Aura Colors Quotes

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But when I touch you, your aura … it smolders. The colors deepen, it burns more intensely, the purple increases. Why? Why, Sydney?” He used that hand to pull me closer. “Why do you react that way if I don’t mean anything to you?” There was a desperation in his voice, and it was legitimate.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
Auras tell a lot, Rose, and I'm very good at reading them. Much better than you friends probably are. A spirit dream wraps you own aura in gold, which is how I knew. Your personal aura is unique to you, though it fluctuates with your feelings and soul. When people are in love, it shows. Their auras shine. When you were dreaming, yours was bright. The colors were bright...but not what expected from a boyfriend. Of course, not every relationship is the same. People are at different stages. I would've brushed it off, except..." "Except what?" "Except, when you're with Dimitri, your aura's like the sun. So is his.
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
Do you know what I see in you now? The usual aura. A steady golden yellow, healthy and strong, with spikes of purple here and there. But when I do this. . . .” He rested a hand on my hip, and my whole body tensed up. That hand moved around my hip, slipping under my shirt to rest on the small of my back. My skin burned where he touched me, and the places that were untouched longed for that heat. “See?” he said. He was in the throes of spirit now, though with me at the same time. “Well, I guess you can’t. But when I touch you, your aura . . . it smolders. The colors deepen, it burns more intensely, the purple increases. Why? Why, Sydney?” He used that hand on me to pull me closer. “Why do you react that way if I don’t mean anything to you?” There was a desperation in his voice, and it was legitimate.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
We drove 22 miles into the country around Farmington. There were meadows and apple orchards. White fences trailed through the rolling fields. Soon the sign started appearing. THE MOST PHOTOGRAPHED BARN IN AMERICA. We counted five signs before we reached the site. There were 40 cars and a tour bus in the makeshift lot. We walked along a cowpath to the slightly elevated spot set aside for viewing and photographing. All the people had cameras; some had tripods, telephoto lenses, filter kits. A man in a booth sold postcards and slides -- pictures of the barn taken from the elevated spot. We stood near a grove of trees and watched the photographers. Murray maintained a prolonged silence, occasionally scrawling some notes in a little book. "No one sees the barn," he said finally. A long silence followed. "Once you've seen the signs about the barn, it becomes impossible to see the barn." He fell silent once more. People with cameras left the elevated site, replaced by others. We're not here to capture an image, we're here to maintain one. Every photograph reinforces the aura. Can you feel it, Jack? An accumulation of nameless energies." There was an extended silence. The man in the booth sold postcards and slides. "Being here is a kind of spiritual surrender. We see only what the others see. The thousands who were here in the past, those who will come in the future. We've agreed to be part of a collective perception. It literally colors our vision. A religious experience in a way, like all tourism." Another silence ensued. "They are taking pictures of taking pictures," he said.
Don DeLillo (White Noise)
Let it shine, the light in you. Oh, and that's delighting me! Various colors shining through. Elated, it fills my soul with ecstasy.
Ana Claudia Antunes (A-Z of Happiness: Tips for Living and Breaking Through the Chain that Separates You from Getting That Dream Job)
They're auras, Davey. I see them, too. The longer you stare at them, the wider the energy field expands until more colors begin to show themselves.
Christina Westover (The Man Who Followed Jack Kerouac (The Man Who Followed Jack Kerouac, #1))
The girl stood in the center of the large four-poster bed. She wore a nightgown and robe that Cordelia had generously, and unknowingly, donated. Anything of Emily’s would have been far too short and too small. Her honey-colored hair fell over her shoulders in messy waves and her similarly colored eyes were almost black with wildness, her pupils unnaturally dilated. Fear. He felt it roll off her in great waves. It shimmered around her in a rich red aura Griff knew he alone could see, as it was viewable only on the Aetheric plane. She was afraid of them and, like a trapped animal, her answer to fear was to fight rather than flee. Interesting. She was certainly a sight to behold. Normally she was probably quite pretty, but right now she was…she was… She was bloody magnificent. That’s what she was. Except for the blood, of course.
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
What accounts for the appeal of energy talk? Perhaps trying to prove how much you know about the spiritual nature of life. Ironically, a person who’s really in Enlightenment has absolutely nothing to prove.
Rose Rosetree (Seeking Enlightenment in the Age of Awakening: Your Complete Program for Spiritual Awakening and More, In Just 20 Minutes a Day)
I had grown accustomed to living within myself. I was resigned to the knowledge that I had lost all appreciation of the outside world, that the loss of its bright colors was an inseparable part of the loss of my childhood, and that, in a certain sense, one had to pay for freedom and maturity of the soul with the renunciation of this cherished aura. But now, overjoyed, I saw that all this had only been buried or clouded over and that it was still possible—even if you had become liberated and had renounced your childhood happiness—to see the world shine and to savor the delicious thrill of the child’s vision.
Hermann Hesse (Demian. Die Geschichte von Emil Sinclairs Jugend)
It has been suggested that the color of an aura can reveal characteristics about the generating source.
Mark Ireland (Messages from the Afterlife: A Bereaved Father's Journey in the World of Spirit Visitations, Psychic-Mediums, and Synchronicity)
Every life force has a color and a tone. Many in your world would call this an aura, but it's much more complicated than that as anyone who could see would be able to tell you. Every life force carries a certain amount of power. Only those with the ability to use magic can draw upon the force of nature. And even that isn't accurate. The ability to use nature as the driving force behind your own power is a very intricate magic.
Jessica McQuay (Black Moon (Paige Tailor, #1))
Dolce color d’oriental zaffiro, che s’accoglieva nel sereno aspetto del mezzo, puro infino al primo giro, a li occhi miei ricominciò diletto, tosto ch’io usci’ fuor de l’aura morta che m’avea contristati li occhi e ‘l petto.
Dante Alighieri (The Divine Comedy of Dante Alighieri, Volume 2: Purgatorio)
For the first time, I saw a pink glow breaking through the gray wisps that surrounded her, revealing the color of her true personality. Blush pink. I smiled. I should've known. I had known. Emme was nothing but kindhearted at her core.
Heather Webber (In the Middle of Hickory Lane)
Ah, yes. The aura is faint—shrouded or possibly just residual. It’s terribly familiar. Sort of a . . . how to explain the color . . . sort of a lumpy bluish with a hint of peril. No, that’s not quite right. It isn’t really blue at all, is it?
William Ritter (Beastly Bones (Jackaby, #2))
I noticed several things about the drummer all at once. He was focused on the task at hand, keeping perfect rhythm. Instead of a swirl of transparent colors around his torso, there was a small, concentrated starburst of bright red at his sternum. But otherwise his aura was blank. Huh. That was strange. But before I could contemplate it too much, my eyes landed on his face. Wowza. He was smokin' hot. As in H-O-T-T hot. I'd never understood until that moment why girls insisted on adding an extra T. This guy was extra-T worthy. I examined the drummer, determined to find a flaw. Brown hair. An interesting haircut: short around the sides and back, but longer on top, hanging loose and angling across his forehead. His eyes were narrow and his eyebrows were a bit thick and...Oh, who was I kidding? I could pick him apart, but even the shifty slant of his eyes made him more alluring to me.
