children are carrying them out...doing all the things I wanted to and couldn’t.
Bess Streeter Aldrich (A Lantern in Her Hand)
The only bit I have pictured in any detail is the music (maybe 'The Book of Love' by the Magnetic Fields. Or Johnny Cash's 'It Ain't Me, Babe'). It doesn't matter if the selection is slow or fast, but couples shouldn't scramble to select it. If you have ever gone dancing or on a road trip or had a romantic bout of serenaded sex on a winter night, you should have a few to pick from. If not, you probably shouldn't be getting married.
Sloane Crosley (I Was Told There'd Be Cake: Essays)
I saw them,” he said. I frowned. “Saw what?” He took a deep breath as he eyed me. “The paintings.” For a moment, I didn’t get where he was going with this. Not when he traced the curve of my cheek with his thumb and not when a soft smile curved his lips. And then it hit me. “The paintings?” I swallowed and started to sit up, but he didn’t let me get very far. “The paintings at my place?” When he nodded, I felt my face heat like I was out under the summer sun. “The ones that are . . . ?” “Of me?” he supplied. I squeezed my eyes shut. “Oh my God. Seriously?” “Yes.” Mortified, I didn’t know what to say. “They were in my closet. Why were you in my closet?” “Looking for a psycho stalker,” he answered. My eyes popped opened. “That . . . that was like two weeks ago! You saw them back then and didn’t say anything.” Reece sat up, bringing me with him. Somehow my body ended up between his legs and we were face-to-face. “I didn’t say anything, because I figured you’d respond this way.” “Of course I’d respond this way! It’s embarrassing. You probably think I’m some kind of freak. A stalker—a creepy stalker who paints pictures of you when you’re not around.” “I don’t think you’re a stalker, babe.” His voice was dry. I screwed up my face. “I can’t believe you saw them.” He chuckled, and my eyes narrowed on him. “Honestly? I really didn’t know how you truly felt about me until I saw them.” My brows flew up. “I thought you were all-knowing.” Reece smirked. “I had my suspicions that you were in love with me from the first time you laid eyes on me.” “Oh dear baby Jesus in a manger,” I muttered. “But I don’t think I was a hundred percent until I saw those paintings, especially the one of me in the kitchen. You painted that after . . . after I left.” His brows lowered as he gave a little shake of his head. “It’s nothing to be embarrassed about. I think it’s sweet.
Jennifer L. Armentrout (Fall with Me (Wait for You, #4))
How else could we identify another weirdo or outlier? These symbols intimated a belief system, a way of thinking not just about music but about school and friends and politics and society. It was also a way to separate yourself, to feel bold or try on boldness without yet possessing it. A little inkling of the nonconformist person you could be—you wanted to be—but weren’t quite ready to commit to. I papered my walls with band posters and what little I could find in mainstream magazines about alternative and punk, maybe a picture of Babes in Toyland from Spin or Fugazi from Option. The iconoclast images and iconography covered my room, a jarring contrast to the preppy blue-and-white-striped wallpaper I’d insisted on in elementary school. I resented the parts of myself that were late to adopt coolness, late to learn—I wanted to have always possessed a savviness and sophistication, even though I clearly had neither.
Carrie Brownstein (Hunger Makes Me a Modern Girl: A Memoir)
Does this feel like I don’t love every goddamn thing about your body, Chelcie?  Hmm?  Because let me tell you, Sunshine.  I see your body and I want to throw you over my shoulder every damn time.  I see your tits and I want to take them in my hands.  I want to watch your pink nipples harden at my touch right before I suck them deep in my mouth.  I see the stomach you say isn’t firm enough and, honestly, I could care less, babe.  I see your stomach and I remember how hot you looked carrying our boy.  Then I can’t help but get hot thinking about putting another baby in there.  And that ass.  Jesus Christ, you don’t even want to know how many times I’ve had to go to the bathroom at work because I’ll picture that fine ass and all of a sudden my cock is begging for release.  I see those thighs you say are getting dimples and all I can think about is getting my hands on them—spreading your legs and digging my fingers in while I devour that sweet pussy with my tongue.
