Axe And Blade Quotes

Has it ever occured to you, Master Ninefingers, that a sword is different from other weapons? Axes and maces and so forth are lethal enough, but they hang on the belt like dumb brutes. But a sword...a sword has a voice. Sheathed it has little to say, to be sure, but you need only put your hand on the hilt and it begins to whisper in your enemy's ear. A gentle word. A word of caution. Do you hear it? Now, compare it to the sword half drawn. It speaks louder, does it not? It hisses a dire threat. It makes a deadly promise. Do you hear it? Now compare it to the sword full drawn. It shouts now, does it not? It screams defiance! It bellows a challenge! Do you hear it?

This, milord, is my family's axe. We have owned it for almost nine hundred years, see. Of course, sometimes it needed a new blade. And sometimes it has required a new handle, new designs on the metalwork, a little refreshing of the ornamentation . . . but is this not the nine hundred-year-old axe of my family? And because it has changed gently over time, it is still a pretty good axe, y'know. Pretty good.

The Minotaur unstrapped his axe and swung it around. It was beautiful in a harsh I’m~going~togut~you~like~a~fish kind of way. Each of its twin blades was shaped like an omega: Ω—the last letter of the Greek alphabet. Maybe that was because the axe would be the last thing his victims ever saw

An axe without a blade is just a stick.

Suttung howled. His axe slipped from his hands, the heavy blade impaling itself in the skull of its owner. And that, kids, is why you should never use a battleaxe without wearing your safety helmet.

Sod this,’ said Kyle and he swung his axe. Charlotte watched amazed, unable to look away, as the blade sliced clean through the father’s neck and his head flew off.

Eventually the Woodsman spoke. ‘We all have our routines,’ he said softly. ‘But they must have a purpose and provide an outcome that we can see and take some comfort from, or else they have no use at all. Without that, they are like the endless pacings of a caged animal. If they are not madness itself, then they are a prelude to it.’ The Woodsman stood and showed David his axe. ‘See here,’ he said, pointing with his finger at the blade. Every morning, I make certain that me axe is clean and keen. I look to my house and check that its windows and doors remain secure. I tend to my land, disposing of weeds and ensuring that the soil is watered. I walk through the forest, clearing those paths that need to be kept open. Where trees have been damaged, I do my best to repair what has been harmed. these are my routines and I enjoy doing them well.’ He laid a hand gently on David’s shoulder, and David saw understanding in his face. ‘Rules and routines are good, but they must give you satisfaction. Can you truly say you gain that from touching and counting?’ David shook his head. ‘No,’ he said, ‘but I get scared when I don’t do them. I’m afraid of what might happen.’ ‘Then find routines that allow you to feel secure when they are done. You told me that you have a new brother: look to him each morning. Look to your father, and your stepmother. Tend to the flowers in the garden, or in the pots upon the window sill. Seek others who are weaker than you are, and try to give them comfort where you can. Let these be your routines, and the rules that govern your life.

The fog sat on the field like a veil, but we could hear it. The blades of swords and axes brushing against armor vests. Quick footsteps in sucking mud. My heart beat almost in rhythm with the sounds, pulling one breath in and letting it touch another before I let it go.

The world was young, the mountains green, No stain yet on the Moon was seen, No words were laid on stream or stone When Durin woke and walked alone. He named the nameless hills and dells; He drank from yet untasted wells; He stooped and looked in Mirrormere, And saw a crown of stars appear, As gems upon a silver thread, Above the shadow of his head. The world was fair, the mountains tall, In Elder Days before the fall Of mighty kings in Nargothrond And Gondolin, who now beyond The Western Seas have passed away: The world was fair in Durin's Day. A king he was on carven throne In many-pillared halls of stone With golden roof and silver floor, And runes of power upon the door. The light of sun and star and moon In shining lamps of crystal hewn Undimmed by cloud or shade of night There shone for ever fair and bright. There hammer on the anvil smote, There chisel clove, and graver wrote; There forged was blade, and bound was hilt; The delver mined, the mason built. There beryl, pearl, and opal pale, And metal wrought like fishes' mail, Buckler and corslet, axe and sword, And shining spears were laid in hoard. Unwearied then were Durin's folk; Beneath the mountains music woke: The harpers harped, the minstrels sang, And at the gates the trumpets rang. The world is grey, the mountains old, The forge's fire is ashen-cold; No harp is wrung, no hammer falls: The darkness dwells in Durin's halls; The shadow lies upon his tomb In Moria, in Khazad-dûm. But still the sunken stars appear In dark and windless Mirrormere; There lies his crown in water deep, Till Durin wakes again from sleep. -The Song of Durin

Men do not relish the shield wall. They do not rush to death's embrace. You look ahead and see the overlapping shields, the helmets, the glint of axes and spears and swords, and you know you must go into the reach of those blades, into the place of death, and it takes time to summon the courage, to heat the blood, to let the madness overtake caution.

Don’t tell me how to grieve. Don’t tell me ghosts fade away eventually, like they do in movies, waving goodbye with see-through hands. Lots of things fade away but ghosts like these don’t, heartbreak like this doesn’t. The axe blade is still as sharp and real inside me as it was six months ago. I

You hold in your hands a very special book. It contains one hundred carnival rides of terror. You must remember: horror can come from any direction. It can be as subtle as a spider web's caress, or as vicious as the drop of an axe blade. It can be grim as the reaper, or as sardonic as, well, Sardonicous. It can wear the garments of science or superstition; can be dressed in the trappings of fantasy or the fancy-free. But always it will terrify. And one of the bluntest of its instruments is the short-short story, one of the most difficult of literary devices to master. Not only must each word be perfect-but each comma and period. Nothing can be wasted. In the hands of master executioners, like the authors who fill this book-it can be deadly. So... Die-and die again- one hundred times...

Come,” he whispered. They all were welcome. They scattered for the racks, seizing their spiked swords, and their sharp axes, and the Bloody-Nine laughed to watch them. Armed or not, their death was a thing already decided. It was written into the cavern in lines of fire and lines of shadow. Now he would write it in lines of blood. “Die!” he roared, and the blade made circles, savage and beautiful, the letter on the metal burning red and leaving bright trails behind. And where the circles passed everything would be made right. The Shanka would scream and gibber, and the pieces of them would scatter, and they would be sliced and divided as neatly as meat on the butcher’s block The Bloody-Nine showed his teeth, and smiled to be free, and to see the good work done so well. He knocked a barbed sword from a Flathead’s hand, seized it by the scruff of the neck and forced its face down into the channel where the molten steel flowed, furious yellow, and its head hissed and bubbled, shooting out stinking steam. “Burn!” laughed the Bloody-Nine, and the ruined corpses, and their gaping wounds, and their fallen weapons, and the boiling bright iron laughed with him. Only the Shanka did not laugh. They knew their hour was come.

