Avoid See Finish Quotes

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God! You'll do anything to avoid it.' Avoid what?' my mother said. The past,' Caroline said. 'Our past. I'm tired of acting like nothing ever happened, of pretending he was never here, of not seeing his pictures in the house, or his things Just because you're not able to let yourself grieve.' Don't,' my mother said, her voice low, 'talk to me about grief. You have no idea.' I do, though.' Caroline's voice caught, and she swallowed. 'I'm not trying to hide that I'm sad. I'm not trying to forget. You hide here behind all these plans for houses and townhouses because they're new and perfect and don't remind you of anything.' Stop it,' my mother said. And look at Macy,' Caroline continued, ignoring this.' Do you even know what you're doing to her?' My mother looked at me, and I shrank back, trying to stay out of this. 'Macy is fine,' my mother said. No, she's not. God you always say that, but she's not.' Caroline looked at me, as if she wanted me to jump in, but I just sat there. 'Have you even been paying the least bit of attention to what's going on with her? She's been miserable since Dad died, pushing herself so hard to please you. And then, this summer, she finally finds some friends and something she likes to do. But then one tiny slipup, and you take it all away from her.' That has nothing to do with what we're talking about,' my mother said. It has everything to do with it,' Caroline shot back. 'She was finally getting over what happened. Couldn't you see the change in her? I could, and I was berely here. She was different.' Exactly,' my mother said. 'She was-' Happy,' Caroline finished for her. 'She was starting to live her life again, and it scared you. Just like me redoing the beach house scares you. You think you're so strong becasue you never talk about Dad. Anyone can hide. Facing up to things, working through them, that's what makes you strong.
Sarah Dessen (The Truth About Forever)
The lack of mystery in our modern life is our downfall and our poverty. A human life is worth as much as the respect it holds for the mystery. We retain the child in us to the extent that we honor the mystery. Therefore, children have open, wide-awake eyes, because they know that they are surrounded by the mystery. They are not yet finished with this world; they still don’t know how to struggle along and avoid the mystery, as we do. We destroy the mystery because we sense that here we reach the boundary of our being, because we want to be lord over everything and have it at our disposal, and that’s just what we cannot do with the mystery…. Living without mystery means knowing nothing of the mystery of our own life, nothing of the mystery of another person, nothing of the mystery of the world; it means passing over our own hidden qualities and those of others and the world. It means remaining on the surface, taking the world seriously only to the extent that it can be calculated and exploited, and not going beyond the world of calculation and exploitation. Living without mystery means not seeing the crucial processes of life at all and even denying them.
Dietrich Bonhoeffer (God is in the Manger: Reflections on Advent and Christmas)
A book is finished when it does not want me to work on it any longer...it reaches a point when it feels like it is literally avoiding me. I have a very physical relationship with the manuscript, almost a corps à corps. Paradoxically, when I finally feel at ease with a manuscript, with its voices, I realize it is finished. I see a book as a living organism, with its own rules and will. What matters to me is to allow it to grow and to acquire an existence of its own. It’s as if the book uses me in order to come into existence, rather than being written.
António Lobo Antunes
Whether you are trying to finish a race or a book or that hard conversation you've been avoiding, the training leading up to that event is what makes it possible to face the fear & walk forward anyway. Quit complaining about discipline & start seeing it as a powerful tool for courageous living.
Annie F. Downs
They are not yet finished with this world; they still don’t know how to struggle along and avoid the mystery, as we do. We destroy the mystery because we sense that here we reach the boundary of our being, because we want to be lord over everything and have it at our disposal, and that’s just what we cannot do with the mystery…. Living without mystery means knowing nothing of the mystery of our own life, nothing of the mystery of another person, nothing of the mystery of the world; it means passing over our own hidden qualities and those of others and the world. It means remaining on the surface, taking the world seriously only to the extent that it can be calculated and exploited, and not going beyond the world of calculation and exploitation. Living without mystery means not seeing the crucial processes of life at all and even denying them.
Dietrich Bonhoeffer (God Is in the Manger: Reflections on Advent and Christmas)
Many of us find numerous ways to avoid or put off altering the balance between nourishing and depleting activities in our lives; usually for very solid-sounding and altruistic reasons. Some may say, for example: “I’m balancing being a mom, a career woman, a wife and a homemaker. Where do I find the time for myself?” Others will point to the large projects at work or home, and say, “Not now, not yet; maybe some day—when this project is finished.” On the surface, this approach seems reasonable; but try to see if it is possible to take the long view. In time, if we don’t rebalance our lives, we will become less effective at everything we do. We will become joyless, sleepless and witless.
J. Mark G. Williams (Mindfulness: An Eight-Week Plan for Finding Peace in a Frantic World)
Perspective - Use It or Lose It. If you turned to this page, you're forgetting that what is going on around you is not reality. Think about that. Remember where you came from, where you're going, and why you created the mess you got yourself into in the first place. You are led through your lifetime by the inner learning creature, the playful spiritual being that is your real self. Don't turn away from possible futures before you're certain you don't have anything to learn from them. Learning is finding out what you already know. Doing is demonstrating that you know it. Teaching is reminding others that they know just as well as you. You are all learners, doers, and teachers. Your only obligation in any lifetime is to be true to yourself. Being true to anyone else or anything else is not only impossible, but the mark of a false messiah. Your conscience is the measure of the honesty of your selfishness. Listen to it carefully. The simplest questions are the most profound. Where were you born? Where is your home? Where are you going? What are you doing? Think about these once in awhile, and watch your answers change. Your friends will know you better in the first minute you meet than your acquaintances will know you in a thousand years. The bond that links your true family is not one of blood, but of respect and joy in each other's life. Rarely do members of one family grow up under the same roof. There is no such thing as a problem without a gift for you in its hands. You seek problems because you need their gifts. Imagine the universe beautiful and just and perfect. Then be sure of one thing: The Is has imagined it quite a bit better than you have. The original sin is to limit the Is. Don't. A cloud does not know why it moves in just such a direction and at such a speed, it feels an impulsion....this is the place to go now. But the sky knows the reason and the patterns behind all clouds, and you will know, too, when you lift yourself high enough to see beyond horizons. You are never given a wish without being given the power to make it true. You may have to work for it, however. Argue for your limitations, and sure enough, they're yours. If you will practice being fictional for a while, you will understand that fictional characters are sometimes more real than people with bodies and heartbeats. The world is your exercise-book, the pages on which you do your sums. It is not reality, although you can express reality there if you wish. You are also free to write nonsense, or lies, or to tear the pages. Every person, all the events of your life, are there because you have drawn them there. What you choose to do with them is up to you. In order to live free and happily, you must sacrifice boredom. It is not always an easy sacrifice. The best way to avoid responsibility is to say, "I've got responsibilities." The truth you speak has no past and no future. It is, and that's all it needs to be. Here is a test to find whether your mission on earth is finished: If you're alive, it isn't. Don't be dismayed at good-byes. A farewell is necessary before you can meet again. And meeting again, after moments or lifetimes, is certain for those who are friends. The mark of your ignorance is the depth of your belief in injustice and tragedy. What the caterpillar calls the end of the world, the master calls a butterfly. You're going to die a horrible death, remember. It's all good training, and you'll enjoy it more if you keep the facts in mind. Take your dying with some seriousness, however. Laughing on the way to your execution it not generally understood by less advanced lifeforms, and they'll call you crazy. Everything above may be wrong!
Richard Bach
cognitive filter in our brain that sticks to the first image we get. That’s a cognitive distortion often called the first impression bias. As soon as we have created our first impression we set it in stone and start filtering out everything that proves our impression was right. All of the evidence against our first impression is automatically discarded.   Our brains do this to save energy. Since our brains use up a ton of energy, they have a lot of shortcuts to avoid using processing power whenever it’s not necessary. When you see a car, your brain doesn’t look back at that car to second-guess whether you were right or not. If it looks like a car, it is a car. We can make misjudgments because of this.   Did
Brian Keephimattracted (F*CK Him! - Nice Girls Always Finish Single)
Twenty-Five Ways to Be a Good Listener        1. Be patient.        2. Don’t complete his sentences.        3. Let him finish, even if he seems to be rambling.        4. Don’t interrupt.        5. Face your husband and make eye contact.        6. Lean forward, if you are seated, to show you are interested.        7. Stop what you are doing.        8. Ask good questions and avoid the word “why.”        9. Ask his opinion about something that happened to you.      10. Ask him for his advice on a decision you have to make.      11. Don’t jump to conclusions.      12. Don’t give unsolicited advice.      13. Don’t change the subject until he is finished with a subject.      14. Make verbal responses such as, “I see,” “Really,” “Uh-huh,” to show you’re paying attention.      15. Turn off the TV.      16. Put down the dishcloth, book, hairbrush, etc.      17. Encourage him to tell you more. “What else did he say?” “What did she do next?”      18. When he is telling of a struggle, rephrase and repeat what you heard. “What I hear you saying is that you felt your boss was being unfair when he asked you to take on three more clients with no extra compensation.”      19. Let the telephone ring if he is in the middle of telling you something.      20. Don’t glance at your watch or cross your arms.      21. Don’t ask him to hurry.      22. If a child interrupts, tell him or her to wait until daddy is finished talking.      23. Don’t tell him how he should have handled the situation differently.      24. Don’t act bored.      25. Thank him for sharing with you.
