B I G Quotes

L.G.B.T.Q.I.P.O.Z.A.A.C.V………….” 

I want to be a society vampire, you see.

Locating the village elders, he said to them, “I think that we are in for a bad time. The American Sky Soldiers are coming by helicopter and the usual things the Americans do of air strikes by fighter-bombers and by B52 large bombers is starting at Long Phuoc! I fear the worst!

How long have you done it?” “Since the second day of B and G. The first day was a bit of a blur. I’ve always meant to compile some stats. Sorry. Saying it aloud sounds insane.” “I wish I’d thought of doing it, if it makes you feel better. I’m equally insane.” “You cracked the shirt code pretty quick.” “Why do you even wear them in sequence?” “I wanted to see if you noticed. And once you did notice, it pissed you off.” “I’ve always noticed.” “Yeah, I know.” He smiles, and I smile too. 

A is for Amy who fell down the stairs. B is for Basil assaulted by bears. C is for Clara who wasted away. D is for Desmond thrown out of a sleigh. E is for Ernest who choked on a peach. F is for Fanny sucked dry by a leech. G is for George smothered under a rug. H is for Hector done in by a thug. I is for Ida who drowned in a lake. J is for James who took lye by mistake. K is for Kate who was struck with an axe. L is for Leo who choked on some tacks. M is for Maud who was swept out to sea. N is for Neville who died of ennui. O is for Olive run through with an awl. P is for Prue trampled flat in a brawl. Q is for Quentin who sank on a mire. R is for Rhoda consumed by a fire. S is for Susan who perished of fits. T is for Titus who flew into bits. U is for Una who slipped down a drain. V is for Victor squashed under a train. W is for Winnie embedded in ice. X is for Xerxes devoured by mice. Y is for Yorick whose head was bashed in. Z is for Zillah who drank too much gin.

I don't know if you know it, J.B., but you're the sort of fellow who causes hundreds to fall under suspicion when he's found stabbed in his library with a paper-knife of Oriental design.

Joshua's ministry was three years of preaching, sometimes three times a day, and although there were some high and low points, I could never remember the sermons word for word, but here's the gist of almost every sermon I ever heard Joshua give. You should be nice to people, even creeps. And if you: a) believed that Joshua was the Son of God (and) b) he had come to save you from sin (and) c) acknowledged the Holy Spirit within you (became as a little child, he would say) (and) d) didn't blaspheme the Holy Ghost (see c) then you would: e) live forever f) someplace nice g) probably heavan However, if you: h) sinned (and/or) i) were a hypocrite (and/or) j) valued things over people (and) k) didn't do a, b, c, and d, then you were: l) fucked

[...] I grew up out of that strange, dreamy childhood of mine and went into the world of reality. I met with experiences that bruised my spirit - but they never harmed my ideal world. That was always mine to retreat into at will. I learned that that world and the real world clashed hopelessly and irreconcilably; and I learned to keep them apart so that the former might remain for me unspoiled. I learned to meet other people on their own ground since there seemed to be no meeting place on mine. I learned to hide the thoughts and dreams and fancies that had no place in the strife and clash of the market place. I found that it was useless to look for kindred souls in the multitude; one might stumble on such here and there, but as a rule it seemed to me that the majority of people lived for the things of time and sense alone and could not understand my other life. So I piped and danced to other people's piping - and held fast to my own soul as best I could.

be aggressive, BE-BE Aggressive! B-E A-G-G-R-E-S-S-I-V-E

I’ve been fucked up the ass by Fate. What do you think you can do to me with your little, fucking penis?

I’ll never find out now What A. thought of me. If B. ever forgave me in the end. Why C. pretended everything was fine. What part D. played in E.’s silence. What F. had been expecting, if anything. Why G. forgot when she knew perfectly well. What H. had to hide. What I. wanted to add. If my being around meant anything to J. and K. and the rest of the alphabet.

Think Big” by Dr. Ben Carson T Talents/time: Recognize them as gifts H Hope for good things and be honest I Insight from people and good books N Nice: Be kind to all people K Knowledge: Recognize it as they key to living B Books: Read them actively I In-depth learning skills: Develop them G God: Never get too big for Him

Right then," Campbell began, his tone so civil it was offensive. "May I have your name for the record, Miss...?" "Eliza Braun," Eliza sneered. "Here, I'll spell it for you -- B-U-G-G-E-R-O-F-F.

I am quite likely to re-act to the opposite extreme - to feel rapturously that the world is beautiful and mere existence something to thank God for. I suppose our 'blues' are the price we have to pay for our temperament. 'The gods don't allow us to be in their debt.' They give us sensitiveness to beauty in all its forms but the shadow of the gift goes with it.

Where is the graveyard of dead gods? What lingering mourner waters their mounds? There was a time when Jupiter was the king of the gods, and any man who doubted his puissance was ipso facto a barbarian and an ignoramus. But where in all the world is there a man who worships Jupiter today? And who of Huitzilopochtli? In one year - and it is no more than five hundred years ago - 50,000 youths and maidens were slain in sacrifice to him. Today, if he is remembered at all, it is only by some vagrant savage in the depths of the Mexican forest. Huitzilopochtli, like many other gods, had no human father; his mother was a virtuous widow; he was born of an apparently innocent flirtation that she carried out with the sun. When he frowned, his father, the sun, stood still. When he roared with rage, earthquakes engulfed whole cities. When he thirsted he was watered with 10,000 gallons of human blood. But today Huitzilopochtli is as magnificently forgotten as Allen G. Thurman. Once the peer of Allah, Buddha and Wotan, he is now the peer of Richmond P. Hobson, Alton B. Parker, Adelina Patti, General Weyler and Tom Sharkey. Speaking of Huitzilopochtli recalls his brother Tezcatlipoca. Tezcatlipoca was almost as powerful; he consumed 25,000 virgins a year. Lead me to his tomb: I would weep, and hang a couronne des perles. But who knows where it is? Or where the grave of Quetzalcoatl is? Or Xiuhtecuhtli? Or Centeotl, that sweet one? Or Tlazolteotl, the goddess of love? Of Mictlan? Or Xipe? Or all the host of Tzitzimitl? Where are their bones? Where is the willow on which they hung their harps? In what forlorn and unheard-of Hell do they await their resurrection morn? Who enjoys their residuary estates? Or that of Dis, whom Caesar found to be the chief god of the Celts? Of that of Tarves, the bull? Or that of Moccos, the pig? Or that of Epona, the mare? Or that of Mullo, the celestial jackass? There was a time when the Irish revered all these gods, but today even the drunkest Irishman laughs at them. But they have company in oblivion: the Hell of dead gods is as crowded as the Presbyterian Hell for babies. Damona is there, and Esus, and Drunemeton, and Silvana, and Dervones, and Adsullata, and Deva, and Bellisima, and Uxellimus, and Borvo, and Grannos, and Mogons. All mighty gods in their day, worshipped by millions, full of demands and impositions, able to bind and loose - all gods of the first class. Men labored for generations to build vast temples to them - temples with stones as large as hay-wagons. The business of interpreting their whims occupied thousands of priests, bishops, archbishops. To doubt them was to die, usually at the stake. Armies took to the field to defend them against infidels; villages were burned, women and children butchered, cattle were driven off. Yet in the end they all withered and died, and today there is none so poor to do them reverence. What has become of Sutekh, once the high god of the whole Nile Valley? What has become of: Resheph Anath Ashtoreth El Nergal Nebo Ninib Melek Ahijah Isis Ptah Anubis Baal Astarte Hadad Addu Shalem Dagon Sharaab Yau Amon-Re Osiris Sebek Molech? All there were gods of the highest eminence. Many of them are mentioned with fear and trembling in the Old Testament. They ranked, five or six thousand years ago, with Yahweh Himself; the worst of them stood far higher than Thor. Yet they have all gone down the chute, and with them the following: Bilé Ler Arianrhod Morrigu Govannon Gunfled Sokk-mimi Nemetona Dagda Robigus Pluto Ops Meditrina Vesta You may think I spoof. That I invent the names. I do not. Ask the rector to lend you any good treatise on comparative religion: You will find them all listed. They were gods of the highest standing and dignity-gods of civilized peoples-worshiped and believed in by millions. All were omnipotent, omniscient and immortal. And all are dead.

Life was a bloody battlefield until I conquered the enemy and won the war. Now, life is a journey, and I am a warrior. Prepared for anything and weakened by nothing. There are hills and dales, mountains and plateaus, blind spots and brilliant vistas, but none of that matters. All that matters is my second chance, and the only thing capable of disrupting my path, is myself.

I am. A child is helpless; I think it is the betrayal that destroys them. But a grownup is – usually – not helpless. Grownups expect betrayal. What they can’t stand to be is powerless. That’s what destroys them.

up or down from the infinite C E N T E R B R I M M I N G at the winking rim of time the voice in my head said LOVE IS THE DISTANCE BETWEEN YOU AND WHAT YOU LOVE

But you could conceivably be attracted to me. Theoretically.” “But then again. Maybe not. Your eyes, I mean. Because, of course, you’re a homicidal maniac.” “Stop, you’ll make me blush.” “With a sense of humor that makes you even more disturbing.

