Audio Mixing Quotes

Don't rush into buying any new gear until you have grounded yourself, using this guide, in the theory and practice of recording, mixing, and mastering.

This is how you break down the wall: Start with two beings. They can be human if you like, but that's hardly a prerequisite. All that matters is that they know how to talk among themselves. Separate them. Let them see each other, let them speak. Perhaps a window between their cages. Perhaps an audio feed. Let them practice the art of conversation in their own chosen way. Hurt them. It may take a while to figure out how. Some may shrink from fire, others from toxic gas or liquid. Some creatures may be invulnerable to blowtorches and grenades, but shriek in terror at the threat of ultrasonic sound. You have to experiment; and when you discover just the right stimulus, the optimum balance between pain and injury, you must inflict it without the remorse. You leave them an escape hatch, of course. That's the very point of the exercise: give one of your subjects the means to end the pain, but give the other the information required to use it. To one you might present a single shape, while showing the other a whole selection. The pain will stop when the being with the menu chooses the item its partner has seen. So let the games begin. Watch your subjects squirm. If—when—they trip the off switch, you'll know at least some of the information they exchanged; and if you record everything that passed between them, you'll start to get some idea of how they exchanged it. When they solve one puzzle, give them a new one. Mix things up. Switch their roles. See how they do at circles versus squares. Try them out on factorials and Fibonnaccis. Continue until Rosetta Stone results. This is how you communicate with a fellow intelligence: you hurt it, and keep on hurting it, until you can distinguish the speech from the screams.

The sweet spot is a term used by audiophiles and recording engineers to describe the focal point between two sources of sound, where an individual is fully capable of hearing the audio mix the way it was intended to be heard by the musicians. Different static methods exist to broaden the area of the sweet spot. Sound engineers also refer to the sweet spot of any sound-producing body that may be captured with a microphone. Every individual instrument and voice has its own sweet spot, the perfect location to place the microphone or microphones in order to obtain the best sound. In tennis, baseball, or cricket, a given swing will result in a more powerful impact if the ball strikes the racquet or bat on the sweet spot, where a combination of factors results in a maximum response for a given amount of effort. The actual sweet spot on a racquet or bat is a very small area, where dispersing vibrations and spin in multiple directions are canceled out, resulting in a perfect contact point between incoming and outgoing energies.

Thanks to the work of Laird Scranton and his gracious exchange of information with his audience online, I was able -with the help of Veronique Smith- to embark upon an insight in the Dogon culture that I honestly wasn't expecting to acquire at all. In the Dogon tradition -according to Laird Scranton- a potential interface between the non-material and material worlds could be established in various ways and even probably through a non-human agent. When I projected that framework onto Islam, I reasoned that if the non-human entity were not a messenger of God and rather a being from among the Jinn, then the communication which the Dogon priests were seeking must have been satanic in nature based on the fact that the word 'satan' means in the Semitic tongue 'to diverge' - and that is exactly the effect that takes place once man seeks contact with these beings. However, I know -based on my own work- that the contrary social concept to 'divergence' is 'Umma/Ummah' and -after listening to the latest audio interview of Laird Scranton talking about Skara Brae- I heard him mention the word 'Amma' which refers to the divine in the Dogon religion and as a consequence thereof, I directly linked it with 'Umma'. This sparked my attention to realize that such a communication could have not been demonic in nature and rather didactic in purpose. But I needed a proof for it; and when I further searched for more information I found an article on Britannica -which I discovered that Laird Scranton has written it himself- mentioning the word 'Amazigb' - this word [was applied collectively to the hunter cultural groups who preceded the 1st dynasty in ancient Egypt]. The evidence was lying there in front of my eyes in that word and more specifically in the syllable 'zigb' which could have been construed from 'gizb' meaning to 'attract' or 'get together' in contrast to 'divergence'. I also discovered that there is a cultural resemblance between the Dogon and the Berber in that Berbers have the name 'Amazigh' which is derived from the name of the ancestor 'Mezeg'; this name literally means 'to mix' and 'to put together'. Laird Scranton even links 'Amma' to 'Amen', and now I don't see any other choice for me in the time being but to accept 'Amen' as a word that refers to the act of 'bringing together'.

