Autumn Best Quotes

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August rain: the best of the summer gone, and the new fall not yet born. The odd uneven time.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
And so I ask myself: 'Where are your dreams?' And I shake my head and mutter: 'How the years go by!' And I ask myself again: 'What have you done with those years? Where have you buried your best moments? Have you really lived? Look,' I say to myself, 'how cold it is becoming all over the world!' And more years will pass and behind them will creep grim isolation. Tottering senility will come hobbling, leaning on a crutch, and behind these will come unrelieved boredom and despair. The world of fancies will fade, dreams will wilt and die and fall like autumn leaves from the trees. . . .
Fyodor Dostoevsky (White Nights)
There is no such thing as justice, all the best that we can hope for is revenge.
Emilie Autumn
Truly, Autumn is my season,” the scarlet beast chorted. “Spring and Summer and Winter all begin with such late letters! But Autumn and Fall, I have loved best, because they are best to love.
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
I like spring, but it is too young. I like summer, but it is too proud. So I like best of all autumn, because its leaves are a little yellow, its tone mellower, its colours richer, and it is tinged a little with sorrow and a premonition of death. Its golden richness speaks not of the innocence of spring, nor of the power of summer, but of the mellowness and kindly wisdom of approaching age. It knows the limitations of life and is content. From a knowledge of those limitations and its richness of experience emerges a symphony of colours, richer than all, its green speaking of life and strength, its orange speaking of golden content and its purple of resignation and death
Lin Yutang
Ten thousand flowers in spring, the moon in autumn, a cool breeze in summer, snow in winter. If your mind isn't crowded with ten thousand things, this is the best season of your life.
Wu-men
I hated him for as long as I could. But then I realized that loving him...that was a part of me, and one of the best parts. It didn't matter that he couldn't love me, that had nothing to do with it. But if I couldn't forgive him, then I could not love him, and that part of me was gone. And I found eventually that I wanted it back." ({Lord John, Drums of Autumn}
Diana Gabaldon (Drums of Autumn (Outlander, #4))
You are my heart, my soul, my equal. You see the light in me when I’m lost within darkness. When I’m cold and distant, you’re as warm as autumn sunshine, bathing me in your glow. If I am the night, then you are the stars lighting up my endless dark.” His voice broke, wrenching my heart. “My best friend, the absolute love of my life, now until forevermore, I call you my wife.
Kerri Maniscalco (Capturing the Devil (Stalking Jack the Ripper, #4))
November at its best - with a sort of delightful menace in the air.
Anne Bosworth Greene
By all these lovely tokens September days are here, With summer's best of weather And autumn's best of cheer.
Helen Hunt Jackson
Revenge itself may indeed be the best revenge, but slaying one's enemy does not give back what they stole.
Emilie Autumn (The Asylum for Wayward Victorian Girls)
Like, fairy-tale love? Cartoon character with hearts floating all around him? Or a movie montage with the best song? That's what you were to him. You were the biggest, most impossible dream for him.
Laura Nowlin (If Only I Had Told Her (If He Had Been with Me #2))
There will be a spring and a summer. It's almost excruciating. But then comes autumn, short as a wink, before winter is finally upon us again. Life does not go on, it starts again, everything is possible again. Anything can happen, all the best and all the most beautiful and all the greatest adventures on earth.
Fredrik Backman (The Winners (Beartown, #3))
I have a theory that the world is broken up into two kinds of people." "Yeah?" "Yep. On the one side are the people who love the Harry Pottery books and wish that they could attend Hogwarts and have Ron and Hermione for best friends and vanquish Death Eaters and He-Who-Must-Not-Be-Named." She's smiling at me, and she's just so fucking cute. I have to ask: "And the other side?" Aimee shrugs. "Douchebags.
Autumn Doughton (In This Moment)
He’d fill every moment with the seasons he’d found in his heart: hopes like birds on a spring branch; happiness like a warm summer sun; magic like the rising mists of autumn. And best of all, love; love enough for a thousand Christmases.
Clive Barker (The Thief of Always)
When leaves have to let go of the tree, they wear their best colors and they dance all the way to the ground.
Karen Kingsbury (Finding Home (Baxter Family Children, #2))
People make a great deal of the flowers of spring and the leaves of autumn, but for me a night like this, with a clear moon shining on snow, is the best -- and there is not a trace of color in it. I cannot describe the effect it has on me, weird and unearthly somehow. I do not understand people who find a winter evening forbidding.
Murasaki Shikibu
Ten thousand flowers in spring, the moon in autumn, a cool breeze in summer, snow in winter. If your mind isn’t clouded by unnecessary things, this is the best season of your life. —WU MEN
Arianna Huffington (Thrive: The Third Metric to Redefining Success and Creating a Life of Well-Being, Wisdom, and Wonder)
What was to be the value of the long looked forward to, Long hoped for calm, the autumnal serenity And the wisdom of age? Had they deceived us Or deceived themselves, the quiet-voiced elders, Bequeathing us merely a receipt for deceit? The serenity only a deliberate hebetude, The wisdom only the knowledge of dead secrets Useless in the darkness into which they peered Or from which they turned their eyes. There is, it seems to us, At best, only a limited value In the knowledge derived from experience. The knowledge imposes a pattern, and falsifies, For the pattern is new in every moment And every moment is a new and shocking Valuation of all we have been. We are only undeceived Of that which, deceiving, could no longer harm.
T.S. Eliot (Four Quartets)
I'm being fair, it was the best kiss of my life- a kiss that finds all your seams and pulls them apart, stitch by detail stitch.
Autumn Doughton (On an Edge of Glass)
I was coming down off the last painkiller left in my dresser drawer after Autumn tossed my stash. In that moment I was so groggy and happy I would have accepted a date with Oscar the Grouch - and planned to do some serious feeling up on the green furry beast too. Yeah, stooping to pharmaceutical-inspired sex fantasies about garbage can Sesame Street characters - that had to be the best Just Say No drug lecture a girl in a leg cast could ever receive to make her go cold turkey off the meds.
Rachel Cohn (Cupcake (Cyd Charisse, #3))
It's a question of how we regard our situations, how we look and see where we are, and how we choose, if we can, when we are seeing undeceivedly, not to despair and, at the same time, how best to act. Hope is exactly that, that's all it is, a mater of how we deal with the negative acts towards human beings by other human beings in the world, remembering that they and we are all human, that nothing human is alien to us, the foul and the fair, and that most important of all we're here for a mere blink of the eyes, that's all.
Ali Smith (Autumn (Seasonal Quartet, #1))
You're the best man I ever met," I said. "I only meant...it's such a strain, to try and live for two people. To try to make them fit your ideas of what's right...You do it for a child, of course, you have to, but even then, it's dreadfully hard work. I couldn't do it for you - it would be wrong even to try." I'd taken him back more than a little. He sat for some moments, his face turned half away. Do ye really think me a good man?" he said at last. There was a queer note in his voice, that I couldn't quite decipher. Yes," I said, with no hesitation. Then added, half jokingly, "Don't you?" After a long pause, he said, quite seriously, "No, I shouldna think so." I looked at him speechless, no doubt with my mouth hanging open. I am a violent man, and I ken it well," he said quietly. He spread his hands out on his knees; big hands, which could wield a sword and dagger with ease, or choke the life from a man. " So do you - or ye should." You've never done anything you weren't forced to do!" No?" I don't think so." I said, but even as I spoke, a shadow of doubt clouded my words. Even when done from the most urgent necessity, did such things not leave a mark on the soul? {Claire Fraser & Jamie Fraser. Drums of Autumn}
Diana Gabaldon (Drums of Autumn (Outlander, #4))
Few things can be pleasanter than riding a reliable broomstick through a moony autumn night. It is best of all when home is at the end of the journey.
Barbara Willard
Trials there must be upon this earth. We are made of a stuff that easily corrupts when nothing calls to order, when a sign from the Lord does not reach us soon enough. Do not complain that destiny has rent your soul; For God knows best what will help us.
Frithjof Schuon (Autumn Leaves & The Ring: Poems by Frithjof Schuon (Writings of Frithjof Schuon))
You wanna be friends?" Click click. Was that so impossible? Was he so mad, suddenly disliked her so much again, that he didn't want to be in the same building? "Yes." "Friends like before or after we had sex on the floor?" Her thumb stopped. "Before." "Not interested." "Why?" "Because I don't want to be your friend." "Oh." She swallowed her disappointment. It might be for the best, but she suddenly didn't want what was for the best. She didn't want to hate Sam and have Sam hate her. What choice did she have? "Okay." "I want to be your lover. I can't pretend I don't want more. I want to be with you, Autumn. I want to get you naked and throw your legs over my shoulders" She dropped the pen. "I want to leave a mark on the inside of your thigh.
