Axe And Tree Quotes

Give me six hours to chop down a tree and I will spend the first four sharpening the axe.

Catch! calls the Once-ler. He lets something fall. It's a Truffula Seed. It's the last one of all! You're in charge of the last of the Truffula Seeds. And Truffula Trees are what everyone needs. Plant a new Truffula. Treat it with care. Give it clean water. And feed it fresh air. Grow a forest. Protect it from axes that hack. Then the Lorax and all of his friends may come back.

The forest was shrinking but the trees kept voting for the axe, for the axe was clever and convinced the trees that because his handle was made of wood he was one of them.

So if you are the big tree, we are the small axe. Ready to cut you down, to cut you down.

The same wind that uproots trees makes the grass shine. The lordly wind loves the weakness and the lowness of grasses. Never brag of being strong. The axe doesn't worry how thick the branches are. It cuts them to pieces. But not the leaves. It leaves the leaves alone.

Violence harms the one who does it as much as the one who receives it. You could cut down a tree with an axe. The axe does violence to the tree, and escapes unharmed. Is that how you see it? Wood is soft compared to steel, but the sharp steel is dulled as it chops, and the sap of the tree will rust and pit it. The mighty axe does violence to the helpless tree, and is harmed by it. So it is with men, though the harm is in the spirit.

The axe forgets; the tree remembers

This was the absolute worst way to die. Mid-squat-pissing behind a tree while Maddy’s axe-murderer charged at her from the front. Dignified till the

When the axe entered the forest, the trees said to each other: do not worry, the handle in that axe is one of us”.

We can't attack a thing we don't know. That's dangerous. And...foolish. It would be like trying to chop down a tree from the top of it. If we understand how the tree works, how the trunk and roots are where the power lies, and how gravity is on our side, we can attack it, each of us with small axes, and change the face of the the forest.

If I had eight hours to chop down a tree, I’d spend the first six of them sharpening my axe.

...you'd be surprised how many people violate this simple principle every day of their lives and try to fit square pegs into round holes, ignoring the clear reality that Things Are As They Are. We will let a selection from the writings of Chuang-tse illustrate: Hui-tse said to Chuang-tse, "I have a large tree which no carpenter can cut into lumber. Its branches and trunk are crooked and tough, covered with bumps and depressions. No builder would turn his head to look at it. Your teachings are the same - useless, without value. Therefore, no one pays attention to them." ... "You complain that your tree is not valuable as lumber. But you could make use of the shade it provides, rest under its sheltering branches, and stroll beneath it, admiring its character and appearance. Since it would not be endangered by an axe, what could threaten its existence? It is useless to you only because you want to make it into something else and do not use it in its proper way.

I have now gone through the Bible, as a man would go through a wood with an axe on his shoulder, and fell trees. Here they lie; and the priests, if they can, may replant them. They may, perhaps, stick them in the ground, but they will never make them grow.

Having tasted the honeycomb, he threw down his axe, and looking on the tree as sacred, took great care of it.

Give me six hours to chop down a tree and I’ll spend the first four sharpening the axe.” —Abraham Lincoln

Eventually the Woodsman spoke. ‘We all have our routines,’ he said softly. ‘But they must have a purpose and provide an outcome that we can see and take some comfort from, or else they have no use at all. Without that, they are like the endless pacings of a caged animal. If they are not madness itself, then they are a prelude to it.’ The Woodsman stood and showed David his axe. ‘See here,’ he said, pointing with his finger at the blade. Every morning, I make certain that me axe is clean and keen. I look to my house and check that its windows and doors remain secure. I tend to my land, disposing of weeds and ensuring that the soil is watered. I walk through the forest, clearing those paths that need to be kept open. Where trees have been damaged, I do my best to repair what has been harmed. these are my routines and I enjoy doing them well.’ He laid a hand gently on David’s shoulder, and David saw understanding in his face. ‘Rules and routines are good, but they must give you satisfaction. Can you truly say you gain that from touching and counting?’ David shook his head. ‘No,’ he said, ‘but I get scared when I don’t do them. I’m afraid of what might happen.’ ‘Then find routines that allow you to feel secure when they are done. You told me that you have a new brother: look to him each morning. Look to your father, and your stepmother. Tend to the flowers in the garden, or in the pots upon the window sill. Seek others who are weaker than you are, and try to give them comfort where you can. Let these be your routines, and the rules that govern your life.

It's a Buddhist concept. Nonduality. It's about oneness, about how things that seem to be separate are really connected to one another. There are no separations...This is not just a piece of wood. This is also the clouds that brought the rain that watered the tree, and the birds that nested in it and the squirrels that fed on its nuts. It is also the food my grandparents fed me that made me strong enough to cut the tree, and it's the steel in the axe I used. And it's how you know your fox, which allowed you to carve him yesterday. And it's the story you will tell your children when you give this to them. All these things are separate but also one, inseparable. Do you see?

The stiff and unyielding are the companions of death, while the yielding and tender are the companions of life. Therefore we see that unbending armies cannot conquer, and the strongest tree feels the axe. The mighty will fall down low, but the humble will rise up.

When the axe entered the forest, the trees said to each other: do not worry, the handle in that axe is one of us.”’ Shurpanakha

The size of the tree you cut determines the weight with which you have to throw the axe.

It takes sharper axes to chops bigger trees just as it takes deeper enthusiasm to overcome stronger challenges. Timidity only increases your fears.

Well, surely, you will agree that a great improvement could be made simply by cutting down those trees that crowd about the house so much and darken every room? They grow just as they please – just where the acorn or seed fell, I suppose.” “What?” asked Strange, whose eyes had wandered back to his book during the latter part of the conversation. “The trees,” said Henry. “Which trees?” “Those,” said Henry, pointing out of the window to a whole host of ancient and magnificent oaks, ashes and beech trees. “As far as neighbours go, those trees are quite exemplary. They mind their own affairs and have never troubled me. I rather think that I will return the compliment.” “But they are blocking the light.” “So are you, Henry, but I have not yet taken an axe to you.

People who have fully prepared always save time. Albert Einstein was right to teach that if he is given six hours to chop down a tree, he would spend the first four sharpening the axes. When you are done with your action plans, work will be easier!

A tree fears an axe even though its handle is made from it.

