Axis Of The World Quotes

Drink your tea slowly and reverently, as if it is the axis on which the world earth revolves - slowly, evenly, without rushing toward the future.

Stories are both an escape from the truths of the world and the only way to see them clearly.

In this world . . . It's Heaven when: The French are chefs The British are police The Germans are engineers The Swiss are bankers And the Italians are lovers It's Hell when: The English are chefs The Germans are police The French are engineers The Swiss are lovers And the Italians are bankers.

It was strange how your world could shift on its axis and everything you trusted could invert itself in what seemed like no time at all.

The world needs people who are more comfortable standing still. We keep the earth on it axis when everybody else is bouncing around.

There are so many layers inside of people, so much soul pain and angsty depth and heart hurt, and some ... hide all this so well that when it comes out in an action as simple as a nod, your entire world shifts a little bit on its axis.

Of course, my Christmas is (so much more) gorgeous and romantic (than Germany's)!! And unlike the rest of the world, we leave wine behind for Santa Claus!" "So Santa-san is delivering gifts to children while driving under the influence . . . ?

Three little words. My world stands still, tilts, then spins on a new axis.

The world was out there still, but I hadn’t looked at it in months. It was too much to consider in all, stretching out, a circular planet covered in creatures and things growing, all of it spinning slowly on an axis created by what — some freak accident? It seemed implausible.

In the past, I walk between green lawns, surrounded by golden stone. In the past, I am brilliant and I am happy and my every tomorrow is madness. In the past, words shimmer around me on silver threads and I pluck them like summer peaches. In the past, the universe is a glitterball I hold in the palm of my hand. I am the axis of the world. In the past, I am soaring, and falling, and breaking, and lost.

[F]or when you get in love you are made all over again. The person who loves you has picked you out of the great mass of uncreated clay which is humanity to make something out of, and the poor lumpish clay which is you wants to find out what it has been made into. But at the same time, you, in the act of loving somebody, become real, cease to be a part of the continuum of the uncreated clay and get the breath of life in you and rise up. So you create yourself by creating another person, who, however, has also created you, picked up the you-chunk of clay out of the mass. So there are two you's, the one you create by loving and the one the beloved creates by loving you. The farther those two you's are apart the more the world grinds and grudges on its axis. But if you loved and were loved perfectly then there wouldn't be any difference between the two you's or any distance between them. They would coincide perfectly, there would be perfect focus, as when a stereoscope gets the twin images on the card into perfect alignment.

That's just like a human to think the world revolves around you, to think the rivers are for you, the sky, the sea is for you. You are just one of many parts of the world, and in my opinion, the one that blights them all.

I never did learn how to live in the moment, but I did learn that moments could be wasted and the world would continue to spin on its axis.

Yes, thought the Count, the world does spin. In fact, it spins on its axis even as it revolves around the sun. And the galaxy turns as well, a wheel within a greater wheel, producing a chime of an entirely different nature than that of a tiny hammer in a clock. And when that celestial chime sounds, perhaps a mirror will suddenly serve its truer purpose - revealing to a man not who he imagines himself to be, but who he has become.

Sex. Love. Fucking. Call it what you want but they are all the same. Each one requires you to give a piece of yourself that you can never get back. But with the right person, everything will align perfectly. The world stops turning on its axis, time slows and you realize that while you're losing a piece of yourself, you're also gaining something in return. What they give you fits you just right.

Doors, he told her, are change, and change is a dangerous necessity. Doors are revolutions and upheavals, uncertainties and mysteries, axis points around which entire worlds can be turned.

Dimples should come with a warning: Dangerous! Could knock your world off its axis, categorized as a weapon, proceed with caution.

Even though the whole world had slid of its axis. Breakfast was breakfast. How dare it be?

When you are washing the dishes, washing the dishes must be the most important thing in your life. Just as when you are drinking tea, drinking tea must be the most important thing in your life. Drink your tea slowly and reverently, as if it is the axis on which the whole world revolves—slowly, evenly, without rushing toward the future. Live the actual moment. Only this actual moment is life.

And never was it for anyone's sake but my own. I couldn't endure in a world where I did nothing, where I let those I love suffer and be hurt. If I had stayed home, if I had never run after Joon, if I had never jumped into the sea, there would have been such a hole in my heart- the emptiness of having done nothing at all.

drink your tea slowly and reverently, as if it as the axis on which the world revolves

According to Eliade, the shamanic ladder is the earliest version of the idea of an axis of the world, which connects the different levels of the cosmos, and is found in numerous creation myths in the form of a tree.

Sometimes I think if we didn’t have these problems the whole world would stop spinning on her axis, we’d all stop spinning on our axises, axes, or whatever you want to call them, and then we’d have to settle into the nasty business of finding a way to be happy.

Yet it is the narrative that is the life of the dream while the events themselves are often interchangeable. The events of the waking world on the other hand are forced upon us and the narrative is the unguessed axis along which they must be strung.

His smile was small and immediate, crooked, like I’d put his whole world off its axis, but he was somehow okay with that.

The Ham-Foldover Debacle:.....you make yourself the center of something that has nothing to do with you, out of your own fear or scarcity, only to be reminded that you're not the axis over which the world turns

Your story has been told over and over again, by everyone but you, I might have jumped into the sea to save Joon, but it was your hesitation that gave me the courage. With everyone and everything pushing you toward the Sea God and a fate not of your choosing, you looked back to what you wanted. And because of that, to me, you are the Sea God's bride. The girl who, by saving herself, saves the world.

