Authenticity Philosophy Quotes

We have to dare to be ourselves, however frightening or strange that self may prove to be.

The outer world is a reflection of the inner world. Other people’s perception of you is a reflection of them; your response to them is an awareness of you.

You were born to stand out, stop trying to fit in.

It doesn't matter how many people you meet in your life; you just need the real ones who accept you for who you are and help you become who you should be.

What other people think and say about you is none of your business. The most destructive thing you would ever do is to believe someone else's opinion of you. You have to stop letting other people's opinions control you.

You were not born on earth to please anyone; you have to live life to express yourself, not to impress someone. Don't pretend to be someone you're not, and never lose yourself in search of other people's acceptance and approval.

I am Me. In all the world, there is no one else exactly like me. Everything that comes out of me is authentically mine, because I alone chose it -- I own everything about me: my body, my feelings, my mouth, my voice, all my actions, whether they be to others or myself. I own my fantasies, my dreams, my hopes, my fears. I own my triumphs and successes, all my failures and mistakes. Because I own all of me, I can become intimately acquainted with me. By so doing, I can love me and be friendly with all my parts. I know there are aspects about myself that puzzle me, and other aspects that I do not know -- but as long as I am friendly and loving to myself, I can courageously and hopefully look for solutions to the puzzles and ways to find out more about me. However I look and sound, whatever I say and do, and whatever I think and feel at a given moment in time is authentically me. If later some parts of how I looked, sounded, thought, and felt turn out to be unfitting, I can discard that which is unfitting, keep the rest, and invent something new for that which I discarded. I can see, hear, feel, think, say, and do. I have the tools to survive, to be close to others, to be productive, and to make sense and order out of the world of people and things outside of me. I own me, and therefore, I can engineer me. I am me, and I am Okay.

In life hard times will befall you that will create doubt in yourself, and life will ask questions of the authenticity of the person you are. Carrying the lotus means being true to yourself and in the realization that you were always meant to grow above this mud. We are meant to grow, progress, and evolve in this relentless environment of the World and through it all achieve happiness with grace in letting go. Carry the Lotus within; grow and rise above from the harsh and remorseless world beneath you.

There is only one You. Dare to be yourself. Be authentic to you, and you will find your destiny. - STRONG: Powerful Philosophy for Timeless Thoughts.

Love as a concrete foundation for an authentically functional civilization requires the around-the-clock labors of forgiveness. Without it, Love fails, Friendship fails, Intelligence fails, Humanity: fails.

Hard times arouse an instinctive desire for authenticity.

Living a life where you are true to yourself takes more courage than hiding under a false life such as a pen name or alias. Never be ashamed of what you write, what genre you write where you have to hide who you are. - STRONG: Powerful Philosophy for Timeless Thoughts by Kailin Gow.

I think true freedom is being yourself no matter what. True freedom is living authentically. As if there are no spectators. You are the subject, and you are the object under observation. Only you exist. Only you! And no one else. You live the way you live when you are alone in your room. You behave the way you behave when you are alone in your room. You are under the spotlight. It is you who switched it on. And it is you who is focusing the same on yourself.

Once upon a time there was a young prince who believed in all things but three. He did not believe in princesses, he did not believe in islands, he did not believe in God. His father, the king, told him that such things did not exist. As there were no princesses or islands in his father's domains, and no sign of God, the young prince believed his father. But then, one day, the prince ran away from his palace. He came to the next land. There, to his astonishment, from every coast he saw islands, and on these islands, strange and troubling creatures whom he dared not name. As he was searching for a boat, a man in full evening dress approached him along the shore. Are those real islands?' asked the young prince. Of course they are real islands,' said the man in evening dress. And those strange and troubling creatures?' They are all genuine and authentic princesses.' Then God must exist!' cried the prince. I am God,' replied the man in full evening dress, with a bow. The young prince returned home as quickly as he could. So you are back,' said the father, the king. I have seen islands, I have seen princesses, I have seen God,' said the prince reproachfully. The king was unmoved. Neither real islands, nor real princesses, I have seen God,' said the prince reproachfully. The king was unmoved. Neither real islands, nor real princesses, nor a real God exist.' I saw them!' Tell me how God was dressed.' God was in full evening dress.' Were the sleeves of his coat rolled back?' The prince remembered that they had been. The king smiled. That is the uniform of a magician. You have been deceived.' At this, the prince returned to the next land, and went to the same shore, where once again he came upon the man in full evening dress. My father the king has told me who you are,' said the young prince indignantly. 'You deceived me last time, but not again. Now I know that those are not real islands and real princesses, because you are a magician.' The man on the shore smiled. It is you who are deceived, my boy. In your father's kingdom there are many islands and many princesses. But you are under your father's spell, so you cannot see them.' The prince pensively returned home. When he saw his father, he looked him in the eyes. Father, is it true that you are not a real king, but only a magician?' The king smiled, and rolled back his sleeves. Yes, my son, I am only a magician.' Then the man on the shore was God.' The man on the shore was another magician.' I must know the real truth, the truth beyond magic.' There is no truth beyond magic,' said the king. The prince was full of sadness. He said, 'I will kill myself.' The king by magic caused death to appear. Death stood in the door and beckoned to the prince. The prince shuddered. He remembered the beautiful but unreal islands and the unreal but beautiful princesses. Very well,' he said. 'I can bear it.' You see, my son,' said the king, 'you too now begin to be a magician.

We account the Scriptures of God to be the most sublime philosophy. I find more sure marks of authenticity in the Bible than in any profane history whatever.

The work of great poetry is to aid us to become free artists ourselves...The art of reading poetry is an authentic training in the augmentation of consciousness, perhaps the most authentic of healthy modes.

Ours is a shockingly dead view of creation. We ourselves are the only things in the universe to which we grant an authentic vitality, and because of this we are not fully alive.

To influence a person is to give him one's own soul. He does not think his natural thoughts, or burn with his natural passions. His virtues are not real to him. His sins, if there are such things as sins, are borrowed. He becomes an echo of someone else's music, an actor of a part that has not been written for him.

Whatever you tell; lie or truth, can both destroy or save you.

If you write about the Asian culture, be accurate between what is the difference between Chinese, Japanese, Korean, Malaysian, Thai, Taiwanese, Indonesian, and many individual Asian countries' cultures. While there are many similarities, the differences in cultures will set your novel apart from what is an authentic portrayal to what is a westernized version. - Kailin Gow on Asian Portrayals through Literature and Media

... rather than God being "out there" in the heights, God is known in the depths of personal experience.

Tai chi is about the balance of yin and yang. If you use hardness to resist force, then both sides will break. Tai chi meets hardness with softness, so incoming force exhausts itself. It is philosophy for life also. You understand?

Remember your math: an anecdote is not a trend. Remember your history: the fact that something is bad today doesn't mean it was better in the past. Remember your philosophy: one cannot reason that there's no such thing as reason, or that something is true or good because God said it is. And remember your psychology: much of what we know isn't so, especially when our comrades know it too. Keep some perspective. Not every problem is a Crisis, Plague, Epidemic, or Existential Threat, and not every change is the End of This, the Death of That, or the Dawn of a Post-Something Era. Don't confuse pessimism with profundity: problems are inevitable, but problems are solvable, and diagnosing every setback as a symptom of a sick society is a cheap grab for gravitas. Finally, drop the Nietzsche. His ideas may seem edgy, authentic, baad,while humanism seems sappy, unhip, uncool But what's so funny about peace, love, and understanding?

