Irish Baby Quotes

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Baby, you’re not the one who’s broken. The assholes who mistreated you, they’re the broken ones. You did what you had to do to survive them.
Gina L. Maxwell (Fighting for Irish (Fighting for Love, #3))
Remember me as the girl who married you, the woman who had your babies, who kept your house, weeded your garden, your soul mate and best friend. I was the woman who could make you laugh and cry. I could calm you when you were upset but yet infuriate you also like no other. For the passion and the love we shared, I thank-you. I could read your mind and finish your sentences. I knew everything you loved and hated and we had no secrets from one another. I knew what to say when you were upset to make things alright again. I felt your pain and I shared your joy. I embraced your strengths and celebrated your differences. I love you and everything about you and the physical limitations of worlds will not change that”.
Annette J. Dunlea
Where is the graveyard of dead gods? What lingering mourner waters their mounds? There was a time when Jupiter was the king of the gods, and any man who doubted his puissance was ipso facto a barbarian and an ignoramus. But where in all the world is there a man who worships Jupiter today? And who of Huitzilopochtli? In one year - and it is no more than five hundred years ago - 50,000 youths and maidens were slain in sacrifice to him. Today, if he is remembered at all, it is only by some vagrant savage in the depths of the Mexican forest. Huitzilopochtli, like many other gods, had no human father; his mother was a virtuous widow; he was born of an apparently innocent flirtation that she carried out with the sun. When he frowned, his father, the sun, stood still. When he roared with rage, earthquakes engulfed whole cities. When he thirsted he was watered with 10,000 gallons of human blood. But today Huitzilopochtli is as magnificently forgotten as Allen G. Thurman. Once the peer of Allah, Buddha and Wotan, he is now the peer of Richmond P. Hobson, Alton B. Parker, Adelina Patti, General Weyler and Tom Sharkey. Speaking of Huitzilopochtli recalls his brother Tezcatlipoca. Tezcatlipoca was almost as powerful; he consumed 25,000 virgins a year. Lead me to his tomb: I would weep, and hang a couronne des perles. But who knows where it is? Or where the grave of Quetzalcoatl is? Or Xiuhtecuhtli? Or Centeotl, that sweet one? Or Tlazolteotl, the goddess of love? Of Mictlan? Or Xipe? Or all the host of Tzitzimitl? Where are their bones? Where is the willow on which they hung their harps? In what forlorn and unheard-of Hell do they await their resurrection morn? Who enjoys their residuary estates? Or that of Dis, whom Caesar found to be the chief god of the Celts? Of that of Tarves, the bull? Or that of Moccos, the pig? Or that of Epona, the mare? Or that of Mullo, the celestial jackass? There was a time when the Irish revered all these gods, but today even the drunkest Irishman laughs at them. But they have company in oblivion: the Hell of dead gods is as crowded as the Presbyterian Hell for babies. Damona is there, and Esus, and Drunemeton, and Silvana, and Dervones, and Adsullata, and Deva, and Bellisima, and Uxellimus, and Borvo, and Grannos, and Mogons. All mighty gods in their day, worshipped by millions, full of demands and impositions, able to bind and loose - all gods of the first class. Men labored for generations to build vast temples to them - temples with stones as large as hay-wagons. The business of interpreting their whims occupied thousands of priests, bishops, archbishops. To doubt them was to die, usually at the stake. Armies took to the field to defend them against infidels; villages were burned, women and children butchered, cattle were driven off. Yet in the end they all withered and died, and today there is none so poor to do them reverence. What has become of Sutekh, once the high god of the whole Nile Valley? What has become of: Resheph Anath Ashtoreth El Nergal Nebo Ninib Melek Ahijah Isis Ptah Anubis Baal Astarte Hadad Addu Shalem Dagon Sharaab Yau Amon-Re Osiris Sebek Molech? All there were gods of the highest eminence. Many of them are mentioned with fear and trembling in the Old Testament. They ranked, five or six thousand years ago, with Yahweh Himself; the worst of them stood far higher than Thor. Yet they have all gone down the chute, and with them the following: Bilé Ler Arianrhod Morrigu Govannon Gunfled Sokk-mimi Nemetona Dagda Robigus Pluto Ops Meditrina Vesta You may think I spoof. That I invent the names. I do not. Ask the rector to lend you any good treatise on comparative religion: You will find them all listed. They were gods of the highest standing and dignity-gods of civilized peoples-worshiped and believed in by millions. All were omnipotent, omniscient and immortal. And all are dead.
H.L. Mencken (A Mencken Chrestomathy)
One can't help thinking, Daddy, what a colourless life a man is forced to lead, when one reflects that chiffon and Venetian point and hand embroidery and Irish crochet are to him mere empty words. Whereas a woman- whether she is interested in babies or microbes or husbands or poetry or servants or parallelograms or gardens or Plato or bridge- is fundamentally and always interested in clothes.
