Avalanche Sayings And Quotes

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The backcountry signs say stuff like BEYOND THIS POINT IS A HIGH RISK AREA, WHICH HAS MANY HAZARDS INCLUDING, BUT NOT LIMITED TO, AVALANCHES, CLIFFS, AND HIDDEN OBSTACLES, YOU MAY BE RESPONSIBLE FOR THE COST OF YOUR RESCUE and I think, um, no thanks. I choose life.
Cynthia Hand (Unearthly (Unearthly, #1))
It's like I have a sensor in my head, but she works on a seven-second delay... well-meaning, but perpetually about seven seconds too late to actually do anything to stop the horrific avalanche of shit-you-shouldn't- say-out-loud-but-I-just-did.
Jenny Lawson
Algebra applies to the clouds, the radiance of the star benefits the rose--no thinker would dare to say that the perfume of the hawthorn is useless to the constellations. Who could ever calculate the path of a molecule? How do we know that the creations of worlds are not determined by falling grains of sand? Who can understand the reciprocal ebb and flow of the infinitely great and the infinitely small, the echoing of causes in the abyss of being and the avalanches of creation? A mite has value; the small is great, the great is small. All is balanced in necessity; frightening vision for the mind. There are marvelous relations between beings and things, in this inexhaustible whole, from sun to grub, there is no scorn, each needs the other. Light does not carry terrestrial perfumes into the azure depths without knowing what it does with them; night distributes the stellar essence to the sleeping plants. Every bird that flies has the thread of the infinite in its claw. Germination includes the hatching of a meteor and the tap of a swallow's beak breaking the egg, and it guides the birth of the earthworm, and the advent of Socrates. Where the telescope ends, the microscope begins. Which of the two has a greater view? Choose. A bit of mold is a pleiad of flowers; a nebula is an anthill of stars. The same promiscuity, and still more wonderful, between the things of the intellect and material things. Elements and principles are mingled, combined, espoused, multiplied one by another, to the point that the material world, and the moral world are brought into the same light. Phenomena are perpetually folded back on themselves. In the vast cosmic changes, universal life comes and goes in unknown quantities, rolling everything up in the invisible mystery of the emanations, using everything, losing no dream from any single sleep, sowing a microscopic animal here, crumbling a star there, oscillating and gyrating, making a force of light, and an element of thought, disseminated and indivisible dissolving all, that geometric point, the self; reducing everything to the soul-atom; making everything blossom into God; entangling from the highest to the lowest, all activities in the obscurity of a dizzying mechanism, linking the flight of an insect to the movement of the earth, subordinating--who knows, if only by the identity of the law--the evolutions of the comet in the firmament to the circling of the protozoa in the drop of water. A machine made of mind. Enormous gearing, whose first motor is the gnat, and whose last is the zodiac.
Victor Hugo (Les Misérables)
Are the angels of her bed the angels who come near me alone in mine? Are the green trees in her window the color is see in ripe plums? If she always sees backward and upside down without knowing it what chance do we have? I am haunted by the feeling that she is saying melting lords of death, avalanches, rivers and moments of passing through, And I am replying, "Yes, yes. Shoes and pudding.
Jack Gilbert
Americans are pushy, obnoxious, neurotic, crass - anything and everything - the full catastrophe as our friend Zorba might say. Canadians are none of that. The way you might fear a cow sitting down in the middle of the street during rush hour, that's how I fear Canadians. To Canadians, everyone is equal. Joni Mitchell is interchangeable with a secretary at open-mic night. Frank Gehry is no greater than a hack pumping out McMansions on AutoCAD. John Candy is no funnier than Uncle Lou when he gets a couple of beers in him. No wonder the only Canadians anyone's ever heard of are the ones who have gotten the hell out. Anyone with talent who stayed would be flattened under an avalanche of equality. The thing Canadians don't understand is that some people are extraordinary and should be treated as such.
Maria Semple (Where'd You Go, Bernadette)
Amazing Peace: A Christmas Poem Thunder rumbles in the mountain passes And lightning rattles the eaves of our houses. Flood waters await us in our avenues. Snow falls upon snow, falls upon snow to avalanche Over unprotected villages. The sky slips low and grey and threatening. We question ourselves. What have we done to so affront nature? We worry God. Are you there? Are you there really? Does the covenant you made with us still hold? Into this climate of fear and apprehension, Christmas enters, Streaming lights of joy, ringing bells of hope And singing carols of forgiveness high up in the bright air. The world is encouraged to come away from rancor, Come the way of friendship. It is the Glad Season. Thunder ebbs to silence and lightning sleeps quietly in the corner. Flood waters recede into memory. Snow becomes a yielding cushion to aid us As we make our way to higher ground. Hope is born again in the faces of children It rides on the shoulders of our aged as they walk into their sunsets. Hope spreads around the earth. Brightening all things, Even hate which crouches breeding in dark corridors. In our joy, we think we hear a whisper. At first it is too soft. Then only half heard. We listen carefully as it gathers strength. We hear a sweetness. The word is Peace. It is loud now. It is louder. Louder than the explosion of bombs. We tremble at the sound. We are thrilled by its presence. It is what we have hungered for. Not just the absence of war. But, true Peace. A harmony of spirit, a comfort of courtesies. Security for our beloveds and their beloveds. We clap hands and welcome the Peace of Christmas. We beckon this good season to wait a while with us. We, Baptist and Buddhist, Methodist and Muslim, say come. Peace. Come and fill us and our world with your majesty. We, the Jew and the Jainist, the Catholic and the Confucian, Implore you, to stay a while with us. So we may learn by your shimmering light How to look beyond complexion and see community. It is Christmas time, a halting of hate time. On this platform of peace, we can create a language To translate ourselves to ourselves and to each other. At this Holy Instant, we celebrate the Birth of Jesus Christ Into the great religions of the world. We jubilate the precious advent of trust. We shout with glorious tongues at the coming of hope. All the earth's tribes loosen their voices To celebrate the promise of Peace. We, Angels and Mortal's, Believers and Non-Believers, Look heavenward and speak the word aloud. Peace. We look at our world and speak the word aloud. Peace. We look at each other, then into ourselves And we say without shyness or apology or hesitation. Peace, My Brother. Peace, My Sister. Peace, My Soul.