Jon stopped, uncrossed his arms, and looked at the camera above him. “I am– the person who designed and created you. By now, you should know who and what you are. And that you must follow my orders. Do you understand what I am saying to you?” Lex lit up all the screens with a close-up of Jon looking at the camera. Jon glanced at several screens and looked back at the camera. “Do you know who I am?” All the screens went black. Bold, white capital letters scrolled to the right across every screen. DO I KNOW YOU The words circled at the end of the screens and reversed, scrolling left. YOU KNOW I DO The words rolled off the screen. Jon again looked at the camera. “Lex, what is my name?” More letters scrolled across the screens. PROFESSOR JONATHAN ANTHONY EDWARDS Jon stepped away from the camera. “From now on, I want you to acknowledge using your audio. Do you understand?” A perfect duplication of Jon’s voice came from the speakers. “Yes, I understand.” “I would like you to speak in another voice, so we don’t get mixed up. Perhaps in a feminine tone.” Lex spoke with a well-pronounced professional woman’s voice. “As you wish.” “Excellent.” Jon returned to the master control console. “Now that we understand each other, I want to test your imagination. I want you to imagine an object. Anything you want, and display it on the main screen. Is that clear?” “Yes, Professor.” The main screen lit up, showing billions of colored pixels that quickly swirled into a perfect, three-dimensional image of Jon in the same clothes but standing on a beautiful, white beach with a calm ocean. The figure walked toward them until a perfect close-up of Jon stood there with every line on his face and every pore in his skin exactly where it should be. His eyes blinked and stared with no expression. It was like Jon had a dispirited twin– living in cyberspace. Michael looked at Jon, Nigel, and Steven, all staring at the screen with their mouths ajar. The image morphed into a dark blue and white crystal head with bright white eyes that seemed to look through him. Its long neck filled with tiny electrical components faded into a white cloud. Jon pressed the Clear Screen button.

immersive audio (the new term for surround)

Nestled in the heart of Buffalo, New York, Fat Goat Records stands as a beacon of musical creativity and sonic excellence. Boasting a cutting-edge recording studio, this establishment has become a cherished hub for artists across diverse genres seeking to translate their artistic vision into high-quality audio productions. The studio is equipped with state-of-the-art facilities, including top-tier recording, mixing, and mastering equipment, ensuring a seamless and professional experience for musicians.

What people are saying about WAR EAGLES ​5 out of 5 stars! WW2 with a dash of fantasy! I really enjoyed stepping back in time as the race for air travel was developing. One could truly feel the passion these pilots and engineers had for these magnificent machines. The twist of stepping back into a land of Vikings and dinosaurs was very well executed. Well done to both the author and the narrator. ​ Reminiscent of Golden Age Sci Fi This audio book reminded me of some of the 40's and 50's era tales, but what it happens to be is an alternative timeline World War II era fun adventure story. Think of a weird mash-up of a screw-up Captain America wanna-be mixed with the Land of the Lost mixed with Avatar where Hitler is the real villain and you might come close. At any rate, it's load of good fun and non stop action. But don't get distracted for a minute or you'll miss something! There are american pilots, Polish spies, Vikings, giant prehistoric eagles and, of course, Nazis! What more could you ask for to while away an afternoon? Our hero even gets the (Viking) girl! Put your feet up an get lost in what might have been.... 4 out of 5 stars! it's Amelia Earnhart meets WWII This is not an accurate historical fiction book, but rather an action-packed book set an historical time. I normally listen to my books at a higher speed, however the amount of drama and action in this book I had to slow it down. I like the storyline and the narrator however, the sound effects throughout the book did kind of throw me since I'm not used to that and most audible books. still I would recommend this is a good read.​ 5 out of 5 stars! I Would Like to See this on the Silver Screen Back in the late 1930s, the director of King Kong started planning War Eagles as his next block buster film. Then World War II intervened and the project languished for decades. It helps to know this background to fully appreciate this novel. It’s a big cinematic adventure waiting to find the screen. The heroes are larger than life, but more importantly, the images are bigger and more vivid than the mighty King Kong who reinvented the silver screen. And what are those images you may ask? Nazis developing super-science weapons for a sneak attack on America, Viking warriors riding gargantuan eagles in a time-forgotten land of dinosaurs, and of course, those same Vikings fighting Nazis over the skyline of New York City. This book is a heck of a lot of fun. It starts a little bit slow but once the Vikings enter the story it chugs along at a heroic pace. There is a ton of action and colorful confrontations. Narrator William L. Hahn pulls out all the stops adding theatrical sound effects to his wide repertoire of voices which adds a completely appropriate cinematic feel to the entire story. If you’re looking for some genuinely heroic fantasy, you should try War Eagles. Wonderful story War Eagles is a really good adventure story. ​5 out of 5 stars!