Jean Webster (Daddy-Long-Legs (Daddy-Long-Legs, #1))
Everyone wants to marry and Irish girl, they have the most beautiful babies.
Don J. Snyder
And all those boys of Europe born in those times, and thereabouts those times, Russian, French, Belgian, Serbian, Irish, English, Scottish, Welsh, Italian, Prussian, German, Austrian, Turkish – and Canadian, Australian, American, Zulu, Gurkha, Cossack, and all the rest – their fate was written in a ferocious chapter in the book of life, certainly. Those millions of mothers and their million gallons of mother’s milk, millions of instances of small talk and baby talk, beatings and kisses, ganseys and shoes, piled up in history in great ruined heaps, with a loud and broken music, human stories told for nothing, for ashes, for death’s amusement, flung on the mighty scrapheap of souls, all those million boys in all their humours to be milled by the millstones of a coming war.
Sebastian Barry (A Long Long Way (Dunne Family #3))
Everybody who has a baby thinks everybody who hasn't a baby ought to have a baby, Which accounts for the success of such plays as the Irish Rose of Abie, The idea apparently being that just by being fruitful You are doing something beautiful, Which if it is true Means that the common housefly is several million times more beautiful than me or you.
Ogden Nash (Free Wheeling)
Gulliver's Travels sardonically proposed that Irish babies be fattened for English tables;
Robert A. Heinlein (Tunnel in the Sky (Heinlein's Juveniles Book 9))
Wehehehehell, if it isn’t Ollie-Ollie-oxidant-free..." You can take…all the tea in China…put it in a big brown…bag for me. He’s as sweet as tupelo honey; he’s an angel of the first degree. Men with insight…men in granite…knights in armor bent on…chivalry. He’s as sweet as…tupelo honey; just like honey, baby…from the bee." => For those who read and liked "When Irish eyes are sparkling" Can i have a musician here?
Tom Collins
In praise of mu husband's hair A woman is alone in labor, for it is an unfortunate fact that there is nobody who can have the baby for you. However, this account would be inadequate if I did not speak to the scent of my husband's hair. Besides the cut flowers he sacrifices his lunches to afford, the purchase of bags of licorice, the plumping of pillows, steaming of fish, searching out of chic maternity dresses, taking over of work, listening to complaints and simply worrying, there was my husband's hair. His hair has always amazed stylists in beauty salons. At his every first appointment they gather their colleagues around Michael's head. He owns glossy and springy hair, of an animal vitality and resilience that seems to me so like his personality. The Black Irish on Michael's mother's side of the family have changeable hair--his great-grandmother's hair went from black to gold in old age. Michael's went from golden-brown of childhood to a deepening chestnut that gleams Modoc black from his father under certain lights. When pushing each baby I throw my arm over Michael and lean my full weight. When the desperate part is over, the effort, I turn my face into the hair above his ear. It is as though I am entering a small and temporary refuge. How much I want to be little and unnecessary, to stay there, to leave my struggling body at the entrance. Leaves on a tree all winter that now, in your hand, crushed, give off a dry, true odor. The brass underside of a door knocker in your fingers and its faint metallic polish. Fresh potter's clay hardening on the wrist of a child. The slow blackening of Lent, timeless and lighted with hunger. All of these things enter into my mind when drawing into my entire face the scent of my husband's hair. When I am most alone and drowning and I think I cannot go on, it is breathing into his hair that draws me to the surface and restores my small courage.
Louise Erdrich (The Blue Jay's Dance: A Birth Year)
You’ll win her with ya Irish charm and green eyes, so ya will. Now drink up ya coffee and stop whining like a baby. This girl’s gonna have a fantastic night tomorrow. She’s gonna worship da ground ya c**k drags on.
JoAnne Kenrick (Sweet Irish Kiss (Irish Kisses, #1; 1Night Stand))
Irish men are afraid of being in love because they lose control. The women in this country trap them with babies at an early age, and then it is all over for them. They think it is better not to love. They think there is no risk if they push the love away.
