Audible Inspirational Quotes

To talk to each other is but a more animated and an audible thinking.

Poetry was syllable and rhythm. Poetry was the measurement of breath. Poetry was time make audible. Poetry evoked the present moment; poetry was the antidote to history. Poetry was language free from habit.

After two or three stanzas and several images by which he was himself astonished, his work took possession of him and he experienced the approach of what is called inspiration. At such moments the correlation of the forces controlling the artist is, as it were, stood on its head. The ascendancy is no longer with the artist or the state of mind which he is trying to express, but with language, his instrument of expression. Language, the home and dwelling of beauty and meaning, itself begins to think and speak for man and turns wholly into music, not in the sense of outward, audible sounds but by virtue of the power and momentum of its inward flow. Then, like the current of a mighty river polishing stones and turning wheels by its very movement, the flow of speech creates in passing, by the force of its own laws, rhyme and rhythm and countless other forms and formations, still more important and until now undiscovered, unconsidered and unnamed. At such moments Yury felt that the main part of his work was not being done by him but by something which was above him and controlling him: the thought and poetry of the world as it was at that moment and as it would be in the future. He was controlled by the next step it was to take in the order of its historical development; and he felt himself to be only the pretext and the pivot setting it in motion. ... In deciphering these scribbles he went through the usual disappointments. Last night these rough passages had astonished him and moved him to tears by certain unexpectedly successful lines. Now, on re-reading these very lines, he was saddened to find that they were strained and glaringly far-fetched.

Published in 1844, a year after A Christmas Carol, this novella was written during Dickens’ year-long visit to Italy, having been inspired by the Genoese bells audible from the villa where he was staying.

Has anyone at the end of the nineteenth century any distinct notion of what poets of a stronger age understood by the word inspiration?  If not, I will describe it.  If you had the slightest residue of superstition left in you it would hardly be possible to completely disregard the idea that one is the mere incarnation, a mouthpiece or a medium of an almighty power.  The idea of revelation in the sense of something which profoundly moves and provokes, becoming suddenly visible and audible with indescribable certainty and accuracy—is a simple description.  You hear—you do not seek; you take—and do not ask who gives: a thought suddenly flashes up like lightning, it comes as a necessity, without hesitation—I have never had any choice in the matter. 

Elnora lifted the violin and began to play. She wore a school dress of green gingham, with the sleeves rolled to the elbows. She seemed a part of the setting all around her. Her head shone like a small dark sun, her face never had seemed so rose-flushed and fair. From the instant she drew the bow, her lips parted and her eyes fastened on something far away in the swamp, and never did she give more of that immpression of feeling for her notes and repeating something audible only to her. Ammon was to near to get the best effect. he arose and stepped back several yards, leaning against a large tree, looking and listening with all his soul. As he changed position he saw that Mrs. Comstock had followed them, and was standing on the trail, where she could not have helped hearing everything Elnora had said. So to Ammon before her and the mother watching on the trail, Elnora played the Song of the Limberlost. It seemed as if the swamp hushed all its other voices and spoke only through her dancing bow. The mother out on the trail had heard it all once before from the girl, many times from her father. To the man it was a revelation. He stood so stunned he forgot Mrs. Comstock. He tried to realize what a great city audience would say to that music, from such a player, with a like background, he could not imagine.