I reckon it is up to us to treat each other better than the Lord do, and teach Him a lesson.

I can't repair my wall as fast as you can tear it down.

Tony:...but you need something to do about Noah. Paul: I know, I know. The only problem being that (a) he thinks I'm getting back with my ex-boyfriend, (b) he thinks I'll only hurt him, because (c) I've already hurt him and (d) someone else has already hurt him, which means that I'm hurting him even more. So (e) he doesn't trust me, and in all fairness, (g) every time I see him, I (h) want everything to be right again and I (i) want to kiss him madly. This means that (j) my feelings aren't going away anytime soon, but (k) his feelings don't look likely to budge, either. So either (l) I'm out of luck, (m) I'm out of hope, or (n) there's a way to make it up to him that I'm not thinking of. I could (o) beg, (p) plead, (q) grovel, or (r) give up. But, in order to do that, I would have to sacrifice my (s) pride, (t) reputation, and (u) self-respect, even though (v) I have very little of them left and (w) it probably wouldn't work anyway. As a result, I am (x) lost, (y) clue-free, and (z) wondering if you have any idea whatsoever what I should do.

I was lost in a void of perpetual darkness. Disconnected from myself. Turned inside out. No sign of life. Eventually, the darkness was my light and the void a haven – a quiet place where I could nurse my secret and lick my wounds.

I don’t know what young fellows want to go in for those sort of things for?” I said. “Wars are a waste of time; and advertising is all lies.” “I am afraid, my dear Mister Le Page,” he said, looking very sorry for me, “you are an anachronism.

This book first arose out of a passage in [Jorge Luis] Borges, out of the laughter that shattered, as I read the passage, all the familiar landmarks of my thought—our thought that bears the stamp of our age and our geography—breaking up all the ordered surfaces and all the planes with which we are accustomed to tame the wild profusion of existing things, and continuing long afterwards to disturb and threaten with collapse our age-old distinction between the Same and the Other. This passage quotes a ‘certain Chinese encyclopaedia’ in which it is written that ‘animals are divided into: (a) belonging to the Emperor, (b) embalmed, (c) tame, (d) suckling pigs, (e) sirens, (f) fabulous, (g) stray dogs, (h) included in the present classification, (i) frenzied, (j) innumerable, (k) drawn with a very fine camelhair brush, (l) et cetera, (m) having just broken the water pitcher, (n) that from a long way off look like flies’. In the wonderment of this taxonomy, the thing we apprehend in one great leap, the thing that, by means of the fable, is demonstrated as the exotic charm of another system of thought, is the limitation of our own, the stark impossibility of thinking that.

Only in my worst-case-scenario imaginings did I think I’d be in his car, exiting the B&G underground parking lot.

And I think that if God did exist, he had many children. I think Jesus proves this. Jesus must be the seventh son of God. A-sus, B-sus, C-sus, D-sus, E-sus, F-sus, G-sus. That's just logic. That's just mathematical. And T-sus would always be fucking about. And P-sus does deliveries. C-sus started the Roman Empire. Cae-sus. F-sus, City in Turkey. B-sus was covered in something. Some people applauding there; other people going, "What?" ... B-sus was covered in bees.

This computer-generated pangram contains six a's, one b, three c's, three d's, thirty-seven e's, six f's, three g's, nine h's, twelve i's, one j, one k, two l's, three m's, twenty-two n's, thirteen o's, three p's, one q, fourteen r's, twenty-nine s's, twenty-four t's, five u's, six v's, seven w's, four x's, five y's, and one z.

The core identity is Traven, a name taken consciously from B. Traven, a writer I've always admired for his extreme reclusiveness—so completely at odds with the logic of our own age, when even the concept of privacy is constructed from publicly circulating materials. It is now almost impossible to be ourselves except on the world's terms.

For me the real evil of masturbation would be that it takes an appetite which, in lawful use, leads the individual out of himself to complete (and correct) his own personality in that of another (and finally in children and even grandchildren) and turns it back: sends the man back into the prison of himself, there to keep a harem of imaginary brides. And this harem, once admitted, works against his ever getting out and really uniting with a real woman. For the harem is always accessible, always subservient, calls for no sacrifices or adjustments, and can be endowed with erotic and psychological attractions which no real woman can rival. Among those shadowy brides he is always adored, always the perfect lover: no demand is made on his unselfishness, no mortification ever imposed on his vanity. In the end, they become merely the medium through which he increasingly adores himself . . . . And it is not only the faculty of love which is thus sterilized, forced back on itself, but also the faculty of imagination. The true exercise of imagination, in my view, is (a) To help us to understand other people (b) To respond to, and, some of us, to produce, art. But it has also a bad use: to provide for us, in shadowy form, a substitute for virtues, successes, distinctions etc. which ought to be sought outside in the real world—e.g. picturing all I’d do if I were rich instead of earning and saving. Masturbation involves this abuse of imagination in erotic matters (which I think bad in itself) and thereby encourages a similar abuse of it in all spheres. After all, almost the main work of life is to come out of our selves, out of the little, dark prison we are all born in. Masturbation is to be avoided as all things are to be avoided which retard this process. The danger is that of coming to love the prison.

Looking back over my own life I here declare without apology that it is the study of God's Word, year after year, close communion with Christ, and great books that have nourished my soul in wondrous ways. Such authors as Fenelon, Henry Drummond, F. B. Meyer, G. Campbell Morgan, Martyn Lloyd Jones, A. W. Tozer, Hannah Whitehall Smith Oswald Chambers, Andrew Murray and John Stott have each, with their own special insights, enriched my life beyond measure.

Why is this,” she asked, again in that dreamy tone, “so much more real than that? One’s night, one’s day, why is this so much more real? That I can’t forget the things from the day, and I can’t remember the things from the night?

Presently, I was aware that Jeeves was with me. I hadn't heard him come in, but you often don't with Jeeves. He just streams silently from spot A to spot B, like some gas.

This game has become so complicated, even I’m beginning to lose track of the sides.

B —Did I respect my own boundaries? Was I clear about what’s okay and what’s not okay? R —Was I reliable? Did I do what I said I was going to do? A —Did I hold myself accountable? V —Did I respect the vault and share appropriately? I —Did I act from my integrity? N —Did I ask for what I needed? Was I nonjudgmental about needing help? G —Was I generous toward myself?

Just open your mouth and let the lightning come out. Burn the victim card down to the ground - for you are so much more than that! You’re a witch. You’re a wizard. Open your mouth and let the spiders out! Unleash your mind; for sometimes it’s so much better than b e i n g quiet.

Just in case you were thinking, on some level, that there was even the slightest bit of enjoyment in it for me. That I found a strange sort of freedom in your vicious embrace. Your embrace. There is no freedom there. There is only what has to be done.

Why are you here?" I asked him. "That's an awfully big question, Anya." "No, I meant here outside this office. What did you do wrong?" "Multiple choice," he said. "(a) A few pointed comments I made in Theology. (b) Headmaster wants to have a chat with the new kid about wearing hats in school. (c) My schedule. I'm just too darn smart for my classes. (d) My eyewitness account of the girl who poured lasagna over her boyfriend's head. (e.) Headmaster's leaving her husband and wants to run away with me. (f) None of the above. (g) All of the above." "Ex-boyfriend," I mumbled. "Good to know," he said.

When Uncle W. G. held out his hand to take my money, I dropped the dead mouse in his hand.

Get my daughter this college grant so she don't need no man

Having children is a lottery and you never know what you are going to draw out. Perhaps it is as well I got none.

agent inside S.I.S. who had picked up Zalachenko’s trail. Right now we’re examining a large number of old personnel files.” “But if the K.G.B. had

And then, from the other room, we could hear Fudge singing himself to sleep. “M-a-i-n-e spells Maine. F-u-d-g-e spells Fudgie. P-e-t-e-r spells Pee-tah. B-e-e-r spells whiskey.

I have forsaken her for a place I will never belong, but will always remain under her spell, forever to be, a child of my motherland.

Once more he became silent, staring before him with sombre eyes. Following his gaze, I saw that he was looking at an enlarged photograph of my Uncle Tom in some sort of Masonic uniform which stood on the mantlepiece. I've tried to reason with Aunt Dahlia about this photograph for years, placing before her two alternative suggestions: (a) To burn the beastly thing; or (b) if she must preserve it, to shove me in another room when I come to stay. But she declines to accede. She says it's good for me. A useful discipline, she maintains, teaching me that there is a darker side to life and that we were not put into this world for pleasure only.

