Awards Nominations Quotes

For me, it’s not about winning an award. It’s also about not even being nominated.

How can 5 judges decide the best book of the year without reading every book of the year? While some lucky authors can enter the contest, others may never get the chance to do so due to the tough nomination and selection processes. And how can the judges’ decision be right when we know that submitting the same books to different panels will result in different winners?

People always describe jealousy as this sharp, green, venomous thing. Unfounded, vinegary, mean-spirited. But I’ve found that jealousy, to writers, feels more like fear. Jealousy is the spike in my heart rate when I glimpse news of Athena’s success on Twitter—another book contract, awards nominations, special editions, foreign rights deals. Jealousy is constantly comparing myself to her and coming up short; is panicking that I’m not writing well enough or fast enough, that I am not, and never will be, enough. Jealousy means that even just learning that Athena’s signing a six- figure option deal with Netflix means that I’ll be derailed for days, unable to focus on my own work, mired by shame and self-disgust every time I see one of her books in a bookstore display.

The solutions are obvious. Stop making excuses. Stop saying women run publishing. Stop justifying the lack of parity in prominent publications that have the resources to address gender inequity. Stop parroting the weak notiong that you're simply publishing the best writing, regardless. There is ample evidence of the excellence of women writers. Publish more women writers. If women aren't submitting to your publication or press, ask yourself why, deal with the answers even if those answers make you uncomfortable, and then reach out to women writers. If women don't respond to your solicitations, go find other women. Keep doing that, issue after issue after issue. Read more widely. Create more inclusive measures of excellence. Ensure that books by mean and women are being reviewed in equal numbers. Nominate more deserving women for the important awards. Deal with your resentment. Deal with your biases. Vigorously resist the urge to dismiss the gender problem. Make the effort and make the effort and make the effort until you no longer need to, until we don't need to keep having this conversation. Change requires intent and effort. It really is that simple.

Is it because Evelyn can’t handle the fact that Celia received the Most Promising Female Personality Award that night? Or is it that Celia’s been nominated for an Oscar for Best Supporting Actress for their movie Little Women, and Evelyn didn’t get a mention

But you had to know you were talented,' I tell her. 'You had been nominated for an Academy Award three times by that point.' 'You're using reason,' Evelyn says, smiling at me. 'It doesn't always work.

Dr. Curie was not originally included in the Nobel Prize nomination for the radioactivity theory she had come up with, until Gösta Mittag-Leffler, a Swedish mathematician dude, interceded for her with the all-male award committee.

People always describe jealousy as this sharp, green, venomous thing. Unfounded, vinegary, mean-spirited. But I’ve found that jealousy, to writers, feels more like fear. Jealousy is the spike in my heart rate when I glimpse news of Athena’s success on Twitter—another book contract, awards nominations, special editions, foreign rights deals. Jealousy is constantly comparing myself to her and coming up short; is panicking that I’m not writing well enough or fast enough, that I am not, and never will be, enough.

I am finally awarded selective serotonin reuptake inhibitors for all my hard work as a depressed person. I am waiting for the pharmacist to fill my prescription, and to present me with my medal. Thank you to Dr. Chan for nominating me for this honor, and my brain for burdening me.

Walter Brennan (1894–1974) is considered one of the finest character actors in motion picture history. His three supporting actor Oscars were awarded for his roles in Come and Get It (1936), Kentucky (1938), and The Westerner (1940). He was nominated a fourth time for Sergeant York (1941).

He also starred in The Blob, The Magnificent Seven, The Great Escape, Love with a Proper Stranger, Nevada Smith, and The Sand Pebbles, for which he received an Academy Award nomination for Best Actor. Other features include, Le Mans, The Getaway, Towering Inferno, The Reivers, Tom Horn, The

So we ran the experiment. For a period of time, in our control groups of Googlers, people who were nominated for cash awards continued to receive them. In our experimental groups, nominated winners received trips, team parties, and gifts of the same value as the cash awards they would have received. Instead of making public stock awards, we sent teams to Hawaii. Instead of smaller awards, we provided trips to health resorts, blowout team dinners, or Google TVs for the home. The result was astounding. Despite telling us they would prefer cash over experiences, the experimental group was happier. Much happier. They thought their awards were 28 percent more fun, 28 percent more memorable, and 15 percent more thoughtful. This was true whether the experience was a team trip to Disneyland (it turns out most adults are still kids on the inside) or individual vouchers to do something on their own. And they stayed happier for a longer period of time than Googlers who received money. When resurveyed five months later, the cash recipients’ levels of happiness with their awards had dropped by about 25 percent. The experimental group was even happier about the award than when they received it. The joy of money is fleeting, but memories last forever.

