Aubrey Maturin Quotes

We've searched our database for all the quotes and captions related to Aubrey Maturin. Here they are! All 100 of them:

β€œ
Wit is the unexpected copulation of ideas.
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Patrick O'Brian (The Hundred Days (Aubrey & Maturin, #19))
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But you know as well as I, patriotism is a word; and one that generally comes to mean either my country, right or wrong, which is infamous, or my country is always right, which is imbecile.
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Patrick O'Brian (Master & Commander (Aubrey & Maturin, #1))
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Jack, you've debauched my sloth.
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Patrick O'Brian (H.M.S. Surprise (Aubrey & Maturin #3))
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I sew his ears on from time to time, sure.
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Patrick O'Brian (Post Captain (Aubrey & Maturin, #2))
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Other people's marriages are a perpetual source of amazement.
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Patrick O'Brian (The Commodore (Aubrey/Maturin, #17))
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I am opposed to authority, that egg of misery and oppression; I am opposed to it largely for what it does to those who exercise it.
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Patrick O'Brian (Post Captain (Aubrey & Maturin, #2))
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This short watch that is about to come, or rather these two short watches--why are they called dog watches? Where, heu, heu, is the canine connection?' Why,' said Stephen, 'it is because they are curtailed of course.
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Patrick O'Brian (Post Captain (Aubrey & Maturin, #2))
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Why there you are, Stephen,' cried Jack. 'You are come home, I find.' That is true,' said Stephen with an affectionate look: he prized statements of this kind in Jack.
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Patrick O'Brian (H.M.S. Surprise (Aubrey & Maturin #3))
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Stephen had spared no expense in making himself more unhappy, his own position as a rejected lover clearer.
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Patrick O'Brian (H.M.S. Surprise (Aubrey & Maturin #3))
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...looking angrily at the wombat: and a moment later, 'Come now, Stephen, this is coming it pretty high: your brute is eating my hat.' 'So he is, too,' said Dr. Maturin. 'But do not be perturbed, Jack; it will do him no harm, at all. His digestive processes--
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Patrick O'Brian (The Fortune of War (Aubrey & Maturin, #6))
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Patriotism is a word; and one that generally comes to mean either my country, right or wrong, which is infamous, or my country is always right, which is imbecile.
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Patrick O'Brian (Master & Commander (Aubrey & Maturin, #1))
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Wallis,' said Maturin, 'I am happy to see you. How is your penis?
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Patrick O'Brian (The Fortune of War (Aubrey & Maturin, #6))
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Sir,’ said Stephen, β€˜I read novels with the utmost pertinacity. I look upon them--I look upon good novels--as a very valuable part of literature, conveying more exact and finely-distinguished knowledge of the human heart and mind than almost any other, with greater breadth and depth and fewer constraints.
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Patrick O'Brian (The Nutmeg of Consolation (Aubrey/Maturin, #14))
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For a moment Jack felt the strongest inclination to snatch up his little gilt chair and beat the white-faced man down with it...
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Patrick O'Brian (Master & Commander (Aubrey & Maturin, #1))
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They will not be pleased. But they know we must catch the monsoon with a well-found ship; and they know they are in the Navy--they have chosen their cake, and must lie on it.' You mean, they cannot have their bed and eat it.' No, no, it is not quite that either. I mean--I wish you would not confuse my mind, Stephen.
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Patrick O'Brian (H.M.S. Surprise (Aubrey & Maturin #3))
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No man born of woman has ever understood spoken Portuguese.
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Patrick O'Brian (Blue at the Mizzen (Aubrey/Maturin, #20))
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Do you not find it happens very often, that you are as gay as Garrick at dinner and then by supper-time you wonder why God made the world?
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Patrick O'Brian (Master & Commander (Aubrey & Maturin, #1))
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My dear creature, I have done with all debate. But you know as well as I, patriotism is a word; and one that generally comes to mean either MY COUNTRY, RIGHT OR WRONG, which is infamous, or MY COUNTRY IS ALWAYS RIGHT, which is imbecile.
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Patrick O'Brian (Master & Commander (Aubrey & Maturin, #1))
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It is a great while since I felt the grind of bone under my saw,' he added, smiling with anticipation.
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Patrick O'Brian (Master & Commander (Aubrey & Maturin, #1))
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Never mind manoeuvres, always go at them.
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Patrick O'Brian (Master & Commander (Aubrey & Maturin, #1))
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I have never yet known a man admit that he was either rich or asleep: perhaps the poor man and the wakeful man have some great moral advantage.
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Patrick O'Brian (Master and Commander (Aubrey/Maturin, #1))
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Go and see whether the Doctor is about,’ said Jack, β€˜and if he is, ask him to look in, when he has a moment.’ Which he is in the fish-market, turning over some old-fashioned lobsters. No. I tell a lie. That is him, falling down the companion-way and cursing in foreign.
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Patrick O'Brian (Blue at the Mizzen (Aubrey/Maturin, #20))
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He held up two fingers, in case a landman might not fully comprehend so great a number.
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Patrick O'Brian (Master and Commander (Aubrey/Maturin, #1))
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I am in favour of leaving people alone, however imperfect their polity may seem. It appears to me that you must not tell other nations how to set their house in order; nor must you compel them to be happy.
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Patrick O'Brian (The Truelove (Aubrey & Maturin, #15))
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You do not mean there is danger of peace?", cried Jack.