I like B. Wooster the way he is. Lay off him, I say. Don’t try to change him, or you may lose the flavour. Even when we were merely affianced, I recalled, this woman had dashed the mystery thriller from my hand, instructing me to read instead a perfectly frightful thing by a bird called Tolstoy. At the thought of what horrors might ensue after the clergyman had done his stuff and she had a legal right to bring my grey hairs in sorrow to the grave, the imagination boggled. It was a subdued and apprehensive Bertram Wooster who some moments later reached for the hat and light overcoat and went off to the Savoy to shove food into the Trotters.

My English teacher told me in high school I would never amount to anything. At least I would never go to university. Just to be spiteful I graduated from U.BC. with a B.G.S. degree in 1992.

When I visited George Bernard Shaw, in 1948, at his home in Aylot, a suburb of London, he was extremely anxious for me to tell him all that I knew about Ingersoll. During the course of the conversation, he told me that Ingersoll had made a tremendous impression upon him, and had exercised an influence upon him probably greater than that of any other man. He seemed particularly anxious to impress me with the importance of Ingersoll's influence upon his intellectual endeavors and accomplishments. In view of this admission, what percentage of the greatness of Shaw belongs to Ingersoll? If Ingersoll's influence upon so great an intellect as George Bernard Shaw was that extensive, what must have been his influence upon others? What seed of wisdom did he plant into the minds of others, and what accomplishments of theirs should be attributed to him? The world will never know. What about the countless thousands from whom he lifted the clouds of darkness and fear, and who were emancipated from the demoralizing dogmas and creeds of ignorance and superstition? What will be Ingersoll's influence upon the minds of future generations, who will come under the spell of his magic words, and who will be guided into the channels of human betterment by the unparalleled example of his courageous life? The debt the world owes Robert G. Ingersoll can never be paid.

I don’t want to talk about me. We never talk about you. I probably don’t know anything about you. He laces his fingers into mine and rests our hands on his stomach. I move my fingertips in tiny circles and he sighs indulgently. “Sure you do. Go on, list everything.” “I know surface things. The color of your shirts. Your lovely blue eyes. You live on mints and make me look like a pig in comparison. You scare three-quarters of B and G employees absolutely senseless, but only because the other quarter haven’t met you yet.” He smirks. “Such a bunch of delicate sissies.” I keep ticking things off. “You’ve got a pencil you use for secret purposes I think relate to me. You dry clean on alternate Fridays. The projector in the boardroom strains your eyes and gives you headaches. You’re good at using silence to scare the shit out of people. It’s your go-to strategy in meetings. You sit there and stare with your laser-eyes until your opponent crumbles.” He remains silent. “Oh, and you’re secretly a decent human being.” “You definitely know more about me than anyone else.” I can feel a tension in him. When I look at his face, he looks shaken. My stalking has scared the ever-loving shit out of him. Unfortunately, the next thing I say sounds deranged. I want to know what’s going on in your brain. I want to juice your head like a lemon.

This book first arose out of a passage in Borges, out of the laughter that shattered, as I read the passage, all the familiar landmarks of my thought—our thought that bears the stamp of our age and our geography—breaking up all the ordered surfaces and all the planes with which we are accustomed to tame the wild profusion of existing things, and continuing long afterwards to disturb and threaten with collapse our age-old distinction between the Same and the Other. This passage quotes a ‘certain Chinese encyclopaedia’ in which it is written that ‘animals are divided into: (a) belonging to the Emperor, (b) embalmed, (c) tame, (d) suckling pigs, (e) sirens, (f) fabulous, (g) stray dogs, (h) included in the present classification, (i) frenzied, (j) innumerable, (k) drawn with a very fine camelhair brush, (l) et cetera, (m) having just broken the water pitcher, (n) that from a long way off look like flies’. In the wonderment of this taxonomy, the thing we apprehend in one great leap, the thing that, by means of the fable, is demonstrated as the exotic charm of another system of thought, is the limitation of our own, the stark impossibility of thinking that.

He arched a brow. “Miss Lahey, are you flirting with me?” “Well, hot stuff, if you have to ask, I’m not doing it right.” His laughter rumbled low, slithering heat underneath my skin. I pulled him to me, backing him against the table, risking a literal firestorm as his lips laid upon mine with a burning promise of— “That’s how babies are made!” I reeled back and knocked over a chair. “Aunt M!” “Sex kills!” “M, seriously.” Mom walked into the kitchen and rolled her eyes. My aunt patted her belly. “It killed my waistline.” Then she cackled. Who was the banshee now? “Ayden and Rory sitting in a tree,” Selena sing-songed, “making b-a-b-b-y-n-g.” “Mom!” “Selena,” Mom admonished. “That’s not the right spelling.

Ci ho pensato spesso. Dicono che i bambini nascono dall'amore reciproco tra i genitori. Non mi risulta. Forse nascono perché l'amore tra i genitori non è perfetto. Forse vengono al mondo attraverso una crepa che c'è fra i due genitori. Non so.

We can think of dissociation as psychological disconnection from one or more of three major spheres of experience: (a) the here and now, i.e., orientation to time and place; (b) other people, i.e., interpersonal communion; and (c) one’s own subjective experience, e.g., visceral sensation, physical pain, affect, or sense of identity. The various manifestations of pathological dissociation e.g., amnesia, depersonalization, identity fragmentation–can be understood as manifestations of these dimensions of disconnection.

A recent invention, vocal language may date back only ca. 200,000 years. As human primates, we have not fully come to grips with the prolonged, face-to-face closeness required for speech. Speaking to a stranger, e.g., stresses our autonomic nervous system's sympathetic (i.e., fight-or-flight) division, which a. speeds our heartbeat, b. dilates our pupils, and c. cools and moistens our hands. The limbic brain's hypothalamus instructs the pituitary gland to release hormones into the circulatory system, arousing our blood, sweat, and fears.

P h y j s l y d d q f d z x g a s g z z q q e h x g k f n d r x u j u g I o c y t d x v k s b x h h u y p o h d v y r y m h u h p u y d k j o x p h e t o z l s l e t n p m v f f o v p d p a j x h y y n o j y g g a y m e q y n f u q l n m v l y f g s u z m q I z t l b q q y u g s q e u b v n r c r e d g r u z b l r m x y u h q h p z d r r g c r o h e p q x u f I v v r p l p h o n t h v d d q f h q s n t z h h h n f e p m q k y u u e x k t o g z g k y u u m f v I j d q d p z j q s y k r p l x h x q r y m v k l o h h h o t o z v d k s p p s u v j h d.

Why do the strings make different sounds, Maestro?” “It is simple. They work like life.” “I don’t understand.” “The first string is E. It is high pitched and quick like a child. “The second string is B. It is pitched slightly lower, like the squeaky voice of a teenager. “The third string, G, is deeper, with the power of a young man. “The fourth string, D, is robust, a man at full strength. “The fifth string, A, is solid and loud but unable to reach high tones, like a man who can no longer do what he did.” “And the sixth string, Maestro?” “The sixth is the low E, the thickest, slowest, and grumpiest. You hear how deep? Dum-dum-dum. Like it is ready to die.” “Is that because it is closest to heaven?” “No, Francisco. It is because life will always drag you to the bottom.” Frankie

From his beach bag the man took an old penknife with a red handle and began to etch the signs of the letters onto nice flat pebbles. At the same time, he spoke to Mondo about everything there was in the letters, about everything you could see in them when you looked and when you listened. He spoke about A, which is like a big fly with its wings pulled back; about B, which is funny, with its two tummies; or C and D, which are like the moon, a crescent moon or a half-full moon; and then there was O, which was the full moon in the black sky. H is high, a ladder to climb up trees or to reach the roofs of houses; E and F look like a rake and a shovel; and G is like a fat man sitting in an armchair. I dances on tiptoes, with a little head popping up each time it bounces, whereas J likes to swing. K is broken like an old man, R takes big strides like a soldier, and Y stands tall, its arms up in the air, and it shouts: help! L is a tree on the river's edge, M is a mountain, N is for names, and people waving their hands, P is asleep on one paw, and Q is sitting on its tail; S is always a snake, Z is always a bolt of lightning, T is beautiful, like the mast on a ship, U is like a vase, V and W are birds, birds in flight; and X is a cross to help you remember.

You know how it is as a rule, when you want to get Chappie A on Spot B at exactly the same moment when Chappie C is on Spot D. There's always a chance of a hitch. Take the case of a general, I mean to say, who's planning out a big movement. He tells one regiment to capture the hill with the windmill on it at the exact moment when another regiment is taking the bridgehead or something down in the valley; and everything gets all messed up. And then, when they're chatting the thing over in camp that night, the colonel of the first regiment says, "Oh, sorry! Did you say the hill with the windmill? I thought you said the one with the flock of sheep." And there you are!

