Chateau D If Quotes

Lou might’ve lied. She might’ve deceived me. But when I’d followed her to the Chateau, I’d chosen my fate, and I’d done it with my eyes wide open. I’d chosen this life. This love. And with my fingers trembling in hers, with her heart beating alongside mine, I still chose it. I still chose her.

Men. You'd rather die fighting than surrender to happiness. You are your own worst enemy.

Dantes had entered the Chateau d’If with the round, open, smiling face of a young and happy man, with whom the early paths of life have been smooth. and who anticipates a future corresponding with his past. This was now all changed. The oval face was lengthened, his smiling mouth had assumed the firm and marked lines which betoken resolution; his eyebrows were arched beneath a brow furrowed with thought; his eyes were full of melancholy, and from their depths occasionally sparkled gloomy fires of misanthropy and hatred; his complexion, so long kept from the sun, had now that pale color which produces, when the features are encircled with black hair, the aristocratic beauty of the man of the north; the profound learning he had acquired had besides diffused over his features a refined intellectual expression; and he had also acquired, being naturally of a goodly stature, that vigor which a frame possesses which has so long concentrated all its force within itself.

Off To The Races" My old man is a bad man but I can't deny the way he holds my hand And he grabs me, he has me by my heart He doesn't mind I have a Las Vegas past He doesn't mind I have an LA crass way about me He loves me with every beat of his cocaine heart Swimming pool glimmering darling White bikini off with my red nail polish Watch me in the swimming pool bright blue ripples you Sitting sipping on your black Cristal Oh yeah Light of my life, fire of my loins Be a good baby, do what I want Light of my life, fire of my loins Give me them gold coins, gimme them coins And I'm off to the races, cases of Bacardi chasers Chasing me all over town Cause he knows I'm wasted, facing Time again at Riker's Island and I won't get out Because I'm crazy, baby I need you to come here and save me I'm your little scarlet, starlet singing in the garden Kiss me on my open mouth Ready for you My old man is a tough man but He's got a soul as sweet as blood red jam And he shows me, he knows me Every inch of my tar black soul He doesn't mind I have a flat broke down life In fact he says he thinks it's why he might like about me Admires me, the way I roll like a Rolling Stone Likes to watch me in the glass room bathroom, Chateau Marmont Slippin' on my red dress, puttin' on my makeup Glass film, perfume, cognac, lilac Fumes, says it feels like heaven to him Light of his life, fire of his loins Keep me forever, tell me you own me Light of your life, fire of your loins Tell me you own me, gimme them coins And I'm off to the races, cases of Bacardi chasers Chasing me all over town Cause he knows I'm wasted, facing Time again at Riker's Island and I won't get out Because I'm crazy, baby I need you to come here and save me I'm your little scarlet, starlet singing in the garden Kiss me on my open mouth Now I'm off to the races, laces Leather on my waist is tight and I am fallin' down I can see your face is shameless, Cipriani's basement Love you but I'm going down God I'm so crazy, baby, I'm sorry that I'm misbehaving I'm your little harlot, starlet, Queen of Coney Island Raising hell all over town Sorry 'bout it My old man is a thief and I'm gonna stay and pray with him 'til the end But I trust in the decision of the Lord to watch over us Take him when he may, if he may I'm not afraid to say that I'd die without him Who else is gonna put up with me this way? I need you, I breathe you, I never leave you They would rue the day I was alone without you You're lying with your gold chain on, cigar hanging from your lips I said "Hon' you never looked so beautiful as you do now, my man." And we're off to the races, places Ready, set the gate is down and now we're goin' in To Las Vegas chaos, Casino Oasis, honey it is time to spin Boy you're so crazy, baby, I love you forever not maybe You are my one true love, you are my one true love You are my one true love

Amontillado. Broiled Shad à la Maréchel. Cucumbers. Potatoes à la Duchesse. Filet Mignon à la Rossini. Chateau Lafite and Rinnart Brut. Fonds d’Artichaut Farcis. Pommery Sec. Sorbet au Kirsch. Cigarettes. Woodcock on Toast. Asparagus Sala. Ices: Canton Ginger. Cheeses: Pont l’Eveque; Rocquefort. Coffee. Liquers. Madeira, 1815. Cigars. Gage

I’d be careful about watching me too closely.” “Why?” She smiled to match the sassy tone in her voice. The smirk that had lingered on his face dropped away, replaced by a serious expression. “You might not like what you see.