Sharon Jaynes (Becoming the Woman of His Dreams)
SYNCHRONICITY 'The earth is alive, and it feels with you. It follows your footsteps, your search, with equal anxiety, because it will be transfigured in your triumph. The end of Kaliyuga and the entry into a new Golden Age depend on the results of your war. The earth by itself cannot finish the work that Nature leaves incomplete. Today the earth has joined forces with man in his destructive passion. The great catastrophe will occur in the first years of the Age of Aquarius. But if you can find the entrance to the Invisible Double of this earth, fulfilling the mystery of 'loveless A-Mor', the volcanoes will become calm, the earthquake will cease and the catastrophe will be avoided. 'There is an essential 'synchronicity' between the soul and the landscape. What you achieve in yourself will have repercussions in even the remotest corner of the universe, like the ringing of a bell which announces a triumph or a defeat, producing irreversible effects in a secret centre where Destiny acts. The Archetype is indivisible and, if you once confront it in an essential manner, the effects are universal and valid for all eternity. The old Chinese saying expresses it well: 'If a man, sitting in his room, thinks the right thoughts, he will be heard thousands of leagues away.' And the alchemical saying, too: 'It doesn't matter how alone you are. If you do true work, unknown friends will come to your aid.' 'What I have called "synchronicity', Nietzsche called 'lucky occurrences filled with meaning'. It becomes a poetic dialogue, a concerto for two violins, between the man-magician and Nature. The world presents you with a 'lucky occurrence filled with meaning', it hands you a subtle, almost secret message, something which happens without apparent reason, a-causal, but which you feel is full of meaning. This being exactly what the world is looking for, that you should extract that meaning from it, which you alone are capable of seeing, because it 'synchronises', it fully coincides with your immediate state of mind, with an event in your life, so that it is able to transform itself, with your assistance, into legend and destiny. A lucky occurrence which transformed itself into Destiny. And once you have achieved this, everything will appear to become the same as before, as if nothing had happened. Nevertheless, everything has changed fundamentally and for all time, although the only ones to know it will be you and the earth — which is now your earth, your world, since it has given itself up to you so that you can make it fruitful. 'The earth has made itself invisible inside you', as Rilke would say, it has become an individualised universe inside you. And although perhaps nothing may have changed, 'it might seem as if it were so, it might seem as if it were so', to use your own words. And you will be a creative God of the world; because you have conceived a Non-Existent Flower. You have given a meaning to your flower.
Miguel Serrano (Nos, Book of the Resurrection)
Her gaze fell on his lips, and she remembered the ointment in her basket. She bit her lower lip. Dare she? A small smile formed on the man's mouth, and Serena reared back. Could he read her mind? Of course not, she chided herself. He was probably just feeling better- he'd certainly needed the water he had been able to ingest. Slowly, so as not to disturb his sleep, she leaned toward the basket on the floor and rummaged through it until her fingers wrapped around a little clay pot. It was in her lap and opened before she realized she had made her decision. She looked down at the ointment. Normally, she would have given it to the patient and allowed him to apply it himself, but this man clearly could not manage that. She dipped her finger into the pot before she could convince herself otherwise, the soothing smells of lemon and beeswax filling the space around them. Her hand stretched out toward his face, her heart pounding. What if he woke? How would she explain what she was doing? She dabbed a bit on his lower lip and sat back to see what response he would have. Nothing. He slept on. She nodded. She was a nurse; she could do this. Leaning in again, she quickly spread the ointment across his bottom lip. He moved his head away, as if avoiding a fly, but didn't wake. Determined to finish the job, she reached for the upper lip, which wasn't quite as chapped. It was softer and curved, dark rose in color with an indention in the middle that must be sinful, it was so well shaped. Her heart pounded in her chest and her breath quickened as she spread the ointment across the top of his upper lip. She halted, realizing how close she had leaned in, how deep her breathing had become... When had she closed her eyes? Heaven help her, she wanted to kiss him. "You can, you know." At first she didn't know if the deep voice had come from the man or some other being in the room, so deep and quiet and inside her head it was. Her eyelids shot open as she straightened. "Can what?" "Kiss me." He smiled, but didn't open his eyes. Serena gasped, "Thee has been awake this entire time?" One of his shoulders lifted. "I didn't think it would help my cause-" he paused pressing his lips together, as though struggling to stay conscious- "for you to realize that.
Jamie Carie (The Duchess and the Dragon)
Sometimes change in our homes has to start with a change in our thinking. There are two main types of people who are unhappy with their homes: The Overthinkers You don't love your home, and you are out and see a pretty trinket that you are drawn to. It's not expensive, it makes you happy, and for whatever reason it brings a little meaning to you. You think it's just your style. But you don't buy it because you have no idea what you will do with it. You go home to your empty house and wonder why it's so cold and uninviting. You have empty rooms and empty tables... You should go back out and purchase that little trinket. But you are afraid of making the wrong choice, so you do nothing. You think you're safe because you aren't taking any chances, but the cost of your risklessness is a non-homey home. The Underthinkers You don't love your home, and you are out and see a pretty trinket that you are drawn to. It's not expensive, it makes you happy, and for whatever reason it brings a little meaning to you. You think it's just your style. So you buy it. And you come home and cram it onto the coffee table with all of your other meaningful trinkets... But really you should take it back because you have enough trinkets. You are putting all of your time and energy into little trinkets when your walls need to be painted, or maybe your home is actually finished in a way and you are avoiding the next thing you are meant to be doing. You think it's not a big deal because it was just a few dollars and you can sell it at your next yard sale. In five years, you realize you have a part-time job purchasing trinkets and then selling them for a fraction of the price at yard sales that you don't feel like having.
