Away For Awhile Quotes

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I'd like to get away from earth awhile And then come back to it and begin over. May no fate wilfully misunderstand me And half grant what I wish and snatch me away Not to return. Earth's the right place for love: I don't know where it's likely to go better.
Robert Frost (Birches)
I am a grenade," I said again. "I just want to stay away from people and read books and think and be with you guys because there's nothing I can do about hurting you: You're too invested, so just please let me do that, okay? "I'm going to go to my room and read for awhile, okay? I'm fine. I really am fine: I just want to go read for a while.
John Green (The Fault in Our Stars)
Turning away, I stared at the long road winding off ahead of me. I sighed. This trip might take awhile. "Then start walking, Rose," I muttered to myself. I set off, off to kill the man I loved.
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
You're crying?" he said. "No, I- " I tore my gaze away. "Just dust. From the path. Simon's that way." I tried to pass him, but he stooped, trying to get a loom of my face. When I wouldn't let him, he caught my chin. I jerked back, flinching at his touch, heart thudding at it, too. I told myself Simon was wrong. I'd never be dumb enough to fall for Derek. But I had. With him so close, my stomach kept doing weird flips. It wasn't fear. It hadn't been fear for awhile. "You have been crying," he said, voice softer.
Kelley Armstrong (The Reckoning (Darkest Powers, #3))
Because who would ever want to get close to another person if they knew how hard the letting-go part was? In your heart they only die a little at a time, don't they? Like a plant when you go away on a trip and forget to ask a neighbor to poke in once in awhile with the old watering-can, and its so sad—
Stephen King (Lisey's Story)
There are people who put their dreams in a little box and say, 'Yes, I've got dreams, of course I've got dreams.' Then they put the box away and bring it out once in awhile to look in it, and yep, they're still there. These are great dreams, but they never even get out of the box. It takes an uncommon amount of guts to put your dreams on the line, to hold them up and say, 'How good or how bad am I?' That's where courage comes in.
Erma Bombeck
Goodbye is the absolute hardest thing to say because you have to walk away with just a memory and after awhile that memory fades.
Sarah Dillon
...pain that is not acknowledged, talked about, shared even, doesn't ever go away. It hides for awhile and then comes back in a different form.
Francisco X. Stork (The Memory of Light)
Listen, kid. This is what happens: Somebody-girl usually-got a free spirit, doesn't get on too good with her parents. These kids, they're like tied-down helium balloons. They strain against the string and strain against it, and then something happens, and that string gets cut, and they just fly away. And maybe you never see the balloon again. It lands in Canada or somethin', gets work at a restaurant, and before the balloon even notices, it's been pouring coffee in that same dinner to the same sad bastards for thirty years. Or maybe three or four years from now or three or four days from now, the prevailing winds take the balloon back home, because it needs money, or it sobered up, or it misses its kid brother. But listen, kid, that string gets cut all the time." "Yeah, bu-" "I'm not finished, kid. The thing about these balloons is that there are so goddamned many of them. The sky is choked full of them, rubbing up against one another as they float to here or from there, and every one of those damned balloons ends up on my desk, one way or another, and after awhile a man can get discouraged. Everywhere the balloons, and each of them with a mother and father, or God forbid both, and after a while, you can't even see'em individually. You look up at all the balloons in the sky and you can see all of the balloons, but you cannot see any one balloon.
John Green (Paper Towns)
Her Time She has been feeling it for awhile - that sense of awaking. There is a gentle rage simmering inside her, and it is getting stronger by the day. She will hold it close to her - she will nurture it and let it grow. She won't let anyone take it away from her. It is her rocket fuel and finally, she is going places. She can feel it down to her very core - this is her time. She will not only climb mountains - she will move them too.
Lang Leav (The Universe of Us (Volume 4) (Lang Leav))
There are people who put their dreams in a little box and say, 'Yes, I’ve got dreams, of course I’ve got dreams.' Then they put the box away and bring it out once in awhile to look in it, and yep, they’re still there.
Erma Bombeck
Twas noontide of summer, And mid-time of night; And stars, in their orbits, Shone pale, thro' the light Of the brighter, cold moon, 'Mid planets her slaves, Herself in the Heavens, Her beam on the waves. I gazed awhile On her cold smile; Too cold–too cold for me- There pass'd, as a shroud, A fleecy cloud, And I turned away to thee, Proud Evening Star, In thy glory afar, And dearer thy beam shall be; For joy to my heart Is the proud part Thou bearest in Heaven at night, And more I admire Thy distant fire, Than that colder, lowly light.
Edgar Allan Poe (The Complete Poetry)
There are joys which long to be ours. God sends ten thousands truths, which come about us like birds seeking inlet; but we are shut up to them, and so they bring us nothing, but sit and sing awhile upon the roof, and then fly away.
Henry Ward Beecher
Legolas watched them for awhile with a smile upon his lips, and then he turned to the others. 'The strongest must seek a way, say you? But I say: let a ploughman plough, but choose an otter for swimming, and for running light over grass and leaf, or over snow--an Elf.' With that he sprang forth nimbly, and then Frodo noticed as if for the first time, though he had long known it, that the Elf had no boots, but wore only light shoes, as he always did, and his feet made little imprint in the snow. 'Farewell!' he said to Gandalf. 'I go to find the Sun!' Then swift as a runner over firm sand he shot away, and quickly overtaking the toiling men, with a wave of his hand he passed them, and sped into the distance, and vanished round the rocky turn.
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
Your dad just threw down and I just laid it out,” Shy started when I didn’t speak. “Now’s the time to share, Tabby.” “I love you,” I whispered. “Good, but don’t say that shit to me three feet away. Get the fuck over here.” I launched off on a foot, took one step and flew through the air. Shy, as he’d been doing awhile, caught me. I wrapped my limbs around him and looked down in his beautiful green eyes. “I love you,” I whispered again.
Kristen Ashley (Own the Wind (Chaos, #1))
Let me tell you something you haven't learnt yet, something you learn only by living awhile. As you get older, you find that life begins to wear you down. Doesn't matter who you are or what you do, it happens. Experience, time, events - they all conspire against you to steal away your energy, to erode your confidence, to make you question things you wouldn't have given a second thought to when you were young. It happens gradually, a chipping away that you don't even notice at first, and then one day it's there. You wake up and you just don't have the fire anymore...Then you have a choice. You can either give in to what you're feeling, just say "okay, enough is enough" and be done with it, or you can fight it. You can accept that every day you're alive you're going to have to face it down, that you're going to have to say to yourself that you don't care what you feel, that it doesn't matter what happens anyway, that you're going to do what you have to because otherwise you're defeated and life doesn't have any real pupose left. When you can do that, little Wren, when you can accept the wearing down and the eroding, then you can do anything. How did I manage to keep going out nights? I just told myself I didn't matter all that much - that those in here mattered more. You know something? It's not so hard really. You just have to get past the fear.
Terry Brooks
You can say anything with a Post-It. I’m not entirely sure why that is. Maybe the friendliness of the squares makes it easier. A square is nicely compact and less intimidating than a full page. And they come in cheerful colors. Non-white paper is kind of inherently festive. Or maybe paper that sticks feels more important than paper that can blow away. (Though you can move them, if you need to put them somewhere else.) They might not be as lasting as words carved in stone, but Post-It thoughts will stay. For awhile, at least.
Erin Morgenstern
I'd like to get away from earth awhile and then come back to it and begin over.
Robert Frost
Dad, will they ever come back?" "No. And yes." Dad tucked away his harmonica. "No not them. But yes, other people like them. Not in a carnival. God knows what shape they'll come in next. But sunrise, noon, or at the latest, sunset tomorrow they'll show. They're on the road." "Oh, no," said Will. "Oh, yes, said Dad. "We got to watch out the rest of our lives. The fight's just begun." They moved around the carousel slowly. "What will they look like? How will we know them?" "Why," said Dad, quietly, "maybe they're already here." Both boys looked around swiftly. But there was only the meadow, the machine, and themselves. Will looked at Jim, at his father, and then down at his own body and hands. He glanced up at Dad. Dad nodded, once, gravely, and then nodded at the carousel, and stepped up on it, and touched a brass pole. Will stepped up beside him. Jim stepped up beside Will. Jim stroked a horse's mane. Will patted a horse's shoulders. The great machine softly tilted in the tides of night. Just three times around, ahead, thought Will. Hey. Just four times around, ahead, thought Jim. Boy. Just ten times around, back, thought Charles Halloway. Lord. Each read the thoughts in the other's eyes. How easy, thought Will. Just this once, thought Jim. But then, thought Charles Halloway, once you start, you'd always come back. One more ride and one more ride. And, after awhile, you'd offer rides to friends, and more friends until finally... The thought hit them all in the same quiet moment. ...finally you wind up owner of the carousel, keeper of the freaks... proprietor for some small part of eternity of the traveling dark carnival shows.... Maybe, said their eyes, they're already here.
Ray Bradbury (Something Wicked This Way Comes)
Talking out loud, head low, he asked his dad to forgive him for spending so much time away, and he knew Scupper did. Tate remembered his dad’s definition of a man: one who can cry freely, feel poetry and opera in his heart, and do whatever it takes to defend a woman. Scupper would have understood tracking love through mud. Tate sat there quite awhile, one hand on his mother, the other on his father
Delia Owens (Where the Crawdads Sing)
There is an eternal difference between regret and repentance. Regret feels bad about past sins. Repentance turns away from past sins. Regret looks to our own circumstances. Repentance looks to God. Most of us are content with regret. We just want to feel bad for awhile, have a good cry, enjoy the cathartic experience, bewail our sin, and talk about how sorry we are. But we don’t want to change. We don’t want to deal with God.
Kevin DeYoung (The Hole in Our Holiness: Filling the Gap between Gospel Passion and the Pursuit of Godliness)
I’d like to get away from earth awhile And then come back to it and begin over. May no fate willfully misunderstand me And half grant what I wish and snatch me away Not to return. Earth's the right place for love: I don't know where it's likely to go better. I'd like to go by climbing a birch tree, And climb black branches up a snow-white trunk Toward heaven, till the tree could bear no more, But dipped its top and set me down again. That would be good both going and coming back. One could do worse than be a swinger of birches.
Robert Frost
There are parts of a woman’s heart that are reserved for certain types of love. Experiencing the love of a father figure in an appropriate way is essential in paving the way for the love of a man to be experienced in the right way. The love of a father is vital in ensuring that a woman’s heart is kept open in this area. If this area is not kept open, it produces problems later on in a woman’s life, for that area is also reserved for the romantic love that comes in the form of a marriage relationship. This is an extremely sensitive area of the heart for a woman, and has plenty of opportunity to be easily bruised. When that does occur, she will put up a protective barrier to try and avoid any such pain occurring again. If this barrier isn’t dismantled fairly soon, a woman’s heart becomes accustomed to its protective barrier, and the heart shielded inside gradually becomes hardened. As women, we may be able to function like this for awhile. But there will come a time in your life where God will begin to peel away those hard layers surrounding your heart, and you probably won’t like that sensation. But you have to fight your natural instinct to run away. This is where many Christian women may get stuck. They view every man through the lens of what their father was to them, or what he was not. Their perception of men is shaded, and often damaged, by the very people who should have been modeling the world of adult relationships to their daughters. As a result, their judgement is often clouded, and women find themselves settling for less than what they truly deserve. Many marriages, even Christian marriages, have been damaged and even terminated because one or both partners refused to sit down and deal with their past issues.