Give the wilding an axe, why not?" He pointed out Mormont's weapon, a short-hafted battle-axe with gold scrollwork inlaid on the black steel blade. "He'll give it back, I vow. Buried in the Old Bear's skull, like as not. why not give him all our axes, and our swords as well? I mislike the way the clank and rattle as we ride. We'd travel faster without them, straight to hell's door. Does it rain in hell, I wonder? Perhaps Craster would like a nice hat instead." Jon smiled. "He wants an axe. And wine as well." "See, the Old Bear's clever. If we get the wildling well and truly drunk, perhaps he'll only cut off an ear when he tries to slay us with that axe. I have two ears but only one head.

This will become, in time, the axe of someone's grandfather,' said the King. 'And no doubt over the years it will need a new handle or a new blade and over the centuries the shape will change in line with fashion, but it will always be, in every detail and respect, the axe I give you today. And because it'll change with the times it'll always be sharp

Shagga, cut off his manhood and feed it to the goats.” Shagga hefted the huge double-bladed axe. “There are no goats, Halfman.” “Make do.

Has it ever occurred to you, Master Ninefingers, that a sword is different from other weapons? Axes and maces and so forth are lethal enough, but they hang on the belt like dumb brutes." He ran an eye over the hilt, plain cold metal scored with faint grooves for a good grip, glinting in the torchlight. "But a sword... a sword has a voice." "Eh?" "Sheathed it has little to say, to be sure, but you need only put your hand on the hilt and it begins to whisper in your enemy's ear." He wrapped his fingers tightly round the grip. "A gentle warning. A word of caution. Do you hear it?" Logen nodded slowly. "Now," murmured Bayaz, "compare it to the sword half drawn." A foot length of metal hissed out of the sheath, a single silver letter shining near the hilt. The blade itself was dull, but its edge had a cold and frosty glint. "It speaks louder, does it not? It hisses a dire threat. It makes a deadly promise. Do you hear it?" Logen nodded again, his eye fastened on that glittering edge. "Now compare it to the sword full drawn." Bayaz whipped the long blade from its sheath with a faint ringing sound, brought it up so that the point hovered inches from Logen's face. "It shouts now, does it not? It screams defiance! It bellows a challenge! Do you hear it?" "Mmm," said Logen, leaning back and staring slightly crosseyed at the shining point of the sword. Bayaz let it drop and slid it gently back into its scabbard, something to Logen's relief. "Yes, a sword has a voice. Axes and maces and so forth are lethal enough, but a sword is a subtle weapon, and suited to a subtle man. You I think, Master Ninefingers, are subtler than you appear." Logen frowned as Bayaz held the sword out to him. He had been accused of many things in his life, but never subtlety. "Consider it a gift. My thanks for your good manners.

I was washing outside in the darkness, the sky burning with rough stars, and the starlight, salt on an axe-blade. The cold overflows the barrel. The gate's locked, the land's grim as its conscience. I don't think they'll find the new weaving, finer than truth, anywhere. Star-salt is melting in the barrel, icy water is blackening, death's growing purer, misfortune saltier, the earth's moving nearer to truth and to dread.

And then I feel the Big Sadness coming on, like there’s a shiny and sharp axe blade buried inside my chest. The only way I can stay alive is to remain absolutely motionless so instead of whispering Dear God how could you do this to me, I only whisper Amen

Erra’s gaze swept the crowd, taking in the archers, the Biohazard, the vans, the equipment, the audience up in the ruins nearby . . . She raised her arms to the sides. The cape slipped off her. Glossy red fabric hugged her body. It clung to her like a second skin of pure scarlet. My aunt apparently had developed a fetish for spandex. Who knew? Gale thrust his hand through his cloak. His fist gripped a large axe. The orange light of the flames shimmered along the ten-inch blade attached to a four-foot handle. The axe probably pushed six pounds in weight. A normal swordsman would be slower than molasses, but with her strength, it wouldn’t matter. She could swing it all day and then arm-wrestle a bear. Gale turned on his heel, walked five steps to Erra, and knelt before her, offering the axe on the raised palms of his hands. “We should clap or something,” Curran said. “She’s trying so hard.

Hello?' Horus spoke in my mind. 'Any intention of calling for help, or are you happy to die on your own?' 'Yeah,' I snapped back at him. 'The sarcasm is real helpful.' Truthfully, I didn't think I had enough energy left to summon my avatar, even with Horus's help. My fight with the Apis Bull had nearly tapped me out, and that was before I got chased by an axe demon and kicked out of a window. I could hear Bloodstained Blade stomping his way back down the stairs. I tried to rise and almost blacked out from the pain. 'A weapon,' I told Horus. 'I need a weapon.' I reached into the Duat and pulled out an ostrich feather. "Really?" I yelled Horus didn't answer.