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Patrick O'Brian (Desolation Island (Aubrey & Maturin, #5))
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That would be locking the horse after the stable door is gone, a very foolish thing to do.
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Patrick O'Brian (The Far Side of the World (Aubrey & Maturin, #10))
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...for very strangely his officers looked upon Jack Aubrey as a moral figure, in spite of all proofs of the contrary...
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Patrick O'Brian (The Mauritius Command (Aubrey & Maturin, #4))
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There is so much ignorant prejudice against bees in a dining-room.
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Patrick O'Brian (Post Captain (Aubrey & Maturin #2))
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Touch and away, Jack?’ asked Stephen. β€˜Touch and away? Do you not recall that I have important business there? Enquiries of the very first interest?’ To do with our enterprise? To do with this voyage?’ Perhaps not quite directly.
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Patrick O'Brian (Blue at the Mizzen (Aubrey/Maturin, #20))
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...I have had such a sickening of men in masses, and of causes, that I would not cross this room to reform parliament or prevent the union or to bring about the millennium. I speak only for myself, mind - it is my own truth alone - but man as part of a movement or a crowd is indifferent to me. He is inhuman. And I have nothing to do with nations, or nationalism. The only feelings I have - for what they are - are for men as individuals; my loyalties, such as they may be, are to private persons alone.
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Patrick O'Brian (Master & Commander (Aubrey & Maturin, #1))
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The words 'Very finely played, sir, I believe' were formed in his gullet if not in his mouth when he caught the cold and indeed inimical look and heard the whisper, 'If you really must beat the measure, sir, let me entreat you to do so in time, and not half a beat ahead.
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Patrick O'Brian (Master & Commander (Aubrey & Maturin, #1))
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Rested, shaved, coffee’d, steaked, you will be a different man.
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Patrick O'Brian (Post Captain (Aubrey & Maturin #2))
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Killick was a cross-grained bastard, who supposed that if he sprinkled his discourse with a good many sirs, the words in between did not signify:
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Patrick O'Brian (HMS Surprise (Aubrey & Maturin, #3))
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Trollops are capital things in port, but will not do at sea.
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Patrick O'Brian (Master & Commander (Aubrey & Maturin, #1))
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Jack and Stephen were neither of them human until the first pot of coffee was down, hot and strong.
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Patrick O'Brian (Post Captain (Aubrey & Maturin #2))
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There is a systematic flocci-nauci-nihili-pilification of all other aspects of existence that angers me.
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Patrick O'Brian (Master & Commander (Aubrey & Maturin, #1))
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Of course I do know it is the French who are so wicked; but there are all these people who keep coming and going - the Austrians, the Spaniards, the Russians. Pray, are the Russians good now? It would be very shocking - treason no doubt - to put the wrong people in my prayers.
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Patrick O'Brian (H.M.S. Surprise (Aubrey & Maturin #3))
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Come all you thoughtless young men, a warning take by me And never leave your happy homes to sail the raging sea.
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Patrick O'Brian (The Far Side of the World (Aubrey & Maturin, #10))
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The lookout that first sights the cat shall have ten guineas and remission of sins, short of mutiny, sodomy, or damaging the paintwork.
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Patrick O'Brian (The Surgeon's Mate (Aubrey/Maturin, #7))
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Why, sir," said he, looking about him, "what splendour I see: gold lace, breeches, cocked hats. Allow me to recommend a sandwich. And would you be contemplating an attack, at all?" "It had crossed my mind, I must admit," said Jack. "Indeed, I may go so far as to say, that I am afraid a conflict is now virtually inevitable. Did you notice we have cleared for action?
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Patrick O'Brian (The Mauritius Command (Aubrey & Maturin, #4))
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Well, damme, William, I am sorry: I am very sorry, indeed I am. But injustice is a rule of the service, as you know very well; and since you have to have a good deal of undeserved abuse, you might just as well have it from your friends.
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Patrick O'Brian (The Ionian Mission (Aubrey & Maturin #8))
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He sat on as the sun's rays came slowly down through the trees, lower and lower, and when the lowest reached a branch not far above him it caught a dewdrop poised upon a leaf. The drop instantly blazed crimson, and a slight movement of his head made it show all the colours of the spectrum with extraordinary purity, from a red almost too deep to be seen through all the others to the ultimate violet and back again.
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Patrick O'Brian (The Reverse of the Medal (Aubrey/Maturin, #11))
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If I were a woman I should march out with a flaming torch and a sword; I should emasculate right and left.
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Patrick O'Brian (The Far Side of the World (Aubrey & Maturin, #10))
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Where there was no equality there was no companionship: when a man was obliged to say β€˜Yes, sir,’ his agreement was of no worth even if it happened to be true.
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Patrick O'Brian (Master and Commander (Aubrey/Maturin, #1))
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Authority is a solvent of humanity: look at any husband, any father of a family, and note the absorption of the person by the persona, the individual by the role. Then multiply the family, and the authority, by some hundreds and see the effect upon a sea-captain, to say nothing of an absolute monarch. Surely man in general is born to be oppressed or solitary, if he is to be fully human; unless it so happens that he is immune to the poison.
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Patrick O'Brian (H.M.S. Surprise (Aubrey & Maturin #3))
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And although in many cases these unions proved happy enough, sailors being excellent husbands, often away and handy about the house when ashore, it did make for a curious gathering when the spouses were invited to a ball.