So, when I read of a recent study that found that children are significantly more inclined to eat “difficult” foods like liver, spinach, broccoli—and other such hard-to-sell “but-it’s-good-for-you” classics—when they are wrapped in comfortingly bright packages from McDonald’s, I was at first appalled, and then … inspired. Rather than trying to co-opt Ronald’s all-too-effective credibility among children to short-term positive ends, like getting my daughter to eat the occasional serving of spinach, I could reverse-engineer this! Use the strange and terrible powers of the Golden Arches for good—not evil! I plan to dip something decidedly unpleasant in an enticing chocolate coating and then wrap it carefully in McDonald’s wrapping paper. Nothing dangerous, mind you, but something that a two-and-a-half-year-old will find “yucky!”—even upsetting—in the extreme. Maybe a sponge soaked with vinegar. A tuft of hair. A Barbie head. I will then place it inside the familiar cardboard box and leave it—as if forgotten—somewhere for my daughter to find. I might even warn her, “If you see any of that nasty McDonald’s … make sure you don’t eat it!” I’ll say, before leaving her to it. “Daddy was stupid and got some chocolate … and now he’s lost it…” I might mutter audibly to myself before taking a long stroll to the laundry room. An early, traumatic, Ronald-related experience can only be good for her.

Has any one at the end of the nineteenth century any distinct notion of what poets of a stronger age understood by the word inspiration? If not, I will describe it. If one had the smallest vestige of superstition left in one, it would hardly be possible completely to set aside the idea that one is the mere incarnation, mouthpiece, or medium of an almighty power. The idea of revelation, in the sense that something which profoundly convulses and upsets one becomes suddenly visible and audible with indescribable certainty and accuracy―describes the simple fact. One hears―one does not seek; one takes―one does not ask who gives. A thought suddenly flashes up like lightening; it comes with necessity, without faltering. I have never had any choice in the matter. There is an ecstasy so great that the immense strain of it is sometimes relaxed by a flood of tears, during which one's steps now involuntarily rush and anon involuntarily lag. There is the feeling that one is utterly out of hand, with the very distinct consciousness of an endless number of fine thrills and titillations descending to one's very toes. There is a depth of happiness in which the most painful and gloomy parts do not act as antitheses to the rest, but are produced and required as necessary shades of color in such an overflow of light. There is an instinct of rhythmic relations which embraces a whole world of forms (length, the need of a wide-embracing rhythm, is almost the measure of the force of an inspiration, a sort of counterpart to its pressure and tension). Everything happens quite involuntary, as if in a tempestuous outburst of freedom, of absoluteness, of power and divinity. The involuntary nature of the figures and similes is the most remarkable thing; everything seems to present itself as the readiest, the truest, and simplest means of expression. It actually seems, to use one of Zarathustra's own phrases, as if all things came to one, and offered themselves as similes. . . .

What you did to us—and to me specifically—was wrong, and you had no right to do that.’” The priest stared unblinkingly into Blanchette’s eyes, waiting but unprepared for what came next. “‘Having said that, it brings me to the real reason I’ve come here. The real reason I’ve come here is to ask you to forgive me for the hatred and resentment that I have felt toward you for the last twenty-five years.’ When I said that, he stood up, and in what I would describe as a demonic voice, he said, ‘Why are you asking me to forgive you?’ And through tears I said, ‘Because the Bible tells me to love my enemies and to pray for those who persecute me.’” Blanchette said Birmingham collapsed as if he’d been punched in the chest. The priest dissolved into tears, and soon Blanchette too was crying. Blanchette began to take his leave but asked Birmingham if he could visit again. The priest explained that he was under tight restrictions at the rectory. He said he had been to a residential treatment center in Connecticut, and he returned there once a month. He was not allowed to leave the grounds except in the company of an adult. Blanchette would not see the priest again until Tuesday, April 18, 1989, just hours before his death. Blanchette found his molester at Symmes Hospital in Arlington and discovered the priest—once robust and 215 pounds—was now an eighty-pound skeleton with skin. Morphine dripped into an IV in his arm. Oxygen was fed by a tube into his nostrils. His hair had been claimed by chemotherapy. The priest sat in a padded chair by his bed. His breathing was labored. “I knelt down next to him and held his hand and began to pray. And as I did, he opened his eyes. I said, ‘Father Birmingham, it’s Tommy Blanchette from Sudbury.’” He greeted Blanchette with a raspy and barely audible, “Hi. How are ya?” “I said, ‘Is it all right if I pray for you?’ And he said, ‘Yes.’ And I began to pray, ‘Dear Father, in the name of Jesus Christ, I ask you to heal Father Birmingham’s body, mind, and soul.’ I put my hand over his heart and said, ‘Father, forgive him all his sins.’” Blanchette helped Birmingham into bed. It was about 10 P.M. He died the next morning.