I put on such a theatrical performance that I should receive an Academy Award nomination for Most Dramatic Meltdown in a Family Convo.

knowing things is nicer when somebody else knows you know them.

You burned her because your gifts come wreathed in flames, and your heart is an ember, and your breath is a star, and because you loved her and you wanted to give her everything you are

Can we all pause a moment to appreciate the artistry of that sentence? "Sitting casually on the floor, a guard sat..." That's freaking art right there! Someone nominate this thing for the Hugo Award already!

There’s nothing more important than literary merit, and that’s why I not only created an award—the Julius Caesar Author of the Year Award—but I nominated myself as the first recipient. You can’t always wait for success to come to you. Sometimes you just have to create it out of nothingness. Just ask the Federal Reserve.

People always describe jealousy as this sharp, green, venomous thing. Unfounded, vinegary, mean-spirited. But I've found that jeal-ousy, to writers, feels more like fear. Jealousy is the spike in my heart rate when I glimpse news of Athena's success on Twitter-another book contract, awards nominations, special editions, foreign rights deals. Jealousy is constantly comparing myself to her and coming up short; is panicking that I'm not writing well enough or fast enough, that I am not, and never will be, enough. Jealousy means that even just learning that Athena's signing a six-figure option deal with Net-fix means that I'll be derailed for days, unable to focus on my own work, mired by shame and self-disgust every time I see one of her books in a bookstore display.

Nora Ephron is a screenwriter whose scripts for Silkwood, When Harry Met Sally, and Sleepless in Seattle have all been nominated for Academy Awards. Ephron started her career as a journalist for the New York Post and Esquire. She became a journalist because of her high school journalism teacher. Ephron still remembers the first day of her journalism class. Although the students had no journalism experience, they walked into their first class with a sense of what a journalist does: A journalists gets the facts and reports them. To get the facts, you track down the five Ws—who, what, where, when, and why. As students sat in front of their manual typewriters, Ephron’s teacher announced the first assignment. They would write the lead of a newspaper story. The teacher reeled off the facts: “Kenneth L. Peters, the principal of Beverly Hills High School, announced today that the entire high school faculty will travel to Sacramento next Thursday for a colloquium in new teaching methods. Among the speakers will be anthropologist Margaret Mead, college president Dr. Robert Maynard Hutchins, and California governor Edmund ‘Pat’ Brown.” The budding journalists sat at their typewriters and pecked away at the first lead of their careers. According to Ephron, she and most of the other students produced leads that reordered the facts and condensed them into a single sentence: “Governor Pat Brown, Margaret Mead, and Robert Maynard Hutchins will address the Beverly Hills High School faculty Thursday in Sacramento. . .blah, blah, blah.” The teacher collected the leads and scanned them rapidly. Then he laid them aside and paused for a moment. Finally, he said, “The lead to the story is ‘There will be no school next Thursday.’” “It was a breathtaking moment,” Ephron recalls. “In that instant I realized that journalism was not just about regurgitating the facts but about figuring out the point. It wasn’t enough to know the who, what, when, and where; you had to understand what it meant. And why it mattered.” For the rest of the year, she says, every assignment had a secret—a hidden point that the students had to figure out in order to produce a good story.

do want to write a good story. But I no longer trust the judgements of my age. The critic now assesses the writer’s life as much as her work. The judges award prizes according to a checklist of criteria created by corporations and bureaucrats. And we writers and artists acquiesce, fearful of a word that might be misconstrued or an image that might cause offence. I read many of the books nominated for the globalised book prizes; so many of them priggish and scolding, or contrite and chastened. I feel the same way about those films feted at global festivals and award ceremonies. It’s not even that it is dead art: it’s worse, it’s safe art. Most of them don’t even have the dignity of real decay and desiccation: like the puritan elect, they want to take their piety into the next world. Their books and their films don’t even have the power to raise a good stench. The safe is always antiseptic.