I ask him if he tried to rape Nyla. “Laws are silent in times of war,” Tactus drawls. “Don’t quote Cicero to me,” I say. “You are held to a higher standard than a marauding centurion.” “In that, you’re hitting the mark at least. I am a superior creature descended from proud stock and glorious heritage. Might makes right, Darrow. If I can take, I may take. If I do take, I deserve to have. This is what Peerless believe.” “The measure of a man is what he does when he has power,” I say loudly. “Just come off it, Reaper,” Tactus drawls, confident in himself as all like him are. “She’s a spoil of war. My power took her. And before the strong, bend the weak.” “I’m stronger than you, Tactus,” I say. “So I can do with you as I wish. No?” He’s silent, realizing he’s fallen into a trap. “You are from a superior family to mine, Tactus. My parents are dead. I am the sole member of my family. But I am a superior creature to you.” He smirks at that. “Do you disagree?” I toss a knife at his feet and pull my own out. “I beg you to voice your concerns.” He does not pick his blade up. “So, by right of power, I can do with you as I like.” I announce that rape will never be permitted, and then I ask Nyla the punishment she would give. As she told me before, she says she wants no punishment. I make sure they know this, so there are no recriminations against her. Tactus and his armed supporters stare at her in surprise. They don’t understand why she would not take vengeance, but that doesn’t stop them from smiling wolfishly at one another, thinking their chief has dodged punishment. Then I speak. “But I say you get twenty lashes from a leather switch, Tactus. You tried to take something beyond the bounds of the game. You gave in to your pathetic animal instincts. Here that is less forgivable than murder; I hope you feel shame when you look back at this moment fifty years from now and realize your weakness. I hope you fear your sons and daughters knowing what you did to a fellow Gold. Until then, twenty lashes will serve.” Some of the Diana soldiers step forward in anger, but Pax hefts his axe on his shoulder and they shrink back, glaring at me. They gave me a fortress and I’m going to whip their favorite warrior. I see my army dying as Mustang pulls off Tactus’s shirt. He stares at me like a snake. I know what evil thoughts he’s thinking. I thought them of my floggers too. I whip him twenty brutal times, holding nothing back. Blood runs down his back. Pax nearly has to hack down one of the Diana soldiers to keep them from charging to stop the punishment. Tactus barely manages to stagger to his feet, wrath burning in his eyes. “A mistake,” he whispers to me. “Such a mistake.” Then I surprise him. I shove the switch into his hand and bring him close by cupping my hand around the back of his head. “You deserve to have your balls off, you selfish bastard,” I whisper to him. “This is my army,” I say more loudly. “This is my army. Its evils are mine as much as yours, as much as they are Tactus’s. Every time any of you commit a crime like this, something gratuitous and perverse, you will own it and I will own it with you, because when you do something wicked, it hurts all of us.” Tactus stands there like a fool. He’s confused. I shove him hard in the chest. He stumbles back. I follow him, shoving. “What were you going to do?” I push his hand holding the leather switch back toward his chest. “I don’t know what you mean …” he murmurs as I shove him. “Come on, man! You were going to shove your prick inside someone in my army. Why not whip me while you’re at it? Why not hurt me too? It’ll be easier. Milia won’t even try to stab you. I promise.” I shove him again. He looks around. No one speaks. I strip off my shirt and go to my knees. The air is cold. Knees on stone and snow. My eyes lock with Mustang’s. She winks at me and I feel like I can do anything.

It is a pretty structure, isn’t it? It makes you think of something solid, stable, well linked. In fact it happens in chemistry as in architecture that ‘beautiful’ edifices, that is symmetrical and simple, are also the most sturdy: in short, the same thing happens with molecules as with the cupolas of cathedrals of the arches of bridges. And it is also possible that the explanation is neither remote nor metaphysical: to say ‘beautiful’ is to say ‘desirable’, and ever since man has built he has wanted to build at the smallest expense and in the most durable fashion, and the aesthetic enjoyment he experiences when contemplating his work comes afterward. Certainly, it has not always been this way: there have been centuries in which ‘beauty’ was identified with adornment, the superimposed, the frills; but it is probable that they were deviant epochs and that the true beauty, in which every century recognises itself, is found in upright stones, ships’ hulls, the blade of an axe, the wing of a plane.

Girls were drafted right along with boys into the King’s Army when they came of age, so I’d seen plenty of girls fight and had trained alongside them. But I’d never seen anyone, male or female, fight the way Tamar did. She had a dancer’s grace and a seemingly unerring instinct for what her opponent would do next. Her weapons of choice were two double-bit axes that she wielded in tandem, the blades flashing like light off water, but she was nearly as dangerous with a saber, a pistol, or her bare hands.

What I dreamed of was something like a huge heavenly compressor that would bring down disasters, cataclysms and superhuman tragedies, that would crush beneath it all human beings and all objects, irrespective of their ugliness or their beauty. Sometimes the unusual brilliance of the early spring sky appeared to me like the light of the cool blade of some huge axe that was large enough to cover the entire earth. Then I just waited for the axe to fall—for it to fall with a speed that would not even give one time to think.

Here,” said Autolycus, “is a settlement of curly-bearded, long-robed Assyrians, exiles from their country; and beyond stretches the land of the Chalybeans, a savage tribe famous as iron-workers, with whom I have lately traded. Soon we shall sight an islet, called the Isle of Barter, close to the Chalybean shore, where we of Sinope come in our dug-out canoes, and lay out on the rocks painted Minyan pottery and linen cloth from Colchis and sheepskin coats dyed red with madder or yellow with heather, such as the Chalybeans prize, and spear-shafts painted with vermilion. Then we row away out of sight behind rocks. As soon as we are gone, the Chalybeans venture across to the islet on rafts; they lay down beside our goods broad-bladed, well-tempered spear-heads and axe-heads, also awls and knives and sail-needles, and go away again. If on our return we are satisfied with their goods, we take them up and make for home; but if we are not satisfied, we remove apart from the rest of our merchandise whatever we think is not covered by their payment. The Chalybeans then return again and pay for this extra heap with a few more iron implements. In the end the barter is complete, unless the Chalybeans in a huff take away all their iron goods and let us sail off empty-handed; for they are a capricious race.

The world was young, the mountains green, No stain yet on the Moon was seen, No words were laid on stream or stone When Durin woke and walked alone. He named the nameless hills and dells; He drank from yet untasted wells; He stooped and looked in Mirrormere, And saw a crown of stars appear, As gems upon a silver thread, Above the shadow of his head. The world was fair, the mountains tall, In Elder Days before the fall Of mighty kings in Nargothrond And Gondolin, who now beyond The Western Seas have passed away: The world was fair in Durin’s Day. A king he was on carven throne In many-pillared halls of stone With golden roof and silver floor, And runes of power upon the door. The light of sun and star and moon In shining lamps of crystal hewn Undimmed by cloud or shade of night There shone for ever fair and bright. There hammer on the anvil smote, There chisel clove, and graver wrote; There forged was blade, and bound was hilt; The delver mined, the mason built. There beryl, pearl, and opal pale, And metal wrought like fishes’ mail, Buckler and corslet, axe and sword, And shining spears were laid in hoard. Unwearied then were Durin’s folk; Beneath the mountains music woke: The harpers harped, the minstrels sang, And at the gates the trumpets rang. The world is grey, the mountains old, The forge’s fire is ashen-cold; No harp is wrung, no hammer falls: The darkness dwells in Durin’s halls; The shadow lies upon his tomb In Moria, in Khazad-dûm. But still the sunken stars appear In dark and windless Mirrormere; There lies his crown in water deep, Till Durin wakes again from sleep.