Give me 6 hours to chop down a tree and I will spend the first four sharpening the axe.” – ABRAHAM LINCOLN

in this neighborhood heroes are scarce, or simply lot to be found. Swords in these parts are mostly blunt, and axes are used for trees, and shields as cradles or dish-covers; and dragons are comfortably far-off (and therefore legendary).

There now remain only a few books, which they call books of the lesser prophets; and as I have already shown that the greater are impostors, it would be cowardice to disturb the repose of the little ones. Let them sleep, then, in the arms of their nurses, the priests, and both be forgotten together. I have now gone through the Bible, as a man would go through a wood with an axe on his shoulder, and fell trees. Here they lie; and the priests, if they can, may replant them. They may, perhaps, stick them in the ground, but they will never make them grow.

When will you let go and freely wander? When will you see the beauty of the flowers despite the stinging of the bees? When will you climb the tree of life for its fruits and high views instead of swinging your axe? When will you finally choose to be free?

Life is overwhelming life, Sound is melting, bit by bit, Something’s off, I feel deprived, With no time to harp on it. Life was better, was it not? No comparing, anyway, How you rustled once, my blood, - How you’re rustling today. It appears that one must pay For the movement of the lips, And the tree-tops freely sway As the axe awaits, eclipsed.

Rose was axing a branch off her own family tree, which meant she was both inflicting and experiencing pain.

Even the highest tree has an axe waiting at its foot.

If we remember that all the trees of earth are marked for the woodman’s axe, we will not be so ready to build our nests in them.

There is the head of the axe and the head of him who wields it. And if both are sharp, the size of the axe and the height of the tree doesn’t matter.

There is always a moment of lingering, of floating in the air, a moment between inhales and exhales, the universe holding its breath. Then comes the gust of wind, the flash of lightning, the blow of the axe, the exhale. And the inevitable, irreversible, plummeting to the ground.

Now you, Sir, have a large tree, and you don’t know how to use it, so why not plant it in the middle of nowhere, where you can go to wander or fall asleep under its shade? No axe under Heaven will attack it, nor shorten its days, for something which is useless will never be disturbed.

There is a rustle of dead leaves. Dried sap, a branch crack, the whirring teeth of Mr. Omaru's saw. My father--my real father--is a limb that got axed off the family tree a long time ago now. My mother coughs and cleans phantom juices off her silver with a cloth doily. My sisters clench their knives.

To detach from your character, you should first know it fully -the dark side as well as bright side. It doesn’t mean that you should try everything in the world. To know itself, a tree doesn’t need to get hit by an axe at every inch of its being. The air around it can make it feel how far its branches go. When you are in a position to do something and do it, you only get to know one side of you. When you don’t do it, you get to know two sides of you -the one that wanted to do it and the other that didn’t.

The signs, newspapers, magazines are no longer random symbols. They're full of significance: doors, eyes, hands, men, meat, water, hearts, dagger-axes, earth, rain, trees, suns and moons, wood, fire, power, gold, and short-tail birds.

The maester had taught him all the banners: the mailed fist of the Glovers, silver on scarlet; Lady Mormont’s black bear; the hideous flayed man that went before Roose Bolton of the Dreadfort; a bull moose for the Hornwoods; a battle-axe for the Cerwyns; three sentinel trees for the Tallharts; and the fearsome sigil of House Umber, a roaring giant in shattered chains.

The Lord giveth, and the Lord taketh away. He is no longer the only one to do so. When some remote ancestor of ours invented the shovel, he became a giver: he could plant a tree. And when the axe was invented, he became a taker: he could chop it down. Whoever owns land has thus assumed, whether he knows it or not, the divine functions of creating and destroying plants.

If we understand how the tree works, how the trunk and roots are where the power lies, and how gravity is on our side, we can attack it, each of us with small axes, and change the face of the forest. So let’s learn all there is to know about the tree of racism. The root. The fruit. The sap and trunk. The nests built over time, the changing leaves. That way, your generation can finally, actively chop it down.

Alan Turing proposed the Turing Test: a computer is intelligent if you can't tell it from a human when you talk with it. No computer has been able to make it.

During a mass extinction, vast swathes of the tree are cut short, as if attacked by crazed, axe-wielding madmen.

GIVE ME SIX HOURS TO CHOP DOWN A TREE AND I WILL SPEND THE FIRST FOUR SHARPENING THE AXE. —Attributed to Abraham Lincoln

An ancient poet once remarked, “When the axe entered the forest, the trees said to each other: do not worry, the handle in that axe is one of us”.

A small sharp axe can cut down more trees than a big dull one.

Larry Wall's classic Programming Perl described the three programmer's virtues: hubris, laziness, and impatience.

Nobody knows how to make machines that heal after they sustain damage.

Give me six hours to chop down a tree and I will spend the first four sharpening the axe.” ― Abraham Lincoln

If you do not sharpen your axe, it will take twice the same amount of time to cut down the same amount of trees.

If you ask me to cut down a tree I'll spend the first four hours sharpening the axe.

November is, for many reasons, the month for the axe. It is warm enough to grind an axe without freezing, but cold enough to fell a tree in comfort.

Persist. Even when you’re heavy with emotion, pick yourself up bringing the axe of your actions down, repeatedly chopping at the day until you bring the sun low with success.

When the axe came into the forest, the trees said the handle is one of us.

The tree remembers what the axe forgets...

The tree has lived here for two hundred years. The man only a few decades. But the man has an axe. And the tree cannot run.

There is an allegory for historians in the diverse functions of saw, wedge, and axe. The saw works only across the years, which it must deal with one by one, in sequence. From each year the raker teeth pull little chips of fact, which accumulate in little piles, called sawdust by woodsmen and archives by historians; both judge the character of what lies within by the character of the samples thus made visible without. It is not until the transect is complete that the tree falls, and the stump yields a collective view of the century. By its fall the tree attests the unity of the hodge-podge called history. The wedge on the other hand, works only in radial splits; such a split yields a collective view of all the years at once, or no view at all, depending on the skill with which the plane of the split is chosen[...] The axe functions only at an angle diagonal to the years, and this is only for the peripheral rings of the recent past. Its special function is to lop limbs, for which both the saw and wedge are useless. The three tools are requisite to good oak, and to good history.