Wendy Higgins (Sweet Evil (Sweet, #1))
I often marveled that the interior peace of the woman was reflected so faithfully in her surroundings. Even the selection and arrangements of her possessions gave an aura of uncluttered calm. In addition, there was a directness in her approach to all of life--including housekeeping--that never failed to fascinate me. Miss Alice was a person to whom color, symmetry of line and contrast of texture were important.
Catherine Marshall (Christy)
The aura of his soul. She’d seen them before when she’d guided the dead. But she’d never seen one quite like this, darkness and light blending to a color and texture that was both frightening and beautiful.
Eve Silver (Body of Sin (Otherkin, #4))
Roland had the distinctive blazing eyes of a death knight, but he was no ordinary death knight. A tattoo of black fire burned on his pale-colored corpse. A set of dragon wings with razor-sharp claws sprouted from his back and a thick aura of darkness permeated the air around him. He is a creature specifically mentioned by the Textbook of Undead Creatures that must in no circumstances be created. He can summon an entire legion of undead and is considered to be the strongest amongst undead creatures — a Death Lord. He... He was at this moment wearing a pink apron, squatting on the ground, and scrubbing the floor with a cleaning rag.
Yu Wo (騎士每日例行任務 (吾命騎士, #2))
She was beautiful and lithe, with soft skin the color of bread and eyes like green almonds, and she had straight black hair that reached to her shoulders, and an aura of antiquity that could just as well have been Indonesian as Andean. She was dressed with subtle taste: a lynx jacket, a raw silk blouse with very delicate flowers, natural linen trousers, and shoes with a narrow stripe the color of bougainvillea. ‘This is the most beautiful woman I’ve ever seen,’ I thought, when I saw her pass by with the stealthy stride of a lioness, while I waited in the check-in line at Charles de Gaulle Airport in Paris for the plane to New York.
Gabriel García Márquez (Strange Pilgrims: Twelve Stories)
Qu'une goutee de vin tombe dans un verre d'eau; quelle que soit la loi du movement interne du liquide, nous verrons bientôt se colorer d'une teinte rose uniforme et à partir de ce moment on aura beau agiter le vase, le vin et l'eau ne partaîtront plus pouvoir se séparer. Tout cela, Maxwell et Boltzmann l'ont expliqué, mais celui qui l'a vu plus nettement, dans un livre trop peu lu parce qu'il est difficile à lire, c'est Gibbs dans ses principes de la Mécanique Statistique. Let a drop of wine fall into a glass of water; whatever be the law that governs the internal movement of the liquid, we will soon see it tint itself uniformly pink and from that moment on, however we may agitate the vessel, it appears that the wine and water can separate no more. All this, Maxwell and Boltzmann have explained, but the one who saw it in the cleanest way, in a book that is too little read because it is difficult to read, is Gibbs, in his Principles of Statistical Mechanics.
Henri Poincaré (The Value of Science: Essential Writings of Henri Poincare (Modern Library Science))
Okay, he hadn't exactly been happy. But welcome to the club, right? He had eyes. He could see auras, those swirls of color that surrounded all living things, as unique as fingerprints. And those auras told him there were a lot of people out there who weren't quite happy or exactly miserable. And they were all getting along okay.
Melinda Metz (The Wild One (Roswell High, #2))
... people really do take on the grime of their associations and actions. It was impregnated in this guy's cells. It never fails. What we've seen and what we've done washes over us and colors that aura that shadows us.
Laurel Dewey (Knowing (Jane Perry #4))
Teaser from the soon to be released: Redemption of Fire; My Demon Master Book 2. (with Reference to the character, Cain, from Dormant Desires, Book 4; CAIN. In the oddest, surreal moment, I look out and see one lone face. It’s Cain, the chimera by curse and not birth. He’s been welcomed into Demon-kind as one of them. Almost a treasured being for all his uniqueness. In all reality, he is the most divine among us. The product of an angel and a Neanderthal. A very son of the first Eve. It is he alone who is not prostrate before me. Our eyes lock and my vision goes wonky. I can see details and colors and etched outlines like I never imagined. I see Cain’s magnificent aura as it embraces him like a full-body halo. He is watching the spectacle that is me with detached interest. It’s as if he has truly seen everything there is too see and this is nothing more than a repeat of some long forgotten original episode. He is unafraid. I can feel how calm he is. Before he drops his eyes, surrendering to the dominance of my dragon, he gives me a slightly amused expression and a small nod of encouragement.
Payne Hawthorne (Fire Clothed in Skin (Fire Clothed in Skin Saga, #1))
My physical eyes are like sunglasses, filtering out the colors, but when I'm out here, the aura that emanates from every living thing is clearly visible to me. People, animals, and even plants are surrounded by this transparent bubble of color. Over the years, I've learned that the colors can tell you quite a bit about a person. Like right now, Rei is surrounded by this lemonade yellow, which looks nice, but it's the same shade of yellow my mom has whn she's sold a house to someone and the loan falls through. Sigh.
Gina Rosati (Auracle)
Shock and aura. Things are stronger and brighter and I feel on the edge of something inexpressible. Coded messages in the in-flight magazines. Energy Shield. Uncompromising Care. Electricity, colors, radiance. Everything is a signpost pointing to something else.
Donna Tartt (The Goldfinch)
Have you ever dreamt? At night, with your eyes closed?... Then you know that even with eyes closed, even in complete darkness, your mind can fill a frame for you, your soul, to observe and experience – a stage with color and atmosphere are as realistic as the visions you perceive while awake. This is how we Elders and the undead see, for we look at the world through an astral plane congruent with physical reality, where emotions are tangible shapes, and hopes, fears, and regrets collect themselves into transparent auras.
S.E. Lindberg (Lords of Dyscrasia (Dyscrasia Fiction))
His aura was too bright and his masculine force affected me physically,” Angelou recalled years later. ʺA hot desert storm eddied around him and rushed to me, making my skin contract, and my pores slam shut. . . . His hair was the color of burning embers and his eyes pierced.
Manning Marable (Malcolm X: A Life of Reinvention (Pulitzer Prize Winner))
His room was a sickly dual-tone of crimson and charcoal, like an Untitled Rothko, the colours bleeding into each other horribly and then rather serenely. The overall effect was overwhelmingly unapologetic but it grew on you like a wart on your nose you didn't realise it was a part of your identity until one day it simply was. His room was his identity. Fiercely bold, avant-garde but never monotonous. He was red, he was black, he was bored, and he was fire. At least to me he seemed like fire. A tornado of fire that burned all in its wake leaving only the wretched brightness of annihilation. His room was where he charmed and disarmed us. We were his playthings. Nobody plays with fire and leaves unscarred. The fire soon seeps into chard and soot. The colours of his soul, his aura, and probably his heart if he didn't stop smoking.
Moonie
An hour seldom passed in which she didn’t either sneeze, pick her nose, or wipe a bogie onto her snot-encrusted sleeve. But she had such a lovely colour. That pink glow which comes with the flu used to engulf her like an aura. It suited her. She always looked so damn effervescent.