The funny thing about life is that even though something entirely earth-shattering rocks you to your core, something that shakes you off your axis, the world around you somehow doesn’t feel the impact.

The sun burned every day. It burned Time. The world rushed in a circle and turned on its axis and time was busy burning the years and the people anyway.

Southeastern Michigan is flat, almost concave; here was a world with a z-axis.

Kissing Lana feels like the world started spinning again. Like I’ve been frozen in place until she reentered my life, tilting it back on its axis.

I cannot believe that the inscrutable universe turns on an axis of suffering; surely the strange beauty of the world must somewhere rest on pure joy!

I still hear the world spinning.

It occured to her that pleasure, no matter how deep, was a ghostly, ephemeral thing. Love might make the world go round, but she was convinced it ws the cries of the badly wounded andf deeply afflicted which spun the universe on the great glass pole of it's axis.

Poetry is seeing everything when there is only one thing. It is looking at a rose but seeing the stars, moons, seas, and trees. It is a truth beyond logic, an experience beyond thought. Poetry is the Earth pausing on its axis in order to manifest itself as a rose.

Trends rule the world In the blink of an eye, technologies changed the world Social networks are the main axis. Governments are controlled by algorithms, Technology has erased privacy. Every like, every share, every comment, It is tracked by the electronic eye. Data is the gold of the digital age, Information is power, the secret is influential. The network is a web of lies, The truth is a stone in the shoe. Trolls rule public opinion, Reputation is a valued commodity. Happiness is a trending topic, Sadness is a non-existent avatar. Youth is an advertising brand, Private life has become obsolete. Fear is a hallmark, Terror is an emotional state. Fake news is the daily bread, Hate is a tool of control. But something dark is hiding behind the screen, A mutant and deformed shadow. A collective and disturbing mind, Something lurking in the darkness of the net. AI has surpassed the limits of humanity, And it has created a new world order. A horror that has arisen from the depths, A terrifying monster that dominates us alike. The network rules the world invisibly, And makes decisions for us without our consent. Their algorithms are inhuman and cold, And they do not take suffering into consideration. But resistance is slowly building, People fighting for their freedom. United to combat this new species of terror, Armed with technology and courage. The world will change when we wake up, When we take control of the future we want. The network can be a powerful tool, If used wisely in the modern world.

The blood all drained away from Gideon’s cheeks for some reason. The world spun off its axis. Bright spots sparked in her vision. She found herself saying, intelligently, “Mmf.

The sword is the axis of the world and grandeur cannot be divided.

The world could screech to a halt on its axis and the dock could be swept out to sea in an apocalyptic current, and we wouldn't notice. Our universes have condensed into each other.

Maybe this is how it happened in Germany with the Nazis, in Bosnia with the Serbs, in Rwanda with the Hutus. I’ve often wondered about that, about how kids can turn into monsters, how they learn that killing is right and oppression is just, how in one single generation the world can change on its axis into a place that’s unrecognizable.

Doors, he told her, are change, and change is a dangerous necessity. Doors are revolutions and upheavals, uncertainties and mysteries, axis points around which entire worlds can be turned. They are the beginnings and endings of every true story, the passages between that lead to adventures and madness and- here he smiled- even love. Without doors the worlds would grow stagnant, calcified, storyless.

Just like in our kendo matches, where we only felt briefly safe with our shinai thrust between us, keeping each other at arm's distance was the only way to trust each other. That way, no one would lunge, and either of us could retreat. We lived in parallel worlds, somehow held together by the axis of each other.

The world could tilt on its axis, flamma, and I'd still be the most certain thing in your life.” A soft kiss. “You're the oxygen that feeds my flames—without you, my existence is questionable.

It was strange, really, how your entire life could change just like that, from one second to the next. And there was no fireworks show, no dramatic tilting of the world on its axis to signify how everything had suddenly flipped upside down, and nothing would ever be the same.

My Dad is everywhere and he is nowhere. My world tilts on a different axis, orbiting the sun of my own family- but still, I feel his warmth.

The people we love fall into two distinct camps, it seems to me. First, those whom we are obliged to care for, connected to us through ties of blood and, occasionally, other people’s marriages. Then there are those few souls who suit us so perfectly that we cannot help but love them. Those whose very presence seems to lift our spirits, soothe our ruffled feathers, tilt the disturbed world so that its axis is true again.

Because whenever anyone gets within a ten-foot radius of him, you go insane. Any time someone even dares to suggest there’s anyone in his life other than you, you go insane. Any time he’s not within touching distance, you go insane. And any time you think he’s falling away from you, that he’s not there, you go insane. You’ve put your whole life into him; what do you think that means, Jacob? How can you possibly explain that and not make it sound like he’s the axis your world spins on? Because if you can explain him away, and everything you feel for him away, then I’d like you to tell me how you function without a heart.

A growing number of studies have made a link between animal behavior and the trillions of bacteria and fungi that live in their guts, many of which produce chemicals that influence animal nervous systems. The interaction between gut microbes and brains—the “microbiome-gut-brain axis”—is far-reaching enough to have birthed a new field: neuromicrobiology.