Harper Sloan (Cooper (Corps Security, #4))
Lollipops and raindrops Sunflowers and sun-kissed daisies Rolling surf and raging sea Sailing ships and submarines Old Glory and “purple mountain’s majesty” Screaming guitar and lilting rhyme Flight of fancy and high-steppin’ dances Set free my mind to wander… Imagine the ant’s marching journeys. Fly, in my mind’s eye, on butterfly wings. Roam the distant depths of space. Unfurl tall sails and cross the ocean. Pictures made just to enthrall Creating images from my truth Painting hopes and dreams on my canvas Capturing, through my lens, the ephemeral Let me ruminate ‘pon sensual darkness… Tremble o’er Hollywood’s fluttering Gothics… Ride the edge of my seat with the hero… Weep with the heroine’s desperation. Yet… more than all these things… Give me words spun out masterfully… Terms set out in meter and rhyme… Phrases bent to rattle the soul… Prose that always miraculously inspires me! The trill runs up my spine, as I recall… A touch… a caress…a whispered kiss… Ebony eyes embracing my soul… Two souls united in beat of hearts. A butterfly flutter in my womb My lover’s wonder o’er my swelling The testament of our love given life Newly laid in my lover’s arms Luminous, sweet ebony eyes Just so much like his father’s A gaze of wonder and contentment From my babe at mother’s breast Words of the Divine set down for me Faith, Hope, Love, and Charity Grace, Mercy, and undeserved Salvation “My Shepherd will supply my need” These are the things that inspire me.
D. Denise Dianaty (My Life In Poetry)
One time I sat down in a bath where there was a beautiful girl sitting with a guy who didn’t seem to know her. Right away I began thinking, “Gee! How am I gonna get started talking to this beautiful nude babe?” I’m trying to figure out what to say, when the guy says to her, “I’m, uh, studying massage. Could I practice on you?” “Sure,” she says. They get out of the bath and she lies down on a massage table nearby. I think to myself, “What a nifty line! I can never think of anything like that!” He starts to rub her big toe. “I think I feel it,” he says. “I feel a kind of dent—is that the pituitary?” I blurt out, “You’re a helluva long way from the pituitary, man!” They looked at me, horrified—I had blown my cover—and said, “It’s reflexology!” I quickly closed my eyes and appeared to be meditating. That’s just an example of the kind of things that overwhelm me. I also looked into extrasensory perception and PSI phenomena, and the latest craze there was Uri Geller, a man who is supposed to be able to bend keys by rubbing them with his finger. So I went to his hotel room, on his invitation, to see a demonstration of both mindreading and bending keys. He didn’t do any mindreading that succeeded; nobody can read my mind, I guess. And my boy held a key and Geller rubbed it, and nothing happened. Then he told us it works better under water, and so you can picture all of us standing in the bathroom with the water turned on and the key under it, and him rubbing the key with his finger. Nothing happened. So I was unable to investigate that phenomenon.
Richard P. Feynman (Surely You're Joking, Mr. Feynman! Adventures of a Curious Character)
I tried picturing all those places on that map of BeeCee. That’s what we call our country now, just letters of its real name what most people have forgot or don’t care to remember. The map said that old name behind all the scribblings, all the new borders and territories my nana drawn on, but I could only read letters then, not whole words. All I know is that one day all the maps became useless and we had to make our own. The old’uns called that day the Fall or the Reformation. Nana said some down in the far south called it Rapture. Nana was a babe when it happened, said her momma called it the Big Damn Stupid. Set everything back to zero. I never asked why, never much cared. Life is life and you got to live it in the here- now not the back- then. And the here- now for little me was the Thick Woods, with night coming fast.
Beth Lewis (The Wolf Road)
Stupid Screenwriter Tricks - However clever we think we are, sometimes we go too far in our enthusiasm. We are creative people and think everyone will get it - well, they don't. Stunts don't work. Lame attempts to get attention don't work. Here are some other don'ts: Don't package yourself in a big crate and mail yourself to William Morris. Don't take out a full-page advertisement in Variety with your picture and phone number with the slogan: Will Write for Food. Don't have your picture taken with a cut-out photo of your favorite movie star and send to him autographed with the phrase: We should be in business together! And whatever you do, don't threaten to leap off the Hollywood sign as leverage to get someone to read your screenplay. It's been done, babe, it's been done.