Corallie Buchanan (Watch Out! Godly Women on the Loose)
. “We’re both... I mean, you’re more so, but we’re both really fucked up emotionally. I mean, how do I know you’re not still loopy from being shot full of... of...” “Benzodiazepine,” he said. “Yes, that.” Victoria’s eyes met with his a moment and then looked away. “It’s been awhile for me,” she said at last. “I mean, I’ve slept with people...” “So have I,” he said.
Benjamin R. Smith (Atlas)
Let me tell you something you haven’t learned yet, something you learn only by living awhile. As you get older, you find that life begins to wear you down. Doesn’t matter who you are or what you do, it happens. Experience, time, events—they all conspire against you to steal away your energy, to erode your confidence, to make you question things you wouldn’t have given a second thought to when you were young. It happens gradually, a chipping away that you don’t even notice at first, and then one day it’s there. You wake up and you just don’t have the fire anymore.” He smiled...
Terry Brooks (The Elf Queen of Shannara (Heritage of Shannara, #3))
A Ripple Song Once a ripple came to land In the sunset burning- Lapped against a maiden's hand, By the ford returning. Dainty foot and gentle breast- Here, across, be glad and rest. "Maiden, wait," the ripple saith "Wait awhile, for I am Death!" 'Where my lover calls I go- Shame it were to treat him coldly- 'Twas a fish that circled so, Turning over boldly.' Dainty foot and tender heart, Wait the loaded ferry-cart. "Wait, ah, wait!" the ripple saith; "Maiden, wait, for I am Death!" 'When my lover calls I haste- Dame Disdain was never wedded!' Ripple-ripple round her waist, Clear the current eddied. Foolish heart and faithful hand, Little feet that touched no land. Far away the ripple sped, Ripple-ripple-running red!
Rudyard Kipling (The Jungle Books)
I cling to my anger with every ounce of humanity left in my ruined body, but it's no use. It slips away, like a wave from shore. I am pondering this sad fact when I realize the blackness of sleep is circling my head. It's been there awhile, biding its time and growing closer with each revolution. I give up on rage, which at this point has become a formality, and make a mental note to get angry again in the morning. Then I let myself drift, because there's really no fighting it.
Sara Gruen (Water for Elephants)
I don't want your apology, least of all for being afraid," he said. "Without fear, what would we be? Mad dogs with foam on our muzzles and shit drying on our hocks." "What do you want, then?" Eddie cried. "You've taken everything else- everything I have to give! No, not even that, because in the end, I gave it to you! So what else do you want from me?" Roland held the key which was their half of Jake Chamber's salvation locked in his fist and said nothing. His eyes held Eddie's, and the sun shone on the green expanse of plain and the blue-gray reach of the Send River, and somewhere in the distance the crow hailed again across the golden leagues of this fading summer afternoon. After awhile, understanding began to dawn in Eddie Dean's eyes. Roland nodded. "I have forgotten the face. . ." Eddie paused. Dipped his head. Swallowed. Looked up at the Gunslinger once more. The thing which had been dying among them had moved on now- Roland knew it. That thing was gone. Just like that. Here, on this sunny wind-swept ridge at the edge of everything, it had gone forever. "I have forgotten the face of my father, gunslinger. . . and I cry your pardon." Roland opened his hand and returned the small burden of the key to him who ka had decreed must carry it. "Speak not so, gunslinger," he said in the High Speech. "Your father sees you very well. . . loves you very well . . . and so do I." Eddie closed his own hand over the key and turned away with his tears still drying on his face. "Let's go," he said, and they began to move down the long hill toward the plain which streched beyond.
Stephen King
In the beginning there was faith - which is childish; trust, which is vain; and illusion, which is dangerous.” He believed that after awhile everything would go away and everything would be fine. But he realized he was just lying to himself because everything kept getting worse.
Elie Wiesel (Night (The Night Trilogy, #1))
And there I was at night, chasing after the full moon behind the clouds like a mad man in search of the reflection of the light of love in another person, without daring to light up the spark of light that I had left within myself. It was nowhere to be seen, but I felt it was out there somewhere. I've surely seen it a couple of days ago up in the sky and my eyes couldn't have lied to me, it was so beautiful, or so it appeared to be. I guess I have to stop stalking what can't be seen for awhile and let the light of the full moon find its way through my messed up soul. Maybe it's time to go to sleep and trust that another sunrise will renew what the full moon couldn't clear away tonight. During all that time, I might've not found the light of the moon, but I rested deeply with the sound of the raindrops, while gazing at the quiet river flowing slowly. What a crucial moment to be alive!
Virgil Kalyana Mittata Iordache
I remember going to the British Museum one day to read up the treatment for some slight ailment of which I had a touch – hay fever, I fancy it was. I got down the book, and read all I came to read; and then, in an unthinking moment, I idly turned the leaves, and began to indolently study diseases, generally. I forget which was the first distemper I plunged into – some fearful, devastating scourge, I know – and, before I had glanced half down the list of “premonitory symptoms,” it was borne in upon me that I had fairly got it. I sat for awhile, frozen with horror; and then, in the listlessness of despair, I again turned over the pages. I came to typhoid fever – read the symptoms – discovered that I had typhoid fever, must have had it for months without knowing it – wondered what else I had got; turned up St. Vitus’s Dance – found, as I expected, that I had that too, – began to get interested in my case, and determined to sift it to the bottom, and so started alphabetically – read up ague, and learnt that I was sickening for it, and that the acute stage would commence in about another fortnight. Bright’s disease, I was relieved to find, I had only in a modified form, and, so far as that was concerned, I might live for years. Cholera I had, with severe complications; and diphtheria I seemed to have been born with. I plodded conscientiously through the twenty-six letters, and the only malady I could conclude I had not got was housemaid’s knee. ... I had walked into that reading-room a happy, healthy man. I crawled out a decrepit wreck. I went to my medical man. He is an old chum of mine, and feels my pulse, and looks at my tongue, and talks about the weather, all for nothing, when I fancy I’m ill; so I thought I would do him a good turn by going to him now. “What a doctor wants,” I said, “is practice. He shall have me. He will get more practice out of me than out of seventeen hundred of your ordinary, commonplace patients, with only one or two diseases each.” So I went straight up and saw him, and he said: “Well, what’s the matter with you?” I said: “I will not take up your time, dear boy, with telling you what is the matter with me. Life is brief, and you might pass away before I had finished. But I will tell you what is NOT the matter with me. I have not got housemaid’s knee. Why I have not got housemaid’s knee, I cannot tell you; but the fact remains that I have not got it. Everything else, however, I HAVE got.” And I told him how I came to discover it all. Then he opened me and looked down me, and clutched hold of my wrist, and then he hit me over the chest when I wasn’t expecting it – a cowardly thing to do, I call it – and immediately afterwards butted me with the side of his head. After that, he sat down and wrote out a prescription, and folded it up and gave it me, and I put it in my pocket and went out. I did not open it. I took it to the nearest chemist’s, and handed it in. The man read it, and then handed it back. He said he didn’t keep it. I said: “You are a chemist?” He said: “I am a chemist. If I was a co-operative stores and family hotel combined, I might be able to oblige you. Being only a chemist hampers me.” I read the prescription. It ran: “1 lb. beefsteak, with 1 pt. bitter beer every 6 hours. 1 ten-mile walk every morning. 1 bed at 11 sharp every night. And don’t stuff up your head with things you don’t understand.” I followed the directions, with the happy result – speaking for myself – that my life was preserved, and is still going on.
Jerome K. Jerome (Three Men in a Boat (Three Men, #1))
God the horror of watching yourself from the outside as everything you know about yourself gets stripped away and demolished. Not just the loss of power over your body, but power over your mind. Rape in the deepest, most hellish sense of the word. But wait, there's a spark. Inside that hollowed out woman there's a place they can't touch. There's more to me than I thought there was. Something that no one and nothing can take away from me. They can't break me. I won't cease. I'm strong, and I am never going to go away until I've gotten what I came for. I might have been lost for awhile but I was never gone. WHO THE FUCK ARE YOU? With an explosive inhalation I snap upright in bed, and my eyes fly open like coming alive after being dead and interred in a coffin. I AM Mac and I am BACK!
Karen Marie Moning (Dreamfever (Fever, #4))
This is death. I don't want it to tarry awhile so I can write a monograph. I want it to go away for seventy or eighty years.
Don DeLillo (White Noise)
The Last Words of My English Grandmother There were some dirty plates and a glass of milk beside her on a small table near the rank, disheveled bed-- Wrinkled and nearly blind she lay and snored rousing with anger in her tones to cry for food, Gimme something to eat-- They're starving me-- I'm all right--I won't go to the hospital. No, no, no Give me something to eat! Let me take you to the hospital, I said and after you are well you can do as you please. She smiled, Yes you do what you please first then I can do what I please-- Oh, oh, oh! she cried as the ambulance men lifted her to the stretcher-- Is this what you call making me comfortable? By now her mind was clear-- Oh you think you're smart you young people, she said, but I'll tell you you don't know anything. Then we started. On the way we passed a long row of elms. She looked at them awhile out of the ambulance window and said, What are all those fuzzy looking things out there? Trees? Well, I'm tired of them and rolled her head away.
William Carlos Williams (Selected Poems (William Carlos Williams))
It never really felt like work to me, although I called it that; it felt like some weird mental trampoline I bounced on. Those were the springs that took away all the weight of the world for awhile.
Stephen King (Bag of Bones)
There was a lot they didn’t tell you about death, she had discovered, and one of the biggies was how long it took the ones you loved most to die in your heart. It’s a secret, Lisey thought, and it should be, because who would ever want to get close to another person if they knew how hard the letting-go part was? In your heart they only die a little at a time, don’t they? Like a plant when you go away on a trip and forget to ask a neighbor to poke in once in awhile with the old watering-can, and it’s so sad—
Stephen King (Lisey's Story)
The guy was still staring at me. I felt rather blushy. Finally I decided that the proper strategy was to stare back. Boys do not have a monopoly on the Staring Business, after all [...] After awhile the boy smiled, and then finally his blue eyes glanced away. When he looked back at me, I flickered my eyebrows up to say, I win.
John Green (The Fault in Our Stars)
Oh, how can I put into words the joys of a walk over country such as this; the scenes that delight the eyes, the blessed peace of mind, the sheer exuberance which fills your soul as you tread the firm turf? This is something to be lived, not read about. On these breezy heights, a transformation is wondrously wrought within you. Your thoughts are simple, in tune with your surroundings; the complicated problems you brought with you from the town are smoothed away. Up here, you are near to your Creator; you are conscious of the infinite; you gain new perspectives; thoughts run in new strange channels; there are stirrings in your soul which are quite beyond the power of my pen to describe. Something happens to you in the silent places which never could in the towns, and it is a good thing to sit awhile in a quiet spot and meditate. The hills have a power to soothe and heal which is their very own. No man ever sat alone on the top of a hill and planned a murder or a robbery, and no man ever came down from the hills without feeling in some way refreshed, and the better for his experience.
Alfred Wainwright
He remembered being a kid, all the things he felt capable of, all the streets and avenues that branched away from his body, all the possibilities. But in the end you can only have one life. One at a time, at least. You could turn, you could pause for awhile, but you couldn't go down two streets at once. The things they didn't end up doing, the places and people they decided against, all defined them as much as anything else, in the way negative space defines a photo or a song. The lives they didn't lead were there, too, always with them. Only recently did he begin to see the shape those choices had made.