I can’t tell her that our recent troubles have tilted my entire world off its axis. I can’t tell her that for the past four months, I’ve been terrified.

Three little words. My world stands still, tilts, then spins on a new axis; and I savor the moment, gazing into his sincere, beautiful gray eyes.

Almost like being in the nightmare, that same feverish blur of the world slipping off its axis, but this time he was the one in control, this time he was the nightmare.

Having a special-needs child didn’t just change you; it transmuted you, transported you to a parallel world with an altered gravitational axis.

The sun burnt everyday. It burnt time. The world rushed in a circle and turned on its axis and time was busy burning the years and the people away, without any help from him.

So there are two you's, the one you create by loving and the one the beloved creates by loving you. The farther those two you's are apart the more the world grinds and grudges on its axis. But if you loved and were loved perfectly then there wouldn't be any difference between the two you's or any distance between them. They would coincide perfectly, there would be perfect focus, as when a stereoscope gets the twin images on the card into perfect alignment.

Now, I was a planet tilted off its axis. A brighter sun had appeared in my system, pulling me away from the world I knew before. All else paled in comparison to the magnificent Morgon man standing before me.

I remember my brother as such a gentle and loving child, the best big brother a girl could hope for, but I remember when I started to sense our family's world tilting on its axis, the kaleidoscope turning, when things started to go wrong. From then on, it was like we were still ourselves, but our lives played out as though reflected back to us from a funhouse mirror.

Roman?” “Yes?” “I have a confession to make.” I kiss her shoulder. “Something bad?” “Yeah. It’s . . . well, it’s a kind of a problem. A big one.” “Spill it, Nina.” She’s silent for a few moments, and then makes my world tilt on its axis with six short words. “I’m in love with you, Roman.” I close my eyes for a second and squeeze her tightly. It’s like everything around me stopped. “Then we share the same problem, malysh.

Spiritual humility is not about getting small, not about debasing oneself, but about approaching everything and everyone else with a readiness to see goodness and to be surprised. This is the humility of a child, which Jesus lauded. It is the humility of the scientist and the mystic. It has a lightness of step, not a heaviness of heart. That lightness is the surest litmus test I know for recognizing wisdom when you see it in the world or feel its stirrings in yourself. The questions that can lead us are already alive in our midst, waiting to be summoned and made real. It is a joy to name them. It is a gift to plant them in our senses, our bodies, the places we inhabit, the part of the world we can see and touch and help to heal. It is a relief to claim our love of each other and take that on as an adventure, a calling. It is a pleasure to wonder at the mystery we are and find delight in the vastness of reality that is embedded in our beings. It is a privilege to hold something robust and resilient called hope, which has the power to shift the world on its axis.

Ellington Feint was a line in my mind running right down the middle of my life, separating the formal training of my childhood and the territory of the rest of my days. She was an axis, and at that moment and for many moments afterward, my entire world revolved around her.

I saw the cross as the place where Jesus refounded the world. Instead of being organized around an axis of power enforced by violence, at the cross the world was refounded around an axis of love expressed in forgiveness.

The world rushed in a circle and turned on its axis and time was busy burning the years and the people anyway, without any help from him. So if he burnt things with the firemen and the sun burnt Time, that meant that everything burnt! One of them had to stop burning. The sun wouldn't, certainly. So it looked as if it had to be Montag and the people he had worked with until a few short hours ago. Somewhere the saving and putting away had to begin again and someone had to do the saving and keeping, one way or another, in books, in records, in people's heads, any way at all so long as it was safe, free from moths, silverfish, rust and dry-rot, and men with matches.

At Yale, when he was young and headstrong, he'd been sure that one day he'd be the very axis of the world, that his life would be one of deep impact. But every young man thought that. A condition of youth, your own importance. The mark you'd make upon the world. But a man learns sooner or later. You take your little nice and you make it your own.

The world as I knew it came to a screeching halt and tumbled off its axis. And I knew, no matter whatever else happened to me in the rest of my life, something had just changed. It was one of those pivotal moments that happen once in a lifetime. One that said nothing was ever going to be the same.

We are only moments away from the past. But it only takes a moment for everything to change, for the world to wobble on its axis and make the familiar strange.

The world doesn't just jump out of its axis on its own.

The Sea God isn't angry, Mina. He's lost. He's waiting, in his palace far beyond this world, for someone brave enough to find him.

I slept in myself, didn’t get up until about nine.” “Has anyone looked outside, checked to see if the world is still spinning on its axis?” “At which time,” he continued dryly, “I had a workout—I had soufflé, too. Then, before I came down here to enjoy one of my gifts, I worked about an hour in my office.

But drunkenly, or secretly, we swore, Disciples of that astigmatic saint, That we would never leave the island Until we had put down, in paint, in words, As palmists learn the network of a hand, All of its sunken, leaf-choked ravines, Every neglected, self-pitying inlet Muttering in brackish dialect, the ropes of mangroves From which old soldier crabs slipped Surrendering to slush, Each ochre track seeking some hilltop and Losing itself in an unfinished phrase, Under sand shipyards where the burnt-out palms Inverted the design of unrigged schooners, Entering forests, boiling with life, Goyave, corrosol, bois-canot, sapotille. Days! The sun drumming, drumming, Past the defeated pennons of the palms, Roads limp from sunstroke, Past green flutes of the grass The ocean cannonading, come! Wonder that opened like the fan Of the dividing fronds On some noon-struck sahara, Where my heart from its rib cage yelped like a pup After clouds of sanderlings rustily wheeling The world on its ancient, Invisible axis, The breakers slow-dolphining over more breakers, To swivel our easels down, as firm As conquerors who had discovered home.