Because one must produce, one must by all possible means of activity replace nature wherever it can be replaced, one must find a major field of action for human inertia, the worker must have something to keep him busy, new fields of activity must be created, in which we shall see at last the reign of all the fake manufactured products, of all the vile synthetic substitutes in which beautiful real nature has no part, and must give way finally and shamefully before all the victorious substitute products in which the sperm of all the artificial insemination factories will make a miracle in order to produce armies and battleships. No more fruit, no more trees, no more vegetables, no more plants pharmaceutical or otherwise and consequently no more food, but synthetic products to satiety, amid the fumes, amid the special humors of the atmosphere, on the particular axes of atmospheres wrenched violently and synthetically from the resistances of a nature which has known nothing of war except fear.

I dare say you could,' snorted Gimli. ' You are a Wood-elf, anyway, though Elves of any kind are strange folk. Yet you comfort me. Where you go, I will go. But keep your bow ready to hand, and I will keep my axe loose in my belt. Not for use on trees.' he added hastily, looking up at the tree under which they stood. ' I do not wish to meet that old man at unawares without an argument ready to hand, that is all. Let us go!

Last night I dreamed of the "happy hunting ground." I passed through a place of bones that looked human, but weren't--the skulls were wrong. Then I came to a place where the days were the best of every season, the sweetest air and water in spring, then the dry heat where deer make dust in the road, the fog of fall with good leaves. And you could shoot without a gun, never kill, but the rabbits would do a little dance, all as if it were a game, and they were playing it too. Then winter came with heavy powder-snow, and big deer, horses, goats and buffaloes--all white--snorted, tossed their heads, and I lay down with my Army blanket, made my bed in the snow, then dreamed within the dream. I dreamed I was at Fleety's, and she told me the bones were poor people killed by bandits, and she took me back to the place, and under a huge rock where no light should have shown, a cave almost, was a dogwood tree. It glowed the kind of red those trees get at sundown, the buds were purple in that weird light, and a madman came out with an axe and chopped at the skulls, trying to make them human-looking. Then I went back to the other side of both dreams. --from a letter to his mother, Helen Pancake, where he describes a dream that seems to encapsulate the play between violence and gentleness in his life.

This afternoon, being on Fair Haven Hill, I heard the sound of a saw, and soon after from the Cliff saw two men sawing down a noble pine beneath, about forty rods off. I resolved to watch it till it fell, the last of a dozen or more which were left when the forest was cut and for fifteen years have waved in solitary majesty over the sprout-land. I saw them like beavers or insects gnawing at the trunk of this noble tree, the diminutive manikins with their cross-cut saw which could scarcely span it. It towered up a hundred feet as I afterward found by measurement, one of the tallest probably in the township and straight as an arrow, but slanting a little toward the hillside, its top seen against the frozen river and the hills of Conantum. I watch closely to see when it begins to move. Now the sawers stop, and with an axe open it a little on the side toward which it leans, that it may break the faster. And now their saw goes again. Now surely it is going; it is inclined one quarter of the quadrant, and, breathless, I expect its crashing fall. But no, I was mistaken; it has not moved an inch; it stands at the same angle as at first. It is fifteen minutes yet to its fall. Still its branches wave in the wind, as it were destined to stand for a century, and the wind soughs through its needles as of yore; it is still a forest tree, the most majestic tree that waves over Musketaquid. The silvery sheen of the sunlight is reflected from its needles; it still affords an inaccessible crotch for the squirrel’s nest; not a lichen has forsaken its mast-like stem, its raking mast,—the hill is the hulk. Now, now’s the moment! The manikins at its base are fleeing from their crime. They have dropped the guilty saw and axe. How slowly and majestic it starts! as it were only swayed by a summer breeze, and would return without a sigh to its location in the air. And now it fans the hillside with its fall, and it lies down to its bed in the valley, from which it is never to rise, as softly as a feather, folding its green mantle about it like a warrior, as if, tired of standing, it embraced the earth with silent joy, returning its elements to the dust again. But hark! there you only saw, but did not hear. There now comes up a deafening crash to these rocks , advertising you that even trees do not die without a groan. It rushes to embrace the earth, and mingle its elements with the dust. And now all is still once more and forever, both to eye and ear. I went down and measured it. It was about four feet in diameter where it was sawed, about one hundred feet long. Before I had reached it the axemen had already divested it of its branches. Its gracefully spreading top was a perfect wreck on the hillside as if it had been made of glass, and the tender cones of one year’s growth upon its summit appealed in vain and too late to the mercy of the chopper. Already he has measured it with his axe, and marked off the mill-logs it will make. And the space it occupied in upper air is vacant for the next two centuries. It is lumber. He has laid waste the air. When the fish hawk in the spring revisits the banks of the Musketaquid, he will circle in vain to find his accustomed perch, and the hen-hawk will mourn for the pines lofty enough to protect her brood. A plant which it has taken two centuries to perfect, rising by slow stages into the heavens, has this afternoon ceased to exist. Its sapling top had expanded to this January thaw as the forerunner of summers to come. Why does not the village bell sound a knell? I hear no knell tolled. I see no procession of mourners in the streets, or the woodland aisles. The squirrel has leaped to another tree; the hawk has circled further off, and has now settled upon a new eyrie, but the woodman is preparing [to] lay his axe at the root of that also.

Wood is soft compared to steel, but the sharp steel is dulled as it chops, and the sap of the tree will rust and pit it. The mighty axe does violence to the helpless tree, and is harmed by it. So it is with men, though the harm is in the spirit.

Purple emperor-watching with Matthew and Neil is not your average butterfly entertainment, ethereal and somewhat effete. Theirs is a raucous, adrenaline-fuelled spectator sport. The emperors themselves seem to play to the crowd. Pugnacious males dart around the crowns of oaks, staking out their territory, jetting about with muscular flicks of their wings, twirling on their own axes, elevating a hundred feet into the air. They are the SAS of butterflies, fit, fearless and chemically armed.