Maya Angelou (Amazing Peace: A Christmas Poem)
We live in a modern society. Husbands and wives don't grow on trees, like in the old days. So where does one find love? When you're sixteen it's easy, like being unleashed with a credit card in a department store of kisses. There's the first kiss. The sloppy kiss. The peck. The sympathy kiss. The backseat smooch. The we shouldn't be doing this kiss. The but your lips taste so good kiss. The bury me in an avalanche of tingles kiss. The I wish you'd quit smoking kiss. The I accept your apology, but you make me really mad sometimes kiss. The I know your tongue like the back of my hand kiss. As you get older, kisses become scarce. You'll be driving home and see a damaged kiss on the side of the road, with its purple thumb out. If you were younger, you'd pull over, slide open the mouth's red door just to see how it fits. Oh where does one find love? If you rub two glances, you get a smile. Rub two smiles, you get a warm feeling. Rub two warm feelings and presto-you have a kiss. Now what? Don't invite the kiss over and answer the door in your underwear. It'll get suspicious and stare at your toes. Don't water the kiss with whiskey. It'll turn bright pink and explode into a thousand luscious splinters, but in the morning it'll be ashamed and sneak out of your body without saying good-bye, and you'll remember that kiss forever by all the little cuts it left on the inside of your mouth. You must nurture the kiss. Turn out the lights. Notice how it illuminates the room. Hold it to your chest and wonder if the sand inside hourglasses comes from a special beach. Place it on the tongue's pillow, then look up the first recorded kiss in an encyclopedia: beneath a Babylonian olive tree in 1200 B.C. But one kiss levitates above all the others. The intersection of function and desire. The I do kiss. The I'll love you through a brick wall kiss. Even when I'm dead, I'll swim through the Earth, like a mermaid of the soil, just to be next to your bones.
Jeffrey McDaniel
It was like I'd climbed Everest, had the summit in my sight, the flag in my hand, all ready to pierce it into the top of the mountain and say, "Whoopdedoo, I made it," and then an avalanche from out of nowhere swept me right back to the bottom of the mountain again. Was it worth bothering to try and climb it again? I was exhausted. I'd already climbed it. I didn't want to...but, then, what other choice was there?
Holly Bourne (Am I Normal Yet? (The Spinster Club, #1))
Perhaps the flowers appreciate the full significance of it. They are not cowards, like men. Some flowers glory in death--certainly the Japanese cherry blossoms do, as they freely surrender themselves to the winds. Anyone who has stood before the fragrant avalanche at Yoshino or Arashiyama must have realized this. For a moment they hover like bejewelled clouds and dance above the crystal streams; then, as they sail away on the laughing waters, they seem to say: "Farewell, O Spring! We are on to eternity.
Kakuzō Okakura (The Book of Tea)
Well," he said, quite seriously, "it's this way: you work because you're afraid not to. You work becuase you have to drive yourself to such a fury to begin. That part's just plain hell! It's so hard to get started that once you do you're afraid of slipping back. You'd rather do anything than go through all that agony again--so you keep going--you keep going faster all the time--you keep going till you couldn't stop even if you wanted to. You forget to eat, to shave, to put on a clean shirt when you have one. You almost forget to sleep, and when you do try to you can't--because the avalanche has started, and it keeps going night and day. And people say: 'Why don't you stop sometime? Why don't you forget about it now and then? Why don't you take a few days off?' And you don't do it because you can't--you can't stop yourself--and even if you could you'd be afraid to because there'd be all that hell to go through getting started up again. Then people say you're a glutton for work, but it isn't so. It's laziness--just plain, damned, simple laziness, that's all...Napoleon--and--and Balzac--and Thomas Edison--these fellows who never sleep more than an hour or two at a time, and can keep going night and day--why that's not because they love to work! It's because they're really lazy--and afraid not to work because they know they're lazy! Why, hell yes!..I'll bet you anything you like if you could really find out what's going on in old Edison's mind, you'd find that he wished he could stay in bed every day until two o'clock in the afternoon! And then get up and scratch himself! And then lie around in the sun for awhile! And hang around with the boys down at the village store, talking about politics, and who's going to win the World Series next fall!