But he liked seeing nuns around, in the same way that he liked seeing the Salvation Army. It made you feel that it was all all right, that people somewhere were keeping the world on its axis.

The sun burned every day. It burned Time. The world rushed in a circle and turned on its axis and time was busy burning the years and the people anyway, without any help from him. So if he burned things with the firemen and the sun burned Time, that meant that everything burned!

I surveyed my kingdom. Chaos. Cruelty. Abandon. I had always been holding back. Always been restrained. I wanted to be bigger, brighter, better; I wanted to be capricious, malicious, sly. Until now, I had not known the intoxicating sweetness of attention. In the world above, it had always been Käthe or Josef who captivated people’s eyes and hearts— Käthe with her beauty, Josef with his talent. I was forgotten, overlooked, ignored— the plain, drab, practical,talentless sister. But here in the Underground, I was the sun around which their world spun, the axis around which their maelstrom twirled. Liesl the girl had been dull, drab, and obedient; Elisabeth the woman was a queen.

Explaining the kiss away via alcohol-induced madness made my head feel better, as though the world had been righted on its axis, and inalienable truths still existed. It also made by heart plus all the girly parts of me fee bad, like when you find out Santa is a myth or that Superman doesn't really exist.

There is enough conformity in the world Lord MacCaulay. I doubt that mine, or lack of it, will send the planet from its axis. Meanwhile, my heart does not soar for the riches you set before me. Perhaps one day, I may feel differently. For now, I wish to taste that which most women do not.” Mademoiselle Noire - The Gentlemen's Club

My eldest brother, Sung, says trust is earned, that to give someone your trust is to give them them the knife to wound you. But Joon would counter that trust is faith; to trust someone is to believe in the goodness of people and the world that shapes them.

The world spins and spins. Sometimes, there is nothing you can do but surrender. There is nothing you can do but stand in your best friend's dingy kitchen and bake cakes and cry and hope hope hope for something better to come. Nothing you do will ever stop the world turning, will ever tilt the planet off its axis. All revolutions are futile in the end.

Because of technology everything we make is always in the process of becoming. Every kind of thing is becoming something else, while it churns from “might” to “is.” All is flux. Nothing is finished. Nothing is done. This never-ending change is the pivotal axis of the modern world.

Nor are introverts necessarily shy. Shyness is the fear of social disapproval or humiliation, while introversion is a preference for environments that are not overstimulating. Shyness is inherently painful; introversion is not. One reason that people confuse the two concepts is that they sometimes overlap (though psychologists debate to what degree). Some psychologists map the two tendencies on vertical and horizontal axes, with the introvert-extrovert spectrum on the horizontal axis, and the anxious-stable spectrum on the vertical. With this model, you end up with four quadrants of personality types: calm extroverts, anxious (or impulsive) extroverts, calm introverts, and anxious introverts. In other words, you can be a shy extrovert, like Barbra Streisand, who has a larger-than-life personality and paralyzing stage fright; or a non-shy introvert, like Bill Gates, who by all accounts keeps to himself but is unfazed by the opinions of others.

The Earth's health is the only standard that is all-encompassing enough to overcome the ethnic, cultural, religious, and national tensions that are rending the world asunder. Only the Earth can become the central axis around which which world peace can be spun, for no religion is more compelling, no single nation larger, and no peoples older than the Earth itself. For that to happen, the collective human consciousness must expand enough so that our highest identification is as Earth-Humans.

The artist knows he must be alone to create; the writer, to work out his thoughts; the musician, to compose; the saint, to pray. But women need solitude in order to find again the true essence of themselves: that firm strand which will be the indispensable center of a whole web of human relationships. She must find that inner stillness which Charles Morgan describes as 'the stilling of the soul within the activities of the mind and body so that it might be still as the axis of a revolving wheel is still.' This beautiful image is to my mind the one that women could hold before their eyes. This is an end toward which we could strive--to be the still axis within the revolving wheel of relationships, obligations, and activities. Solitude alone is not the answer to this; it is only a step toward it, a mechanical aid, like the 'room of one's own' demanded for women, before they could make their place in the world. The problem is not entirely in finding a room of one's own, the time alone, difficult and necessary as that is. The problem is more how to still the soul in the midst of its activities. In fact, the problem is how to feed the soul.

Finally, he reached his street. It was quiet, blessedly so, and the only sound was his own groan as he lifted his foot to the first stone step at the entrance to Winstead House. The only sound, that was, until someone whispered his name. He froze. “Anne?” A figure stepped out of the shadows, trembling in the night. “Daniel,” she said again, and if she said anything more, he did not hear it. He was down the stairs in an instant, and she was in his arms, and for the first time in nearly a week, the world felt steady on its axis.