Your explanation has been quite clear, thank you, Franz,’ Wing said, still frowning. ‘I just think that financial corruption on this scale may be a little more than I can get my head around.’ ‘Poor old ninja boy,’ Shelby said, smiling. ‘Knows twenty-seven ways to take you down with just his pinky, but can’t actually count to twenty-seven.’ ‘So this makes perfect sense to you, I suppose,’ Wing said, handing the sheet to Shelby. ‘Yeah, it’s easy,’ Shelby said, pointing out one area of the diagram. ‘See this piece here is just gobbledegook.’ Her finger moved to another area. ‘Whereas this section is premium-grade incomprehensible gibberish and this section,’ her finger moved again, ‘appears to be mostly in Greek.’ ‘Am I to take it that you have not studied for the test tomorrow at all then?’ Wing asked, raising an eyebrow. ‘Nope,’ Shelby said with a grin. ‘There’s going to be some good old-fashioned last-minute cramming later though. Either that or I’m going to just sit near my best bud Franz here and he’s going to write out all the answers in nice, b-i-i-i-i-g, easily legible letters. Right, bud?’ ‘This is being what I normally do,’ Franz said with a sigh, ‘isn’t it?

Dovevi comportati bene con il prossimo, anche con i leccapiedi. E se: a) Credevi che Gesù fosse il Figlio di Dio b) Credevi che fosse venuto a salvarti dal peccato c) Riconoscevi la presenza dello Spirito Santo dentro di te (tornavi bambino, diceva lui) d) Non bestemmiavi contro il suddetto Spirito (vedi c) Allora: e) Avresti vissuto in eterno f) In un posto fichissimo g) Probabilmente in paradiso Se invece h) Peccavi (e/o) i) Ti comportavi da ipocrita (e/o) j) Davi più importanza alle cose che alle persone (e/o) k) Non facevi quanto elencato ai punti a, b, c, d Eri semplicemente l) fottuto

He imagined a town called A. Around the communal fire they’re shaping arrowheads and carving tributes o the god of the hunt. One day some guys with spears come over the ridge, perform all kinds of meanness, take over, and the new guys rename the town B. Whereupon they hang around the communal fire sharpening arrowheads and carving tributes to the god of the hunt. Some climatic tragedy occurs — not carving the correct tributary figurines probably — and the people of B move farther south, where word is there’s good fishing, at least according to those who wander to B just before being cooked for dinner. Another tribe of unlucky souls stops for the night in the emptied village, looks around at the natural defenses provided by the landscape, and decides to stay awhile. It’s a while lot better than their last digs — what with the lack of roving tigers and such — plus it comes with all the original fixtures. they call the place C, after their elder, who has learned that pretending to talk to spirits is a fun gag that gets you stuff. Time passes. More invasions, more recaptures, D, E, F, and G. H stands as it is for a while. That ridge provides some protection from the spring floods, and if you keep a sentry up there you can see the enemy coming for miles. Who wouldn’t want to park themselves in that real estate? The citizens of H leave behind cool totems eventually toppled by the people of I, whose lack of aesthetic sense if made up for by military acumen. J, K, L, adventures in thatched roofing, some guys with funny religions from the eastern plains, long-haired freaks from colder climes, the town is burned to the ground and rebuilt by still more fugitives. This is the march of history. And conquest and false hope. M falls to plague, N to natural disaster — same climatic tragedy as before, apparently it’s cyclical. Mineral wealth makes it happen for the O people, and the P people are renowned for their basket weaving. No one ever — ever — mentions Q. The dictator names the city after himself; his name starts with the letter R. When the socialists come to power they spend a lot of time painting over his face, which is everywhere. They don’t last. Nobody lasts because there’s always somebody else. They all thought they owned it because they named it and that was their undoing. They should have kept the place nameless. They should have been glad for their good fortune, and left it at that. X, Y, Z.

We want to make decisions based on facts. Many people do not. They make their decisions based on what their momma says or what their daddy says or what their political party says — without engaging their brains.

Mr. Today’s Clue: FOLLOW THE DOTS AS THE TRAVELING SUN, MAGNIFY, FOCUS, EVERY ONE. STAND ENROBED WHERE YOU FIRST SAW ME, UTTER IN ORDER; REPEAT TIMES THREE. SAM & LANI’S TAP SYSTEM: A=1 TAP B=2 TAPS C=3 TAPS D=4 TAPS E=5 TAPS OR 1 SLAP F=6 TAPS OR 1 SLAP 1 TAP G=7 OR 1 SLAP 2 TAPS H=8 OR 1 SLAP 3 TAPS I=9 OR 1 SLAP 4 TAPS J=10 OR 2 SLAPS K=11 OR 2 SLAPS 1 TAP L=12 OR 2 SLAPS 2 TAPS M=13 OR 2 SLAPS 3 TAPS N=14 OR 2 SLAPS 4 TAPS 0=15 OR 3 SLAPS p=16 OR 3 SLAPS 1 TAP Q=17 OR 3 SLAPS 2 TAPS R=18 OR 3 SLAPS 3 TAPS S=19 OR 3 SLAPS 4 TAPS T=20 OR 4 SLAPS U=21 OR 4 SLAPS 1 TAP V=22 OR 4 SLAPS 2 TAPS W=23 OR 4 SLAPS 3 TAPS X=24 OR 4 SLAPS 4 TAPS Y=25 OR 5 SLAPS Z=26 OR 5 SLAPS 1 TAP

For now, the Simple Daily Practice means doing ONE thing every day. Try any one of these things each day: A) Sleep eight hours. B) Eat two meals instead of three. C) No TV. D) No junk food. E) No complaining for one whole day. F) No gossip. G) Return an e-mail from five years ago. H) Express thanks to a friend. I) Watch a funny movie or a stand-up comic. J) Write down a list of ideas. The ideas can be about anything. K) Read a spiritual text. Any one that is inspirational to you. The Bible, The Tao te Ching, anything you want. L) Say to yourself when you wake up, “I’m going to save a life today.” Keep an eye out for that life you can save. M) Take up a hobby. Don’t say you don’t have time. Learn the piano. Take chess lessons. Do stand-up comedy. Write a novel. Do something that takes you out of your current rhythm. N) Write down your entire schedule. The schedule you do every day. Cross out one item and don’t do that anymore. O) Surprise someone. P) Think of ten people you are grateful for. Q) Forgive someone. You don’t have to tell them. Just write it down on a piece of paper and burn the paper. It turns out this has the same effect in terms of releasing oxytocin in the brain as actually forgiving them in person. R) Take the stairs instead of the elevator. S) I’m going to steal this next one from the 1970s pop psychology book Don’t Say Yes When You Want to Say No: when you find yourself thinking of that special someone who is causing you grief, think very quietly, “No.” If you think of him and (or?) her again, think loudly, “No!” Again? Whisper, “No!” Again, say it. Louder. Yell it. Louder. And so on. T) Tell someone every day that you love them. U) Don’t have sex with someone you don’t love. V) Shower. Scrub. Clean the toxins off your body. W) Read a chapter in a biography about someone who is an inspiration to you. X) Make plans to spend time with a friend. Y) If you think, “Everything would be better off if I were dead,” then think, “That’s really cool. Now I can do anything I want and I can postpone this thought for a while, maybe even a few months.” Because what does it matter now? The planet might not even be around in a few months. Who knows what could happen with all these solar flares. You know the ones I’m talking about. Z) Deep breathing. When the vagus nerve is inflamed, your breathing becomes shallower. Your breath becomes quick. It’s fight-or-flight time! You are panicking. Stop it! Breathe deep. Let me tell you something: most people think “yoga” is all those exercises where people are standing upside down and doing weird things. In the Yoga Sutras, written in 300 B.C., there are 196 lines divided into four chapters. In all those lines, ONLY THREE OF THEM refer to physical exercise. It basically reads, “Be able to sit up straight.” That’s it. That’s the only reference in the Yoga Sutras to physical exercise. Claudia always tells me that yogis measure their lives in breaths, not years. Deep breathing is what keeps those breaths going.

Well, three reasons. First, because I've been thinking about our Theorem and I have a question. How does it work if you're gay?" "Huh?" "Well it's all graph-going up means boy dumps girls and graph going-down means girl dumps boy, right? But what if they're both boys?" "It doesn't matter. You just assign a position to each person. Instead of being 'b' and 'g', it could just as easily be 'b1' and 'g', it could just as easily be 'bi' and 'b2.' That's how algebra works.

I am not sure whether you could call this abuse, but when I was (long ago) abroad in the world of dry men, I saw parents, usually upscale and educated and talented and functional and white, patient and loving and supportive and concerned and involved in their children’s lives, profilgate with compliments and diplomatic with constructive criticism, loquacious in their pronouncements of unconditional love for and approval of their children, conforming to every last jot-tittle in any conceivably definition of a good parent, I saw parent after unimpeachable parent who raised kids who were (a) emotionally retarded or (b) lethally self-indulgent or (c) chronically depressed or (d) borderline psychotic or (e) consumed with narcissistic self-loathing or (f) neurotically driven/addicted or (g) variously psychosomatically Disabled or (h) some conjunctive permutation of (a) … (g). Why is this. Why do many parents who seem relentlessly bent on producing children who feel they are good persons deserving of love produce children who grow to feel they are hideous persons not deserving of love who just happen to have lucked into having parents so marvelous that the parents love them even though they are hideous? Is it a sign of abuse if a mother produces a child who believes not that he is innately beautiful and lovable and deserving of magnificent maternal treatment but somehow that he is a hideous unlovable child who has somehow lucked in to having a really magnificent mother? Probably not. But could such a mother then really be all that magnificent, if that’s the child’s view of himself? ...I think, Mrs. Starkly, that I am speaking of Mrs. Avril M.-T. Incandenza, although the woman is so multileveled and indictment-proof that it is difficult to feel comfortable with any sort of univocal accusation of anything. Something just was not right, is the only way to put it. Something creepy, even on the culturally stellar surface.