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Patrick O'Brian (The Surgeon's Mate (Aubrey & Maturin, #7))
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I have never yet known a man admit that he was either rich or asleep.
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Patrick O'Brian (Master and Commander (Aubrey/Maturin Book 1) & In the Heart of the Sea & The Lighthouse Stevensons)
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What's wrong with (Captain) Jack Aubrey?" "Everything, since he has a command and I have not.
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Patrick O'Brian (Master & Commander (Aubrey & Maturin, #1))
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Oh, what is that bird?' 'It is a wheatear. We have seen between two and three hundred since we set out, and I have told you their name twice, nay, three times.
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Patrick O'Brian (Post Captain (Aubrey & Maturin, #2))
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I do not say that all lawyers are bad, but I do maintain that the general tendency is bad: standing up in a court for whichever side has paid you, affecting warmth and conviction, and doing everything you can to win the case, whatever your private opinion may be, will soon dull any fine sense of honour. The mercenary soldier is not a valued creature, but at least he risks his life, whereas these men merely risk their next fee.
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Patrick O'Brian (The Reverse of the Medal (Aubrey/Maturin, #11))
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[Babbington] "What did [the Doctor, Stephen] do to you, sir?" [Captain Aubrey] "Well, I am ashamed to say he took a pistol-ball out of the small of my back. It must have been when I turned to hail for more hands- thank God I did not. At the time I thought it was one of those vile horses that were capering about abaft the wheel." "Oh, sir, surely a horse would never have fired off a pistol?
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Patrick O'Brian (The Letter of Marque (Aubrey & Maturin, #12))
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Because, sir, teaching young gentlemen has a dismal effect upon the soul.It exemplifies the badness of established, artificial authority. The pedagogue has almost absolute authority over pupils: he often beats them and insensibly he loses the sense of respect due to them as fellow human beings.He does them harm, but the harm they do him is far greater. He may easily become the all-knowing tyrant, always right, always virtuous; in any event he perpetually associates with his inferiors, the king of his company; and in a surprising short time alas this brands him with the mark of Cain. Have you ever known a schoolmaster fit to associate with grown men?
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Patrick O'Brian (The Ionian Mission (Aubrey & Maturin #8))
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For my own part,' said Captain Aubrey, 'I have no notion of disliking a man for his beliefs, above all if he was born with them. I find I can get along very well with Jews or even...' The P of Papists was already formed, and the word was obliged to come out as Pindoos.
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Patrick O'Brian (The Wine-Dark Sea (Aubrey/Maturin, #16))
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They were looking after themselves, living with rigid economy; and there was no greater proof of their friendship than the way their harmony withstood their very grave differences in domestic behaviour. In Jack's opinion Stephen was little better than a slut: his papers, odd bits of dry, garlic'd bread, his razors and small-clothes lay on and about his private table in a miserable squalor; and from the appearance of the grizzled wig that was now acting as a tea-cosy for his milk-saucepan, it was clear that he had breakfasted on marmalade. Jack took off his coat, covered his waistcoat and breeches with an apron, and carried the dishes into the scullery. 'My plate and saucer will serve again,' said Stephen. 'I have blown upon them. I do wish, Jack,' he cried, 'that you would leave that milk-saucepan alone. It is perfectly clean. What more sanitary, what more wholesome, than scalded milk?
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Patrick O'Brian (Post Captain (Aubrey & Maturin, #2))
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The author says that when an angry impulse is not immediately expressed, it turns to melancholy.
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Patrick O'Brian (Master & Commander (Aubrey & Maturin, #1))
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Any innocent pleasure is a real good: there are not so many of them.
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Patrick O'Brian (Post Captain (Aubrey & Maturin, #2))
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Compulsion is the death of friendship.
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Patrick O'Brian (Post Captain (Aubrey & Maturin, #2))
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The Navy speaks in symbols and you may suit what meaning you choose to the words.
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Patrick O'Brian (Master & Commander (Aubrey & Maturin, #1))
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How wonderfully strange,' he thought, 'to be upset by this trifle; yet I am upset.
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Patrick O'Brian (Master & Commander (Aubrey & Maturin, #1))
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Love, sorrow, and wealth are the three things that cannot be concealed.
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Patrick O'Brian (The Nutmeg of Consolation (Aubrey & Maturin, #14))
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Jack had never been a hypocrite until he became a father, and even now it did not come easy.
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Patrick O'Brian (The Ionian Mission (Aubrey/Maturin, #8))
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There is a proverb in Ireland,’ said Stephen, β€˜to the effect that there is good to be found even in an Englishman – is minic Gall maith. It is not often used, however.
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Patrick O'Brian (Desolation Island (Aubrey & Maturin #5))
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He reflected on his hitherto reflection that soldiers and sailors were, upon the whole, quite different creatures. β€˜And perhaps they are, too: yet perhaps drink, in very large quantities, may make the difference less evident.
