Austrian Painter Quotes

Cizek came to Vienna [from Leitmeritz, a small town in Bohemia, then Austrian] when he was twenty [in 1885], and entered the Academy of Fine Arts. He lodged with a poor family, where, fortunately, there were children. These children saw him painting and drawing, and they wanted, as Cizek has so often related, “to play painter too.” Out of his genuine love for children, one of the reasons of his success, he gave them what they asked for—pencils, brushes, and paints. And beautiful works were created by them. It was a happy coincidence that Cizek was in close contact with the founders of the “Secession” movement, a kind of revolution of young painters and architects against the old academic art. He showed his friends ... the drawings of his children, and these artists were so thrilled that they encouraged Cizek to open what they scarcely liked only to call a school, but for which they had no other name. There children should be allowed, for the first time, to do what they liked [emphasis added]. (pp. 11–12) Needless

There are some immediately obvious problems with this “proof” that Pacelli helped Hitler to power. First, there was no Reich in the 1920s. Hitler was not in power then; there is also a problem of how a Papal concordat would have prevented the rise to power of the Nazi party when the infamous 1933 elections saw the overwhelming majority of the Weimar Republic vote against freedom by voting either Nazi or Communist. It is also difficult to imagine how Pacelli could have foreseen the worth of a failed Austrian painter in the early 1920s, soon to be in the jail from which he would write Mein Kampf, and then prevented the signing of the concordat (this is, of course, assuming that the concordat would have made a difference one way or the other). Second, when the concordant was signed, Eugenio Pacelli was then Papal Secretary of State, so it was left to the German bishops to “submit” to Hitler, and even then, Pacelli was not overly happy about it—he is said to have exclaimed “Why did the bishops have to meet the government halfway?”[184] This also ignores that the Catholic Church had made concordats with the three most Catholic German states of Bavaria, Prussia, and Baden, and the Hitler pursued a concordat in an attempt to seek international recognition,[185] and harassed the Catholics of Germany in order to get one[186] in what some have called “Nazi terror against the German Catholics.”[187] Besides,

This Austrian painter was the Führer’s favorite; he would delight to look upon the weatherbeaten countenance of an old Bauer of the Innthal, where the greatest man in the world had been born. Adi would find in those wrinkled features the honesty, fidelity and credulity which were the virtues he wanted in his peasants, and meant to teach to all the peasants of the earth, not excluding North America.

A great Austrian painter -- he lives in a forest in Hungary -- came by the apartment one day with his daughters, both red-headed with pigtails, pale-faced, silent. They wore the kind of clothes you can't buy in any shop, you have to get them delivered direct from the turn of the century.