With the gun which was too big for him, the breech-loader which did not even belong to him but to Major de Spain and which he had fired only once, at a stump on the first day to learn the recoil and how to reload it with the paper shells, he stood against a big gum tree beside a little bayou whose black still water crept without motion out of a cane-brake, across a small clearing and into the cane again, where, invisible, a bird, the big woodpecker called Lord-to-God by negroes, clattered at a dead trunk. It was a stand like any other stand, dissimilar only in incidentals to the one where he had stood each morning for two weeks; a territory new to him yet no less familiar than that other one which after two weeks he had come to believe he knew a little--the same solitude, the same loneliness through which frail and timorous man had merely passed without altering it, leaving no mark nor scar, which looked exactly as it must have looked when the first ancestor of Sam fathers' Chickasaw predecessors crept into it and looked about him, club or stone axe or bone arrow drawn and ready, different only because, squatting at the edge of the kitchen, he had smelled the dogs huddled and cringing beneath it and saw the raked ear and side of the bitch that, as Sam had said, had to be brave once in order to keep on calling herself a dog, and saw yesterday in the earth beside the gutted log, the print of the living foot. He heard no dogs at all. He never did certainly hear them. He only heard the drumming of the woodpecker stop short off, and knew that the bear was looking at him. he did not move, holding the useless gun which he knew now he would never fire at it, now or ever, tasting in his saliva that taint of brass which he had smelled in the huddled dogs when he peered under the kitchen.

It’s like chopping down a huge tree of immense girth. You won’t accomplish it with one swing of your axe. If you keep chopping away at it, though, and do not let up, eventually, whether it wants to or not, it will suddenly topple down. When that time comes, you could round up everyone you could find and pay them to hold the tree up, but they wouldn’t be able to do it. It would still come crashing to the ground…. But if the woodcutter stopped after one or two strokes of his axe to ask the third son of Mr. Chang, “Why doesn’t this tree fall?” And after three or four more strokes stopped again to ask the fourth son of Mr. Li, “Why doesn’t this tree fall?” he would never succeed in felling the tree. It is no different for someone who is practicing the Way. —ZEN MASTER HAKUIN

Then the Man threw his two boots and his little stone axe (that makes three) at the Cat, and the Cat ran out of the Cave and the Dog chased him up a tree; and from that day to this, Best Beloved, three proper Men out of five will always throw things at a Cat whenever they meet him, and all proper Dogs will chase him up a tree. But the Cat keeps his side of the bargain too. He will kill mice and he will be kind to Babies when he is in the house, just as long as they do not pull his tail too hard. But when he has done that, and between times, and when the moon gets up and night comes, he is the Cat that walks by himself, and all places are alike to him. Then he goes out to the Wet Wild Woods or up the Wet Wild Trees or on the Wet Wild Roofs, waving his wild tail and walking by his wild lone.

To wonder sadly, did I say? No: a new influence began to act upon my life, and sadness, for a certain space, was held at bay. Conceive a dell, deep-hollowed in forest secresy; it lies in dimness and mist: its turf is dank, its herbage pale and humid. A storm or an axe makes a wide gap amongst the oak-trees; the breeze sweeps in; the sun looks down; the sad, cold dell becomes a deep cup of lustre; high summer pours her blue glory and her golden light out of that beauteous sky, which till now the starved hollow never saw. A new creed became mine - a belief in happiness.

At childhood’s end, the houses petered out into playing fields, the factory, allotments kept, like mistresses, by kneeling married men, the silent railway line, the hermit’s caravan, till you came at last to the edge of the woods. It was there that I first clapped eyes on the wolf. He stood in a clearing, reading his verse out loud in his wolfy drawl, a paperback in his hairy paw, red wine staining his bearded jaw. What big ears he had! What big eyes he had! What teeth! In the interval, I made quite sure he spotted me, sweet sixteen, never been, babe, waif, and bought me a drink, my first. You might ask why. Here’s why. Poetry. The wolf, I knew, would lead me deep into the woods, away from home, to a dark tangled thorny place lit by the eyes of owls. I crawled in his wake, my stockings ripped to shreds, scraps of red from my blazer snagged on twig and branch, murder clues. I lost both shoes but got there, wolf’s lair, better beware. Lesson one that night, breath of the wolf in my ear, was the love poem. I clung till dawn to his thrashing fur, for what little girl doesn’t dearly love a wolf? Then I slid from between his heavy matted paws and went in search of a living bird – white dove – which flew, straight, from my hands to his hope mouth. One bite, dead. How nice, breakfast in bed, he said, licking his chops. As soon as he slept, I crept to the back of the lair, where a whole wall was crimson, gold, aglow with books. Words, words were truly alive on the tongue, in the head, warm, beating, frantic, winged; music and blood. But then I was young – and it took ten years in the woods to tell that a mushroom stoppers the mouth of a buried corpse, that birds are the uttered thought of trees, that a greying wolf howls the same old song at the moon, year in, year out, season after season, same rhyme, same reason. I took an axe to a willow to see how it wept. I took an axe to a salmon to see how it leapt. I took an axe to the wolf as he slept, one chop, scrotum to throat, and saw the glistening, virgin white of my grandmother’s bones. I filled his old belly with stones. I stitched him up. Out of the forest I come with my flowers, singing, all alone. Little Red-Cap

The North Korean capital, Pyongyang, is a city consecrated to the worship of a father-son dynasty. (I came to think of them, with their nuclear-family implications, as 'Fat Man and Little Boy.') And a river runs through it. And on this river, the Taedong River, is moored the only American naval vessel in captivity. It was in January 1968 that the U.S.S. Pueblo strayed into North Korean waters, and was boarded and captured. One sailor was killed; the rest were held for nearly a year before being released. I looked over the spy ship, its radio antennae and surveillance equipment still intact, and found photographs of the captain and crew with their hands on their heads in gestures of abject surrender. Copies of their groveling 'confessions,' written in tremulous script, were also on show. So was a humiliating document from the United States government, admitting wrongdoing in the penetration of North Korean waters and petitioning the 'D.P.R.K.' (Democratic People's Republic of Korea) for 'lenience.' Kim Il Sung ('Fat Man') was eventually lenient about the men, but not about the ship. Madeleine Albright didn't ask to see the vessel on her visit last October, during which she described the gruesome, depopulated vistas of Pyongyang as 'beautiful.' As I got back onto the wharf, I noticed a refreshment cart, staffed by two women under a frayed umbrella. It didn't look like much—one of its three wheels was missing and a piece of brick was propping it up—but it was the only such cart I'd see. What toothsome local snacks might the ladies be offering? The choices turned out to be slices of dry bread and cups of warm water. Nor did Madeleine Albright visit the absurdly misnamed 'Demilitarized Zone,' one of the most heavily militarized strips of land on earth. Across the waist of the Korean peninsula lies a wasteland, roughly following the 38th parallel, and packed with a titanic concentration of potential violence. It is four kilometers wide (I have now looked apprehensively at it from both sides) and very near to the capital cities of both North and South. On the day I spent on the northern side, I met a group of aging Chinese veterans, all from Szechuan, touring the old battlefields and reliving a war they helped North Korea nearly win (China sacrificed perhaps a million soldiers in that campaign, including Mao Anying, son of Mao himself). Across the frontier are 37,000 United States soldiers. Their arsenal, which has included undeclared nuclear weapons, is the reason given by Washington for its refusal to sign the land-mines treaty. In August 1976, U.S. officers entered the neutral zone to trim a tree that was obscuring the view of an observation post. A posse of North Koreans came after them, and one, seizing the ax with which the trimming was to be done, hacked two U.S. servicemen to death with it. I visited the ax also; it's proudly displayed in a glass case on the North Korean side.