Myquillyn Smith
Perhaps you’re not aware of it, Mrs. Phelan, but according to Rifle Brigade wedding tradition, every man on the groom’s honor guard gets to kiss the bride on her wedding night.” “What rot,” Christopher retorted amiably. “The only Rifles wedding tradition I know of is to avoid getting married in the first place.” “Well, you bungled that one, old fellow.” The group chortled. “Can’t say as I blame him,” one of them added. “You are a vision, Mrs. Phelan.” “As fair as moonlight,” another said. “Thank you,” Christopher said. “Now stop wooing my wife, and take your leave.” “We started the job,” one of the officers said. “It’s left to you to finish it, Phelan.” And with cheerful catcalls and well wishes, the Rifles departed. “They’re taking the horse with them,” Christopher said, a smile in his voice. “You’re well and truly stranded with me now.” He turned toward Beatrix and slid his fingers beneath her chin, nudging her to look at him. “What’s this?” His voice gentled. “What’s the matter?” “Nothing,” Beatrix said, seeing him through a shimmer of tears. “Absolutely nothing. It’s just…I spent so many hours in this place, dreaming of being with you someday. But I never dared to believe it could really happen.” “You had to believe, just a little,” Christopher whispered. “Otherwise it wouldn’t have come true.” Pulling her between his spread thighs, he wrapped her in a comforting hug. After a long time, he spoke quietly into her hair. “Beatrix. One of the reasons I haven’t made love to you since that afternoon is that I didn’t want to take advantage of you again.” “You didn’t,” she protested. “I gave myself to you freely.” “Yes, I know.” Christopher kissed her head. “You were generous, and beautiful, and so passionate that you’ve ruined me for any other woman. But it wasn’t what I had intended for your first time. Tonight I’m going to make amends.” Beatrix shivered at the sensual promise of his tone. “There’s no need. But if you insist…” “I do insist.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
The Croft East Dene, Sussex August 11th, 1922 My dear Watson, I have taken our discussion of this afternoon to heart, considered it carefully, and am prepared to modify my previous opinions. I am amenable to your publishing your account of the incidents of 1903, specifically of the final case before my retirement, under the following conditions. In addition to the usual changes that you would make to disguise actual people and places, I would suggest that you replace the entire scenario we encountered (I speak of Professor Presbury's garden. I shall not write of it further here) with monkey glands, or a similar extract from the testes of an ape or lemur, sent by some foreign mystery-man. Perhaps the monkey-extract could have the effect of making Professor Presbury move like an ape - he could be some kind of "creeping man," perhaps? - or possibly make him able to clamber up the sides of buildings and up trees. I would suggest that he grow a tail, but this might be too fanciful even for you, Watson, although no more fanciful than many of the rococo additions you have made in your histories to otherwise humdrum events in my life and work. In addition, I have written the following speech, to be delivered by myself, at the end of your narrative. Please make certain that something much like this is there, in which I inveigh against living too long, and the foolish urges that push foolish people to do foolish things to prolong their foolish lives: There is a very real danger to humanity, if one could live for ever, if youth were simply there for the taking, that the material, the sensual, the worldly would all prolong their worthless lives. The spiritual would not avoid the call to something higher. It would be the survival of the least fit. What sort of cesspool may not our pool world become? Something along those lines, I fancy, would set my mind at rest. Let me see the finished article, please, before you submit it to be published. I remain, old friend, your most obedient servant Sherlock Holmes
Neil Gaiman (The Case of Death and Honey)
Celebrating something?” she asked. A wicked smile formed on his lips, showing off his dimples. “Just a good night’s sleep.” She smiled, too, though not without some reservation. Just what kind of person had they partnered with? A thief and an arsonist? Camille placed a napkin in her lap and devoured a slice of buttered toast. Oscar hadn’t returned from his walk until well after dark the night before. Camille had already turned down the lamps, pulled the blankets up to her ears, and buried her head in her pillow to avoid having to speak to or see him. “Oscar.” She felt her pulse rise. “What I said to you yesterday was miserable.” He kept his attention on his eggs. “I didn’t mean to be so thoughtless. I was just trying to avoid your question.” Oscar finished chewing. “I’m sorry, too,” he whispered. “So what about Randall don’t you want to talk about?” The fork slipped between her damp fingers, and she set it on the rim of the plate. “It’s just…I haven’t talked about it with anyone. I don’t really know how to put it.” She wanted to be desperately in love with Randall and not just fond of him. She didn’t want to need to marry Randall; she just wanted to want to. It had been her father’s greatest hope for her-and for the company. There was no way to explain it all to Oscar, though, without going into her father’s poor finances. As she drew her palm into her lap, it left a handprint of sweat on the lacquered cherry table. Oscar eyed the evaporating mark. “What are you so nervous about?” She massaged the healed wound on her temple. It still ached, but she couldn’t stop feeling for it each time she thought of her father. “If you were about to be married, wouldn’t you be nervous?” she asked. He took a sip of his black tea. “Nothing to be nervous about if you’re marrying the right person.” Camille dumped a spoonful of sugar into her tea. She knew she shouldn’t have bothered asking anyone, especially not a man. Oscar stopped, his forkful of eggs halfway to his mouth. “Are you rethinking the wedding?” Camille choked on a bite of toast. “No!” she said, hammering out a cough. “Of course not.
Angie Frazier (Everlasting (Everlasting, #1))
Business leadership is based on two elements: vision and technical competence. Top people in a given industry always embody at least one of those two elements. Sometimes, but rarely, they embody both of them. Simply put, vision is the ability to see what other people don’t. It’s a Ford executive named Lee Iacocca realizing that a market existed for an automobile that was both a racing car and a street vehicle—and coming up with the Mustang. It’s Steven Jobs realizing that computers needed to be sold in a single box, like a television sets, instead of piece by piece. About one hundred years ago, Walter Chrysler was a plant manager for a locomotive company. Then he decided to go into the car business, which was a hot new industry at the time. The trouble was, Walter Chrysler didn’t know a lot about cars, except that they were beginning to outnumber horses on the public roadways. To remedy this problem, Chrysler bought one of the Model T Fords that were becoming so popular. To learn how it worked, he took it apart and put it back together. Then, just to be sure he understood everything, he repeated this. Then, to be absolutely certain he knew what made a car work, he took it apart and put it together forty-eight more times, for a grand total of fifty. By the time he was finished, Chrysler not only had a vision of thousands of cars on American highways, he also had the mechanical details of those cars engraved in his consciousness. Perhaps you’ve seen the play called The Music Man. It’s about a fast-talking man who arrives in a small town with the intention of hugely upgrading a marching band. However, he can’t play any instruments, doesn’t know how to lead a band, and doesn’t really have any musical skills whatsoever. The Music Man is a comedy, but it’s not totally unrealistic. Some managers in the computer industry don’t know how to format a document. Some automobile executives could not change a tire. There was once even a vice president who couldn’t spell potato. It’s not a good idea to lack the fundamental technical skills of your industry, and it’s really not a good idea to get caught lacking them. So let’s see what you can do to avoid those problems.
Dale Carnegie (Make Yourself Unforgettable: How to Become the Person Everyone Remembers and No One Can Resist (Dale Carnegie Books))
It’s still strange not to see you in blue,” I say. “It’s time to let all that go, I think,” she answers. “Even if I could go back, I wouldn’t want to, at this point.” “You don’t miss the factions?” “I do, actually.” She glances at me. Enough time has passed between Will’s death and now that I no longer see him when I look at her, I just see Cara. I have known her far longer than I knew him. She has just a touch of his good-naturedness, enough to make me feel like I can tease her without offending her. “I thrived in Erudite. So many people devoted to discovery and innovation--it was lovely. But now that I know how large the world is…well. I suppose I have grown too large for my faction, as a consequence.” She frowns. “I’m sorry, was that arrogant?” “Who cares?” “Some people do. It’s nice to know you aren’t one of them.” I notice, because I can’t help it, that some of the people we pass on the way to the meeting give me nasty looks, or a wide berth. I have been hated and avoided before, as the son of Evelyn Johnson, factionless tyrant, but it bothers me more now. Now I know that I have done something to make myself worthy of that hatred; I have betrayed them all. Cara says, “Ignore them. They don’t know what it is to make a difficult decision.” “You wouldn’t have done it, I bet.” “That is only because I have been taught to be cautious when I don’t know all the information, and you have been taught that risks can produce great rewards.” She looks at me sideways. “Or, in this case, no rewards.” She pauses at the door to the labs Matthew and his supervisor use, and knocks. Matthew tugs it open and takes a bite out of the apple he’s holding. We follow him into the room where I found out I was not Divergent. Tris is there, standing beside Christina, who looks at me like I am something rotten that needs to be discarded. And in the corner by the door is Caleb, his face stained with bruises. I am about to ask what happened to him when I realize that Tris’s knuckles are also discolored, and that she very intentionally isn’t looking at him. Or at me. “I think that’s everyone,” Matthew says. “Okay…so…um. Tris, I suck at this.” “You do, actually,” she says with a grin. I feel a flare of jealousy. She clears her throat. “So, we know that these people are responsible for the attack on Abnegation, and that they can’t be trusted to safeguard our city any longer. We know that we want to do something about it, and that the previous attempt to do something was…” Her eyes drift to mine, and her stare carves me into a smaller man. “Ill-advised,” she finishes. “We can do better.