Mary Beth Keane (The Half Moon)
J. R. R. Tolkien gives one of the most entrancing descriptions of the true nature of Sabbath. In book 1 of The Lord of the Rings trilogy, he describes a time of rest and healing in the house of Elrond in Rivendell. The hobbits, along with Strider, their guide, have made a dangerous, almost fatal journey to this place. They will soon have to make an even more dangerous, almost certainly fatal journey away from this place. But in the meantime, this: For awhile the hobbits continued to talk and think of the past journey and of the perils that lay ahead; but such was the virtue of the land of Rivendell that soon all fear and anxiety was lifted from their minds. The future, good or ill, was not forgotten, but ceased to have power over the present. Health and hope grew strong in them, and they were content with each day as it came, taking pleasure in every meal, and in every word and song.2 The future, good or ill, was not forgotten, but ceased to have power over the present. That’s Sabbath.
Mark Buchanan (The Rest of God: Restoring Your Soul by Restoring Sabbath)
Nothing stays or holds or keeps where there is growth, he somehow perceived vaguely but truly. Great Caesar dead and turned to clay stopped no hole to keep the wind away. Dead Caesar was nothing but a tiresome bit of print in a book that schoolboys study for awhile and then forget. The Ambersons had passed, and the new people would pass, and the new people that came after them, and then the next new ones, and the next—and the next—
Booth Tarkington (The Magnificent Ambersons)
When by my solitary hearth I sit, And hateful thoughts enwrap my soul in gloom; When no fair dreams before my "mind's eye" flit, And the bare heath of life presents no bloom; Sweet Hope, ethereal balm upon me shed, And wave thy silver pinions o'er my head. Whene'er I wander, at the fall of night, Where woven boughs shut out the moon's bright ray, Should sad Despondency my musings fright, And frown, to drive fair Cheerfulness away, Peep with the moon-beams through the leafy roof, And keep that fiend Despondence far aloof. Should Disappointment, parent of Despair, Strive for her son to seize my careless heart; When, like a cloud, he sits upon the air, Preparing on his spell-bound prey to dart: Chace him away, sweet Hope, with visage bright, And fright him as the morning frightens night! Whene'er the fate of those I hold most dear Tells to my fearful breast a tale of sorrow, O bright-eyed Hope, my morbid fancy cheer; Let me awhile thy sweetest comforts borrow: Thy heaven-born radiance around me shed, And wave thy silver pinions o'er my head! Should e'er unhappy love my bosom pain, From cruel parents, or relentless fair; O let me think it is not quite in vain To sigh out sonnets to the midnight air! Sweet Hope, ethereal balm upon me shed. And wave thy silver pinions o'er my head! In the long vista of the years to roll, Let me not see our country's honour fade: O let me see our land retain her soul, Her pride, her freedom; and not freedom's shade. From thy bright eyes unusual brightness shed-- Beneath thy pinions canopy my head! Let me not see the patriot's high bequest, Great Liberty! how great in plain attire! With the base purple of a court oppress'd, Bowing her head, and ready to expire: But let me see thee stoop from heaven on wings That fill the skies with silver glitterings! And as, in sparkling majesty, a star Gilds the bright summit of some gloomy cloud; Brightening the half veil'd face of heaven afar: So, when dark thoughts my boding spirit shroud, Sweet Hope, celestial influence round me shed, Waving thy silver pinions o'er my head. - To Hope
John Keats (The Complete Poems)
After awhile, life becomes technical college. You can’t be anything you want to be. You can be, like, twenty things. That’s it.” - "Refund" from Shake Away These Constant Days
Ryan Werner
Holding his breath, swaying drunkenly beneath a bulb which illumined little more than grime and moisture, Moon stared awhile at the cement wall; it took just such a hopeless international latrine in the early hours of a morning, when a man was weak in the knees, short in the breath, numb in the forehead and rotten in the gut, to make him wonder where he was, how he got there, where he was going; he realized that he did not know and never would. He had confronted this same latrine on every continent and not once had it come up with an answer; or rather, it always came up with the same answer, a suck and gurgle of unspeakable vileness, a sort of self-satisfied low chuckling: Go to it, man, you’re pissing your life away.
Peter Matthiessen (At Play in the Fields of the Lord)
No!” She headed back to her tent. “Leave me, dragon. I never want to see you, or your family, again. Ever!” Danelin glanced at Brastias. “Family?” “Don’t ask.” The dragon silently watched Annwyl’s retreating form. He began chanting and flame surrounded him. That’s when Brastias wondered if he would die this day. The flames grew, enveloping the beast, but eventually the flames died away, leaving a very large, very naked man. With a growl, he followed after Annwyl, disappearing into the tent after her. “So they can shape-shift then?” Danelin asked quietly. “Seems so.” “Should we go after him?” Brastias looked at Danelin. It took him awhile, but he’d finally figured out what he’d just witnessed. A lover’s quarrel. Leave it to Annwyl.
G.A. Aiken (Dragon Actually (Dragon Kin, #1))
To a Familiar Genius Flying By Reveal yourself, anonymous enchanter! What heaven hastens you to me? Why draw me to that promised land again That I gave up so long ago? Was it not you who in my youth Enchanted me with such sweet dreams, Did you not whisper, long ago, Dear hopes of a guests ethereal? Was it not you through whom all lived In golden days, in happy lands Of fragrant meadows, waters bright, Where days were merry ?neath clear skies? Was it not you who breathed into my vernal breast Some melancholy mysteries Tormenting it with keen desire Exciting it to anxious joy? Was it not you who bore my soul aloft Upon the inspiration of your sacred verse, Who flamed before me like a holy vision, Initiating me into life's beauty? In hours lost, hours of secret grief, Did you not always murmur to my heart, With happy comfort soothe it And nurture it with quiet hope? Did not my soul forever heed you In all the purest moments of my life When'ere it glimpsed fate's sacred essence With only God to witness it? What news bring you, O, my enchantress? Or will you once more call in dreams Awaken futile thoughts of old, Whisper of joy and then fall silent? O spirit, bide with me awhile; O, faithful friend, haste not away; Stay, please become my earthly life, O, Guardian angel of my soul.
Vasily Zhukovsky
Don't forget to get away every once in awhile, To lose yourself in a book Or in the woods behind your home Ride your bike into the sunset, Sit on your front steps and count the cars passing by, Lay on your roof and gaze up at the night sky, Drive along backroads with the windows rolled down Listening to nothing but the sound of rushing wind I hope you take the time to be alone, To sort through the cluttered shelves of your heart I hope you take the time to be silent, To close your eyes and just listen I hope you take the time to be still, To quiet your mind and experience the beauty Of simply Being
Madisen Kuhn (eighteen years)
He was really quite addicted to her face, and yet for the longest time he could not remember it at all, it being so much brighter than sunlight on a pool of water that he could only recall that blinding brightness; then after awhile, since she refused to give him her photograph, he began to practice looking away for a moment when he was still with her, striving to uphold in his inner vision what he had just seen (her pale, serious, smooth and slender face, oh, her dark hair, her dark hair), so that after immense effort he began to retain something of her likeness although the likeness was necessarily softened by his fallibility into a grainy, washed-out photograph of some bygone court beauty, the hair a solid mass of black except for parallel streaks of sunlight as distinct as the tines of a comb, the hand-tinted costume sweetly faded, the eyes looking sadly, gently through him, the entire image cob-webbed by a sheet of semitranslucent Thai paper whose white fibers twisted in the lacquered space between her and him like gorgeous worms; in other words, she remained eternally elsewhere.
William T. Vollmann (Europe Central)
The tasks we have decided to label mundane—as tasks!—are that which accumulate into relationships and memories. Cooking dinner or helping your kids with homework. If what we do every day is more important than what we do once in a while, then outsourcing our day-to-day demands to serve the goals of the once-in-awhile—those big-ticket purchases we save our time and money for—seems like a net loss. A little chipping away at the fullness of life, in all its messiness.
Megan Kimble (Unprocessed: My City-Dwelling Year of Reclaiming Real Food)
But when fall comes, kicking summer out on its treacherous ass as it always does one day sometime after the midpoint of September, it stays awhile like an old friend that you have missed. It settles in the way an old friend will settle into your favorite chair and take out his pipe and light it and then fill the afternoon with stories of places he has been and things he has done since last he saw you. It stays on through October and, in rare years, on into November. Day after day the skies are a clear, hard blue, and the clouds that float across them, always west to east, are calm white ships with gray keels. The wind begins to blow by the day, and it is never still. It hurries you along as you walk the roads, crunching the leaves that have fallen in mad and variegated drifts. The wind makes you ache in some place that is deeper than your bones. It may be that it touches something old in the human soul, a chord of race memory that says Migrate or die – migrate or die. Even in your house, behind square walls, the wind beats against the wood and the glass and sends its fleshless pucker against the eaves and sooner or later you have to put down what you were doing and go out and see. And you can stand on your stoop or in your dooryard at mid-afternoon and watch the cloud shadows rush across Griffen’s pasture and up Schoolyard Hill, light and dark, light and dark, like the shutters of the gods being opened and closed. You can see the goldenrod, that most tenacious and pernicious and beauteous of all New England flora, bowing away from the wind like a great and silent congregation. And if there are no cars or planes, and if no one’s Uncle John is out in the wood lot west of town banging away at a quail or pheasant; if the only sound is the slow beat of your own heart, you can hear another sound, and that is the sound of life winding down to its cyclic close, waiting for the first winter snow to perform last rites.
Stephen King ('Salem's Lot)
Perspective - Use It or Lose It. If you turned to this page, you're forgetting that what is going on around you is not reality. Think about that. Remember where you came from, where you're going, and why you created the mess you got yourself into in the first place. You are led through your lifetime by the inner learning creature, the playful spiritual being that is your real self. Don't turn away from possible futures before you're certain you don't have anything to learn from them. Learning is finding out what you already know. Doing is demonstrating that you know it. Teaching is reminding others that they know just as well as you. You are all learners, doers, and teachers. Your only obligation in any lifetime is to be true to yourself. Being true to anyone else or anything else is not only impossible, but the mark of a false messiah. Your conscience is the measure of the honesty of your selfishness. Listen to it carefully. The simplest questions are the most profound. Where were you born? Where is your home? Where are you going? What are you doing? Think about these once in awhile, and watch your answers change. Your friends will know you better in the first minute you meet than your acquaintances will know you in a thousand years. The bond that links your true family is not one of blood, but of respect and joy in each other's life. Rarely do members of one family grow up under the same roof. There is no such thing as a problem without a gift for you in its hands. You seek problems because you need their gifts. Imagine the universe beautiful and just and perfect. Then be sure of one thing: The Is has imagined it quite a bit better than you have. The original sin is to limit the Is. Don't. A cloud does not know why it moves in just such a direction and at such a speed, it feels an impulsion....this is the place to go now. But the sky knows the reason and the patterns behind all clouds, and you will know, too, when you lift yourself high enough to see beyond horizons. You are never given a wish without being given the power to make it true. You may have to work for it, however. Argue for your limitations, and sure enough, they're yours. If you will practice being fictional for a while, you will understand that fictional characters are sometimes more real than people with bodies and heartbeats. The world is your exercise-book, the pages on which you do your sums. It is not reality, although you can express reality there if you wish. You are also free to write nonsense, or lies, or to tear the pages. Every person, all the events of your life, are there because you have drawn them there. What you choose to do with them is up to you. In order to live free and happily, you must sacrifice boredom. It is not always an easy sacrifice. The best way to avoid responsibility is to say, "I've got responsibilities." The truth you speak has no past and no future. It is, and that's all it needs to be. Here is a test to find whether your mission on earth is finished: If you're alive, it isn't. Don't be dismayed at good-byes. A farewell is necessary before you can meet again. And meeting again, after moments or lifetimes, is certain for those who are friends. The mark of your ignorance is the depth of your belief in injustice and tragedy. What the caterpillar calls the end of the world, the master calls a butterfly. You're going to die a horrible death, remember. It's all good training, and you'll enjoy it more if you keep the facts in mind. Take your dying with some seriousness, however. Laughing on the way to your execution it not generally understood by less advanced lifeforms, and they'll call you crazy. Everything above may be wrong!