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Patrick O'Brian (Blue at the Mizzen (Aubrey/Maturin, #20))
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The weather had freshened almost to coldness, for the wind was coming more easterly, from the chilly currents between Tristan and the Cape; the sloth was amazed by the change; it shunned the deck and spent its time below. Jack was in his cabin, pricking the chart with less satisfaction than he could have wished: progress, slow, serious trouble with the mainmast-- unaccountable headwinds by night-- and sipping a glass of grog; Stephen was in the mizentop, teaching Bonden to write and scanning the sea for his first albatross. The sloth sneezed, and looking up, Jack caught its gaze fixed upon him; its inverted face had an expression of anxiety and concern. 'Try a piece of this, old cock,' he said, dipping his cake in the grog and proffering the sop. 'It might put a little heart into you.' The sloth sighed, closed its eyes, but gently absorbed the piece, and sighed again. Some minutes later he felt a touch upon his knee: the sloth had silently climbed down and it was standing there, its beady eyes looking up into his face, bright with expectation. More cake, more grog: growing confidence and esteem. After this, as soon as the drum had beat the retreat, the sloth would meet him, hurrying toward the door on its uneven legs: it was given its own bowl, and it would grip it with its claws, lowering its round face into it and pursing its lips to drink (its tongue was too short to lap). Sometimes it went to sleep in this position, bowed over the emptiness. 'In this bucket,' said Stephen, walking into the cabin, 'in this small half-bucket, now, I have the population of Dublin, London, and Paris combined: these animalculae-- what is the matter with the sloth?' It was curled on Jack's knee, breathing heavily: its bowl and Jack's glass stood empty on the table. Stephen picked it up, peered into its affable bleary face, shook it, and hung it upon its rope. It seized hold with one fore and one hind foot, letting the others dangle limp, and went to sleep. Stephen looked sharply round, saw the decanter, smelt to the sloth, and cried, 'Jack, you have debauched my sloth.
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Patrick O'Brian (H.M.S. Surprise (Aubrey & Maturin #3))
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For you must know, gentlemen, that when the mariner is dosed, he likes to know that he has been dosed: with fifteen grains or even less of this valuable substance scenting him and the very air about him there can be no doubt of the matter; and such is the nature of the human mind that he experiences a far greater real benefit than the drug itself would provide, were it deprived of its stench.
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Patrick O'Brian (The Commodore (Aubrey/Maturin, #17))
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When Jack came in he found him sitting before a tray of bird's skins and labels. Stephen looked up, and after a moment said, 'To a tormented mind there is nothing, I believe, more irritating than comfort. Apart from anything else it often implies superior wisdom in the comforter. But I am very sorry for your trouble, my dear.' 'Thank you, Stephen. Had you told me that there was always a tomorrow, I think I should have thrust your calendar down your throat.
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Patrick O'Brian (The Commodore (Aubrey/Maturin, #17))
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Martin was a thoroughly amiable man, a man of wide reading, but when he came to write he mounted upon a pair of stilts, unusually lofty stilts, and staggered along at a most ungracious pace, with an occasional awkward lurch into colloquialism, giving a strikingly false impression of himself.
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Patrick O'Brian (The Far Side of the World (Aubrey & Maturin, #10))
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Mr Babbington,' he said, suddenly stopping in his up and down. 'Take your hands out of your pockets. When did you last write home?' Mr Babbington was at an age when almost any question evokes a guilty response, and this was, in fact, a valid accusation. He reddened, and said, 'I don't know, sir.' 'Think, sir, think,' said Jack, his good-tempered face clouding unexpectedly...'Never, mind. Write a handsome letter. Two pages at least. And send it in to me with your daily workings tomorrow. Give your father my compliments and tell him my bankers are Hoares.' For Jack, like most other captains, managed the youngsters' parental allowance for them. 'Hoares,' he repeated absently once or twice, 'my bankers are Hoares,' and a strangled ugly crowing noise made him turn. Young Ricketts was clinging to the fall of the main burton-tackle in an attempt to control himself, but without much success.
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Patrick O'Brian (Master & Commander (Aubrey & Maturin, #1))
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To tell the truth, sir, I believe I had rather sit in the shelter for a while. The cabbage seems to have turned my inward parts to water.’ Nonsense,’ said Stephen, β€˜it is the most wholesome cabbage I have ever come across in the whole of my career. I hope, Mr. Herapath, that you are not going to join in the silly weak womanish unphilosophical mewling and puling about the cabbage. So it is a little yellow in certain lights, so it is a little sharp, so it smells a little strange: so much the better, say I. At least that will stop the insensate Phaeacian hogs from abusing it, as they abuse the brute creation, stuffing themselves with flesh until what little brain they have is drowned in fat. A virtuous esculent! Even its boldest detractors, ready to make the most hellish declarations and to swear through a nine-inch plank that the cabbage makes them fart and rumble, cannot deny that it cured their purpurae. Let them rumble till the heavens shake and resound again; let them fart fire and brimstone, the Gomorrhans, I will not have a single case of scurvy on my hands, the sea-surgeon’s shame, while there is a cabbage to be culled.
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Patrick O'Brian (Desolation Island (Aubrey & Maturin, #5))
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You are to consider that a certain melancholy and often a certain irascibility accompany advancing age: indeed it might be said that advancing age equals ill-temper. On reaching the middle years a man perceives that he is no longer able to do certain things, that what looks he may have had are deserting him, that he has a ponderous great belly, and that however much he may yet burn he is no longer attractive to women; and he rebels. Fortitude, resignation and philosophy are of more value than any pills, red, white or blue.