After so many years of fighting to pour herself into skintight, low-rise jeans and binding pencil skirts and slacks that always felt like a vise around her waist, she found leggings were God’s apology to women everywhere. For the first time, something that was in style actually flattered her figure perfectly by hiding her less-than-stellar mid- and rear section while accentuating her reasonably shapely legs. Every day she pulled a pair on she offered a silent thank-you to their inventor and a quiet prayer that they’d remain in fashion just a little bit longer.

I bought new lingerie today I wanted to show you, but I didn’t get a chance with all that happened.” “You’ll have to return tomorrow night then…. Maybe we’ll order an entire catalog.” His smile and the glint of mischievousness in his eyes reflected lascivious thoughts. “You can model all the outfits you’d like for me.

They’d stolen his life. And rebirthed him as a monster.

You’re being awful generous with your late husband’s possessions,” he told her. She grinned back at him. “You’ve loosened me up maybe? Besides, you’ve already slept with his wife, why not drive his truck? Kira drank his 1925 Chateau Feytit Clinet red wide today.” Did he look pale? Noah swore he could feel himself blanch. His 1925 Chateau Feytit Clinet? No. She hadn’t shared that with Kira Richards. The one person in the world besides Sabella who knew exactly how horrified he’d be to hear that Sabella had dipped into his treasure trove of wines? “He had a 1925 Feytit Clinet?” He almost wheezed. How he kept his voice calm and level he didn’t know. Hell, his training had just been shot to hell. “And you shared it with Ian Richard’s wife?” “He had lots of wine.” She turned and shot him a look over her shoulder. “Maybe one of these nights I’ll share the other one with you. Do you want me to meet you at the garage with the pickup? It won’t take me long.” Let her drive his pickup? Had she lost her damned mind? “I can leave the cycle here.” He nodded to the back drive as he stepped to the porch. “I’ll just help you lock up.” “Okay.” There was a swing to her hips that almost had his tongue hanging out of his mouth. And he almost—only almost—forgot about the wine and the truck. She drank his wine? Drove his truck? And Rory hadn’t warned him ahead of time?

Since she had arrived for her stay at the artists’ colony called Les Beaux Arts at the Chateau DeRoche, she’d noticed something different about the owner, Antoine Chevalier. And not just the way his eyes bore into hers, shooting shivers through her and making it difficult to breathe. His quiet nature, his preference for seclusion for days at a time, and his still, composed temperament belied an intensity within. Noir eyes that rarely blinked spoke of haunted depth and smoldering passion.

Dans le pays d’Ingary, où des choses étonnantes comme les bottes de sept lieues et les capes d’invisibilité existent bel et bien, c’est une véritable calamité que d’être l’aîné de trois enfants ; chacun sait que vous serez le premier à échouer, si d’aventure vous décidiez d’aller chercher fortune.

He lowered his head until his lips hovered centimeters above hers. This was the moment he craved. This heated moment – each of them lingering, waiting, wanting. He loved the excitement of the build-up almost as much as the conquest itself. As he’d told her many times, the greater the anticipation, the sweeter the reward.

Any meal at the front was an exercise in war-time ingenuity and devotion of the lower classes for their officers. The Petite Marmite a la Thermit was from beef-broth cubes, the tinned Canadian salmon was called Saumon de Tin A & Q Sauce. The Epaule d'Agneau Wellington, N.Z. was army ration lamb, and the terrine of foie gras aux truffes was a can of foie gras that I had bought from the French commanding general. There was a salad of fresh lettuce from somewhere (no one asked in what or whose fertilizer it had been grown in since we would all soon be dead anyway) and the Macedoine de Fruits a la Quatre Bas was a can of mixed fruit. Then fresh strawberries soaked in Cognac. All the usual wines starting with an amontillado, Pommery Extra Sec, Chateau Steenworde Claret, Graham's Five Crowns Port, Bisquit Dubouche Grande Champagne Cognac, Brandy and a Waterloo Cup.