Veronica Roth (Allegiant (Divergent, #3))
You do that a great deal, don’t you?” He swallowed the rest of his wine. “What?” “Close up into yourself whenever someone tries to peer into your soul. Make a joke of it.” “If you came out here to lecture me,” he snapped, “don’t bother. Gran has perfected that talent. You can’t possibly compete.” “I only want to understand.” “I want to be consumed by a star, but we don’t all get what we want.” “What?” “Never mind.” Turning for the nearest door into the house, he started to stalk off, but she caught his arm. “Why are you so angry at your grandmother?” Maria asked. “I told you-she’s trying to ruin the lives of me and my siblings.” “By requiring you to marry so you can have children? I thought all lords and ladies were expected to do that. And the five of you are certainly old enough.” Her tone turned teasing. “Some of you are beyond being old enough.” “Watch it, minx,” he clipped out. “I’m not in the mood for having my nose tweaked tonight.” “Because of your grandmother, you mean. It’s not just her demand that has you angry, is it? It goes back longer than that.” Oliver glared at her. “Why do you care? Has she got you fighting her battles for her now?” “Hardly. She just informed me that I was, and I quote, ‘exactly the sort of woman who would not meet my requirements of a wife.’” A smile touched his lips at her accurate mimicking of Gran at her most haughty. “I told you she would think that.” “Yes,” she said dryly. “You both excel at insulting people.” “One of my many talents.” “There you go again. Making a joke to avoid talking about what makes you uncomfortable.” “And what is that?” “What did your grandmother do, besides giving you an ultimatum about marriage, that has you at daggers drawn?” Blast it all, would she not leave off? “How do you know she did anything? Perhaps I’m just contrary.” “You are. But that’s not what has you so angry at her.” “If you plan to spend the next two weeks asking ridiculous questions that have no answers, then I will pay you to return to London.” She smiled. “No, you won’t. You need me.” “True. But since I’m paying for the service you’re providing, I get some say in how it’s rendered. Bedeviling me with questions isn’t part of our bargain.” “You haven’t paid me anything yet,” she said lightly, “so I should think there’s some leeway in the terms. Especially since I’ve been working hard all evening furthering your cause. I just finished telling your grandmother that I have ‘feelings’ for you, and that I know you have ‘feelings’ for me.” “You didn’t choke on that lie?” he quipped. “I do have feelings for you-probably not the sort she meant, though apparently she believed me. But she was suspicious. She’s more astute than you give her credit for. First she accused us of acting a farce, and then, when I denied that, she accused me of thinking to marry you so I could gain a fortune from her down the line.” “And what did you say to that?” “I told her she could keep her precious fortune.” “Did you, indeed? I would have given my right arm to see that.” Maria was proving to be an endless source of amazement. No one ever stood up to Gran-except this American chit, with her naïve beliefs in justice and right and morality. It amazed him that she’d done it, considering how he’d treated her. No one, not even his siblings, had ever defended him with so little reason. It stirred something that had long lain dead inside him. His conscience? No, that wasn’t dead; it was nonexistent.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
particular, identify a deep task (that is, something that requires deep work to complete) that’s high on your priority list. Estimate how long you’d normally put aside for an obligation of this type, then give yourself a hard deadline that drastically reduces this time. If possible, commit publicly to the deadline—for example, by telling the person expecting the finished project when they should expect it. If this isn’t possible (or if it puts your job in jeopardy), then motivate yourself by setting a countdown timer on your phone and propping it up where you can’t avoid seeing it as you work. At this point, there should be only one possible way to get the deep task done in time: working with great intensity—no e-mail breaks, no daydreaming, no Facebook browsing, no repeated trips to the coffee machine.
Cal Newport (Deep Work: Rules for Focused Success in a Distracted World)
With a sinking heart he realized that the day was to start out like the dreaded Sunday after all. He was in for at least two hours of this, two more hours of waiting for the bar or the liquor store to open; for remorse or no, he meant to go on with it, the thing was in him now and must be finished, Wick was away for the long weekend, he’d be alone till Tuesday, he’d have his long weekend, here. A golden opportunity to go on his tear without interference, provided Helen didn’t catch up with him or intercept him, provided he kept out of people’s way, kept to himself and avoided seeing anyone he knew.
Charles Jackson (The Lost Weekend)
All our opinions are false and don’t matter in the grand scheme of things. We live ,we die. We as individuals don’t matter in this world ,we will be a memory if anyone does remember us. We will be lucky.But soon , our memory will die with them and maybe someone will utter our name in passing in this age of technology ,as a footnote to something that grabbed more of their attention. Ultimately in this world our lives do not matter. So why do we feel we are in a one man play? Why do we want to accomplish so much just to be bellowed as heroes or heroines, to be adored or thought highly of by other people who do not even have favorable opinions of themselves? You see the truth is that the trace we leave In this world do not matter in this world, the track we leave in this world is what matters in the afterlife and it will be mirror in the memory of your future. Everything we do today is either for our own comforts or to avoid discomfort we are living in a perpetual state of pleasing ourselves , self gratification and being busy bodies for the momentarily exhalation of relief that will almost always follow up with a crisis. No one will have a continuous state of bliss as the pendulum swings up it will eventually come down before it comes back up again, yet we act surprised and devastated. This life is a perpetual test to try to develop and polish your outlook and inner life so you may be the lucky ones to develop the acuteness to see this world for what it is, and not lose that vision. An illusion of forms presenting the beauty and ugliness of our souls to us on a platter and tempting us to forget we are mortal. You don’t finish school when you graduate with that degree. You finish school when you die.
Ilwaad isa
I wanted to let you to know that I agree to the match and I will marry you.” He couldn’t suppress a chuckle at her regal demeanor. “Well, I should certainly hope so as our engagement is a foregone conclusion. The contracts have already been drawn up.” Ian reached to touch her silken hair, unable to resist her. Her eyes narrowed as she rose from her seat. “I would have you know, Your Grace, that it was not a ‘foregone conclusion.’ In fact, I was not going to marry you at all! I have been doing everything I can to avoid becoming leg-shackled to you and I was going to run away!” His jaw clenched. Ian had hoped to dispel her feelings that he was a monster and apparently had failed far worse than he had ever anticipated. “And just where were you planning to run to?” he asked icily, unwilling to acknowledge the pain in his heart. Angelica did not flinch at his tone. Her skirts rustled as she paced the room. “I would have used the money I made from my stories to rent a flat somewhere in the city and support myself with short stories until I finished a novel. I heard that the lady who wrote Pride and Prejudice made one hundred forty pounds.” “That would not be enough to buy your pretty gowns,” he mocked, his temper rising at her sheer ignorance and ingratitude. “Gowns can go to the devil!” she retorted, cheeks growing pink in indignation. She looked down at her pale-blue satin opera gown as if offended by the shimmering elegance adorning her exquisite form. “Besides, they are not sensible garb for an author, I should say.” The way Angelica glibly spoke of living in squalor and subjecting herself to the sordid dangers of London rather than being his duchess made him clench his fists. Did she really think he was a fate worse than death? Or was she truly that naive? “What play are we going to see?” she asked in a blatant attempt to change the subject. Ian did not intend to let her off that easily. Inspiration struck him. Oh, he would take her to a “play” for certain. A play that she would never forget. “Something pitiful and tragic,” he said with an evil smile. It was high time his bride received a taste of reality. “I think you will be quite affected.” Her eyes narrowed in suspicion at his tone but she nodded in assent, ever displaying her indomitable courage. “I will get my cape.” “Put on a sensible pair of boots as well.” Ian’s heart twisted with bitterness. He would show her a fate worse than death. ***
Brooklyn Ann (Bite Me, Your Grace (Scandals with Bite, #1))
From what I could see, he already wants to cooperate with you.” Her ready response stalled. She wasn’t sure if she’d heard Ridley correctly, but at the ensuing sparkle in his eyes, she shook her head and stepped inside hoping her friend couldn’t see the flush that was surely creeping into her cheeks. “He’s a widower and completely devoted to his work. That’s all.” She tugged at the fingertips of her gloves. “I suppose that’s why he decided to have you accompany him rather than assigning you to another group?” She slipped off the glove heedless of the fact that two fingers were rolled in. She dropped it onto the silver tray that graced the pedestal table, then began to pluck at the other glove. “I’m sure he meant nothing by his actions.” Ridley was silent as she finished divesting her fingers of the tight leather and carefully began to remove her hatpins and drop them in the silver tray with a clink. She could feel him watching her, waiting. Finally, after she had her hat off and couldn’t avoid him any longer, she turned and met his gaze. “You are not giving yourself enough credit,” he said gently. “You’re a delightful young woman.” “I’m old and unappealing.” “Thirty isn’t old. And you’re very pretty.” “Of course you would say so.” “I may be ancient and slightly biased,” Ridley said with a return smile, “but my eyesight is still quite proficient. And I had no trouble seeing that Reverend Bedell had a hard time keeping his attention off of you.” Christine shook her head in disbelief. “Thank you for attempting to cheer me with your nonsense. But I’ve had many years to resign myself to my singleness and have no interest in entertaining thoughts of heartache.
Jody Hedlund (An Awakened Heart (Orphan Train, #0.5))
CONSIDERING THAT WE HAVE TO DEAL WITH ENDINGS all our lives, most of us handle them poorly. This is in part because we misunderstand them and take them either too seriously or not seriously enough. We take them too seriously by confusing them with finality—that’s it, all over, never more, finished! We see them as something without sequel, forgetting that they are the first phase of the transition process and a precondition of self-renewal. At the same time, we fail to take them seriously enough. Because they scare us, we try to avoid them.