From the woods that surrounded the burgh came a mass of men. Some rode, others ran. All carried weapons, mainly axes or spears. A few wore mail shirts and cloaks, but most just leather aketons. Among them were a handful of men clad in the short tunics favoured by Highlanders. These men were bare from thigh to foot, an alarming sight to Ormesby, who had only heard rumour of these wild men of the north. As they came, they roared a multitude of battle cries. Ormesby caught one name in the din, issuing from a group of mailed riders who followed a burly man on a finely caparisoned horse. ‘For Douglas!’ they howled. ‘For Douglas!’ Below, the townsfolk were scattering. The English soldiers had formed a tight knot outside the hall, blades drawn, but even as Ormesby watched, the forlorn group of beggars he had seen threw off their ragged skins and furs, revealing thickly muscled warriors. They fell upon the soldiers with savage cries, daggers thrusting. Footsteps sounded on the hall stairs. The door burst open and two soldiers appeared. ‘We must go, sir!’ The clerks and officials were already hastening across the chamber. Donald was running with them. Ormesby remained rooted. ‘Who are they?’ he demanded, his voice high as he turned back to the window, seeing the horde rushing into the town. His eyes fixed on a giant of a man running, almost loping in the front lines. Taller than all those around him, agile in the stride, he wore a simple dark blue tunic and wide-brimmed kettle hat. The other men seemed to be running in unruly formation around him. But it was the blade in the man’s hands that Ormesby’s eyes were drawn to. He had never seen such a sword, so broad and long the giant had to grasp it in both hands as he came. Another name now became audible in the roar of the mob. ‘Wallace! Wallace!

Victor said, ‘I’m going to take this axe and I’m going to hack off one of your hands. The blade is dull and I couldn’t find a whetstone so it might take a couple of blows to do the job, so you’ll need to be patient. The pain and the fear will be like nothing you’ve ever experienced, but the horror of watching the stump where your wrist used to be spray blood everywhere is going to be like nothing you can even imagine. At that point you won’t be worried by what your employers might do to you. You’ll bleed to death in about two minutes. Which is why I’m telling you now: don’t forget the stove. When I sever your hand, you’re going to be free of that post. It’s only 20 feet to that stove, but it’s going to feel like a mile. Focus on it now, because you’re going to be in shock. When you cauterise the wound against the cast iron, you’re probably going to pass out, but I’ll wake you up again. If your heart stops, I’ll use the epinephrine you brought to bring you back. If you don’t talk to me then, if you don’t give what I want to know about your employers, I’ll take your other hand. After that, I’ll start improvising. Are you ready?’ Niven’s gaze flicked between the axe and Victor’s eyes. ‘You… you can’t be serious.’ Victor raised the axe.

Has it ever occurred to you, Master Ninefingers, that a sword is different from other weapons? Axes and maces and so forth are lethal enough, but they hang on the belt like dumb brutes.” He ran an eye over the hilt, plain cold metal scored with faint grooves for a good grip, glinting in the torchlight. “But a sword… a sword has a voice.” “Eh?” “Sheathed it has little to say, to be sure, but you need only put your hand on the hilt and it begins to whisper in your enemy’s ear.” He wrapped his fingers tightly round the grip. “A gentle warning. A word of caution. Do you hear it?” Logen nodded slowly. “Now,” murmured Bayaz, “compare it to the sword half drawn.” A foot length of metal hissed out of the sheath, a single silver letter shining near the hilt. The blade itself was dull, but its edge had a cold and frosty glint. “It speaks louder, does it not? It hisses a dire threat. It makes a deadly promise. Do you hear it?” Logen nodded again, his eye fastened on that glittering edge. “Now compare it to the sword full drawn.” Bayaz whipped the long blade from its sheath with a faint ringing sound, brought it up so that the point hovered inches from Logen’s face. “It shouts now, does it not? It screams defiance! It bellows a challenge! Do you hear it?

Write me a story, Kitt,” she whispered, kissing his brow, the hollow of his cheek. His lips and his throat, until she felt like love was an axe that had cleaved her chest open. Her very heart was beating in the air. “Write me a story where you keep me up late every night with your typing, and I hide messages in your pockets for you to find while you’re at work. Write me a story where we first met on a street corner, and I spilled coffee on your expensive trench coat, or when we crossed paths at our favorite bookshop, and I recommended poetry, and you recommended myths. Or that time when the deli got our sandwich orders wrong, or when we ended up sitting next to each other at the ball game, or I dared to take the train west just to see how far I could go, and you just so happened to be there too.” She swallowed the ache in her throat, leaning back to meet his gaze. Gently, as if he were a dream, she touched his hair. She smoothed the dark tendrils from his brow. “Write me a story where there is no ending, Kitt. Write to me and fill my empty spaces.” Ronan held her gaze, desperation gleaming in his eyes. An expression flickered over his face, one she had never seen before. It looked like both pleasure and pain, like he was drowning in her and her words. They were iron and salt, a blade and a remedy, and he was taking a final gasp of air.

Years ago, he shaved off his beard, without telling her, just appeared at the breakfast table one morning with half his face missing, or so it seemed to her in the first, shocked moment of seeing him. If she had met him in the street she would not have recognised him, except for his eyes. How strange he looked, grotesque, almost, with those indecently naked cheeks and the chin flat and square like the blunt edge of a stone axe. It was as if the top part of his head had been taken off and carved and trimmed and jammed down into the scooped-out jaws of a stranger. She almost wept, but he went on eating his toast as if nothing had happened. He had bought a cut-throat razor with an ivory handle, an antique thing from the last century; he showed it to her in its black velvet box lined with scarlet satin. She could not look at it without a shiver. He liked to show off his skill with it, and would leave the bathroom door open so she could admire the deft way he wielded the dangerous, gleaming thing, holding it at an elegant angle between fingertips and thumb, his little finger fastidiously crooked, and sweeping the blade raspingly through the snow-like foam. Harsh light above the bath and the steely shine of the mirror and one dark, humorously cocked eye glancing at her sideways from the glass. Where is it now, she wonders, that razor? In a week or two he got tired of using it and let his beard grow back.