The depressed person’s therapist was always extremely careful to avoid appearing to judge or blame the depressed person for clinging to her defenses, or to suggest that the depressed person had in any way consciously chosen or chosen to cling to a chronic depression whose agony made her (i.e., the depressed person’s) every waking hour feel like more than any person could possibly endure. This renunciation of judgment or imposed value was held by the therapeutic school in which the therapist’s philosophy of healing had evolved over almost fifteen years of clinical experience to be integral to the combination of unconditional support and complete honesty about feelings which composed the nurturing professionalism required for a productive therapeutic journey toward authenticity and intrapersonal wholeness. Defenses against intimacy, the depressed person’s therapist’s experiential theory held, were nearly always arrested or vestigial survival-mechanisms; i.e., they had, at one time, been environmentally appropriate and necessary and had very probably served to shield a defenseless childhood psyche against potentially unbearable trauma, but in nearly all cases they (i.e., the defense-mechanisms) had become inappropriately imprinted and arrested and were now, in adulthood, no longer environmentally appropriate and in fact now, paradoxically, actually caused a great deal more trauma and pain than they prevented. Nevertheless, the therapist had made it clear from the outset that she was in no way going to pressure, hector, cajole, argue, persuade, flummox, trick, harangue, shame, or manipulate the depressed person into letting go of her arrested or vestigial defenses before she (i.e., the depressed person) felt ready and able to risk taking the leap of faith in her own internal resources and self-esteem and personal growth and healing to do so (i.e., to leave the nest of her defenses and freely and joyfully fly).

Resurrection" does not mean resumption of previous existence but entry into a different kind of existence.

Tai chi meets hardness with softness, so incoming force exhausts itself. It is philosophy for life also.

And I tell you that you should open yourselves to hearing an authentic poet, of the kind whose bodily senses were shaped in a world that is not our own and that few people are able to perceive. A poet closer to death than to philosophy, closer to pain than to intelligence, closer to blood than to ink.

We can reach untainted experiential freedom, by living in the moment as it is—without contemplation. Here we find the possibility of freedom—of just being—living as our authentic self. We are our true nature. We are one and whole.

One must die to an old way of being in order to enter a new way of being... salvation is resurrection to a new way of being here and now.

Re-programming your mind, body & spirit is like planting a garden, if the soil isn't right nothing will grow.

Be authentic, not a copycat.

A good description of photography necessitates that one treat it as an essence unto itself; not as an event either of the World or of philosophy, or as a syncretic sub-product of modern science and technology; that one recognize the existence, not just of a photographic art, but of an authentic photographic thought; the existence, beyond the components of technology and image production, of a certain specific relation to the real, one which knows itself as such.

We begin to live authentically only where philosophy ends, at its wreck, when we have understood its terrible nullity, when we have understood that it was futile to resort to it, that it is no help.

I see a real yogi as a someone who is committed to growth and to being the best version of themselves, and, at the same time, is courageous enough to be fully present and authentic in each moment. Someone who is not afraid to get real about the whole mess of who they are - the good, the bad, and the ugly

You may look at other beautiful Queens in your life doing their Queenly work with calm, confident efficiency and think you could never be like them… … And you won’t. Because the truth is, no one will rule your realm like you. Your crown will not be identical to the crown of other Queens. There has never been another Queen like you before and there never will be. You are uniquely qualified by the mountains you have climbed, caves you have explored, and the treasures you have discovered. But take heed, dear one, you can confidently acknowledge your strengths, talents, and gifts and be humble. You get to choose how you want to rule your realms.

When we are disconnected from our deep healing, introspective power of our Wild Woman, our Knowing Self, and by default, our Divine Power, we become empty. We develop a spiritual hole where our Divine Self used to reside.

Yes, it is possible that we do not grow up, that even as we grow old, we remain the children we always were. We remember ourselves as we were then, and we feel ourselves to be the same. We made ourselves into what we are now then, and we remain what we were, in spite of the years. We do not change for ourselves. Time makes us grow old, but we do not change.

We are souls with bodies, not the other way around. Without the essence of who we are—intact and authentically within our vessels—we are unblinking, inanimate objects; we are no longer soil. . . we are dirt.” ~ Steve Ramirez, Casting Forward

In walking, far from any vehicle or machine, from any mediation, I am replaying the earthly human condition, embodying once again man’s inborn, essential destitution. That is why humility is not humiliating: it just makes vain pretensions fall away, and thus nudges us towards authenticity.

And I tell you that you should open yourselves to hearing an authentic poet, of the kind whose bodily senses were shaped in a world that is not our own and that few people are able to perceive. A poet closer to death than to philosophy, closer to pain than to intelligence, closer to blood than to ink.

Such was also the case with Nietzsche, a volcanic genius if ever there was one. Here, too, there is passionate exteriorization of an inward fire, but in a manner that is both deviated and demented; we have in mind here, not the Nietzschian philosophy, which taken literally is without interest, but his poetical work, whose most intense expression is in part his ‘Zarathustra’. What this highly uneven book manifests above all is the violent reaction of an a priori profound soul against a mediocre and paralyzing cultural environment; Nietzsche’s fault was to have only a sense of grandeur in the absence of all intellectual discernment. ‘Zarathustra’ is basically the cry of a grandeur trodden underfoot, whence comes the heart-rending authenticity – grandeur precisely – of certain passages; not all of them, to be sure, and above all not those which express a half-Machiavellian, half-Darwinian philosophy, or minor literary cleverness. Be that as it may, Nietzsche’s misfortune, like that of other men of genius, such as Napoleon, was to be born after the Renaissance and not before it; which indicates evidently an aspect of their nature, for there is no such thing as chance.

There is a deep and perennial and profoundly human impulse to approach the world with a DEMAND, to approach the world with a PRECONDITION, that what has got to turn out to lie at THE CENTER OF THE UNIVERSE, that what has got to turn out to lie at THE FOUNDATION OF ALL BEING, is some powerful and reassuring and accessible image of OURSELVES... and that, more than any of their particular factual inaccuracies - is what bothers me the most about them. It is precisely the business of resisting that demand, it is precisely the business of approaching the world with open and authentic wonder, and with a sharp, cold eye, and singularly intent upon the truth, that's called science.

..there is a constant in the average American imagination and taste, for which the past must be preserved and celebrated in full-scale authentic copy, a philosophy of immortality as duplication. It dominates the relation with the self, with the past, not infrequently with the present, always with History, and, even, with the European tradition.

I strive for authenticity even though it brings with it vulnerability and the inevitable judgment of others.

Why must we overlook what we are most likely able to do?

Go do something youthful and fun. Today, no matter your age, is the youngest you will ever be.

Either you live your way, or you live the way others want you to live. There is no third way to live life, period.

I only like to coat things with the truth, that’s the only apparel things need these days.

Before knowing who you authentically are at the core you get to know who you aren’t.

Do not expect from others what you cannot offer yourself.” —Sepideh Irvani, PsyD

Dear Superwoman, protect your tranquility and sanity. Remember that anything against authenticity is vanity.

There is ascension to potential that Plato couldn’t conceive while prescribing idealism to conception as highest existences. With Streams, there isn’t a difference between ideas and instantiations. They are both authenticated within all possibilities in Stream, within the Primal Cause as ordered. Ideas as ordered constructs in consciousness, instantiations as ordered effects. Instantiations for instance are ordered products from ideas. Ideas are ordered constructs in consciousness. And in authentication, they are the same as external effects.