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Patrick O'Brian (The Truelove (Aubrey & Maturin, #15))
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Jack was already mother-naked when he heard the cry and saw the splash. He slipped from the gunwale into the clear water, made out the vague form at a surprising depth, dived, fished it up, swam to the ship, now a hundred yards away, roared for a line, passed the inanimate Herapath up the side, and followed himself. 'Mr Pullings,'he cried, very angry. 'Put an end to this infernal hallooing instantly. Always the same God-damned foolery, every time a man goes overboard. Damn you all for a mob of mad lunatics. Get along forward. Silence fore and aft.
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Patrick O'Brian (Desolation Island (Aubrey & Maturin, #5))
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All your sea-omens are of disaster; and of course, with man in his present unhappy state, huddled together in numbers far too great and spending all his surplus time and treasure beating out his brother's brains, any gloomy foreboding is likely to be fulfilled; but your corpse, your parson, your St Elmo's fire is not the cause of the tragedy.
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Patrick O'Brian (H.M.S. Surprise (Aubrey & Maturin #3))
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They made him [Stephen] a little canvas boat, and it was thought that if he were obliged to wear two sea-elephant's bladders, blown up and attached to his person, he could not come to harm in such a placid sea; but after an unfortunate experience in which he became involved in his umbrella and it was found that the bladders buoyed up his meagre hams alone, so that only the presence of Babbington's Newfoundland preserved him, he was forbidden to go unaccompanied.
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Patrick O'Brian (Desolation Island (Aubrey & Maturin, #5))
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First there was the sky, high, pure and of a darker blue than he had ever seen. And then there was the sea, a lighter, immensely luminous blue that reflected blue into the air, the shadows and the sails; a sea that stretched away immeasurably when the surge raised the frigate high, showing an orderly array of great crests, each three furlongs from its predecessor, and all sweeping eastwards in an even, majestic procession.
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Patrick O'Brian (The Thirteen-Gun Salute (Aubrey & Maturin, #13))
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What do you say to taking up our game where we left off? I was winning, you will recall.' Winning, for all love: how your ageing memory does betray you, my poor friend,' said Stephen, fetching his 'cello. They tuned, and at no great distance Killick said to his mate, 'There they are, at it again. Squeak, squeak; boom, boom. And when they do start a-playing, it's no better. You can't tell t'other from one. Never nothing a man could sing to, even as drunk as Davy's sow.' I remember them in the Lively: but it is not as chronic as a wardroom full of gents with German flutes, bellyaching night and day, like we had in Thunderer. No. Live and let live, I say.' Fuck you, William Grimshaw.
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Patrick O'Brian (The Nutmeg of Consolation (Aubrey/Maturin, #14))
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Well, Killick, I trust you are not rushing into matrimony without due consideration? Matrimony is a very serious thing.’ β€˜Oh no, sir. I considered of it: I considered of it, why, the best part of twenty minutes. There was three to choose on, and this here –’ looking fondly at his purchase – β€˜was the pick of the bunch.
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Patrick O'Brian (Desolation Island (Aubrey-Maturin, #5))
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If men were to consider what they were at - if if they were to look around them, and reflect upon the cost of life in a universe where prisons, brothels, madhouses, and regiments of men armed and trained to kill other men are so very common - why, I doubt we should see many of these poor mewling little larval victims, so often a present misery to their parents and a future menace to their kind.
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Patrick O'Brian (The Surgeon's Mate (Aubrey & Maturin, #7))
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Oh, I shall plead guilty at once,’ said Stephen. β€˜And I shall add that I was sitting in the powder-magazine with a naked light at the time, imagining the death of the King, wasting my medical stores, smoking tobacco and making a fraudulent return of the portable soup. What solemn nonsense it is’ – laughing heartily – β€˜I am surprised so sensible a man as you should attribute any importance to the matter.
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Patrick O'Brian (Master and Commander (Aubrey/Maturin, #1))
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Yet,'said Maturin, pursuing his own thought, 'there is a quality in dogs, I must confess, rarely to be seen elsewhere and that is affection: I do not mean the violent possessive protective love for their owner but rather that mild, steady attachment to their friends that we see quite often in the best sort of dog. And when you consider the rarity of plain disinterested affection among our own kind, once we are adult, alas - when you consider how immensely it enhances daily life and how it enriches a man's past and future, so that he can look backward and forward with complacency - why, it is a pleasure to find it in brute creation.
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Patrick O'Brian (Treason's Harbour (Aubrey/Maturin, #9))
β€œ
And she hates being managed - that is not the word I want. What is it, Maturin?' 'Manipulated.' 'Exactly. She is a dutiful girl - a great sense of duty: I think it rather stupid, but there it is - but still she finds the way her mother has been arranging and pushing and managing and angling in all this perfectly odious. You two must have had hogsheads of that grocer's claret forced down your throats. Perfectly odious: and she is obstinate - strong, if you like - under that bread-and-butter way of hers. It will take a great deal to move her; much more than the excitement of a ball.
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Patrick O'Brian (Post Captain (Aubrey & Maturin, #2))
β€œ
They played, not beautifully but deep, ignoring their often discordant strings and striking right into the heart of the music they knew best, the true notes acting as their milestones. On the poop above their heads, where the weary helmsmen tended the new steering-oar and Babbington stood at the con, the men listened intently; it was the first sound of human life that they had heard, apart from the brief Christmas merriment, for a time they could scarcely measure.