There is a song, Noreen," he said tenderly. "It was nominated for an Academy Award. I can't sing, enamorada, but the words say that when a man loves a woman, really loves her, he can see his unborn children in her eyes." - "To my shame, I saw my sons in your eyes the day I found you in the kitchen at your aunt's house," he whispered, watching her face color. "And I was married. What a living hell it was, to know such a sin and be unable to repent it." (Diana Palmer)

excited about a work of fiction? Reviews? Few see them. Awards or nominations? Most folks are oblivious to them. Covers? Good ones can cause a consumer to lift a book from its shelf, but covers are only wrapping. Classy imprints? When was the last time you purchased a novel because of the logo on the spine? Big advances? Does the public know, let alone care? Agents with clout? Sad to say, that is not a cause of consumer excitement. In reality there is one reason, and one reason only, that readers get excited about a novel: great storytelling.

42. What is the name of her first EP? Title 43. When was her first EP released? September 9, 2014 44. What was she nominated for at the 2014 American Music Awards? New Artist of the Year 45. What was she nominated for at the 2014 MTV Europe Music Awards? Best Song with a Social Message 46. What was she nominated for at the 2014 NewNowNext Awards? Best New Female Musician 47. What was she nominated for at the 2014 Capricho Awards? Revelation International 48. What was she nominated for at the 2015 People's Choice Awards? Favorite Breakout Artist and Favorite Song 49. What was she nominated for at the 2015 Grammy Awards? Record of the Year and Song of the Year 50. Which albums of hers are self-released? I'll Sing with You and Only 17

Oppie had found the time to coauthor a paper with Hans Bethe, published in Physical Review, on electron scattering. That year he was nominated for the Nobel Prize in physics—but the Nobel committee evidently hesitated to give the award to someone whose name was so closely associated with Hiroshima and Nagasaki. Over the next four years, he published three more short physics papers and one paper on biophysics. But after 1950, he never published another scientific paper. “He didn’t have Sitzfleisch,” said Murray Gell-Mann, a visiting physicist at the Institute in 1951. “Perseverance, the Germans call it Sitzfleisch, ‘sitting flesh,’ when you sit on a chair. As far as I know, he never wrote a long paper or did a long calculation, anything of that kind. He didn’t have patience for that; his own work consisted of little aperçus, but quite brilliant ones. But he inspired other people to do things, and his influence was fantastic.

William Brennan did not live to see his son, now a remarkable transformative actor, win his first Academy Award, for Come and Get It, the first time the award for supporting actor was given. Edward Arnold’s superb performance of a less than sympathetic character was not even recognized with a nomination. Walter said he was surprised at receiving the award and had not planned to attend the ceremony, but his studio insisted, giving him evening clothes when he said he did not have a dress suit. As a result, he remembered, “I stepped up to receive that unexpected Oscar in tux Number 34 from the Western Costume Company.

The runner-up in the first primary often wins the nomination in the second primary, a fact often advanced to support the contention that the popular will would be defeated by awarding the nomination to the winner of a plurality in a single primary.

April 7 MORNING “O ye sons of men, how long will ye turn my glory into shame?” — Psalm 4:2 AN instructive writer has made a mournful list of the honours which the blinded people of Israel awarded to their long-expected King. (1.) They gave Him a procession of honour, in which Roman legionaries, Jewish priests, men and women, took a part, He Himself bearing His cross. This is the triumph which the world awards to Him who comes to overthrow man’s direst foes. Derisive shouts are His only acclamations, and cruel taunts His only paeans of praise. (2.) They presented Him with the wine of honour. Instead of a golden cup of generous wine they offered Him the criminal’s stupifying death-draught, which He refused because He would preserve an uninjured taste wherewith to taste of death; and afterwards when He cried, “I thirst,” they gave Him vinegar mixed with gall, thrust to His mouth upon a sponge. Oh! wretched, detestable inhospitality to the King’s Son. (3.) He was provided with a guard of honour, who showed their esteem of Him by gambling over His garments, which they had seized as their booty. Such was the body-guard of the adored of heaven; a quaternion of brutal gamblers. (4.) A throne of honour was found for Him upon the bloody tree; no easier place of rest would rebel men yield to their liege Lord. The cross was, in fact, the full expression of the world’s feeling towards Him; “There,” they seemed to say, “Thou Son of God, this is the manner in which God Himself should be treated, could we reach Him.” (5.) The title of honour was nominally “King of the Jews,” but that the blinded nation distinctly repudiated, and really called Him “King of thieves,” by preferring Barabbas, and by placing Jesus in the place of highest shame between two thieves. His glory was thus in all things turned into shame by the sons of men, but it shall yet gladden the eyes of saints and angels, world without end.