Claire Fullerton (Dancing to an Irish Reel)
It was a relief to see his father, who'd always been an unfailing source of reassurance and comfort. They clasped hands in a firm shake, and used their free arms to pull close for a moment. Such demonstrations of affection weren't common among fathers and sons of their rank, but then, they'd never been a conventional family. After a few hearty thumps on the back, Sebastian drew back and glanced over him with the attentive concern that hearkened to Gabriel's earliest memories. Not missing the traces of weariness on his face, his father lightly tousled his hair the way he had when he was a boy. "You haven't been sleeping." "I went carousing with friends for most of last night," Gabriel admitted. "It ended when we were all too drunk to see a hole through a ladder." Sebastian grinned and removed his coat, tossing the exquisitely tailored garment to a nearby chair. "Reveling in the waning days of bachelorhood, are we?" "It would be more accurate to say I'm thrashing like a drowning rat." "Same thing." Sebastian unfastened his cuffs and began to roll up his shirtsleeves. An active life at Heron's Point, the family estate in Sussex, had kept him as fit and limber as a man half his age. Frequent exposure to the sunlight had gilded his hair and darkened his complexion, making his pale blue eyes startling in their brightness. While other men of his generation had become staid and settled, the duke was more vigorous than ever, in part because his youngest son was still only eleven. The duchess, Evie, had conceived unexpectedly long after she had assumed her childbearing years were past. As a result there were eight years between the baby's birth and that of the next oldest sibling, Seraphina. Evie had been more than a little embarrassed to find herself with child at her age, especially in the face of her husband's teasing claims that she was a walking advertisement of his potency. And indeed, there have been a hint of extra swagger in Sebastian's step all through his wife's last pregnancy. Their fifth child was a handsome boy with hair the deep auburn red of an Irish setter. He'd been christened Michael Ivo, but somehow the pugnacious middle name suited him more than his given name. Now a lively, cheerful lad, Ivo accompanied his father nearly everywhere.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
Do you have any idea what it’s like giving birth? Of course you don’t, but I’m going to tell you. It’s like trying to push a watermelon through a peashooter! Only your head was more like the size of a pumpkin. I’d never seen such a big head on a baby girl. And what do you do with that big head of yours? You use it to go around deceiving people!
Caitlin McKenna (My Big Fake Irish Life)
St. Bride’s is the journalist’s church on Fleet Street. There have been seven churches on this spot. It’s named for the Irish saint Brigit of Kildare, the virginal head of the old, equal-opportunity Celtic Church. She has, over the years, become the patron of babies, blacksmiths, chickens, bastards, children of abusive fathers, and printing presses. It must have been the combination of bastards and ink that brought her to hacks.
A.A. Gill (To America with Love)
Ribs hurting?" When he only shrugged, she shook her head. "Let me take a look." "She barely caught me." "Oh,for heaven's sake." Impatient, Keeley did what she would have done with one of her brothers: She tugged Brian's T-shirt out of his jeans. "Well,darling,if I'd known you were so anxious to get me undressed,I'd have cooperated fully,and in private." "Shut up.God, Brian, you said it was nothing." "It's not much." His definition of not much was a softball-size bruise the ribs in a burst of ugly red and black. "Macho is tedious, so just shut up." He started to grin,then yelped when she pressed her fingers to the bruise. "Hell, woman,if that's your idea of tender mercies, keep them." "You could have a cracked rib. You need an X ray." "I don't need a damned-ouch! Bollocks and bloody hell, stop poking." He tried to pull his shirt down, but she simply yanked it up again. "Stand still,and don't be a baby." "A minute ago it was don't be macho, now it's don't be a baby. What do you want?" "For you to behave sensibly." "It's difficult for a man to behave sensibly when a woman's taking his clothes off in broad daylight. If you're going to kiss it and make it better, I've several other bruises. I've a dandy one on my ass as it happens." "I'm sure that's terribly amusing.One of the men can drive you to the emergency room" "No one's driving me anywhere. I'd know if my ribs are cracked as I've had a few in my time.It's a bruise, and it's throbbing like a bitch now that you've been playing with it." She spotted another, riding high on his hip,and gave that a poke. This time he groaned. "Keeley,you're torturing me here." "Im just trying..." She trailed off as she lifted her head and saw his eyes. It wasn't pain or annoyance in them now. It was heat,and it was frustration. And it was surprisingly gratifying. "Really?" It was wrong,and it was foolish, but a sip of power was a heady thing.She trailed her fingers along his hip, up his ribs and down again, and felt his mucles quiver. "Why don't you stop me?" His throat hurt. "You make my head swim. And you know it." "Maybe I do.Now.Maybe I like it." She'd never been deliberately provocative before. Had never wanted to be. And she'd never known the thrill of having a strong man turn to putty under her hands. "Maybe I've thought about you, Brian,the way you said I would." "You pick a fine time to tell me when there's people everywhere, and your father one of them.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