William Bridges (Transitions: Making Sense of Life's Changes)
Finishing her cigarette, Raven put it out in the ashtray then sighed. “I never really bought into the God thing. Religion felt like a lie men told to make people listen to them. Mostly, it seemed dumb to think a magic man in the sky cared about us. Like if I was a magic man and could make the earth or whatever, I wouldn’t waste time on helping out losers.” Raven set the ashtray on the ground and crossed her arms as if cold. “I see what Lark has now with you, this house, the ugly dogs, her friends, and now the baby. It makes me think God might exist. While losers run in our family, Lark could be more if she let herself. Now she has more and I think God might have helped her out. I prayed someone would. Even not believing, I prayed and told God if He was real and wanted me to believe that He needed to help Lark. I guess He heard me because she’s happy like I’ve never seen her happy before. Not even when Phoenix was alive and we were the best we ever were as a family.” “I’m glad you’re here and you’re welcome to stay as long as you want, but, Raven, my dogs aren’t ugly.” She laughed and tapped her foot against mine. “You’re a good guy. I know I said that before, but I didn’t think you would be. I’ve been around and good guys are rare.” “They exist though.” Raven nodded. “I need to quit men the way I need to quit smoking. Just go cold turkey. If I try to be rational about it, I’ll fool myself into falling for another creep. No, just say enough is enough all that shit. Focus on other stuff like a job and roller derby and family.” “If you ever get sick of living here, the Johanssons have an apartment that Cooper used to live in.” “There are plenty of apartments in Ellsberg.” “Yeah, but if you want to avoid loser men, those apartments won’t help. They’re full of assholes. College shitheads and lowlife fuckers. If you stay out there with the Johanssons, no man will bother you. You might even like Bailey. She’s an acquired taste, but a good friend if you can deal with her mouth.” “Bossy bitches are my favorite,” Raven said, pulling her knees up to her chest. “No hurry moving out though. Lark is feeling unsure about stuff and having you here makes her feel more centered. Like she’s combining her old life with her new one and it fits.” “I just have one question, bud,” Raven said, standing up and ready to leave the cold evening. “Are you planning to fix her damn worm?” “I don’t normally tattoo pregnant women.” “You really going to have your kid born to a chick with a worm tattoo?” Smiling at Raven, I nodded. “I don’t want to do anything to jinx the pregnancy. Since we’ve been together, Lark was hurt by Larry, got into a fight with my ex, and had to hide under the table during a bar brawl. I want the rest of her pregnancy to be as pain free as possible.” “Sissy,” she said, grinning. “I’m really glad you aren’t an asshole. It was a pleasant surprise.” “Glad you approve, but don’t mock my dogs again and stop barking at Pollack.” “Fuck off,” she said over her shoulder while walking inside.
Bijou Hunter (Damaged and the Cobra (Damaged, #3))
As you doubtless noticed, sometimes the words matched the pictures and sometimes they didn’t. It probably felt more difficult to name the pictures when there was a mismatch. That’s because when an experienced reader sees a printed word, it’s quite difficult not to read it. Reading is automatic.Thus the printed word pants conflicts with the word you are trying to retrieve, shirt. The conflict slows your response. A child just learning to read wouldn’t show this interference, because reading is not automatic for him.When faced with the letters p, a, n, t, and s, the child would need to painstakingly (and thus slowly) retrieve the sounds associated with each letter, knit them together, and recognize that the resulting combination of sounds forms the word pants. For the experienced reader, those processes happen in a flash and are a good example of the properties of automatic processes: (1) They happen very quickly. Experienced readers read common words in less than a quarter of a second. (2) They are prompted by a stimulus in the environment, and if that stimulus is present, the process may occur even if you wish it wouldn’t.Thus you know it would be easier not to read the words in Figure 3, but you can’t seem to avoid doing so. (3) You are not aware of the components of the automatic process.That is, the component processes of reading (for example, identifying letters) are never conscious.The word pants ends up in consciousness, but the mental processes necessary to arrive at the conclusion that the word is pants do not.The process is very different for a beginning reader, who is aware of each constituent step (“that’s a p, which makes a ‘puh’ sound . . .”). FIGURE 3: Name each picture, ignoring the text. It’s hard to ignore when the text doesn’t match the picture, because reading is an automatic process.   The example in Figure 3 gives a feel for how an automatic process operates, but it’s an unusual example because the automatic process interferes with what you’re trying to do. Most of the time automatic processes help rather than hinder. They help because they make room in working memory. Processes that formerly occupied working memory now take up very little space, so there is space for other processes. In the case of reading, those “other” processes would include thinking about what the words actually mean. Beginning readers slowly and painstakingly sound out each letter and then combine the sounds into words, so there is no room left in working memory to think about meaning (Figure 4).The same thing can happen even to experienced readers. A high school teacher asked a friend of mine to read a poem out loud. When he had finished reading, she asked what he thought the poem meant. He looked blank for a moment and then admitted he had been so focused on reading without mistakes that he hadn’t really noticed what the poem was about. Like a first grader, his mind had focused on word pronunciation, not on meaning. Predictably, the class laughed, but what happened was understandable, if unfortunate.
Daniel T. Willingham (Why Don't Students Like School?: A Cognitive Scientist Answers Questions About How the Mind Works and What It Means for the Classroom)
They say you are as blind as a bat, and too vain to wear spectacles,” the voice beside her announced. Clarissa blinked in surprise. But if she was taken aback by his bluntness, she suspected she was no more so than the speaker himself. She heard a small gasp of breath as he finished, as if he’d just realized what he’d said. A quick glance to the side showed that he’d raised his hand as if to cover his mouth. “I am sorry; I have obviously been too long out of society. I should never have—” “Oh, bother.” Clarissa waved his apology away and sank back in her seat with a dejected sigh. “’Tis all right. I do know what people are saying. They seem to think that I am deaf as well as clumsy, for they do not worry about saying things in front of me—or at least behind their fans—loudly enough for me to hear.” Making a face, she mimicked, “‘Oh look, there she is, poor thing—Clumsy Clarissa.’” “I am sorry,” her companion said quietly. Clarissa waved his words away again, only this time noting the way he dodged as if to avoid a blow to the head. Frowning, she clasped her hands and settled them in her lap, repeating, “There is no need to apologize. At least you said it to my face.” “Yes, well…” The man seemed to relax in his seat now that her hands weren’t waving wildly. “Actually, it was more a question. I was wondering if you truly are?” Clarissa smiled wryly. “Ah, well, I am not quite as blind as a bat. I can see with spectacles. But my stepmother has taken them away.” She threw a dry smile in the general direction of his blurry shape and then shrugged. “Lydia seems to think that I will have more luck setting a fire in some suitable man’s heart without them. The only thing as yet that I have set fire to is Lord Prudhomme’s wig.” “Excuse me?” the stranger asked with amazement. “Prudhomme’s wig?” “Hmm.” Clarissa leaned back in her chair and actually managed to chuckle at the memory. “Yes. Though if you ask me, ’twas not wholly my fault. The man knew that I could not see without my spectacles. Why the deuce he asked me to move the candle closer is beyond me.” Clarissa paused to squint in her companion’s general direction. “He is bald as a cue ball without his wig, is he not?” She thought the man nodded, though it was hard to say. He was emitting small choked sounds it took her a moment to identify. He was fighting desperately not to laugh! “Go ahead,” Clarissa said with a small smile. “Laugh. I did. Though not right away.” -Adrian & Clarissa
Lynsay Sands (Love Is Blind)
Despite this living arrangement you have now where you still get to stay here, it will not last. None of this will. Soon you will be gone, and I will only be too happy to pack your things and send you on your way. But for now, you will make yourself scarce and give me time with my boys. After everything you’ve tried to ruin, it’s the least you could do. You do not belong in this family, so get used to being gone by being gone. Finish the room.” I didn’t say a word as she walked past me and out the room. I stood still and straight with my jaw locked tight and eyes burning as I held back tears. When her sweet drawl filled the front of the apartment, I broke. I hurried from the room and avoided their eyes as I collected my purse and left the apartment. I didn’t get more than five feet from the door before I crumbled. I
Molly McAdams (I See You)
What did he do?” I whipped around, startled. I had been so immersed in my own thoughts that I hadn’t even noticed Philantha standing into the doorway to one of the sitting rooms. “Pardon?” “Well, in my experience, it’s usually the man who bumbles about causing most of the problems in relationships of romance,” she said. “So, naturally, I assumed that your young man has done or said or thought something that caused you to come bursting in like a hurricane. Am I correct?” I shook my head so violently the braid coiled around my head threatened to come loose. “We’re not in a…relationship of romance. He’s just my friend.” Philantha made a sound surprisingly like a snicker. “Truly?” she asked. “I suppose that’s why he’s been with you most evenings.” “Like I said, we’re friends. And we haven’t seen each other in a long time.” She raised an eyebrow. “I may not care about it--or at least I didn’t, until recently--but I do hear some of the court gossip when I visit the college. The noble students, they bring it with them, you know. And one of the stories is how the Earl of Rithia and his wife are scrambling to find eligible matches for their son.” I felt suddenly dizzy for no reason, and a hot flush--disturbingly like the jealous feeling I had experienced at the inn--rushed through me. “Matches?” I repeated. “Girls, young women, marriageable prospects. Strange, how suddenly they started. Right after the princess came back, it’s been noted. As if they had had hope for another match before, and it was ruined.” “Me?” I asked. “People think Kiernan’s parents wanted him to marry me? That’s…ridiculous. Princesses don’t marry earls--a duke, maybe, but not an earl, not unless he’s foreign and brings some grand alliance. And besides, we’re just--” “Friends,” Philantha finished. “I know. That’s what you keep saying.” She eyed me, before saying, “They haven’t had much luck, though, from the gossip. He’s polite to everyone they trot out, but nothing more. But that’s neither here nor there, since you don’t love him.” I glared at her, my face and chest still filled with that rush of heat. “In fact, he’s made you angry, hasn’t he?” “He did. Well, I said…Yes, we fought. He says that Na--the princess--wants to see me. And I told him that he couldn’t bring her to me, that I didn’t want to see her. He said that if she asked, he would have to. But he’s wormed his way out of stickier situations than that. He could find a way to avoid it, if he wanted to.” “Then perhaps he doesn’t want to,” Philantha answered before gliding away up the stairs and out of sight. I had plenty of time to mull over Philantha’s words, because I didn’t see Kiernan for the next three days. It was the longest we had been parted since I returned to the city, and even through my anger at him it drove me to distraction. I mangled my spells even worse than usual, spilled ink, and tripped so frequently that Philantha threatened to call Kiernan to the house herself and turn him into a sparrow if we didn’t make up. Her eyes glinted dangerously when she said it, and only that was enough to force away a bit of my muddleheadedness.