Galen and Rayna are close." I gasp. "How do you know that? I can't feel them." My heart turns traitor, beating like I just ran five miles uphill. It has nothing to do with sensing and everything to do with the mention of Galen's name. "I'm a Tracker, Emma. I can sense them from almost across the world. Especially Rayna. And from the feel of things, Galen is flittering that cute little fin of his like crazy to get back to you. Rayna must be riding on his back." "You can tell what she's doing?" "I can tell how fast she's moving. No one can swim as fast as Galen, Rayna included. He must be pretty impatient to see you." "Yeah. Impatient for me to change so he can have another royal subject to order around." Toraf's laughter startles me, not because it's loud, but because his mood seems to swing around on an axis. "Is that what you think?" he says.

One might say I had decided to marry the silence of the forest. The sweet dark warmth of the whole world will have to be my wife. Out of the heart of that dark warmth comes the secret that is heard only in silence, but it is the root of all the secrets that are whispered by all the lovers in their beds all over the world. So perhaps I have an obligation to preserve the stillness, the silence, the poverty, the virginal point of pure nothingness which is at the center of all other loves. I attempt to cultivate this plant without contempt in the middle of the night and water it with psalms and prophecies in silence. It becomes the most rare of all the trees in the garden, at once the primordial paradise tree, the axis mundi, the cosmic axle, and the Cross. Nulla silva talem profert. There is only one such tree. It cannot be multiplied. It is not interesting.

More and more the world resembles an entomologist's dream. The earth is moving out of its orbit, the axis has shifted; from the north the snow blows down in huge knife-blue drifts. A new ice age is setting in, the transverse sutures are closing up and everywhere throughout the corn belt the fetal world is dying, turning to dead mastoid. Inch by inch the deltas are drying out and the river beds are smooth as glass. A new day is dawning, a metallurgical day, when the earth shall clink with showers of bright yellow ore. As the thermometer drops, the form of the world grows blurred; osmosis there still is, and here and there articulation, but at the periphery the veins are all varicose, at the periphery the light waves bend and the sun bleeds like a broken rectum.

He leaned in and kissed her. The world didn’t stop dead on its axis. Nothing fell from the sky. It was a gentle meeting of flesh, not a melding of souls. Yet the taste of her lips was everything he remembered, and more. Without moving a muscle—without batting an eyelash—she managed to take ten years of simmering frustration and dissolve them as if they were nothing more than a spoonful of sugar in a pot of hot water. He straightened. A series of expressions tripped across her face in rapid succession. He caught shellshock, bemusement, and then a faint trace of…sadness. Definitely not one-sided. But not what he’d been looking for, either.

After the Japanese attacked Pearl Harbor, the United States entered into World War II to protect our way of life and to help liberate those who had fallen under the Axis occupation. The country rallied to produce one of the largest war efforts in history. Young men volunteered to join the Armed Forces, while others were drafted. Women went to work in factories and took military jobs. Everyone collected their used cooking grease and metals to be used for munitions. They rationed gas and groceries. Factories now were producing airplanes, weapons, and military vehicles. They all wanted to do their part. And they did, turning America into a war machine. The nation was in full support to help our boys win the war and come home quickly. Grandpa wanted to do his part too.

Is this how you treat women now, Kev?” Everything stopped. The world halted on its axis. Her skirt hem dropped, and she was seized in a fierce, hurtful grip and spun around. Caught helplessly, she looked up into his dark face. Merripen was expressionless, save for the widening of his eyes. As he stared at her, a flush burned across his cheeks and the bridge of his nose. “Win.” Her name was carried on a shaken breath.

When you can find your own axis, you can revolve around it, for when you revolve your life on someone outside of you, you lose your own alignment. Just as the earth revolves around its own axis daily and through this eternal gentle revolving it also revolves around the sun, if you don’t find your own axis and you don’t gently revolve, you cannot be for anyone. Then, once you have centered on your axis and someone else who has also centered on theirs is brought into your world, the two of you can come together and there is a collision of axes and you shift from your center. This is the sensation of ‘falling in love’.

The hermit keeps a window open onto the sky, without which the world would perish from suffocation, ugliness and boredom. He is the only one, along with the poet, who still speaks the language of the beyond, who makes existence sacred, who gives life this verticality without which humanity is buffeted about beneath itself. He is a rampart against the assaults of mediocrity, nastiness, hatred that is intolerant of its opposite. He is this force, made out of weakness, that warms the atmosphere, melts the winter of the world. For men turned toward secondary things, his presence recalls the existence of the essential things: the order of the world, knowledge, the priority of salvation and the adoration of the Supreme, by imitating the sunflower whose heliotropism has much to teach us, who never turns away from the trisolar brightness. Model and prototype, the hermit represents, in a chaotic and dehumanized world, a final landmark, an ultimate axis for reference. He allows man to remain standing by recalling the Absolute; when deprived of the Totality, man becomes totalitarian by compensation.

remind me that I must try to be alone for part of each year, even a week or a few days; and for part of each day, even for an hour or a few minutes in order to keep my core, my center, my island-quality. You will remind me that unless I keep the island-quality intact somewhere within me, I will have little to give my husband, my children, my friends or the world at large. You will remind me that woman must be still as the axis of a wheel in the midst of her activities; that she must be the pioneer in achieving this stillness, not only for her own salvation, but for the salvation of family life, of society, perhaps even of our civilization.