Richard Bach
It wasn't gloom at all, really. There were lights and colors. If it hadn't been for the feel of the water gliding by against his skin he might have imagined himself up in the sky, with meteors and comets blazing past. But these were sea-things, shining in the dark, the luminous life that blazes beneath the southern sea. First he'd see a tiny twinkling speck, like a star, and it might have been next to his face or a mile away, in that immense, featureless void, with its faint hint of green. It would grow larger. It would turn into a radiant sun of purple or crimson or orange and come rushing at him, and swerve aside at the last moment. There were sinuous ribbons of fire that coiled into bright patterns, and there were schools of tiny fish that flashed by like sparks. Down below, in the deeper abyss, the colors were paler, and once an enormous shape blundered past down there, like the sea-bottom itself moving heavily. Pete watched awhile and then swam up. ("Before I Wake...")
Henry Kuttner (Masters of Horror)
I’d like to get away from earth awhile And then come back to it and begin over. May no fate willfully misunderstand me And half grant what I wish and snatch me away Not to return. Earth’s the right place for love: I don’t know where it’s likely to go better.
Roger McGough (Poetry Please)
After we've been dancing awhile and need a breather, we walk off the dance floor. I whip out my cell and say, "Pose for me." The first picture I take is of him trying to pose like a cool bad boy. It makes me laugh. I take another one before he can strike a pose this time. "Let's take one of the both of us," he says, pulling me close. I press my cheek against his while he takes my cell and puts it as far away as he can reach, then freezes this perfect moment with a click. After the picture is taken, he pulls me into his arms and kisses me.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
I crawled out the window and ran into the woods. I had to make up all the words myself. The way they taste, the way they sound in the air. I passed through the narrow gate, stumbled in, stumbled around for awhile, and stumbled back out. I made this place for you. A place for you to love me. If this isn't the kingdom then I don't know what is.
Richard Siken (Crush)
Boston. Fucking horrible. I remember, when 9/11 went down, my reaction was, "Well, I've had it with humanity." But I was wrong. I don't know what's going to be revealed to be behind all of this mayhem. One human insect or a poisonous mass of broken sociopaths. But here's what I DO know. If it's one person or a HUNDRED people, that number is not even a fraction of a fraction of a fraction of a percent of the population on this planet. You watch the videos of the carnage and there are people running TOWARDS the destruction to help out. (Thanks FAKE Gallery founder and owner Paul Kozlowski for pointing this out to me). This is a giant planet and we're lucky to live on it but there are prices and penalties incurred for the daily miracle of existence. One of them is, every once in awhile, the wiring of a tiny sliver of the species gets snarled and they're pointed towards darkness. But the vast majority stands against that darkness and, like white blood cells attacking a virus, they dilute and weaken and eventually wash away the evil doers and, more importantly, the damage they wreak. This is beyond religion or creed or nation. We would not be here if humanity were inherently evil. We'd have eaten ourselves alive long ago. So when you spot violence, or bigotry, or intolerance or fear or just garden-variety misogyny, hatred or ignorance, just look it in the eye and think, "The good outnumber you, and we always will.
Patton Oswalt
Don't go home with that magic man! I wanted to shake my Walkman, warn the Heart girls to run away. Don't trust him! He might be magic, but he's not very nice! He says he just wants to get high awhile, but he'll get you so high you can't come back down. He'll make you stay inside so long, it hurts your eyes to go out, so you'll spend whole years wasting away in his mansion. You'll lose your sense of time. You'll lose your appetite. When your mama cries on the phone, you won't understand a word she's saying. You'll just tell her, "Try to understand." And Mrs. Wilson isn't falling for that shit. Ann! Nance! Get the hell out of there. One smile from that magic man and you're done. You'll be so fucking magic, you won't be real anymore. He'll even set your lipgloss on fire.
Rob Sheffield (Love Is a Mix Tape: Life and Loss, One Song at a Time)
Art thou that man,' she cries, 'who, erstwhile fed with the milk and reared upon the nourishment which is mine to give, had grown up to the full vigour of a manly spirit? And yet I had bestowed such armour on thee as would have proved an invincible defence, hadst thou not first cast it away. Dost thou know me? Why art thou silent? Is it shame or amazement that hath struck thee dumb? Would it were shame; but, as I see, a stupor hath seized upon thee.' Then, when she saw me not only answering nothing, but mute and utterly incapable of speech, she gently touched my breast with her hand, and said: 'There is no danger; these are the symptoms of lethargy, the usual sickness of deluded minds. For awhile he has forgotten himself; he will easily recover his memory, if only he first recognises me.
Boethius (The Consolation of Philosophy)
Nexa asked me to check up on you," Tristan said dryly. "Just in case you were thinking of doing something… impulsive." "That's ridiculous." My eyes followed Amber's back as she walked away . "I've been wanting to kick her ass for awhile, so it wouldn't have been impulsive. More like premeditated." Raveling, Emma (2011-09-16). Whirl (Ondine Quartet Book 1) (p. 95). Mandorla Publishing. Kindle Edition.
Emma Raveling (Whirl (Ondine Quartet, #1))
I ignored the evidence before me and held him in the Light, pictured him glowing with the Divine that still existed in him. And he changed over those minutes, a falling away of the layers of not-God, not-love, of man-made cover, of an ego's false protections. Then he was weeping. Silently shaking as tears spilled onto his cheeks. We sat until he was still. We sat awhile longer. I stood and waited a few minutes more. Then I opened my arms. He hesitated but came to me, and I held the Divine that he still contained, and I held the man with all his lesions, and I held myself for being there, reaching out, even as the not-God in me roared with an ache to inflict grievous harm on this man, to make him feel all he had inflicted on others. When I had given everything I could, I pulled away. I left him before the not-love in me reared up, before it suffocated that of the Divine.
Joanne Tompkins (What Comes After)
I never leave home without my cayenne pepper. I either stash a bottle of the liquid extract in my pocket book or I stick it in the shopping cart I pull around with me all over Manhattan. When it comes to staying right side up in this world, a black woman needs at least three things. The first is a quiet spot of her own, a place away from the nonsense. The second is a stash of money, like the cash my mother kept hidden in the slit of her mattress. The last is several drops of cayenne pepper, always at the ready. Sprinkle that on your food before you eat it and it’ll kill any lurking bacteria. The powder does the trick as well, but I prefer the liquid because it hits the bloodstream quickly. Particularly when eating out, I won’t touch a morsel to my lips ‘til it’s speckled with with cayenne. That’s just one way I take care of my temple, aside from preparing my daily greens, certain other habits have carried me toward the century mark. First thing I do every morning is drink four glasses of water. People think this water business is a joke. But I’m here to tell you that it’s not. I’ve known two elderly people who died of dehydration, one of whom fell from his bed in the middle of the night and couldn’t stand up because he was so parched. Following my water, I drink 8 ounces of fresh celery blended in my Vita-mix. The juice cleanses the system and reduces inflammation. My biggest meal is my first one: oatmeal. I soak my oats overnight so that when I get up all I have to do is turn on the burner. Sometimes I enjoy them with warm almond milk, other times I add grated almonds and berries, put the mixture in my tumbler and shake it until it’s so smooth I can drink it. In any form, oats do the heart good. Throughout the day I eat sweet potatoes, which are filled with fiber, beets sprinkled with a little olive oil, and vegetables of every variety. I also still enjoy plenty of salad, though I stopped adding so many carrots – too much sugar. But I will do celery, cucumbers, seaweed grass and other greens. God’s fresh bounty doesn’t need a lot of dressing up, which is why I generally eat my salad plain. From time to time I do drizzle it with garlic oil. I love the taste. I also love lychee nuts. I put them in the freezer so that when I bite into them cold juice comes flooding out. As terrific as they are, I buy them only once in awhile. I recently bit into an especially sweet one, and then I stuck it right back in the freezer. “Not today, Suzie,” I said to myself, “full of glucose!” I try never to eat late, and certainly not after nine p.m. Our organs need a chance to rest. And before bed, of course, I have a final glass of water. I don’t mess around with my hydration.
Cicely Tyson (Just as I Am)
That’s why time-friendly people tend to make fewer emotional commitments than my friend Bernard does. They have a profound understanding of how much time it takes to be there for someone, so they think, deliberate, and pray long and hard before they decide to invest in a relationship. You might think they’re aloof or uncaring. They’re not. They are, instead, unwilling to write bad checks, emotionally speaking. Another friend, Pamela, recently passed the time test with flying colors. We’ve known each other a long time, and I needed her input on a big decision I was making. I knew she was busy, but I called her anyway, asking, “Can we do lunch?” Pamela lives quite a drive away, but she checked her calendar (another trait of safe people!), and we made an appointment. A few days later, we met, and I told her how much it meant to me for her to take the time out for me. She was genuinely surprised. “Well, I told you I’d be here, didn’t I?” Tears came to my eyes. For Pamela, a relationship means that you’re there for good. End of conversation. Look for people who are “anchored” over time. Don’t go for flashy, intense, addictive types. A Ford that will be there tomorrow is a lot better than a Maserati that might be gone. There are stable Maseratis. But it’s best to drive them awhile, that is, test out the relationship over time, to make sure.
Henry Cloud (Safe People: How to Find Relationships That Are Good for You and Avoid Those That Aren't)
It's been awhile since I have heard from you, To me it felt like it was only yesterday that all we could do was talk to each other To me it felt like it was only yesterday that I'd fall asleep with you on my mind and be awakened with a smile from your morning messages To me it felt like it was only yesterday that you started to back away, when I was in a dark place To me it felt like it was only yesterday when you left my mind and heart in a million pieces
Tanzy Sayadi (Better to be able to love than to be loveable)
Twas noontide of summer, And mid-time of night; And stars, in their orbits, Shone pale, thro’ the light Of the brighter, cold moon, ‘Mid planets her slaves, Herself in the Heavens, Her beam on the waves. I gazed awhile On her cold smile; Too cold — too cold for me — There pass’d, as a shroud, A fleecy cloud, And I turned away to thee, Proud Evening Star, In thy glory afar, And dearer thy beam shall be; For joy to my heart Is the proud part Thou bearest in Heaven at night, And more I admire Thy distant fire, Than that colder, lowly light.  