Rachel Gibson (Any Man of Mine (Chinooks Hockey Team, #6))
I guess, sometimes the most inexplicable things end up being the ones that work the best.
Autumn Doughton (On an Edge of Glass)
Some enterprising rabbit had dug its way under the stakes of my garden again. One voracious rabbit could eat a cabbage down to the roots, and from the looks of things, he'd brought friends. I sighed and squatted to repair the damage, packing rocks and earth back into the hole. The loss of Ian was a constant ache; at such moments as this, I missed his horrible dog as well. I had brought a large collection of cuttings and seeds from River Run, most of which had survived the journey. It was mid-June, still time--barely--to put in a fresh crop of carrots. The small patch of potato vines was all right, so were the peanut bushes; rabbits wouldn't touch those, and didn't care for the aromatic herbs either, except the fennel, which they gobbled like licorice. I wanted cabbages, though, to preserve a sauerkraut; come winter, we would want food with some taste to it, as well as some vitamin C. I had enough seed left, and could raise a couple of decent crops before the weather turned cold, if I could keep the bloody rabbits off. I drummed my fingers on the handle of my basket, thinking. The Indians scattered clippings of their hair around the edges of the fields, but that was more protection against deer than rabbits. Jamie was the best repellent, I decided. Nayawenne had told me that the scent of carnivore urine would keep rabbits away--and a man who ate meat was nearly as good as a mountain lion, to say nothing of being more biddable. Yes, that would do; he'd shot a deer only two days ago; it was still hanging. I should brew a fresh bucket of spruce beer to go with the roast venison, though . . . (Page 844)
Diana Gabaldon (Drums of Autumn (Outlander, #4))
I like to think of people as roses, as they grow older, they slowly and unwillingly start giving up on life, even though they want it. I like to think of people as roses, because I think that they don’t know how lovely they could be sometimes. And that they’re meant to die, but they do their best to give pleasure to others’ eyes and hearts.
Abraham M. Alghanem (Summer and Autumn)
Heaven really knows what's best for us. Ariana ~ Her Footprints on His Heart
Lea Agustina Citra (Autumn Once More)
exposure to a two-year-old boy was probably the best possible object lesson in the dangers of motherhood,
Diana Gabaldon (Drums of Autumn (Outlander, #4))
Wild Peaches" When the world turns completely upside down You say we’ll emigrate to the Eastern Shore Aboard a river-boat from Baltimore; We’ll live among wild peach trees, miles from town, You’ll wear a coonskin cap, and I a gown Homespun, dyed butternut’s dark gold color. Lost, like your lotus-eating ancestor, We’ll swim in milk and honey till we drown. The winter will be short, the summer long, The autumn amber-hued, sunny and hot, Tasting of cider and of scuppernong; All seasons sweet, but autumn best of all. The squirrels in their silver fur will fall Like falling leaves, like fruit, before your shot. 2 The autumn frosts will lie upon the grass Like bloom on grapes of purple-brown and gold. The misted early mornings will be cold; The little puddles will be roofed with glass. The sun, which burns from copper into brass, Melts these at noon, and makes the boys unfold Their knitted mufflers; full as they can hold Fat pockets dribble chestnuts as they pass. Peaches grow wild, and pigs can live in clover; A barrel of salted herrings lasts a year; The spring begins before the winter’s over. By February you may find the skins Of garter snakes and water moccasins Dwindled and harsh, dead-white and cloudy-clear. 3 When April pours the colors of a shell Upon the hills, when every little creek Is shot with silver from the Chesapeake In shoals new-minted by the ocean swell, When strawberries go begging, and the sleek Blue plums lie open to the blackbird’s beak, We shall live well — we shall live very well. The months between the cherries and the peaches Are brimming cornucopias which spill Fruits red and purple, sombre-bloomed and black; Then, down rich fields and frosty river beaches We’ll trample bright persimmons, while you kill Bronze partridge, speckled quail, and canvasback. 4 Down to the Puritan marrow of my bones There’s something in this richness that I hate. I love the look, austere, immaculate, Of landscapes drawn in pearly monotones. There’s something in my very blood that owns Bare hills, cold silver on a sky of slate, A thread of water, churned to milky spate Streaming through slanted pastures fenced with stones. I love those skies, thin blue or snowy gray, Those fields sparse-planted, rendering meagre sheaves; That spring, briefer than apple-blossom’s breath, Summer, so much too beautiful to stay, Swift autumn, like a bonfire of leaves, And sleepy winter, like the sleep of death.
Elinor Wylie
It was the best time of her life. But it was bombing carpet. Make no mistake. Bold and bright, a trilogy of happiness would continue for summer’s duration and into autumn. It would then be brought abruptly to an end, for the brightness had shown suffering the way.
Markus Zusak (The Book Thief)
Beautiful day out there,” I said, perching on the stool and crossing my legs. “It’s autumn, Sunday, great weather, and crowded everywhere you go. Relaxing indoors like this is the best thing you can do on such a nice day. It’s exhausting to get into those crowds. And the air is bad. I mostly do laundry on Sundays—wash the stuff in the morning, hang it out on the roof of my dorm, take it in before the sun goes down, do a good job of ironing it. I don’t mind ironing at all. There’s a special satisfaction in making wrinkled things smooth. And I’m pretty good at it, too. Of course, I was lousy at it at first. I put creases in everything. After a month of practice, though, I knew what I was doing. So Sunday is my day for laundry and ironing. I couldn’t do it today, of course. Too bad: wasted a perfect laundry day.
Haruki Murakami (Norwegian Wood)
For women: In your autumn years, having a successful career behind you will be nothing compared to having a large family, with grandchildren and everything else that comes with it. This is also the best and most natural method for ensuring your retirement benefits — a few decades from now, your children and grandchildren will be far more inclined to take care of you than the rapidly crumbling European welfare states will. Besides, passing your genes on is a far worthier goal in life than slaving for some multinational corporation, which will forget all about you the second you retire. Furthermore, the plummeting birth rates of Europe must be reversed. Make sure to have at least three children, and raise them well. In this regard, the future of Europe rests squarely in your hands.
Daniel Friberg (The Real Right Returns: A Handbook for the True Opposition)
She’d opened the book she bought today. She’d started to read, from the beginning, quite quietly, out loud. It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us. The words had acted like a charm. They’d released it all, in seconds. They’d made everything happening stand just far enough away. It was nothing less than magic. Who needs a passport? Who am I? Where am I? What am I? I’m reading.
Ali Smith (Autumn (Seasonal, #1))
It was a time of hope – a time to shine. The best moment of my life awaited me, with the most loved person calling me to meet her. It was spring in November – it was a blossom in desolation. It was the month of my exams – and exams led to glory. It was the last few days with the best of friends before departing to chase our own dreams. It was the season of jackets and sweaters. And those meant warmth and protection and love. And I stood, with an evening of November promising to be something truly special.
Tshetrim Tharchen (A Play of the Cosmos: Script of the Stars)
Autumn said to me, "You see, the best thing about wrong decisions is that they don't prevent you from making the right decisions later on. It's harder, but it's impossible
Siobhan Vivian (Not That Kind of Girl)
The best kiss in nature is not between Romeo and Juliet, but it is between a dying autumn leaf and a shiny water drop!
Mehmet Murat ildan
The present is a battleground”—Yoshida straightens his spine as best he can—“where rival what-ifs compete to become the future ‘what is.
David Mitchell (The Thousand Autumns of Jacob De Zoet)
It’s a question of how we regard our situations, dearest Dani, how we look and see where we are, and how we choose, if we can, when we are seeing undeceivedly, not to despair and, at the same time, how best to act. Hope is exactly that, that’s all it is, a matter of how we deal with the negative acts towards human beings by other human beings in the world, remembering that they and we are all human, that nothing human is alien to us, the foul and the fair, and that most important of all we’re here for a mere blink of the eyes, that’s all.
Ali Smith (Autumn (Seasonal, #1))
My best friend is straight and we sleep together." Jace blurted out. "Sounds like you should be on a talk show." Jace's face started to burn. "Not like that. I mean we share the bed.
Jay Bell (Something Like Autumn (Something Like, #2))
I met death in Dickens. It made more of an impression on me than anything else in Dickens. There was the death of Little Nell, the death of Paul Dombey, the death of Barkis in David Copperfield, the death (above all) of Dora. I remember reading about that in the autumn of 1918. It was October; it was a rainy day; and it was late afternoon when I read that chapter. I read it by the light of the fire. I can still remember all that. I can still remember my grief, and I can still remember that it took me several months to overcome that grief about a fictive character in a book—not that I have ever really recovered. That experience at the age of eight prepared me to find value in the passing of loved ones. It helped me to endure and properly experience the real deaths that followed it . . . We need to prepare our children for death. It is one of the things that they need and have a right to learn, and it is from literature that they can best learn it.