Joss Sheldon (The Little Voice)
Owen was so tiny, we loved to pick him up; in truth, we couldn’t resist picking him up. We thought it was a miracle: how little he weighed. This was also incongruous because Owen came from a family in the granite business. The Meany Granite Quarry was a big place, the equipment for blasting and cutting the granite slabs was heavy and dangerous-looking; granite itself is such a rough, substantial rock. But the only aura of the granite quarry that clung to Owen was the granular dust, the gray powder that sprang off his clothes whenever we lifted him up. He was the color of a gravestone; light was both absorbed and reflected by his skin, as with a pearl, so that he appeared translucent at times—especially at his temples, where his blue veins showed through his skin (as though, in addition to his extraordinary size, there were other evidence that he was born too soon).
John Irving (A Prayer for Owen Meany)
This easy obedience to tyrants, which often verged on devotion, always surprised him. He had come to believe that the majority of human beings aspired only to slavery. He had long wondered by what ruse this enormous enterprise of mystification orchestrated by the wealthy had been able to spread and prosper on every continent. Karamallah belonged to that category of true aristocrats who had tossed out like old soiled clothes all the values and all the dogma that these infamous individuals had generated over centuries in order to perpetuate their supremacy. And so his joy in being alive was in no way altered by these stinking dogs' enduring power on the planet. On the contrary, he found their stupid and criminal acts to be an inexhaustible source of entertainment -- so much so that there were times when he had to admit he would miss this mob were they to disappear; he feared the aura of boredom that would envelop mankind once purged of its vermin.
Albert Cossery (The Colors of Infamy (New Directions Paperbook))
Your aura has nothing to do with colors or foods you like.” She smiled. “Yellow can mean spiritual. And brown I associate with good sense, practical. Someone grounded in reality. I see your aura as being very spiritual but also very practical. Now mind you, that is my interpretation. For each person, colors mean a different thing.
Patricia Cornwell (All That Remains (Kay Scarpetta, #3))
Aura vestida de verde, con esa bata de tafeta por donde asoman, al avanzar hacia ti la mujer, los muslos color de luna: la mujer, repetirás al tenerla cerca, la mujer, no la muchacha de ayer: la muchacha de ayer - cuando toques sus dedos, su talle - no podía tener mas de veinte anos; la mujer de hoy - y acaricies su pelo negro, suelto, su mejilla pálida - parece de cuarenta: algo se ha endurecido, entre ayer y hoy, alrededor de los ojos verdes; el rojo de los labios se ha oscurecida fuera de su forma antigua, como si quisiera fijarse en una mueca alegre, en una sonrisa turbia: como si alternara, a semejanza de esa plata del patio, el sabor de la miel y el de la amargura. No tienes tiempo de pensar mas: (47)
Carlos Fuentes (Aura)
to, and some like the engineer never do get comfortable with them and use the less garish auditory side-doors; and the abundant sulcus-fissures and gyrus-bulges of the slick latex roof make rain-drainage complex and footing chancy at best, so there’s not a whole lot of recreational strolling up here, although a kind of safety-balcony of skull-colored polybutylene resin, which curves around the midbrain from the inferior frontal sulcus to the parietooccipital sulcus—a halo-ish ring at the level of like eaves, demanded by the Cambridge Fire Dept. over the heated pro-mimetic protests of topological Rickeyites over in the Architecture Dept. (which the M.I.T. administration, trying to placate Rickeyites and C.F.D. Fire Marshal both, had had the pre-molded resin injected with dyes to render it the distinctively icky brown-shot off-white of living skull, so that the balcony resembles at once corporeal bone and numinous aura)—which balcony means that
David Foster Wallace (Infinite Jest)
But none of them compared to the dangerous stranger in her room. While the men she was used to were hotter than hell, what they lacked was the fierce aura of power that emanated from this man and his stern, steely features. It was as if he were the deadliest of predators. Feral. That was the only word to do him justice. Surely there wasn’t another soldier in the entire universe who could match him in terms of raw beauty or lethal demeanor. His blond hair was snow white and his features sharp and icy. He wore a pair of black shades that annoyed her since she couldn’t see the upper part of his face or the color of his eyes. Not that it mattered. She saw enough to know that in the land of gorgeous men, he had no competition. As a stark contrast to his white hair, his clothes were a black so deep they seemed to absorb all light, and they were trimmed in silver … No, not silver. Those were weapons tucked into the sleeves and lapels of his ankle-length coat. The left side of it was pulled back, exposing a holstered blaster that was strapped to his left hip. The tall flight boots had silver buckles going up the sides that were fashioned into the image of skulls. At least that’s what she saw at first glance, but as he moved closer she realized those could come off and double as weapons, too. Wow, he was either extremely paranoid or more lethal than a team of League assassins. And that said something.
Sherrilyn Kenyon (Born of Night (The League, #1))
And on the horizon, along the Cordillera where rock and sky met, there was that strange color, somewhere between violet and purple, which he had seen reproduced on so many Indian skirts and shawls and on the woolen bags the campesinos hung from the ears of their llamas; for him it was the color of the Andes, of this mysterious, violent sierra. Besides, thanks to these hills, Naccos had an aura, a magic power. Danger always attracts us. Doesn’t it represent true life, life that’s worthwhile? But security is boredom, it’s stupidity, it’s death. These mountains are full of ancient tombs.Without those presences there wouldn’t be so many spirits in this part of the Andes. In the old days people had the courage to face great troubles by making sacrifices. That’s how they maintained the balance. Life and death like a scale with two equal weights, like two rams of equal strength that lock horns and neither one can advance or retreat.
Mario Vargas Llosa (Death in the Andes)
It would be really wonderful if all this could be a dream,” I said. “Come now, you’ll get there. Focus on one aura at a time; that helps. What do you see when you look at me?” I took a breath. “A kind of idiosyncratic bluish with a happy patch of crimson right around your middle. You’re a bit dark—but also very light in funny little ways.” I blinked. “There are also notes of a sort of rosy color hanging all around both you and Jenny. No, not rosy, exactly. How would you describe it—a buoyant sort of flush?” “Buoyant is not a color,” said Jackaby. “You sound ridiculous. But an excellent start! The sight will take time to understand. I’m here to help.” “I’m here for you, too, Abigail,” Jenny assured me, putting a hand on Jackaby’s shoulder as she glided forward to join us. “We can practice together and take it slow. It’s the least I could do after everything you’ve done to help me figure out my own abilities.” I nodded. “It’s nice to see that you’re not having any more trouble in that area,” I said. Jenny’s hand was still on Jackaby’s shoulder. The flush around their auras increased when I mentioned it. “I’m not even sure how it happened,” Jenny said. “I just needed it to happen, and it did.” “Not surprised about it at all,” said Jackaby. “Not surprised?” Jenny said. “Yesterday I couldn’t so much as brush a hair out of your eyes, but today I reached inside your chest and held your heart in my hands—and you’re not surprised?” “Not at all. My heart was always yours,” said Jackaby. Jenny leaned back and looked at him, startled. “That is about the sweetest thing I think you’ve ever said.” “Was it good?” He gave her a goofy grin. “I was trying to work out how to phrase it the whole ride over.” “Not good at all, no,” she said, trying unsuccessfully to keep a smile off her face. “It was sappy and maudlin and positively terrible. Sweet, though. Excellent effort.” “You’re just jealous because we’re both technically undead now, and I’m clearly so much better at it.” “Jealous? I’m not jealous. For the first time since I’ve known you, I have the power to shut you up.” She leaned in and kissed him right on the lips.