Eilis O'Neal (The False Princess)
The camera goes out- side as the noise reaches a crescendo, and we see the parking lot. In the Southern Californian section, all the cars are huge, gas-guzzling land yachts. In the Northern Californian lot, everyone has a Honda. The commercial finishes with the line, "Is Honda the Perfect Car for Northern California, or What?" ========== Truth, lies & advertising (Jon Steel) - Your Highlight on Location 2671-2674 | Added on Wednesday, November 12, 2014 1:53:39 PM defining the product outside traditional category boundaries changed the rules of engagement and allowed the companies to compete on what they did best, avoiding areas of potential weakness or competitive activity. This doesn't work for everyone, but when it does, it can be very potent. ==========
Anonymous
Any news from home lately?” The sheriff sat beside me now, his question drawing me away from the family commotion around the table. “Not much.” I ran my fork through my pie, lifted a bit to my mouth as I watched Frank interact with his children. “Mama seems on the mend. Will has gone off in his car to see the country.” Sheriff Jeffries nodded. He glanced at Frank before turning back to me. “So you aren’t headed home anytime soon?” “No.” My stomach twisted. I set down my fork and pushed my plate to the side. “You done with that, Bekah?” James asked. “ ’Cause I could finish it for you.” Frank looked at my plate. At me. At Sheriff Jeffries. I avoided his eyes. “Share it with your brother. More coffee, anyone?” On my feet again, I smiled at both men and turned to get the coffeepot. I wanted to be sick, and I had no idea why. Instead, I played the perfect hostess, filling cups and chatting until finally the sheriff rose to leave. We walked to his automobile, leaving the clatter of the kitchen far behind. Strings of clouds drifted near the horizon, like tufts of cotton ready to be spun into thread. “May I come visit again? Saturday evening?” He glanced back toward the house. “Visit? Us?” “You, Rebekah. I want to visit you.” A Saturday night visit. My mouth felt dry as dust, and my heart pumped faster. Should I commit to more than friendship? I couldn’t let myself think too hard, so I stared straight into his face and answered. “That would be nice . . . Henry.” Why did I feel like a traitor as I spoke his name? “I’ll make another pie. Or a cake. Or something.” A grin stretched across his face as he slapped his hat on his head. “I’d like that.” He cranked the engine and waved as he climbed behind the wheel. I waved back. When he motored out of sight, I sighed and turned. And ran smack-dab into Frank. Hands on my arms, he steadied and dizzied me all at the same time. “Is he coming again?” I nodded. “Saturday night.” I hesitated. “Is that okay?” I couldn’t look him in the face. “If it’s what you want.” He nodded toward the retreating automobile, something wistful in his voice lifting my heart. I raised my eyebrows, but my gaze skittered to the house behind me. Shy and uncertain, I longed for retreat, so I stepped around him. “I’ll start supper. That is, if anyone’s hungry.
Anne Mateer (Wings of a Dream)
for the artist, when they were in the process of creation, time seemed to fall away. They almost appeared to be in a hypnotic trance. It was a deep form of attention that you rarely see elsewhere. Then he noticed something puzzling. After investing all this time in creating their paintings, when they were finished, the artists didn’t triumphantly gaze at what they had made and show it off and seek out praise for it. Almost all of them simply put the painting away and started working on another one. If Skinner was right—that human beings do things just to gain rewards and avoid punishments—this made no sense. You’d done the work; now here’s the reward, right in front of you, for you to enjoy. But creative people seemed mostly uninterested in rewards; even money didn’t interest most of them. “When they finished,” Mihaly said to an interviewer later, “the object, the outcome was not important.
Johann Hari (Stolen Focus: Why You Can't Pay Attention—and How to Think Deeply Again)
Years of reports on her progress—progress I’ve mapped as closely as any other mark until recently. Years of knowing her history, of seeing her growth in black and white. Years of refusing to look at pictures and apparently for good fucking reason. She was just a child when I saw her, and she’s anything but now as she lays beneath me, perfectly ripe and just within reach. For years I’ve denied digging too deep, but the details I’ve avoided rear their ugly head at me now as I stare down at my own demise, the only name in my mind repeating on loop as I clench my fists and try to will it away. Helen.
Kate Stewart (The Finish Line (The Ravenhood, #3))
For many people, the haunting begins the minute they wake up. Maybe they are fat or disabled, feel ugly, or are failing and overwhelmed at school or work, and it consumes them. Their obsession with their own imperfections and faults suffocates self-respect and submarines progress, and from the time they get out of bed until they are able to crawl back in that night, the only thing on their agenda is avoiding exposure and surviving another day in hell. When that’s how you feel about yourself, it’s impossible to see possibilities or seize opportunities. We all have the ability to be extraordinary, but most of us—and especially the haunted ones—tap out of the crucible and never experience what it’s like to get to the other side of hell. My metamorphosis was a brutal process that unfolded over decades, but eventually, I became the polar opposite of the kid frozen in the hot stage lights and the gaze of his teacher who only wanted to teach him to read. I became a full-time savage who walked the distant, narrow path with cliffs rising on both sides, no aid stations or rest areas, and no turnouts or exits of any kind. Whatever popped up in front of me had to be dealt with head-on because the full-time savage sees everything in life as an opportunity to learn, adapt, and evolve. However, when Babbitt’s message found me, at first, I looked for an exit. Then, I pulled my head out of my ass and found a way.