Blake Snyder (Save the Cat: The Last Book on Screenwriting You'll Ever Need)
Elizabeth snapped awake in a terrified instant as the door to her bed chamber was flung open near dawn, and Ian stalked into the darkened room. “Do you want to go first, or shall I?” he said tightly, coming to stand at the side of her bed. “What do you mean?” she asked in a trembling voice. “I mean,” he said, “that either you go first and tell me why in hell you suddenly find my company repugnant, or I’ll go first and tell you how I feel when I don’t know where you are or why you want to be there!” “I’ve sent word to you both nights.” “You sent a damned note that arrived long after nightfall both times, informing me that you intended to sleep somewhere else. I want to know why!” He has men beaten like animals, she reminded herself. “Stop shouting at me,” Elizabeth said shakily, getting out of bed and dragging the covers with her to hide herself from him. His brows snapped together in an ominous frown. “Elizabeth?” he asked, reaching for her. “Don’t touch me!” she cried. Bentner’s voice came from the doorway. “Is aught amiss, my lady?” he asked, glaring bravely at Ian. “Get out of here and close that damned door behind you!” Ian snapped furiously. “Leave it open,” Elizabeth said nervously, and the brave butler did exactly as she said. In six long strides Ian was at the door, shoving it closed with a force that sent it crashing into its frame, and Elizabeth began to vibrate with terror. When he turned around and started toward her Elizabeth tried to back away, but she tripped on the coverlet and had to stay where she was. Ian saw the fear in her eyes and stopped short only inches in front of her. His hand lifted, and she winced, but it came to rest on her cheek. “Darling, what is it?” he asked. It was his voice that made her want to weep at his feet, that beautiful baritone voice; and his face-that harsh, handsome face she’d adored. She wanted to beg him to tell her what Robert and Wordsworth had said were lies-all lies. “My life depends on this, Elizabeth. So does yours. Don’t fail us,” Robert had pleaded. Yet, in that moment of weakness she actually considered telling Ian everything she knew and letting him kill her if he wanted to; she would have preferred death to the torment of living with the memory of the lie that had been their lives-to the torment of living without him. “Are you ill?” he asked, frowning and minutely studying her face. Snatching at the excuse he’d offered, she nodded hastily. “Yes. I haven’t been feeling well.” “Is that why you went to London? To see a physician?” She nodded a little wildly, and to her bewildered horror he started to smile-that lazy, tender smile that always made her senses leap. “Are you with child, darling? Is that why you’re acting so strangely?” Elizabeth was silent, trying to debate the wisdom of saying yes or no-she should say no, she realized. He’d hunt her to the ends of the earth if he believed she was carrying his babe. “No! He-the doctor said it is just-just-nerves.” “You’ve been working and playing too hard,” Ian said, looking like the picture of a worried, devoted husband. “You need more rest.” Elizabeth couldn’t bear any more of this-not his feigned tenderness or his concern or the memory of Robert’s battered back. “I’m going to sleep now,” she said in a strangled voice. “Alone,” she added, and his face whitened as if she had slapped him. During his entire adult life Ian had relied almost as much on his intuition as on his intellect, and at that moment he didn’t want to believe in the explanation they were both offering. His wife did not want him in her bed; she recoiled from his touch; she had been away for two consecutive nights; and-more alarming than any of that-guilt and fear were written all over her pale face. “Do you know what a man thinks,” he said in a calm voice that belied the pain streaking through him, “when his wife stays away at night and doesn’t want him in her bed when she does return?
Judith McNaught (Almost Heaven (Sequels, #3))
Even when they were very small Eliza had known that Sammy needed her more than she needed him, even before he caught the fever and was nearly lost to them. Something in his manner left him vulnerable. Other children had known it when they were small, grown-ups knew it now. They sensed somehow that he was not really one of them. And he wasn't, he was a changeling. Eliza knew all about changelings. She'd read about them in the book of fairy tales that had sat for a time in the rag and bottle shop. There'd been pictures, too. Fairies and sprites who looked just like Sammy, with his fine strawberry hair, long ribbony limbs and round blue eyes. The way Mother told it, something had set Sammy apart from other children ever since he was a babe: an innocence, a stillness. She used to say that while Eliza had screwed up her little red face and howled for a feeding, Sammy had never cried. He used to lie in his drawer, listening, as if to beautiful music floating on the breeze that no one but he could hear.