Arm the Children
The sky was low, all muted indigos and greys and sun-gilded cloud edges. The wind rustled the fallen leaves and made my cheeks prickle. It was the best kind of autumn walk: stormy and solitary and secluded.
Alyxandra Harvey (Lizzie & Darcy)
Next morning I had to get outside, and so began a period of long walks in the park. Early November continued bright, with the last sun of the year shining low and coppery over the woods. Striding through heaps of rusty autumn leaves, I ached to see beauty dying all around me. I felt completely alone in that rambling wilderness, save for the crows cawing in their rookeries and the wrens bobbing from hedge to hedge. I began to make studies in my book of the delicate lines of drying grasses and frilled seed pods. I looked for some lesson on how best to live from Nature, that every year died and was renewed, but none appeared.
Martine Bailey (A Taste for Nightshade)
It was the best time of the year. Frost at night and warm, sunny days, when the yellows and oranges of the aspen and cottonwoods did something to the blue of the sky behind them that an artist might never mimic.
Peter Heller (Celine)
just as a autumn transforms a beautiful tree, fully ablaze in only its best colors, and blooming in full wisdom from all the seasons, so will the words well spoken bring out the best in the one who puts them into practice
D. Bodhi Smith (Bodhi Simplique Impressionist Photography and Insights (#5))
I am not a churchgoing man. Strangled in the vines of form and choked with ritual Christians, Sunday service held no appeal for me as a child. When my parents released me from compulsory attendance, I would never return. In my view, religion is best practiced out of doors, in nature's cathedral of miracles where spirits and the arts of heaven mingle unencumbered. The spirits were present on the tiny unmarked parcel at Mount Vernon that early autumn afternoon. Hazel and I stood for a long while in complete silence. Words would have marred, much as they misserve this inadequate telling of what we felt. We had been touched by wearied souls calling, in a language ethereal as morning mist, from the near realm that awaits us all. These were 'our' ancestors and, alone behind an old wooden outbuilding, my wife and I had wordlessly worshiped with them on that clear crisp afternoon.
Randall Robinson (The Debt: What America Owes to Blacks)
An emptiness comes from this combination of over-the-top nonnatural sources of reward and the inevitability of habituation; this is because unnaturally strong explosions of synthetic experience and sensation and pleasure evoke unnaturally strong degrees of habituation.90 This has two consequences. First, soon we barely notice the fleeting whispers of pleasure caused by leaves in autumn, or by the lingering glance of the right person, or by the promise of reward following a difficult, worthy task. And the other consequence is that we eventually habituate to even those artificial deluges of intensity. If we were designed by engineers, as we consumed more, we’d desire less. But our frequent human tragedy is that the more we consume, the hungrier we get. More and faster and stronger. What was an unexpected pleasure yesterday is what we feel entitled to today, and what won’t be enough tomorrow.
Robert M. Sapolsky (Behave: The Biology of Humans at Our Best and Worst)
Hazel sometimes had a fantasy daydream at school where the teacher walked into the classroom and yelled, ISN’T EVERYTHING HORRIBLE? DOESN’T THE PAIN OF THE WORLD OUTWEIGH THE JOY BY TRILLIONS? WOULD YOU LIKE TO PUSH ALL OF THE DESKS INTO THE CENTER OF THE ROOM AND BURN THEM IN A GIANT BONFIRE? THEN WE CAN RUN AROUND SCREAMING AND WEEPING AMIDST THE SMOKE IN A TRUTHFUL PARADE OF OUR HUMAN CONDITION. SINCE YOU ARE SMALL STATURED, CHILDREN, IT MIGHT HELP OTHERS TO FEEL THE FULL BRUNT OF YOUR AGITATION IF YOU WAVE STICKS AND SHRUBBERY OVER YOUR HEADS ALL THE WHILE. WE DON’T WANT TO KILL ANYTHING WE DON’T HAVE TO KILL; EVERYTHING LIVING THAT WE’VE EVER SEEN OR KNOWN WILL DIE WITHOUT OUR INTERVENTION, OURSELVES INCLUDED; THIS IS A PSYCHOLOGICAL LEAD BLANKET THAT EVEN OUR MOST PERVASIVE MOMENTS OF COMFORT CANNOT CRAWL OUT FROM UNDER AND ONE UNEXTINGUISHABLE SOURCE OF DESPAIR, SO WE WON’T BE PERFORMING ANY RITUALISTIC SACRIFICES; THAT’S NOT THE DIRECTION WE WILL GO IN JUST YET; HOWEVER, ASSISTANT PRINCIPAL LAWRENCE IS ON THE PROWL FOR A ROAD CARCASS WE MIGHT BE ABLE TO USE AS A REPRESENTATIVE PROP BECAUSE NOWHERE IN OUR AUTUMN-THEMED POSTER BOARD DéCOR IS MORBIDITY OR DECAY SYMBOLIZED. OUR SCHOOL BOARD MEMBERS CANNOT AGREE ON HOW BEST TO ACKNOWLEDGE THE BOUNDLESSNESS OF HUMAN CRUELTY. IN OUR SOCIETY SOME OF YOU ARE FAR SAFER AND MORE ADVANTAGED THAN OTHERS; AT HOME SOME OF YOU ARE FAR MORE LOVED; SOME OF YOU WILL FIND THAT CONCEPTS LIKE FAIRNESS AND JUSTICE WILL BE THIN, FLICKERING HOLOGRAMS ON THE PERIPHERY OF YOUR LIVES. OH, LOOK, CHILDREN—I SEE MR. LAWRENCE IN THE DISTANCE DRAGGING A PORTION OF A HIGHWAY-SLAUGHTERED DEER. LET’S GO HELP HIM LUG IT INSIDE AND BE REMINDED THAT WE TOO INHABIT BODIES MADE OF MEAT-WRAPPED BONES; LET’S MEDITATE ON THIS CORPOREAL TERROR. Whenever her mother had asked, Hazel always told her, School is great.
Alissa Nutting (Made for Love)
She remembered the days when she and her best friend would draw hearts on the beach, the waves erasing their ephemeral creations. Those carefree moments seemed like a distant dream now—afternoons at the arcade, junk food on the boardwalk. She couldn’t recall the last time she did anything so wonderfully silly.
Katherine Rawson (One Day, A Thousand Autumns (Crescent Cove Book 1))
Poetry and song lyrics might want us to believe that finding love is like uncovering buried treasure, but now I know the truth. There’s no joy or celebration in love. There are no happy endings. There is simply me and her and a crushing pain. What’s left after that? An entire life of mute should-haves and second-bests.
Autumn Doughton
Here's the best thing about being a writer: it's like having a magic wand to make whatever you want happen to imaginary people in a made-up world. Here's the worst thing about being a writer: it makes you wish even more that you had a magic wand to make whatever you want happen to actual people in your own real life" -Autumn
Claudia Mills (Write This Down)
DURING the whole of a dull, dark, and soundless day in the autumn of the year, when the clouds hung oppressively low in the heavens, I had been passing alone, on horseback, through a singularly dreary tract of country; and at length found myself, as the shades of the evening drew on, within view of the melancholy House of Usher. I know not how it was; but, with the first glimpse of the building, a sense of insufferable gloom pervaded my spirit. I say insufferable; for the feeling was unrelieved by any of that half-pleasurable, because poetic, sentiment, with which the mind usually receives even the sternest natural images of the desolate or terrible. I looked upon the scene before me—upon the mere house, and the simple landscape features of the domain—upon the bleak walls—upon the vacant eye-like windows—upon a few rank sedges—and upon a few white trunks of decayed trees—with an utter depression of soul which I can compare to no earthly sensation more properly than to the after-dream of the reveler upon opium—the bitter lapse into every-day life—the hideous dropping off of the veil. There was an iciness, a sinking, a sickening of the heart—an unredeemed dreariness of thought which no goading of the imagination could torture into aught of the sublime. What was it—I paused to think—what was it that so unnerved me in the contemplation of the House of Usher? It was a mystery all insoluble; nor could I grapple with the shadowy fancies that crowded upon me as I pondered. I was forced to fall back upon the unsatisfactory conclusion that while, beyond doubt, there are combinations of very simple natural objects which have the power of thus affecting us, still the analysis of this power lies among considerations beyond our depth. It was possible, I reflected, that a mere different arrangement of the particulars of the scene, of the details of the picture, would be sufficient to modify, or perhaps to annihilate its capacity for sorrowful impression; and, acting upon this idea, I reined my horse to the precipitous brink of a black and lurid tarn that lay in unruffled luster by the dwelling, and gazed down—but with a shudder even more thrilling than before—upon the remodeled and inverted images of the gray sedge, and the ghastly tree stems, and the vacant and eye-like windows.