If Elvis ..is the definition of rock, then rock is remembered as showbiz...It becomes a solely performative art form, where the meaning of a song matters less than the person singing it. It becomes personality music...if Dylan...becomes the definition of rock, everything reverses. In this contingency, lyrical authenticity becomes everything: Rock is galvanized as an intellectual craft, interlocked with the folk tradition...The fact that Dylan does not have a conventionally "good" singing voice becomes retrospective proof that rock audiences prioritized substance over style...

It is not only temporality that is concealed although something like time always announces itself; even more well-known phenomena, like that of transcendence, the phenomena of world and being-in-the-world, are covered over. Nevertheless, they are not completely hidden, for the Dasein knows about something like ego and other. The concealment of transcendence is not a total unawareness but, what is much more fateful, a misunderstanding, a faulty interpretation. Faulty interpretations, misunderstandings, put much more stubborn obstacles in the way of authentic cognition than a total ignorance. However, these faulty interpretations of transcendence, of the basic relationship of Dasein to beings and to itself, are no mere defects of thought or acumen. They have their reason and their necessity in the Dasein's own historical existence. In the end, these faulty interpretations must be made, so that the Dasein may reach the path to the true phenomena by correcting them.

We become philosophical when our inherited understanding can no longer account for our experience and we are forced to create for ourselves an authentic understanding capable of giving meaning to our experience.

A person living an artistic existence refuses to surrender to the winds of time, continues singing and dancing into the teeth of the harshest storm, and marvels in all of the delightful treasures of simply being.

[S]elf-transcendence is one of the basic features of human existence. Only as man withdraws from himself in the sense of releasing self-centered interest and attention will he gain an authentic mode of existence.

…Get in and be honest about where you are. Love yourself both for where you are and for what you want to change, and don’t be so concerned with what the other guy is thinking about you. It will change tomorrow anyway.

I am troubled by the idea of seeking intimacy with a machine that has no feelings, can have no feelings, and is really just a clever collection of “as if ” performances, behaving as if it cared, as if it understood us. Authenticity, for me, follows from the ability to put oneself in the place of another, to relate to the other because of a shared store of human experiences: we are born, have families, and know loss and the reality of death.

A woman connected with her Wild Woman is one with the vibrations experienced from the energy of the earth as it slips between her toes. She spins rainbows with her mind and releases rain with her tears. She dances with the music of the wind in the trees and the rush of the water in a racing river. She howls like the she wolf under the full moon. The magic of her dreams moving forth from her and expanding like the galaxies of a trillion stars.

Where there is no rest there is energy. Where there is no disruption there is normality. Where there is no profit there is bankruptcy. Where there is no gain there is insolvency. Where there is no injury there is safety. Where there is no team there is individuality. Where there is no hindrance there is opportunity. Where there is no injury there is safety. Where there is no sense there is inefficiency. Where there is no failiure there is competency. Where there is no decline there is industry. Where there is no strength there is infirmity. Where there is no idleness there is activity. Where there is no weakness there is intensity. Where there is no failiure there is industry. Where there is no leadership there is anarchy. Where there is no repetition there is originality. Where there is no increase there is deficiency. Where there is no ignorance there is capacity. Where there is no impotence there is ability. Where there is no falseness there is authenticity. Where there is no excellence there is mediocrity. Where there is no mistake there is quality. Where there is no amatuer there is ingenuity. Where there is no error there is mastery. Where there is no defect there is virtuosity.

It follows from Schopenhauer’s analysis that evert genuine work of art must have its origin in direct perception; that is to say it does not originate in concepts, and concepts are not what it communicates. This is what more than anything else differentiates good art from bad, or more accurately authentic from inauthentic art. The latter often originates in a desire on the part of the artist to meet some demand external to himself – to win approval, say, or be in the fashion, or supply a market – or else to put over a message of some sort. Such an artist starts by trying to thin what it would be a good idea to do – in other words, the starting point of the process for him is something that exists in terms of concepts. The inevitable result is dead art, of whatever kind, whether imitative, academic, commercial, didactic or fashion-conscious. It may be successful in its day because it meets the demands of its day, but once that day is over it has no inner life of its own with which to outlive it.

A writer’s voice emanates from their interest and compulsions that absorbs them completely. Only by fully committing himself or herself to a pet subject or issue can the writer develop a thematic tone that speaks to other people with authority and serenity. The quality of their literary voice is the crucial part of the writer’s legitimacy, and their authenticity cannot come from mimicking other writers’ style, but must evolve naturally from their inner sanctity and must flow effusively from an inner necessity.

In the history of walking, many experts considering him (Wordsworth) the authentic originator of the long expedition. He was the first – at a time (the late eighteenth century) when walking was the lot of the poor, vagabonds and highwaymen, not to mention travelling showmen and pedlars – to conceive of the walk as a poetic act, a communion with Nature, fulfilment of the body, contemplation of the landscape. Christopher Morley wrote of him that he was ‘one of the first to use his legs in the service of philosophy’.

Forgiveness has been distorted by religious conditioning. Religion is designed to control your personal authenticity, sovereignty, self empowerment, and check book. So drop all ideas of bending your knee to an entity that needs your worship as worship is parasitical.

Post-modernity” had spawned an obsession with “roots” and “heritages” among a politically immobilized electorate, too sophisticated any longer to trust the media, and deprived of any dependable sources of knowledge. Television opened up a world of images, but robbed personal experience of its authenticity. The spread of astrology, New Age philosophies and other forms of irrationalism reflected this growing anxiety in the face of an uninterpretable world. The Guardian talked of the “fretful 1990s, when fear is the new badge of citizenship.”43

Criticism of religion must extend not only to its basic claims but to all of its statements. Religion is liable to distortion from without and to corruption from within. Since it frequently absorbs ideas not indigenous to its spirit, it is necessary to distinguish between the authentic and the spurious. Furthermore, superstition, pride, self-righteousness, bias, and vulgarity, may defile the finest traditions. Faith in its zeal tends to become bigotry. The criticism of reason, the challenge, and the doubts of the unbeliever may, therefore, be more helpful to the integrity of faith than the simple reliance on one's own faith.

Sadness has always been a part of me. That’s why my eyes look sad. Sadness hovers over my life and never leaves me. It knows all the places where I go to. And it finds me. Sometimes I do feel happy. And life looks beautiful. But these moments don’t stay as long as I want them to. And sadness visits me all over again. Sometimes I feel sad when there may not be any reason to be sad. Sadness has stayed with me throughout my school and college days. While my friends in those days preferred listening to rock and roll, I preferred listening to ghazals or sad or deeply meaningful songs. I was never the most popular boy at school. I had a few friends but I would be brooding alone most often. I wanted to know the meaning of life. I would most often stare at the sky and try look for answers. I somehow felt someone will speak to me from the sky. I have always felt a voice talking to me from the sky. But I feel lonely most often. I feel as if no one really loves anyone. There is no real love. The majority of people in this world believe in give and take. No person loves anyone unconditionally. When I realise this, I feel utterly sad. Because life is not about projecting an image. It is much more than that. It is about being authentic with ourselves and with others we meet in life.

The lesson was that in walking, the authentic sign of assurance is a good slowness. What I mean is a sort of slowness that isn’t exactly the opposite of speed. In the first place it’s the extreme regularity of paces, a uniformity. Here one might almost say that a good walker glides, or perhaps that his legs rotate, describing circles. A bad walker may sometimes go fast, accelerate, then slow down. His movements are jerky, his legs form clumsy angles. His speed will be made of sudden accelerations, followed by heavy breathing. Large voluntary movements, a new decision every time the body is pushed or pulled, a red perspiring face. Slowness really is the opposite of haste.