William Ritter (The Dire King (Jackaby, #4))
-Ese no es -dijo Cat, señalando con el índice a los corredores-. Ni ese tampoco. Es mono, pero no es él. Y ese chico seguro que no es él. -Frunció el entrecejo-. Qué raro. Puedo visualizar el aura que proyecta, pero me cuesta recordar con claridad su cara. A lo mejor es que no lo vi de cerca. -Tiene un aspecto poco común -respondió Eureka-. No en el mal sentido. Es atractivo. "Tiene los ojos como el mar -quería decir en realidad-. Los labios son de color coral. Su piel tiene la clase de poder que hace saltar la aguja de una brújula." [...] -¡Oye, Jack! -Cat se colocó en la grada encima de la que Jack estaba usando para estirar la pierna-. Estamos buscando a un tío de tu equipo que se llama Ander. ¿Cuál era su apellido, Reka? Eureka se encogió de hombros. Y lo mismo hizo Jack. -No hay ningún Ander en este equipo. Cat sacudió las piernas y las cruzo por los tobillos. -Mira, estaba en el encuentro de hace dos días, el que se canceló por la lluvia. Es un tipo alto, rubio... Ayúdame, Reka. "Con los ojos como el mar -estuvo a punto de soltar- y unas manos que podrían coger una estrella fugaz." -¿Como pálido? -logró decir. -Pues como que no está en el equipo.
Lauren Kate (Teardrop (Teardrop, #1))
As I contemplated the silent world before me, I thought of the many romantic ideas attached to blindness. Ideas of unusual sensitivity and genius were evoked by the names of Milton, Blind Lemon Jefferson, Borges, Ray Charles; to lose physical sight, it is thought, is to gain second sight. One door closes and another, greater one, opens. Homer’s blindness, many believe, is a kind of spiritual channel, a shortcut to the gifts of memory and of prophecy. When I was a child in Lagos, there was a blind, wandering bard, a man who was held in the greatest awe for his spiritual gifts. When he sang his songs, he left each person with the feeling that, in hearing him, they had somehow touched the numinous, or been touched by it. Once, in a crowded market at Ojuelegba, sometime in the early eighties, I saw him. It was from quite a distance, but I remember (or imagine that I remember) his large yellow eyes, calcified to a gray color at the pupils, his frightening mien, and the big, dirty mantle he wore. He sang in a plaintive and high-pitched voice, in deep, proverbial Yoruba that was impossible for me to follow. Afterward, I imagined that I had seen something like an aura around him, a spiritual apartness that moved all his hearers to reach into their purses and put something in the bowl his assistant boy carried.
Teju Cole (Open City)
I took the stairs two at a time, excited to have company today. When I opened the door I gasped and stood there in shock a moment before saying, “Patti, it’s awesome!” She had decorated with my school colors. Royal blue and gold streamers crisscrossed the ceiling, and balloons were everywhere. I heard her and the twins come up behind me, Patti giggling and Marna oohing. I was about to hug Patti, when a movement on the other side of the room caught my eye through the dangling balloon ribbons. I cursed my stupid body whose first reaction was to scream. Midshriek, I realized it was my dad, but my startled system couldn’t stop its initial reaction. A chain reaction started as Patti, then both the twins screamed, too. Dad parted the balloons and slunk forward, chuckling. We all shut up and caught our breaths. “Do you give all your guests such a warm welcome?” Patti’s hand was on her heart. “Geez, John! A little warning next time?” “I bet you’re wishing you’d never given me that key,” Dad said to Patti with his most charming, frightening grin. He stared at her long enough to make her face redden and her aura sputter. She rolled her eyes and went past him to the kitchen. “We’re about to grill,” she said without looking up from the food prep. “You’re welcome to stay.” Her aura was a strange blend of yellow and light gray annoyance. “Can’t stay long. Just wanted to see my little girl on her graduation day.” Dad nodded a greeting at the twins and they slunk back against the two barstools at the counter. My heart rate was still rapid when he came forward and embraced me. “Thanks for coming,” I whispered into his black T-shirt. I breathed in his clean, zesty scent and didn’t want to let him go. “I came to give you a gift.” I looked up at him with expectancy. “But not yet,” he said. I made a face. Patti came toward the door with a platter of chicken in her hands, a bottle of BBQ sauce and grilling utensils under her arm, and a pack of matches between her teeth. Dad and I both moved to take something from her at the same time. He held up a hand toward me and said, “I got it.” He took the platter and she removed the matches from her mouth. “I can do it,” she insisted. He grinned as I opened the door for them. “Yeah,” he said over his shoulder. “I know you can.” And together they left for the commons area to be domesticated. Weird.
Wendy Higgins (Sweet Peril (Sweet, #2))
Todo en el universo emite una vibración. Cuanto mayor sea la vibración, más poder tiene. Las emociones, también, debido a que son energía, emiten vibraciones. Estas vibraciones emocionales impactan los campos de energía del cuerpo y revelan efectos que se pueden ver, sentir y medir. Las imágenes en movimiento mediante la fotografía Kirlian, como las tomadas por el Dr.Thelma Moss, muestran fluctuaciones rápidas del color y el tamaño del campo de energía a los cambios emocionales (Krippner, 1974). El campo de energía al que tradicionalmente se le ha llamado "aura", puede ser visto por personas que han nacido con o han aprendido la habilidad para ver las vibraciones de esa frecuencia. El aura cambia de color y de tamaño con las emociones. La prueba muscular también
Anonymous
She jolted to a halt when she saw what was waiting for her. They were breathtaking and entrancing. Their beauty overwhelming, and their light warm and inviting. Safety and peace settled over her, as she gazed around at the beauty before her. They were no more than a foot long with silky wings and a wonderful aura, with light beaming from their bodies. All possessing long, satin hair, with a diversity of color. Not one was identical and their divinity could be felt to the depths of Malkia’s soul.
Niki Livingston (Eyes Wide Shut (Theia's Moons, #1))
The woman was not what would be termed an exquisite, or what his grandfather’s generation would have styled ‘a diamond of the first water.’ There was something too primal in her features and her bearing, and her aura shimmered with power. She was a sunset on a mountain peak, or the eerie colors in the sky in the far north of Scotland. She was a vein of gold still glittering inside the rock, her treasure clear but held close, in her own keeping. She would never belong to anyone but herself, and that made him long for her to share that self with him—in every conceivable way.
