Avenues Of The Diamond Quotes

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Materialism has defeated feminism as well. In a sign of the times, Gloria Steinem was on the picket line when the first American DeBeers store opened on Fifth Avenue in June 2005, protesting the evictions of Bushmen in Botswana to make room for diamond miners and the charges that the company dealt in "blood diamonds" used to finance civil wars in Africa. Her presence meant nothing to young Hollywood beauties who are pleased to shill for the diamond industry in magazine layouts and personal appearances. As Steinem stood outside, Lindsay Lohan was inside the party, gushing over the possibility that she could get to wear one of the big rocks. Asked by reporters about the Bushmen controversy, she shrugged it off: "I don't get involved in any drama.
Maureen Dowd
THE  FIRST thing that struck Bond about Saratoga was the green majesty of the elms, which gave the discreet avenues of Colonial-type clapboard houses some of the peace and serenity of a European watering place.
Ian Fleming (Diamonds are Forever (James Bond #4))
In my criminal work anything that wears skirts is a lady, until the law proves her otherwise. From the frayed and slovenly petticoats of the woman who owns a poultry stand in the market and who has grown wealthy by selling chickens at twelve ounces to the pound, or the silk sweep of Mamie Tracy, whose diamonds have been stolen down on the avenue...
Mary Roberts Rinehart (The Window at the White Cat)
There was a Chinese belief that demons liked to travel only in straight lines. Hence the bridge zigzagged no fewer than nine times as it made its way to the center of the pond. The bridge was a demon filter, in other words, and the teahouse demon-free, which seemed of only limited usefulness if it still hosted people like Dr. X. But for Judge Fang, raised in a city of long straight avenues, full of straight talkers, it was useful to be reminded that from the point of view of some people, including Dr. X, all of that straightness was suggestive of demonism; more natural and human was the ever-turning way, where you could never see round the next corner, and the overall plan could be understood only after lengthy meditation.
Neal Stephenson (The Diamond Age)
let my thoughts be bestowed on her who has shown so much devotion for me. Madame de Belliere ought to be there by this time," he said, as he turned towards the secret door. After he had locked himself in, he opened the subterranean passage, and rapidly hastened towards the means of communicating between the house at Vincennes and his own residence. He had neglected to apprise his friend of his approach, by ringing the bell, perfectly assured that she would never fail to be exact at the rendezvous; as, indeed, was the case, for she was already waiting. The noise the superintendent made aroused her; she ran to take from under the door the letter he had thrust there, and which simply said, "Come, marquise; we are waiting supper for you." With her heart filled with happiness Madame de Belliere ran to her carriage in the Avenue de Vincennes, and in a few minutes she was holding out her hand to Gourville, who was standing at the entrance, where, in order the better to please his master, he had stationed himself to watch her arrival. She had not observed that Fouquet's black horse arrived at the same time, all steaming and foam-flaked, having returned to Saint-Mande with Pelisson and the very jeweler to whom Madame de Belliere had sold her plate and her jewels. Pelisson introduced the goldsmith into the cabinet, which Fouquet had not yet left. The superintendent thanked him for having been good enough to regard as a simple deposit in his hands, the valuable property which he had every right to sell; and he cast his eyes on the total of the account, which amounted to thirteen hundred thousand francs. Then, going for a few moments to his desk, he wrote an order for fourteen hundred thousand francs, payable at sight, at his treasury, before twelve o'clock the next day. "A hundred thousand francs profit!" cried the goldsmith. "Oh, monseigneur, what generosity!" "Nay, nay, not so, monsieur," said Fouquet, touching him on the shoulder; "there are certain kindnesses which can never be repaid. This profit is only what you have earned; but the interest of your money still remains to be arranged." And, saying this, he unfastened from his sleeve a diamond button, which the goldsmith himself had often valued at three thousand pistoles.
Alexandre Dumas (Premium Collection - 27 Novels in One Volume: The Three Musketeers Series, The Marie Antoinette Novels, The Count of Monte Cristo, The ... Hero of the People, The Queen's Necklace...)
ORIGIN OF CONCENTRATION CAMPS When Namibia won its independence in 1990, the main avenue of the capital city still bore the name Göring. Not for Hermann, the Nazi, but in honor of his father, Heinrich Göring, one of the perpetrators of the first genocide of the twentieth century. That Göring, who represented the German Empire in the southwest corner of Africa, kindly approved in 1904 an annihilation order given by General Lothar von Trotta. The Hereros, black shepherds, had risen up in rebellion. The colonial authorities expelled them all and warned that any Herero found in Namibia, man, woman, or child, armed or unarmed, would be killed. Of every four Hereros, three were killed, by cannon fire or the desert sun. The survivors of the butchery ended up in concentration camps set up by Göring. And Chancellor Bernhard von Bülow pronounced for the very first time the word “Konzentrationslager.” The camps, inspired by a British forerunner in South Africa, combined confinement, forced labor, and scientific experimentation. The prisoners, emaciated from a life in the gold and diamond mines, served as human guinea pigs for research into inferior races. In those laboratories worked Theodor Mollison and Eugen Fischer, who later became the teachers of Josef Mengele. Mengele carried forth their work as of 1933, the year that Göring the son set up the first concentration camps in Germany, following the model his father pioneered in Africa.
Eduardo Galeano (Mirrors: Stories of Almost Everyone)
Looking incredibly dashing as he bent his head toward the oh-so-fashionable Miss Kasson was none other than Mr. Edgar Wanamaker—her best friend from childhood, and . . . the very first gentleman to ever offer her a proposal of marriage. She and Edgar had met when they’d been little more than infants, that circumstance brought about because their parents owned adjacent summer cottages on Long Island. Wilhelmina had spent every childhood summer with Edgar by her side, enjoying the sandy beaches and chilly water of the Atlantic from the moment the sun rose in the morning until it set in the evening. Even when Edgar had been away at school, being a few years older than Wilhelmina, they’d spent every possible minute they could with each other during the holidays. He’d even made certain to be in the city the night of her debut ball, waiting for her at the bottom of her family’s Park Avenue mansion as she’d descended the grand staircase on her father’s arm. As she’d stepped to the highly polished parquet floor, she’d caught his gaze, the intensity of that gaze causing her heart to fill with fondness for her oldest and dearest friend. That fondness, however, had disappeared a few hours later when Edgar had gone and ruined everything by asking her to marry him. She’d been all of seventeen years old the night of her debut—seventeen years old with the world spread out at her feet. Add in the notion that the whispers stirring around the ballroom were claiming she was destined to be a diamond of the first water, and the last thing she’d wanted that particular evening was a marriage proposal extended to her from her very best friend. Edgar, no matter the affection she held for him, was only a second son. Paired with the pesky fact he’d had no idea as to what he’d wanted to do with the rest of his life—except, evidently, to marry her—and she’d been less than impressed by his offer. What
Jen Turano (At Your Request (Apart from the Crowd, #0.5))
Yet at night, they took off the diamonds and gowns and went to empty beds resigned to the fact that they were just women, after all. Women with a shelf life. And
Melanie Benjamin (The Swans of Fifth Avenue)
Yet at night, they took off the diamonds and gowns and went to empty beds resigned to the fact that they were just women, after all. Women with a shelf life.
Melanie Benjamin (The Swans of Fifth Avenue)