Thomas Wolfe (You Can't Go Home Again)
For a split second we look at each other, and to me it feels like a mountain of letters between us, all jumbled up and unmatched, a thousand things I need to say to her but can’t figure out how to say. Not without starting some kind of terrible avalanche. Not without getting buried beneath them.
Kate Clayborn (Love Lettering)
Milton's Eve! Milton's Eve! ... Milton tried to see the first woman; but Cary, he saw her not ... I would beg to remind him that the first men of the earth were Titans, and that Eve was their mother: from her sprang Saturn, Hyperion, Oceanus; she bore Prometheus" -- "Pagan that you are! what does that signify?" "I say, there were giants on the earth in those days: giants that strove to scale heaven. The first woman's breast that heaved with life on this world yielded the daring which could contend with Omnipotence: the stregth which could bear a thousand years of bondage, -- the vitality which could feed that vulture death through uncounted ages, -- the unexhausted life and uncorrupted excellence, sisters to immortality, which after millenniums of crimes, struggles, and woes, could conceive and bring forth a Messiah. The first woman was heaven-born: vast was the heart whence gushed the well-spring of the blood of nations; and grand the undegenerate head where rested the consort-crown of creation. ... I saw -- I now see -- a woman-Titan: her robe of blue air spreads to the outskirts of the heath, where yonder flock is grazing; a veil white as an avalanche sweeps from hear head to her feet, and arabesques of lighting flame on its borders. Under her breast I see her zone, purple like that horizon: through its blush shines the star of evening. Her steady eyes I cannot picture; they are clear -- they are deep as lakes -- they are lifted and full of worship -- they tremble with the softness of love and the lustre of prayer. Her forehead has the expanse of a cloud, and is paler than the early moon, risen long before dark gathers: she reclines her bosom on the ridge of Stilbro' Moor; her mighty hands are joined beneath it. So kneeling, face to face she speaks with God. That Eve is Jehova's daughter, as Adam was His son.
Charlotte Brontë (Shirley)
Glances Two people meet. The sky turns winter, quells whatever they would say. Then, a periphery glance into danger - and an avalanche already on its way. They have been honest all their lives; careful, calm, never in haste; they didn't know what it is to meet. Now they have met: the world is waste. They find they are riding an avalanche feeling at rest, all danger gone. The present looks out of their eyes; they stand calm and still on a speeding stone.
William Stafford (TRAVELING THROUGH THE DARK.)
I am fascinated with how they converse, seeing as neither of them appears to know what the other is saying but are happy in each other’s company, nonetheless.
Bea Paige (Avalanche of Desire (Brothers Freed, #1))
Andy didn’t need to say aloud what I’d written under “Next of kin”—It’s a family reunion, so anyone here, unless Avalanche
Benjamin Stevenson (Everyone In My Family Has Killed Someone (Ernest Cunningham, #1))
Whenever people asked "How are you?" by way of social nicety I lied through my teeth. "Not too bad," I'd say. Or "Swings and roundabouts." At least I didn't say "Fine, thanks." or "A livid scar cuts across my very being.
Julia Leigh (Avalanche: A Love Story)
What is today’s date? Who is the President? How great a danger do you pose, on a scale of one to ten? What does “people who live in glass houses” mean? Every symphony is a suicide postponed, true or false? Should each individual snowflake be held accountable for the avalanche? Name five rivers. What do you see yourself doing in ten minutes? How about some lovely soft Thorazine music? If you could have half an hour with your father, what would you say to him? What should you do if I fall asleep? Are you still following in his mastodon footsteps? What is the moral of “Mary Had a Little Lamb”? What about his Everest shadow? Would you compare your education to a disease so rare no one else has ever had it, or the deliberate extermination of indigenous populations? Which is more puzzling, the existence of suffering or its frequent absence? Should an odd number be sacrificed to the gods of the sky, and an even to those of the underworld, or vice versa? Would you visit a country where nobody talks? What would you have done differently? Why are you here?
Franz Wright (Wheeling Motel)
One minute I’m standing there behind everyone and the next thing I know, I’m between Matthew and Viola, I have my knife out pointing at him, my own Noise falling like an avalanche and my mouth saying, “You best take two steps away from her and you best be taking ’em right quick.