You’re worried about Anna?” “Anna and the baby, who, I can assure you, are not worried about me.” “Westhaven, are you pouting?” Westhaven glanced over to see his brother smiling, but it was a commiserating sort of smile. “Yes. Care to join me?” The commiserating smile became the signature St. Just Black Irish piratical grin. “Only until Valentine joins us. He’s so eager to get under way, we’ll let him break the trail when we depart in the morning.” “Where is he? I thought you were just going out to the stables to check on your babies.” “They’re horses, Westhaven. I do know the difference.” “You know it much differently than you knew it a year ago. Anna reports you sing your daughter to sleep more nights than not.” Two very large booted feet thunked onto the coffee table. “Do I take it your wife has been corresponding with my wife?” “And your daughter with my wife, and on and on.” Westhaven did not glance at his brother but, rather, kept his gaze trained on St. Just’s feet. Devlin could exude great good cheer among his familiars, but he was at heart a very private man. “The Royal Mail would go bankrupt if women were forbidden to correspond with each other.” St. Just’s tone was grumpy. “Does your wife let you read her mail in order that my personal marital business may now be known to all and sundry?” “I am not all and sundry,” Westhaven said. “I am your brother, and no, I do not read Anna’s mail. It will astound you to know this, but on occasion, say on days ending in y, I am known to talk with my very own wife. Not at all fashionable, but one must occasionally buck trends. I daresay you and Emmie indulge in the same eccentricity.” St. Just was silent for a moment while the fire hissed and popped in the hearth. “So I like to sing to my daughters. Emmie bears so much of the burden, it’s little enough I can do to look after my own children.” “You love them all more than you ever thought possible, and you’re scared witless,” Westhaven said, feeling a pang of gratitude to be able to offer the simple comfort of a shared truth. “I believe we’re just getting started on that part. With every child, we’ll fret more for our ladies, more for the children, for the ones we have, the one to come.” “You’re such a wonderful help to a man, Westhaven. Perhaps I’ll lock you in that nice cozy privy next time nature calls.” Which
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
[Scarlett] knew how to smile so that her dimples leaped, how to walk pigeon-toed so that her wide hoop skirts swayed entrancingly, how to look up into a man's face and then drop her eyes and bat the lids rapidly so that she seemed a-tremble with gentle emotion. Most of all she learned how to conceal from men a sharp intelligence beneath a face as sweet and bland as a baby's. Ellen, by soft admonition, . . . labored to inculcate in her the qualities that would make her truly desirable as a wife. "You must be more gentle, dear, more sedate," Ellen told her daughter. "You must not interrupt gentlemen when they are speaking, even if you do think you know more about matters than they do. Gentlemen do not like forward girls." [Ellen] taught her all that a gentlewoman should know, but she learned only the outward signs of gentility. The inner grace from which these signs should spring, she never learned nor did she see any reason for learning it. Appearances were enough, for the appearances of ladyhood won her popularity and that was all she wanted. . . . At sixteen, thanks to Mammy and Ellen, she looked sweet, charming and giddy, but she was, in reality, self-silled, vain and obstinate. She had the easily stirred passions of her Irish father and nothing except the thinnest veneer of her mother's unselfish and forbearing nature. . . It was not that these two loving mentors deplored Scarlett's high spirits, vivacity and charm. These were traits of which Southern women were proud. It was Gerald's headstrong and impetuous nature in her that gave them concern, and they sometimes feared they would not be able to conceal her damaging qualities until she had made a good match. But Scarlett intended to marry-and marry Ashley-and she was willing to appear demure, pliable and scatterbrained, if those were the qualities that attracted men. Just why men should be this way, she did not know. She only knew that such methods worked. It never interested her enough to try to think out the reason for it, for she knew nothing of the inner workings of any human being's mind, not even her own. She knew only that if she did or said thus-and-so, men would unerringly respond with the complementary thus-and-so. It was like a mathematical formula and no more difficult . . . If she knew little about men's minds, she knew even less about the minds of women, for they interested her less. She had never had a girl friend, and she never felt any lack on that account. To her, all women, including her two sisters, were natural enemies in pursuit of the same prey-man.
Margaret Mitchell (Gone with the Wind)
He would not want to sound like a haunted man; he would not want to sound as though he was calling from a welfare hotel, years too late, to say Yes, that was a baby we had together, it would have been a baby. For he could not help now but recall the doctor explaining about that child, a boy, who had appeared so mysteriously perfect in the ultrasound. Transparent, he had looked, and gelatinous, all soft head and quick heart; but he would have, in being born, broken every bone in his body.
Gish Jen (Who's Irish?)