David Goggins (Never Finished)
Alright, Captain Stan,” I said as I grabbed a slip of parchment. “Stealth destruction is your primary operative, which means none of my weapons are ideal. Lucky for you, though, I was onto something before that last channeling gem mysteriously killed itself.” Stan made a point of avoiding my gaze as he focused intently on the blank page in front of us, and I snorted as I began sketching out the elemental degree mapping. Then I drew the beginnings of a rune Dragir had helped me balance when I stopped by House Quyn about the rockets, and when I finished the last line, I shifted the paper to present it to Stan. “This is an altered form of the fireball rune I’ve been using for the 1911s,” I explained. “According to Dragir, this seventeenth degree will counter the flash of the flames, so while they’ll still be burning, they won’t give off a blaze. I have no idea how that’s supposed to work, but we’ll have to see when we do our first trial run. This line that intersects both the sixty-fourth and eleventh degrees is the silencing method we’re going with. Ideally, not even a crackle will give you away. Initially, I was gonna make you a fun little flamethrower, but--” Stan nodded vigorously as he rubbed his hands together, and I sent him an apologetic smirk. “I don’t think it’s gonna work, though,” I continued, and the little metal man deflated. “I know, but your intelligence last night got me thinking, and despite how powerful this rune will be, it doesn’t change the fact that tiny elemental degree lines tend to be less powerful. Using a weapon your size, you could be standing there all day trying to burn up one engraving with an exterior flame attack. Now that we know you’re up against foot-tall defensive runes, though, I’ve decided we need to pack a bigger punch straight into your target without running out the clock. Ideally, these burns should be able to carry on with the same strength while Solana books it to the next target, and one jet of enchanted flames doesn’t accomplish that.” Stan could see the logic, and I could tell he was trying not to look too bummed out about the flamethrower. “I think you’ll like our alternative option, though,” I assured him, “because I already have a highly effective way of achieving our goal, and if this balance of silencing elements works as it should, then it logically follows that its properties would transfer to whatever it’s being channeled through. For example, a bullet.” Now, Stan slowly looked up at me, and I sent him an evil grin. “That’s right, buddy,” I confirmed. “It’s miniature gun time.” The little metal man shot to his feet, and the way he exalted like a maniac with his arms out wide and his head thrown back made me wonder if this was his version of a villainous laugh. Then he started gunning down every scrap of metal in the shop with his invisible guns, and I briefly questioned if I was making a poor decision.
Eric Vall (Metal Mage 14 (Metal Mage, #14))
You’re writing at your desk and the phone rings. As you reach for the phone, you place the pencil behind your ear, or in your hair. The phone call is finished—that took only a few minutes—but now you waste time searching for the pencil that’s perched behind your ear. Would you like to avoid that aggravation? All right, then; the next time the phone rings and you start to place the pencil behind your ear, make a fast mental picture in your mind. Actually “see” the pencil going into your ear—all the way. The idea may make you shudder, but when you think of that pencil, you’ll know where it is. That silly association of seeing the pencil go into your ear forced you to think of two things in a fraction of a second: 1) the pencil, and 2) where you were putting it. Problem solved!
Harry Lorayne (The Memory Book: The Classic Guide to Improving Your Memory at Work, at School, and at Play)
Ever seen a great champion boxer like Manny Pacquiao? With his speed, agility and power, he has conquered lots of other great boxers of the twenty first century. In between fights, he keeps his training regime and intensifies it when another fight approaches. 카톡☎ppt33☎ 〓 라인☎pxp32☎ 홈피는 친추로 연락주세요 바오메이파는곳,바오메이가격,바오메이구입방법,바오메이구매방법,팔팔정판매사이트,구구정판매사이트 Just like a boxer, we, too come face to face with many opponents in the arena of life—problems and difficulties. The bad news is, we don’t really know when our bouts with these opponents occur—no posters and promotional TV commercials; no pre-fight Press Conference and weigh in to make sure that we measure up to our opponent; and there is no Pay Per View coverage. Here are several reasons why you should train yourself for success like a champion boxer! You don’t practice in the arena, that’s where your skills and your abilities are evaluated. This also means that you don’t practice solving problems and developing yourself when problems occur, you prepare yourself to face them long before you actually face them. Talent is good but training is even better. Back in college, one of my classmates in Political Science did not bring any textbook or notebook in our classes; he just listened and participated in discussions. What I didn’t understand was how he became a magna cum laude! Apparently, he was gifted with a great memory and analytical skills. In short, he was talented. If you are talented, you probably need less preparation and training time in facing life’s challenges. But for people who are endowed with talent, training and learning becomes even important. Avoid the lazy person’s maxim: “If it isn’t broken, why fix it?” Why wait for your roof to leak in the rainy season when you can fix it right away. Training enables you to gain intuition and reflexes. Malcolm Glad well, in his book Outliers, said those artists, athletes and anyone who wants to be successful, need 10,000 hours of practice to become really great. With constant practice and training, you hone your body, your mind and your heart and gain the intuition and reflexes of a champion. Same thing is true in life. Without training, you will mess up. Without training, you will not be able to anticipate how your enemy will hit you. You will trip at that hurdle. Your knees will buckle before you hit the marathon’s finish line. You will lose control of your race car after the first lap. With training, you lower the likelihood of these accidents Winners train. If you want to win, train yourself for it. You may be a lucky person and you can win a race, or overcome a problem at first try. But if you do not train, your victory may be like a one-time lottery win, which you cannot capitalize on over the long run. And you become fitter and more capable of finishing the race. Keep in mind that training is borne out of discipline and perseverance. Even if you encounter some setbacks in your training regime, if you keep at it and persevere, you will soon see results in your life and when problems come, you will be like the champion boxer who stands tall and fights until the final round is over and you’re proclaimed as the champion!
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Tidying up by location is a fatal mistake. I’m ashamed to admit that it took me three years to see this. Many people are surprised to hear that such a seemingly viable approach is actually a common pitfall. The root of the problem lies in the fact that people often store the same type of item in more than one place. When we tidy each place separately, we fail to see that we’re repeating the same work in many locations and become locked into a vicious circle of tidying. To avoid this, I recommend tidying by category. For example, instead of deciding that today you’ll tidy a particular room, set goals like “clothes today, books tomorrow.” One reason so many of us never succeed at tidying is because we have too much stuff. This excess is caused by our ignorance of how much we actually own. When we disperse storage of a particular item throughout the house and tidy one place at a time, we can never grasp the overall volume and therefore can never finish. To escape this negative spiral, tidy by category, not by place.
Marie Kondō (The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing (Magic Cleaning #1))
make them progress more smoothly. As you write, be sure that the transitions between one idea and another are clear. If you move from one idea to another too abruptly, the reader may miss the connection between them and lose your train of thought. Pay particular attention to the transitions from one paragraph to another. Often, you’ll need to write transition sentences that explicitly lead the reader from one paragraph to the next. Clarity Perhaps the fundamental requirement of scientific writing is clarity. Unlike some forms of fiction in which vagueness enhances the reader’s experience, the goal of scientific writing is to communicate information. It is essential, then, that the information is conveyed in a clear, articulate, and unclouded manner. This is a very difficult task, however. You don’t have to read many articles published in scientific journals to know that not all scientific writers express themselves clearly. Often writers find it difficult to step outside themselves and imagine how readers will interpret their words. Even so, clarity must be a writer’s first and foremost goal. Two primary factors contribute to the clarity of one’s writing: sentence construction and word choice. SENTENCE CONSTRUCTION. The best way to enhance the clarity of your writing is to pay close attention to how you construct your sentences; awkwardly constructed sentences distract and confuse the reader. First, state your ideas in the most explicit and straightforward manner possible. One way to do this is to avoid the passive voice. For example, compare the following sentences: The participants were told by the experimenter to press the button when they were finished (passive voice). The experimenter told the participants to press the button when they finished (active voice). I think you can see that the second sentence, which is written in the active voice, is the better of the two. Second, avoid overly complicated sentences. Be economical in the phrases you use. For example, the sentence, “There were several different participants who had not previously been told what their IQ scores were,” is terribly convoluted. It can be streamlined to, “Several participants did not know their IQ scores.” (In a moment, I’ll share with you one method I use to identify wordy and awkwardly constructed sentences in my own writing.) WORD CHOICE. A second way to enhance the clarity of one’s writing is to choose one’s words carefully. Choose words that convey precisely the idea you wish to express. “Say what you mean and mean what you say” is the scientific writer’s dictum. In everyday language, we often use words in ways that are discrepant from their dictionary definition. For example, we tend to use theory and hypothesis interchangeably in everyday language, but they mean different things to researchers. Similarly, people talk informally about seeing a therapist or counselor, but psychologists draw a distinction between therapists and counselors. Can you identify the problem in this
Mark R. Leary (Introduction to Behavioral Research Methods)
In November, Random House had published The Art of the Deal by Donald Trump, whose disdain for tradition and good taste had by now convinced striving classes that he was one of them. The people who resented him were the meritocracy who followed the rules; those on top and those on the bottom both knew Balzac had it right: “Behind every great fortune,” he’d written, “there is a great crime.” For Liz Smith, the love of money could still excuse anything. “It is refreshing,” she wrote of “The Donald,” “to find a rich person who isn’t pretending to be broke or modest and unassuming, hopping and skipping on hot coals to avoid being called crass and vulgar when it comes to the most absorbing subject known to the average man and woman in 1988: money…” She finished, “Let’s not kill Donald. Don’t you want to see what happens when he grows up?” In the meantime, he borrowed $407.5 million to buy the Plaza, taking out full-page ads promising to make it “perhaps the greatest hotel in the world.” He mulled public office. “I’m not running for president,” he said, “But if I did… I’d win.” The Helmsleys, on the other hand, were sacrificed for the sins of their class; Giuliani indicted them for tax evasion.