On the eve of America’s entrance into World War II, Walter Brennan embodied fundamental decency and democratic virtues that made him indispensable to Cooper’s signature Everyman roles. Brennan’s performance in Sergeant York (September 27, 1941) foreshadows the country’s emergence from isolationism into a reluctant, then confirmed internationalism. Although Brennan received an Academy Award nomination for his work in Sergeant York, his low-key style is barely mentioned in later accounts of the film, which focus on Gary Cooper as Alvin York, a backwoods Tennessee conscientious objector who overcomes religious objections to war to become the nation’s greatest war hero. Brennan’s Pastor Pile persuades York to fight for his principles, to abide by the law and register for the draft, and then to serve in the army after he is denied conscientious objector status.

February 21: Marilyn arrives on the set at 10:30 a.m. Academy Award nominations have just been announced, but her performance in Some Like It Hot has not been acknowledged. Nevertheless, Marilyn happily congratulates Simone Signoret on her nomination for Room at the Top

February 28: Marilyn is nominated for a Golden Globe award for her work on Bus Stop but does not attend the ceremony, at which Deborah Kerr wins for her performance in The King and I.

The ease of knowing that the person she came from—because people came from people more than they came from places—

Any business model based around poor people making bad decisions out of ignorance and desperation always works.

research university that primarily awards master’s degrees and PhDs, JNU saw the number of seats offered to students wishing to enroll in a master’s or a doctoral program plummet by 84 percent, from 1,234 to 194 in one year.101 Furthermore, admissions committees were made up solely of experts appointed by the JNU vice-chancellor, flouting university statutes and guidelines followed by the University Grants Commission (UGC), which stipulate that academics should be involved.102 This made it possible to hire teachers from Hindu nationalist circles,103 with few qualifications,104 and some facing charges of plagiarism.105 In particular, several former ABVP student activists from JNU have been appointed as assistant professors even after being disqualified by the committee in charge of short-listing applicants.106 The vice-chancellor replaced deans in the School of Social Sciences without following appointment procedures, cutting the number of researchers by 80 percent and ceasing to apply rules JNU had set to ensure diversity through a mechanism taking into account the social background and geographic origin of its applicants.107 The new recruitment procedure strongly disadvantaged Dalits, Adivasis, and OBCs, who used to make up nearly 50 percent of the student intake and who now accounted for a mere 7 percent. The vice-chancellor also issued ad hoc promotions, nominating recently appointed faculty members to the post of full professor. Conversely, the freeze on promotions for “antigovernment” teachers who should have been promoted on the basis of seniority prompted some of the diktat’s victims to take the matter to court.108 However, even after the court—taking note of the illegality of the rejection procedure—ordered a reexamination of the claimants’ promotions, the latter were once again denied.109

After de Havilland handed him the award, Matthau began, rather formally, “Uh, when one is nominated for an achievement award in any field of endeavour, I suppose it’s natural that one immediately starts thinking of an acceptance speech in the event that one wins. I must confess that I’ve given the matter some thought, but I haven’t been able to come up with anything.” After a burst of audience laughter, he continued, “However, my wife” – and he paused right here, for added emphasis – “wrote something for me.” He removed a piece of paper from his breast pocket, which he began reading: “This award, which I have won tonight, is due in no small part to the constant inspiration and selfless devotion of one beautiful, wise, witty, charming, and rich girl whose being is a monument to pure love. Carol Matthau, thank you.” As he read the note, he paused after each phrase. […] Matthau earned the New York Drama Critics Circle Award and Best Actor Tony for The Odd Couple… Just as he did in his earlier Tony Award acceptance speech, Matthau declared that his words were composed by Carol. In what Variety described as a “poker-faced reading,” he managed to cleverly work in the names of his children, mother-in-law, and wife.