Plans act as a forcing function against all kinds of stupidity because they demand that important issues be resolved while there is time to consider other options. As Abraham Lincoln said, “If I had six hours to cut down a tree, I’d spend four hours sharpening the axe,” which I take to mean that smart preparation minimizes work.

All those years of remembering, carrying, and suffering over this person, and he probably hadn't thought about me at all since I'd moved away. I was willing to bet all my tormentors were also suffering from this kind of amnesia-- they didn't think about, care about, or remember what they'd done to me. The axe forgets; the tree remembers.

Commend me to them, And tell them that, to ease them of their griefs, Their fears of hostile strokes, their aches, losses, Their pangs of love, with other incident throes That nature's fragile vessel doth sustain In life's uncertain voyage, I will some kindness do them: I'll teach them to prevent wild Alcibiades' wrath. First Senator I like this well; he will return again. TIMON I have a tree, which grows here in my close, That mine own use invites me to cut down, And shortly must I fell it: tell my friends, Tell Athens, in the sequence of degree From high to low throughout, that whoso please To stop affliction, let him take his haste, Come hither, ere my tree hath felt the axe, And hang himself. I pray you, do my greeting.

If A Tree Could Wander Oh, if a tree could wander and move with foot and wings! It would not suffer the axe blows and not the pain of saws! For would the sun not wander away in every night ? How could at ev'ry morning the world be lighted up? And if the ocean's water would not rise to the sky, How would the plants be quickened by streams and gentle rain? The drop that left its homeland, the sea, and then returned ? It found an oyster waiting and grew into a pearl. Did Yusaf not leave his father, in grief and tears and despair? Did he not, by such a journey, gain kingdom and fortune wide? Did not the Prophet travel to far Medina, friend? And there he found a new kingdom and ruled a hundred lands. You lack a foot to travel? Then journey into yourself! And like a mine of rubies receive the sunbeams? print! Out of yourself ? such a journey will lead you to your self, It leads to transformation of dust into pure gold!

A Palestinian village whose feudal owner sold it for a kiss through a pane of glass..." Nothing remained of Sireen after the auction apart from you, little prayer rug, because a mother slyly stole you and wrapped up her son who'd been sentenced to cold and weaning - and later to sorrow and longing. It's said there was a village, a very small village, on the border between sun's gate and earth. It's said that the village was twice sold - once for a measure of oil and once for a kiss through a pane of glass. The buyers and sellers rejoiced at its sale, the year the submarine was sunk, in our twentieth century. And in Sireen - the buyers went over the contract - were white-washed houses, lovers, and trees, folk poets, peasants, and children. (But there was no school - and neither tanks nor prisons.) The threshing floors, the colour of golden wine, and the graveyard were a vault meant for life and death, and the vault was sold! People say that there was a village, but Sireen became an earthquake, imprisoned by an amulet as it turned into a banquet - in which the virgins' infants were cooked in their mothers' milk so soldiers and ministers might eat along with civilisation! "And the axe is laid at the root of the tree..." And once again at the root of the tree, as one dear brother denies another and existence. Officer of the orbits... attend, O knight of death, but don't give in - death is behind us and also before us. Knight of death, attend, there is no time to retreat - darkness crowds us and now has turned into a rancid butter, and the forest too is full, the serpents of blood have slithered away and the beaker of our ablution has been sold to a tourist from California! There is no time now for ablution. People say there was a village, but Sireen became an earthquake, imprisoned by an amulet as it turned into a banquet - in which the virgins' infants were cooked in their mothers' milk so soldiers and ministers might eat, along with civilisation!

Do you trust me, Fiske?” “I’m here, aren’t I?” The memory of his lips on mine came flooding back. His hands finding me in the dark, pulling me across the stone. I fisted my hands, resisting the urge to touch him. “And if the Aska do join the Riki and together we defeat the Herja? What then?” He reached into the fire with his axe, knocking a log closer to the flames. “Then things change.” “What things?” He leaned back against the tree, his eyes running over my face, and his voice softened. “Everything.

A man came into a forest and asked the Trees to provide him a handle for his axe. The Trees consented to his request and gave him a young ash-tree. No sooner had the man fitted a new handle to his axe from it, than he began to use it and quickly felled with his strokes the noblest giants of the forest. An old oak, lamenting when too late the destruction of his companions, said to a neighboring cedar, “The first step has lost us all. If we had not given up the rights of the ash, we might yet have retained our own privileges and have stood for ages.

HAVE YOU EVER sailed in a longship? Not a stubby, robust knörr laden with trade goods and wallowing like a packhorse across the sea, but a sleek, deathly quick, terror-stirring thing – a dragon ship. Have you ever stood at the bow with the salt wind whipping your hair as Rán’s white-haired daughters cream beneath the beast’s strong, curving chest? Have you travelled the whale road with wind-burnt warriors whose rare skill with axe and sword is a gift from mighty Óðin, Lord of War? Men whose death work feeds the wolf and the eagle and the raven? I have done all this. It has been my life and though it would make those skirt-wearing White Christ followers sick with disgust (and fear, I shouldn’t wonder) I have been happy with my lot. For some men are born closer to the gods than others. By the well of Urd, beneath one of the roots of the great life tree Yggdrasil, the Norns, those sisters of fate, of present and future, take the threads of men’s lives and weave them into patterns full of pain and suffering, glory and riches, and death. And their ancient fingers must have tired at the spinning of my life.