Cara McKinnon (Essential Magic (The Fay of Skye, #1))
Daniel Galvin Sr., OBE Daniel Galvin Sr., OBE, is one of Britain’s biggest names in hairdressing. His specialization in hair coloring has revolutionized the field over the past four decades, and he continues to be in high demand by the rich and famous worldwide. For his contributions to the industry, he was honored with an OBE in 2006. I had the pleasure of knowing Diana and doing her hair color for ten years. She was truly a breath of fresh air each time she came into the salon. She was always happy, always full of life, and full of grace. We have a private room available in our salon, but Diana never requested to use it. She was happy to sit next to other clients and often chatted away merrily with them and staff members. In our business, confidentiality is so important. Anything she discussed with me will never go any further. She used to tell me off for my suntan--telling me it wasn’t good for me and to be careful. Her last words to me before that tragic weekend in France were “Daniel, I don’t believe it, but for the first time I’m browner than you!” She was incredibly down-to-earth, unaffected, and perfectly charming on all occasions. She was a tremendous asset to the monarchy and to this country. There was an amazing aura that glowed around her--she was as beautiful on the inside as she was on the outside. It was always an honor to be of service to her.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
Elegance and simplicity . . . plastic, including polyester resin, which has several attractions: permanence (indoors), an aura of difficulty and technical expertise, and preciousness . . . rivaling bronze or marble. . . . in short, the aroma of Los Angeles in the sixties — newness, postcard sunset color, and intimations oif aerospace profundity.
Peter Plagens (Sunshine Muse; Contemporary Art on the West Coast)
saw a large SUV pull up and obstruct traffic, illegally parking in front of the unadorned Hotel Nápoles. Two men in black, wearing opaque sunglasses, got out and snatched the rear door open for a middle-aged man wearing a fedora, with a fawn-colored jacket like a cape over his shoulders. This cosseted, well-guarded figure, with an aura of power and money—a cabrón (big goat) in the admiring sense, a padrino (godfather), perhaps—took three strides to the Hotel Nápoles and the entrance to the café just inside, La Colomba, where he was greeted by a sinister smiling mustached man, who hugged him and led him into the shadowy café, which was closed to the public.
Paul Theroux (On The Plain Of Snakes: A Mexican Journey)
be gone. Single use. Do not use Doctor Béchamp’s Cleanse All Disinfectant and Floor Cleaner with alcohol or healing potions. Do not operate heavy machinery after use. Or heavy-bladed weaponry. Do not use on summoned creatures, imps, devils, demons, extra-planar entities, celestials, fiends, familiars, or Darby O’Gillis. In rare cases, side effects may occur, including but not limited to: headaches, body aches, imaginary aches, unreal aches, obsessive truth telling, explosive diarrhea, loss of the ability to see the color puce, hair loss, hair growth, incorporeality, aura discharge, and mild stomach upset. In some rare cases damnation and eternal suffering may occur. Please discuss with your doctor, sage, witch, witchdoctor, haruspex, or personal hag before use. Use at your own risk.
Eric Ugland (The Bare Hunt (The Good Guys, #7))
have to get you off of me all of these changing colors you left in my aura and in my windows I have to be a blank canvas If someone else will ever have me
Shatara Liora (East Of A Cold Red Sun)
BECOMING AWARE OF THE AURA Tell someone else to stand in front of a plain white or softly colored wall about 30 cm away. Stand at least 2–3 meters (6–10ft) apart, and aim at the wall above your head or shoulders. (Don't look at the person; otherwise, it won't work.) You can see a line about 1–2 cm (½ in) long around the body that looks lighter than the rest. A thin line that looks like it's been traced with a pencil will clearly define it. This is an aura shield, a person's energy field. Try to soften your focus a little if you have trouble detecting the aura. Perhaps a little close your pupils. Or try the room's lighter or darker corner. An alternative method is to stretch and look at the fingertips on a white or softly colored backdrop. A slightly blurred but lighter line can be observed, this time around them about 2–3 mm (a fraction of an inch). Fascinating though it is, it's not necessary to study Reiki to see the aura. When we put our hands in a Reiki treatment around a person, we will still be mindful of the aura. Yet starting it's a fun way. We appear to see the final component of the aura in the test, which is one of seven. The further a substance away from the body is, the waves are stronger and weaker. The outermost layer stretches from the front and back of the body to 1–2 meters (approximately 6ft) and from the edges to about half a meter (1½ft). (Imagine how many people are on a crowded underground train in your aura!) But the atmosphere is also evolving–and increasing with personal development. The rule seems to follow: small ego= large aura. The physical body and the aura The auric particles envelop the physical body in dense rings, but they also interpenetrate one another, with the best being the innermost (hence the simplest to see) and the outermost. This ensures the seventh layer's vibrational frequency covers the whole body–and passes through it completely. And finally, what happens in the aura can manifest in the physical body. To sum up, we definitely have more than what greets us in the mirror. We are a rather large energy ball that vibrates at different levels and holds a lot of information and potential.
Adrian Satyam (Energy Healing: 6 in 1: Medicine for Body, Mind and Spirit. An extraordinary guide to Chakra and Quantum Healing, Kundalini and Third Eye Awakening, Reiki and Meditation and Mindfulness.)
A soft wind kicked up, blowing a lock of hair over his eye. I reached out and smoothed it to the side. As my fingers trailed over his skin, his aura suddenly glowed golden, the color of a man deep in love.
Deanna Chase (Witches of Bourbon Street (Jade Calhoun, #2))
She thought it was the color of her aura. At least that’s what she always said. Her and Auntie Waldine were always going on about things like that. Auras and chakras and astrological charts. I once asked them where church fit in with all their mystical practices, and they said God was an idea that meant different things to different people, but the bottom line was positivity and love. They didn’t see religion as being at odds with any of their other beliefs, since the point of all of it was to elevate the spirit.
J.T. Geissinger (Rules of Engagement)
She was a woman of abundant and varied learning, with an extensive imagination, the colorful speech of those who have seen many countries, lived in diverse climates, met different people. And Andrea felt an exotic aura envelop her form, felt a strange seduction emanating from her, an enchantment composed of the vague phantasms of the distant things she had looked at, of the sights she still preserved in her mind's eye, in the memories that filled her soul. And it was an indefinable, inexpressible enchantment; it was as if she carried in her person a trace of the light in which she had been immersed, of the scents she had breathed, of the idioms she had heard; it was as if she carried within her, mingled, faded, indistinct, all the magic of those lands of the sun.
Gabriele d'Annunzio (The Child of Pleasure (Classic Reprint))
It is not really the color of your aura which changes with circumstances and moods; it’s the clarity and brightness of the energy around you.
Melissa Feick (A Radical Approach to the Akashic Records: Master Your Life and Raise Your Vibration)
Looking through rose colored glasses doesn’t presume we don’t see what’s real and true, but it does mean we’re choosing a lovely hue for a more optimistic view.
LeAura Alderson
I'm fine," I said. Unless you count the fact that I've opened a portal to the spirit world, I'm being stalked by a ghost, and my aura is the color of dirty rainwater. Other than that, things are awesome.