The Murphy family's romantic Irish love story continues with Keeva, the baby of the family, and Special Agent Nixon Rivers.NixonThings
Holly Mortimer (Expectation (Murphy's Law #2))
So what’s the story your grandpa told you?” I leaned back against the blanket, propping my head in one hand and looking up at him. “It wasn’t about the pond, I guess. It’s more about the town. I didn’t ever come to Mona when I lived here. I never had reason to - so when I asked my grandpa if there were any good fishing spots around here, and he mentioned this pond, I asked him about the town. He said Burl Ives, the singer, was once thrown in jail here in Mona. It was before his time, but he thought it was a funny story.” “I’ve never heard about that!” “It was the 1940’s, and Burl Ives traveled around singing. I guess the authorities didn’t like one of his songs - they thought it was bawdy, so they put him in jail.” “What was the song?” I snickered. “It was called Foggy, Foggy Dew. My grandpa sang it for me.” “Let’s hear it!” I challenged. “It’s far too lewd.” Samuel pulled his mouth into a serious frown, but his eyes twinkled sardonically. “All right you’ve convinced me,” he said without me begging at all, and we laughed together. He cleared his throat and began to sing, with a touch of an Irish lilt, about a bachelor living all alone whose only sin had been to try to protect a fair young maiden from the foggy, foggy dew. One night she came to my bedside When I was fast asleep. She laid her head upon my bed And she began to weep She sighed, she cried, she damn near died She said what shall I do? So I hauled her into bed and covered up her head Just to keep her from the foggy, foggy dew. “Oh my!” I laughed, covering my mouth. “I don’t think I would have stuck Burl Ives in jail for that, but it is pretty funny,” “Marine’s are the lewdest, crudest, foulest talking bunch you’ll ever find. I’ve heard much, much worse. I’ve sung much, much worse. I tried to remain chaste and virtuous, and I still have the nickname Preacher after all these years - but I have been somewhat corrupted.” He waggled his eyebrows at his ribaldry. “I kind of liked that song…” I mused, half kidding. “Sing something else but without the Irish.” “Without the Irish? That’s the best part.” Samuel smiled crookedly. “I had a member of my platoon whose mom was born and raised in Ireland. This guy could do an authentic Irish accent, and man, could he sing. When he sang Danny Boy everybody cried. All these tough, lethal Marines, bawling like babies
Amy Harmon (Running Barefoot)
I could have lost you today. My partner, my lover. Someone tried to kill you. Again. So yes, baby, for two seconds I lost focus because I care about you.” “You agreed—” “I’m changing the terms.” Walker’s gaze shone with love and determination. “I’m done fucking sharing. I want all the time I can get with you. Today just proved how short that could be.” Aidan
Layla Reyne (Cask Strength (Agents Irish and Whiskey, #2))
When friends asked how he was coping with his spectacular loss, he would say, ‘I sleep like a baby – I wake up every ten minutes screaming!’ He was advised on health grounds to take a holiday, so he went to his home in Ibiza and ran regularly on the beach. ‘Someone asked me later how much I had lost. I said, “$300 million and 20lbs.
Siobhan Creaton (Ryanair: How a Small Irish Airline Conquered Europe)
It was in Horace Greeley that Margaret recognized a “go-ahead, fearless adroitness” that was simply “American.” Waldo’s deprecatory assessment that Greeley was “no scholar,” but rather a “mother of men . . . an abettor,” captured the very reasons Margaret quickly warmed to the tall, unkempt newspaperman, whose thick wire-rimmed glasses, settled unsteadily on his ruddy baby face, were the only hint of erudition in a carelessly rustic ensemble that usually included an old white coat of Irish linen, heavy boots, and baggy black trousers.
Megan Marshall (Margaret Fuller: A New American Life)
In addition to this crude notion of karma, and my sympathy for imagined babies and their imagined families, there also lurks something else: an illusion of control. There is so much in my life that I cannot hope to control. I can't control all my nights of broken sleep. I can't control the terrors that my mind chooses to review just as I close my eyes - the repetitive carousel of meningitis, comas, cars swept into oceans, house fires, or paedophiles. I can't control out landlord's whims, whether - or when - his voracity might lead to us moving house again. I can't control my children's chances of securing a place in the local primary school, whose enrollment policy (like most Irish schools) is predicated upon membership of the Catholic Church. I can, however, control the ritual of milk production: the sterilisation of the bottles, the components of the pump slotted in their correct order, the painstaking necessity of record-keeping, every procedure that I choose to perform carefully and correctly.
Doireann Ní Ghríofa (A Ghost in the Throat)
As soon I see her, I get a rush of adrenaline. My muscles tighten like coiled springs, and I can feel my pupils dilating. I imagine that I can smell her perfume, light and sweet, over the scent of smoke, alcohol, and sweat. It’s the reaction of a predator when it sights its prey. Because I recognize this girl. It’s Nessa Griffin. The cherished baby girl of the Irish mafia. Their little darling. She’s wandered into my club like an innocent gazelle. Foolish. Lost. Ripe for the taking.