Edgar Allan Poe (The Best Short Stories of Edgar Allan Poe)
I've been keeping an eye out for the Charlie Brown Valentine's Day special. I know it will be on soon, and I never miss a Charlie Brown special. The best one is the Halloween show about the Great Pumpkin - which I've only missed one year in my life, due to the local ABC station having technical difficulties - but all the Peanuts shows make me feel like I'm one step closer to Halloween. The thing I like about the shows isn't the characters - it's the background. The colors are so amazing it almost takes my breath away. Every time I watch The Great Pumpkin I feel like I'm going to have a seizure during the scenes where Snoopy is in a dogfight. Just look at the background in those scenes. It really is too much to take. I can barely keep from holding my head in my hands and involuntarily groaning like I have a mouthful of the best chocolate cake ever made. I look at them and can literally smell the crisp autumn air - even in this cell. No horror movie in the world makes me feel the magick of Halloween as strongly as The Great Pumpkin.
Damien Echols (Life After Death)
Lillian concentrated on putting one foot in front of the other, when all she wanted was to head back to Westcliff and fling herself upon him in a mindless attack. “That arrogant, pompous clodpole—” “Easy,” she heard St. Vincent murmur. “Westcliff is in a thorough temper—and I wouldn’t care to engage him in your defense. I can best him any day with a sword, but not with fists.” “Why not?” Lillian muttered. “You’ve got a longer reach than Westcliff.” “He’s got the most vicious right hook I’ve ever encountered. And I have an unfortunate habit of trying to shield my face—which frequently leaves me open for gut punches.” The unashamed conceit behind the statement drew a reluctant laugh from Lillian. As the heat of anger faded, she reflected that with a face like his, one could hardly blame him for desiring to protect it. “Have you fought with the earl often?” she asked. “Not since we were boys at school. Westcliff did everything a bit too perfectly—I had to challenge him now and then just to make certain that his vanity didn’t become overinflated. Here…shall we take a more scenic route through the garden?” Lillian hesitated, recalling the numerous stories that she had heard about him. “I’m not certain that would be wise.” St. Vincent smiled. “What if I promise on my honor not to make any advances to you?” Considering that, Lillian nodded. “In that case, all right.” St. Vincent guided her through a small leafy grove, and onto a graveled path shaded by a row of ancient yews. “I should probably tell you,” he remarked casually, “that since my sense of honor is completely deteriorated, any promise I make is worthless.” “Then I should tell you that my right hook is likely ten times more vicious than Westcliff’s.” St. Vincent grinned.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
ON MEDITATING, SORT OF Meditation, so I’ve heard, is best accomplished if you entertain a certain strict posture. Frankly, I prefer just to lounge under a tree. So why should I think I could ever be successful? Some days I fall asleep, or land in that even better place—half-asleep—where the world, spring, summer, autumn, winter— flies through my mind in its hardy ascent and its uncompromising descent. So I just lie like that, while distance and time reveal their true attitudes: they never heard of me, and never will, or ever need to. Of course I wake up finally thinking, how wonderful to be who I am, made out of earth and water, my own thoughts, my own fingerprints— all that glorious, temporary stuff.
Mary Oliver (Blue Horses: Poems)
Nestled in the valley, Penhaven College was a little gem of redbrick buildings and green grass, tall oak trees and neatly trimmed hedges, and Vivi loved it more than a person should probably love her workplace. But she did love it. Especially now with the first hint of fall in the air, the leaves orange, the sky purple. Penhaven was always at its best in the autumn.
Erin Sterling (The Ex Hex (The Ex Hex, #1))
Nina stood there, in all her former beauty queen pageant glory, tall and slim and panther-like. Nina's dark hair always seemed to capture whatever available light there was, and her skin, much to Ellie's annoyance, was flawless. Today she was wearing a black wraparound dress that accentuated every curve and parted in just the right place to show off the best part of her legs.
Amy S. Foster (When Autumn Leaves)
Time would be precious from now on. It would tick by, of course, as it always had, but Harvey was determined he wouldn’t waste it with sighs and complaints. He’d fill every moment with the seasons he’d found in his heart: hopes like birds on a spring branch; happiness like a warm summer sun; magic like the rising mists of autumn. And best of all, love; love enough for a thousand Christmases.
Clive Barker (The Thief of Always)
She walked indoors, and staring once more at her orchids, thought to herself: ‘Flowers have their spring-time, a time for fresh blossoms and young leaves. I am young, but frail as the willow that dreads the first breath of autumn… If all turns out for the best, I may grow stronger yet. But if not, my fate will be like that of the fallen petals at spring’s end, driven by the rain and tossed in the wind…
Cao Xueqin (The Story of the Stone: The Debt of Tears)
I had started “hibernating” as best I could in mid-June of 2000. I was twenty-six years old. I watched summer die and autumn turn cold and gray through a broken slat in the blinds. My muscles withered. The sheets on my bed yellowed, although I usually fell asleep in front of the television on the sofa, which was from Pottery Barn and striped blue and white and sagging and covered in coffee and sweat stains.
Ottessa Moshfegh (My Year of Rest and Relaxation)
Blest who was youthful in his youth; blest who matured at the right time; who gradually the chill of life with years was able to withstand; who never was addicted to strange dreams; who did not shun the fahsinable rabble; who was at twenty fop or blade, and then at thirty, profitably married; who rid himself at fifty of private and of other debts; who fame, money, and rank in due course calmly gained; about whom lifelong one kept saying: N. N. is an excellent man. But it is sad to think that to no purpose youth was given us, that we betrayed it every hour, that it duped us; that our best wishes, that our fresh dreamings, in quick succession have decayed like leaves in putrid autumn. It is unbearable to see before one only of dinners a long series, to look on life as on a rite, and in the wake of the decorous crowd to go, not sharing with it either general views, or passions.
Alexander Pushkin (Eugene Onegin)
Blest who was youthful in his youth; blest who matured at the right time; who gradually the chill of life with years was able to withstand; who never was addicted to strange dreams; who did not shun the fashionable rabble; who was at twenty fop or blade, and then at thirty, profitably married; who rid himself at fifty of private and of other debts; who fame, money, and rank in due course calmly gained; about whom lifelong one kept saying: N. N. is an excellent man. But it is sad to think that to no purpose youth was given us, that we betrayed it every hour, that it duped us; that our best wishes, that our fresh dreamings, in quick succession have decayed like leaves in putrid autumn. It is unbearable to see before one only of dinners a long series, to look on life as on a rite, and in the wake of the decorous crowd to go, not sharing with it either general views, or passions.
Alexander Pushkin (Eugene Onegin)
She came towards me with a juicy gash between her legs that smelled like my best friend's sister" Just when I thought I'd escaped them all She comes reeling herself in pulling at my strings her hand quick to find my zipper She moaned the way a drunk old lady does And I wasn't even inside her yet "You don't have anywhere else to be," she managed to say... "My wounds have been reopened tonight already," I muttered I caught wind of the gully ...the part of her she once kept sacred as a Christian I smelled the information I lifted my hand into the air and hailed a cab He rolled down his window and saw her "Find another cab," he said, and sped off into the night I took her home because she said she was lonely really she was drunk off something some memory or some choice she walked funny... -one of her heels had broken On the couch I left her, Before I could go, she grabbed my cock I slapped her across the face and she pulled harder Her eyes stayed closed Her lips dripped Her grip clenched I wasn't getting out of this one unscathed "If I take my pants off, will you let me go?" I asked "If you take your pants off, I'll be suckin' that cock till you pass out from all the screamin'..." I slapped her again, because she needed it She laughed Saying her cousin beat her harder Saying her father knew how to really... ...make things happen I asked her what her father's number was Let's get his motherfucking self up here to take you away, that's what I said She said he died, or killed himself "What's the difference really," she said, chewing on her hair She let go of my cock on her own accord And she opened her eyes for a moment She closed them again And I could tell she was sleeping Her eyes opened once more Her face red where I'd hit her She tasted the blood on her lip "Do you think if we remind ourselves enough, we can make up for all the pain we've caused others?" I said to her, "We can't. All we can do is keep ourselves from all those who don't deserve it.
Dave Matthes (Strange Rainfall on the Rooftops of People Watchers: Poems and Stories)
During my crusade through self-discovery, I am continuously reminded that I am a student, and I will always be one. That is the gift even when we feel uncertain or lost in our current season. In order to grow, we, like the transition of autumn and rebirth of spring, must also prepare to shed and begin again. In pursuance of blooming, there must be rain. As we wait for the downpour to cease and new light to emerge, patience is our best and dearest friend. The sun will be on the horizon again, eventually.
Alexandra Elle (After the Rain: Gentle Reminders for Healing, Courage, and Self-Love)
Milk in the pan, couverture, sugar, nutmeg, chili. A coconut macaroon on the side. Comforting, like all rituals; gestures handed down from my mother to me, to Anouk, and maybe to her daughter too, someday in a future too distant to imagine. "Great chocolate," he said, eager to please, cupping the little demitasse in hands best suited to building walls. I sipped mine; it tasted of autumn and sweet smoke, of bonfires and temples and mourning and grief. I should have put some vanilla in, I told myself. Vanilla, like ice cream- like childhood.