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I think God’s hope and plan for us is pretty simple to figure out. For those who resonate with formulas, here it is: add your whole life, your loves, your passions, and your interests together with what God said He wants us to be about, and that’s your answer. If you want to know the answer to the bigger question— what’s God’s plan for the whole world?—buckle up: it’s us. We’re God’s plan, and we always have been. We aren’t just supposed to be observers, listeners, or have a bunch of opinions. We’re not here to let everyone know what we agree and don’t agree with, because, frankly, who cares? Tell me about the God you love; tell me about what He has inspired uniquely in you; tell me about what you’re going to do about it, and a plan for your life will be pretty easy to figure out from there. I guess what I’m saying is that most of us don’t get an audible plan for our lives. It’s way better than that. We get to be God’s plan for the whole world by pointing people toward Him.

We set our faith in the lines drawn by Star and Fate, that all of our worlds here conjoin to make one rope, each strand a man or woman, all pulling in unison for the joy of life well-lived. In the name of Star, Fate, and Breath, illuminated by Logos, inspired by the example of the Good Man, we will not fail in our duties, though the seas roar and mountains shoot flame.” He added, in a voice barely audible, “And though our own kindred set against us.

After all, from the moment of our birth we are all in a sense dying. Each moment that passes brings us closer to the time of our death.

The reason why we find comfort and hope in the Old Testament is plainly revealed by Christ when, in His reply to the Jews, He gave the Divine sanction to it, and especially to the writings of Moses, saying, “Ye search the Scriptures, because ye think that in them ye have eternal life; and these are they which bear witness of Me.” “For if ye believed Moses, ye would believe Me; for he wrote of Me. But if ye believe not his writings, how shall ye believe My words?” John 5.39,46,47, R.V. We may find comfort and hope in the Scriptures, because Christ is in them. The spirit of the Old Testament is the Spirit of Christ. We read of the ancient prophets that they searched “what, or what manner of time the Spirit of Christ which was in them did signify, when it testified beforehand the sufferings of Christ, and the glory that should follow.” 1Peter 1.11. Not only so, but the Old Testament contains the Gospel. In the verse following the one last quoted we read, “Unto whom it was revealed, that not unto themselves, but unto us they did minister the things which are now reported unto you by them that have preached the Gospel unto you with the Holy Ghost sent down from heaven.” That is, the prophets, Moses among them, ministered the very same things that were preached by the apostles, namely, the Gospel. Since the Gospel of God is “concerning His Son Jesus Christ our Lord,” Romans 1.1-3 and the Jews would necessarily have believed in Jesus if they had believed Moses, because Moss wrote of Christ, it follows that what Moses wrote was the Gospel. The first thing that Moses wrote, through the inspiration of the Spirit of God, was the story of creation. That, therefore, is one of the things through which we are to receive hope and comfort. We can receive hope and comfort through the story of the creation because it contains the Gospel. A few words will serve to establish this fact before we proceed to study the lesson in detail. The declaration of the apostle, that the Gospel “is the power of God unto salvation to every one that believeth,” Romans 1.16 is familiar to all who have ever heard the Gospel preached. The Gospel is the manifestation of God’s power put forth to save men. The Apostle Peter states the same thing in substance when he speaks of the inheritance reserved in heaven for those “who are kept by the power of God through faith unto salvation.” 1 Peter 1.5 But what is the measure of the power of God? Wherein is it seen in a tangible form? Read Romans 1.20, where we are told that ever since the creation of the world the invisible things of God, even His eternal power and Godhead, are clearly seen, being understood by the things that are made. It is in creation, therefore, that the power of God is to be seen by everybody. But the power of God in the line of salvation is the Gospel. Therefore the works of creation teach the Gospel. This is declared in Psalm 19, where we read, “The heavens declare the glory of God; and the firmament showeth His handiwork. Day unto day uttereth speech, and night unto night showeth knowledge. There is no speech or language; without these their voice is heard. Their line is gone out through all the earth, and their words to the end of the world.” I have given the rendering of the margin, as conforming more closely to the original. The idea is, that no matter what language a people speaks, all can understand the language of the heavens. Their message can be read much more easily than if they uttered an audible sound; for all people on earth cannot understand the same articulate speech, but all who have reason can read the simple language of the works of God.