Any critique of Islam is denounced as an expression of Western Islamophobia, Salman Rushdie is denounced for unnecessarily provoking Muslims and being (partially, at least) responsible for the fatwa condemning him to death, and so on. The result of such stances is what one should expect in such cases: the more the Western liberal Leftists probe into their guilt, the more they are accused by Muslim fundamentalists of being hypocrites who try to conceal their hatred of Islam. [T]his constellation perfectly reproduces the paradox of the superego: the more you obey what the Other demands of you, the guiltier you are. It is as if the more you tolerate Islam, the stronger its pressure on you will be. What this implies is that terrorist fundamentalists, be they Christian or Muslim, are not really fundamentalists in the authentic sense of the term--what they lack is a feature that is easy to discern in all authentic fundamentalists, from Tibetan Buddhists to the Amish in the US: the absence of resentment and envy, the deep indifference towards the non-believers' way of life. If today's so-called fundamentalists really believe they have found their way to Truth, why should they feel threatened by non-believers, why should they envy them? When a Buddhist encounters a Western hedonist, he hardly condemns. He just benevolently notes that the hedonist's search for happiness is self-defeating. In contrast to true fundamentalists, the terrorist pseudo-fundamentalists are deeply bothered, intrigued and fascinated by the sinful life of the non-believers. One can feel that, in fighting the sinful other, they are fighting their own temptation. The passionate intensity of a fundamentalist mob bears witness to the lack of true conviction; deep in themselves, terrorist fundamentalists also lack true conviction--their violent outbursts are proof of it. How fragile the belief of a Muslim would be if he felt threatened by, say, a stupid caricature in a low-circulation Danish newspaper? Fundamentalist Islamic terror is not grounded in the terrorists' conviction of their superiority and in their desire to safeguard their cultural-religious identify from the onslaught of global consumerist civilization. The problem with fundamentalists is not that we consider them inferior to us, but, rather, that they themselves secretly consider themselves inferior. This is why our condescending politically correct assurances that we feel no superiority towards them only makes them more furious and feed their resentment. The problem is not cultural difference (their effort to preserve their identity), but the opposite: the fact that the fundamentalists are already like us, that, secretly, they have already internalized our standards and measure themselves by them.

My Wild Woman welcomed me with open arms into the womb of my cave. She grasped me by the hand and, one by one, introduced me to my shadow creatures. I roamed, I raged, I roared, I explored and when I thought I was done, that I couldn’t possibly go any further, my Wild Woman drew me into her lap. She comforted me in the circle of her fierce embrace and affectionally whispered tendernesses to me. She firmly sent me back out to play until the creatures became my friends. She revealed to me the place where the soft glow of my inner hearth resided and there, we were joined by my Wise Woman, Together, they showed me how to ignite the fire with the parts of myself which no longer served the woman I was becoming and they held me while I grieved.

Suppose that members of a religious movement, such as Christianity, maintain that the existence of some powerful god and its goals or laws can be known through their scriptures, their prophets, or some special revelation. Suppose further that the evidence that is available to support the reliability of those scriptures, prophets, or special revelations is weaker than that God is hypothetically capable of producing. That is, suppose that Christians maintain that Jesus was resurrected on the basis of the Gospels, or that God’s existence can be known through the Bible, or Muslims insist on the historical authenticity of the Koran. Could God, the almighty creator of the universe, have brought it about so that the evidence in favor of the resurrection, the Bible, or the Koran was better than we currently find it? I take it that the answer is obviously yes. Even if you think there is evidence that is sufficient to prove the resurrection, a reasonable person must also acknowledge that it could have been better. And there’s the problem. If the capacity of that god is greater than the effectiveness or quality of those scriptures, prophets, or special revelations, then the story they are telling contradicts itself. 'We know our god is real on the basis of evidence that is inadequate for our god.' Or, 'The grounds that lead us to believe in our god are inconsistent with the god we accept; nevertheless, we believe in this god that would have given us greater evidence if it had wished for us to believe in it.' Given the disparity between the gods that these religious movements portend and the grounds offered to justify them, the atheist is warranted in dismissing such claims. If the sort of divine being that they promote were real and if he had sought our believe on the basis of the evidence, the evidential situation would not resemble the one we are in. The story doesn’t make internal sense. A far better explanation is that their enthusiasm for believing in a god has led them to overstate what the evidence shows. And that same enthusiasm has made it difficult for them to see that an all powerful God would have the power to make his existence utterly obvious and undeniable. Since it’s not, the non-believer can’t possibly be faulted for failing to believe.

[M]an never, or at least not normally and primarily, sees in the partners whom he encounters and in the causes to which he commits himself merely a means to an end; for then he actually would have destroyed any authentic relationship to them. Then, they would have become mere tools, being of use for him, but, by the same token, would have ceased to have any value, that is to say, value in itself.

It is a tenet of Logotherapy that transcendence is the essence of existence. What is meant by this tenet is that existence is authentic only to the extent to which it points to something that is not itself. [...] Man [...] finds himself only to the extent to which he loses himself in the first place, be it for the sake of something or somebody, for the sake of a cause or a fellow-man, or “for God’s sake.

Embracing our Queen demands that we sacrifice old, outdated versions of ourselves which can be petrifying. Embracing your Queen is a choice, it is a sacred claiming of your realm and choosing the real estate of your story. It is trading in your running shoes for slippers, a bow and arrow for a crown and invisibility for sovereignty. Allowing yourself to be brave and uncertain, giving yourself divine permission to be seen, heard, celebrated, and criticised.

The Black Gnosis is Black, not in a dull dualistic or Satanic sense (worldviews that are intrinsically tied to an anthropocentric philosophy), but Black in the sense that it is not born of rationality, of the logical parsing out of one thing from another, of any of the divisive concerns that could be considered human. The Black Gnosis arises from and constantly partakes of the undifferentiated and chaotic ground of being. It is a gnosis of the Gulf, of the Empty.

What emerges from these separate strands of (modern) history is an image of man himself that bears a new, stark, more nearly naked, and more questionable aspect. The contraction of man's horizons amounts to a denudation, a stripping down, of this being who has now to confront himself at the center of all his horizons. The labor of modern culture, whenever it has been authentic, has been a labor of denudation. A return to the sources; "to the things themselves," as Husserl puts it; toward a new truthfulness, the casting away of ready-made presuppositions and empty forms - these are some of the slogans under which this phase in history has presented itself. Naturally enough, much of this stripping down must appear as the work of destruction, as revolutionary or even "negative": a being who has become thoroughly questionable to himself must also find questionable his relation to the total past which in a sense he represents.

most mothers carry this emotional burden as she buries herself under all the tasks that she must do. In love with her children but having a constant feeling that she has to ask permission, make a multitude of micro arrangements, and decisions every time she wants to do something for herself. Most of the time it doesn’t occur to her to ask, ‘This is what my mother did, her grandmother, and her great grandmother before her…’ with the well-worn track playing in the background of her subconscious.

When, on a sea voyage, the ship is brought to anchor, you go out to fetch water and gather a few roots and shells by the way. But you always need to keep your mind fixed on the ship, constantly to look around, lest at any time the master of the ship call, and you must heed that call and cast away all those things, lest you be treated like the sheep that are bound and thrown into the hold. So it is with human life also. And if there be available wife and children instead of shells and roots, nothing should hinder us from taking them. But if the master call, run to the ship, forsaking all those things, and without looking behind. And if thou be in old age, go not far from the ship at any time, lest the master should call, and thou be not ready…The ship and the journey represents an authentic life. We live more authentically if we keep focused on the fundamental fact of sheer being, the miracle of existence itself. If we focus on “being”, then we won’t get so caught up in the diversions of life that is, the material objects on the island, that we lose sight of existence itself. Not falling into the “everydayness’ of life and becoming unfree-like the sheep.