Walter was nominated for a Tony Award. I wrote a wonderful speech for him, thanking his beautiful, young, rich, wife. Walter did win and made that speech so successfully that it was picked up by a lot of winners that night, including Margaret Leighton, who said, ‘I feel just as Walter feels, and I want to thank my beautiful, young, rich wife.

Althusser.” She feels ridiculous. “‘In the battle that is philosophy all the techniques of war, including looting and camouflage, are permissible.

The Tea House has been nominated for four Academy Awards, including Best Original Screenplay.

Pulp Fiction was a major success, commercially and critically,” according to Scott Cooper Florida, “It was Quentin Tarantino’s masterpiece. Winning the Palme d'Or at Cannes in 1994, the movie was also nominated for seven Academy Awards, including Best Picture, and even won Best Original Screenplay.

The Chamber of Secrets and The Order of the Phoenix are the only two movies not nominated for an academy award.

He has worked hard to disappear into achievement. Twice he has won the university's teaching award, and only last month he was nominated for the APA's Beauchamp Prize for research that empirically advances a materialistic understanding of the human mind. He has performed himself in public so long he's been fooled by his own vita.

The Sixth Sense was ultimately nominated for six Academy Awards. Completed at a cost of $35 million, it earned just under $300 million in the United States alone, the most successful live-action film in Disney’s history. David Vogel, Disney’s President of Production (recently dismissed by Michael Eisner after purchasing The Sixth Sense without permission) had been right when he told Eisner that he’d left Disney with one of its biggest pictures. Vogel hadn’t found another job and had pretty much stopped looking. He had decided he no longer wanted to rely on the Machiavellian instincts he found necessary to continue as a movie executive. A few studio people called to congratulate him on the film’s enormous success, but he heard nothing from any of the top Disney executives, including Eisner, Roth, and Schneider. Of course, Vogel was one of the few people who knew that Disney had sold off both the foreign and domestic profits to Spyglass, and would earn only a 12.5 percent distribution fee. He wondered what Eisner thought now.

Popularity at the box office did not translate into support from [director John Sturges'] peers in the Academy. In February, when Oscar nominations were announced, The Great Escape had to make do with one, for [Ferris] Webster’s editing. Paramount’s Hud and UA’s Tom Jones, which would bring Tony Richardson the best-director Oscar, dominated the field. Sturges’s rightful place in the best-picture category was taken by 20th Century Fox’s Cleopatra, a lavish flop.

Connect, Persuade, and Triumph with the Hidden Power of Story by Peter Guber, former president of Sony Pictures Entertainment whose films have earned 50 Academy Awards nominations and generated more than $3 billion worldwide.*

For honors like this one, organizations have to submit nominations. Given my midlevel position, I knew the firm would never nominate me - at least not yet - so I was happy ColorComm submitted the awards entry. I wanted ColorComm to be recognized for our work, and I knew that making the list could mean big thngs for my career and the company I was building. What I didn't spend time worrying about was the protocol or the politics of it all - how the firm would feel about my nomination. If I won, would it rub people the wrong way? I thought I was deserving of the award, so I was happy to have my name submitted. If it made people mad, I could always ask for forgiveness later.

In its simplest terms, allyship is about mentorship or sponsorship across race lines. It's about creating opportunities for colleagues of color that can help them advance in their careers. Think promotions, attendance at conferences, nominations for awards or speaker-positions, inclusion on high profile committees, teaching your young colleagues of color the soft skills and rules of the game that they might not have learned otherwise. Ask what they need, share what you can offer, and see what makes the most sense. Don't assume you know what they need, and don't ask for kudos for your behaviour. Contribute to the change and know that the benefits of your efforts will come back to you.

The thing was: I accomplished a lot during that time when I was supposedly incapable of taking care of myself. In 2008, I won more than twenty awards, including a Cosmopolitan Ultimate Woman of the Year Award. At the VMAs, just one year after I'd been mocked for my "Gimme More" performance, I won three Moonmen. My video "Piece of Me" won every category it was nominated in, including Video of the Year. I thanked God, my sons, and my fans for standing by me. I sometimes thought that it was almost funny how I won those awards for the album I made while I was supposedly so incapacitated that I had to be controlled by my family. The truth was, though, when I stopped to think about it for very long, it wasn't funny at all.