How far could you trace back such a chain, he wondered, past the Harmon girl being chosen that night to bring his food, past the tree shattering a man's backbone due to a badly notched trunk, past that to an axe unsharpened because a man drank too much the night before, past that to why the man had gotten drunk in the first place? Was it something you never found the end to? Or was there no chain at all, just a moment when you did or didn't step close to a young woman and let you fingers brush a fall of blonde hair behind her ears, did or did not lean to that uncovered ear and tell her that you found her quite fetching." ~G. Pemberton (58)

The devastation of the lumberjacks appeared more atrocious at this time of year when everything is getting ready to come back to life. In the warm air some twigs were already growing, some buds were opening, and each branch that had been chopped was crying with sap. I advanced slowly, not feeling so sad because I was exalted by the pain of the countryside, feeling a bit gray perhaps by the strong vegetal odor that the dying trees and the earth exhaled. I was barely sensitive to the contrast of these dead trees with the renewal of springtime. In this state the park was more open to receive light which bathed and gilded both what was dead and what was alive. However, from far away the tragic song of the axes filled the air with a funeral solemnity, secretly

Hidden in the heart of this striving for Liberty there was also a deep hatred of personal freedom. That invaluable man Rousseau first revealed it. In his perfect democracy, you remember, only the state religion is permitted, slavery is restored, and the individual is told that he has really willed (though he didn’t know it) whatever the Government tells him to do. From that starting point, via Hegel (another indispensable propagandist on our side) we easily contrived both the Nazi and the Communist state. Even in England we were pretty successful. I heard the other day that in that country a man could not, without a permit, cut down his own tree with his own axe, make it into planks with his own saw, and use the planks to build a tool-shed in his own garden.

Henry tried again. “Well, surely, you will agree that a great improvement could be made simply by cutting down those trees that crowd about the house so much and darken every room? They grow just as they please – just where the acorn or seed fell, I suppose.” “What?” asked Strange, whose eyes had wandered back to his book during the latter part of the conversation. “The trees,” said Henry. “Which trees?” “Those,” said Henry, pointing out of the window to a whole host of ancient and magnificent oaks, ashes and beech trees. “As far as neighbours go, those trees are quite exemplary. They mind their own affairs and have never troubled me. I rather think that I will return the compliment.” “But they are blocking the light.” “So are you, Henry, but I have not yet taken an axe to you.

So few women made it to the top of the tree and for every one of them who understood the importance of solidarity, there was one ready with an axe to chop any other contender off at the knees. It wasn’t just lonely at the top. Sometimes it was lonely all the way from the ground up. She held her arms out at her sides and gave her hands and wrists a good shake. The physical action made her feel as if she’d shucked off the encounter with the Dog Biscuit. She knew it wasn’t that simple and that it would return to plague her later, but for now, she’d parked those complicated emotions. She was an investigator; time she did some investigating. Jason was out in the field trying to track down camper van records from 1995. The least she could do was try to come at the case from a different angle.

There were two brothers and a sister. And they had heard from the sky, or from the winds, that Jesus Christ had been born and had grown to manhood. There were portents and dreams that told them about him. Finally the two brothers started for Jerusalem, leaving their sister at home in this place. And they arrived on the day of the crucifixion, so they only saw him dead. And these two brothers from this pass in the Georgian mountains were heartbroken, and they begged a piece of the body-cloth of Jesus, and they brought it home to their sister. She was grief-stricken by the crucifixion, and she clutched the cloth, and fell sick and died of sorrow, and her dead hand held the cloth against her heart. Then the brothers tried to release the cloth, but her hand held firm and they could not get it away from her. And so she was buried with the cloth still held in her hand. She was buried right in this place where the church now stands. And almost immediately a plant grew out of the grave and became a giant tree. After a number of years it was desired to build a church in this place to commemorate the event. And woodsmen came and tried to cut the tree, but their axes flew to pieces against its trunk. Everyone tried to cut the tree, and they couldn't make a dent in it. Finally two angels came and cut the tree, and the church was built over the spot. The dark woman pointed to a curious tent-like structure of clay inside the church, and this is where the grave was, she said, and this is where the tree stood. And under the clay tent undoubtedly was the body of the holy woman, still clutching the piece of the cloth that had been worn by Jesus.

Golden Rule #17 Don’t mine stone with your bare hands. Long, long ago, there was a noob named Steven. He harvested wood with his bare hands because he thought using tools was a waste of resources. Why reduce tool durability? Why bother crafting axes at all? Steven’s hands had no durability, as far as he knew. Even if it took him longer to chop down trees this way, he could save materials. He could punch and punch all day and never waste any crafting tools. Steven was the kind of guy who, after loaning his best friend a wooden sword six months earlier, would ask for exactly one stick and two oak planks to be returned. Once, Steven and two friends bought a cake together. The cake cost six emeralds and was cut into six slices. That meant each person had to pay two emeralds. However, one of Steven’s cake slices was slightly smaller than the rest, so he argued that he should have to pay only 1.75 emeralds instead.

Rosie flicks out her second knife and takes aim. It spins out of her hand like a star, straight at the Alpha’s chest. But the Alpha knocks it away easily. He raises a clawed hand at my sister and I feel a scream erupting in my throat, recognizing the motion from seven years ago. The swing will take my sister’s eye. I storm through the still-transforming Fenris, swinging my hatchet as if I’m hacking at tree limbs. Rosie’s eyes widen in horror as the Alpha’s claws being to descend. I grit my teeth and force my body forward, now ignoring the other wolves, desperate to reach her. A roaring scream, all human but as fierce as any Fenris howl, echoes through the parking lot. My head snaps to see its source: Silas is running toward Rosie, hunting knives in one hand, axe aloft in the other. His eyes burn brighter than any hellfire. He swings out just as the Alpha’s claws are about to reach Rosie’s face, knocking the monster out of the way.