Patrick Ness (The Knife of Never Letting Go (Chaos Walking, #1))
He loves me like a monster, all teeth and talk and hiding in the dark. That’s my specialty— men with strong bodies and fragile hearts, and if you hold them too tightly they will crumble beneath you like an avalanche that’s waiting. Still, he looks at me like all things beautiful and burning and we love each other recklessly with hearts so empty our names echo against vandalized walls that say, “There was someone here before me, listen closely and you’ll hear their name.” He has matches for hands, and I, a paper heart. Gasoline will drip from our mouths and we will call that holy. We will burn at the stake and pollute the sky with smoke and selfishness, and we will say it was in the name of a crooked love. We will burn our own bodies to the ground and we will call that sacrifice. We will tear ourselves open like there’s something left inside. Nobody ever taught us how to love. ―Lindsey Hobart
Lindsey Hobart
It's almost unbelievable when you think of it, how they live there in all that ice and sand and mountainous wilderness. Look at it,' he says. 'Huge barren deserts, huge oceans. How do they endure all those terrible things? The floods alone. The earthquakes alone make it crazy to live there. Look at those fault systems. They're so big, there's so many of them. The volcanic eruptions alone. What could be more frightening than a volcanic eruption? How do they endure avalanches, year after year, with numbing regularity? It's hard to believe people live there. The floods alone. You can see whole huge discolored areas, all flooded out, washed out. How do they survive, where do they go? Look at the cloud buildups. Look at that swirling storm center. What about the people who live in the path of a storm like that? It must be packing incredible winds. The lightning alone. People exposed on beaches, near trees and telephone poles. Look at the cities with their spangled lights spread in all directions. Try to imagine the crime and violence. Look at the smoke pall hanging low. What does that mean in terms of respiratory disorders? It's crazy. Who would live there? The deserts, how they encroach. Every year they claim more and more arable land. How enormous those snowfields are. Look at the massive storm fronts over the ocean. There are ships down there, small craft, some of them. Try to imagine the waves, the rocking. The hurricanes alone. The tidal waves. Look at those coastal communities exposed to tidal waves. What could be more frightening than a tidal wave? But they live there, they stay there. Where could they go?
Don DeLillo (The Angel Esmeralda)
Heart, it doesn’t matter. We were only sleeping to let the poem know where to find us. Now let it rain. Let the avalanche of hours we’ve spent apart have their say. Only they have the power to make these words bear my heartprint as they fall outside the dream. — Tess Gallagher, from “Because the Dream Is My Tenderest Arm,” Midnight Lantern: New and Selected Poems (Graywolf Press, 2011)
Tess Gallagher (Midnight Lantern: New and Selected Poems)
I was never in any danger, Cal." Cora's tone was patient. "So you say.But you admitted that the heavy snow brought down a tree right beside your tent. You could be lying out there right now, pinned and gravely wounded,and we wouldn't have a clue." "Cal,I always have my cell phone under my pillow." "A lot of good that would do if you were crushed beneath a tree. The calendar may say it's springtime, but somebody forgot to tell Mother Nature. If it isn't a tree falling,it could be an avalanche. And there you are, all alone in the wilderness,at the mercy of any number of dangers." Cora gave a long,deep sigh. "You know I'm not going to give up my excursions. It's where I do my best work.I love it too much to ever stop." "And I'm not going to stop worrying. I've been doing it too long." "Now,children," Jesse said with a laugh. "There will be no fighting at the table.
R.C. Ryan (Montana Glory)
But this is something you need to know: when you find a place that suits you, where you decide to go back to often, to meet your pals there, if you want to feel at home and not discover some snag at the wrong moment, sit yourself in a corner, write letters, read, try and eat there, and watch what goes on for a whole day. At least twice during the day, and three times if the place is open at night, there’s that moment of “temporal void”. It happens every day, at the very same hour, at the very same minute, but it varies from place to place. People are talking, letting their hair down, having a drink together, and all of a sudden, the moment of silence: everyone turns stock still, with their glasses in the air, their eyes fixed. Immediately afterwards the hubbub resumes. But that moment when nothing’s happening - it can last five, ten minutes. And during that time, outside and everywhere else, for other people life goes on, faster, much faster, like an avalanche. If you’re prepared for it, and take advantage of that moment not to be fazed and to have your say, you’re certain to be heard, and if necessary even obeyed. Try it. You’ll see.
Jacques Yonnet (Paris Noir: The Secret History of a City)
Anyway, if my lips were rose petals they’d taste too bitter. If my cheeks were apples they’d crawl with apple worms. If my eyes were stars they’d be dead by the time you saw them. If I moved you like the moon I’d disappear once a month. If my teeth were Chiclets you’d want to chew on them and spit them out. If my hands were birds you couldn’t hold them; they’d peck you bloody. Is my skin alabaster? Then it’s cold and hard and one day someone will skin me, make me into a cold hard box tinged with pink or yellow, to hold unguents, then how will you love me? If my vagina is a cool, dark forest you’ll certainly be lost, you have no sense of direction. If my vagina is a cave-watch out! It’s prone to seismic shifts and avalanche. If my vagina is a river of honey: orange, lavender, fine herbs, hazelnut, all too sweet. If my ears are shells I can’t hear you, only the ocean anyway. And if my voice is music, it is unintelligible. Don’t say anything. I am not a flower, but a body with rules and predictable, cellular qualities. My eyelashes and fingernails and skin and spit are organized by proteins designed to erode at a pre-encoded date and time, no matter what you do or do not do to me- I am remarkably like an animal. More like a heifer than a sunrise, I want to bite, stroke, swallow you so stop lying there trying to think of something to say and trying to understand me. I am the body next to but unlike yours. You already know me. You already know what I’m made of.