Sophie Lark (Stolen Heir (Brutal Birthright, #2))
Christianity and Judaism originate from the same source, and that source is Egypt. Egyptian culture and religion had its source also, and that source was Ireland. Ireland’s Druidic tradition likewise had its source in the prediluvian civilizations of Atlantis and Lemuria. These facts come as something of a shock to readers who have received their education from conventional sources and who tend to accept on faith all that pours forth from the mouths and pens of so-called “historians” who believe themselves informed about the world of the past. Thankfully the insinuation that Christianity has little to do with the land and traditions of Egypt is refuted by many researchers. As Jewish scriptures record, and as accounts of the early life of Jesus admit, Egypt did play a part in the birth of Judeo-Christianity. In the Book of Exodus we read of the Chosen People being freed from oppression in Egypt; in the Nativity we read that Magi from Egypt visited the new born "Sun King" in Bethlehem, and that baby Jesus and his family took refuge in Egypt. Although Christianity was
Michael Tsarion (The Irish Origins of Civilization, Volume Two: Akhenaton, the Cult of Aton & Dark Side of the Sun)
FORGIVE ME, FOR I HAVE SINNED . . . for all have sinned and fall short of the glory of God . . . Romans 3:23 Every single human being has sinned and will sin again. Darn it. I’m right there at the top having to acknowledge mine. Double darn. I was baptized Catholic as a baby, part of a big, loyal Irish Catholic family led by our patriarch, Grandpa Clem Sheeran. Later, when I became of age to make the conscious decision to publicly testify of my walk with Christ, I was baptized in the icy waters of Little Beaver Lake. When Pastor Riley dunked me under the name of the Father, Son, and Holy Spirit, I was then lifted out of the water and . . . I was still the same Sarah Heath. Yes, I’d just testified to joining the “righteousness of Christ Jesus,” but I still lived in the fallen world, a world overrun by sin, which is easy to see just by looking at the news, or in the mirror. No one is perfect, and in case we forget that, this verse bluntly reminds us we all need the mercy of God in the midst of our mess. And friends, with all due respect, we are a mess. Consider the example of our elected national leaders supporting a treaty with Iran that lifts sanctions against this enemy nation instead of punishing its evil acts—while still fully acknowledging that it’s the top sponsor of worldwide Islamic terrorism and is hell-bent on destroying both America and Israel. Yes, we are a mess. Lord have mercy. And what about us? It may be a hard-to-accept truth, but fallen man’s nature puts us all in the same boat until we ask for the life-saving newness God offers. Accepting it is the only way to clean up the mess. It’s an important step to honestly admit that we try to excuse things in our own lives because they don’t seem as bad when compared to what someone else has done. But we’ve got to call those things what they are: sin. Only then can we repent and be forgiven. SWEET FREEDOM IN Action Today, examine your conscience, confess your sins, and rest in the comfort of the Lord’s forgiveness.
Sarah Palin (Sweet Freedom: A Devotional)
Look, he's just in another form! Do you understand?" Ma explained. I didn't know where she was going with it. The old man Wren looked down and gripped her hand, unable to say anything. Ma said, "Look! You know how you've taken many forms in this life?" He looked up again. "First you were a baby. Then you were a little kid running around these glens. Then you were a young man getting married." Mr. Wren exclaimed, "Yes!" repeatedly, getting louder with every form he'd ever taken in this world. By the excited look on him, I thought Ma was going to do him in with memories. His trembling was getting worse and he cried, but not like a child, because he was crying and smiling at the same time. "You're not the same form you were even ten years ago! It's like evolution. Throughout this life you just go from form to form! Well, it's the same when you die. Your son is just in another form! Do you hear me?
Michael Patrick MacDonald (Easter Rising: An Irish American Coming Up from Under)
Listen to me, Sean—I want my daughter to be happy, but Rosie is the beat of my heart. When Franci told me she was having a baby and having her alone, the first thing I felt was resentment—I was barely fifty! I still feel I have a lot of life left to live! And I’d already raised a child alone, so I knew firsthand how hard it would be for her. Franci was going to need a lot from me, and I didn’t really have a lot to give. But I held that baby and, within seconds, I felt she was as much mine as my daughter’s. If you think for one second I’m going to be patient with you while you try to figure out if you have what it takes to be a good father, you’re wrong. Dead wrong.” Sean briefly wondered if in an earlier life he had pissed off a bunch of tough old goddesses; he was surrounded by strong, opinionated women. “I completely understand. I have a lot to learn about her. About Rosie.” “I don’t care what happens between you and Francine—she’s all grown up and can shoulder disappointment. But you’d better not let down my granddaughter, Sean.” “I know,” he said. “You’re going to have a lot of backup in that department. My mother’s on the job, beating me with the guilt stick every chance she gets, and no one does guilt like an Irish Catholic mother. Are you going to give me a chance?” “Yes,” she said, relaxing back in her chair. “Every chance. Don’t screw it up.” “I’m
Robyn Carr (Angel's Peak (Virgin River #10))