Joanne Harris (The Girl with No Shadow (Chocolat, #2))
Do said you Cubans had the best service in the world, because your revolution is still young enough to feel hunger and rage.” Ruiz nodded, accepting the compliment. “Do told me that story, too,” he said. Christopher went on speaking, as if prolonging the joke. “It was Benshikov who suggested a professional rifleman for Dallas, you know. Do wouldn’t tell him the details, just that he wanted an assassin.” Ruiz read the label on the empty vodka bottle. “Truthfully, at the time, I thought they had chosen the wrong man—not you, the assassin,” Christopher said.
Charles McCarry (Tears of Autumn: A Paul Christopher Novel (Paul Christopher Novels))
That August, the day of the lunar eclipse—their daughters three and a half and two—Cam piled everyone in the truck to get the best view from the top of Hopewell Hill. “Maybe they won’t remember,” he said. “I just like to show them things.” This was what you did. You took your children out in the darkness to watch the moon disappear. You dissected coyote scat with them. You led your two-year-old down to the garden to press a handful of radish seeds into the soil and handed her the spatula to lick when you made chocolate pudding and turned the pages of Richard Scarry’s What Do People Do All Day?, pointing out the animal characters and naming their jobs. You gathered autumn leaves, pressed them with an iron in between two sheets of wax paper, and taped them on the window, where you’d set an avocado seed in a glass of water to watch it sprout; and carried your three-year-old outside in your arms at night—her and her sister—to let them catch snowflakes. Who knew what they’d remember, and what they’d make of it, but the hope was there that if nothing else, what they would hold on to from these times was the knowledge of being deeply loved.
Joyce Maynard (Count the Ways)
Get that pitying look off your face,' Eris snarled softly. 'I know what sort of creature my father is. I don't need your sympathy.' Cassian again studied him. 'Why did you leave Mor in the woods that day?' It was the question that would always remain. 'Was it just to impress your father?' Eris barked a laugh, harsh and empty. 'Why does it still matter to all of you so much?' 'Because she's my sister, and I love her.' 'I didn't realise Illyrians were in the habit of fucking their sisters.' Cassian growled. 'It still matters,' he ground out, 'because it doesn't add up. You know what a monster your father is and want to usurp him; you act against him in the best interests of not only the Autumn Court but also all of the faerie lands; you risk your life to ally with us... and yet you left her in the woods. Is it guilt that motivates all of this? Because you left her to suffer and die?' Golden flame simmered in Eris's gaze. 'I didn't realise I'd be facing another interrogation so soon.' 'Give me a damn answer.' Eris crossed his arms, then winced. As if whatever injuries lay beneath his immaculate clothes ached. 'You're not the person I want to explain myself to.' 'I doubt Mor will want to listen.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
Would we get on well together, do you think?” she asked dubiously, daring to play with the knot of his necktie, loosening the gray watered-silk fabric with her fingertips. “We’re opposites in nearly every regard.” Inclining his head, Marcus nuzzled the tender inside of her wrist, his lips brushing the blue-tinted veins that lay like fine lacework beneath the skin. “I am coming to believe that taking a wife who is exactly like myself would be the worst conceivable decision I could make.” “Perhaps you’re right,” Lillian mused, letting her fingertips curl into the gleaming close-cut hair at the side of his head. “You need a wife who won’t let you have your way all the time. One who…” She paused with a little shiver as his tongue touched a delicate spot near her inner elbow. “Who,” she continued, struggling to gather her thoughts, “would be willing to take you down a notch when you become too pompous…” “I am never pompous,” Marcus said, drawing the edge of her gown away from the vulnerable curve of her throat. Her breath hitched as he began to kiss the wing of her collarbone. “What would you call it when you carry on as if you always know best, and anyone who disagrees with you is an idiot?” “Most of the time, the people who disagree with me do happen to be idiots. I can’t help that.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
It could snow We don’t take care. The end of November came without coldness, with haunting and limp rains, pretty much leaves still laying anywhere on the sidewalks. It comes a morning with another grey, compact, closed, air changes its texture. Under the pharmacy green cross the thermometer sticks, in red, two degrees. The number, a bit blurred thins down in the space. We didn’t expect it, but it grows, far inside us, the little sentence. It comes to the lips like a forgotten song: “It could snow …” We should not dare to mention it in loud voice, it is still so much autumn, all could finish in a stupid freezing sudden shower, in a fog of boredom. But the idea of a possible snow came back, it’s what matters. No downhill in a sledge-trash-bag, no snowman, no children shouting,no pictures of landscape metamorphosis. Largely best then all that, because the essential snow is inside the unformulated. Before. Something we didn’t know we knew. Before snow, before love, the same lack, the same dimmed grey which days’ triteness creates pretending to suffocate. We shall cross somebody: - This time it’s almost winter! - Yes we start to be crestfallen! Workers hang pieces of tinsel. We didn’t say too much. Especially do not frighten away the slight shade of the idea. The red thermometer went down, one degree. It could snow.
Philippe Delerm (Ma grand-mère avait les mêmes: les dessous affriolants des petites phrases)
The Death of Leaves You are not the leaves which blaze with color every fall, then fall ground into the ground. Their death is not your death. No, you are the tree, which moves its energy down in autumn, to the roots, in ample store. Bare branches best prepared for winter cold and winter winds. That’s not to say the loss of leaves is not a loss. The grief of losing all your color, your connection to the sun is real grief. The stripping is a real stripping. But as every fall speaks of coming spring and every winter holds its end in its beginning your own sap will rise again in longer light nourishing every small branch and you, tree, human, living creature will grow green life again.
Jessica Kantrowitz (Blessings for the Long Night: Poems and Meditations to Help You through Depression)
As she looks through the photos, she says quietly, “We had a lot of happy times together. I hope you remember some of them.” When I tell Brian stories about my life, he sees them differently from the way I do. He doesn’t see the loss. He sees the opportunity. The adventure. In front of my mother, he says to me, “No wonder you have so many cool stories,” and she says, “Thank you for saying that, Brian!” For the first time, I start to see my life in a new way. I start to see the opportunity, too. But I’m sad as I watch my mother tell him our stories. I worry that she thinks I hate her, that I won’t remember our better days, her best attempts to give me the happiest possible life.
Kenny Porpora (The Autumn Balloon)
Memories of love are, in fact, no exception to the general laws of remembering, which are themselves subject to the more general laws of habit. Habit weakens all things; but the things that are best at reminding us of a person are those which, because they were insignificant, we have forgotten, and which have therefore lost none of their power. Which is why the greater part of our memory exists outside us, in a dampish breeze, in the musty air of a bedroom or the smell of autumn’s first fires, things through which we can retrieve any part of us that the reasoning mind, having no use for it, disdained, the last vestige of the past, the best of it, the part which, after all our tears seem to have dried, can make us weep again.
Marcel Proust (In the Shadow of Young Girls in Flower)
Taste the soup now, and season with salt: you’ll need less than if you add it any earlier. Ladle into bowls, and swirl (if you like) with a tiny dash of cream. For restaurant-style pretty, spoon the cream into the centre, and swirl it with the wrong end of a spoon. Scatter the pistachio-pepper mixture in a line straight down the middle of the bowl, bisecting the pretty cream pattern, and grate over a very fine dusting of Parmesan. Notice how completely beautiful it is. Serve, and sit with the dark burn of November earth, and the musty taste of late autumn, and the fierce bite of the pepper, and feel warmed, as if you were sitting by a bonfire in the field with the flames rising in front of you, and your best friends beside you, and the whole world waiting for you.
Ella Risbridger (Midnight Chicken: & Other Recipes Worth Living For)
Coming Home. There is a time of year in New York, in the fall, which comes suddenly, and doesn't last long, but is enough to make you love it for the rest of the year. If you go away then, you will always think of New York in golden hues, but if you stay you see the filth, the soot, the slush, and later, live in the stench and torrid heat of a New York summer. But in the fall it becomes beautiful, it is red and gold and brown, it's lear and windy and crisp, the streets look cleaner, people step as though walking to a march, the smell of hot chestnuts is everywhere...It's the time of year I love best, and if there is a warm spot in my heart for New York it is for the city at precisely that time of year. And that spell it weaves for two, or three, or four weeks in the late autumn.