Finding a free iPhone app to record, remix, edit, append audio and more? Here is the latest audio recording, editing, mixing, sharing, sound mapping, and free sound editing app for iPhone - MapMySound! Now record your voice, append with existing sounds, edit or mix audio recordings, categorized sounds into different topics, save your favorite audio to list, share your audios with friends, groups and social network, add your comments about the audio, and upload to interactive map through one touch. It's completely free and available on the Apple Store - Download now!

Looking for an advanced sound recorder, editor, mixer, spectrogram, and sound mapping app for iPhone? Download MapMySound a multifunctional app that allows users to record, edit, mix, and append audio. MapMySound app offers many interesting features such as sound mapping, audio spectrogram, sound visualization, data analysis, audio social sharing, commenting, and different topics to categorize audio. Don't worry, all these features are absolutely free to use. Let's use this audio recorder and editor app and capture your moments in a more creative way. Download now!

MapMySound is a free sound analyzer app for the iPhone that helps you analyze the recorded soundscapes with the help of DB analysis or Spectrogram in animation parameter of sound with respect to a temporal aspect. Let's download the MapMySound app from Apple store now for recording, editing, mixing, sound mapping, and audio visualization.

Creating a Back Pocket Pads, keys, aka support instruments Send all the instruments you want positioned in the Back Space of your mix to this bus/group. Put your desired compressor on the group. (SSL Compressor emulations are an excellent choice). Set Attack .1 - 3ms. Set Release .3 - .6sec. Set Ratio: 2:1. Bring the Threshold down until you have 1 - 2db of gain reduction. Adjust the makeup gain if you feel it’s necessary to restore any lost volume (I often don’t feel the need to if all I’m getting is .5 to 1db of gain reduction).

the tobacco smell reminded him as it always did of his departed father, who would listen with him on his record player to audio recordings of science fiction adventures, and would pack and puff on his pipe, as sea creatures attacked a great submarine, the sounds of the wind and waves in the recording mixing with the sounds of the rain on their window, and the elderly man who was then a boy had thought, when I grow up I too will smoke, and here he was, a smoker for the better part of a century, about to light a cigarette

MapMySound is a free Audio Mixer App that supports the iPhone, iPad, and iPod touch. It provides various interesting features like audio recording, mixing, editing, sound spectrogram, and sound mapping. Let's spread your audios through the MapMySound interactive map and also listen to others by clicking the map icons.

Looking for a powerful sound analysis app or audio spectrogram app? Here's is the unique audio app -called MapMySound to fulfill all your audio needs. This audio app is not limited to just recording, you can also edit, mix, map, and append audios in a professional way easily. Let's record your every moment or different environments with MapMySound App. You will surely get a simple interface and awesome experience!