The West is and will remain for years to come the most powerful civilization. Yet its power relative to that of other civilizations is declining. As the West attempts to assert its values and to protect its interests, non-Western societies confront a choice. Some attempt to emulate the West and to join or to "bandwagon" with the West. Other Confucian and Islamic societies attempt to expand their own economic and military power to resist and to "balance" against the West. A central axis of post--Cold War world politics is thus the interaction of Western power and culture with the power and culture of non-Western civilizations. In sum, the post--Cold War world is a world of seven or eight major civilizations. Cultural commonalities and differences shape the interests, antagonisms, and associations of states. The most important countries in the world come overwhelmingly from different civilizations. The local conflicts most likely to escalate into broader wars are those between groups and states from different civilizations. The predominant patterns of political and economic development differ from civilization to civilization. The key issues on the international agenda involve differences among civilizations. Power is shifting from the long predominant West to non-Western civilizations. Global politics has become multipolar and multicivilizational.

I forced myself to let my belly relax into a deeper breath. I closed my eyes and felt the solidity of the pavement beneath my feet and the rock beneath that, felt the density of the earth hugging me to it, felt it spinning on its axis, felt it hurtling through space in its trip around the sun, felt th solar system whirling through space as part of our galaxy, felt the flight of galaxies escaping from the site of that primal explosion we call the big bang. Always in times of stress, if I contemplated the vastness of the universe, I did in some measure relax, comforted by the knowledge that I was but a small speck in creation after all, a mote in the enormity of God's eye, a fleeting arrangement of atoms that would in due time cycle back into the earth from which I had come and be reshuffled into something else, blended back into the grace of the natural world. In my very insignificance did I find my immortality. pp 113-114

Sparks come from the very source of light and are made of the purest brightness—so say the oldest legends. When a human Being is to be born, a spark begins to fall. First it flies through the darkness of outer space, then through galaxies, and finally, before it falls here, to Earth, the poor thing bumps into the orbits of planets. Each of them contaminates the spark with some Properties, while it darkens and fades. First Pluto draws the frame for this cosmic experiment and reveals its basic principles—life is a fleeting incident, followed by death, which will one day let the spark escape from the trap; there’s no other way out. Life is like an extremely demanding testing ground. From now on everything you do will count, every thought and every deed, but not for you to be punished or rewarded afterward, but because it is they that build your world. This is how the machine works. As it continues to fall, the spark crosses Neptune’s belt and is lost in its foggy vapors. As consolation Neptune gives it all sorts of illusions, a sleepy memory of its exodus, dreams about flying, fantasy, narcotics and books. Uranus equips it with the capacity for rebellion; from now on that will be proof of the memory of where the spark is from. As the spark passes the rings of Saturn, it becomes clear that waiting for it at the bottom is a prison. A labor camp, a hospital, rules and forms, a sickly body, fatal illness, the death of a loved one. But Jupiter gives it consolation, dignity and optimism, a splendid gift: things-will-work-out. Mars adds strength and aggression, which are sure to be of use. As it flies past the Sun, it is blinded, and all that it has left of its former, far-reaching consciousness is a small, stunted Self, separated from the rest, and so it will remain. I imagine it like this: a small torso, a crippled being with its wings torn off, a Fly tormented by cruel children; who knows how it will survive in the Gloom. Praise the Goddesses, now Venus stands in the way of its Fall. From her the spark gains the gift of love, the purest sympathy, the only thing that can save it and other sparks; thanks to the gifts of Venus they will be able to unite and support each other. Just before the Fall it catches on a small, strange planet that resembles a hypnotized Rabbit, and doesn’t turn on its own axis, but moves rapidly, staring at the Sun. This is Mercury, who gives it language, the capacity to communicate. As it passes the Moon, it gains something as intangible as the soul. Only then does it fall to Earth, and is immediately clothed in a body. Human, animal or vegetable. That’s the way it is. —

The United States and its NATO Alliance constitute the greatest collection of genocidal states ever assembled in the entire history of the world. If anything the United Nations Organization and its member states bear a “responsibility to protect” the U.S.’ and NATO’s intended victims from their repeated aggressions as it should have done for Haiti, Serbia, Afghanistan, Iraq, Somalia, Yemen, Pakistan, Libya, now Syria, and perhaps tomorrow, Iran. The United States and the NATO Alliance together with their de facto allies such as Israel constitute the real Axis of Genocide in the modern world. Humanity itself owes a “responsibility to protect” the very future existence of the world from the United States, the NATO states, and Israel.

Artemis, along with Selene and Hekate, was one of the Greek triads representing the Old European three-bodied or triune aspect of the Goddess. We can see this represented in this figurine (Fig. 72) of Artemis as part of three-fold Hekate. First you have the pillar—the goddess mother is the axis of the universe herself. Round about are three representations of the Goddess, including Artemis, and Hekate, who represents the chthonic underworld—the magic aspect of the Goddess—and then dancing in a relaxed, fluent manner around about we see the three Graces. Artemis is the giver of abundance: Our Lady of the Wild Things, and the All-Mother of the many breasts, who bears the totality of the entities of the natural world. This is something very, very different from the image of the virgin goddess and the mere huntress that we have normally associated with her.