Before she could think of what to say, he grasped the axe and turned toward her, his face a mass of angles in the lanternlight. "Step back." This was a man who expected to be heeded. He did not wait to see if she followed his direction before he lifted the axe high above his head. She pressed herself into the corner of the dark room as he attacked the furniture with a vengeance, her surprise making her unable to resist watching him. He was built beautifully. Like a glorious Roman statue, all strong, lean muscles outlined by the crisp linen of his shirtsleeves when he lifted the tool overhead, his hands sliding purposefully along the haft, fingers grasping tightly as he brought the steel blade down into the age-old oak with a mighty thwack, sending a splinter of oak flying across the kitchen, landing atop the long-unused stove. He splayed one long-fingered hand flat on the table, gripping the axe once more to work the blade out of the wood. He turned his head as he stood back, making sure she was out of the way of any potential projectiles- a movement she could not help but find comforting- before confronting the furniture and taking his next swing with a mighty heave. The blade sliced into the oak, but the table held. He shook his head and yanked the axe out once more, this time aiming for one of the remaining table legs. Thwack! Penelope's eyes went wide as the lanternlight caught the way his wool trousers wrapped tightly around his massive thighs. She should not notice... should not be paying attention to such obvious... maleness. But she'd never seen legs like his. Thwack! Never imagined they could be so... compelling. Thwack! Could not help it. Thwack!

A man fell in love with a tree. It was as simple as that. He went into the forest to cut wood and he found a tree and he knew then that he loved it. He forgot about his axe. It fell from his hand and he knew it not. He forgot about the village that he had come from, forgot the path along which he had come, forgot even the brave ringing voices of his fellows, which sounded even then in the broad wood as they called his name, seeking after him. He sat down there before the tree and he made a place for himself and soon no one passing there could even see that he was lying between the roots. It was for him as though a blade of grass had turned to reveal a map of broad longing and direction and over it he could pass—and did. He and his love then sought what they would with nothing asked of anyone. Asking no permission, they devised all manner of delights and found in each other everything that the world lacked. You are as bright as a coin. You are as tall as a grove. You are as swift as a thought. And so well did they hide themselves in their love that grass grew over their hearts and all their loud songs became indecipherable ribbons of air. But then one day, the man awoke. He found himself again in front of a tree, but it was one he had never seen before. He had never seen the forest either--and the clothes he wore were worn almost to shreds. Where have I been, he asked himself, and stumbled out of the woods to where others waited at a string of houses. But, they could tell him no tidings of himself. Where have I been, he wondered. With whom, in my loveliest dreams, have I so endlessly been speaking? But as he thought it fell away, and he was poorer then than anyone. Raise yourself up, the others called to him. Rase yourself up, you fool. Ah, he said, so this is how fools are made. For I did never know.

He found them in the master bedroom when he returned with the axe from the garage. His father was reading his emails on his Ipad when the first blow caught him between the neck and his shoulder blade. It was pathetic the way he begged for mercy and tried to crawl into the walk-in closet. His mother was on the toilet when he bolted in and split her head open again and again. Everything was so clear now. He remembered he kept chopping them into smaller and smaller pieces.

Instead of a helmet, Skarssen wore a tight-fitting leather mask fashioned in the form of some hideous amalgam of wolf and daemon, lacquered and pierced with fragments of stone. His eyes shone through the mask, cold flint to match the grey of his armour, and a black-bladed axe with an edge like napped obsidian was sheathed across his back.

Volsung straddles his daughter, putting his weight on her tailbone, and sets to grim work. With the knife from his waist, he cuts open her vest to reveal Sefi’s tattooed back. In a tender sawing motion, he carves off two long flaps of flesh from the shoulder blades to the tailbone, exposing her rib cage. She flails like a punctured fish. Then with a small axe from his hip, Volsung hacks at the ribs on either side of her spine. She jerks in agony, but no sound escapes her. He discards the hatchet and pries open her rib cage from behind to expose her lungs. Tears leak from her eyes. She gasps for air. As peaceful as a man cleaning a fish, Volsung takes a handful of salt from a pouch and throws it on the wounds.

It was the third time he had called her “boy.” “I’m a girl,” Arya objected. “Boy, girl,” Syrio Forel said. “You are a sword, that is all.” He clicked his teeth together. “Just so, that is the grip. You are not holding a battle-axe, you are holding a—” “—needle,” Arya finished for him, fiercely. “Just so. Now we will begin the dance. Remember, child, this is not the iron dance of Westeros we are learning, the knight’s dance, hacking and hammering, no. This is the bravo’s dance, the water dance, swift and sudden. All men are made of water, do you know this? When you pierce them, the water leaks out and they die.” He took a step backward, raised his own wooden blade. “Now you will try to strike me.” Arya tried to strike him. She tried for four hours, until every muscle in her body was sore and aching, while Syrio Forel clicked his teeth together and told her what to do. The next day their real work began. DAENERYS “The

Has it ever occurred to you, Master Ninefingers, that a sword is different from other weapons? Axes and maces and so forth are lethal enough, but they hang on the belt like dumb brutes." He ran an eye over the hilt, plain cold metal scored with faint grooves for a good grip, glinting in the torchlight. "But a sword... a sword has a voice." "Sheathed it has little to say, to be sure, but you need only put your hand on the hilt and it begins to whisper in your enemy's ear." He wrapped his fingers tightly round the grip. "A gentle warning. A word of caution. Do you hear it?" Logen nodded slowly. "Now," murmured Bayaz, "compare it to the sword half-drawn." A foot length of metal hissed out of the sheath, a single silver letter shining near the hilt. The blade itself was dull, but its edge had a cold and frosty glint. "It speaks louder, does it not? It hisses a dire threat. It makes a deadly promise. Do you hear it?" Logen nodded again, his eye fastened on that glittering edge. "Now compare it to the sword full drawn." Bayaz whipped the long blade from its sheath with a faint ringing sound, brought it up so that the point hovered inches from Logen's face. "It shouts now, does it not? It screams defiance! It bellows a challenge! Do you hear it?

The Alpha Ghur was the meanest bitch that ever bit into a bone. She had never once been mounted. She ruled over the others with a rusted, double sided battle-axe, chipped along both blades. Among hyenas the females were the biggest, the strongest, and the meanest. So it was among the Ghur.

Should’ve stayed a carpenter,” he whispered. But the sword had been the easier choice. To work wood you need all manner of tools–chisels and saws, axes great and small, nails and hammers, awls and planes. To be a killer you just need two. A blade and the will.

Crete was heavily fortified, but Nicephorus brushed aside the waiting Arab army by sending in his marines—terrifying Norse warriors whose terrible double-bladed axes could smash through armor and bone alike.