Deliberately and purposefully schedule meetings with yourself. These are the most important meetings in the life of one who intends to make their success deliberate. During these meeting you do much of the quality and honest communication with yourself. This is besides the conversations you are always carrying on with yourself in your own head or audibly. That doesn’t mean you are crazy, we all do it and we just need to improve the quality and positivity of those conversations.

The macabre melodies were a surreal audible example of just who I’d been before and a stark contrast to who I was now.

When someone tries to coach you on life, remember they are usually doing it from the bleachers and not the field. Anyone can commentate, but not everyone can run the gauntlet with you.

Can you say it?" Daniel prompted. Samantha sighed. "I'm not what has happened to me," she mumbled. It was barely audible. "I can hear in your voice that you don't believe it yet," he said. And that's okay. Take a couple of minutes. Close your eyes and reflect on it. When you are ready, open your eyes, look at me in the eye and say it with all the conviction you can muster. A few minutes later, she did. The change was palpable. "Good, good, Daniel said, encouraging and affirming her. "It will take time to own that conviction, but that's how we make peace with the past.

Through a symphony of rumbles elephants greet, call, comfort, coordinate and converse. There are long soft rumbles, loud throaty rumbles, slow deep rumbles, low purring rumbles, short gurgling rumbles - and these are just the ones that are audible to my ears.

The voice of God. Audibly hearing his voice. Isn’t that what we seek when we pray? We ask for something and we think, wouldn’t it be nice if God just said, ‘Sure, I can get that for you,’ or ‘I’m make it happen right away.' But he doesn’t. That’s not how God works, and if I’m honest, sometimes that frustrates me. How about you? But wait. I didn’t say God didn’t have a voice. He does. The Bible says he does, and people all over the earth have heard his calling. But it’s not the kind of voice we expect from the King of Glory. It’s not a powerful voice or thunder. The Bible calls it a whisper, or a 'still small voice.

The voice of God. Audibly hearing his voice. Isn’t that what we seek when we pray? We ask for something and we think, wouldn’t it be nice if God just said, ‘Sure, I can get that for you,’ or ‘I’m make it happen right away.' But he doesn’t. That’s not how God works, and if I’m honest, sometimes that frustrates me. How about you? But wait. I didn’t say God didn’t have a voice. He does. The Bible says he does, and people all over the earth have heard his calling. But it’s not the kind of voice we expect from the King of Glory. It’s not a powerful voice or thunder. The Bible calls it a whisper, or a 'still small voice.

The eternal flow of Truth is a non-empirically-audible sonic reality that transcends the realm of human sensory purview or intellectual speculation, but that is nonetheless directly accessible to any sincere seeker who eventually reaches the stage of being a liberated yogi. Such transcendent Truth can only be known by purifying oneself through the practices of Yoga, meditation and devotional consciousness (bhakti) toward the Supreme Godhead, and reforming one's character to the point of dissolving illusory ego completely. It is this living, transcendent Truth that the perfected sages encounter in the yogically inspired state of non-mediated spiritual perception of the Absolute.

Meaning is often found embedded in the silent moments of our lives when we can hear and see what matters most, the things audible and visible only to the spirit.