A person employs human reason and intellect to guide our earthly expedition. We can stumble through life satisfying the unconscious dictates of the mind or take control of our life by increasing our level of conscious awareness. Philosophy always commences with an act of consciousness. We must follow our moral passions. We create our reality by what we perceive as truth. We imagine a life that we wish to experience. Live the life that you envision. Do not allow other people or external determinates to control your conception of the self, because otherwise you are living someone else’s life.

The word 'inauthentic' is used by Heidegger to describe the ostrich-like attitude of the man who seeks to escape from his inescapable self-responsibility by becoming an anonymous member of a crowd. This is the normal attitude of nearly everybody. To be 'authentic' a man must be constantly and deliberately aware of his total responsibility for what he is. For example, a judge may disclaim personal responsibility for sentencing people to punishment. He will say that as a judge it is his duty to punish. In other words it is as an anonymous representative of the Judiciary that he punishes, and it is the Judiciary that must take the responsibility. This man is inauthentic. If he wishes to be authentic he must think to himself, whenever he sits on the Bench or draws his salary, 'Why do I punish? Because, as a judge, it is my duty to punish. Why am I a judge? Is it perhaps my duty to be a judge? No. I am a judge because I myself choose to be a judge. I choose to be one who punishes in the name of the Law. Can I, if I really wish, choose not to be a judge? Yes, I am absolutely free at any moment to stop being a judge, if I so choose. If this is so, when a guilty man comes up before me for sentence, do I have any alternative but to punish him? Yes, I can get up, walk out of the courtroom, and resign my job. Then if, instead, I punish him, am I responsible? I am totally responsible.

Echoing Lincoln, Larson explained, “Our underlying philosophy . . . is this: if a job has to be done to meet the needs of people, and no one else can do it, then it is a proper function of the federal government.” Americans had, “for the first time in our history, discovered and established the Authentic American Center in politics. This is not a Center in the European sense of an uneasy and precarious mid-point between large and powerful left-wing and right-wing elements of varying degrees of radicalism. It is a Center in the American sense of a common meeting-ground of the great majority of our people on our own issues, against a backdrop of our own history, our own current setting and our own responsibilities for the future.”[6]

At some point in life, we all feel burden, oppressed if you will, by the knowledge of our existence. Addressing our deepest anguish and greatest fear establishes the bedrock of any artistic effort, and ultimately represents the thin line that separates contemplative humankind from all other forms of animal life. A person with an artistic bent embraces the inherent anxiety of living and attempts to express anguish in a telling format in order to assist other people grapple with the baffle of being: awareness of the absurdity of striving in a world where the only thing guaranteed for a person with many cravings is hellish life of attachment and wanting. When we rise above the deceptions and temptations of an egocentric mind, we encounter our spiritual essence.

That words are not things. (Identification of words with things, however, is widespread, and leads to untold misunderstanding and confusion.) That words mean nothing in themselves; they are as much symbols as x or y. That meaning in words arises from context of situation. That abstract words and terms are especially liable to spurious identification. The higher the abstraction, the greater the danger. That things have meaning to us only as they have been experienced before. “Thingumbob again.” That no two events are exactly similar. That finding relations and orders between things gives more dependable meanings than trying to deal in absolute substances and properties. Few absolute properties have been authenticated in the world outside. That mathematics is a useful language to improve knowledge and communication. That the human brain is a remarkable instrument and probably a satisfactory agent for clear communication. That to improve communication new words are not needed, but a better use of the words we have. (Structural improvements in ordinary language, however, should be made.) That the scientific method and especially the operational approach are applicable to the study and improvement of communication. (No other approach has presented credentials meriting consideration.) That the formulation of concepts upon which sane men can agree, on a given date, is a prime goal of communication. (This method is already widespread in the physical sciences and is badly needed in social affairs.) That academic philosophy and formal logic have hampered rather than advanced knowledge, and should be abandoned. That simile, metaphor, poetry, are legitimate and useful methods of communication, provided speaker and hearer are conscious that they are being employed. That the test of valid meaning is: first, survival of the individual and the species; second, enjoyment of living during the period of survival.

For this reason, we ought to explore with our children questions such as: How has this experience opened you up? What needs to happen for you to surrender to this experience? Is there something you are resisting, or something of which you are afraid? What will you carry from this experience into your next experience? When our children watch us process our experiences and deal with life as if it were full of rich meaning and opportunities for growth, this is how they will approach their own challenges. They will learn to befriend their experiences and trust that these experiences exist to take them closer to authenticity. Approaching parenting with such a philosophy, we impart to our children the assurance that life isn’t to be feared and resisted, but that it possesses infinite wisdom in all its shapes, colors, and dimensions. We teach our children to embrace situations without reacting to them, fighting with them. In this way they learn to become peaceful co-creators of their life, viewing it as a partner to grow with, not as an enemy to conquer.

For clarity's sake, and before going further with this account, I shall identify true aesthetic sorrow a little more closely. Sorrow has the opposite movement to that of pain. So long as one doesn't spoil things out of a misplaced mania for consistency―something I shall prevent also in another way―one may say: the more innocence, the deeper the sorrow. If you press this too far, you destroy the tragic. There is always an element of guilt left over, but it is never properly reflected in the subject; which is why in Greek tragedy the sorrow is so deep. In order to prevent misplaced consistency, I shall merely remark that exaggeration only succeeds in carrying the matter over into another sphere. The synthesis of absolute innocence and absolute guilt is not an aesthetic feature but a metaphysical one. This is the real reason why people have always been ashamed to call the life of Christ a tragedy; one feels instinctively that aesthetic categories do not exhaust the matter. It is clear in another way, too that Christ's life amounts to more than can be exhausted in aesthetic terms, namely from the fact that these terms neutralize themselves in this phenomenon, and are rendered irrelevant. Tragic action always contains an element of suffering, and tragic suffering an element of action; the aesthetic lies in the relativity. The identity of an absolute action and an absolute suffering is beyond the powers of aesthetics and belongs to metaphysics. This identity is exemplified in the life of Christ, for His suffering is absolute because the action is absolutely free, and His action is absolute suffering because it is absolute obedience. The element of guilt that is always left over is, accordingly, not subjectively reflected and this makes the sorrow deep. Tragic guilt is more than just subjective guilt, it is inherited guilt. But inherited guilt, like original sin, is a substantial category, and it is just this substantiality that makes the sorrow deeper. Sophocles' celebrated tragic trilogy, *Oedipus at Colonus*, *Oedipus Rex*, and *Antigone*, turns essentially on this authentic tragic interest. But inherited guilt contains the self-contradiction of being guilt yet not being guilt. The bond that makes the individual guilty is precisely piety, but the guilt which he thereby incurs has all possible aesthetic ambiguity. One might well conclude that the people who developed profound tragedy were the Jews. Thus, when they say of Jehova that he is a jealous God who visits the sins of the fathers on the children unto the third and fourth generations, or one hears those terrible imprecations in the Old Testament, one might feel tempted to look here for the material of tragedy. But Judaism is too ethically developed for this. Jehova's curses, terrible as they are, are nevertheless also righteous punishment. Such was not the case in Greece, there the wrath of the gods has no ethical, but aesthetic ambiguity" (Either/Or).