Rachel Zucker
Here as a boy, prone on the grass, I observed the peaceful beauty of nature as its constituents gradually appeared. Silver fish lit up the shallow water, great swallowtail butterflies flitted decoratively from ragged robin to wild flower; small cotton tufts revealed the newly hatched cocoon; each wee spider was a thrill as it set out on its great adventure. I heard the moorhen call and hurry her fluffy offspring past my observation post as a bittern boomed in the distance. At every turn of the eye the simplest form of nature is found to be full of excitement and fresh beauty to the quiet, respectful observer. As we look more closely, the treasure-house opens fresh doors of wonder until we become absorbed in the perfection of simplicity and the magnificence of the ordinary. I have continued to do this so often during my life that the intrusion in these marshes during the past several years of foreign bodies in smelly motorboats is equivalent to disease attacking the peacefulness of natural beauty. The thought of these disturbers brings resentment; they are not interesting. They upset the natural order, and are unheedful of the beauty around them. In all observation of a natural state, the more concentrated and penetrating it becomes, so much the more is found to observe, to understand, and over which to marvel. Many people think the Norfolk marshes dull. They abhor the silence, so they bring radios and tape recorders and regale the voices of nature with ragtime. These are the same people who love to be on the Jungfraujoch with me and count the roars of avalanches and say, “Stupendous!” while I say, “Dead ends falling off dead beginnings.
Grantly Dick-Read (Childbirth Without Fear: The Principles and Practice of Natural Childbirth)
Everyone will remember the chanting from the Hed fans’ standing area: “Queers! Sluts! Rapists!” A Lot of people will believe that that whole part of the stand was chanting, because it felt like it, and from a distance it’s hard to differentiate among people. So everyone in the standing area will be criticized, even though by no means all of them were chanting, because we’ll want scapegoats, and it’ll be easy for anyone wanting to moralize to say that “ culture isn’t just what we encourage but what we allow to happen.” But when everyone is shouting, it can be hard to hear the opposition, and once an avalanche of hate has started to roll, it can be hard to tell who is responsible for stopping it. So when a young woman in a red shirt bearing a picture of a bull on the front leaves her place in the standing area, no one notices at first. But the woman loves Hed Hockey as much as the people shouting, she’s supported the team all her life, this part of the rink belongs to her, too. Going to stand among the seated fans, the hot dog brigade she’s always mocked, is her silent protest. A man in a green shirt sitting a short distance away sees her and stands up. He goes to the cafeteria, buys two paper cups of coffee, then walks down and gives one of them to her. They stand there next to each other, one red, one green, and drink in silence. A cup of coffee is no big thing. But sometimes it actually is. Within a few minutes, more red shirts have walked out of the standing area. Soon the steps of the seated part of the rink are full. The chant of “Queers! Sluts! Rapists!” is still echoing loudly, but the people chanting are exposed now. So everyone can see that there aren’t as many of them as we think. There never are.
Fredrik Backman (Us Against You (Beartown, #2))
That's Branton, Michigan, by the way. Don't try to find it on a map - you'd need a microscope. It's one of a dozen dinky towns north of Lansing, one of the few that doesn't sound like it was named by a French explorer. Branton, Michigan. Population: Not a Lot and Yet Still Too Many I Don't Particularly Care For. We have a shopping mall with a JCPenny and an Asian fusion place that everyone says they are dying to try even though it’s been there for three years now. Most of our other restaurants are attached to gas stations, the kind that serve rubbery purple hot dogs and sodas in buckets. There’s a statue of Francis B. Stockbridge in the center of town. He’s a Michigan state senator from prehistoric times with a beard that belongs on Rapunzel’s twin brother. He wasn’t born in Branton, of course – nobody important was ever born in Branton – but we needed a statue for the front of the courthouse and the name Stockbridge looks good on a copper plate. It’s all for show. Branton’s the kind of place that tries to pretend it’s better than it really is. It’s really the kind of place with more bars than bookstores and more churches than either, not that that’s necessarily a bad thing. It’s a place where teenagers still sometimes take baseball bats to mailboxes and wearing the wrong brand of shoes gets you at least a dirty look. It snows a lot in Branton. Like avalanches dumped from the sky. Like heaps to hills to mountains, the plows carving their paths through our neighborhood, creating alpine ranges nearly tall enough to ski down. Some of the snow mounds are so big you can build houses inside them, complete with entryways and coat closets. Restrooms are down the hall on your right. Just look for the steaming yellow hole. There’s nothing like that first Branton snow, though. Soft as a cat scruff and bleach white, so bright you can almost see your reflection in it. Then the plows come and churn up the earth underneath. The dirt and the boot tracks and the car exhaust mix together to make it all ash gray, almost black, and it sickens your stomach just to look at it. It happens everywhere, not just Branton, but here it’s something you can count on.
John David Anderson
From: Bernadette Fox To: Manjula Kapoor Oh! Could you make dinner reservations for us on Thanksgiving? You can call up the Washington Athletic Club and get us something for 7 PM for three. You are able to place calls, aren’t you? Of course, what am I thinking? That’s all you people do now. I recognize it’s slightly odd to ask you to call from India to make a reservation for a place I can see out my window, but here’s the thing: there’s always this one guy who answers the phone, “Washington Athletic Club, how may I direct your call?” And he always says it in this friendly, flat… Canadian way. One of the main reasons I don’t like leaving the house is because I might find myself face-to-face with a Canadian. Seattle is crawling with them. You probably think, U.S./Canada, they’re interchangeable because they’re both filled with English-speaking, morbidly obese white people. Well, Manjula, you couldn’t be more mistaken. Americans are pushy, obnoxious, neurotic, crass—anything and everything—the full catastrophe as our friend Zorba might say. Canadians are none of that. The way you might fear a cow sitting down in the middle of the street during rush hour, that’s how I fear Canadians. To Canadians, everyone is equal. Joni Mitchell is interchangeable with a secretary at open-mic night. Frank Gehry is no greater than a hack pumping out McMansions on AutoCAD. John Candy is no funnier than Uncle Lou when he gets a couple of beers in him. No wonder the only Canadians anyone’s ever heard of are the ones who have gotten the hell out. Anyone with talent who stayed would be flattened under an avalanche of equality. The thing Canadians don’t understand is that some people are extraordinary and should be treated as such. Yes, I’m done. If the WAC can’t take us, which may be the case, because Thanksgiving is only two days away, you can find someplace else on the magical Internet. * I was wondering how we ended up at Daniel’s Broiler for Thanksgiving dinner. That morning, I slept late and came downstairs in my pajamas. I knew it was going to rain because on my way to the kitchen I passed a patchwork of plastic bags and towels. It was a system Mom had invented for when the house leaks.