Sippy had described them as England's premier warts, and it looked to me as if he might be about right. Professor Pringle was a thinnish, baldish, dyspeptic-lookingish cove with an eye like a haddock, while Mrs Pringle's aspect was that of one who had had bad news round about the year 1900 and never really got over it. And I was just staggering under the impact of these two when I was introduced to a couple of ancient females with shawls all over them. "No doubt you remember my mother?" said Professor Pringle mournfully, indicating Exhibit A. "Oh - ah!" I said, achieving a bit of a beam. "And my aunt," sighed the Prof, as if things were getting worse and worse. "Well, well, well!" I said shooting another beam in the direction of Exhibit B. "They were saying only this morning that they remembered you," groaned the Prof, abandoning all hope. There was a pause. The whole strength of the company gazed at me like a family group out of one of Edgar Allan Poe's less cheery yarns, and I felt my joie de vivre dying at the roots. "I remember Oliver," said Exhibit A. She heaved a sigh. "He was such a pretty child. What a pity! What a pity!" Tactful, of course, and calculated to put the guest completely at his ease.

What did we talk about? I don't remember. We talked so hard and sat so still that I got cramps in my knee. We had too many cups of tea and then didn't want to leave the table to go to the bathroom because we didn't want to stop talking. You will think we talked of revolution but we didn't. Nor did we talk of our own souls. Nor of sewing. Nor of babies. Nor of departmental intrigue. It was political if by politics you mean the laboratory talk that characters in bad movies are perpetually trying to convey (unsuccessfully) when they Wrinkle Their Wee Brows and say (valiantly--dutifully--after all, they didn't write it) "But, Doctor, doesn't that violate Finagle's Constant?" I staggered to the bathroom, released floods of tea, and returned to the kitchen to talk. It was professional talk. It left my grey-faced and with such concentration that I began to develop a headache. We talked about Mary Ann Evans' loss of faith, about Emily Brontë's isolation, about Charlotte Brontë's blinding cloud, about the split in Virginia Woolf's head and the split in her economic condition. We talked about Lady Murasaki, who wrote in a form that no respectable man would touch, Hroswit, a little name whose plays "may perhaps amuse myself," Miss Austen, who had no more expression in society than a firescreen or a poker. They did not all write letters, write memoirs, or go on the stage. Sappho--only an ambiguous, somewhat disagreeable name. Corinna? The teacher of Pindar. Olive Schriener, growing up on the veldt, wrote on book, married happily, and ever wrote another. Kate Chopin wrote a scandalous book and never wrote another. (Jean has written nothing.). There was M-ry Sh-ll-y who wrote you know what and Ch-rl-tt- P-rk-ns G-lm-an, who wrote one superb horror study and lots of sludge (was it sludge?) and Ph-ll-s Wh--tl-y who was black and wrote eighteenth century odes (but it was the eighteenth century) and Mrs. -nn R-dcl-ff- S-thw-rth and Mrs. G--rg- Sh-ld-n and (Miss?) G--rg-tt- H-y-r and B-rb-r- C-rtl-nd and the legion of those, who writing, write not, like the dead Miss B--l-y of the poem who was seduced into bad practices (fudging her endings) and hanged herself in her garter. The sun was going down. I was blind and stiff. It's at this point that the computer (which has run amok and eaten Los Angeles) is defeated by some scientifically transcendent version of pulling the plug; the furniture stood around unknowing (though we had just pulled out the plug) and Lady, who got restless when people talked at suck length because she couldn't understand it, stuck her head out from under the couch, looking for things to herd. We had talked for six hours, from one in the afternoon until seven; I had at that moment an impression of our act of creation so strong, so sharp, so extraordinarily vivid, that I could not believe all our talking hadn't led to something more tangible--mightn't you expect at least a little blue pyramid sitting in the middle of the floor?

I’ve applied to Brentwood every semester since I was a freshman. My mom fought me on it at first, but I think at this point she’s resigned herself to the fact that I’m never going to get in, so she just signs the forms without arguing. I mean, it’s Brentwood, so to get accepted you not only have to dance like you’re in Black Swan and belt out a B over high C like it’s a middle G and cry on cue through a memorized six thousand lines of Shakespeare, but you have to do it all at once, while having a 4.0 and forking over a hundred thousand dollars and giving the admissions director a blow job, apparently, but once you’re in, you’re in, it’s Brentwood then Juilliard then fame and fortune, and even if not, it’s New York City, baby, and the most important part of this equation is Brooklyn Bridge at midnight and tiny dogs in Chelsea and the Staten Island Ferry and that ex-girlfriend (don’t think about that, should I think about that?) and the answer to the goddamn equation is the absolute value of not Nebraska.

A peels an apple, while B kneels to God, C telephones to D, who has a hand On E’s knee, F coughs, G turns up the sod For H’s grave, I do not understand But J is bringing one clay pigeon down While K brings down a nightstick on L’s head, And M takes mustard, N drives to town, O goes to bed with P, and Q drops dead, R lies to S, but happens to be heard By T, who tells U not to fire V For having to give W the word That X is now deceiving Y with Z, Who happens, just now to remember A Peeling an apple somewhere far away.

The little girls in Room 4 were playing breakup. The ballerina doll was breaking up with the sailor doll. “I’m sorry, John,” she said in a brisk, businesslike voice—Jilly’s voice, actually—“but I’m in love with somebody else.” “Who?” the sailor doll asked. It was Emma G. who was speaking for him, holding him up by the waist of his little blue middy blouse. “I can’t tell you who, on account of he’s your best friend and so it would hurt your feelings.” “Well, that’s just stupid,” Emma B. pointed out from the sidelines. “Now he knows anyhow, since you said it was his best friend.” “He could have a whole bunch of best friends, though.” “No, he couldn’t. Not if they were ‘best.’ ” “Yes, he could. Me, I have four best friends.” “You’re a weirdo, then.” “Kate! Did you hear what she called me?” “What do you care?” Kate asked. She was helping Jameesha take her painting smock off. “Tell her she’s weird herself.” “You’re weird yourself,” Jilly told Emma B. “Am not.” “Are so.” “Am not.” “Kate said you were, so there!” “I didn’t say that,” Kate said. “Did so.” Kate was about to say, “Did not,” but she changed it to, “Well, anyhow, I wasn’t the one who started it.

I sometimes marvel at how far I’ve come - blissful, even, in the knowledge that I am slowly becoming a well-evolved human being - only to have the illusion shattered by an episode of bad behaviour that contradicts the new and reinforces the old. At these junctures of self-reflection, I ask the question: “are all my years of hard work unraveling before my eyes, or am I just having an episode?” For the sake of personal growth and the pursuit of equanimity, I choose the latter and accept that, on this journey of evolution, I may not encounter just one bad day, but a group of many.

(a) Recent U.S. income growth primarily occurs at the top 1 percent of the income distribution. (b) As a result there is growing inequality. (c) And those at the bottom and in the middle are actually worse-off today than they were at the beginning of the century. (d) Inequalities in wealth are even greater than inequalities in income. (e) Inequalities are apparent not just in income but in a variety of other variables that reflect standards of living, such as insecurity and health. (f) Life is particularly harsh at the bottom—and the recession made it much worse. (g) There has been a hollowing out of the middle class. (h) There is little income mobility—the notion of America as a land of opportunity is a myth. (i) And America has more inequality than any other advanced industrialized country, it does less to correct these inequities, and inequality is growing more than in many other countries.

(a) the poor, (b) misfits, (c) outcasts, (d) minorities, (e) adolescent youth, (f) the ambitious (whether facing insurmountable obstacles or unlimited opportunities), (g) those in the grip of some vice or obsession, (h) the impotent (in body or mind), (i) the inordinately selfish, (j) the bored, (k) the sinners.

May you say the things I have tried to say long after I am not there to say them. G. B. Smith’s words were a clear call to Ronald Tolkien to begin the great work that he had been meditating for some time, a grand and astonishing project with few parallels in the history of literature. He was going to create an entire mythology.