He rose and standing in the dark he began to chant in a deep voice, while the echoes ran away into the roof. The world was young, the mountains green, No stain yet on the Moon was seen, No words were laid on stream or stone When Durin woke and walked alone. He named the nameless hills and dells; He drank from yet untasted wells; He stooped and looked in Mirrormere, And saw a crown of stars appear, As gems upon a silver thread, Above the shadow of his head. The world was fair, the mountains tall, In Elder Days before the fall Of mighty kings in Nargothrond And Gondolin, who now beyond The Western Seas have passed away: The world was fair in Durin’s Day. A king he was on carven throne In many-pillared halls of stone With golden roof and silver floor, And runes of power upon the door. The light of sun and star and moon In shining lamps of crystal hewn Undimmed by cloud or shade of night There shone for ever fair and bright. There hammer on the anvil smote, There chisel clove, and graver wrote; There forged was blade, and bound was hilt; The delver mined, the mason built. There beryl, pearl, and opal pale, And metal wrought like fishes’ mail, Buckler and corslet, axe and sword, And shining spears were laid in hoard. Unwearied then were Durin’s folk; Beneath the mountains music woke: The harpers harped, the minstrels sang, And at the gates the trumpets rang. The world is grey, the mountains old, The forge’s fire is ashen-cold; No harp is wrung, no hammer falls: The darkness dwells in Durin’s halls; The shadow lies upon his tomb In Moria, in Khazad-dûm. But still the sunken stars appear In dark and windless Mirrormere; There lies his crown in water deep, Till Durin wakes again from sleep. ‘I

ALPHA:     sleek black-and-brown female with a white fang-shaped mark below her ear (also known as Blade) BETA:     huge black-and-tan male (also known as Mace)       DAGGER—brown-and-tan male with a stubby face   PISTOL—black-and-tan female   BRUTE—black-and-tan male   RIPPER—black-and-tan female   REVOLVER—black-and-tan male   AXE—large black-and-brown male   SCYTHE—large black-and-tan female   BLUDGEON—massive black-and-tan male   MUSKET—black-and-brown male   CANNON—brown-and-tan female   LANCE—black-and-tan male   ARROW—young black-and-tan male OMEGA:     smaller black-and-brown male (also known as Bullet) PUPS:     FANG—brown-and-tan male LONE

THE BALLAD OF NEARLY HEADLESS NICK BY J.K. ROWLING It was a mistake any wizard could make Who was tired and caught on the hop One piffling error, and then, to my terror, I found myself facing the chop. Alas for the eve when I met Lady Grieve A-strolling the park in the dusk! She was of the belief I could straighten her teeth Next moment she’d sprouted a tusk. I cried through the night that I’d soon put her right But the process of justice was lax; They’d brought out the block, though they’d mislaid the rock Where they usually sharpened the axe. Next morning at dawn, with a face most forlorn, The priest said to try not to cry, ‘You can come just like that, no, you won’t need a hat,’ And I knew that my end must be nigh. The man in the mask who would have the sad task Of cleaving my head from my neck, Said ‘Nick, if you please, will you get to your knees,’ And I turned to a gibbering wreck. ‘This may sting a bit’ said the cack-handed twit As he swung the axe up in the air, But oh the blunt blade! No difference it made, My head was still definitely there. The axeman he hacked and he whacked and he thwacked, ‘Won’t be too long’, he assured me, But quick it was not, and the bone-headed clot Took forty-five goes ’til he floored me. And so I was dead, but my faithful old head It never saw fit to desert me, It still lingers on, that’s the end of my song, And now, please applaud, or you’ll hurt me.

Emperor held court from his Iron Throne, made from the personal weapons of all those monarchs the Emperors of the past had conquered and deposed, each glazed and guarded against rust. The throne itself was over six feet tall and four feet in width; a monolithic piece of furniture, it was so heavy that it had not been moved so much as a finger-length in centuries. Anyone looking at it could only be struck by its sheer mass—and must begin calculating just how many sword blades, axes, and lance points must have gone into the making of it.... None

The murderers are loose! They search the world All through the night, oh God, all through the night! To find the fire kindled in me now, This child so like a light, so still and mild. They want to put it out. Like pouring ink Their shadows seep from angled walls; Like scrawny cats they scuttle Timidly across the footworn steps. And I am shackled to my bed With grating chains all gnawed with rust That weigh upon me, pitiless and strong. And bite raw wounds into my helpless arms. The murderer has come! He wears a hat, A broad-brimmed hat with towering pointed peak; Upon his chin sprout tiny golden flames That dance across my body; it is good… His huge nose sniffs about and stretches out Into a tentacle that wriggles like a rope. Out of his fingernails crawl yellow maggots, Saffron seeds that sprinkle down on me Into my hair and eyes. The tentacle Gropes for my breasts, at rose-brown nipples, And I see its white flesh twist into the blackness; Something sinks upon me, sighs and presses— I can’t go on…I can’t…Oh let the blade strike down Like a monstrous tooth that flashes from the sky! Oh crush me! There, where blood-drops fly, Can you hear it cry, can you hear it? “Mother!” Oh the stillness… In my womb: the axe. From either side of it break forks of flame. They meet and fold together now: My child. Of dark green bronze, so stern and grave.

When things don’t work, don’t question the Things - Question the Implementation; an axe can cut the wood if stroked with the blade facing the wood, if used in a reverse manner it might break or damage the wood, but was that our intention to achieve and should the axe be questioned?