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Patrick O'Brian (Desolation Island (Aubrey & Maturin, #5))
β€œ
Valuable and ingenious he might be, thought Jack, fixing him with his glass, but false he was too, and perjured. He had voluntarily sworn to have no truck with vampires, and here, attached to his bosom, spread over it and enfolded by one arm, was a greenish hairy thing, like a mat - a loathsome great vampire of the most poisonous kind, no doubt. β€˜I should never have believed it of him: his sacred oath in the morning watch and now he stuffs the ship with vampires; and God knows what is in that bag. No doubt he was tempted, but surely he might blush for his fall?’ No blush; nothing but a look of idiot delight as he came slowly up the side, hampered by his burden and comforting it in Portuguese as he came. β€˜I am happy to see that you were so successful, Dr Maturin,’ he said, looking down into the launch and the canoes, loaded with glowing heaps of oranges and shaddocks, red meat, iguanas, bananas, greenstuff. β€˜But I am afraid no vampires can be allowed on board.’ β€˜This is a sloth,’ said Stephen, smiling at him. β€˜A three-toed sloth, the most affectionate, discriminating sloth you can imagine!’ The sloth turned its round head, fixed its eyes on Jack, uttered a despairing wail, and buried its face again in Stephen’s shoulder, tightening its grip to the strangling-point.
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Patrick O'Brian (H.M.S. Surprise (Aubrey & Maturin #3))
β€œ
I cannot understand the principle at all,' said Stephen. 'I should very much like to show it to Captain Aubrey, who is so very well versed in the mathematics and dynamics of sailing. Landlord, pray ask him whether he is willing to part with the instrument.' Not on your fucking life,' said the Aboriginal, snatching the boomerang and clasping it to his bosom. He says he does not choose to dispose of it, your honour,' said the landlord. 'But never fret. I have a dozen behind the bar that I sell to ingenious travelers for half a guinea. Choose any one that takes your fancy, sit, and Bennelong will throw it to prove it comes back, a true homing pigeon, as we say. Won't you?' This much louder, in the black man's ear. Won't I what?' Throw it for the gentleman.' Give um dram.' Sir, he says he will be happy to throw it for you; and hopes you will encourage him with a tot of rum. (pp. 353-354)
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Patrick O'Brian (The Nutmeg of Consolation (Aubrey/Maturin, #14))
β€œ
The event caused a certain amount of ribaldry and a fair number of sentences depriving men of their grog for playing the God-damned fool, an offense that came under Article Thirty-six 'All other crimes not capital, committed by any person or persons in the fleet, which are not mentioned in this act, or for which no punishment is hereby directed to be inflicted, shall be punished according to the laws and customs in such cases used at sea,' also known as the captain's cloak or cover-all.
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Patrick O'Brian (Desolation Island (Aubrey & Maturin, #5))
β€œ
I was talking about children that have not been properly house-trained. Left to their own impulses and indulged by doting or careless parents almost all children are yahoos. Loud, selfish, cruel, unaffectionate, jealous, perpetually striving for attention, empty-headed, for ever prating or if words fail them simply bawling, their voices grown huge from daily practice: the very worst company in the world. But what I dislike even more than the natural child is the affected child, the hulking oaf of seven or eight that skips heavily about with her hands dangling in front of her -- a little squirrel or bunny-rabbit -- and prattling away in a baby's voice.
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Patrick O'Brian (The Truelove (Aubrey & Maturin, #15))
β€œ
Stephen had been put to sleep in his usual room, far from children and noise, away in that corner of the house which looked down to the orchard and the bowling-green, and in spite of his long absence it was so familiar to him that when he woke at about three he made his way to the window almost as quickly as if dawn had already broken, opened it and walked out onto the balcony. The moon had set: there was barely a star to be seen. The still air was delightfully fresh with falling dew, and a late nightingale, in an indifferent voice, was uttering a routine jug-jug far down in Jack's plantations; closer at hand and more agreeable by far, nightjars churred in the orchard, two of them, or perhaps three, the sound rising and falling, intertwining so that the source could not be made out for sure. There were few birds that he preferred to nightjars, but it was not they that had brought him out of bed: he stood leaning on the balcony rail and presently Jack Aubrey, in a summer-house by the bowling-green, began again, playing very gently in the darkness, improvising wholly for himself, dreaming away on his violin with a mastery that Stephen had never heard equalled, though they had played together for years and years. Like many other sailors Jack Aubrey had long dreamed of lying in his warm bed all night long; yet although he could now do so with a clear conscience he often rose at unChristian hours, particularly if he were moved by strong emotion, and crept from his bedroom in a watch-coat, to walk about the house or into the stables or to pace the bowling-green. Sometimes he took his fiddle with him. He was in fact a better player than Stephen, and now that he was using his precious Guarnieri rather than a robust sea-going fiddle the difference was still more evident: but the Guarnieri did not account for the whole of it, nor anything like. Jack certainly concealed his excellence when they were playing together, keeping to Stephen's mediocre level: this had become perfectly clear when Stephen's hands were at last recovered from the thumb-screws and other implements applied by French counter-intelligence officers in Minorca; but on reflexion Stephen thought it had been the case much earlier, since quite apart from his delicacy at that period, Jack hated showing away. Now, in the warm night, there was no one to be comforted, kept in countenance, no one could scorn him for virtuosity, and he could let himself go entirely; and as the grave and subtle music wound on and on, Stephen once more contemplated on the apparent contradiction between the big, cheerful, florid sea-officer whom most people liked on sight but who would have never been described as subtle or capable of subtlety by any one of them (except perhaps his surviving opponents in battle) and the intricate, reflective music he was now creating. So utterly unlike his limited vocabulary in words, at times verging upon the inarticulate. 'My hands have now regained the moderate ability they possessed before I was captured,' observed Maturin, 'but his have gone on to a point I never thought he could reach: his hands and his mind. I am amazed. In his own way he is the secret man of the world.