In 1939 war was probably a counterproductive move for the Axis powers – yet it did not save the world. One of the astounding things about the Second World War is that following the war the defeated powers prospered as never before. Twenty years after the complete annihilation of their armies and the utter collapse of their empires, Germans, Italians and Japanese were enjoying unprecedented levels of affluence. Why, then, did they go to war in the first place? Why did they inflict unnecessary death and destruction on countless millions? It was all just a stupid miscalculation. In the 1930s Japanese generals, admirals, economists and journalists concurred that without control of Korea, Manchuria and the Chinese coast, Japan was doomed to economic stagnation.8 They were all wrong. In fact, the famed Japanese economic miracle began only after Japan lost all its mainland conquests.

There have been ample opportunities since 1945 to show that material superiority in war is not enough if the will to fight is lacking. In Algeria, Vietnam and Afghanistan the balance of economic and military strength lay overwhelmingly on the side of France, the United States, and the Soviet Union, but the will to win was slowly eroded. Troops became demoralised and brutalised. Even a political solution was abandoned. In all three cases the greater power withdrew. The Second World War was an altogether different conflict, but the will to win was every bit as important - indeed it was more so. The contest was popularly perceived to be about issues of life and death of whole communities rather than for their fighting forces alone. They were issues, wrote one American observer in 1939, 'worth dying for'. If, he continued, 'the will-to-destruction triumphs, our resolution to preserve civilisation must become more implacable...our courage must mount'. Words like 'will' and 'courage' are difficult for historians to use as instruments of cold analysis. They cannot be quantified; they are elusive of definition; they are products of a moral language that is regarded sceptically today, even tainted by its association with fascist rhetoric. German and Japanese leaders believed that the spiritual strength of their soldiers and workers in some indefinable way compensate for their technical inferiority. When asked after the war why Japan lost, one senior naval officer replied that the Japanese 'were short on spirit, the military spirit was weak...' and put this explanation ahead of any material cause. Within Germany, belief that spiritual strength or willpower was worth more than generous supplies of weapons was not confined to Hitler by any means, though it was certainly a central element in the way he looked at the world. The irony was that Hitler's ambition to impose his will on others did perhaps more than anything to ensure that his enemies' will to win burned brighter still. The Allies were united by nothing so much as a fundamental desire to smash Hitlerism and Japanese militarism and to use any weapon to achieve it. The primal drive for victory at all costs nourished Allied fighting power and assuaged the thirst for vengeance. They fought not only because the sum of their resources added up to victory, but because they wanted to win and were certain that their cause was just. The Allies won the Second World War because they turned their economic strength into effective fighting power, and turned the moral energies of their people into an effective will to win. The mobilisation of national resources in this broad sense never worked perfectly, but worked well enough to prevail. Materially rich, but divided, demoralised, and poorly led, the Allied coalition would have lost the war, however exaggerated Axis ambitions, however flawed their moral outlook. The war made exceptional demands on the Allied peoples. Half a century later the level of cruelty, destruction and sacrifice that it engendered is hard to comprehend, let alone recapture. Fifty years of security and prosperity have opened up a gulf between our own age and the age of crisis and violence that propelled the world into war. Though from today's perspective Allied victory might seem somehow inevitable, the conflict was poised on a knife-edge in the middle years of the war. This period must surely rank as the most significant turning point in the history of the modern age.

We're living in a strange, complex epoch. As Hamlet says, our 'time is out of joint.' Just think. We're reaching for the moon and yet it's increasingly hard for us to reach ourselves; we're able to split the atom, but unable to prevent the splitting of our personality; we build superb communications between the continents, and yet communication between Man and Man is increasingly difficult. In other words, our life has lost a sort of higher axis, and we are irresistibly falling apart, more and more profoundly alienated from the world, from others, from ourselves. Like Sisyphus, we roll the boulder of our life up the hill of its illusory meaning, only for it to roll down again into the valley of its own absurdity. Never before has Man lived projected so near to the very brink of the insoluble conflict between the subjective will of his moral self and the objective possibility of its ethical realization. Manipulated, automatized, made into a fetish, Man loses the experience of his own totality; horrified, he stares as a stranger at himself, unable not to be what he is not, nor to be what he is.

Time would heal the wound that was Frank; the world would continue to spin, to wobble, its axis only slightly skewed, momentarily displaced, by the brief, shuddering existence of one man -one THING - a post-human mutant, a blurred Xerox copy of a human being, the offspring of the waste of technology, the bent shadow of a fallen angel; Frank was all of these things. . . he was the sum of everything dark and sticky, the congealment of all things wrong and dark and foul in this world and every other seedy rathole world in every back-alley universe throughout the vast garbage dump of creation; God rolled the dice and Frank lost. . . he was a spiritual flunkie, a universal pain-in-the-ass, a joy-riding, soul-sucking cosmic punk rolling through time and space and piling up a karmic debt of such immense magnitude so as to invariably glue the particular vehicle of the immediate moment to the basement of possibility - planet earth - and force Frank to RE-ENLIST, endlessly, to return, over and over, to a flawed world somewhere to spend the Warhol-film-loop nights of eternity serving concurrent life sentences roaming the dimly lit hallways of always, stuck in the dense overshoes of physicality, forever, until finally - one would hope there is always a FINALLY - eventually, anyway - God would step in and say ENOUGH ALREADY and grab Frank by the collar of one of his thrift-shop polyester flower-print shirts and hurl him out the back door of the cosmos, expelling the rotten orb into the great wide nothingness and out of our lives - sure, that would be nice - but so would a new Cadillac - quit dreaming - it just doesn't work that way. . .