Advance Praise for THE GREAT NEW ORLEANS KIDNAPPING CASE: RACE, LAW, AND JUSTICE IN THE RECONSTRUCTION ERA "Michael Ross' The Great New Orleans Kidnapping Case has all the elements one might expect from a legal thriller set in nineteenth-century New Orleans. Child abduction and voodoo. 'Quadroons.' A national headline-grabbing trial. Plus an intrepid creole detective.... A terrific job of sleuthing and storytelling, right through to the stunning epilogue." --Lawrence N. Powell, author of The Accidental City: Improvising New Orleans "When little Mollie Digby went missing from her New Orleans home in the summer of 1870, her disappearance became a national sensation. In his compelling new book Michael Ross brings Mollie back. Read The Great New Orleans Kidnapping Case for the extraordinary story it tells--and the complex world it reveals." --Kevin Boyle, author of Arc of Justice: A Saga of Race, Civil Rights, and Murder in the Jazz Age "Michael Ross's account of the 1870 New Orleans kidnapping of a white baby by two African-American women is a gripping narrative of one of the most sensational trials of the post-Civil War South. Even as he draws his readers into an engrossing mystery and detective story, Ross skillfully illuminates some of the most fundamental conflicts of race and class in New Orleans and the region." --Dan T. Carter, University of South Carolina "The Great New Orleans Kidnapping Case is a masterwork of narration, with twists, turns, cliff-hangers, and an impeccable level of telling detail about a fascinating cast of characters. The reader comes away from this immersive experience with a deeper and sadder understanding of the possibilities and limits of Reconstruction." --Stephen Berry, author of House of Abraham: Lincoln and The Todds, a Family Divided by War "The Great New Orleans Kidnapping Case is such a great read that it is easy to forget that the book is a work of history, not fiction. Who kidnapped Mollie Digby? The book, however, is compelling because it is great history. As Ross explores the mystery of Digby's disappearance, he reconstructs the lives not just of the Irish immigrant parents of Mollie Digby and the women of color accused of her kidnapping, but also the broad range of New Orleanians who became involved in the case. The kidnapping thus serves as a lens on the possibilities and uncertainties of Reconstruction, which take on new meanings because of Ross's skillful research and masterful storytelling." --Laura F. Edwards, Duke University
Michael A. Ross (The Great New Orleans Kidnapping Case: Race, Law, and Justice in the Reconstruction Era)
Gareth didn't need to open his eyes to know his brother was there, gazing down at him with his black stare that was severe enough to freeze the Devil in his lair of fire. And he didn't need to see Lucien's stark face to know what he would read there:  blatant disapproval. Fury. He felt Lucien's cool hand on his cheek. "Ah, Gareth," the duke said blandly, in a tone that didn't fool anyone in the room. "Another scrape you've got yourself into, I see. What is it this time, eh? No, let me guess. You were posing as a target and taking bets that none of your friends could hit you. Or perhaps you got so foxed that you fell from Crusader and impaled yourself on a fence? Do tell, dear boy. I have all night." "Go to hell, Luce." "I'm sure I will, but I'll have an explanation from you first." Bastard. Gareth refused to respond to the mocking taunts. Instead, he reached up, his fingers closing around Lucien's immaculate velvet sleeve. "Don't send her away, Luce. She's here. She needs us.... We owe it to Charles to take care of her and the baby." Footsteps came running down the hall, into the room. "Over here, Dr. Highworth!" Chilcot cried, suddenly. Lucien never moved. "Take care of whom, Gareth?" he inquired, with deadly menace. Weakly, Gareth turned his head on the pillow and looked up at his brother through a swirling fog of pain and alcohol. "Juliet Paige," he whispered, meeting Lucien's cool, veiled gaze. "The woman Charles was to marry ... she's here ... downstairs ... with his baby. Don't send her away, Lucien. I swear I'll kill you if you do." "My dear boy," Lucien murmured, with a chilling little smile, "I would not dream of it." But he had straightened up and was already moving toward the door. Gareth raised himself on one elbow even as the doctor tried to hold him down. "Lucien ... damn you, don't!" The duke kept walking. "Lucien!"  With the last of his strength, Gareth lunged from the bed, but the effort — and the Irish whiskey — did him in at last. As his feet hit the rug, his legs gave out beneath him, and he crashed heavily to the floor in a dead faint. Doctor, servants, and friends all rushed to his assistance. The duke never looked back.   ~~~~
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
He folded back the hem of her housedress. Peeled the wet underpants from her skin and moved them down over her pale knees and her small feet and then dropped them on the floor. He could hear the voices of the children playing in the tree outside. He gently pushed her thighs apart and saw immediately that the baby had already begun to crown. Her skin was paler than his wife’s was, even in midwinter. He gave her his hand to get her through the next contraction, keeping his arm steady as she squeezed. He spread the fingers of the other over her taut belly. Mr. Persichetti wore a silver Saint Christopher’s medal around his neck and kept a Sacred Heart scapular in his pocket, but when Mary Keane asked him, catching her breath, “Who’s the patron saint of women in labor?” he shrugged. He told her he only knew Saint Dymphna was the patron of the insane. He’d had the story from an Irish priest assigned to Creedmoor. “A sad case himself,” Mr. Persichetti said, and gently pulled the damp hem of her dress back over her thighs. For a moment he found himself incapable of remembering Mr. Keane’s face, although they’d been neighbors for perhaps ten years. Nor could he remember another conversation he’d had with this woman stretched before him now on her living-room couch, her hair damp and her eyes a kind of gray, or green. He took her hand as if she were his child, or his own wife. “Apparently,” he said, “this Saint Dymphna was the daughter of an Irish chieftain, a pagan. But she had a beautiful Christian mother.” Gray eyes or green, he thought they were the one thing that might have made her pretty when she was young. “So the mother dies.” He paused only briefly. “When the girl’s about fourteen. And the chieftain goes crazy and tells his servants to go out and find another beautiful woman who resembled his dead wife so he can marry her.” He paused again to touch her
Alice McDermott (After This)
Red, because you’ll always be our Red, and because it’s the color of love,” he says. I swallow the lump in my throat as Liam steps up next. “Blue for those incredible baby blues of yours,” he says as he slides the second band onto my finger which has a small sapphire stone. Conor steps up next. “And green for all the Irish in you,” he smiles at me and I giggle. Finally Shane steps forward. “And a diamond for forever.