Danielle Steel
The ground was hard, the air was still, my road was lonely; I walked fast till I got warm, and then I walked slowly to enjoy and analyse the species of pleasure brooding for me in the hour and situation. It was three o’clock; the church bell tolled as I passed under the belfry: the charm of the hour lay in its approaching dimness, in the low-gliding and pale-beaming sun. I was a mile from Thornfield, in a lane noted for wild roses in summer, for nuts and blackberries in autumn, and even now possessing a few coral treasures in hips and haws, but whose best winter delight lay in its utter solitude and leafless repose. If a breath of air stirred, it made no sound here; for there was not a holly, not an evergreen to rustle, and the stripped hawthorn and hazel bushes were as still as the white, worn stones which causewayed the middle of the path. Far and wide, on each side, there were only fields, where no cattle now browsed; and the little brown birds, which stirred occasionally in the hedge, looked like single russet leaves that had forgotten to drop.
Charlotte Brontë (Charlotte Brontë's Jane Eyre (Classic Collection))
A written word is the choicest of relics. It is something at once more intimate with us and more universal than any other work of art. It is the work of art nearest to life itself. It may be translated into every language, and not only be read but actually breathed from all human lips;—not be represented on canvas or in marble only, but be carved out of the breath of life itself. The symbol of an ancient man’s thought becomes a modern man’s speech. Two thousand summers have imparted to the monuments of Grecian literature, as to her marbles, only a maturer golden and autumnal tint, for they have carried their own serene and celestial atmosphere into all lands to protect them against the corrosion of time. Books are the treasured wealth of the world and the fit inheritance of generations and nations. Books, the oldest and the best, stand naturally and rightfully on the shelves of every cottage. They have no cause of their own to plead, but while they enlighten and sustain the reader his common sense will not refuse them. Their authors are a natural and irresistible aristocracy in every society, and, more than kings or emperors, exert an influence on mankind.
Henry David Thoreau (Walden)
My sour cherry liqueur is especially popular, though I feel a little guilty that I cannot remember the cherry's name. The secret is to leave the stones in. Layer cherries and sugar one on the other in a widemouthed glass jar, covering each layer gradually with clear spirit (kirsch is best, but you can use vodka or even Armagnac) up to half the jar's capacity. Top up with spirit and wait. Every month, turn the jar carefully to release any accumulated sugar. In three years' time the spirit has bled the cherries white, itself stained deep red now, penetrating even to the stone and the tiny almond inside it, becoming pungent, evocative, a scent of autumn past. Serve in tiny liqueur glasses, with a spoon to scoop out the cherry, and leave it in the mouth until the macerated fruit dissolves under the tongue. Pierce the stone with the point of a tooth to release the liqueur trapped inside and leave it for along time in the mouth, playing it with the tip of the tongue, rolling it under, over, like a single prayer bead. Try to remember the time of its ripening, that summer, that hot autumn, the time the well ran dry, the time we had the wasp's nests, time past, lost, found again in the hard place at the heart of the fruit...
Joanne Harris (Five Quarters of the Orange)
The Sandwich Maker would pass what he had made to his assistant who would then add a few slices of newcumber and fladish and a touch of splagberry sauce, and then apply the topmost layer of bread and cut the sandwich with a fourth and altogether plainer knife. It was not that these were not also skilful operations, but they were lesser skills to be performed by a dedicated apprentice who would one day, when the Sandwich Maker finally laid down his tools, take over from him. It was an exalted position and that apprentice, Drimple, was the envy of his fellows. There were those in the village who were happy chopping wood, those who were content carrying water, but to be the Sandwich Maker was very heaven. And so the Sandwich Maker sang as he worked. He was using the last of the year’s salted meat. It was a little past its best now, but still the rich savour of Perfectly Normal Beast meat was something unsurpassed in any of the Sandwich Maker’s previous experience. Next week it was anticipated that the Perfectly Normal Beasts would appear again for their regular migration, whereupon the whole village would once again be plunged into frenetic action: hunting the Beasts, killing perhaps six, maybe even seven dozen of the thousands that thundered past. Then the Beasts must be rapidly butchered and cleaned, with most of the meat salted to keep it through the winter months until the return migration in the spring, which would replenish their supplies. The very best of the meat would be roasted straight away for the feast that marked the Autumn Passage. The celebrations would last for three days of sheer exuberance, dancing and stories that Old Thrashbarg would tell of how the hunt had gone, stories that he would have been busy sitting making up in his hut while the rest of the village was out doing the actual hunting. And then the very, very best of the meat would be saved from the feast and delivered cold to the Sandwich Maker. And the Sandwich Maker would exercise on it the skills that he had brought to them from the gods, and make the exquisite Sandwiches of the Third Season, of which the whole village would partake before beginning, the next day, to prepare themselves for the rigours of the coming winter. Today he was just making ordinary sandwiches, if such delicacies, so lovingly crafted, could ever be called ordinary. Today his assistant was away so the Sandwich Maker was applying his own garnish, which he was happy to do. He was happy with just about everything in fact.
Douglas Adams (Mostly Harmless (Hitchhiker's Guide to the Galaxy, #5))
Wendell was no sooner gazing at the silver sewing needles than he was brushing away a tear. "They are like my father's," he said wonderingly. "I remember the flicker of them in the darkness as we all sat together by the ghealach fire, with the trees surrounding us. He would bring them everywhere, even the Hunt of the Frostveiling---that is the first hunt of autumn, the largest of the year, when even the queen and her children roam through the wilds with spears and swords, riding our best---oh, I don't know what you would call them in your language. They are a kind of faerie fox, black and golden together, which grow larger than horses. My brothers and sisters and I would crowd round the fire to watch him weave nets from brambles and spidersilk. And all the moorbeasts and hag-headed deer would cower at the sight of those nets, though they barely blinked at the whistle of our arrows." He fell silent, gazing at them with his eyes gone very green. "Well," I said, predictably at a loss for an answer to this, "I hope they are of use to you. Only keep them away from any garments of mine." He took my hand, and then, before I knew what he was doing, lifted it to his mouth. I felt the briefest brush of his lips against my skin, and then he had released me and was back to exclaiming over his gifts. I turned and went into the kitchen in an aimless haste, looking for something to do, anything that might distract me from the warmth that had trailed up my arm like an errant summer breeze
Heather Fawcett (Emily Wilde's Encyclopaedia of Faeries (Emily Wilde, #1))
Lillian’s lashes lowered as she let him ease her closer, his hand sliding over the length of her spine. Her breasts and waist felt swollen within the insulating grip of her corset, and she suddenly longed to be rid of it. Taking as deep a breath as the stays would allow, she became aware of a sweetly spicy scent in the air. “What is that?” she murmured, drawing in the fragrance. “Cinnamon and wine…” Turning in the circle of his arms, she looked around the spacious bedroom, past the poster bed to the small table that had been set near the window. There was a covered silver dish on the table, from which a few traces of sweet-scented steam were still visible. Perplexed, she twisted back to look at Marcus. “Go and find out,” he said. Curiously Lillian went to investigate. Taking hold of the cover’s handle, which had been wrapped with a linen napkin, she lifted the lid, letting a soft burst of intoxicating fragrance into the air. Momentarily puzzled, Lillian stared at the dish, and then burst out laughing. The white porcelain dish was filled with five perfect pears, all standing on end, their skin gleaming and ruby-red from having been poached in wine. They sat in a pool of clear amber sauce that was redolent of cinnamon and honey. “Since I couldn’t obtain a pear from a bottle for you,” came Marcus’s voice from behind her, “this was the next best alternative.” Lillian picked up a spoon and dug into one of the melting-soft pears, lifting it to her lips with relish. The bite of warm, wine-soaked fruit seemed to dissolve in her mouth, the spiced honey sauce causing a tingle in the back of her throat. “Mmmm…” She closed her eyes in ecstasy. Looking amused, Marcus turned her to face him. His gaze fell to the corner of her lips, where a stray drop of honey sauce glittered. Ducking his head, he kissed and licked away the sticky drop, the caress of his mouth causing a new pleasurable ache deep inside her. “Delicious,” he whispered, his lips settling more firmly, until she felt as if her blood were flowing in streams of white-hot sparks. She dared to share the taste of wine and cinnamon with him, tentatively exploring his mouth with her tongue, and his response was so encouraging that she wrapped her arms around his neck and pressed herself closer. He was delicious, the taste of his mouth clean and sweet, the feel of his lean, solid body immeasurably exciting. Her lungs expanded with shaky-hot breaths, restrained by the clench of her corset stays, and she broke the kiss with a gasp. “I can’t breathe.” Wordlessly Marcus turned her around and unfastened the gown. Reaching her corset, he untied the laces and loosened them with a series of expert tugs, until the stays expanded and Lillian gulped in relief. “Why did you lace so tightly?” she heard him ask. “Because the dress wouldn’t fasten otherwise. And because, according to my mother, Englishmen prefer their women to be narrow-waisted.” Marcus snorted as he eased her back to face him. “Englishmen prefer women to have larger waists in lieu of fainting from lack of oxygen. We’re rather practical that way.” Noticing that the sleeve of her unfastened gown had slipped over her white shoulder, he lowered his mouth to the smooth curve.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
Pasta with Garlic Scapes and Fresh Tomatoes In Italy, you can find a garden anywhere there is a patch of soil, and in many areas, the growing season is nearly year round. It’s common to find an abundant tomato vine twining up the wall near someone’s front stoop, or a collection of herbs and greens adorning a window box. Other staples of an Italian kitchen garden include aubergine, summer squash varieties and peppers of all sorts. Perhaps that’s why the best dishes are so very simple. Gather the fresh ingredients from your garden or local farmers’ market, toss everything together with some hot pasta and serve. In the early summer and mid-autumn, look for garlic scapes, prized for their mild flavor and slight sweetness. Scapes are the willowy green stems and unopened flower buds of hardneck garlic varieties. Roasting garlic scapes with tomatoes and red onion brings out their sweet, rich flavor for a delightful summer meal. 2 swirls of olive oil 10 garlic scapes 1 pint multicolored cherry tomatoes 1 red onion, thinly sliced Sea salt and red pepper flakes, to taste ½ lb. pasta—fettuccine, tubini or spaghetti are good choices 1 cup baby spinach, arugula or fresh basil leaves, or a combination 1 lemon, zested and juiced Toasted pine nuts for garnish Heat oven to 400 ° F. Toss together olive oil, garlic scapes, tomatoes, onion, salt and pepper flakes and spread in an even layer on a parchment-lined baking sheet. Roast for 12–15 minutes, until tomatoes are just beginning to burst. If you have other garden vegetables, such as peppers, zucchini or aubergine, feel free to add that. Meanwhile, cook pasta according to package directions. Toss everything together with the greens, lemon zest and juice. Garnish with pine nuts. Serve immediately with a nice Barolo wine.