Edgar Allan Poe (Edgar Allan Poe: The Complete Tales and Poems)
(For awhile there I was trying to remember the chain of events that precisely landed me doing this activity in this place on this planet at this time but couldn’t…. That was scary. I am just *existing* at times, having dropped all extraneous ruminations as to how or why. It seems natural to be on the bus smiling as the two Hindu women chat away while we share butter crackers and look at the rice paddies in the valley below. Goats scatter as the bus slams to a creep. Doesn’t everyone do this?) from wordpress blog: http://joeniemczura.wordpress.com/201...
Joe Niemczura
I don't know how else to handle it. I work, I talk to people, I walk, I see you and Polly and Aunt Janet, but there are moments when I'm stark lonely. Other moments when I think my loneliness will eat me alive. And sometimes it's vaguely there, hanging around, waiting to go away, maybe on a trip somewhere, and often I'm not lonely at all and feel happy to be alive. Does that make any sense?" "Yes, honey, it does." "So I try to get busy, I work in my garden, I read and make things, and move through it." "That's about all we can do, sweetie, move through it, right?" "Yep. Move through loneliness and isolation and hope you can outrun it for awhile.
Cathy Lamb (Such a Pretty Face)
It was real. I didn’t pick it up because I thought there would be anything under it; I could just as easily have walked away without finding what was beneath. I certainly had no plans to take it away with me, because I didn’t feel it was mine to take—I had a feeling that taking that rock from the field would have been the worst kind of theft. No, I only picked it up to feel it better, to get the heft of the thing, and, I suppose, to prove its reality by feeling its satiny texture against my skin. I had to look at what was underneath for a long time. My eyes saw it, but it took awhile for my mind to catch up. It was an envelope, carefully wrapped in a plastic bag to keep away the damp. My name was written across the front in Andy’s clear script.
Stephen King (Different Seasons: Four Novellas)
What is the purpose in this context of appealing to opinion and semantic relativism?  The purpose is to get your opponent off your back and to get some breathing space. If your opponent accepts that the debate is a matter of opinion or semantics, then your losing the argument does not matter: nobody is right or wrong. But if your opponent does not accept that everything is a matter of opinion, then his attention is diverted away from the subject matter at hand—namely, politics—and into epistemology. For now he has to show why everything is not merely semantics, and that will take him awhile. Meanwhile, you have successfully diverted him. And if it looks like he is doing a good job on the semantics argument, then you can throw in—“Well, what about perceptual illusions?
Stephen R.C. Hicks (Explaining Postmodernism: Skepticism and Socialism from Rousseau to Foucault)
Is this then a touch? . . . . quivering me to a new identity, Flames and ether making a rush for my veins, Treacherous tip of me reaching and crowding to help them, My flesh and blood playing out lightning, to strike what is hardly different from myself, On all sides prurient provokers stiffening my limbs, Straining the udder of my heart for its withheld drip, Behaving licentious toward me, taking no denial, Depriving me of my best as for a purpose, Unbuttoning my clothes and holding me by the bare waist, Deluding my confusion with the calm of the sunlight and pasture fields, Immodestly sliding the fellow-senses away, They bribed to swap off with touch, and go and graze at the edges of me, No consideration, no regard for my draining strength or mu anger, Fetching the rest of the herd around to enjoy them awhile, Then all uniting to stand of a headland and worry me.
Walt Whitman (Song of Myself)
though she's so frank, I can't guess whether or not she ever thinks about them. She likes you, however, I am sure of that. But, Ned, it will not be wise to say anything to her yet." "Not say anything? Why not?" "No. Recollect that it is only a little while since she looked upon you as the admirer of another girl, and a girl she doesn't like very much, though they are cousins. You must give her time to get over that impression. Wait awhile; that's my advice, Ned." "I'll wait any time if only she will say yes in the end. But it's hard to go away without a word of hope, and it's more like a man to speak out, it seems to me." "It's too soon," persisted his sister. "You don't want her to think you a fickle fellow, falling in love with a fresh girl every time you go into port, and falling out again when the ship sails. Sailors have a bad reputation for that sort of thing. No woman cares to win a man like that." "Great Scott! I should think not! Do you mean to say that is the way my conduct appears to her, Polly ?" "No, I don't mean just that; but wait, dear Ned, I am sure it is better.
Susan Coolidge (What Katy Did Next)
Then, in 1950, Andy became something more than a model prisoner. In 1950, he became a valuable commodity, a murderer who did tax-returns better than H & R Block. He gave gratis estate-planning advice, set up tax-shelters, filled out loan applications (sometimes creatively). I can remember him sitting behind his desk in the library, patiently going over a car-loan agreement paragraph by paragraph with a screwhead who wanted to buy a used DeSoto, telling the guy what was good about the agreement and what was bad about it, explaining to him that it was possible to shop for a loan and not get hit quite so bad, steering him away from the finance companies, which in those days were sometimes little better than legal loan-sharks. When he’d finished, the screwhead started to put out his hand . . . and then drew it back to himself quickly. He’d forgotten for a moment, you see, that he was dealing with a mascot, not a man. Andy kept up on the tax laws and the changes in the stock market, and so his usefulness didn’t end after he’d been in cold storage for awhile, as it might have done. He began to get his library money, his running war with the sisters had ended, and nobody tossed his cell very hard. He was a good nigger.
Stephen King (Different Seasons: Four Novellas)
What in the sodding Dark happened back there on Aarden? What did you find?" He stared at her hand for a long moment. His cheek muscle bunched rhythmically, a tell she had learned meant he was struggling over some internal debate. Sigel's Wives burned down from above; Sherp went on snoring away, and Scow appeared to be giving chase again. Mung, Voth and Rantham hadn't moved from where they lay in some time, either, and Biiko was at his post. This was about as alone as they could ever hope to be. She reached up with her other hand, feather-soft, touched his cheek, his chin. It was rough with stubble, the same fiery copper-and-chestnut as his hair. His jaw stopped twitching and he closed his eyes, but did not resist as she gently turned his head to face her. She could hear the subtle trembling in his breathing and leaned closer, licked her cracked lips. "Triistan, please...tell me what terrible secret you are guarding..." she whispered, barely a breath really, but his eyes snapped open as if she'd struck him. He looked so sad. "I'm sorry," he mumbled. Then he was standing, gently disengaging himself from her, and moving towards Biiko where he stood his watch on the other side of the launch. He paused a moment at the mainmast and she thought he might come back, but he only turned his head, speaking over his shoulder without looking at her. His voice was heavy with sorrow. "Please don't take my journal again." Without bothering to wait for a response, he slipped around the mainmast and left her by herself. Dreysha sat there brooding for a long time. She was angry with him for rejecting her, and with herself for mishandling both him and his Dark-damned journal. Most of all, though, she was angry with herself for what she had felt when he'd looked at her. After awhile Scow snorted himself awake. He groaned and stretched, then grumbled a greeting at her, getting barely a grunt in reply for his trouble. The Mattock stood and stretched some more, his massive frame providing some welcome shade, and she sensed him watching her, could imagine him glancing across the deck at Triistan. He knew his men almost as well as his ship, which is why he stood there silently for awhile. Thunder rumbled again, great boulders of sound rolling across the sea, and this time there could be no doubt it was closer. She rose and leaned over the rail. The southern horizon was lost in a dark shadow beneath towering columns of bruised, sullen clouds. She could smell the rain, though the air was as still as death. Beside her, Scow hawked and spat over the side. "Storm's comin' ". "Aye," she answered softly. "Been coming for some time now." - from the upcoming "RUINE" series.
T.B. Schmid
If it means I get to spend the rest of my life with you.” She gave me a shy smile. “We’ll have to see,” she said. “We just met, you know.” “I’m in love with you.” Her lower lip started to tremble. “You’re sure about that?” “Yes. I am. Because it’s true.” She smiled at me, but I also saw that she was crying. “I’m sorry for breaking things off with you,” she said. “For disappearing from your life. I just—” “It’s OK,” I said. “I understand why you did it now.” She looked relieved. “You do?” I nodded. “You did the right thing.” “You think so?” “We won, didn’t we?” She smiled at me, and I smiled back. “Listen,” I said. “We can take things as slow as you like. I’m really a nice guy, once you get to know me. I swear.” She laughed and wiped away a few of her tears, but she didn’t say anything. “Did I mention that I’m also extremely rich?” I said. “Of course, so are you, so I don’t suppose that’s a big selling point.” “You don’t need to sell me on anything, Wade,” she said. “You’re my best friend. My favorite person.” With what appeared to be some effort, she looked me in the eye. “I’ve really missed you, you know that?” My heart felt like it was on fire. I took a moment to work up my courage; then I reached out and took her hand. We sat there awhile, holding hands, reveling in the strange new sensation of actually touching one another. Some time later, she leaned over and kissed me. It felt just like all those songs and poems had promised it would. It felt wonderful. Like being struck by lightning. It occurred to me then that for the first time in as long as I could remember, I had absolutely no desire to log back into the OASIS. For Susan and Libby
Ernest Cline (Ready Player One (Ready Player One, #1))
Thou art my servant; I have chosen thee." Isaiah 41:9 If we have received the grace of God in our hearts, its practical effect has been to make us God's servants. We may be unfaithful servants, we certainly are unprofitable ones, but yet, blessed be his name, we are his servants, wearing his livery, feeding at his table, and obeying his commands. We were once the servants of sin, but he who made us free has now taken us into his family and taught us obedience to his will. We do not serve our Master perfectly, but we would if we could. As we hear God's voice saying unto us, "Thou art my servant," we can answer with David, "I am thy servant; thou hast loosed my bonds." But the Lord calls us not only his servants, but his chosen ones--"I have chosen thee." We have not chosen him first, but he hath chosen us. If we be God's servants, we were not always so; to sovereign grace the change must be ascribed. The eye of sovereignty singled us out, and the voice of unchanging grace declared, "I have loved thee with an everlasting love." Long ere time began or space was created God had written upon his heart the names of his elect people, had predestinated them to be conformed unto the image of his Son, and ordained them heirs of all the fulness of his love, his grace, and his glory. What comfort is here! Has the Lord loved us so long, and will he yet cast us away? He knew how stiffnecked we should be; he understood that our hearts were evil, and yet he made the choice. Ah! our Saviour is no fickle lover. He doth not feel enchanted for awhile with some gleams of beauty from his church's eye, and then afterwards cast her off because of her unfaithfulness. Nay, he married her in old eternity; and it is written of Jehovah, "He hateth putting away." The eternal choice is a bond upon our gratitude and upon his faithfulness which neither can disown.
Charles Haddon Spurgeon (Christian Classics: Six books by Charles Spurgeon in a single collection, with active table of contents)
My head snaps around at the hiss, but it takes awhile to believe he’s real. How could he have gotten here? I take in the claw marks from some wild animal, the back paw he holds slightly above the ground, the prominent bones in his face. He’s come on foot, then, all the way from 13. Maybe they kicked him out or maybe he just couldn’t stand it there without her, so he came looking. “It was the waste of a trip. She’s not here,” I tell him. Buttercup hisses again. “She’s not here. You can hiss all you like. You won’t find Prim.” At her name, he perks up. Raises his flattened ears. Begins to meow hopefully. “Get out!” He dodges the pillow I throw at him. “Go away! There’s nothing left for you here!” I start to shake, furious with him. “She’s not coming back! She’s never ever coming back here again!” I grab another pillow and get to my feet to improve my aim. Out of nowhere, the tears begin to pour down my cheeks. “She’s dead.” I clutch my middle to dull the pain. Sink down on my heels, rocking the pillow, crying. “She’s dead, you stupid cat. She’s dead.” A new sound, part crying, part singing, comes out of my body, giving voice to my despair. Buttercup begins to wail as well. No matter what I do, he won’t go. He circles me, just out of reach, as wave after wave of sobs racks my body, until eventually I fall unconscious. But he must understand. He must know that the unthinkable has happened and to survive will require previously unthinkable acts. Because hours later, when I come to in my bed, he’s there in the moonlight. Crouched beside me, yellow eyes alert, guarding me from the night. In the morning, he sits stoically as I clean the cuts, but digging the thorn from his paw brings on a round of those kitten mews. We both end up crying again, only this time we comfort each other. On the strength of this, I open the letter Haymitch gave me from my mother, dial the phone number, and weep with her as well. Peeta, bearing a warm loaf of bread, shows up with Greasy Sae. She makes us breakfast and I feed all my bacon to Buttercup.