BOOK I 1     [184a] When the objects of an inquiry, in any department, have principles, (10) conditions, or elements, it is through acquaintance with these that knowledge, that is to say scientific knowledge, is attained. For we do not think that we know a thing until we are acquainted with its primary conditions or first principles, and have carried our analysis as far as its simplest elements. Plainly therefore in the science of Nature, (15) as in other branches of study, our first task will be to try to determine what relates to its principles. The natural way of doing this is to start from the things which are more knowable and obvious to us and proceed towards those which are clearer and more knowable by nature; for the same things are not ‘knowable relatively to us’ and ‘knowable’ without qualification. So in the present inquiry we must follow this method and advance from what is more obscure by nature, (20) but clearer to us, towards what is more clear and more knowable by nature. Now what is to us plain and obvious at first is rather confused masses, the elements and principles of which become known to us later by analysis. Thus we must advance from generalities to particulars; for it is a whole that is best known to sense-perception, (25) and a generality is a kind of whole, comprehending many things within it, like parts. [184b] Much the same thing happens in the relation of the name to the formula. (10) A name, e. g. ‘round’, means vaguely a sort of whole: its definition analyses this into its particular senses. Similarly a child begins by calling all men ‘father’, and all women ‘mother’, but later on distinguishes each of them.

DOBA PLAVOG SEĆANJA Maslinjaci i vinogradi daleko sve do mora Crvene ribarske barke još dalje sve do sećanja Zlatne ljušture avgusta u podnevnome snu S algama ili školjkama. I onaj brodić Nov, zelen, koji u mirnom zagrljaju voda još uvek čita D a ć e B o g Prošle su godine lišće ili šljunak Sećam se dečaka, mornara koji su na odlasku Bojili jedra bojom svoga srca Pevajući o četiri strane sveta Sa severcem naslikanim na grudima. Šta sam tražio kad si došla u bojama sunca na istoku Sa dobom mora u očima I sa zdravljem sunca u telu – šta sam tražio Duboko u morskim pećinama u prostranim snovima Gde je svoja osećanja zapenušao vetar Plav i nepoznat, urezujući mi na grudi svoje morsko znamenje S peskom među prstima zatvarao sam šaku S peskom u očima stezao sam šaku Javio se jak bol - Sećam se bio je april kada sam prvi put osetio tvoju ljudsku težinu Tvoje ljudsko telo greh i glinu A toga prvog našeg dana na zemlji Slavili su praznik amarila – ali bolelo te sećam se Ujed na usnama bio je dubok I dubok trag nokta na koži tamo gde se zauvek vreme urezuje Tada sam te ostavio. A šumni vetar poneo je uvis bele kuće Bela sveže umivena osećanja Na nebo osvetljeno osmehom. Odsad ću imati kraj sebe krčag besmrtne vode Imaću oblik slobode vrtoglavog vetra I one tvoje ruke tirane Ljubavi I onu tvoju školjku s odjekom Egejskog mora.

HERE IS A LIST of foods we discovered in America: Peanut butter. Marshmallows. Barbecue sauce. (You can say, “Can I have BBQ?” to a kid’s mom at potlucks and they’ll know what you mean.) Puppy chow. (Chex cereal covered in melted chocolate and peanut butter and tossed in powdered sugar. They only give it if you win a Valentine friend.) Corn-chip pie (not a pie). (Chili on top of corn chips with cheese and sour cream (not sour).) Some mores. (They say it super fast like s’mores.) Banana puddin. (They don’t say the g. Sometimes they don’t even say the b.) Here is a list of the foods from Iran that they have never heard of here: All of it. All the food. Jared Rhodes didn’t even know what a date was.

That which was  b from the beginning,  c which we have heard,  d which we have seen with our eyes,  e which we looked upon and  f have touched with our hands, concerning the word of life— 2 g the life  h was made manifest, and we have seen it, and  i testify to it and proclaim to you the eternal life,  a which was with the Father and  h was made manifest to us

These reconnoissances were made under the supervision of Captain Robert E. Lee, assisted by Lieutenants P. G. T. Beauregard, Isaac I. Stevens, Z. B. Tower, G. W. Smith, George B. McClellan, and J. G. Foster, of the corps of engineers, all officers who attained rank and fame, on one side or the other, in the great conflict for the preservation of the unity of the nation.

The content of your consciousness awareness is the content of your experience—is what manifests as your outer reality. The inner manifests as the outer. That is it, period. That is the great understanding. That is the only rule. Consciousness creates everything except consciousness. Remember this. Do not forget. Your imagination is your greatest tool. Use it correctly, with impeccable discipline. Through your imagination—the thoughts and images you entertain in your mind—you determine the outcomes that you experience, all the outcomes, all the circumstances and events in your life. As long as you know of your own power, as long as you know the experiences and outcomes you desire truly exist and you entertain thoughts and images of only that outcome and nothing else, it will manifest in your experience. No other result is possible. Have you got that?" I

You would have to be loved before you could be changed by it,” she added. “And I hate to disappoint you, but I don’t love you.” “You’re breaking my heart.” “Not that it isn’t an interesting thought. If anything could possibly affect you. I don’t know. What would happen if someone did love you? I think you’d reject them; in fact, I think you’d punish them for their naivete. I don’t think you’d let somebody love you, even if that were possible.

91 He who dwells in  a the shelter of the Most High         will abide in  b the shadow of the Almighty. 2    I will say [1] to the LORD, “My  c refuge and my  d fortress,         my God, in whom I  e trust.”     3 For he will deliver you from  f the snare of the fowler         and from the deadly pestilence. 4    He will  g cover you with his pinions,         and under his  h wings you will  i find refuge;         his  j faithfulness is  k a shield and buckler. 5     l You will not fear  m the terror of the night,         nor the arrow that flies by day, 6    nor the pestilence that stalks in darkness,         nor the destruction that wastes at noonday.     7 A thousand may fall at your side,         ten thousand at your right hand,         but it will not come near you. 8    You will only look with your eyes         and  n see the recompense of the wicked.     9 Because you have made the LORD your  o dwelling place—         the Most High, who is my  c refuge

Let’s talk about ‘Coexist’ bumper stickers for a second. You’ve definitely seen them around. They’re those blue strips with white lettering that assemble a collection of religious icons and mystical symbols (e.g., an Islamic crescent, a Star of David, a Christian cross, a peace sign, a yin-yang) to spell out a simple message of inclusion and tolerance. Perhaps you instinctively roll your eyes at these advertisements of moral correctness. Perhaps you find the sentiment worthwhile, but you’re not a wear-your-politics-on-your-fender type of person. Or perhaps you actually have ‘Coexist’ bumper stickers affixed to both your Prius and your Beamer. Whatever floats your boat, man; far be it from us to cast stones. But we bring up these particular morality minibillboards to illustrate a bothersome dichotomy. If we were to draw a Venn diagram of (a) the people who flaunt their socially responsible “coexist” values for fellow motorists, and (b) the people who believe that, say, an evangelical Christian who owns a local flower shop ought to be sued and shamed for politely declining to provide floral arrangements for a same-sex wedding, the resulting circles would more or less overlap. The coexist message: You people (i.e., conservatives) need to get on board and start coexisting with groups that might make you uncomfortable. It says so right here on my highly enlightened bumper sticker. But don’t you dare ask me to tolerate the ‘intolerance’ of people with whom I disagree. Because that’s different.

worthless person, a wicked man, goes about with w crooked speech, 13  x winks with his eyes, signals [3] with his feet, points with his finger, 14 with y perverted heart z devises evil, continually a sowing discord; 15 therefore calamity will come upon him suddenly; b in a moment he will be broken c beyond healing. 16 There are  d six things that the LORD hates,  d seven that are an abomination to him: 17 e haughty eyes, f a lying tongue, and  g hands that shed innocent blood, 18  h a heart that devises wicked plans,  i feet that make haste to run to evil, 19 j a false witness who k breathes out lies, and one who  a sows discord among brothers. Warnings Against Adultery 20  l My son, keep your father’s commandment,  l and forsake not your mother’s teaching. 21  m Bind them on your heart always; n tie them around your neck. 22  o When you walk, they [4] will lead you; o when you lie down, they will p watch over you; and when you awake, they will talk with you. 23 For the commandment is  q a lamp and the teaching a light,

You will need 12 index cards and the pen/pencil of your choice. Draw one panel per card, spending no more than 3–4 minutes per card. Do not use any words. Draw the following scenarios: (A) The beginning of the world; (B) The end of the world; (C) A self-portrait, including your entire body; (D) Something that happened at lunchtime (or breakfast, if it’s still morning); (E) An image from a dream you had recently; (F) Something that happened in the middle of the world’s existence, i.e., between drawings A and B; (G) What happened right after that?; (H) Something that happened early this morning; (I) Something that has yet to happen; (J) Pick any of the above panels and draw something that happened immediately afterward; (K) Draw a “riff” on panel J; for example, a different perspective, another character’s viewpoint, something that happened off-panel, or a close-up on some detail or aspect of the drawing; (L) Finally, draw something that has absolutely nothing to do with anything else you have drawn in the other panels. Spread the 12 panels out in front of you. Try to create a comic strip by choosing 4 of the panels in any order.