And please, whatever you do, don’t tell us that what we do, either in love or lust, is unnatural. For one thing if what you mean by that is that animals don’t do it, then you are quite simply in factual error. There are plenty of activities or qualities we could list that are most certainly unnatural if you are so mad as to think that humans are not part of nature, or so dull-witted as to believe that ‘natural’ means ‘all natures but human nature’: mercy, for example, is un¬natural, an altruistic, non-selfish care and love for other species is unnatural; charity is unnatural, justice is unnatural, virtue is unnatural, indeed — and this surely is the point — the idea of virtue is unnatural, within such a foolish, useless meaning of the word ‘natural’. Animals, poor things, eat in order to survive: we, lucky things, do that too, but we also have Abbey Crunch biscuits, Armagnac, selle d’agneau, tortilla chips, sauce béarnaise, Vimto, hot buttered crumpets, Chateau Margaux, ginger-snaps, risotto nero and peanut-butter sandwiches — these things have nothing to do with survival and everything to do with pleasure, connoisseurship and plain old greed. Animals, poor things, copulate in order to reproduce: we, lucky things, do that too, but we also have kinky boots, wank-mags, leather thongs, peep-shows, statuettes by Degas, bedshows, Tom of Finland, escort agencies and the Journals of Anaïs Nin — these things have nothing to do with reproduction and everything to do with pleasure, connoisseurship and plain old lust. We humans have opened up a wide choice of literal and metaphorical haute cuisine and junk food in many areas of our lives, and as a punishment, for daring to eat the fruit of every tree in the garden, we were expelled from the Eden the animals still inhabit and we were sent away with the two great Jewish afflictions to bear as our penance: indigestion and guilt.

Dantes had entered the Chateau d’If with the round, open, smiling face of a young and happy man, with whom the early paths of life have been smooth, and who anticipates a future corresponding with his past. This was now all changed. The oval face was lengthened, his smiling mouth had assumed the firm and marked lines which betoken resolution; his eyebrows were arched beneath a brow furrowed with thought; his eyes were full of melancholy, and from their depths occasionally sparkled gloomy fires of misanthropy and hatred; his complexion, so long kept from the sun, had now that pale color which produces, when the features are encircled with black hair, the aristocratic beauty of the man of the north; the profound learning he had acquired had besides diffused over his features a refined intellectual expression; and he had also acquired, being naturally of a goodly stature, that vigor which a frame possesses which has so long concentrated all its force within itself.

The count, fearing to yield to the entreaties of her he had so ardently loved, called his sufferings to the assistance of his hatred. “Revenge yourself, then, Edmond,” cried the poor mother; “but let your vengeance fall on the culprits,—on him, on me, but not on my son!” “It is written in the good book,” said Monte Cristo, “that the sins of the fathers shall fall upon their children to the third and fourth generation. Since God himself dictated those words to his prophet, why should I seek to make myself better than God?” “Edmond,” continued Mercedes, with her arms extended towards the count, “since I first knew you, I have adored your name, have respected your memory. Edmond, my friend, do not compel me to tarnish that noble and pure image reflected incessantly on the mirror of my heart. Edmond, if you knew all the prayers I have addressed to God for you while I thought you were living and since I have thought you must be dead! Yes, dead, alas! I imagined your dead body buried at the foot of some gloomy tower, or cast to the bottom of a pit by hateful jailers, and I wept! What could I do for you, Edmond, besides pray and weep? Listen; for ten years I dreamed each night the same dream. I had been told that you had endeavored to escape; that you had taken the place of another prisoner; that you had slipped into the winding sheet of a dead body; that you had been thrown alive from the top of the Chateau d’If, and that the cry you uttered as you dashed upon the rocks first revealed to your jailers that they were your murderers. Well, Edmond, I swear to you, by the head of that son for whom I entreat your pity,—Edmond, for ten years I saw every night every detail of that frightful tragedy, and for ten years I heard every night the cry which awoke me, shuddering and cold. And I, too, Edmond—oh! believe me—guilty as I was—oh, yes, I, too, have suffered much!

In the shadows, a glass slipper shimmered on her foot. She bent to pick it up. Strange, that everything should disappear except her glass slipper. She hugged it to her chest. Before this night, she hadn't thought magic would ever touch her life. None of this would have been possible without her fairy godmother. She gazed at the stars twinkling above her. Somehow, she knew her godmother was listening. "Thank you so much... for everything." Carefully, she tucked her glass slipper into her pocket. At least she would have it to remind her of what a beautiful night it had been. Her fairy godmother's spell had been broken. Tomorrow, everything would go back to the way it was before. Her stepmother would go back to ordering her around the chateau, her stepsisters, Anastasia and Drizella, to tormenting her over every one of their needs, but she'd caught a glimpse of happiness, something she hadn't felt in many years. Her eyes had opened to the possibility of leaving home, of dreaming dreams that might actually come true. But she wasn't brave enough to chase them- not yet. Not so soon, anyway, after such a magnificent night. What she didn't realize was- she might not have a choice.