Kate Morton (The Forgotten Garden)
A rhyming Nativity narrative. "The donkey who carried Mary to the Nativity calmly focuses on feelings of wonderment surrounding the child’s birth. With huge eyes...the little donkey is utterly adorable. Lines like “a bit of tingle-my-toes. / That’s how the evergreen / smelled to me, / a bit of fresh pine to my nose” offer opportunities for caregivers to extend the reading to sensory activities, though the scent of pine doesn’t seem historically accurate. An uncluttered stable features friendly, curious barn animals that greet baby Jesus along with the three Wise Men. Told in verse, the tale evokes a tender, pleasant mood. ...“I lifted my head / above His hay bed // …and sang of this morning of grace.” Jesus, referred to as “the Baby” and “the Babe,” is tan-skinned, as are his parents. Two of the Wise Men are light-skinned, while one is darker-skinned. A gentle, spare tale, part bedtime story, part Christmas fare. (Picture book. 2-5)" Kirkus Reviews
Jacki Kellum (The Donkey's Song: A Christmas Nativity Story)
But note the fact, that when Abraham built on the Lord it was counted to him for righteousness. The Lord never makes any mistakes in His reckoning. When Abraham’s faith was reckoned to him for righteousness, it was because it was indeed righteousness. How so? Why, as Abraham built on God, he built on everlasting righteousness. “He is my rock, and there is no unrighteousness in Him.” He became one with the Lord, and so God’s righteousness was his own. “The words of the Lord are pure words: as silver tried in a furnace of earth, purified seven times.” Psalms 12.6. Therefore he who builds upon the Rock Jesus Christ, by accepting His word in living faith, builds upon a tried foundation. So we read: “Wherefore laying aside all malice, and all guile, and hypocrisies, and envies, and all evil speaking, as newborn babes, desire the sincere milk of the word, that ye may grow thereby: if so be ye have tasted that the Lord is gracious. To whom coming, as unto a living stone, disallowed indeed of men, but chosen of God, and precious, ye also, as lively stones, are built up a spiritual house, an holy priesthood, to offer up spiritual sacrifices, acceptable to God by Jesus Christ. Wherefore also it is contained in the Scripture, Behold, I lay in Zion a chief corner stone, elect, precious: and he that believeth on him shall not be confounded.” 1 Peter 2.1-6 The force of this is not so clearly seen until we read the passage of Scripture, which is quoted by the apostle, in connection with the one that we have quoted from the Saviour’s Sermon on the Mount. Recalling the latter, we read from the prophecy of Isaiah: - “Therefore thus saith the Lord God, Behold, I lay in Zion for a foundation a stone, a tried stone, a precious corner-stone of sure foundation: he that believeth shall not make haste. And I will make judgment the line, and righteousness the plummet: and the hail shall sweep away the refuge of lies, and the waters shall overflow the hiding place. And your covenant with death shall be disannulled, and your agreement with hell shall not stand; when the overflowing scourge shall pass through, then ye shall be trodden down by it. As often as it passeth through, it shall take you; for morning by morning shall it pass through, by day and by night: and it shall be nought but terror to understand the message.” Isaiah 28.16 Christ is the tried foundation. Righteousness is the plummet by which He is laid. His character is perfectly true and right. Satan exhausted all his arts in trying to lead Him to sin, and was unsuccessful. He is a sure foundation. We build on Him by believing His word, as He Himself said. The floods will surely come. There will be an overflowing scourge that will sweep away the refuge of lies, and all who have built on a false foundation. The house built on the sand will certainly fall. When the storm begins to beat with fury, those who have made lies their refuge will flee for their lives as their foundation begins to totter; but the flood will carry them away. This is the picture presented by the two passages of Scripture.
Ellet J. Waggoner (The Gospel in Creation)
How’s it going so far?” “Eh.” I examined my hair for split ends. “That good, huh?” “Well, let’s see. My sister just called my ex ‘babe,’ my mom may have suggested I got fat, and my dad might think I’m a lesbian.” Cade laughed. Like hard. “Okay. First off, you’re not fat. I should know. I’ve seen you naked.” My face warmed. “That you have.” “Very naked. In fact, picturing it right now.” He made a low satisfied sound. “Nope, definitely not fat.” I laughed. “Focus, Cade.” “Sorry, so, um, lesbian? What’s that about?” “Dad was teasing me, asking a bunch of questions about you. I told him if he mentioned anything to Mom, I’d tell her I was into girls—it would totally freak her out—then he gets all supportive of my lifestyle choices and says he’d love me no matter my orientation.” “So you told him about me?” I could tell he smiled by the sound of his voice. “Yeah. Though I’m not sure I’ve convinced him of your gender. On a good note, he approves of you, regardless.” Cade chuckled. “Good to know. Guess you said something right.