The instruments of murder are as manifold as the unlimited human imagination. Apart from the obvious—shotguns, rifles, pistols, knives, hatchets and axes—I have seen meat cleavers, machetes, ice picks, bayonets, hammers, wrenches, screwdrivers, crowbars, pry bars, two-by-fours, tree limbs, jack handles (which are not “tire irons;” nobody carries tire irons anymore), building blocks, crutches, artificial legs, brass bedposts, pipes, bricks, belts, neckties, pantyhose, ropes, bootlaces, towels and chains—all these things and more, used by human beings to dispatch their fellow human beings into eternity. I have never seen a butler use a candelabrum. I have never seen anyone use a candelabrum! Such recherché elegance is apparently confined to England. I did see a pair of sneakers used to kill a woman, and they left distinctive tread marks where the murderer stepped on her throat and crushed the life from her. I have not seen an icicle used to stab someone, though it is said to be the perfect weapon, because it melts afterward. But I do know of a case in which a man was bludgeoned to death with a frozen ham. Murderers generally do not enjoy heavy lifting—though of course they end up doing quite a bit of it after the fact, when it is necessary to dispose of the body—so the weapons they use tend to be light and maneuverable. You would be surprised how frequently glass bottles are used to beat people to death. Unlike the “candy-glass” props used in the movies, real glass bottles stand up very well to blows. Long-necked beer bottles, along with the heavy old Coca-Cola and Pepsi bottles, make formidable weapons, powerful enough to leave a dent in a wooden two-by-four without breaking. I recall one case in which a woman was beaten to death with a Pepsi bottle, and the distinctive spiral fluting of the bottle was still visible on the broken margins of her skull. The proverbial “lead pipe” is a thing of the past, as a murder weapon. Lead is no longer used to make pipes.

You think this is the end?” He looked at his hands. “The end of what?” “The end of everything. The Riki. The Aska.” The words hung in the air over us, burning in the fire. “Is that what you think?” “No. I think you’ll convince them.” The stillness of the night turned to something fragile, threatening to break. Because I wasn’t sure. “How do you know?” He smiled at the corner of his mouth. “Because you have fire in your blood.” It was what Inge said about me the night I watched them from the loft and he told Halvard I was dangerous. “Do you trust me, Fiske?” “I’m here, aren’t I?” The memory of his lips on mine came flooding back. His hands finding me in the dark, pulling me across the stone. I fisted my hands, resisting the urge to touch him. “And if the Aska do join the Riki and together we defeat the Herja? What then?” He reached into the fire with his axe, knocking a log closer to the flames. “Then things change.” “What things?” He leaned back against the tree, his eyes running over my face, and his voice softened. “Everything.

The shore is irregular enough not to be monotonous. I have in my mind's eye the western, indented with deep bays, the bolder northern, and the beautifully scalloped southern shore, where successive capes overlap each other and suggest unexplored coves between. The forest has never so good a setting, nor is so distinctly beautiful, as when seen from the middle of a small lake amid hills which rise from the water's edge; for the water in which it is reflected not only makes the best foreground in such a case, but, with its winding shore, the most natural and agreeable boundary to it. There is no rawness nor imperfection in its edge there, as where the axe has cleared a part, or a cultivated field abuts on it. The trees have ample room to expand on the water side, and each sends forth its most vigorous branch in that direction. There Nature has woven a natural selvage, and the eye rises by just gradations from the low shrubs of the shore to the highest trees. There are few traces of man's hand to be seen. The water laves the shore as it did a thousand years ago.

O my land! O my love! What a woe, and how deep, Is thy death to my long mourning soul! God alone, God above, Can awake thee from sleep, Can release thee from bondage and dole! Alas, alas, and alas! For the once proud people of Banba! As a tree in its prime, Which the axe layeth low, Didst thou fall, O unfortunate land! Not by time, nor thy crime, Came the shock and the blow. They were given by a false felon hand! Alas, alas, and alas! For the once proud people of Banba! O, my grief of all griefs Is to see how thy throne Is usurped, whilst thyself art in thrall! Other lands have their chiefs, Have their kings, thou alone Art a wife, yet a widow withal! Alas, alas, and alas! For the once proud people of Banba! The high house of O’Neill Is gone down to the dust, The O’Brien is clanless and banned; And the steel, the red steel May no more be the trust Of the Faithful and Brave in the land! Alas, alas, and alas! For the once proud people of Banba! True, alas! Wrong and Wrath Were of old all too rife. Deeds were done which no good man admires And perchance Heaven hath Chastened us for the strife And the blood-shedding ways of our sires! Alas, alas, and alas! For the once proud people of Banba! But, no more! This our doom, While our hearts yet are warm, Let us not over weakly deplore! For the hour soon may loom When the Lord’s mighty hand Shall be raised for our rescue once more! And all our grief shall be turned into joy For the still proud people of Banba!

Hold Everything Dear for John Berger as the brick of the afternoon stores the rose heat of the journey as the rose buds a green room to breathe and blossoms like the wind as the thinning birches whisper their silver stories of the wind to the urgent in the trucks as the leaves of the hedge store the light that the moment thought it had lost as the nest of her wrist beats like the chest of a wren in the turning air as the chorus of the earth find their eyes in the sky and unwrap them to each other in the teeming dark hold everything dear the calligraphy of birds across the morning the million hands of the axe, the soft hand of the earth one step ahead of time the broken teeth of tribes and their long place steppe-scattered and together clay's small, surviving handle, the near ghost of a jug carrying itself towards us through the soil the pledge of offered arms, the single sheet that is our common walking the map of the palm held in a knot but given as a torch hold everything dear the paths they make towards us and how far we open towards them the justice of a grass that unravels palaces but shelters the songs of the searching the vessel that names the waves, the jug of this life, as it fills with the days as it sinks to become what it loves memory that grows into a shape the tree always knew as a seed the words the bread the child who reaches for the truths beyond the door the yearning to begin again together animals keen inside the parliament of the world the people in the room the people in the street the people hold everything dear 19th May 2005 Gareth Evans

A man fell in love with a tree. It was as simple as that. He went into the forest to cut wood and he found a tree and he knew then that he loved it. He forgot about his axe. It fell from his hand and he knew it not. He forgot about the village that he had come from, forgot the path along which he had come, forgot even the brave ringing voices of his fellows, which sounded even then in the broad wood as they called his name, seeking after him. He sat down there before the tree and he made a place for himself and soon no one passing there could even see that he was lying between the roots. It was for him as though a blade of grass had turned to reveal a map of broad longing and direction and over it he could pass—and did. He and his love then sought what they would with nothing asked of anyone. Asking no permission, they devised all manner of delights and found in each other everything that the world lacked. You are as bright as a coin. You are as tall as a grove. You are as swift as a thought. And so well did they hide themselves in their love that grass grew over their hearts and all their loud songs became indecipherable ribbons of air. But then one day, the man awoke. He found himself again in front of a tree, but it was one he had never seen before. He had never seen the forest either--and the clothes he wore were worn almost to shreds. Where have I been, he asked himself, and stumbled out of the woods to where others waited at a string of houses. But, they could tell him no tidings of himself. Where have I been, he wondered. With whom, in my loveliest dreams, have I so endlessly been speaking? But as he thought it fell away, and he was poorer then than anyone. Raise yourself up, the others called to him. Rase yourself up, you fool. Ah, he said, so this is how fools are made. For I did never know.