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Patrick O'Brian (The Commodore (Aubrey/Maturin, #17))
β€œ
Stephen nodded. 'Tell me,' he said, in a low voice, some moments later. 'Were I under naval discipline, could that fellow have me whipped?'He nodded towards Mr Marshall. 'The master?' cried Jack, with inexpressible amazement. 'Yes,' said Stephen looking attentively at him, with his head slightly inclined to the left. 'But he is the master...' said Jack. If Stephen had called the sophies stem her stern, or her truck her keel, he would have understood the situation directly; but that Stephen should confuse the chain of command, the relative status of a captain and a master, of a commissioned officer and a warrant officer, so subverted the natural order, so undermined the sempiternal universe, that for a moment his mind could hardly encompass it. Yet Jack, though no great scholar, no judge of a hexameter, was tolerably quick, and after gasping no more than twice he said, 'My dear sir, I beleive you have been lead astray by the words master and master and commander- illogical terms, I must confess. The first is subordinate to the second. You must allow me to explain our naval ranks some time. But in any case you will never be flogged- no, no; you shall not be flogged,' he added, gazing with pure affection, and with something like awe, at so magnificent a prodigy, at an ignorance so very far beyond anything that even his wide-ranging mind had yet conceived.
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Patrick O'Brian (Master & Commander (Aubrey & Maturin, #1))
β€œ
Perhaps there will be news from home waiting for us there. Lord, how I should love to know how things are going.’ β€˜Oh so should I,’ cried Stephen. β€˜Though it is not yet possible that there should be word of Diana and our daughter. Sometimes when I think of that little soul I grow quite lachrymose.’ β€˜A few months of roaring and bawling and swaddling-clothes will soon cure you of that. You have to be a woman to bear babies.’ β€˜So I have always understood,’ said Stephen.
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Patrick O'Brian (The Thirteen-Gun Salute (Aubrey/Maturin #13))
β€œ
Within himself Jack had not the slightest doubt of victory, but it would never do to let this conviction take the form of even unspoken words; it must remain in the state of that inward glow which had inhabited him ever since the retaking of the Africaine, and which had now increased to fill the whole of his heart - a glow that he believed to be his most private secret, although in fact it was evident to everyone aboard from Stephen Maturin to the adenoidal third-class boy who closed the muster-book.
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Patrick O'Brian (The Mauritius Command (Aubrey & Maturin, #4))
β€œ
When do you propose to land?’ β€˜Not until after dinner. I am letting the canoes come alongside and gossip, so that Queen Puolani will know everything about us and what is afoot. She will not be caught unprepared – it is a dreadful thing to have a whole carriageful of people draw up at your door and leap out grinning, the house all ahoo, carpets taken up, a great washing going on, the children bawling, yourself confined to the head, having taken physic, and your wife gone to Pompey in hopes of a new cook.
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Patrick O'Brian (The Truelove (Aubrey/Maturin, #15))
β€œ
Sure, it is weak and illiberal to speak slightingly of any considerable body of men; yet it so happens that the only judges I have known have been froward companions, and it occurs to me that not only are they subjected to the evil influence of authority but also to that of righteous indignation, which is even more deleterious. Those who judge and sentence criminals address them with an unbridled, vindictive righteousness that would be excessive in an archangel and that is indecent to the highest degree in one sinner speaking to another, and he defenceless. Righteous indignation every day, and publicly applauded!
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Patrick O'Brian (Desolation Island (Aubrey & Maturin, #5))
β€œ
Hatred the only moving force, a petulant unhappy striving - childhood the only happiness, and that unknowing; then the continual battle that cannot ever possibly be won; a losing fight against ill-health - poverty for nearly all. Life is a long disease with only one termination and its last years are appalling: weak, racked by the stone, rheumatismal pains, senses going, friends, family, occupation gone, a man must pray for imbecility or a heart of stone. All under sentence of death, often ignominious,frequently agonizing: and then the unspeakable levity with which the faint chance of happiness is thrown away for some jealousy, tiff, sullenness, private vanity, mistaken sense of honour, that deadly, weak and silly notion.
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Patrick O'Brian (Post Captain (Aubrey & Maturin, #2))
β€œ
If I no longer love Diana,’ he wrote, β€˜what shall I do?’ What could he do, with his mainspring, his prime mover gone? He had known that he would love her for ever - to the last syllable of recorded time. He had not sworn it, any more than he had sworn that the sun would rise every morning: it was too certain, too evident: no one swears that he will continue to breathe nor that twice two is four. Indeed, in such a case an oath would imply the possibility of doubt. Yet now it seemed that perpetuity meant eight years, nine months and some odd days, while the last syllable of recorded time was Wednesday, the seventeenth of May.