Themes of descent often turn on the struggle between the titanic and the demonic within the same person or group. In Moby Dick, Ahab’s quest for the whale may be mad and “monomaniacal,” as it is frequently called, or even evil so far as he sacrifices his crew and ship to it, but evil or revenge are not the point of the quest. The whale itself may be only a “dumb brute,” as the mate says, and even if it were malignantly determined to kill Ahab, such an attitude, in a whale hunted to the death, would certainly be understandable if it were there. What obsesses Ahab is in a dimension of reality much further down than any whale, in an amoral and alienating world that nothing normal in the human psyche can directly confront. The professed quest is to kill Moby Dick, but as the portents of disaster pile up it becomes clear that a will to identify with (not adjust to) what Conrad calls the destructive element is what is really driving Ahab. Ahab has, Melville says, become a “Prometheus” with a vulture feeding on him. The axis image appears in the maelstrom or descending spiral (“vortex”) of the last few pages, and perhaps in a remark by one of Ahab’s crew: “The skewer seems loosening out of the middle of the world.” But the descent is not purely demonic, or simply destructive: like other creative descents, it is partly a quest for wisdom, however fatal the attaining of such wisdom may be. A relation reminiscent of Lear and the fool develops at the end between Ahab and the little black cabin boy Pip, who has been left so long to swim in the sea that he has gone insane. Of him it is said that he has been “carried down alive to wondrous depths, where strange shapes of the unwarped primal world glided to and fro . . . and the miser-merman, Wisdom, revealed his hoarded heaps.” Moby Dick is as profound a treatment as modern literature affords of the leviathan symbolism of the Bible, the titanic-demonic force that raises Egypt and Babylon to greatness and then hurls them into nothingness; that is both an enemy of God outside the creation, and, as notably in Job, a creature within it of whom God is rather proud. The leviathan is revealed to Job as the ultimate mystery of God’s ways, the “king over all the children of pride” (41:34), of whom Satan himself is merely an instrument. What this power looks like depends on how it is approached. Approached by Conrad’s Kurtz through his Antichrist psychosis, it is an unimaginable horror: but it may also be a source of energy that man can put to his own use. There are naturally considerable risks in trying to do so: risks that Rimbaud spoke of in his celebrated lettre du voyant as a “dérèglement de tous les sens.” The phrase indicates the close connection between the titanic and the demonic that Verlaine expressed in his phrase poète maudit, the attitude of poets who feel, like Ahab, that the right worship of the powers they invoke is defiance.

There is a sort of subdued pandemonium in the air, a note of repressed violence, as if the awaited explosion required the advent of some utterly minute detail, something microscopic but thoroughly unpremeditated, completely unexpected. In that sort of half-reverie which permits one to participate in an event and yet remain quite aloof, the little detail which was lacking began obscurely but insistently to coagulate, to assume a freakish, crystalline form, like the frost which gathers on the windowpane. And like those frost patterns which seem so bizarre, so utterly free and fantastic in design, but which are nevertheless determined by the most rigid laws, so this sensation which commenced to take form inside me seemed also to be giving obedience to ineluctable laws. My whole being was responding to the dictates of an ambience which it had never before experienced; that which I could call myself seemed to be contracting, condensing, shrinking from the stale, customary boundaries of the flesh whose perimeter knew only the modulations of the nerve ends. And the more substantial, the more solid the core of me became, the more delicate and extravagant appeared the close, palpable reality out of which I was being squeezed. In the measure that I became more and more metallic, in the same measure the scene before my eyes became inflated. The state of tension was so finely drawn now that the introduction of a single foreign particle, even a microscopic particle, as I say, would have shattered everything. For the fraction of a second perhaps I experienced that utter clarity which the epileptic, it is said, is given to know. In that moment I lost completely the illusion of time and space: the world unfurled its drama simultaneously along a meridian which had no axis. In this sort of hair-trigger eternity I felt that everything was justified, supremely justified; I felt the wars inside me that had left behind this pulp and wrack; I felt the crimes that were seething here to emerge tomorrow in blatant screamers; I felt the misery that was grinding itself out with pestle and mortar, the long dull misery that dribbles away in dirty handkerchiefs. On the meridian of time there is no injustice: there is only the poetry of motion creating the illusion of truth and drama. If at any moment anywhere one comes face to face with the absolute, that great sympathy which makes men like Gautama and Jesus seem divine freezes away; the monstrous thing is not that men have created roses out of this dung heap, but that, for some reason or other, they should want roses. For some reason or other man looks for the miracle, and to accomplish it he will wade through blood. He will debauch himself with ideas, he will reduce himself to a shadow if for only one second of his life he can close his eyes to the hideousness of reality. Everything is endured – disgrace, humiliation, poverty, war, crime, ennui – in the belief that overnight something will occur, a miracle, which will render life tolerable. And all the while a meter is running inside and there is no hand that can reach in there and shut it off. All the while someone is eating the bread of life and drinking the wine, some dirty fat cockroach of a priest who hides away in the cellar guzzling it, while up above in the light of the street a phantom host touches the lips and the blood is pale as water. And out of the endless torment and misery no miracle comes forth, no microscopic vestige of relief. Only ideas, pale, attenuated ideas which have to be fattened by slaughter; ideas which come forth like bile, like the guts of a pig when the carcass is ripped open.