He soon laid eyes on the enemy again – warriors of Lorgar’s Legion, advancing through the unnatural dusk with raw confidence, surrounded by the spectral flicker of half-instantiated daemonkind. Their armour was carved with words of power, decorated with the bones and the flesh of those they had slain, their helms deformed into outstretched maws, or serpent’s mouths, or the leer of some Neverborn warp prince. Their cantrips stank and pulsed around them, making the natural air recoil and mist shred itself into appalled ribbons. They were engorged with their veil-drawn power, sick on it, their blades running with new-cut fat and their belts hung with severed scalps. For all that, they were still warriors, and they detected Valdor’s presence soon enough. Nine curved blades flickered into guard, nine genhanced bodies made ready to take him down. He raced straight into the heart of them, lashing out with his spear, slicing clean through corrupted ceramite. The combined blades danced, snickering in and out of one another’s path as if in some rehearsed ritual of dance-murder, all with the dull gold of the lone Custodian at its centre. A poisoned gladius nearly caught his neck. A fanged axe-edge nearly plunged into his chest. Long talons nearly pulled him down, ripe to be trodden into the mire under the choreo graphed stamp of bronze-chased boots. But not quite. They were always just a semi-second too slow, a fraction too predictable. The gap between the fighters was small, but it remained unbridgeable. His spear slammed and cut, parried and blocked, an eye-blink ahead of the lesser blades, a sliver firmer and more lethal in its trajectory, until black blood was thrown up around it in thick flurries and the lens-fire in the Word Bearers’ helms died out, one by one. Afterwards, Valdor withdrew, breathing heavily, taking a moment to absorb the visions he had been gifted with each kill. Lorgar’s scions were little different to the true daemons in what they gave him – brief visions of eternal torment, wrapped up in archaic religious ciphers and a kind of perpetually forced ecstasy. They were steeped in some of the purest, deepest strands of Chaos, wilfully dredging up the essence of its mutating, despoiling genius and turning it, through elaborate tortures, into a way of war. To fight them was to be reminded, more acutely than with most others, of the consequences of defeat.

Mammoth columns were rooted in the flagstones and the sawdust. Arches flew in broad hoops from capital to capital; crossing in diagonals, they groined the barrel-vaults that hung dimly above the smoke. The place should have been lit by pine-torches in stanchions. It was beginning to change, turning now, under my clouding glance, into the scenery for some terrible Germanic saga, where snow vanished under the breath of dragons whose red-hot blood thawed sword-blades like icicles. It was a place for battle-axes and bloodshed and the last pages of the Nibelungenlied when the capital of Hunland is in flames and everybody in the castle hacked to bits. Things grew quickly darker and more fluid; the echo, the splash, the boom and the road of fast currents sunk this beer-hall under the Rhine-bed; it became a cavern full of more dragons, misshapen guardians of gross treasure; or the fearful abode, perhaps, where Beowulf, after tearing the Grendel's arm out of its socket, tracked him over the snow by the bloodstains and, reaching the mere's edge, dived in to swim many fathoms down and slay his loathsome water-hag of a mother in darkening spirals of gore.

Climbing down a mountain is a lot more dangerous than climbing up. If you’re going to get yourself killed, that’s generally when it happens. In this case, we had the added problem of exhaustion and blindness and one other little detail, my crampons. They were so-called switchblade crampons, good for technical climbing but prone to clog up in wet or sticky snow. Pretty quickly, the accumulated snow extends down beneath the blade tips and suddenly you’re better equipped for skiing than clinging to the mountainside. So here goes. I move, commit and plant my weight on what I believe to be that hill. Wrong. I step onto nothing but air and come whipping off the front of the face. The rope snaps taut, and pulls Mike right off his feet. Both of us start to slide. We take our ice axes, jam them into the hill, and both of us roll our body weight on top of them to stop the fall. We do this another two or three times before we get all the way down. Mike later described the experience as “somewhat unnerving.” Little did he guess what lay dead ahead. Except for some rips in my down suit and a whole lot of wounded pride, I was fine, and heartily relieved. We were back on the South Col—practically home free. In less than an hour of easy traverse we were going to be in those tents, in those sleeping bags, drinking hot tea and putting the long, exhausting day to bed.

He was right, I realized. I was only a tool. A thing. Or at least, that’s what I was to them. But imagine if you were trying to use a tool and it came to life? What if the axe started to chop at you or the blade twisted in your hand? I might be a tool to them, but I was a living tool. I would find my way to chop.

So here we are, fifteen kids later, and they’re all pretty much full grown. Thorn has Raeni, Theodore, and Hope, Dagger has Treasure, Dris, and Violet, Blade has Jaden, Amber, and Zaire, Pin has Africa, Emerson, and Paris, and Axe has Prince, Royal, and Angel. They have three biological children each—sons and daughters—but they’re all the most incredible fathers to each and every one of them, and the kids adore them just as much.

Bury him with it,” she said firmly. “He drew blood, it was a warrior’s death.” “That’s going to be up to his family…” Hawk said hesitantly. “Talk to them. He’s earned his blade, let him keep it.” Norton snorted softly, “A fire axe isn’t exactly a heroic weapon.

The tall man drew a curved blade from beneath his leather coat. A sword, like from a storybook. Dad was trying to pull the axe free from the doorframe when the man plunged the sword into Dad’s stomach, pushing it upward. There was a sound, like sticks snapping, and an animal cry. Dad fell to the vestibule carpet, the one Mom always yelled about when they tracked mud on it. The rug that was turning red. Mom screamed. Jude screamed. Taryn and Vivi screamed. Everyone seemed to be screaming, except the tall man. “Come here,” he said, looking directly at Vivi. “Y-you monster,” their mother shouted, moving toward the kitchen. “He’s dead!

Around the new mother, three deities mounted guard against the dreaded violence of Silvanus, that 'fierce, terrifying, rough' demon of the woods (Aug., CG, 6, 9, 2): they were Intercidona (for without the blade of the axe one cannot cut trees intercidere); Pilumnus (for without the pestle one cannot make flour), and Deverra (for without the broom one cannot pile up the grain).

Quietly and lamentably, the beast neighed once more as if aware of what must infallibly take place. Constantly it searched for some kind of support with its hooves, but the smooth surface of the altar offered none at all, so that the creature slipped back without hope and froze still. At that moment, Ariadne raised a small labrys of stone and struck the beast twice, once with one blade and once with the other, turning the axe in her hand . A dreadful, almost human cry pierced the air as the creature suddenly tensed and then relaxed its body forever.

Their average height was somewhere between two-and-a-half and three feet, which meant that they hardly reached above Ganelon’s kneecap. They were colored a vile, poisonous green, covered with lumps like warts only about the size of doorknobs. Their tremendous breadth of shoulders and thick, massively-thewed arms and barrel chests reminded him of the Indigons he had battled on the Plains of Uth. Bald and hairless, with bullet heads, they had heavy prognathous jaws and long, lipless, gash-like mouths that made them look rather froggy. Froglike, too, were their ugly, goggling eyes which glistened in the moonlight like puddles of spilt ink. They didn’t wear any clothing to speak of, just odd bits, scraps and pieces of iron armor; but they bristled with weapons. Among these were flint-knives, stone axes, clubs roughly carven from petrified wood, and long spears made from slender stony stalactites, with obsidian blades for points. They had no ears, and conversed amongst themselves in clicks, squeaks and hissings. They also had no genitals, just bare tough flesh between their crooked little bowlegs, which terminated in ugly, four-toed feet. They emitted a vile medicinal stench, like iodine. The insides of their mouths were black. And they had fat white tongues, like plump worms.