PSALM 91 He who dwells in  a the shelter of the Most High         will abide in  b the shadow of the Almighty. 2    I will say [1] to the LORD, “My  c refuge and my  d fortress,         my God, in whom I  e trust.”     3 For he will deliver you from  f the snare of the fowler         and from the deadly pestilence. 4    He will  g cover you with his pinions,         and under his  h wings you will  i find refuge;         his  j faithfulness is  k a shield and buckler. 5     l You will not fear  m the terror of the night,         nor the arrow that flies by day, 6    nor the pestilence that stalks in darkness,         nor the destruction that wastes at noonday.     7 A thousand may fall at your side,         ten thousand at your right hand,         but it will not come near you. 8    You will only look with your eyes         and  n see the recompense of the wicked.     9 Because you have made the LORD your  o dwelling place—         the Most High, who is my  c refuge [2]— 10     p no evil shall be allowed to befall you,          q no plague come near your tent.     11  r For he will command his  s angels concerning you         to  t guard you in all your ways. 12    On their hands they will bear you up,         lest you  u strike your foot against a stone. 13    You will tread on  v the lion and the  w adder;         the young lion and  x the serpent you will  y trample underfoot.     14 “Because he  z holds fast to me in love, I will deliver him;         I will protect him, because he  a knows my name. 15    When he  b calls to me, I will answer him;         I will be with him in trouble;         I will rescue him and  c honor him. 16    With  d long life I will satisfy him         and  e show him my salvation.

Humphrey Point era pieno di personaggi bislacchi. Ricordo il vecchio Mortimer, per esempio, che viveva su al faro. Era un vecchio taciturno e dall'aspetto trasandato. Ricordo Melissa, mia cugina di qualche tipo di grado, che di qualcuno era figlia, ma certamente non di un McCarthy, visti i capelli neri come la pece e la carnagione caffè-latte. Ricordo la vecchia Ester, la più anziana del villaggio, che mi accolse quando nacqui, in un simbolico passaggio di consegne. Ricordo le persone. Tutte. Ma la cosa che più ricordo di Humphrey Point è la natura. Il verde della terra. Il blu del cielo. I colori di un mondo che non esiste più.

i’m very expressive. i deserve to feel pretty. i kissed the blarney stone. i am strong. i am brave. im a good friend. I’m a good sister. I’m a good wife. i am a good in-law. I’m a good daughter. i am a good niece. I’m a good beagle mother. i am a good granddaughter. i work hard for it, honey. im superfly TNT motherfucker. im a pilot of the airwaves. im a better third baseman that brooks robinson. I B-E-A-G-G-R-E-S-S-I-V-E. i have exceptionally beautiful feet, eyes, ears, hips, hair, teeth, breasts. and shoulders. and fingernails. in a different pen, she added, and eyelashes and eyebrows, plus in yet another pen, and nose. and chin.

The LORD Is My Rock and My Fortress To the choirmaster. A Psalm of David,  f the servant of the LORD,  g who addressed the words of this  h song to the LORD on the day when the LORD delivered him from the hand of all his enemies, and from the hand of Saul. He said: PSALM 18 I love you, O LORD, my strength. 2 The LORD is my  i rock and my  j fortress and my deliverer, my God, my i rock, in k whom I take refuge, my l shield, and m the horn of my salvation, my n stronghold. 3 I call upon the LORD, who is  o worthy to be praised, and I am saved from my enemies. 4  p The cords of death encompassed me; q the torrents of destruction assailed me; [1] 5  p the cords of Sheol entangled me; the snares of death confronted me. 6  r In my distress I called upon the LORD; to my God I cried for help. From his  s temple he heard my voice, and my cry to him reached his ears. 7 Then the earth  t reeled and rocked; the foundations also of the mountains trembled and quaked, because he was angry. 8 Smoke went up from his nostrils, [2] and devouring  u fire from his mouth; glowing coals flamed forth from him. 9 He v bowed the heavens and w came down;  x thick darkness was under his feet. 10 He rode on a cherub and flew; he came swiftly on  z the wings of the wind. 11 He made darkness his covering, his  a canopy around him, thick clouds b dark with water.

But understand this, that  y in the last days there will come times of difficulty. 2For people will be  z lovers of self,  a lovers of money,  b proud,  b arrogant, abusive,  b disobedient to their parents, ungrateful, unholy, 3 c heartless, unappeasable, slanderous, without self-control, brutal,  d not loving good, 4treacherous, reckless,  e swollen with conceit,  f lovers of pleasure rather than lovers of God, 5having the appearance of godliness, but  g denying its power.  h Avoid such people. 6For among them are  i those who creep into households and capture weak women, burdened with sins and led astray by various passions, 7always learning and never able to  j arrive at a knowledge of the truth.

David's Song of Thanks     8  f Oh give thanks to the LORD;  g call upon his name;          h make known his deeds among the peoples!     9 Sing to him, sing praises to him;         tell of all his wondrous works!     10 Glory in his holy name;         let the hearts of those who seek the LORD rejoice!     11  i Seek the LORD and his strength;         seek his presence continually!     12  j Remember the wondrous works that he has done,          k his miracles and the judgments he uttered,     13 O offspring of Israel his servant,         children of Jacob, his chosen ones!     14 He is the LORD our God;          l his judgments are in all the earth.     15 Remember his covenant forever,         the word that he commanded, for a thousand generations,     16 the covenant  m that he made with Abraham,         his sworn promise to Isaac,     17 which  n he confirmed to Jacob as a statute,         to Israel as an everlasting covenant,     18 saying,  o “To you I will give the land of Canaan,         as your portion for an inheritance.”     19 When you were  p few in number,         of little account, and  q sojourners in it,     20 wandering from nation to nation,         from one kingdom to another people,     21 he allowed no one to oppress them;         he  r rebuked kings on their account,     22 saying, “Touch not my anointed ones,         do my  s prophets no harm!”     23  t Sing to the LORD, all the earth!         Tell of his salvation from day to day.     24 Declare his glory among the nations,         his marvelous works among all the peoples!     25 For  u great is the LORD, and greatly to be praised,         and he is to be feared  v above all gods.     26 For all the gods of the peoples are worthless idols,          w but the LORD made the heavens.     27 Splendor and majesty are before him;         strength and joy are in his place.     28 Ascribe to the LORD, O families of the peoples,          x ascribe to the LORD glory and strength!     29 Ascribe to the LORD the glory due his name;         bring an offering and come before him!      y Worship the LORD in the splendor of holiness; [2]         30 tremble before him, all the earth;         yes, the world is established; it shall never be moved.     31  z Let the heavens be glad, and let the earth rejoice,         and let them say among the nations,  a “The LORD reigns!”     32  b Let the sea roar, and all that fills it;         let the field exult, and everything in it!     33 Then shall the trees of the forest sing for joy         before the LORD, for he comes to judge the earth.     34 Oh give thanks to the LORD, for he is good;         for his steadfast love endures forever! 35 c Say also:     “Save us, O God of our salvation,         and gather and deliver us from among the nations,     that we may give thanks to your holy name         and glory in your praise.     36  d Blessed be the LORD, the God of Israel,         from everlasting to everlasting!”  e Then all the people said, “Amen!” and praised the LORD.

PSALM 139 O LORD, you have  p searched me and known me! 2    You  q know when I sit down and when I rise up;         you  r discern my thoughts from afar. 3    You search out my path and my lying down         and are acquainted with all my ways. 4    Even before a word is on my tongue,         behold, O LORD,  s you know it altogether. 5    You  t hem me in, behind and before,         and  u lay your hand upon me. 6     v Such knowledge is  w too wonderful for me;         it is high; I cannot attain it.     7  x Where shall I go from your Spirit?         Or where  y shall I flee from your presence? 8     z If I ascend to heaven, you are there!          a If I make my bed in Sheol, you are there! 9    If I take the wings of the morning         and dwell in the uttermost parts of the sea, 10    even there your hand shall  b lead me,         and your right hand shall hold me. 11    If I say,  c “Surely the darkness shall cover me,         and the light about me be night,” 12     d even the darkness is not dark to you;         the night is bright as the day,         for darkness is as light with you.     13 For you  e formed my inward parts;         you  f knitted me together in my mother’s womb. 14    I praise you, for I am fearfully and wonderfully made. [1]      g Wonderful are your works;         my soul knows it very well. 15     h My frame was not hidden from you,     when I was being made in secret,         intricately woven in  i the depths of the earth. 16    Your eyes saw my unformed substance;     in your  j book were written, every one of them,         the days that were formed for me,         when as yet there was none of them.

Test the Spirits 1 JOHN 4 Beloved,  t do not believe every spirit, but  u test the spirits to see whether they are from God, for  v many  w false prophets  x have gone out into the world. 2By this you know the Spirit of God:  y every spirit that confesses that  z Jesus Christ has come in the flesh is from God, 3and every spirit  a that does not confess Jesus is not from God. This is the spirit of the antichrist, which you heard was coming and  b now is in the world already. 4Little children, you are from God and have overcome them, for  c he who is in you is greater than  d he who is in the world. 5 e They are from the world; therefore they speak from the world, and  f the world listens to them. 6We are from God.  g Whoever knows God listens to us; whoever is not from God does not listen to us. By this we know  h the Spirit of truth and  i the spirit of error.