Mais il y a une chose qui ne changera jamais : c'est l'amour des enfants pour leur mère, et j'ai écrit ce livre pour apprendre aux petite filles comment leurs fils les aimeront un jour...

She said I should walk out of the chateau and never look back. That she’d seen victims replay events ad nauseum for their entire lives. Eventually it becomes unclear in their minds who was the perpetrator and who was the victim. She said if I did that, I would start to blame myself. Think of a thousand little missteps, how things could have been different. Leave it in the past. Walk forward to your future.

At twenty, Jacqueline was already years past the age she should have wed. But she and her brother enjoyed each other’s company and he had not yet himself thought to marry. Now their mother was making her intentions clear: by year’s end Jacqueline must marry a man of Reiner’s choosing. In England he would arrange a match for her. Despite the close friendship of a decade, he had never once mentioned the Earl of Bedwyr as a candidate. “A man may esteem another as a friend,” he’d said to her after the earl’s arrival at the chateau, “without wishing to curse his sister with him as a husband.

Cameron’s mind registered what the rest of him already knew. He was insane about this woman, and he’d do anything to be with her, anything to protect her. She’d become his world. How it had happened, he didn’t know, but it had.

It’s a new era at the Chateau.” Antoine said with a wry smile. “Never thought I’d have a wolf shifter here as a guest.” “Never thought we’d have a gargoyle rock star.” Cameron nodded at Dante.

Quelque chose vous dérangez, Your Grace?” Gabriel asked, watching her look nervously about the room. He didn’t remember her being a nervous woman. She had always been calm and serene. And beautiful, so incredibly beautiful. No doubt his presence here had unnerved her. Her attention snapped back to him, and he felt his heart thud slowly in his chest, the way it had all of those years ago whenever she looked at him. “I am not used to dancing, that is all,” she said. Her voice sounded more British than he remembered, but then she’d always spoken in French when he’d known her before. He had not even known English then. He’d been a young man, and she the mistress of a large chateau, the beautiful wife to a powerful and wealthy duke. She was a duchess, but more than that she was a kind woman. It was her kindness that slayed him. She’d cared enough about a nobody like him to tutor him in reading. He’d been poor and illiterate, but she told him he had a future. And then she’d given him one with her patient instruction. How many hours had he watched her mouth form words, her delicate fingers trace writing on the page, the firelight limn her hair until it glowed blue-black? The arch of her brow, the curve of her cheek, the tilt of her chin—he knew her face as well as his own. How could he have not fallen in love with her? “Not used to dancing? That is a tragedy. You should dance often, and with a man who worships the ground where you tread.” Her lovely blue eyes widened. “If I were to wait for a man like that, sir, I would never dance.” The music began and they came together, touching palms. “You are dancing with one such man now, madam,” he said and then stepped back. She

2014 Andy’s Message   Hello, Young, here I am again. I remember the winter of 1967 at Chateau Rouge. I searched the entire castle to find you that morning. Time and again, you have the knack for disappearing on me, you scalawag.☺               You have a flair for vanishing without informing anyone. I’d thought you were in the drawing room with the baron’s guest when I was privately consulting with the Duchess.               The one thing I regret not doing: we never got around to discussing my own conversation with the Medium. Maybe this is the appropriate time for me to tell you — and for you to tell me what happened that morning when you disappeared on me. Downhearted from my meeting, I went looking for you. She had envisioned a forthcoming discord in my life, yet could not be specific about its nature. Although you’d given me your amiable assurance, I could detect reservations in your voice whenever I spoke of Albert. When you disappeared, my first thought was of your jealousy of Albert. When I finally found someone – a stable boy – who could tell me that you had gone riding alone, I became terribly worried for your safety and went searching for you. Concerned that I had somehow driven you away, I rode the estate, but you were nowhere to be found. It had crossed my mind to warrant a search party to find you when you strolled through the entrance, invigorated. I was relieved to see you and never got a chance to ask where you had gone. Young, you know I loved you then, and I love you now. In my mind, you are still the mischievous little rascal I came to love and cherish…