Susan Wiggs (Summer by the Sea)
Once, during a concert of cathedral organ music, as I sat getting gooseflesh amid that tsunami of sound, I was struck with a thought: for a medieval peasant, this must have been the loudest human-made sound they ever experienced, awe-inspiring in now-unimaginable ways. No wonder they signed up for the religion being proffered. And now we are constantly pummeled with sounds that dwarf quaint organs. Once, hunter-gatherers might chance upon honey from a beehive and thus briefly satisfy a hardwired food craving. And now we have hundreds of carefully designed commercial foods that supply a burst of sensation unmatched by some lowly natural food. Once, we had lives that, amid considerable privation, also offered numerous subtle, hard-won pleasures. And now we have drugs that cause spasms of pleasure and dopamine release a thousandfold higher than anything stimulated in our old drug-free world. An emptiness comes from this combination of over-the-top nonnatural sources of reward and the inevitability of habituation; this is because unnaturally strong explosions of synthetic experience and sensation and pleasure evoke unnaturally strong degrees of habituation.90 This has two consequences. First, soon we barely notice the fleeting whispers of pleasure caused by leaves in autumn, or by the lingering glance of the right person, or by the promise of reward following a difficult, worthy task. And the other consequence is that we eventually habituate to even those artificial deluges of intensity. If we were designed by engineers, as we consumed more, we’d desire less. But our frequent human tragedy is that the more we consume, the hungrier we get. More and faster and stronger. What was an unexpected pleasure yesterday is what we feel entitled to today, and what won’t be enough tomorrow.
Robert M. Sapolsky (Behave: The Biology of Humans at Our Best and Worst)
A slow smile curved his lips. “Lillian, I’ve wanted you every moment since I first held you in my arms. And it has nothing to do with your damned perfume. However”— he inhaled the scent one last time before replacing the tiny stopper—“ I do know what the secret ingredient is.” Lillian stared at him with wide eyes. “You do not!” “I do,” he said smugly. “What a know-all,” Lillian exclaimed with laughing annoyance. “Perhaps you’re guessing at it, but I assure you that if I can’t figure out what it is, you certainly couldn’t—” “I know conclusively what it is,” he informed her. “Tell me, then.” “No. I think I’ll let you discover it on your own.” “Tell me!” She pounced on him eagerly, thumping him hard on the chest with her fists. Most men would have been driven back by the solid blows, but he only laughed and held his ground. “Westcliff, if you don’t tell me this instant, I’ll—” “Torture me? Sorry, that won’t work. I’m too accustomed to it by now.” Lifting her with shocking ease, he tossed her onto the bed like a sack of potatoes. Before she could move an inch, he was on top of her, purring and laughing as she wrestled him with all her might. “I’ll make you give in!” She hooked a leg around his and shoved hard at his left shoulder. The childhood years of fighting with her boisterous brothers had taught her a few tricks. However, Marcus countered every move easily, his body a mass of steely, flexing muscles. He was very agile, and surprisingly heavy. “You’re no challenge at all,” he teased, allowing her to roll atop him briefly. As she sought to pin him, he twisted and levered himself over her once more. “Don’t say that’s your best effort?” “Cocky bastard,” Lillian muttered, renewing her efforts. “I could win… if I didn’t have a gown on…” “Your wish may yet be granted,” he replied, smiling down at her.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
Hasan, the Begger: Believe it or not, they call this purgatory on earth “holy-suffering”. I am a leper stuck in limbo. Neither the dead nor the living want me among them. Mothers point me out on the streets to scare their misbehaving little ones, and children throw stones at me. Artisans chase me from their storefronts to ward off the bad luck that follows me everywhere, and pregnant women turn their faces away whenever they set eyes on me, fearing that their babies will be born defec-tive. None of these people seem to realize that as keen as they are to avoid me, I am far keener to avoid them and their pitiful stares. Friday is the best day of the week to beg except when it is Ramadan, in which case the whole month is quite lucrative. The last day of Ramadan is by far the best time to make money. That is when even the hopeless penny-pinchers race to give alms, keen to compensate for all their sins, past and present. Once a year, people don't turn away from beggars. To the contrary, they specifically look for one, the more miserable the better. So profound is their need to show off how generous and charitable they are, not only do they race to give us alms, but for that single day they almost love us. I’ve realized that the trees and I had something in common. A tree shedding its leaves in autumn resembled a man shedding his limbs in the final stages of leprosy. I am naked tree. My skin, my organs, my face are falling apart. Every day another part of my body abandons me. And for me, unlike the trees, there would be no spring in which I would blossom. What I lost, I lost forever. When people looks at me, they don’t see who I am but what I am missing. Whenever they places a coin in my bowl, they do so with amazing speed and avoid any eye contacts, as if my gaze is contagious. In their eyes I am worse than a thief or a murderer. As much as they disapproves of such outlaws, they don’t treat them as if they are invisible. When it comes to me, however, all they see is death staring them in the face. That's what scares them--to recognize that death could be this close and this ugly.
Elif Shafak (The Forty Rules of Love)
Marcus released the countess as if he had been burned. His first reaction was a piercing relief that Lillian was still alive. However, the relief was followed immediately by the awareness that she was far from safe. In light of St. Vincent’s need of a fortune, it made perfect sense for him to abduct Lillian. Marcus turned from his mother, never wanting to look at her again, unable to bring himself to speak to her. His gaze locked with Simon Hunt’s. Predictably, Hunt was already making rapid calculations. “He’ll take her to Gretna Green, of course,” Hunt murmured, “and they’ll have to travel east to the main road in Hertfordshire. He won’t risk traveling the back ways and getting mired in mud, or having the wheels damaged from broken road. From Hertfordshire it will be approximately forty-five hours to Scotland… and at a speed of ten miles per hour, with occasional stops for fresh relay horses…” “You’ll never overtake them,” the countess cried with a cackling laugh. “I told you I would have my way, Westcliff!” “Oh, shut up, you evil hag!” cried Daisy Bowman impatiently from the doorway, her eyes huge in her pale face. “Lord Westcliff, shall I run to the stables and tell them to saddle a horse?” “Two horses,” Simon Hunt said resolutely. “I’m going with him.” “Which ones—” “Ebony and Yasmin,” Marcus replied. They were his best Arabians, bred for speed over long distance. They were not as lightning-fast as thoroughbreds, but they would endure a punishing pace for hours, traveling at least three times as fast as St. Vincent’s coach. Daisy disappeared in a flash, and Marcus turned to his sister. “See that the countess is gone by the time I return,” he said curtly. “Pack whatever she needs, and get her off the estate.” “Where do you wish me to send her?” Livia asked, pale but composed. “I don’t give a damn, so long as she knows not to return.” Realizing that she was being banished, and most likely exiled, the countess rose from her chair. “I will not be disposed of in this manner! I won’t have it, my lord!” “And tell the countess,” Marcus said to Livia, “that if the slightest harm comes to Miss Bowman, she had better pray that I never find her.” Marcus strode from the room, shoving through a small crowd that had gathered in the hallway. Simon Hunt followed, pausing only to murmur briefly to Annabelle and press a kiss to her forehead. She stared after him with an anxious frown, biting her lip to keep from calling after him. After a lengthy pause, the countess was heard to mutter, “It matters not what becomes of me. I am content in the knowledge that I have prevented him from befouling the family lineage.” Livia turned to give her mother a half-pitying, half-contemptuous glance. “Marcus never fails,” she said softly. “Most of his childhood was spent learning to overcome impossible odds. And now that Marcus has finally found someone worth fighting for… do you really think he would let anything stop him?