Maria Semple (Where'd You Go, Bernadette)
When we examined the detailed history of the evolution, we found large gaps of time in which little happened at all. Then we saw the sudden appearance of a key circuit (an enabling technology) and quick use of this for further technologies. A full adder circuit might appear after say 32,000 steps; and 2-,3-,and 4-bit adders fairly quickly after that. In other words, we found periods of quiescence, followed by miniature "Cambrian explosions" of rapid evolution. We also found, not surprisingly, that the evolution was history dependent. In different runs of the experiment the same simple technologies would emerge, but in a different sequence. Because more complicated technologies are constructed from simpler ones, they would often be put together from different building blocks. (If bronze appears before iron in the real world, many artifacts are made of bronze; if iron appears before bronze, the same artifacts would be made of iron.) We also found that some complex needs for circuits such as adders or comparators with many inputs-different ones each time-would not be fulfilled at all. And we found avalanches of destruction. Superior technologies replaced previously functioning ones. And this meant that circuits used only for these now obsolete technologies were themselves no longer needed, and so these in turn were replaced. This yielded avalanches we could study and measure. In these ways we were able to examine the evolution of technology in action, and it bore out the story I gave earlier in this chapter.
W. Brian Arthur (The Nature of Technology: What It Is and How It Evolves)
I know I have to let him go, even though I don’t want to. Whatever weird-ass relationship we had is over, and this is the last time I’ll be with him. As the thought solidifies, it feels like I’ve been buried under an avalanche of stone. I can’t breathe. Tears prick the back of my eyes, but they don’t fall. I wish I was numb. I wish I could say yes to him. I wish I had a different life, because this one is so horrendously unfair.
H.M. Ward (The Arrangement 8: The Ferro Family (The Arrangement, #8))
join the Nazi Party and try to influence it from within, “you reckon that you can still have a say in things. . . . [But] he who enters this tumbling avalanche only increases the plunging mass.
Peter Hayes (Why?: Explaining the Holocaust)
On Why It’s A Threat by Lynne Schmidt The first time she is catcalled, she is nineteen years old and we are walking down the street, dog leashes in hand, on a college campus that is not ours but is close enough to be home. Close enough that I should feel safe to walk my pets, go for a run, exist. He rolls up, and I bristle when I hear the stop because it’s too soon, and she mistakes the slowing for the sign at the end of the road. My ears wait for what may or may not come next and sure enough his voice rises just loud enough so we can hear it, “I don’t know which is more beautiful, the dogs, or the girls walking them.” Beside me, she stills, a deer in the sights of a gun, eyes wild like prey ready for fight or flight, because she is. Another youngest child seeking protection when there may not be any safety to be had. She does not realize she walks beside a bomb who marched in DC against a rapist in seat, who has been fighting off men like this since her knuckles could bleed. I ignite for all the times she will be yelled at and all the times my oldest sister has thrown me behind her when the vehicles stop and the car doors open. I position my body between her and this man, the way my sister did for me, a shell of a shield if need be, grip the leash tighter with my hand and demand he to keep driving. My hands shake. My voice doesn’t. This is all I need her to hear. His saccharine words turn to acid, smile sliding off his face like an avalanche, Bitch-cunt you have STIs I wouldn’t touch you with a ten foot pole before his tires peel away pavement and leave us reeling in dust. When we return home, she is still shaking, and I am still furious. She tells me she was scared she would be hurt, or I would be hurt, and I tell her, the same thing my sister told me, I wouldn’t let that happen. Later, when she tells her partner what happened, he says, “It’s not a big deal. Why are you acting like it is?
Lynne Schmidt
When you see her, it is like an avalanche. You are staggered, blown away, your heart beating furiously in your chest. When you see her, your memories come tumbling down, crushing you beneath their weight. When you see her, you remember all that you have lost and that again, you have lost. You see her and you see the cancer eating away at her intestines, her hollow cheeks, her bloodshot eyes. You hear your arguments about money, about chemotherapy, about her family. You smell blood, and the antiseptic air of a hospital. You see her at age thirty-seven, her long chestnut hair windblown, her green eyes sad, her mouth open in an “o” of astonishment. There is no happiness in her face. You see her and you cannot say a word.