There is a formal decree that I am supposed to read to make this official.” Beatriz pulled a folded piece of paper out of her pocket and opened it on the podium. “In honor of his bravery and heroism, Rafael Rocha is hereby awarded the Ordem Militar de São Sebastião for his acts that saved multiple lives. He was nominated for this honor by the Brazilian Ministry of Science, and it is being bestowed on this day in the city of Washington, DC.” She opened the box and described the medal to the audience.

Stop spending money to be nominated for worthless awards with no substance and no worth to your career. If you have to spend money to be nominated for an award and then spend the time to push all your friends and fans to vote for you to win that award, it is not worth it and it is not going to help you in anyway whatsoever in the long run.

The six-foot-two-inch Academy Award–nominated actor Hugh Jackman routinely needs to gain and lose weight for different film roles. When he needed to lose twenty pounds for the film Les Miserables, he followed a low-carbohydrate diet. When he needed to pack on muscle for his role as Wolverine in 2013, he used intermittent fasting.

In 2009 i was nominated for the 'best dutch poetry debute' called 'the buddingh award'. It's supposed to be the most important debut price. However the event proved rather hallucinogenic. It started with my publisher expressing 'great surprise' that 'I still managed to get nominated'. The surprise was out of place, since my book simply got the best reviews of all books that year. I went to Poetry International and noticed only 2 of the 3 jury members where present, and the female one kept looking at me in sort of a guilty fashion. Then the award was granted to Misscha Andriessen, which was sort of weird since his book was not seen as universally the best by critics. 'Too lightweight' one review of an important critic read. Later on I read that jurymember Wim Brands one year prior to the price already made clear that 'he is a big fan of Mischa Andriessen'. I always assumed that they were friends somehow but this morning I solved the mystery: they are from the same little village, so it had nothing to do with poetry, just tribal culture at its best. Kind of a relief to know that.

If you take away the few who have everything, the whole world is full of all the rest of us, who are just trying to get a little fat before the winter comes.

With young Bobby Stack as her coach, Lombard learned the ways of the shotgun. It was a skill that would pay off later as would her association with the boy who would grow up to be Academy Award-nominated actor Robert Stack. Until the day he died, Stack would be in love with her and never attempt to hide it.

Because then these fools, these one-GCSE merchants, these casualties with half a fucking thought to rub together, they suddenly think that the fact that a few hundred thousand of the Great British Public (yeah, those animals) enjoy their ditties and respond on some primitive level to their doggerel, means that they have something of value to say about anything from the FTSE to the Middle East peace process. So, the next time you see some Mercury Music Prize/Brit Award/Grammy-nominated diva up there giving it the whole ‘I am a strong independent woman with interesting ideas’ bit, remember this – it is only because of the tiniest quirk of fate, a deranged quiver of serendipity, the most unlikely of miracles, that her big speeches are not climaxing with the words: ‘I’m sorry, sir, this checkout is closing,’ or ‘Anal is an extra twenty quid, mate.

Every year at the Academy Awards the most notable prize is for “Best Picture.” The media speculate on it for weeks prior to the broadcast, and most viewers stay up well past their bedtimes to see it awarded. There is a far less hyped award on the night: the one for film editing. Let’s face it: most viewers flip the channel or go into the kitchen to refill their popcorn bowl when the winner of “Best Film Editing” is announced. Yet what most people don’t know is that the two awards are highly correlated: since 1981 not a single film has won Best Picture without at least being nominated for Film Editing. In fact, in about two-thirds of the cases the movie nominated for Film Editing has gone on to win Best Picture.

The magic of America is that we're a free and open society with a mixed population. Part of our security is our freedom.” Quote by Madeleine Albright, Former Secretary of State. Madeleine Albright was born Marie Jana Korbelová on May 15, 1937 in Prague, Czechoslovakia. She was nominated by President Bill Clinton on December 5, 1996 and was confirmed unanimously by the Senate to become the first woman to hold a Cabinet post as Secretary of State. She currently serves as the Chairperson of the Albright Stonebridge Group and is a Professor of International Relations at Georgetown University's School of Foreign Service. In May 2012, Secretary Albright was awarded the Presidential Medal of Freedom. Aside from English she speaks French, Russian, and Czech; she also understands Polish and Serbo-Croatian.