The archaeologist attached to the Bayard Dominick’s Marquesan team had reported in 1925 that the Marquesas offered “few opportunities for archaeological research.” But in 1956, a new expedition set out to reexamine the possibilities in these islands at the eastern edge of the Polynesian Triangle. An energetic Columbia University graduate student named Robert Suggs was sent ahead to reconnoiter, and he quickly discovered that the previous generation had gotten it all wrong. Everywhere he looked, he saw archaeological potential. “We were seldom out of sight of some relic of the ancient Marquesan culture,” he writes. “Through all the valleys were scattered clusters of ruined house platforms. . . . Overgrown with weeds, half tumbled down beneath the weight of toppled trees and the pressure of the inexorable palm roots, these ancient village sites were sources of stone axes, carved stone pestles, skulls, and other sundry curios.” There were ceremonial plazas “hundreds of feet long” and, high on the cliffs above the deep valleys, “burial caves containing the remains of the population of centuries past.” The coup de grâce came when Suggs and his guide followed up on a report of a large number of “pig bones” in the dunes at a place called Ha‘atuatua. This windswept expanse of scrub and sand lies on the exposed eastern corner of Nuku Hiva. A decade earlier, in 1946, a tidal wave had cut away part of the beach, and since then bones and other artifacts had been washing out of the dunes. Not knowing quite what to expect, Suggs and his guide rode over on horseback. When they came out of the “hibiscus tangle” at the back of the beach and “caught sight of the debris washing down the slope,” he writes, “I nearly fell out of the saddle.” The bones that were scattered all along the slope and on the beach below were not pig bones but human bones! Ribs, vertebrae, thigh bones, bits of skull vault, and innumerable hand and foot bones were everywhere. At the edge of the bank a bleached female skull rested upside down, almost entirely exposed. Where the bank had been cut away, a dark horizontal band about two feet thick could be seen between layers of clean white sand. Embedded in this band were bits of charcoal and saucers of ash, fragments of pearl shell, stone and coral tools, and large fitted stones that appeared to be part of a buried pavement. They had discovered the remains of an entire village, complete with postholes, cooking pits, courtyards, and burials. The time was too short to explore the site fully, but the very next year, Suggs and his wife returned to examine it. There

she had made a conscious and counter-cultural choice to embrace silence and not fill it with noise

The first hackers were people in software who like solving problems and believe in freedom and helping each other. They produced a lot of computers and software.

Did your parents ever tell you a sweet bedtime story that your busy little brain turned into a nightmare the instant you fell asleep? Did Cinderella ever become ten feet tall and carry an axe? Did Little Red Riding Hood actually transform into a werewolf (after she was bitten, of course). Did Scaredy Squirrel really fall out of the tree, land in poison ivy and a nest of tarantulas, and eventually get eaten by sharks, proving that he’d been right to be afraid, all along? Sure, it happened. And then you would wake up, shaking and sweating, wanting to run into their bedroom, scoot between the sheets, and spill. But you knew that if you did, they’d stop telling you stories. -D.J., Mosaic

My art teacher says I have talent," Twiss told her father, thinking of her last piece. Although she usually preferred to draw things like bloody axes and pus balls, for the last project of the quarter her teacher had asked them to draw a picture of what happiness felt like. Twiss drew a flock of all different kinds of birds- red, blue, gray, green- taking flight from the top branches of an old-growth pine tree. When her teacher asked her to explain the drawing, Twiss said to her happiness felt like freedom. Sadness felt like the opposite.

In the conclusion of his "Sinners in the Hands of an Angry God" sermon, Johnathan Edwards says, "The axe is in an extraordinary manner laid at the root of the trees, that every tree that brings not forth good fruit, may be hewn down, and cast into the fire." And I say "Amen." I thank God that the theological tree that produced the bitter fruit of belief in an angry, violent, and retributive God has at last been hewn down and cast into the fire. In my life the poisonous tree of angry God theology is now gone. In its place grows the tree of Life, a tree whose leaves bring healing. It's a tree that looks like it once may have been an ugly cross, but it is now beautiful and verdant, producing the fruit of eternal life. Planted by the Father himself, this tree is an everlasting reminder that I am a forgiven sinner in the hands of a loving God.

This saying good-bye on the edge of the dark And cold to an orchard so young in the bark Reminds me of all that can happen to harm An orchard away at the end of the farm All winter, cut off by a hill from the house. I don't want it girdled by rabbit and mouse, I don't want it dreamily nibbled for browse By deer, and I don't want it budded by grouse. (If certain it wouldn't be idle to call I'd summon grouse, rabbit, and deer to the wall And warn them away with a stick for a gun.) I don't want it stirred by the heat of the sun. (We made it secure against being, I hope, By setting it out on a northerly slope.) No orchard's the worse for the wintriest storm; But one thing about it, it mustn't get warm. "How often already you've had to be told, Keep cold, young orchard. Good-bye and keep cold. Dread fifty above more than fifty below." I have to be gone for a season or so. My business awhile is with different trees, Less carefully nourished, less fruitful than these, And such as is done to their wood with an axe-- Maples and birches and tamaracks. I wish I could promise to lie in the night And think of an orchard's arboreal plight When slowly (and nobody comes with a light) Its heart sinks lower under the sod. But something has to be left to God.

This kind of dense brushwood is known as maquis It is made up of various species of tree and shrub, tangled and intertwined at Nature’s whim. A man would need an axe to force a way through, and sometimes the maquis can be so dense and overgrown that even the wild sheep cannot penetrate it. If you have killed a man, go to the maquis above Porto-Vecchio, and you will be able to live in safety there, with a good rifle, gunpowder, and bullets.

What ways are those?” she asked carefully. Did the woman really believe in people five spans tall who sang to trees? There was something about axes, too. Here come the Aelfinn to steal all your bread; here come the Ogier to chop off your head. Light, she had not heard that since Harine was still in leading strings. With their mother rising in the ships, she had been charged with raising Harine along with her own first child.