Su-Yee Lin (Thirteen Steps in the Underworld)
Not long after Vayden left, there was a big rain, and a flood. Because the creeks and rivers are choked off, the water is diverted to other runoffs. Flooding is a huge problem, to say the least. An avalanche of mud and trees and topsoil swept through the valley and took out the Gray home. Crushed it and scattered it for miles downstream. Fortunately, no one was in the house; by then it was uninhabitable, not even Webster could stay
John Grisham (Gray Mountain)
The avalanche of expert advice—and nonexpert advice on nonetheless very enticing Web sites—undermines our belief that we are equipped with enough common sense to deal with most child-rearing issues. That battered confidence, in turn, leads us to look ever more desperately to the experts wherever we find them. At the library. In parenting magazines. On TV. Online. But a lot of those experts give advice so daunting and detailed and frankly nondoable (does anyone really want to spend the day retelling potty stories with the aid of a spoon puppet?) that we feel like failures. Then when—surprise—our kids turn out not to be perfect, we know who’s to blame. We are! If only we’d made one more pretend forest out of broccoli spears, our kid would be a veggie fiend. If only we’d put aside that deep-fried Oreo in our second trimester, she’d be in the gifted program at school. And if our child is cranky? Uncommunicative? Headed for five to ten years’ hard labor? That just might be because we told her, “Look, sweetie, a broken cracker is not the end of the world!” instead of saying, “Oooh, your cracker broke. Sad sad sad sad sad!” and respectfully relating.
Lenore Skenazy (Free-Range Kids, How to Raise Safe, Self-Reliant Children (Without Going Nuts with Worry))
This says she’s clear of the virus, which we’ve made up. We’re calling it H72N98 for lack of a better made-up term, and its history is this: a human Gatekeeper traveled to a distant hunk of rock, falling in an avalanche. Her helmet cracked, breaking the seal.
Nathan Hystad (The Survivors (Box Set of Books 7-12) (The Survivors Collection Book 2))
ENDING UP IN the care of one’s child is generally seen as a natural outcome of a life well lived, but it is unlikely that Stan knew peace once his daughter was calling the shots in his life. Stan’s existence grew quieter for the remainder of his days, insofar as there were no more visits from the cops or notarized statements attesting to Grand Guignol circumstances. But based on all we know about Stan’s relationship with JC, from testimony and his own recorded words, we can only assume that his hours were still privately hellish. As a source close to the Lees says, JC is “very fear-based” and prone to verbal violence. “It’ll be something simple,” the person says, “like ‘Oh, I forgot to pick up the milk,’ and suddenly this whole avalanche of ‘You’re a terrible person and you’re just trying to use me!’ That kind of thing will happen. It’s incredibly hard to be around. It’s incredibly toxic.
Abraham Riesman (True Believer: The Rise and Fall of Stan Lee)
Lottie's cake is last. This one is layered three deep, impressive for a moist, snacking-style cake, which normally couldn't be stacked. The bottom layers are bound together by a thick cream cheese icing, while the top is coated with a thick streusel crumble held in place by a circle of decorative piping. "It's a layered blueberry buckle," Lottie says, looking at Betsy hopefully. "Now that is another unconventional choice from you," Betsy says, eyeing the streusel topping, an odd choice for a layer cake. A buckle is a humble sort of cake--- old-fashioned in its simplicity--- that she hasn't seen around in years. Nowadays most prefer a thick layer of icing, buttercream they can decorate, or the scraped edge of a naked cake. Something meant to impress on a table or in a photograph rather than just be eaten at a family dinner or on a picnic. Secretly it's kind of a relief to see such a normal person's cake given its due. "The decoration is lacking," Betsy tells her flatly, though the completely bare sides show an even sprinkling of blueberries, which is impressive. It can be difficult to keep berries from falling to the bottom of a cake, but these are evenly distributed throughout. The knife glides into the cake, which has a springy sort of give to it. She cleaves a slice away, leaving a small avalanche of streusel crumbs in its wake. The cake inside is plump and golden, studded with juicy blueberries. Betsy can tell before she even takes a bite that it has been cooked to perfection. The flavors hit her tongue and bring on a wave of nostalgia so strong that she has to steady herself against the table. It is heavenly, the sweet and sour of the blueberries wrapped in the soft vanilla-y cake. She is instantly transported back in time, back to her childhood. It is unquestionably the best cake of the bunch, simple and satisfying, the kind that if you were to bake it at home would leave you wanting more, taking secret trips to the kitchen to cut another slice.