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
I probably could have handled things a hell of a lot better, but what do you do when someone shoves a grenade at you, pulls the pin and tells you to make the best of the situation? Fuck if I know.
Autumn Doughton (This Sky)
Ten thousand flowers in spring, the moon in autumn, A cool breeze in summer, snow in winter— If your mind is not clouded by unnecessary things, this is the best season of your life.
Sharon Salzberg (Lovingkindness: The Revolutionary Art of Happiness (Shambhala Classics))
TheSpanish government, which faces an election in the autumn, was buoyed by news that the economy grew by 1.4% last year, the most since 2007. Some forecasters think Spain will be the best-performing economy among the larger euro-zone countries this year. Spending and investment have increased after cuts to both income and corporate taxes.
Anonymous
But then I realized that loving him … that was part of me, and one of the best parts. It didn’t matter that he couldn’t love me, that had nothing to do with it. But if I could not forgive him, then I could not love him, and that part of me was gone. And I found eventually that I wanted it back.
Diana Gabaldon (Drums of Autumn (Outlander, #4))
Spring And Autumn. Every season hath its pleasures; Spring may boast her flowery prime, Yet the vineyard's ruby treasures Brighten Autumn's soberer time. So Life's year begins and closes; Days tho' shortening still can shine; What tho' youth gave love and roses, Age still leaves us friends and wine. Phillis, when she might have caught me, All the Spring looked coy and shy, Yet herself in Autumn sought me, When the flowers were all gone by. Ah, too late;--she found her lover Calm and free beneath his vine, Drinking to the Spring-time over, In his best autumnal wine. Thus may we, as years are flying, To their flight our pleasures suit, Nor regret the blossoms dying, While we still may taste the fruit, Oh, while days like this are ours, Where's the lip that dares repine? Spring may take our loves and flowers, So Autumn leaves us friends and wine.
Thomas Moore
Poetry makes us more observant, more compassionate, empathetic. [It] is our best means of communicating with each other, of touching not only the intellect but the heart. [It] is the best repository for our most humane, ethical and just feelings. We can be made to experience the world, interior lives of other human beings, by reading poetry. (Mary Loftus, “Her Calling,” Emory Magazine, Autumn 2012, 25)
Kirk Byron Jones (Fulfilled: Living and Leading with Unusual Wisdom, Peace, and Joy)
The crops, however, I examine closely, to see what each bird has been feeding upon. Clover. Kinnickkinnick. Snowberries. Wheat. Barley. Crickets. Grasshoppers. Fir needles. Huckleberries. Rose hips. The crops filled with snowberries are breathtaking, looking like a clump of pearls, and nearly as rare; it’s always a thrill to open a crop and see nothing but beautiful white berries. Usually in these woods, though, in the autumn, the crops are bulging with bright red kinnickkinnick berries, and the bright green leaves from the same bush. Tom and Nancy save the crop from each bird they kill and set it on the windowsill to dry translucent in the sunlight—a globe, a ball, filled with Christmas colors, perfect red and green; and then in December they hang these as ornaments on their tree. For
Rick Bass (Colter: The True Story of the Best Dog I Ever Had)
But a day came when the sky was a haze of snow-clouds, and all the beauty of autumn had gone by. As evening drew on, Kyril summoned the cousins to his private chamber. Philip found him seated by the window. The first stars of snow had just fallen on the ledge outside. Philip bowed low. ‘”My lord, Linda means no disrespect, but she begged me to tell you that she promised to dance with Thawn. She cannot come until her promise is fulfilled.” Kyril laughed. “Most proper! But I do not honor her too highly, for no doubt she enjoys paying such a debt. This is well, for I wished to speak to you alone. Sit down.” Philip took the stool beside him. Kyril’s smile faded; his face was serious as he gazed down at his young guest. “But I think you know what I will say.” “You mean to send us home.” Kyril nodded. “Ygerna made a pact; it is for me now to fulfill it. But even if I offered it to you, Philip, would you choose to stay?” Philip shook his head. “No, my lord. The strangest and most wonderful adventures of my life have happened here, but this is not my home.” “And what of Linda?” For a long moment there was silence. At last Philip stirred and looked up at Kyril’s face. Very quietly he replied, “You were right when you said that the thought of rescuing her sustained me. And at that time I didn’t care whether she wanted to come back with me or not, because I was certain I knew what was best. Now…” He stopped and then with an effort continued. “I can’t imagine being without her; I can’t imagine what my uncle and aunt would say. But I know I cannot force her to return. She must make her own decision.” “I rejoice,” said Kyril gently, “that you have grown in wisdom. For no human being can possess another, Philip: not even out of love.” The door opened, and Linda stood on the threshold. She made Kyril a deep curtsey; her cheeks were flushed from dancing. He smiled and held out his hand. “Welcome, Linda! Are you discharged of all your debts?” “Yes, my lord!” She laughed and, running toward him, kissed the outstretched hand. “Why did you summon us?” “The time has come to speak of your return.” Philip looked at her. “I’ve decided to go back, Linda.” Kyril said, “For Philip, the good sorrow of leave-taking is unmixed with doubt. He knows what he must do. But for you, Linda, the decision may not be so easy. Therefore, I ask you once again: which of the two worlds is your home?” “Here I was born,” said Linda softly, “and here I discovered what I truly am. I am grateful for that knowledge; perhaps a time will come when I can remember it without pain. But I don’t belong here.” She drew a deep, uncertain breath. “I’ve tried to persuade myself, but I can’t. As a baby I might have died but for the love Philip’s family has shown me. I belong with them. If he goes, I will go with him.
Ruth Nichols (The Marrow of the World)
If I could do just one near perfect thing I’d be happy. They’d write it on my grave or when they scattered my ashes. On second thoughts, I’d rather hang around and be there with my best friend if she wants me. ~Belle and Sebastian “If She Wants Me
Autumn Doughton (I'll Be Here)
Maybe it’s a sign of the failure of a few of us to evolve. Perhaps this feeling I have, when hunting, of being on a much needed, even spiritual and necessary journey—a deep familiarity and comfort with the world—speaks to a regression, an inability to keep up with modern life. A damnable Paleolithic gene, so that I just can’t help myself. All of which may very well be true. People fearful or disapproving of hunting may see it as a turning-away from the human race, and a turning-back. But it does not feel that way to me. When autumn comes and I go into the field with Colter, I feel more alive than at any of the other time—as if, for the previous nine months I, and the rest of the world, have been sleeping—and that the rest of the world continues sleeping, back in the villages of man, while I, and a few others, awaken, and travel to a luminous new country just beyond the borders of the sleeping town.
Rick Bass (Colter: The True Story of the Best Dog I Ever Had)
The wind howled and moaned pitifully. The rain beat ever louder against the old boat, and the waves outside hissed, whilst we, lying still in a close embrace, shivered still from the cold. This was indeed stern reality. I felt convinced that no dream, however monstrous, however unbearable, could ever have vied in oppressiveness with this crushing actuality. Natasha continued to talk softly, soothingly, kindly, as none but a woman can do. Her simple gentle words caused warm feelings to creep into my heart, and I felt it melting within me. A flood of tears poured down my cheeks, washing away the anger, the grief, the self-conceit, the evil that had accumulated in my heart in the course of that terrible night. Once more Natasha endeavoured to comfort me. “Do, not weep like that dear. Do stop crying. Please God, something will turn up. You will find another place. You will be all right soon”. Kisses, hot, caressing, and soothing mingled with her words. They were the very first kisses I had ever received from a woman; and they were the best. All those I received later were bought at much too high a price. “Come, come! Stop that noise; what a strange fellow you are. Tomorrow I will try and find you some work, if that’s what’s the matter.” The low, soft, persuasive whispers came wafted to me as though through a dream. Thus we remained in each other’s arms till daybreak. As soon as dawn appeared we crawled out from under the boat, and made our way towards the town. There we bid each other a warm farewell, and parted - never to meet, again; though for more than six months I searched for that sweet girl through all the slums of the town—the girl with whom I had spent an autumn night. If she is dead—the best thing that could have happened to her—may her soul rest in peace. If she is still alive, God grant her a quiet mind, and may she never realise her fall; for that would be only a cruel and futile suffering, and would serve no useful purpose in this world.
Maxim Gorky (One Autumn Night)
One of the best places to see fall foliage in mid-October is the Duck Pond at Haverford College. You will definitely fall in love with autumn all over again!
Charmaine J. Forde