Suzanne Collins (The Hunger Games: Four Book Collection (The Hunger Games, Catching Fire, Mockingjay, The Ballad of Songbirds and Snakes))
How long will a man lie i’th earth ere he rot ? Clow. Fayth if a be not rotten before a die, as we haue many pockie corſes, that will ſcarce hold the laying in, a will laſt you ſom eyght yeere, or nine yeere. A Tanner will laſt you nine yeere. Ham. Why he more then another ? Clow. Why ſir, his hide is ſo tand with his trade, that a will keepe out water a great while ; & your water is a ſore decayer of your whorſon dead body, heer's a ſcull now hath lyen you i'th earth 23. yeeres. Ham. Whoſe was it ? Clow. A whorſon mad fellowes it was, whoſe do you think it was ? Ham. Nay I know not. Clow. A peſtilence on him for a madde rogue, a pourd a flagon of Reniſh on my head once ; this ſame skull ſir, was ſir Yoricks skull, the Kings Iester. Ham. This ? Clow. Een that. Ham. Alas poore Yorick, I knew him Horatio, a fellow of infinite ieſt, of moſt excellent fancie, hee hath bore me on his backe a thouſand times, and now how abhorred in my imagination it is: my gorge riſes at it. Heere hung thoſe lyppes that I haue kiſt I know not howe oft, where be your gibes now ? your gamboles, your ſongs, your flaſhes of merriment, that were wont to ſet the table on a roare, not one now to mocke your owne grinning, quite chapfalne. Now get you to my Ladies table, & tell her, let her paint an inch thicke, to this favour ſhe must come, make her laugh at that. Hora. What's that my Lord ? Ham. Dooſt thou thinke Alexander lookt a this faſhion i'th earth ? Hora. Een ſo. Ham. And ſmelt ſo pah. Hora. Een ſo my Lord. Ham. To what baſe vſes wee may returne Horatio ? Why may not imagination trace the noble duſt of Alexander, till a find it ſtopping a bunghole ? Hor. Twere to conſider too curiouſly to confider ſo. Ham. No faith, not a iot, but to follow him thether with modeſty enough, and likelyhood to leade it. Alexander dyed, Alexander was buried, Alexander returneth to duſt, the duſt is earth , of earth vvee make Lome & why of that Lome whereto he was conuerted, might they not ſtoppe a Beare-barrell ? Imperious Ceſar dead, and turn'd to Clay, Might ſtoppe a hole, to keepe the wind away. O that that earth which kept the world in awe, Should patch a wall t'expell the waters flaw. But ſoft, but ſoft awhile, here comes the King, The Queen, the Courtiers, who is this they follow? And with ſuch maimed rites ? this doth betoken, The corſe they follow, did with deſprat hand Foredoo it owne life, twas of ſome eſtate, Couch we a while and marke.
William Shakespeare
All beauty calls you to me, and you seem, Past twice a thousand miles of shifting sea, To reach me. You are as the wind I breathe Here on the ship's sun-smitten topmost deck, With only light between the heavens and me. I feel your spirit and I close my eyes, Knowing the bright hair blowing in the sun, The eager whisper and the searching eyes. Listen, I love you. Do not turn your face Nor touch me. Only stand and watch awhile The blue unbroken circle of sea. Look far away and let me ease my heart Of words that beat in it with broken wing. Look far away, and if I say too much, Forget that I am speaking. Only watch, How like a gull that sparking sinks to rest, The foam-crest drifts along a happy wave Toward the bright verge, the boundary of the world. I am so weak a thing, praise me for this, That in some strange way I was strong enough To keep my love unuttered and to stand Altho' I longed to kneel to you that night You looked at me with ever-calling eyes. Was I not calm? And if you guessed my love You thought it something delicate and free, Soft as the sound of fir-trees in the wind, Fleeting as phosphorescent stars in foam. Yet in my heart there was a beating storm Bending my thoughts before it, and I strove To say too little lest I say too much, And from my eyes to drive love’s happy shame. Yet when I heard your name the first far time It seemed like other names to me, and I Was all unconscious, as a dreaming river That nears at last its long predestined sea; And when you spoke to me, I did not know That to my life’s high altar came its priest. But now I know between my God and me You stand forever, nearer God than I, And in your hands with faith and utter joy I would that I could lay my woman’s soul. Oh, my love To whom I cannot come with any gift Of body or of soul, I pass and go. But sometimes when you hear blown back to you My wistful, far-off singing touched with tears, Know that I sang for you alone to hear, And that I wondered if the wind would bring To him who tuned my heart its distant song. So might a woman who in loneliness Had borne a child, dreaming of days to come, Wonder if it would please its father’s eyes. But long before I ever heard your name, Always the undertone’s unchanging note In all my singing had prefigured you, Foretold you as a spark foretells a flame. Yet I was free as an untethered cloud In the great space between the sky and sea, And might have blown before the wind of joy Like a bright banner woven by the sun. I did not know the longing in the night– You who have waked me cannot give me sleep. All things in all the world can rest, but I, Even the smooth brief respite of a wave When it gives up its broken crown of foam, Even that little rest I may not have. And yet all quiet loves of friends, all joy In all the piercing beauty of the world I would give up– go blind forevermore, Rather than have God blot from out my soul Remembrance of your voice that said my name. For us no starlight stilled the April fields, No birds awoke in darking trees for us, Yet where we walked the city’s street that night Felt in our feet the singing fire of spring, And in our path we left a trail of light Soft as the phosphorescence of the sea When night submerges in the vessel’s wake A heaven of unborn evanescent stars.
Sara Teasdale (The Collected Poems)
I want you to be happy. Eat it.” A wry smile curved Rose’s lips. “Am I to find happiness in a piece of chocolate cake?” Eve already had a forkful en route to her mouth. “I stake my reputation on it.” “Oh,” she replied dryly. “Surely heaven is just a bite away.” “Speaking of heaven,” Eve said a few minutes later when Rose thought she might expire from the bliss the dessert inspired, “tell me about your evening at Saint’s Row.” “Shh!” Her paranoid gaze darted around to see if anyone had overheard, but there was no one standing close enough to their whitewashed bench. “Don’t shush me, Rose Danvers. I’m your best friend and you’ve kept me waiting four whole days! I demand details.” Cheeks flushed, Rose stared at the half-eaten cake on her plate. Eve’s timing might leave something to be desired, but at least she’d stopped Rose from eating the entire slice. “What do you want to know?” Eve’s expression was incredulous. “Everything, of course.” Then, as though realizing who she was talking to, she sighed. “Did you find him?” Rose nodded. “I did.” The fire in her cheeks burned hotter, and she looked away. “Oh, Eve!” Her friend grabbed her wrist, clattering fork against plate. “That arse didn’t hurt you did he?” “No!” Then lowering her voice, “And he’s not an arse.” Using such rough language made her feel daring and bold. The scowl on Eve’s face eased. “Then…he was good to you?” Rose nodded, leaning closer. “It was the most amazing experience of my life.” The blonde giggled, bringing her head nearer to Rose’s. “Tell me everything.” So Rose did, within reason, looking up every once in awhile to make sure no one could hear. Afterward, when she was finished, Eve looked at her with a peculiar expression. “It sounds wonderful.” “It was.” Eve’s ivory brow tightened. “So, why do you sound so…disappointed?” Rose sighed. “It’s going to sound so pathetic, but when I saw Grey the next day he didn’t recognize me.” “But I thought you didn’t want him to know it was you.” Rose laughed darkly. “I don’t. That’s the rub of it.” She turned to more fully face her friend. “But part of me wanted him to realize it was me, Eve. I wanted him to see me as a woman, not as his responsibility or burden.” “I’m sure he doesn’t view you as any such thing.” Shaking her head Rose set the plate of cake aside, her appetite gone for good. "I thought this scheme would make everything better, and it's only made things worse." Worse because her feelings for Grey hadn't lessened as she'd hoped they might, they'd only deepened. Eve worried her upper lip with her bottom teeth. "Are you going to meet him again?" Another shake of her head, vehement this time. "No." "But. Rose, he wants to see you." "Not me, her." This was said with a bit more bitterness than Rose was willing to admit. He might have whispered her name, but it wasn't her he wanted to meet. Eve chuckled. "But you are her." She squeezed her wrist again. "Rose, don't you see? You're who he wants to see again, whether he knows it was you or not." Rose hadn't looked at it that way. She wasn't quite convinced her friend was right, but it was enough to make her doubt her own conclusions. She shook her head again. Blast, but she was making herself lightheaded. "I just don't know." "You'll figure it out," Eve allowed. "You always do.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
All beauty calls you to me, and you seem” All beauty calls you to me, and you seem, Past twice a thousand miles of shifting sea, To reach me. You are as the wind I breathe Here on the ship's sun-smitten topmost deck, With only light between the heavens and me. I feel your spirit and I close my eyes, Knowing the bright hair blowing in the sun, The eager whisper and the searching eyes. Listen, I love you. Do not turn your face Nor touch me. Only stand and watch awhile The blue unbroken circle of the sea. Look far away and let me ease my heart Of words that beat in it with broken wing. Look far away, and if I say too much, Forget that I am speaking. Only watch, How like a gull that sparkling sinks to rest, The foam-crest drifts along a happy wave Toward the bright verge, the boundary of the world. I am so weak a thing, praise me for this, That in some strange way I was strong enough To keep my love unuttered and to stand Altho' I longed to kneel to you that night You looked at me with ever-calling eyes. Was I not calm? And if you guessed my love You thought it something delicate and free, Soft as the sound of fir-trees in the wind, Fleeting as phosphorescent stars in foam. Yet in my heart there was a beating storm Bending my thoughts before it, and I strove To say too little lest I say too much, And from my eyes to drive love's happy shame. Yet when I heard your name the first far time It seemed like other names to me, and I Was all unconscious, as a dreaming river That nears at last its long predestined sea; And when you spoke to me, I did not know That to my life's high altar came its priest. But now I know between my God and me You stand forever, nearer God than I, And in your hands with faith and utter joy I would that I could lay my woman's soul. Oh, my love To whom I cannot come with any gift Of body or of soul, I pass and go. But sometimes when you hear blown back to you My wistful, far-off singing touched with tears, Know that I sang for you alone to hear, And that I wondered if the wind would bring To him who tuned my heart its distant song. So might a woman who in loneliness Had borne a child, dreaming of days to come, Wonder if it would please its father's eyes. But long before I ever heard your name, Always the undertone's unchanging note In all my singing had prefigured you, Foretold you as a spark foretells a flame. Yet I was free as an untethered cloud In the great space between the sky and sea, And might have blown before the wind of joy Like a bright banner woven by the sun. I did not know the longing in the night-- You who have waked me cannot give me sleep. All things in all the world can rest, but I, Even the smooth brief respite of a wave When it gives up its broken crown of foam, Even that little rest I may not have. And yet all quiet loves of friends, all joy In all the piercing beauty of the world I would give up--go blind forevermore, Rather than have God blot from out my soul Remembrance of your voice that said my name. For us no starlight stilled the April fields, No birds awoke in darkling trees for us, Yet where we walked the city's street that night Felt in our feet the singing fire of spring, And in our path we left a trail of light Soft as the phosphorescence of the sea When night submerges in the vessel's wake A heaven of unborn evanescent stars.