IT is worth remembering that the rise of what we call literary fiction happened at a time when the revealed, authenticated account of the beginning was losing its authority. Now that changes in things as they are change beginnings to make them fit, beginnings have lost their mythical rigidity. There are, it is true, modern attempts to restore this rigidity. But on the whole there is a correlation between subtlety and variety in our fictions and remoteness and doubtfulness about ends and origins. There is a necessary relation between the fictions by which we order our world and the increasing complexity of what we take to be the 'real' history of that world. I propose in this talk to ask some questions about an early and very interesting example of this relation. There was a long-established opinion that the beginning was as described in Genesis, and that the end is to be as obscurely predicted in Revelation. But what if this came to seem doubtful? Supposing reason proved capable of a quite different account of the matter, an account contradicting that of faith? On the argument of these talks so far as they have gone, you would expect two developments: there should be generated fictions of concord between the old and the new explanations; and there should be consequential changes in fictive accounts of the world. And of course I should not be troubling you with all this if I did not think that such developments occurred. The changes to which I refer came with a new wave of Greek influence on Christian philosophy. The provision of accommodations between Greek and Hebrew thought is an old story, and a story of concord-fictions--necessary, as Berdyaev says, because to the Greeks the world was a cosmos, but to the Hebrews a history. But this is too enormous a tract in the history of ideas for me to wander in. I shall make do with my single illustration, and speak of what happened in the thirteenth century when Christian philosophers grappled with the view of the Aristotelians that nothing can come of nothing--ex nihilo nihil fit--so that the world must be thought to be eternal. In the Bible the world is made out of nothing. For the Aristotelians, however, it is eternal, without beginning or end. To examine the Aristotelian arguments impartially one would need to behave as if the Bible might be wrong. And this was done. The thirteenth-century rediscovery of Aristotle led to the invention of double-truth. It takes a good deal of sophistication to do what certain philosophers then did, namely, to pursue with vigour rational enquiries the validity of which one is obliged to deny. And the eternity of the world was, of course, more than a question in a scholarly game. It called into question all that might seem ragged and implausible in the usual accounts of the temporal structure of the world, the relation of time to eternity (certainly untidy and discordant compared with the Neo-Platonic version) and of heaven to hell.

Still, the appeal of regressive ideas is perennial, and the case for reason, science, humanism, and progress always has to be made. When we fail to acknowledge our hard-won progress, we may come to believe that perfect order and universal prosperity are the natural state of affairs, and that every problem is an outrage that calls for blaming evildoers, wrecking institutions, and empowering a leader who will restore the country to its rightful greatness. I have made my own best case for progress and the ideals that made it possible, and have dropped hints on how journalists, intellectuals, and other thoughtful people (including the readers of this book) might avoid contributing to the widespread heedlessness of the gifts of the Enlightenment. Remember your math: an anecdote is not a trend. Remember your history: the fact that something is bad today doesn’t mean it was better in the past. Remember your philosophy: one cannot reason that there’s no such thing as reason, or that something is true or good because God said it is. And remember your psychology: much of what we know isn’t so, especially when our comrades know it too. Keep some perspective. Not every problem is a Crisis, Plague, Epidemic, or Existential Threat, and not every change is the End of This, the Death of That, or the Dawn of a Post-Something Era. Don’t confuse pessimism with profundity: problems are inevitable, but problems are solvable, and diagnosing every setback as a symptom of a sick society is a cheap grab for gravitas. Finally, drop the Nietzsche. His ideas may seem edgy, authentic, baaad, while humanism seems sappy, unhip, uncool. But what’s so funny about peace, love, and understanding?

a Chinese poem says: Entering the forest, he does not disturb a blade of grass; Entering the water, he does not cause a ripple. For the image represents a number of qualities which are, in fact, aspects of the same thing. It represents the sage’s freedom and detachment of mind, a skylike consciousness in which experience moves without leaving any stain. As another poem says: The bamboo shadows sweep the stairs, But stir no dust. Yet, paradoxically, this detachment from is also a harmony with, for the man who goes into the forest without disturbing a blade of grass is a man in no conflict with nature. Like the Native American scouts, he walks without a single twig cracking beneath his feet. Like the Japanese architects, he builds a house which seems to be a part of its natural surroundings. The image also represents the fact that the way of the sage cannot be traced and followed, since no authentic wisdom can be imitated. Each man must find it for himself, because there is really no way of putting it into words, of reaching it by any specific methods or directions. But there is actually the most intimate connection between these two apparently separate uses of the metaphor—the way of the sage, on the one hand, and the impermanence of life, on the other. And the connection reveals the one deepest and most central principle of those Asian philosophies which so puzzle the Western mind by identifying the highest wisdom with what, to us, seems the doctrine of abject despair. Indeed, the word despair in a particular sense is the proper translation of the Hindu–Buddhist term nirvana—to “de-spirate,” to breathe out, to give up the ghost. We cannot understand how the Asians manage to equate this despair with ultimate bliss—unless, as we are prone to suppose, they are after all a depraved and spineless people, long accustomed to fatalism and resignation.

The hadith, insofar as they addressed issues not dealt with in the Quran, would become an indispensable tool in the formation of Islamic law. However, in their earliest stages, the hadith were muddled and totally unregulated, making their authentication almost impossible. Worse, as the first generation of Companions passed on, the community had to rely increasingly on the reports that the second generation of Muslims (known as the Tabiun) had received from the first; when the second generation died, the community was yet another step removed from the actual words and deeds of the Prophet. Thus, with each successive generation, the “chain of transmission,” or isnad, that was supposed to authenticate the hadith grew longer and more convoluted, so that in less than two centuries after Muhammad’s death, there were already some seven hundred thousand hadith being circulated throughout the Muslim lands, the great majority of which were unquestionably fabricated by individuals who sought to legitimize their own particular beliefs and practices by connecting them with the Prophet. After a few generations, almost anything could be given the status of hadith if one simply claimed to trace its transmission back to Muhammad. In fact, the Hungarian scholar Ignaz Goldziher has documented numerous hadith the transmitters of which claimed were derived from Muhammad but which were in reality verses from the Torah and Gospels, bits of rabbinic sayings, ancient Persian maxims, passages of Greek philosophy, Indian proverbs, and even an almost word-for-word reproduction of the Lord’s Prayer. By the ninth century, when Islamic law was being fashioned, there were so many false hadith circulating through the community that Muslim legal scholars somewhat whimsically classified them into two categories: lies told for material gain and lies told for ideological advantage. In

The 12 Principles of Permaculture Investing are: 1. Accumulate & Compound Capital: Consistently save and invest to grow your capital base over time, leveraging the power of compound interest. 2. Utilize Capital: Actively deploy your capital into productive investments that generate returns, rather than letting it sit idle. 3. Retain Maximum & Gradiented Liquidity: Maintain a balance between liquid assets (easily accessible cash) and less liquid investments, ensuring you can meet immediate needs while still investing for the long term. 4. Actively Manage Passive: While focusing on passive income sources, actively monitor and adjust your investments to optimize returns and mitigate risks. 5. Prioritize Long-Term Growth: Focus on investments that offer potential for significant growth over the long term, even if they don't provide immediate high yields. 6. Prioritize Consistent Yields: Balance your portfolio with investments that provide reliable, consistent income to support your financial needs. 7. Add Net Value to all Stakeholders: Invest in ways that benefit not only yourself but also the broader community, environment, and all parties involved. 8. Provide Authentic Data: Be transparent and honest in your financial reporting, providing accurate information to all stakeholders. 9. Collect & Utilize Authentic Data: Base your investment decisions on reliable, verified data rather than speculation or rumors. 10. Diversify Holistically: Diversify your investments across different asset classes, industries, and geographical regions to reduce risk and maximize potential returns. 11. Harvest Yields Equitably: Distribute profits fairly among all stakeholders, ensuring everyone benefits from the investment's success. 12. Reinvest Yields in Most Profitable Assets: Continuously evaluate your portfolio and reinvest profits into the most promising opportunities to further compound your growth.