Renita Pizzitola (Just a Little Flirt (Crush, #2))
America had become an ice cream society in the last years of the twenties, thanks in large part to Prohibition. Bars and fine lounges in hotels sold ice cream, because they could no longer sell liquor, and dairy bars began to crop up all over the country. It was an incredible era. The straitlaced Cal Coolidge, who assured the nation that his fiscal probity had brought prosperity here to stay, moved the White House to the Black Hills of South Dakota for the summer and celebrated the Fourth of July by parading around in a cowboy costume. Babe Ruth signed a three-year contract with the Yankees for the stupefying figure of $70,000 a year. Lindbergh flew nonstop from New York to Paris. Al Jolson sang in the first talking pictures. And—wonder of wonders—in 1929 the Chicago Cubs won the National League pennant! Big
Ray Kroc (Grinding It Out: The Making of McDonald's)
I tried picturing all those places on that map of BeeCee. That’s what we call our country now, just letters of its real name what most people have forgot or don’t care to remember. The map said that old name behind all the scribblings, all the new borders and territories my nana drawn on, but I could only read letters then, not whole words. All I know is that one day all the maps became useless and we had to make our own. The old’uns called that day the Fall or the Reformation. Nana said some down in the far south called it Rapture. Nana was a babe when it happened, said her momma called it the Big Damn Stupid. Set everything back to zero. I never asked why, never much cared. Life is life and you got to live it in the here-now not the back-then. And the here-now for little me was the Thick Woods, with night coming fast. I
Beth Lewis (The Wolf Road)
He mumbled under his breath and struggled with his laces. She knelt before him and proceeded to tie the skates for him. “When I pictured you on your knees, this isn’t what I had in mind,” he said, looking down at her. “Well, maybe you shouldn’t be picturing me on my knees,” she shot back and pulled the laces tight. “You’d rather I picture you on your back?” She focused on the second foot. “Actually, I’d rather you didn’t picture me at all.” “I can’t make that promise, babe, cause I picture you all the time. In bed, in the shower, in the kitchen.
Mila Rossi (Going the Distance (No Excuses #1))
Open your eyes Harper.” The first thing I saw was his anxious expression in the mirror. He was worrying his lip waiting for my reaction. I inhaled quickly and his body locked up when I looked down to my left side. It was beautiful. There were four large orange lilies wrapped around my hip, and I couldn’t believe how amazing they looked. I stepped closer and took in the perfect shading and detail to each flower. From the sketches I’d looked at and his drawing of me, I had known Chase was amazing, but I’d never thought he could make something like this look so real. His forced swallow was audible, and I realized I still hadn’t said anything. But there were absolutely no words. First my ring, and now this? Did anything get past him? I turned to face him and ran a hand through his messy hair. “Please tell me what you’re thinking.” Unfortunately, I wasn’t. I crushed my mouth to his and he quickly deepened the kiss. Right away the other tattoo artists started hooting and yelling for us to get a room. I pulled back and knew there was nothing I could do about the deep blush on my face. Chase led me back to his table and put ointment and a wrap over my tattoo before fixing my shirt, he was all smiles. “What made you choose those?” He beamed his white smile at me, “I heard you talking to Bree and Mom about them being your favorite. And ever since that day all I’ve wanted to do was get you orange lilies, but I knew I’d probably get punched again. This was my way around it.” “It looks amazing Chase, thank you.” He shrugged, but he still couldn’t contain that smile. “I’m serious.” I grabbed his face with both hands and brought him close, “I love it, thank you.” Chase kissed me once and skimmed his nose across my cheek. “God, you’re beautiful Harper.” My phone rang then, Brandon’s name flashed on the screen. “Hey babe.” “Hey, how’s the tattoo look?” “Um, it’s not done yet, can I call you after?” “I’m going out with some buddies from high school, I’ll just talk to you tomorrow, kay? But send me a picture when it’s done. I love you.” My stomach clenched, “I love you too. Have fun tonight.” I pressed the end button and looked up at Chase’s closed off expression. “Chase –” “So you’ll need to go buy some anti-bacterial soap to clean it.” “Please talk to me.” “I’m trying. Look, here are some aftercare instructions. Don’t take the wrap off for at least an hour. If anything looks wrong give me a call.” He dropped the paper on my stomach and stepped back. “Chase!” “I have another appointment, and he’s waiting. I’ll see you later.” I looked into his guarded eyes and exhaled deeply, “What do I owe you?” “Nothing. It was a gift. But I’m busy, please go.