Thomas Dyja (New York, New York, New York: Four Decades of Success, Excess, and Transformation (Must-Read American History))
dressed… oddly. He nodded hello but pecked at a terminal behind the counter like he was wrapping something up. Jason examined Pierre with an eagerness that matched Pierre’s inspection of him, once he turned his full attention away from the terminal. He looked so pleased to see Pierre that for the first time he regretted dressing up to travel. He hadn’t considered that an affluent appearance might hamper his ability to negotiate terms of a financial transaction. Most of the time dressing well led to a degree of deference and better treatment. Jason however was regarding him like a prize steer that would soon be select cuts of beef. “Good day,” Pierre said, and tried to keep a pleasant face and made an attempt at humor. “Are you the Jason of fame, heralded by your establishment’s signage?” “I wouldn’t hire another Jason,” the fellow said bluntly. “If one wanted to hire on I suppose I might, if he let me call him George. Life’s perplexing enough without feeling like I’ve slipped into speaking in the third person every day. Fortunately there’s little enough to distract me on ISSII to make it a burden to keep the doors open without help. It’s like a very quiet little town.” “Indeed, I noticed the lack of a crowd in the corridor,” Pierre agreed. “Been that way since the war, and it’s been slow to come back all the way. But I figure in another five years, maybe six years it’ll be hopping again.” Pierre nodded politely. He’d really like to know why the fellow thought so, but he’d leave it for another time rather than neglect his business. “I wonder, if you might do currency exchanges among your services? I find the shuttle service I wish to take to Home doesn’t take EuroMarks. I’d like something they take, preferably Solars to facilitate other payments when I reach Home or beyond.” “I wouldn’t mind a bucket of them myself,” Jason allowed. “But for most transactions they’re a bit unwieldy. A full Solar is twenty five grams of gold or platinum. Most folks use the smaller coins and bits or a credit card that can shave transactions down to the milligram.” “What would you suggest? I have EuroMark credit, banknotes, and a small amount of Suisse Credit bars. What would be easiest?” “Not that I don’t want the business, but I’m too little a fish to risk handling a large sum of EuroMarks with currency fluctuations being what they are. EMs are depreciating assets anyway. Now, I’d take your gold if you were staying here, but the banks on Home will give you a much better conversion rate, and I’d rather you not be pissed off at me and tell everybody to avoid the scoundrel on ISSII after you found that out. I know the exchange rate looks bad but go back to the Russians and tell them you want to convert your EuroMarks to Australian dollars - they’ll do that. The gold, it don’t matter, it’s not going to fluctuate in value very much. If you finish up your business and want to take any of it back to France you can’t take it as Solars and you’d have to pay for a second exchange.” “I never said I was French, nor did I mention speaking with the Russians.” “I hear your vowels and can place your province if not your town under that fancy Parisian accent. It’s five hundred and twenty of my steps from here to the bank and Peter called and told me you were on your way. As I said, it’s like a small town here. If you sneeze
Mackey Chandler (Been There, Done That (April, #10))
The one where I was insanely jealous and didn't handle it very well," he told her quietly, not taking his eyes off the ground. Kira forced herself to shut up so he could let whatever he was holding inside, out. "The truth is, I know I've been a little mean sometimes, but I told myself it was justified. You and Tristan were wrong for each other, and it was only a matter of time before you broke up. I was just doing my part to move the process along." "But?" Kira said, making him continue. "But, I realize now that it's something you need to see on your own." "And why do you care so much?" Kira asked. They had avoided this conversation for so long, it was inevitable they would need to talk about it. Maybe in the woods, alone, waiting to charge a house full of powerful vampires wasn't the ideal time, but it was all the two of them had. There was no going back now. "Because you're my best friend." He shrugged, still not looking at her. Kira watched him, watched as he finally met her gaze. His fiery eyes were so like her own, but she didn't recognize them now, not when they were so filled with hope and pain. "Because I'm in love with you," he finally said, letting the words float up and fill the empty space of the forest, making it feel both cramped and vast at the same time. There it was. The six words that Kira had been dreading since graduation. The six words that could never be taken back. The six words that would change their friendship forever. "I love you too," Kira said, hating the pity in her voice. "But you're not in love with me," Luke finished the sentence for her, visibly deflated.
Kaitlyn Davis (Simmer (Midnight Fire, #2))
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Maple Ridge COncrete and Paving
One by one, in a methodical clockwise direction, each person gave their individual reaction to my playing of the song. The first person said he was soothed by the melody, the second that she was inspired by the words. The third person said she had felt touched as it reminded her of someone precious that she loved. And on around it went, each person telling of a different need that was met, or another way he had been touched by my song. Dr. Rosenberg said he had felt inspired because I had mucked up the song a little in one place and had kept playing and finished it. When everyone had shared, strong feelings began to pour into my body and up into my throat. Gratitude and relief? No. Joy? No. Sorrow. Great sorrow, for all the years that I had not been playing. For all the people that could have been touched or inspired, had I given them the chance. For all the attention and connection I could have received but did not. As the sorrow eventually subsided like a passing rainstorm, warm powerful rays of sunny resolution began to radiate in my heart. It was a resolution and a clarity of commitment to myself to “perfect my selfishness.” In a moment, I saw how playing the miserable martyr’s role, sacrificing my passion to avoid disturbing other people, had too high a price. It also ripped other people off, by denying them what I had to give them. I swore then and there that I was not going to do that to me again. I Don’t Want To Do That To Me Again by Ruth Bebermeyer No use wasting life saying that I should have known better. No use wasting time regretting what has been. I just know I felt uneasy and I couldn’t settle down, Like my picture couldn’t fit into that frame. And I don’t, don’t want to do that to me again. No use wishing now that I had not had to learn this way. No use wasting time regretting what has been. I just know I wasn’t easy and I wasn’t who I am, But I guess I had to do it to see plain. And I don’t want to do that to me again. I just want to go on singing the same tune I’m playing. I want my self and my doing all the same. And I want to walk in rhythm to the beat of my own soul. When I’m out of step with me I’m into pain. And I don’t don’t want to do that to me again. The Treasure of Transparency Recently I held a potluck dinner at my house for a group of friends, most of whom had been learning and practicing the techniques of Nonviolent Communication. After we had finished eating, a woman asked if the group would like to hear a story she wrote. At first no one answered, but then a couple of people asked how long the story was and whether the essence of it could just be told to them. Finally an agreement was reached about how the gift of the story could be given so that the group’s needs for connecting with each other and relaxing at the party could also be met. I was struck by how rare it is in this culture for individuals
Kelly Bryson (Don't Be Nice, Be Real)
like you,” she says, just slightly louder than a whisper. Looking back down, I try to focus on finishing her toes with precision. With a smirk, because I have to tease her a little after that, I say, “You’re alright.” “Let’s see if you feel like I’m just ‘alright’ when I’m riding your cock later.” “Jesus Christ.” My concentration falters, and I swipe the nail polish brush all along her pinky toe. “I’m sorry!” She lets out a small snort as she giggles, and her hand flies up to cover her mouth and nose. It’s really fucking cute. “You can’t say that kind of shit to me while I’m trying to concentrate.” She leans forward and whispers, “I think you’re pretty amazing, Grant Foxx.” I don’t know why it hits me the way that it does, but those few words mixed with what she said before feels like some kind of vindication. That I’ve earned the right to show parts of myself to someone again. It’s been a helluva week since we’ve started whatever this is, but it’s been the highlight, hands down. Just about everyone on my team at the cooperage had something they needed from me. It’s been exhausting and tedious. I’m trying to delegate more of my typical tasks with a full team now. And we’ve started new barrels for a blend that Lincoln wanted to do in a limited run with, which meant new toasting times. A week. Which is why today, with her, is like the reward. It's a lazy day. The kind with no plans that I would always try to avoid. Keeping busy had always helped the days move along and kept quiet moments from turning into spiraling feelings. But right now, I’m loving every second of today’s pace. It’s peaceful.
Victoria Wilder (Bourbon & Lies (The Bourbon Boys, #1))