Katie Alender (Famous Last Words)
Strange faces were here. More than just the bits and pieces stolen from nature that adorned the fae in colors and wings and fangs, but things that gave me the chills. Things that didn't feel like fae, more than one feral grin in a pack of men who howled and growled, a bloodless face with more intense fangs than I had seen on any of my people so far, a woman who smelled for all the world like a human but maintained an aura of magic pressure that was anything but.
Sabrina Blackburry (Dirty Lying Faeries (The Enchanted Fates, #1))
I don't think he ever thought much in terms of the symbolism of the pink and black," she said, referring to the constant color scheme of his clothing. "It all just went along with his feelings of himself. He knew he was different. His gunslinger walk. It was all an integral part of Aura of Strangeness 121 him, as much as his smile, or his way of speaking. Or singing. That was just him. He was that way all the time. That was not part of anything theatrical that came along later. He was not like anyone else. And he did not want to be like anyone else.
Peter O. Whitmer (The Inner Elvis)
she closed her eyes and let the chanting of the psalms take over her heart and mind. She didn’t try to follow along or understand anything with her conscious mind. She opened the ears of her heart and welcomed the vision forming in her imagination. She saw the darkness of the universe splashed with a glitter of colors, swirling around in a vortex. She heard chanting reaching up and over all in a flood of love. Love was the moving force of the vision. Then the swirl of glitter came to earth and entered the church through the open doors. It swooped over her, touching her chest briefly, then visited the chests of all the others in the room, monks and worshipers alike. The touch of Love imparted colorful auras to all the people, then it swept out the door on its way to touch the rest of the world, Therese thought. When she opened her eyes, the monks had gone, and her eyes were wet with tears. ​“Thank you, Beloved,” she whispered and hurried to her room to journal the vision.
Pamella Bowen (Labyrinth Wakening: a spiritual journey novel)
What are we supposed to be doing?” Lonen whispered, though High Priestess Febe had left the room. “Meditating,” she hissed back. “Yes, I heard that part. What in Arill does that mean?” “Like… praying to your goddess. Silently,” she emphasized. He was quiet for a few breaths, no more. “Now what?” She tried to suppress the laugh, but failed so it choked out in a most unladylike sound. Lonen flashed a grin at her and she shook her head. “Keep doing it. And be quiet—she could come back at any time.” “Why would I keep doing something I already did?” “You’re supposed to be contemplating!” She tried to sound stern, but his complaints so closely echoed hers through the years that she couldn’t manage it. “Contemplate what?” he groused. “I already made the decision about the step I’m about to take. There’s no sense revisiting it.” “Then pretend. It won’t be that much longer.” He stayed quiet for a bit more, though he shifted restlessly, looking around the room and studying the various representations of the moons, looking at her from time to time. That insatiable curiosity of his built, feeding into her sgath, slowly intensifying. She was so keenly aware of him, she knew he’d speak the moment before he did. “You don’t mind?” he asked. “You talking when we’re supposed to be meditating?” “Do you always do what the temple tells you to do?” “Hardly ever,” she admitted. “But appearances are critical. Especially now.” He sighed and was quiet for a while. But his question remained between them, tugging at her like Chuffta pulling her braids when he wanted attention. And it might be some time before Febe returned. She reached out with her sgath to keep tabs on the high priestess, who was indeed still in one of the inner sanctums, no doubt also meditating and preparing herself for the ritual. “We have a little time and I’ll give us warning,” she relented. “Do I mind what?” “Not having a special dress, a big celebration. I don’t have a beah for you.” “What is a beah ?” “A Destrye gifts his bride with a beah and she wears it as a symbol of their marriage. I thought I’d have time to find something to stand in place of it until I can give you a proper one. And that we’d have time to change clothes.” “You look fine—I told you before.” “I look like a Báran,” he grumped, then glared, annoyance sparking when she giggled. “It’s not funny.” “Báran clothes look good on you,” she soothed, much as she would Chuffta’s offended dignity. Perhaps males of all species were the same. “Hey!” She ignored Chuffta’s indignant response. Lonen did look appealing in the silk pants and short-sleeved shirt, even though her sgath mainly showed her his exuberant masculine presence. “Well, you deserve something better than that robe,” he replied. “And more than this hasty ceremony. Arill knows, Natly went on enough about the details of planning…” He trailed off, chagrin coloring his thoughts. “Yeah,” she drawled. “Maybe better to not bring up your fiancée during our actual wedding ceremony.” “Former fiancée,” he corrected. “Really not even that. And this isn’t the ceremony yet—this is waiting around for it to start. My knees are getting sore.” “And here I thought you were the big, bad warrior.” “I am. Big, bad warriors don’t kneel. We charge about, swinging our weapons.” She laughed, shaking her head at him. That good humor of his flickered bright, charming her, banishing his perpetual anger to the shadowed corners of his aura. In the back of her mind, Febe moved. “She’s coming back. Not much longer. Try to school your thoughts.
Jeffe Kennedy (Oria’s Gambit (Sorcerous Moons, #2))
I don’t let a lot of people in. most days I don’t give it a second thought. I’ve been this way since I was little. When I met you, I knew that I had grown. There was something different about your aura. I discovered that you were the love of your life, as I was the love of mine. Evanescent. Even when we don’t see eye to eye. You’re my best friend. My second reflection, the one I told the child in me to reach out to in case I wasn’t around.
Kewayne Wadley (Vibing with You: Adult Coloring Book & Quotes)
At the head of potency of the King, He engraved engravings in luster on high. A spark of impenetrable darkness flashed within the concealed of the concealed, from the head of Infinity —a cluster of vapor forming in formlessness, thrust in a ring, not white, not black, not red, not green, no color at all. As a cord surveyed, it yielded radiant colors. Deep within the spark gushed a flow, splaying colors below, concealed within the concealed of the mystery of Ein Sof. It split and did not split its aura, was not known at all, until under the impact of splitting, a single, concealed, supernal point shone. Beyond that point, nothing is known, so it is called ראשית (Reshit). Beginning, first command of all. The enlightened will shine like the זהר (zohar), radiance, of the sky, and those who lead many to righteousness, like the stars forever and ever (Daniel 12:3).
Daniel C. Matt (The Zohar: Pritzker Edition, Vol. 1 (Volume 1))
Hollywood Boulevard at night was a dream in neon. Mickey cruised along the strip, colorful lights blurring by like hallucinations. On his right, the El Capitan Theatre lured customers in like a Vegas casino, while the Walk of Fame preserved stardom on his left. Tourists bustled beneath the blinking signs like extras in the giant story of this land of stories, hoping for a real-life glimpse of that other world just behind the veneer of this place. In the ’50s, Hollywood Boulevard had looked different—less buildings, less vehicles, less pedestrians—but the aura of the strip, the energy, hadn’t changed at all.