Molly McAdams (Taking Chances (Taking Chances, #1))
Babe, this one’s different. Open it,” Kenna instructed softly. When Ripley did, Kenna knew she’d made the right decision. Ripley’s face lit up before she immediately burst into tears. “I did some research. I found a few of your parents’ friends and asked them to scour their own photo albums, emails, files, and anywhere else they might have stowed pictures away. I had copies made and put them all in here for you.
Nicole Pyland (The Fire (Fire Universe, #1))
I have never seen him sleep so deeply. Not even when he was just a babe. The slightest sound would wake him." Surprise rippled through me as the hand under mine remained relaxed and still. "You knew him then?" I asked, completely unable to picture Ash as a babe. "I knew his parents. I called them my friends, and I call Ash one of my own," he answered, head straightening. His gaze caught mine and held it. "I think I will call you one of my own." "Because you've given him peace.
Jennifer L. Armentrout (A Shadow in the Ember (Flesh and Fire, #1))
Quinn looksat the ultrasound pictures, eyes glossing over. We’re headed home, and I steal a glance away from the road to see her beautiful face. Her eyes are brimming with tears. “What’s wrong, babe?” I put my hand on her thigh. “Nothing.” Tears roll down her cheeks. “Why are you crying?” “I was thinking about bald eagles.” “Bald eagles?” I raise an eyebrow. “Bald eagles make youcry?” “They used to be endangered. But they’re not anymore. They’re so majestic and beautiful and I’m just so happy they’re not endangered anymore.” I don’t mean to laugh, but dammit, she’s so fucking adorable. “Remember how you said it wasn’t fair that I didn’t get to experience drunk-Quinn?” “Yeah.” “I am now.” I wink and squeeze her thigh. She sniffles and laughs, wiping her eyes. “Yeah. I guess so.” Her eyes squeeze shut, and more tears streamout. “Stop thinking about eagles, babe,” I try to say seriously but end up laughing. Quinn laughs too, shaking her head. 
Emily Goodwin (End Game (Dawson Family, #2))
Mom sends me another text with pictures of cakes she found on Pinterest for a gender reveal party. “How do you feel about having a gender reveal party?” Iask. “What is that?” Archer gets up to make a pot of coffee. “Basically a party announcing if the baby is a boy or girl. You don’t tell anyone until the end, and you pop a balloon with pink or blue confetti in it or something.” “And it’s a thing people donow?” “Yeah. If you have a halfway decent Instagram following and you don’t do one, people will wonder what’s wrong withyou.” Archer chuckles. “I don’t really care either way. Any excuse to have a party is good in my book. Do you want to haveone?” “I know they’re a little lame, but yeah.” I bite my lip, looking at the photos my mom sent. I haven’t told anyone besides my family and Marissa about the baby. I’m a modern woman with a successful job, and shouldn’t worry about people judging me over having a baby when I’m not married. But I do, just abit. “Then let’s doit.” Archer’s words make me smile. “My mom is going to go crazy over this. She wants to know where to have the party?” It’s a simple question, but I know it raises the same concerns to Archer too. He turns on the coffee maker and comes back to the table. “If you’re going to take impressive Instagram pictures, your parents’ farm has the perfect setting.” “I’m glad you have your priorities in check.” He nods. “I gotcha, babe. We’ll make sure to have everything posed perfectly. I’ll even take pictures of all my food before I eat it. Actually, we could invest in some of that realistic-looking fake food. I hear it photographs better.” I look at Archer, a big smile on my face. He makes it so easy tofall. “Good idea. Anything for the likes.” “Exactly. The number of likes is a direct correlation to how loved this baby is. We really have to step itup.
Emily Goodwin (End Game (Dawson Family, #2))