Sara Teasdale (Rivers to the Sea)
Getting ready on the day of launch takes much longer than you’d think it would, like so many aspects of spaceflight. First I take a final trip to the banya to relax, then go through the preflight enema ritual—our guts shut down in space initially, so the Russians encourage us to get things cleaned out ahead of time. The cosmonauts have their doctors do this, with warm water and rubber hoses, but I opt for the drugstore type in private, which lets me maintain a comfortable friendship with my flight surgeon. I savor a bath in the Jacuzzi tub, then a nap (because our launch is scheduled for 1:42 a.m. local time). When I wake, I take a shower, lingering awhile. I know how much I’ll miss the feeling of water for the next year. The Russian flight surgeon we call “Dr. No” shows up shortly after I’m out of the shower. He is called Dr. No because he gets to decide whether our families can see us once we’re in quarantine. His decisions are arbitrary, sometimes mean-spirited, and absolute. He is here to wipe down our entire bodies with alcohol wipes. The original idea behind the alcohol swab-down was to kill any germs trying to stow away with space travelers, but now it seems like just another ritual. After a champagne toast with senior management and our significant others, we sit in silence for a minute, a Russian tradition before a long trip. As we leave the building, a Russian Orthodox priest will bless us and throw holy water into each of our faces. Every cosmonaut since Yuri Gagarin has gone through each of these steps, so we will go through them, too. I’m not religious, but I always say that when you’re getting ready to be rocketed into space, a blessing can’t hurt.
Scott Kelly (Endurance: A Year in Space, A Lifetime of Discovery)
This saying good-bye on the edge of the dark And cold to an orchard so young in the bark Reminds me of all that can happen to harm An orchard away at the end of the farm All winter, cut off by a hill from the house. I don't want it girdled by rabbit and mouse, I don't want it dreamily nibbled for browse By deer, and I don't want it budded by grouse. (If certain it wouldn't be idle to call I'd summon grouse, rabbit, and deer to the wall And warn them away with a stick for a gun.) I don't want it stirred by the heat of the sun. (We made it secure against being, I hope, By setting it out on a northerly slope.) No orchard's the worse for the wintriest storm; But one thing about it, it mustn't get warm. "How often already you've had to be told, Keep cold, young orchard. Good-bye and keep cold. Dread fifty above more than fifty below." I have to be gone for a season or so. My business awhile is with different trees, Less carefully nourished, less fruitful than these, And such as is done to their wood with an axe-- Maples and birches and tamaracks. I wish I could promise to lie in the night And think of an orchard's arboreal plight When slowly (and nobody comes with a light) Its heart sinks lower under the sod. But something has to be left to God.
Robert Frost
Gilmour had to laugh. He’s a cop, he thought, for the same reason that I am. He’s a cop because, every once in awhile, he got to put a bad guy away. Forever. After
Walter Gilmour (Butcher, Baker: The True Account of an Alaskan Serial Killer)
We can still feel our racing heartbeats I don’t peel my body away from Julian’s for awhile I just lie on top of him with my face buried in his neck, soaking up our whole night together.
Abby Angel (Harem)
Perhaps smartphones at a party should be treated like coats, usually taken to a back room or otherwise stowed away until guests are ready to leave—a signal, like taking off your coat, that you’re happy to be here and you’re going to stay awhile.
Arianna Huffington (Thrive: The Third Metric to Redefining Success and Creating a Life of Well-Being, Wisdom, and Wonder)
So you’re saying, Jack, that death would be just as threatening even if you’d accomplished all you’d ever hoped to accomplish in your life and work.” “Are you crazy? Of course. That’s an elitist idea. Would you ask a man who bags groceries if he fears death not because it is death but because there are still some interesting groceries he would like to bag?” “Well said.” “This is death. I don’t want it to tarry awhile so I can write a monograph. I want it to go away for seventy or eighty years.” “Your status as a doomed man lends your words a certain prestige and authority. I like that. As the time nears, I think you’ll find that people will be eager to hear what you have to say. They will seek you out.” “Are you saying this is a wonderful opportunity for me to win friends?” “I’m saying you can’t let down the living by slipping into self-pity and despair. People will depend on you to be brave. What people look for in a dying friend is a stubborn kind of gravel-voiced nobility, a refusal to give in, with moments of indomitable humor. You’re growing in prestige even as we speak. You’re creating a hazy light about your own body. I have to like it.
Don DeLillo (White Noise)
I didn’t consciously fall asleep; it’s just that the chair was soft and comfortable, the room was dark and warm, and maybe it was the protection of those black eyes that reflected the blinking of the silly lights. Those eyes were not looking into the small darkness outside the double-paned windows; they were looking farther and to a place about which I did not know. There was nothing that would overtake us tonight that those eyes would not see, nothing that would not deal plainly with a king not in his perfect mind. I must have slept longer than I thought. I didn’t remember waking up, and maybe that’s what he had intended by starting to tell me the story while I was asleep. I remember hearing his voice, low and steady, coming from some place far away, “After the war. Her family were Basquos from out on Swayback, Four Brothers.” He paused to take another sip of his bourbon. “My gawd, you should have seen her. I remember lookin’ over the top of Charlie Floyde’s ’39 Dodge when she came out on the porch. Her hair was black and thick like a horse’s mane.” He stopped with the memory; the only other sound in Lucian’s apartment was the scorched-air heating. His two rooms weren’t any different from any of the others in general design, but they had all the style and mass of the Connally ancestral furnishings. I shifted my weight in the overstuffed horsehair chair and waited. “It was summertime, and she had on this little navy blue dress with all the little polka dots. The wind held it against her body.” It took him awhile to get going again. “She was the wildest, most beautiful thing I’d ever seen in my entire life. Hair, teeth . . . We sparked that whole summer before her father tried to break it up in the fall. They wanted to send her away to family, keep us from each other, but it was too late.” I looked at him, and the night in my head seemed darker. “We used to tremble when we touched each other. She had the most beautiful skin I’d ever seen. I would forget from night to night. She wasn’t like American girls; she was quiet. She’d speak if spoken to but only then. Short,
Craig Johnson (Death Without Company (Walt Longmire, #2))
A Crow's Elegy for the Farmer's Daughter” We gathered in the fern-thin treetops at dusk or in the flat sear of noon strutted among puddles and spoke only of the sky's empty torment or ourselves. Once in awhile we flapped in the dust and silver rain and disparaged wind with our bevel-winged plummetings and soundless glides. We did not care who shot at us for our raucous predawn menacing or for settling like a plague of black books in fields under the blindness of those homespun effigies leering and motionless and coming unstuffed. We did not care for you though we saw the cortege winding past the arbor and drunken berry rows, the ghosts of peach trees bowing to acknowledge death's grand simplicity at last revealed. We were pieces of a blackboard upon which last rites were written and did not care who could or could not see that we were gods and you were not ever coming home, in spite of the mourners' deeply foolish love we could imagine only by flying into the sun, where every grief is charred and finally burned away. —Christopher Howell, Gaze. (Milkweed Editions; Original edition February 7, 2012)
Christopher Howell (Gaze)
The tree of life my soul hath seen, Laden with fruit and always green; The trees of nature fruitless be, Compared with Christ the Apple Tree. His beauty doth all things excel, By faith I know but ne'er can tell The glory which I now can see, In Jesus Christ the Appletree. For happiness I long have sought, And pleasure dearly I have bought; I missed of all but now I see 'Tis found in Christ the Appletree. I'm weary with my former toil - Here I will sit and rest awhile, Under the shadow I will be, Of Jesus Christ the Appletree. With great delight I’ll make my stay, There’s none shall fright my soul away; Among the sons of men I see There’s none like Christ the Appletree. I’ll sit and eat this fruit divine, It cheers my heart like spirit’al wine; And now this fruit is sweet to me, That grows on Christ the Appletree. This fruit doth make my soul to thrive, It keeps my dying faith alive; Which makes my soul in haste to be With Jesus Christ the Appletree.
Richard Hutchins
Ever hear the expression "never gamble with scared money"?' I nodded. 'They say that because every time you do, you lose. It's that way with us. We win because we're not afraid of the stakes or the consequences. What can they do, put us away for awhile? You know the right people and doing time is like a paid vacation.
Jim Cirni (The Kiss Off)
O Time: hold still awhile. I have so much more work to do. There are so many things I want to express. But time just keeps ticking away, and the earth never for an instant ceases to turn.
Yayoi Kusama (Infinity Net: The Autobiography of Yayoi Kusama)
It's also a moment when I have to walk away from old alliances, to let the strings of some friendships fall loose, if only for awhile.
Katherine May (Wintering: The Power of Rest and Retreat in Difficult Times)
Hey, Dylan,” I said, holding my orange ball. “You got rid of the Mohawk.” Lark and Raven’s stepbrother ran his hand over his bald head and sighed. “Yeah, I’d been thinking about going the business man route for a while. Kept going back and forth about cutting it. A few weeks ago, I got drunk at Lark’s place. The sisters were nice enough to shave my head while I was passed out.” Nearby, Raven laughed so hard she had trouble distracting Vaughn who was still trying to win the game. Dylan glared at her then shrugged. “Gonna let it grow out and play the average Joe shit.” “Good luck with that,” I said, glancing at the bathroom and hoping Bailey would appear. When she didn’t, I walked to an open lane and rolled the ball. It took out a single pin which was one more than I expected. A lane away Raven struggled to win against Vaughn. She bent over one direction. When her ass didn’t do it, she bent forward and adjusted her tits. A distracted Vaughn missed his strike with a single pin remaining. Before I could hear him complain and her celebrate, Cooper and Tucker appeared next to me. “I liked the way you handled that fucker,” Tucker said, arms crossed tightly. “You always know how to deal with these losers while looking like a Boy Scout. A good skill to have.” Ignoring them, I rolled the second ball and managed to take out three pins. A new record for me. “What’s with the silent shit?” Tucker asked. Sighing, I looked at them and frowned. “I want to be with Bailey. We just started dating, but here I am jumping through hoops for you two. You do this shit with every guy?” “Most are losers,” Cooper said. “Most never do the second date thing. They bang then hang. If they’re lucky, she never mentions it to us and we don’t kick anyone’s ass. You’re the first boyfriend type she’s had.” “Our family needs good people,” added Tucker. Cooper shifted his stance and shook his head at his brother. “He doesn’t want that life. Nick wants to be a teacher.” “Why?” “Who cares?” Cooper said. “It’s what he wants. Sounds like a nice safe life for our little sister, don’t you think?” Tucker’s expression froze and his dopey brain took awhile to put things together. By the time he figured it out, I’d rolled a gutter ball, Bailey returned, and Vaughn declared his wife a cheater. “It’s only fair!” Raven cried as Vaughn threw her over his shoulder and spun her around. “You’re a better bowler and I want to win. Cheating was the only card I could play.” “Making me think some fucker was looking at your ass was low, Raven.” “So is naming our first born son Maverick. You’re just looking for trouble with a name like that.” Vaughn lowered her to her feet then grinned. “My boys will be nothing but trouble. They’ll own this town and chase pretty girls like Scarlet and Lily.” “Hey, keep your pervy kid away from my daughter!” Tucker hollered, looking pissed. Cooper grabbed his brother and they wrestled onto the ground. By the end of pounding each other, they were both laughing.