In Being and Event and elsewhere throughout his philosophy, Alain Badiou grants love an evental status, locating it among what he calls the four truth procedures. This inclusion of love seems anomalous. In comparison with the other three truth procedures, love doesn’t fit in. When one reads Being and Event for the first time, one can’t help but feel that the conception of the love event represents a philosophical misstep on Badiou’s part, a case where he allowed his own private emotions to have an undue impact on his philosophy. Though Badiou may like the feeling of being in love, this hardly justifies its status as a truth procedure. Unlike politics, art, and science, love seems to be an isolated phenomenon. A love event—the relationship of Jill and Dave, for instance—doesn’t have the same world-historical impact as the French Revolution or the invention of twelve-tone music (examples of the political and artistic event from Badiou). Even a love event that garners great attention, like the affair between Héloïse d’Argenteuil and Peter Abélard, fails to produces the type of substantive changes accomplished by the storming of the Bastille. But Badiou classifies love alongside the other truth procedures for its disruptiveness of everyday life and—which is in some sense to say the same thing—for its ability to arouse the subject’s passion. Love may be an anomalous truth procedure, but perhaps this is because it is the paradigmatic truth procedure. Love’s disruption of our everyday life is much more palpable than that of politics, art, or science. The subject in love feels as if it can’t exist without the beloved, while even Galileo himself didn’t feel this strongly about the scientific event in which he participated. It is much easier to imagine subjects dying for the sake of love than for the sake of the twelve-tone system of modern music. This is because love has a disruptiveness that transcends the other truth procedures. The cynical approach to love fails to register this disruptiveness. According to Badiou, the cynic contends that “love is only a variant of generalized hedonism,” and this cynicism enables one to avoid “every profound and authentic experience of otherness from which love is woven.” Dismissing the reality of love—seeing it as just a capitalist plot—is a way of avoiding the transformation that it demands, but it also leaves one’s existence bereft of significance. The passion that love arouses impels subjects to continue to go on.

Although I am still far from this kind of interior understanding of myself, with profound respect for its significance I have sought to preserve my individuality―worshipped the unknown God. With a premature anxiety I have tried to avoid coming in close contact with those things whose force of attraction might be too powerful for me. I have sought to appropriate much from them, studied their distinctive characteristics and meaning in human life, but at the same time guarded against coming, like the moth, too close to the flame. I have had little to win or to lose in association with the ordinary run of men, partly because what they do―so-called practical life―does not interest me much, partly because their coldness and indifference to the spiritual and deeper currents in man alienate me even more from them. With few exceptions my companions have had no special influence upon me. A life that has not arrived at clarity about itself must necessarily exhibit an uneven side-surface; confronted by certain facts [*Facta*] and their apparent disharmony, they simply halted there, for, as I see it, they did not have sufficient interest to seek a resolution in a higher harmony or to recognize the necessity of it. Their opinion of me was always one-sided, and I have vacillated between putting too much or too little weight on what they said. I have now withdrawn from their influence and the potential variations of my life's compass resulting from it. Thus I am again standing at the point where I must begin again in another way. I shall now calmly attempt to look at myself and begin to initiate inner action; for only thus will I be able, like a child calling itself "I" in its first consciously undertaken act, be able to call myself "I" in a profounder sense. But that takes stamina, and it is not possible to harvest immediately what one has sown. I will remember that philosopher's method of having his disciples keep silent for three years; then I dare say it will come. Just as one does not begin a feast at sunrise but at sundown, just so in the spiritual world one must first work forward for some time before the sun really shines for us and rises in all its glory; for although it is true as it says that God lets his sun shine upon the good and the evil and lets the rain fall on the just and the unjust, it is not so in the spiritual world. So let the die be cast―I am crossing the Rubicon! No doubt this road takes me into battle, but I will not renounce it. I will not lament the past―why lament? I will work energetically and not waste time in regrets, like the person stuck in a bog and first calculating how far he has sunk without recognizing that during the time he spends on that he is sinking still deeper. I will hurry along the path I have found and shout to everyone I meet: Do not look back as Lot's wife did, but remember that we are struggling up a hill." ―from_Journals_, (The Search for Personal Meaning)

What is the motive for this ‘fugitive’ way of saying “I”? It is motivated by Dasein’s falling; for as falling, it *flees* in the face of itself into the “they.” When the “I” talks in the ‘natural’ manner, this is performed by the they-self. What expresses itself in the ‘I’ is that Self which, proximally and for the most part, I am *not* authentically. When one is absorbed in the everyday multiplicity and the rapid succession [*Sich-jagen] of that with which one is concerned, the Self of the self-forgetful “I am concerned” shows itself as something simple which is constantly selfsame but indefinite and empty. Yet one *is* that with which one concerns oneself. In the ‘natural’ ontical way in which the “I” talks, the phenomenal content of the Dasein which one has in view in the "I" gets overlooked; but this gives *no justification for our joining in this overlooking of it*, or for forcing upon the problematic of the Self an inappropriate ‘categorial’ horizon when we Interpret the “I” ontologically. Of course by thus refusing to follow the everyday way in which the “I” talks, our ontological Interpretation of the ‘I’ has by no means *solved* the problem; but it has indeed *prescribed the direction* for any further inquiries. In the “I,” we have in view that entity which one is in ‘being-in-the-world’. Being-already-in-a-world, however, as Being-alongside-the-ready-to-hand-within-the-world, means equiprimordially that one is ahead of oneself. With the ‘I’, what we have in view is that entity for which the *issue* is the Being of the entity that it is. With the ‘I’, care expresses itself, though proximally and for the most part in the ‘fugitive’ way in which the “I” talks when it concerns itself with something. The they-self keeps on saying “I” most loudly and most frequently because at bottom it *is not authentically* itself, and evades its authentic potentiality-for-Being. If the ontological constitution of the Self is not to be traced back either to an “I”-substance or to a ‘subject’, but if, on the contrary, the everyday fugitive way in which we keep on saying “I” must be understood in terms of our *authentic* potentiality-for-Being, then the proposition that the Self is the basis of care and constantly present-at-hand, is one that still does not follow. Selfhood is to be discerned existentially only in one’s authentic potentiality-for-Being-one’s-Self—that is to say, in the authenticity of Dasein’s Being *as care*. In terms of care the *constancy of the Self*, as the supposed persistence of the *subjectum*, gets clarified. But the phenomenon of this authentic potentiality-for-Being also opens our eyes for the *constancy of the Self*, in the double sense of steadiness and steadfastness, is the *authentic* counter-possibility to the non-Self-constancy which is characteristic of irresolute falling. Existentially, “*Self-constancy*” signifies nothing other than anticipatory resoluteness. The ontological structure of such resoluteness reveals the existentiality of the Self’s Selfhood." ―from_Being and Time_. Translated by John Macquarrie & Edward Robinson, pp. 368-369