youngest child entered first grade. During the next few years, she joined Romance Writers of America, learned a few things about writing a book, and decided the process was way more fun than analyzing financial statements. Melinda’s debut novel, She Can Run, was nominated for Best First Novel by the International Thriller Writers. Melinda’s bestselling books have garnered three Daphne du Maurier Award nominations and a Golden Leaf Award. When she isn’t writing, she is an avid martial artist: she holds a second-degree black belt in Kenpo karate and teaches women’s self-defense. She lives in a messy house with her husband, two teenagers, a couple

Movie Adaptation of William March’s THE BAD SEED 1956: Produced by Warner Bros. Directed by Mervyn LeRoy. Starring Nancy Kelly, Patty McCormack, and Eileen Heckart. Screenplay by John Lee Mahin. Academy Award nominee for Best Actress, Best Actress in a Supporting Role (both McCormack and Heckart were nominated), and Best Cinematography, Black-and-White.

I had been using Johnson & Johnson’s No More Tears since childhood as it kept its promises.

Marilyn Monroe (born Norma Jeane Mortenson; June 1, 1926 – August 5, 1962) was an American actress, model, and singer, who became a major sex symbol, starring in a number of commercially successful motion pictures during the 1950s and early 1960s. After spending much of her childhood in foster homes, Monroe began a career as a model, which led to a film contract in 1946 with Twentieth Century-Fox. Her early film appearances were minor, but her performances in The Asphalt Jungle and All About Eve (both 1950), drew attention. By 1952 she had her first leading role in Don't Bother to Knock and 1953 brought a lead in Niagara, a melodramatic film noir that dwelt on her seductiveness. Her "dumb blonde" persona was used to comic effect in subsequent films such as Gentlemen Prefer Blondes (1953), How to Marry a Millionaire (1953) and The Seven Year Itch (1955). Limited by typecasting, Monroe studied at the Actors Studio to broaden her range. Her dramatic performance in Bus Stop (1956) was hailed by critics and garnered a Golden Globe nomination. Her production company, Marilyn Monroe Productions, released The Prince and the Showgirl (1957), for which she received a BAFTA Award nomination and won a David di Donatello award. She received a Golden Globe Award for her performance in Some Like It Hot (1959). Monroe's last completed film was The Misfits, co-starring Clark Gable with screenplay by her then-husband, Arthur Miller. Marilyn was a passionate reader, owning four hundred books at the time of her death, and was often photographed with a book. The final years of Monroe's life were marked by illness, personal problems, and a reputation for unreliability and being difficult to work with. The circumstances of her death, from an overdose of barbiturates, have been the subject of conjecture. Though officially classified as a "probable suicide", the possibility of an accidental overdose, as well as of homicide, have not been ruled out. In 1999, Monroe was ranked as the sixth greatest female star of all time by the American Film Institute. In the decades following her death, she has often been cited as both a pop and a cultural icon as well as the quintessential American sex symbol. 수면제,액상수면제,낙태약,여성최음제,ghb물뽕,여성흥분제,남성발기부전치유제,비아,시알,88정,드래곤,바오메이,정력제,남성성기확대제,카마그라젤,비닉스,센돔,,꽃물,남성조루제,네노마정,러쉬파퍼,엑스터시,신의눈물,lsd,아이스,캔디,대마초,떨,마리화나,프로포폴,에토미데이트,해피벌륜 등많은제품판매하고있습니다 원하시는제품있으시면 추천상으로 더좋은제품으로 모시겠습니다 qwe114.c33.kr 카톡【ACD5】텔레【KKD55】 I believe that everything happens for a reason. People change so that you can learn to let go, things go wrong so that you appreciate them when they're right, you believe lies so you eventually learn to trust no one but yourself, and sometimes good things fall apart so better things can fall together

MUR LAFFERTY is an award-winning author and Hall of Fame podcaster. She’s the author of the Nebula- and Hugo-nominated Best Novel finalist Six Wakes, along with the Shambling Guides series, and host of the popular Ditch Diggers and I Should Be Writing podcasts. She also co-edits the Hugo-nominated podcast magazine Escape Pod. She lives in Durham, North Carolina, with her husband, daughter, and two dogs, where she runs, plays computer and board games, and bakes bread.

We know that the tail must wag the dog, for the horse is drawn by the cart; But the Devil whoops, as he whooped of old, “It’s pretty, but is it Art?

Each Disney princess should have made it her mission in life to teach birds to be quiet in the morning.