The Bronze Serpent 4From Mount Hor  a they set out by the way to the Red Sea,  b to go around the land of Edom. And the people became impatient on the way. 5And the people  c spoke against God and against Moses,  d “Why have you brought us up out of Egypt to die in the wilderness? For there is no food and no water, and  e we loathe this worthless food.” 6 f Then the LORD sent fiery serpents among the people, and  g they bit the people, so that many people of Israel died. 7 h And the people came to Moses and said, “We have sinned, for we have spoken against the LORD and against you.  i Pray to the LORD, that he take away the serpents from us.” So Moses prayed for the people. 8And the LORD said to Moses, “Make a fiery serpent and set it on a pole, and everyone who is bitten, when he sees it, shall live.” 9So  j Moses made a bronze [3] serpent and set it on a pole. And if a serpent bit anyone, he would look at the bronze serpent and live.

By this we know that we abide in him and he in us, because he has given us of his Spirit. 14And  t we have seen and testify that  u the Father has sent his Son to be the Savior of  v the world. 15 w Whoever confesses that Jesus is the Son of God, God abides in him, and he in God. 16So  x we have come to know and to believe the love that God has for us.  y God is love, and  z whoever abides in love abides in God, and God abides in him. 17By this  a is love perfected with us, so that  b we may have confidence for the day of judgment, because  c as he is so also are we in this world. 18There is no fear in love, but  d perfect love casts out fear. For fear has to do with punishment, and whoever fears has not  a been perfected in love. 19 e We love because he first loved us. 20 f If anyone says, “I love God,” and  g hates his brother, he is a liar; for he who does not love his brother whom he has seen cannot [1] love God  h whom he has not seen. 21And  i this commandment we have from him:  j whoever loves God must also love his brother.

Put on  h the whole armor of God, that you may be able to stand against  i the schemes of the devil. 12For  j we do not wrestle against flesh and blood, but against  k the rulers, against the authorities, against  l the cosmic powers over  m this present darkness, against  n the spiritual forces of evil  o in the heavenly places. 13Therefore  p take up the whole armor of God, that you may be able to withstand in  q the evil day, and having done all, to stand firm. 14Stand therefore,  r having fastened on the belt of truth, and  s having put on the breastplate of righteousness, 15and,  t as shoes for your feet, having put on the readiness given by the gospel of peace. 16In all circumstances take up  u the shield of faith, with which you can extinguish all  v the flaming darts of  w the evil one; 17and take  s the helmet of salvation, and  x the sword of the Spirit, which is the word of God, 18praying  y at all times  z in the Spirit,  a with all prayer and supplication. To that end  b keep alert with all perseverance, making  c supplication for all the saints, 19and  d also for me, that words may be given to me in opening my mouth  e boldly to proclaim  f the mystery of the gospel, 20for which I  g am an ambassador  h in chains, that I may declare it boldly, as I ought to speak.

(a) A writer always wears glasses and never combs his hair. Half the time he feels angry about everything and the other half depressed. He spends most of his life in bars, arguing with other dishevelled, bespectacled writers. He says very ‘deep’ things. He always has amazing ideas for the plot of his next novel, and hates the one he has just published. (b) A writer has a duty and an obligation never to be understood by his own generation; convinced, as he is, that he has been born into an age of mediocrity, he believes that being understood would mean losing his chance of ever being considered a genius. A writer revises and rewrites each sentence many times. The vocabulary of the average man is made up of 3,000 words; a real writer never uses any of these, because there are another 189,000 in the dictionary, and he is not the average man. (c) Only other writers can understand what a writer is trying to say. Even so, he secretly hates all other writers, because they are always jockeying for the same vacancies left by the history of literature over the centuries. And so the writer and his peers compete for the prize of ‘most complicated book’: the one who wins will be the one who has succeeded in being the most difficult to read. (d) A writer understands about things with alarming names, like semiotics, epistemology, neoconcretism. When he wants to shock someone, he says things like: ‘Einstein is a fool’, or ‘Tolstoy was the clown of the bourgeoisie.’ Everyone is scandalized, but they nevertheless go and tell other people that the theory of relativity is bunk, and that Tolstoy was a defender of the Russian aristocracy. (e) When trying to seduce a woman, a writer says: ‘I’m a writer’, and scribbles a poem on a napkin. It always works. (f) Given his vast culture, a writer can always get work as a literary critic. In that role, he can show his generosity by writing about his friends’ books. Half of any such reviews are made up of quotations from foreign authors and the other half of analyses of sentences, always using expressions such as ‘the epistemological cut’, or ‘an integrated bi-dimensional vision of life’. Anyone reading the review will say: ‘What a cultivated person’, but he won’t buy the book because he’ll be afraid he might not know how to continue reading when the epistemological cut appears. (g) When invited to say what he is reading at the moment, a writer always mentions a book no one has ever heard of. (h) There is only one book that arouses the unanimous admiration of the writer and his peers: Ulysses by James Joyce. No writer will ever speak ill of this book, but when someone asks him what it’s about, he can’t quite explain, making one doubt that he has actually read it.

EPHESIANS 3 For this reason I, Paul,  o a prisoner for Christ Jesus  p on behalf of you Gentiles— 2assuming that you have heard of  q the stewardship of  r God’s grace that was given to me for you, 3 s how the mystery was made known to me  t by revelation,  u as I have written briefly. 4 v When you read this, you can perceive my insight into  w the mystery of Christ, 5which was not made known to the sons of men in other generations as it has now been revealed to his holy apostles and prophets by the Spirit. 6This mystery is [1] that the Gentiles are  x fellow heirs,  y members of the same body, and  z partakers of the promise in Christ Jesus through the gospel. 7 a Of this gospel I was made  b a minister according to the gift of  c God’s grace, which was given me  d by the working of his power. 8To me,  e though I am the very least of all the saints, this grace was given,  f to preach to the Gentiles the  g unsearchable  h riches of Christ, 9and  i to bring to light for everyone what is the plan of the mystery  j hidden for ages in [2] God  k who created all things, 10so that through the church the manifold  l wisdom of God  m might now be made known to  n the rulers and authorities  o in the heavenly places. 11This was  p according to the eternal purpose that he has realized in Christ Jesus our Lord, 12in whom we have  q boldness and  r access with  s confidence through our  t faith in him. 13So I ask you not to lose heart over what I am suffering  u for you,  v which is your glory.

Thus polyvictimization or complex trauma are "developmentally adverse interpersonal traumas" (Ford, 2005) because they place the victim at risk not only for recurrent stress and psychophysiological arousal (e.g., PTSD, other anxiety disorders, depression) but also for interruptions and breakdowns in healthy psychobiological, psychological, and social development. Complex trauma not only involves shock, fear, terror, or powerlessness (either short or long term) but also, more fundamentally, constitutes a violation of the immature self and the challenge to the development of a positive and secure self, as major psychic energy is directed toward survival and defense rather than toward learning and personal development (Ford, 2009b, 2009c). Moreover, it may influence the brain's very development, structure, and functioning in both the short and long term (Lanius et al., 2010; Schore, 2009). Complex trauma often forces the child victim to substitute automatic survival tactics for adaptive self-regulation, starting at the most basic level of physical reactions (e.g., intense states of hyperarousal/agitation or hypoarousal/immobility) and behavioral (e.g., aggressive or passive/avoidant responses) that can become so automatic and habitual that the child's emotional and cognitive development are derailed or distorted. What is more, self-integrity is profoundly shaken, as the child victim incorporates the "lessons of abuse" into a view of him or herself as bad, inadequate, disgusting, contaminated and deserving of mistreatment and neglect. Such misattributions and related schema about self and others are some of the most common and robust cognitive and assumptive consequences of chronic childhood abuse (as well as other forms of interpersonal trauma) and are especially debilitating to healthy development and relationships (Cole & Putnam, 1992; McCann & Pearlman, 1992). Because the violation occurs in an interpersonal context that carries profound significance for personal development, relationships become suspect and a source of threat and fear rather than of safety and nurturance. In vulnerable children, complex trauma causes compromised attachment security, self-integrity and ultimately self-regulation. Thus it constitutes a threat not only to physical but also to psychological survival - to the development of the self and the capacity to regulate emotions (Arnold & Fisch, 2011). For example, emotional abuse by an adult caregiver that involves systematic disparagement, blame and shame of a child ("You worthless piece of s-t"; "You shouldn't have been born"; "You are the source of all of my problems"; "I should have aborted you"; "If you don't like what I tell you, you can go hang yourself") but does not involve sexual or physical violation or life threat is nevertheless psychologically damaging. Such bullying and antipathy on the part of a primary caregiver or other family members, in addition to maltreatment and role reversals that are found in many dysfunctional families, lead to severe psychobiological dysregulation and reactivity (Teicher, Samson, Polcari, & McGreenery, 2006).