Philip Elliott (Porno Valley)
Sometimes from the sea of sadness... arises an aura of light...that closes the door to the melancholy in eyes....it shuts all that is burnt in the battles...and reveals the unburnt and alive.....sometimes from the sea of black and white....arises a painting that portrays the colors....only to carry you to a door of beauty.....for it washes out the dull rain and brings the vivid inside.....and your soul becomes the palette....for your forgotten dreams come to life..... A world of possibilities open for your finger holds the brush....as your eyes envision the beauty beyond despair.....for an imagination arises from the sea of hopelessness.... What once waned as the long lost dreams....forsaken like the dust on the quaint trunk.....is now touched by your soul of colors....for you have engaged in an art.....from the hearth of emotions.....Shaken is the dust,, for the dullness is washed... and the gray is there no more....for there comes the spring rain on your soul....
Jayita Bhattacharjee
Maintenant l’empire a été pacifié ; les lois et les ordonnances émanent d’un seul ; le peuple et les chefs de famille s’appliquent aux travaux de l’agriculture et de l’industrie ; les classes supérieures s’instruisent des lois et des ordonnances, des interdictions et des défenses. Cependant les maîtres-lettrés ne prennent pas modèle sur le présent, mais étudient l’antiquité afin de dénigrer l’époque actuelle ; ils jettent le doute et le trouble parmi les tètes noires. Le conseiller, votre sujet (Li) Se, se dissimulant qu’il s’expose à la mort, dît : Dans l’antiquité, l’empire était morcelé et troublé ; il ne se trouvait personne qui pût l’unifier ; c’est pourquoi les seigneurs régnaient’ simultanément. Dans leurs propos, (les lettrés) parlent’ tous de l'antiquité afin de dénigrer le temps présent ; ils colorent des faussetés afin de mettre la confusion dans ce qui est réel : ces hommes font valoir l’excellence de ce qu’ils ont appris dans leur étude privée afin de dénigrer ce qu’a institué Votre Majesté. Maintenant que le souverain empereur possède l’empire dans son ensemble, qu’il a distingué le noir du blanc et qu’il a imposé l’unité, ils mettent en honneur leurs études privées et tiennent des conciliabules. Ces hommes qui condamnent les lois et les instructions, dès qu'ils apprennent qu'un édit a été rendu, s'empressent de le discuter chacun d'après ses propres principes; lorsqu'ils sont à la cour, ils dessape prouvent dans leur for intérieur ; lorsqu'ils en sont sortis, ils délibèrent dans les rues; louer le souverain, ils estiment que c'est (chercher) la réputation; s'attacher à des principes extraordinaires, ils pensent que c'est le plus haut mérite ; ils entraînent le bas peuple à forger des calomnies. Les choses étant ainsi, si on ne s’y oppose pas, alors en haut la situation du souverain s’abaissera, tandis qu’en bas les associations se fortifieront. Il est utile de porter une défense. Votre sujet propose que les histoires officielles, à l’exception des Mémoires de Tshin, soient toutes brûlées : sauf les personnes qui ont la charge de lettrés au vaste savoir, ceux qui dans l’empire se permettent de cacher le Che (King), le Chou (King) ou les discours des Cent écoles, devront tous aller auprès des autorités locales civiles et militaires pour qu’elles les brûlent. Ceux qui oseront discuter entre eux sur le Che (King) et le Chou (King) seront (mis à mort et leurs cadavres) exposés sur la place publique ; ceux qui se serviront de l’antiquité pour dénigrer les temps modernes seront mis à mort avec leur parenté. Les fonctionnaires qui verront ou apprendront (que des personnes contreviennent à cet ordre), et qui ne les dénonceront pas, seront impliqués dans leur crime. Trente jours après que l’édit aura été rendu, ceux qui n’auront pas bruie (leurs livres) seront marqués et envoyés aux travaux forcés. Les livres qui ne seront pas proscrits seront ceux de médecine et de pharmacie, de divination par la tortue et achillée, d’agriculture et d’arboriculture ordonnances, qu’ils prennent pour maîtres les fonctionnaires. » Le décret fat : « Approuvé. »
Sima Qian
To Andrei, he could see all that was unpleasant about her face—her large nose and bony frame. But inside her, there was so much peace and contentment that somehow, she lit up everywhere. She was beautiful to him. It was the kind of attraction between people who were really people—and who could see the other person’s aura and makings. He saw what made her flesh move, and not her flesh. The intricate mechanics of her person, and not her shell. Andrei looked at O’Hare and saw something genderless—a kind of organism that was born and that over time has been affected and affects—that was ultimately kind and brave. It was the highest rank of physical desire one could experience. When the beautiful made standard love to each other, there always lay at least one angle of ugly—maybe in the dark, from the side, with a sound they made, or everything once one was finished. In what O’Hare and Andrei shared, beauty could take its time and no second could stop it. It was the type of wholesome love that made a couple stare for minutes at the other, not because they adored their lover’s eye color, but because in those minutes they were speaking to the person within the person, finding them, seeing them see, and playing together in that invisible planet created by two intuitive inventors.
Kristian Ventura (A Happy Ghost)
Several days later Murray asked me about a tourist attraction known as the most photographed barn in America. We drove twenty-two miles into the country around Farmington. There were meadows and apple orchards. White fences trailed through the rolling fields. Soon the signs started appearing. THE MOST PHOTOGRAPHED BARN IN AMERICA. We counted five signs before we reached the site. There were forty cars and a tour bus in the makeshift lot. We walked along a cowpath to the slightly elevated spot set aside for viewing and photographing. All the people had cameras; some had tripods, telephoto lenses, filter kits. A man in a booth sold postcards and slides--pictures of the barn taken from the elevated spot. We stood near a grove of trees and watched the photographers. Murray maintained a prolonged silence, occasionally scrawling some notes in a little book. "No one sees the barn," he said finally. A long silence followed. "Once you've seen the signs about the barn, it becomes impossible to see the barn." He fell silent once more. People with cameras left the elevated site, replaced at once by others. "We're not here to capture an image, we're here to maintain one. Every photograph reinforces the aura. Can you feel it, Jack? An accumulation of nameless energies." There was an extended silence. The man in the booth sold postcards and slides. "Being here is a kind of spiritual surrender. We see only what the others see. The thousands who were here in the past, those who will come in the future. We've agreed to be part of a collective perception. This literally colors our vision. A religious experience in a way, like all tourism." Another silence ensued. "They are taking pictures of taking pictures," he said. 13 He did not speak for a while. We listened to the incessant clicking of shutter release buttons, the rustling crank of levers that advanced the film. "What was the barn like before it was photographed?" he said. "What did it look like, how was it different from other barns, how was it similar to other barns? We can't answer these questions because we've read the. signs, seen the people snapping the pictures. We can't get outside the aura. We're part of the aura. We're here, we're now." He seemed immensely pleased by this.