Bijou Hunter (Damaged and the Dragon (Damaged, #5))
You’ve been with me this whole time? Through everything?” He nodded. He put his hand to her stomach and gazed into her eyes. “Everything.” Avery looked away, his dad’s comment registering. He dropped Mrs. Wells hand. “I’ll leave you guys alone for awhile.” He got up and went into the hall, closing the door behind him. He leaned against it, listening in on their one-sided conversation. “Yours, Mike,” she said. “Of course I’m going to keep it!” She paused. “I know. Paul and Becky will be devastated, not to mention the kids.” There was silence and then laughing.
Stacey Wallace Benefiel (Glimpse (Zellie Wells, #1))
You were poor So that I might enjoy The wealth of Your creation. You were punished For all my mistakes So I’d be declared not guilty By association. You took all that I am heir to And gave me all that belonged to You. What more could anyone do? When I accepted You I never realized That I’d be accepted, too. It took awhile to see That You bore God’s rejection So He’d never turn away from me. I never knew I would receive so much When I accepted You. You met death So that I might know life And eternal restoration. You took on the world So the likeness of God Could be drawn on my being Like a blood relation. The deepest needs my lifetime through Were all met on the cross by You. What more could anyone do? You are the adopted son or daughter of God, who is
Stormie Omartian (The 7-Day Prayer Warrior Experience)
For me, this was the first hint that the liturgy might be the cure for spiritual loneliness. Though I felt inadequate and alone during my prayer crisis, I was not alone. Much of American spiritual life trudges through the muck of solitary spirituality. Twenty years ago, Robert Bellah described this phenomenon in Habits of the Heart, with his now famous description of one woman: Sheila Larson is a young nurse who has received a good deal of therapy and describes her faith as “Sheilaism.” This suggests the logical possibility of more than 235 million American religions, one for each of us. “I believe in God,” Sheila says. “I am not a religious fanatic. I can’t remember the last time I went to church. My faith has carried me a long way. It’s Sheilaism. Just my own little voice.” “My little voice” guides many lonely people to and through New Age, wicca, Buddhism, labyrinths, Scientology, yoga, meditation, and various fads in Christianity—and then creates a new Sheilaism from the fragments that have not been discarded along the way. I love Sheila Larson precisely because she articulates nearly perfectly my lifelong struggle: “I believe in God. I am not a religious fanatic…. My faith has carried me a long way. It’s Sheilism. Just my own little voice.” The difference between Sheila and me is that she has the courage of her convictions: she knows her faith is very personal and so hasn’t bothered with the church. I like to pretend that my faith is grounded in community, but I struggle to believe in anything but Markism. Fortunately God loves us so much he has made it a “spiritual law” that Sheilism or Markism become boring after awhile. The gift of the liturgy—and it is precisely why I need the liturgy—is that it helps me hear not so much “my little voice” but instead the still, small voice (Psalm 46). It leads away from the self and points me toward the community of God.
Mark Galli (Beyond Smells and Bells: The Wonder and Power of Christian Liturgy)
I’d get them a dog of their own if I knew we’d be staying here awhile.” He shifted to face her. “Why wouldn’t you be?” “The lawsuit.” “I thought we weren’t going to talk about that anymore today.” “You asked. Besides, not talking about it doesn’t make it go away.” “You can’t leave.” “If they win, I’ll have no choice.” “Where would you go?” The tone of his pitch tightened. “Not back to Chicago?” “I don’t want to go anywhere.
Johnnie Alexander (Where She Belongs (Misty Willow #1))
Hey, Rita.” She watched Jake return to his hardware goodies. “Hey, Meridith. Sorry to call at dinnertime, but this is important.” “What is it?” Jake looked up at her tone. “I ran into Dee Whittier in town awhile ago.” “Who?” “She owns a sporting shop and is on the chamber of commerce with me. She’s also Max and Ben’s soccer coach.” “Okay . . .” “Well, she called and told me she saw the kids’ uncle in town this afternoon.” “What?” Meridith caught Jake’s eye, then flickered a look toward Noelle. “She recognized him because he goes to the boys’ games sometimes and, well, according to her he’s a total stud, and she’s single, so . . . you haven’t heard from him yet?” “No.” “I thought you’d want to know.” “Yes, I—thanks, Rita. Forewarned is forearmed, right?” A scream pierced the line. “Brandon, leave your sister alone!” Rita yelled. “Listen, I gotta run.” “Thanks for calling,” Meridith said absently. “What’s wrong?” Jake asked. He would be coming soon. Surely it wouldn’t take long for him to discover his sister had passed away. She felt a moment’s pity at the thought, then remembered he’d gone over three months without checking in. “You okay?” Jake asked again. Noelle entered the room and grabbed a stack of napkins from the island drawer. “Noelle, your uncle hasn’t called or e-mailed, has he?” Noelle’s hand froze, a stack of napkins clutched in her fist. Her lips parted. Her eyes darted to Jake, then back to Meridith. “Why?” “Rita said someone named Dee saw him in town today.” Noelle closed the drawer slowly. “Oh. Uh . . . no.” Meridith turned to the soup. Thick broth bubbles popped and spewed. She turned down the heat again and stirred. “Well, I guess he’s back. You’ll be seeing him soon.” She tried to inject enthusiasm in her voice, tried to be happy for the children. A piece of familiarity, a renewed bond, a living reminder of their mother. It would be good for them. And yet. What if he wanted them once he found out what had happened to Eva and T. J.? What if he fought her for them and won? Her stomach bottomed out. She loved the children now. They were her siblings. Her family. She remembered coming to the island with every intention of handing them over like unwanted baggage. What she’d once wanted most was now a potential reality. Only now she didn’t want it at all. Dinner
Denise Hunter (Driftwood Lane (Nantucket, #4))
People came into your life without warning, stayed awhile, and went away, always leaving something of themselves behind, a look, a word or a phrase, a gesture. They left their mark and remembering them was a way of remembering yourself at a certain age, nineteen, say, or forty-one, and how you played the hand you were dealt, how attentive you were to the fall of the cards, the bets, and the stakes.
Just Ward, An Unfinished Season
George, please sit down,” Luke said. “Visit a while.” “Thanks, don’t mind if I do.” George pulled a chair over from an empty table and sat right beside Maureen so that she was sandwiched between himself and Art. “What brings you back to town so soon?” he asked her. “I’m, ah, visiting.” “Fantastic,” he said. “A long visit, I hope.” Luke took his seat, chuckling as he did so. “I have a brother here right now—Sean. You might remember him as my best man. He just discovered he has a young daughter in the area. Mom is visiting us and getting to know her first granddaughter, Rosie, three and a half and smart as a whip.” “How wonderful!” George said enthusiastically. “You must be having the time of your life!” Maureen lifted a thin brow, wary of his reaction. “I am enjoying her, yes.” “First one? I suppose before too much longer the other boys will be adding to the flock.” “Only the married ones, I hope,” Maureen said. “Do you have grandchildren, Mr. Davenport?” “Oh, let’s not be so formal—I’m George. Only step-grandchildren. I had no children of my own, in fact. Noah’s the closest thing to a son I’ve ever had, but I started out as his teacher. I’m a professor at Seattle Pacific University. I’ve known him quite a few years now. I’m here to be his best man on Friday night. I hope you’re all coming to the wedding.” “Wouldn’t miss it,” Luke said, grabbing Shelby’s hand. “And…Maureen?” George asked pointedly. “I’m not sure,” she said evasively. “Well, try to come,” he said. “These Virgin River people know how to have a good time. In fact, I have an idea. Once I have my best-man duties out of the way, I suggest we go to dinner. I’ll take you someplace nice in one of the coast towns, though it’ll be hard to improve on Preacher’s cooking. But we deserve some time away from all these young people, don’t you think?” “Excuse me, George?” she asked. “I assume you were married?” “Twice, as a matter of fact. Divorced a long time ago and, more recently, widowed. My wife died a few years ago. Maybe we should pick an evening and exchange phone numbers,” he suggested. “That’s very nice of you, but no. I don’t go out with men.” “Really?” he asked, surprised by her immediate refusal. “And why is that?” “I’m a widow,” she said. “A single woman.” “What a coincidence. And I’m a single man. I’m all for free thinking, but I wouldn’t ask you to dinner were I married. Are you recently widowed?” Out of the corner of his eye, George saw Luke snicker and look away. “Yes,” Maureen said. “Oh, I’m sorry,” he said. “I was under the impression it had been years. When did you lose your husband, Maureen?” She looked a bit shocked to be put on the spot like that. It was apparent she was trying to gather her wits. She put out her hand. “It was so nice to see you again, Mr….George. I’m glad you sat and visited awhile. Maybe I’ll see you at the wedding this weekend if I’m not needed for anything else. I should probably get on the road—I have to drive to Eureka.” She stood and George did, as well. “Eureka? You’re not staying here in Virgin River with your son?” “I’m staying with a friend just down the street from my granddaughter so I’m free to pick her up after preschool. We spend most afternoons together. Really, nice seeing you.” She turned to Luke. “I’m going to head back to Viv’s, Luke. Good night, Shelby. ’Night, Art. Thanks for dinner, it was great as usual.” “Wonderful seeing you, too,” George said. “Try to come to Noah’s wedding. I guarantee you’ll enjoy yourself.” Luke
Robyn Carr (Angel's Peak (Virgin River #10))
I decide to be proactive. “Hey, be careful with them apples,” I call out, imitating a harsh Mike voice. Mike always shows up in his ragged, half-rotten clothes and tells us how to do things, like he’s some kind of big expert. All faces turn toward me, including Dutch’s equine one. Dutch cants his head to one side to examine me with one great eye. They all get the joke and laugh. Mark tosses me an apple. It comes tumbling to me in a long golden arc like something out of mythology. The throw is so expert that I easily catch it. I take a bite, and get lost for a moment in its sweet juiciness, get lost in the whole idea of an apple tree, how it makes sweet food out of sunlight and earth. I think about how the tree spreads out above ground to catch air and light and below ground to catch water, minerals, and nourishment; about how at the end of the season it drops its leaves at its feet to reabsorb their nutrients. There is such Knowingness in this bite that I feel I have just eaten from the tree of knowledge. Stewart looks benevolently down at me from Dutch’s back. He is only twenty and has a ruddy face that glows with health and openness. He embodies the very bloom of youth. His young muscled body sits easily on the horse; his dark brown eyes are alive with merriment and friendliness. The whole scene is like a painting from another time. The Apple Pickers. I see it frozen for a moment, but then, in the silence of our greeting, a jet passes overhead, far away, in a series of deep distant rumbles that makes the canvas shimmer for a moment, reminding me that there is more to this moment than the simplicity that meets the eye. We stand quietly for awhile eating these first
Arnold W. Porter (In a Time of Magic)