Sadie Kincaid (Ryan Reign (New York Ruthless, #4))
A Note on the Text This is a work of fiction based in no part on any individual or individuals. Ireland’s last Magdalen laundry was not closed down until 1996. It is not known how many girls and women were concealed, incarcerated and forced to labour in these institutions. Ten thousand is the modest figure; thirty thousand is probably more accurate. Most of the records from the Magdalen laundries were destroyed, lost, or made inaccessible. Rarely was any of these girls’ or women’s work recognised or acknowledged in any way. Many girls and women lost their babies. Some lost their lives. Some or most lost the lives they could have had. It is not known how many thousands of infants died in these institutions or were adopted out from the mother-and-baby homes. Earlier this year, the Mother and Baby Home Commission Report found that nine thousand children died in just eighteen of the institutions investigated. In 2014, the historian Catherine Corless made public her shocking discovery that 796 babies died between 1925 and 1961 in the Tuam home, in County Galway. These institutions were run and financed by the Catholic Church in concert with the Irish State. No apology was issued by the Irish government over the Magdalen laundries until Taoiseach Enda Kenny did so in 2013. Acknowledgements
Claire Keegan (Small Things Like These)
She arrived in Montana after two weeks on boats and trains and wagons to find this played-out convict a decade older than advertised, her first words “I pray there’s enough of you left to make a baby.” “Your mother arrived with grievances,” Dan Dolan used to say, “and plans to send me out with the same.” And so she did after four children, Rye the last, eight years old when his da dropped dead on the steps of a tavern, the very definition of Irish hell: dying walking into a bar.
Jess Walter (The Cold Millions)
I obsessed over which Ani DiFranco song to add to Lainie’s tape. When we first started dating, I had no idea who Ani DiFranco was. Lainie, shocked to baby-dyke hell, made it her mission to convert me. And yo, it took a lot of work. Ani was crazy white girl shit. Her music evoked images of Irish bagpipes and stray cats howling in heat. Her garbled singing voice made my eyes water, and I couldn’t ever be sure of what she was singing about. But with enough practice and encouragement from Lainie, I broke down Ani’s gay girl code and understood that I too was just a little girl in a training bra trying to figure shit out.
Gabby Rivera (Juliet Takes a Breath)
Either way,” Aodhán cut in, “it’s a lot like lacrosse—have you seen lacrosse?—it’s like lacrosse and American football had an unholy Irish baby. Beneath a Stone Sky
A E Lowan
The Irish word for innuendo is claontagairt. Sorry it's so long and hard.
Darach Ó Séaghdha (Craic Baby: Dispatches from a Rising Language)
Hidden history of the turf,’ Harry said. ‘Commissioner called Happy Henry Carmody. Happy shot through on a big punter, Baby Martinez, came from Manila, Hawaii, somewhere like that, got into a few duels with the books. Silly bugger, really. Happy did a bit of work for him, came highly recommended too. Then one Satdee Happy had a kitbag of notes owed to Baby, thought bugger it, Baby’s just some dago’ll cop it sweet, go home and weep under the palm trees.
Peter Temple (Bad Debts (Jack Irish, #1))
After a rainstorm on a brilliant Sunday morning, 17 January 1960, at Lucerne’s Municipal Maternity Clinic, Audrey gave birth to a sturdy, well-made son. He weighed nine and a half pounds, and they called him Sean. The Christian name was chosen because it was the Irish version of Audrey’s half-brother’s name, Ian, and because it meant ‘Gift of God’, the significance of which was not lost on all who knew the baby’s mother.
Ian Woodward (Audrey Hepburn: Fair Lady of the Screen)
I listen while my brothers-in-law and father talk college football, as always, the chatter loops around to Notre Dame, and will the Fighting Irish place in the polls this year. The number of the year may change, the children may get older, and we may add in a new baby or spouse here and there, but every autumn, and everything Thanksgiving, the talk turns to Notre Dame football and will they or won’t they.
Adriana Trigiani (Brava, Valentine)
Donovan Grant was the result of a midnight union between a German professional weight-lifter and a Southern Irish waitress. The union lasted for a quarter of an hour on the damp grass behind a circus tent outside Belfast. Afterwards the father gave the mother half-a-crown and the mother walked happily home to her bed in the kitchen of a cafe near the railway station. When the baby was expected, she went to live with an aunt in the small village of Aughmacloy that straddles the border, and there, six months later, she died of puerperal fever shortly after giving birth to a twelve-pound boy. Before she died, she said that the boy was to be called Donovan (the weight-lifter had styled himself 'The Mighty O'Donovan') and Grant, which was her own name.
Ian Fleming (From Russia With Love (James Bond #5))