Don DeLillo
Was there anything in it?” she asked, not bothering to wipe the tear tracing the rim of her nose. “Our summer here, all those long walks and even longer conversations? When you kissed me that night, did it mean anything to you?” When he did not answer, she took three paces in his direction. “I know how proud you must be of those enigmatic silences, but I believe I deserve an answer.” She stood between his icy silence and the heated aura of the fire. Scorched on one side, bitterly cold on the other— like a slice of toast someone had forgotten to turn. “What sort of answer would you like to hear?” “An honest one.” “Are you certain? It’s my experience that young ladies vastly prefer fictions. Little stories, like Portia’s gothic novel.” “I am as fond of a good tale as anyone,” she replied, “but in this instance, I wish to know the truth.” “So you say. Let us try an experiment, shall we?” He rose from his chair and sauntered toward her, his expression one of jaded languor. His every movement a negotiation between aristocratic grace and sheer brute strength. Power. He radiated power in every form— physical, intellectual, sensual— and he knew it. He knew that she sensed it. The fire was unbearably warm now. Blistering, really. Sweat beaded at her hairline, but Cecily would not retreat. “I could tell you,” he said darkly, seductively, “that I kissed you that night because I was desperate with love for you, overcome with passion, and that the color of my ardor has only deepened with time and separation. And that when I lay on a battlefield bleeding my guts out, surrounded by meaningless death and destruction, I remembered that kiss and was able to believe that there was something of innocence and beauty in this world, and it was you.” He took her hand and brought it to his lips. Almost. Warm breath caressed her fingertips. “Do you like that answer?” She gave a breathless nod. She was a fool; she couldn’t help it. “You see?” He kissed her fingers. “Young ladies prefer fictions.” “You are a cad.” Cecily wrenched her hand away and balled it into a fist. “An arrogant, insufferable cad.” “Yes, yes. Now we come to the truth. Shall I give you an honest answer, then? That I kissed you that night for no other reason than that you looked uncommonly pretty and fresh, and though I doubted my ability to vanquish Napoleon, it was some balm to my pride to conquer you, to feel you tremble under my touch? And that now I return from war, to find everything changed, myself most of all. I scarcely recognize my surroundings, except . . .” He cupped her chin in his hand and lightly framed her jaw between his thumb and forefinger. “Except Cecily Hale still looks at me with stars in her eyes, the same as she ever did. And when I touch her, she still trembles.” Oh. She was trembling. He swept his thumb across her cheek, and even her hair shivered. “And suddenly . . .” His voice cracked. Some unrehearsed emotion pitched his dispassionate drawl into a warm, expressive whisper. “Suddenly, I find myself determined to keep this one thing constant in my universe. Forever.” -Cecily & Luke
Tessa Dare (The Legend of the Werestag)
At Ardennes she conceived a desire to strangle the young woman who prepped and held down garde manger. The woman, Becky Hemerling, was a culinary-institute grad with wavy blond hair and a petite flat body and fair skin that turned scarlet in the kitchen heat. Everything about Becky Hemerling sickened Denise—her C.I.A. education (Denise was an autodidact snob), her overfamiliarity with more senior cooks (especially with Denise), her vocal adoration of Jodie Foster, the stupid fish-and-bicycle texts on her T-shirts, her overuse of the word “fucking” as an intensifier, her self-conscious lesbian “solidarity” with the “latinos” and “Asians” in the kitchen, her generalizations about “right-wingers” and “Kansas” and “Peoria,” her facility with phrases like “men and women of color,” the whole bright aura of entitlement that came of basking in the approval of educators who wished that they could be as marginalized and victimized and free of guilt as she was. What is this person doing in my kitchen? Denise wondered. Cooks were not supposed to be political. Cooks were the mitochondria of humanity; they had their own separate DNA, they floated in a cell and powered it but were not really of it. Denise suspected that Becky Hemerling had chosen the cooking life to make a political point: to be one tough chick, to hold her own with the guys. Denise loathed this motivation all the more for harboring a speck of it herself. Hemerling had a way of looking at her that suggested that she (Hemerling) knew her better than she knew herself—an insinuation at once infuriating and impossible to refute. Lying awake beside Emile at night, Denise imagined squeezing Hemerling’s neck until her blue, blue eyes bugged out. She imagined pressing her thumbs into Hemerling’s windpipe until it cracked.    Then one night she fell asleep and dreamed that she was strangling Becky and that Becky didn’t mind. Becky’s blue eyes, in fact, invited further liberties. The strangler’s hands relaxed and traveled up along Becky’s jawline and past her ears to the soft skin of her temples. Becky’s lips parted and her eyes fell shut, as if in bliss, as the strangler stretched her legs out on her legs and her arms out on her arms…    Denise couldn’t remember being sorrier to wake from a dream.    “If you can have this feeling in a dream,” she said to herself, “it must be possible to have it in reality.
Jonathan Franzen (The Corrections)
He experienced while sleeping the unsettling sensation of full waking consciousness, completely aware that he was moving through a dream. Although unable to control the dream’s flow of events, he had learned to shift the focus of his attention and see more of what was happening around him. The explicit content of the dream itself was not on the face of it so frightening, but there crept in around its borders an aura of menace and a potency of light and sound and color so overhelming that each night had woken out of it in a pool of sweat, heart thundering, eyes raw and stinging from involuntary tears
Mark Frost (The Six Messiahs (The List of Seven, #2))
I was foggy today. That was what we had come to call it. Days when a cloud seemed to descend over everything around me. My thoughts went slowly, tripping awkwardly over each other to get where they needed to be. Moving through space became an exercise in walking through water. Vivie could always tell when I was having a foggy day. She noticed things like that. 'Going slow today,' I said before she could. It was hard to say exactly when the problem started. The fog had crept up on me over the past year, like a nagging obligation. Days that felt a little 'off' had led to strange visions, auras of color circling around objects and people. Then the feeling of dread that accompanied this underwater life, as if somehow I really was walking around on the bottom of the ocean, and it was only a matter of time before I realized that I didn't know how to breathe down here.
Kate Scelsa (All Out: The No-Longer-Secret Stories of Queer Teens throughout the Ages)
The colors we wear can have a powerful effect on our energy. Wear white to calm your energy field, blue to nurture your spirit, yellow to energize your aura, red to gather your force, and red and black when you need a little spice and mischief in your life.
Latham Thomas (Own Your Glow: A Soulful Guide to Luminous Living and Crowning the Queen Within)
One may surround himself with an aura of Prana, colored with strong positive thought, which will enable him to resist the adverse thought waves of others, and which will enable him to live serene in an atmosphere of antagonistic and inharmonious thought.
William Walker Atkinson (Fourteen Lessons in Yogi Philosophy and Oriental Occultism)
Each thought, emotion, or feeling is manifested by a certain shade or combination of colors belonging to that particular thought, emotion, or feeling, which color or colors manifest themselves in the Aura of that particular mental principle in which the thought, emotion, or feeling naturally originates, and are of course visible to the observer studying the composite Aura of the thinker. The developed psychic may read the thoughts of a person as he can the pages of an open book,
William Walker Atkinson (Fourteen Lessons in Yogi Philosophy and Oriental Occultism)
You will see from what we have said that there are two aspects to the color feature of the Aura; the first depending upon the predominant thoughts habitually manifesting in the mind of the person; the second depending upon the particular feeling, emotion, or passion (if any) being manifested at the particular time.
William Walker Atkinson (Fourteen Lessons in Yogi Philosophy and Oriental Occultism)