I think you should be punished for tormenting me for so long.” --- “Don’t be afraid,” he said. “Art is full of agony and beauty. The pen itself a sword of pleasure and pain, isn’t it, my poet?” --- “I’ve been waiting for you.” His voice sizzled with hunger. How could I respond? I’ve been thinking about you non-stop like a sex-crazed harlot since I left? “I’m here.” --- “Remind me who you are,” he said in a gentler tone, almost a please. “How we know each other.” “Okay,” she began. “I’m Savannah Evans, a grad student and teaching assistant who teaches English at a college in Cambridge. I applied to the colony to work on my poetry and arrived six weeks ago. “We’ve spoken many times. You’ve praised my work, which I find a great honor as I’m a fan of your art.” --- “A cross between two species. Doomed with the thirst of the undead for human blood, yet tormented by the gargoyle drive to protect them.” --- She ceased to breathe. When he leaned forward and his lips fluttered against hers, her footing became unsteady and she stumbled. He placed a hand on her lower back to steady her and pulled her close. Her breasts met his hard torso and she became aware at how frantically her heart beat. She wrapped her arms around his neck and lost herself in the kiss as their lips met. They explored each other with a sort of fascination, mouth and tongues claiming each other in their hunger. Delicately at first, as if not sure this was real or just a fantasy, and then strong and unyielding. Demanding this moment to never end. --- “I bought new lingerie today I wanted to show you, but I didn’t get a chance with all that happened.” “You’ll have to return tomorrow night then…. Maybe we’ll order an entire catalog.” His smile and the glint of mischievousness in his eyes reflected lascivious thoughts. “You can model all the outfits you’d like for me.” ---

She shivered as a blustery wind rushed past. She’d made a mistake in returning to the city. She should’ve stayed in the castle with Antoine. She’d be warm in his arms right now, instead of being held prisoner.

To be honest, I’d much rather be hearing about him and his buddies getting blitzed on fine wine in an abandoned chateau and trying to teach a cow to ski.

Chateau d’Yquem,

The matter of the wine-cellars became especially critical,’ he recounts. Nicholas II’s cellars boasted Tokay from the age of Catherine the Great and stocks of Chateau d’Yquem

Da, počeo sam kuhati, mačku,ali i nama. Uglavnom variva: odem na biciklu do ona dva srpska dućana na Chateau d'Eau, kupim grah, meso, sve druge potrepštine i slušam satima kako se u onom slovenskom loncu krčka grah. To me opušta, to me definitivno opušta. Ponekad dođe nekijebeni trenutak kada mi se učini kako bih najviše volio da taj lonac pun graha odjednom eksplodira, da me raznese na komade: u klupkožila i mesa. Onda misli brzo usmjerim na pravi put i nastavljam miješati drvenom žlicom po grahu. Kao kormilom po uzburkanom moru.

Having acknowledged that a man must master his circumstances or otherwise be mastered by them, the Count thought it worth considering how one was most likely to achieve this aim when one had been sentenced to a life of confinement. For Edmond Dantes in the Chateau d'If, it was thoughts of revenge that kept him clear minded. Unjustly imprisoned, he sustained himself by plotting the systematic undoing of his personal agents of villainy. For Cervantes, enslaved by pirates in Algiers, it was the promise of pages as yet unwritten that spurred him on. While for Napoleon on Elba, strolling among chickens, fending off flies, and sidestepping puddles of mud, it was visions of a triumphal return to Paris that galvanized his will to persevere. But the Count hadn't the temperament for revenge; he hadn't the imagination for epics; and he certainly hadn't the fanciful ego to dream of empires restored. No. His model for mastering his circumstances would be a different sort of captive altogether: an Anglican washed ashore. Like Robinson Crusoe stranded on the Isle of Despair, the Count would maintain his resolve by committing to the business of PRACTICALITIES. Having dispensed with dreams of quick discovery, the world's Crusoes seek shelter and a source of fresh water; they teacher themselves to make fire from flint; they study their island's topography, its climate, its flora and fauna, all the while keeping their eyes trained for sails on the horizon and footprints in the sand.