All she loves is her people and power. He should have learned by now to forget about soft things. The world is harsh, and he is a leader of warriors.

The First Swing, slicing through the air with effortless aplomb. The moment you take your first swing you wield your axe like you are a master in the art of gleaning. Those before you are in awe. They cannot imagine what your next move will be. You carry yourself as balanced and poised as a performer dancing brutally among them. The searing star of stars, your robe cascading to the earth in showers of gold. But that is not the truth. Your worth does not matter to those who now matter to you. You are truly nothing but a tiny sunspot to the eyes of others like yourself. An insignificant fleck. And as you take that first swing, they laugh at you. You try to rise above their derision, to be noticed in some small way. To find favor from the old ones, who are never old. To gain respect from the young ones, who have slain their own youth. To justify the arrogance that comes with the pride of being chosen. But that is not the truth either. It will be years until you come to know the truth: That those you revere are merely servants to the collective that we prune. It was their choice to let us choose all those years ago. The awed, terrified, relieved spectators; the real ones in power, the puppeteers of your actions. Standing in a perfect line before them, a cutting edge, wielding our axes, each one of us is the same as the last. We are one in all, We are all in one, and We. Shall. Kill. Our mantra, our commandment, our duty, to remind the immortal of mortality. To teach them that eternal repose may be distant, but not lost. Who are We? We are Scythes. And the weapons we wield are not by any means our friends. The devastating force of bullet, blade, and bludgeon tears us apart each day, every day, piece by piece, and leaves us with wounds that will never heal. This is what ties us to the masses, yet restrains us from being one with them. And with each new gleaning we bleed and break anew, yet our resolve never changes. For We are Scythes. Nothing will ever change that. And when it is your time to bleed, you will know and you will learn.

Throne In Confusion by Stewart Stafford The sacked castle casts smoke on the lake, Cinders’ glow distinguishes it from the mist, The only gallows the noble knights adorned, Were ones lowering them onto their steeds. Thundering warhorses charged the enemy, Storming across such a gallant battlefield, Mortal combat with axe, blade and sword, For king, country and all of Heaven’s glory. Intruders rush over a downed drawbridge, Rotten and riddled in darkness incarnate, To a peregrinating, riderless throne room, A neophyte sovereign in gold leaf crown. © Stewart Stafford, 2022. All rights reserved.

The weapon was a showpiece with a blade that was only five inches long and a handle made of carved bone. The carving was a depiction of a one-sided battle in which men with knives and arrows and axes slaughtered unarmed men who appeared to be praying instead of fighting. Bosch assumed this was the massacre of the Shaolin monks that Chu had told him was the origin of the triads. The shape of the knife was very much like the shape of the tattoo on the inside of Chang's arm.

I kicked back my heels, but all I achieved was to ride out of the panicked mass into the path of the Danes, and all around me men were screaming and the Danish axes and swords were chopping and swinging. The grim work, the blood feast, the song of the blade, they call it.

I led my portion of the rearguard across the open ground to the right of the prince’s battalion, and surged into the first company of Castilian reinforcements as they tried to arrange into a defensive line. They were well-equipped foot with steel helms and leather jacks, glaives and axes, but demoralised and unwilling to stand against a charge of heavy horse. I skewered a serjeant in the front rank with my lance and rode over him as the men behind him scattered, yelling in fear and hurling their banners away as they ran. If all the Castilians had behaved in such a manner, we would have had an easy time of it, but now Enrique flung his household knights into the fray. It had started to rain heavily, sheets of water blown by strong winds across the battlefield, and a phalanx of Castilian lancers on destriers came plunging out of the murk, smashing into the front rank of my division. A lance shattered against my cuisse, almost knocking me from the saddle, but I kept my seat and slashed at the knight with my broadsword as he hurtled past, chopping an iron leaf from the chaplet encircling his basinet, but doing no other damage. My men held together under the Castilian charge, and soon there was a fine swirling mêlée in progress. I was surrounded by visored helms and glittering blades, men yelling and horses screaming, and glimpsed my standard bearer ahead of me, shouting and fending off two Castilians with the butt of his lance. Another Englishman rode in to help him, throwing his arms around one of the Castilians and heaving him out of the saddle with sheer brute strength, and then a fresh wave of steel and horseflesh, thrown up by the violent, shifting eddies of battle, closed over them and shut off my view. I couldn’t bear to lose my banner again, and charged into the mass of fighting men, clearing a path with the sword’s edge. A mace or similar hammered against my back-plate, sending bolts of agony shooting up my spine, and my foot slipped out of the stirrup as I leaned drunkenly in the saddle, black spots reeling before my eyes.

To the executioner’s axe there are those who kneel, head bowed, and await their fate. Then there are those who fight, who strain, who cry out their defiance even as the blade descends

Just another version of glade Their sharp thoughts lost the axe’s blade Wooden world requires a chopper Where serpent becomes grasshopper Arm-in-arm with arms; dice with death Ant artilleries curse their breath From the poem: For Them

He unstrapped his axe and swung it around. It was beautiful in a harsh I’m-going-to-gut-you-like-a-fish kind of way. Each of its twin blades was shaped like an omega: Ω—the last letter of the Greek alphabet. Maybe that was because the axe would be the last thing his victims ever saw. The shaft was about the same height as the Minotaur, bronze wrapped in leather. Tied around the base of each blade were lots of bead necklaces. I realized they were Camp Half-Blood beads—necklaces taken from defeated demigods.

Honesty under tears! I spoke to nobody and I was blind to read the writings of a hammer to stammer, my axe missed the sharpening rock and my needle lost its sharpness. The shadow of earth showed the blind man there are only intelligent lies and misleading result. Fake has conquered the universe, I’m still at the original shop yet to be copied. Everyone’s thought is forensic, I’m a teacher who teaches my soul and my body are third party elements to each other. I’m a lawyer myself to the court of my own, I have no offerings, no fake friends. My point of action and seeing is like a water from the pipe challenging waterfall. I shed my tears for honest world. But I smile to let it go. I am sensitive to this fake world, bring back integrity. I know I’m the ball of the pen, lead of the pencil and the blade of sharpener. Face original, don’t be copy.