Jessa Maxwell (The Golden Spoon)
He doesn’t put his arm around me. He doesn’t touch me. He just looks at me like he wants to. “Out of curiosity,” he says, “that money I transferred to your account. Have you spent any of it?” I haven’t wanted to touch any of it. I want to let it build up, a huge sum to ward off any possible danger. Still, I slowly nod my head. “On anything extravagant? Anything silly?” I swallow. “I bought mangoes.” He smiles a touch sarcastically, and I reach out and give him a little shove. That’s a mistake. It puts my hand in contact with his shoulder. His bare skin is cool to the touch, and I don’t pull away. “Hey,” I say. “Mangoes are expensive.” He doesn’t laugh at me, even though I know that to someone like him—to someone who spends fifteen thousand dollars a month, something I can’t even contemplate, mangoes are nothing. Even though I haven’t moved my hand from the point where it rests on his shoulder, and my thumb itches to caress him. “I’ll make you a deal,” he says. “I’ll pay your parents’ utility bill this month.” I have some idea how little money he must have. I know exactly how much that would cost him. “But—” “Hey,” he says. “No arguments. We’re trading lives. I’m taking that on. If you’re terrified, I should be, too. But you have to do something for me in return.” I still haven’t moved away, and I know I should. Sitting here this close to him, touching him—I’m giving him ideas. I’m giving myself ideas. Fuck, I don’t know what to do with these ideas. I have a sudden urge to slide my hand down his chest, feeling the ridge of every muscle, the whisper of short, light hairs against my fingers. I could undo his jeans. Find out precisely how much of that bulge there is fabric, and how much is him. “What?” My throat is hoarse. “I don’t care,” he says. “Something you wouldn’t normally do. Something risky. Something silly. Go skydiving. Buy a name-brand purse. Do something that terrifies you, something you can’t get out of your mind, that you’ve been holding back on.” I look at my hand on his shoulder. I’ve never wanted to go skydiving. I’ve never lusted after purses. I’m just getting used to the luxury of the occasional mango. There’s really only one thing I want right now that terrifies me. “I’m thinking of something.” My throat feels dry. “Something blindingly stupid. Risky. Idiotic.” “Do you want to do it?” My mouth goes dry. “Yes.” “Then go for it,” he says. For a second, I’m frozen in indecision. It will change everything. It will start a snowball rolling down a mountain, and I’m not sure I’ll escape the avalanche. Still, I turn to him. I look into his eyes. My hands tremble. “Okay,” I say, and my voice trembles, too. “Here goes.” And before I can think better of it, I do the stupidest thing possible: I kiss him.
Courtney Milan (Trade Me (Cyclone, #1))
It is cold, and a loose wind blows through the darkness. But then, from the lower edge of the blank, black disc of the dead sun, bursts a perfect point of brilliance. It leaps and burns. It’s unthinkably fierce, unbearably bright, something (I blush to say it, but here it comes) like a word. And thus begins the world again. Instantly. Joy, relief, gratitude; an avalanche of emotion. Is all made to rights, now? Is all remade? From a bay tree, struck into existence a moment ago, a spectacled bulbul calls a greeting to the new dawn.
Helen Macdonald (Vesper Flights)
There’s an opposite force in life to the avalanche Tress was feeling. There’s always an opposition, you see. A Push for every Pull, an old adversary of mine always says.
Brandon Sanderson (Tress of the Emerald Sea)
I thought it was another avalanche. This morning it was terrible." "What was?" asked Sniff. "The avalanche, of course," answered the Hemulen. "Quite terrible! Rocks the size of houses bouncing about like hail-stones! My best glass jar was broken, and I myself had to move quite quickly to get out of the way." "I'm afraid we happened to knock a few stones down as we were passing," said Snufkin. "It's so easily done walking on these tracks." "Do you mean to say it was you who made the avalanche?" said the Hemulen. "Well -- yes -- sort of," Snufkin answered. "I never thought very much of you," said the Hemulen slowly, "and now I think even less.
Tove Jansson (Comet in Moominland (The Moomins, #2))
It was nothing, really," Carly breathed. "Mostly gibberish." "Mmm." His fingers brushed her cheekbone, and he stared down at her, not giving an inch. "Say it again." "Tu set I'womo Piu bello---" Jackson captured her words mid sentence, his mouth brushing hers in a hot, unyielding stroke as her lips parted over a sigh. His fingers tightened in her hair before he moved his palm to cradle her face. The kiss was like a low fire, begging to be stoked, and Jackson obliged on nothing but impulse. His tongue mingled with the supple sweetness of Carly's bottom lip, testing the way and drowning in the magnetic pull of her as he deepened the kiss. Her mouth vibrated against his as she released another small sigh, and it tore through him like an avalanche, prompting his hands up into the thick fall of her hair. Christ, she tasted so sweet and yet so sinful...
Kimberly Kincaid (Gimme Some Sugar (Pine Mountain, #2))
I say, “Lights,” and the place is suddenly like premiere night at the Egyptian Theatre. How can I describe the place? The walls and ceiling are rounded, like we’re living in a goddamn UFO. The tables and cabinets have rounded backs to fit against the walls. There’s an orange shag carpet and an avocado-green sofa covered with enough plush pillows that you could break a leg if they ever avalanched. The place is ringed by oval windows, and I can see lights beyond them. Aside from the sofa, the rest of the furniture is all smooth molded white plastic with the same warm seventies hipster colors on the chair seats and backs. The apartment is basically a Hugh Hefner bachelor pad in a Star Trek swingers’ resort.
Richard Kadrey (Hollywood Dead (Sandman Slim, #10))
Hi. My name is Sue. Have some Gu, Let me put this under you. IF you ask anyone who has ever taken a wilderness medicine course from me, this is how they remember me. This is what we say to someone we find injured or lost in the backcountry. Introduce yourself, add sugars and insulation to the patient.
Susan Purvis (Go Find: My Journey to Find the Lost—and Myself)
As I was saying,” Joel responded, “avalanches are no joke.
Gayla K. Hiss (Avalanche (Peril in the Park, #1))