Doremus Jessup, so inconspicuous an observer, watching Senator Windrip from so humble a Boeotia, could not explain his power of bewitching large audiences. The Senator was vulgar, almost illiterate, a public liar easily detected, and in his "ideas" almost idiotic, while his celebrated piety was that of a traveling salesman for church furniture, and his yet more celebrated humor the sly cynicism of a country store. Certainly there was nothing exhilarating in the actual words of his speeches, nor anything convincing in his philosophy. His political platforms were only wings of a windmill. Seven years before his present credo—derived from Lee Sarason, Hitler, Gottfried Feder, Rocco, and probably the revue Of Thee I Sing—little Buzz, back home, had advocated nothing more revolutionary than better beef stew in the county poor-farms, and plenty of graft for loyal machine politicians, with jobs for their brothers-in-law, nephews, law partners, and creditors. Doremus had never heard Windrip during one of his orgasms of oratory, but he had been told by political reporters that under the spell you thought Windrip was Plato, but that on the way home you could not remember anything he had said. There were two things, they told Doremus, that distinguished this prairie Demosthenes. He was an actor of genius. There was no more overwhelming actor on the stage, in the motion pictures, nor even in the pulpit. He would whirl arms, bang tables, glare from mad eyes, vomit Biblical wrath from a gaping mouth; but he would also coo like a nursing mother, beseech like an aching lover, and in between tricks would coldly and almost contemptuously jab his crowds with figures and facts—figures and facts that were inescapable even when, as often happened, they were entirely incorrect. But below this surface stagecraft was his uncommon natural ability to be authentically excited by and with his audience, and they by and with him. He could dramatize his assertion that he was neither a Nazi nor a Fascist but a Democrat—a homespun Jeffersonian-Lincolnian-Clevelandian-Wilsonian Democrat—and (sans scenery and costume) make you see him veritably defending the Capitol against barbarian hordes, the while he innocently presented as his own warm-hearted Democratic inventions, every anti-libertarian, anti-Semitic madness of Europe. Aside from his dramatic glory, Buzz Windrip was a Professional Common Man. Oh, he was common enough. He had every prejudice and aspiration of every American Common Man. He believed in the desirability and therefore the sanctity of thick buckwheat cakes with adulterated maple syrup, in rubber trays for the ice cubes in his electric refrigerator, in the especial nobility of dogs, all dogs, in the oracles of S. Parkes Cadman, in being chummy with all waitresses at all junction lunch rooms, and in Henry Ford (when he became President, he exulted, maybe he could get Mr. Ford to come to supper at the White House), and the superiority of anyone who possessed a million dollars. He regarded spats, walking sticks, caviar, titles, tea-drinking, poetry not daily syndicated in newspapers and all foreigners, possibly excepting the British, as degenerate. But he was the Common Man twenty-times-magnified by his oratory, so that while the other Commoners could understand his every purpose, which was exactly the same as their own, they saw him towering among them, and they raised hands to him in worship.

Then if it is denied that the unity at that level is the interconnection of the plurality or dissimilarity of religions as of parts constituting a whole, rather that every one of the religions at the level of ordinary existence is not part of a whole, but is a whole in itself-then the 'unity' that is meant is 'oneness' or 'sameness' not really of religions, but of the God of religions at the level of transcendence (i.e. esoteric), implying thereby that at the level of ordinary existence (i.e. exoteric), and despite the plurality and diversity of religions, each religion is adequate and valid in its own limited way, each authentic and conveying limited though equal truth. The notion of a plurality of truth of equal validity in the plurality and diversity of religion is perhaps aligned to the statements and general conclusions of modern philosophy and science arising from the discovery of a pluraity and diversity of laws governing the universe having equal validity each in its own cosmological system. The trend to align modern scientific discovery concerning the systems of the universe with corresponding statements applied to human society, cultural traditions,and values is one of the characteristic features of modernity. The position of those who advocate the theory of the transcendent unity of religions is based upon the assumption that all religions, or the major religions of mankind, are revealed religions. They assume that the universality and transcendence of esotericism validates their theory, which they 'discovered' after having acquainted themselves with the metaphysics of Islam. In their understanding of this metaphysics of the transcendent unity of existence, they further assume that the transcendent unity of religions is already implied. There is grave error in all their assumptions, and the phrase 'transcendent unity of religions' is misleading and perhaps meant to be so for motives other than the truth. Their claim to belief in the transecendent unity of religions is something suggested to them inductively by the imagination and is derived from intellectual speculation and not from actual experience. If this is denied, and their claim is derived from the experience of others, then again we say that the sense of 'unity' experienced is not of religions, but of varying degrees of individual religious experience which does not of neccesity lead to the assumption that the religions of inviduals who experienced such 'unity', have truth of equal validity as revealed religions at the level of ordinary existence. Moreover, as already pointed out, the God of that experience is recognized as the rabb, not the ilah of revealed religion. And recognizing Him as the rabb does not necessarily mean that acknowledging Him in true submission follows from that recognition, for rebellion, arrogance, and falsehood have their origin in that very realm of transcendence. There is only one revealed religion. There is only one revealed religion. It was the religion conveyed by all the earlier Prophets, who were sent to preach the message of the revelation to their own people in accordance with the wisdom and justice of the Divine plan to prepare the peoples of the world for the reception of the religion in its ultimate and consummate form as a Universal Religion at the hands of the last Prophet, who was sent to convey the message of the revelation not only to his own people, but to mankind as a whole. The essential message of the revelation was always the same: to recognize and acknowledge and worship the One True and Real God (ilah) alone, without associating Him with any partner, rival, or equal, nor attributing a likeness to Him; and to confirm the truth preached by the earlier Prophets as well as to confirm the final truth brought by the last Prophet as it was confirmed by all the Prophets sent before him.

I have come to understand that the act of creating, 'Life is a Bicycle', was an act of freedom - self-determined freedom.

Inability to face up to the sufferings undergone in childhood can be observed both in the form of religious obedience and in cynicism, irony, and other forms of self-alienation frequently masquerading as philosophy or literature. But ultimately the body will rebel. Even if it can be temporarily pacified with the help of drugs, nicotine, or medicine, it usually has the last word, because it is quicker to see through self-deception than the mind, particularly if the mind has been trained to function as an alienated self. We may ignore or deride the messages of the body, but its rebellion demands to be heeded because its language is the authentic expression of our true selves and of the strength of our vitality.

I hold no interest in the tapestry of politics, culture, or religion. I lack the mental aptitude and intellectual capacity to debate nuances of esoteric philosophy and abstract ethical principles. I cannot repose faith in a national ethos that promotes avariciousness, mediocrity, and hedonism. I find no reassurance and emotional wellbeing in adopting religious piety, which requires acceptance and belief of intangible and empirically unprovable concepts and things. It is foolish to squander an earthly life in pursuit of a perfect afterlife, of which there is no evidence. Nor can I endorse suicide because it accomplishes nothing other than terminating a person’s opportunity to meld meaning out of the starkness of existence. I exert no power over external things and gain nothing from resisting fate. I need to accept fate calmly and dispassionately, make productive use of my modest allotment of time, and not waste the spark of existence. I can discover the object of my earnest pursuit only within the flickering self. I am responsible for my actions, which I can examine and control through rigorous exertion of self-discipline.

For a movement that has organized itself around a series of gurus and their philosophies and rules, that part might not be so simple. It speaks to so many bigger cultural needs, like the need to separate messages about thinness as a beauty ideal from conversations about diabetes and blood pressure, and to accept that people who don’t look like our picture of health can still be authorities on their own bodies. The need to stop viewing processed foods as not-foods and start understanding the significant roles they play in people’s lives. And the need to end the white savior model of food activism and replace it with something more authentic.