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Patrick O'Brian (The Fortune of War (Aubrey & Maturin, #6))
β€œ
Jack was led out of the dark room into the strong light, and as they guided him up the steps he could see nothing for the glare. 'Your head here sir, if you please,' said the sheriff's man in a low, nervous, conciliating voice, 'and your hands just here.' Β Β  The man was slowly fumbling with the bolt, hinge and staple, and as Jack stood there with his hands in the lower half-rounds, his sight cleared: he saw that the broad street was filled with silent, attentive men, some in long togs, some in shore-going rig, some in plain frocks, but all perfectly recognizable as seamen. And officers, by the dozen, by the score: midshipmen and officers. Babbington was there, immediately in front of the pillory, facing him with his hat off, and Pullings, Stephen of course, Mowett, Dundas . . . He nodded to them, with almost no change in his iron expression, and his eye moved on: Parker, Rowan, Williamson, Hervey . . . and men from long, long ago, men he could scarcely name, lieutenants and commanders putting their promotion at risk, midshipmen and master's mates their commissions, warrant-officers their advancement. Β Β  'The head a trifle forward, if you please, sir,' murmured the sheriff's man, and the upper half of the wooden frame came down, imprisoning his defenceless face. He heard the click of the bolt and then in the dead silence a strong voice cry 'Off hats'. With one movement hundreds of broad-brimmed tarpaulin-covered hats flew off and the cheering began, the fierce full-throated cheering he had so often heard in battle.
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Patrick O'Brian (The Reverse of the Medal (Aubrey/Maturin, #11))
β€œ
They were furious. Did he not know he might catch cold? Why did he not answer their hail? It was no good his telling them he had not heard; they knew better; he had not got flannel ears--Why had he not waited for them? --What was a boat for? Was this a proper time to go a-swimmin? -- Did he think this was midsummer? Or Lammas? -- He was to see how cold he was, blue an trembling like a fucking jelly -- Would a new-joined ships boy have done such a wicked thing? No, sir, he would not. -- What would the skipper, what would Mr Pullings and Mr Babbington say, when they heard of his capers? -- As God loved them, they had never seen anything so foolish: he might strike them blind, else. -- Where had he left his intellectuals? Aboard the sloop? They dried him with handkerchiefs., dressed him by force, and rowed him quickly back to the Polychrest. He was to go below directly, turn in between blankets--no sheets, mind--with a pint of grog and have a good sweat. he was to go up the side now, like a Christian and nobody would notice. Plaice and Lakey were perhaps the strongest men in the ship, with arms like gorillas; they thrust him aboard and hurried him to his cabin without so much as by your leave, and left him there in the charge of his servant, with recommenations for his present care.
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Patrick O'Brian (Post Captain (Aubrey & Maturin, #2))
β€œ
Were you ever in Elsinore, Mr Jagiello?’ asked Jack. Oh, many a time, sir,’ said Jagiello. β€˜I know it well. I believe I could show you Hamlet’s grave from here.’ I was really wondering whether they had ten or thirteen inch mortars on the upper terrace,’ said Jack, β€˜but I should be very happy to see Hamlet’s grave as well.’ Both ten and thirteen, sir. And if you go a little to the right from the farthest turret, there are some trees: and among those trees there is the grave. You can just make out the rocks.’ So there he lies,’ said jack, his telescope leveled. β€˜Well, well: we must all come to it. But it was a capital piece, capital. I never laughed so much in my life.’ A capital piece indeed,’ said Stephen, β€˜and I doubt I could have done much better myself. But, do you know, I have never in my own mind classed it among the comedies. Pray did you read it recently?’ I never read it at all,’ said Jack. β€˜That is to say, not right through. No: I did something better than thatβ€”I acted in it. There, the upper terrace fires. I was a midshipman at the time.
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Patrick O'Brian (The Surgeon's Mate (Aubrey & Maturin, #7))
β€œ
Stephen's heart was big to bursting with the violence of his grief, yet even as he looked distractedly from side to side his mind told him that there was something amiss, the more so as the cheering had now almost entirely died away. The whaler had a huge spread of canvas aboard, far too great a press of sail for her possibly to enter the lagoon: she was tearing along with a great bow-wave and she sped past the mouth of the farther channel. A cable's length beyond the Opening her main and fore topgallantmasts carried clean away, as though brought down by a shot, and she instantly hauled to the wind, striking her colours as she did so. Her pursuer came racing into sight round the southern cape, studdingsails aloft and alow on either sideβ€”a dead silence from the motionless Norfolks belowβ€”fired a full, prodigal broadside to leeward, lowered down a boat and began to reduce sail, cheering like a ship clean out of her mind with delight. 'She is the Surprise,' said Stephen, and he whispered, 'The joyful Surprise, God and Mary be with her.
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Patrick O'Brian (The Far Side of the World (Aubrey & Maturin, #10))
β€œ
The gentleman was asking what you thought of democracy, sir,’ said Vidal, smiling. β€˜Alas I cannot tell you, sir,’ said Stephen, returning the smile. β€˜For although it would not be proper to call this barque or vessel a King’s ship except in the largest sense, we nevertheless adhere strictly to the naval tradition which forbids the discussion of religion, women, or politics in our mess. It has been objected that this rule makes for insipidity, which may be so; yet on the other hand it has its uses, since in this case for example it prevents any member from wounding any other gentleman present by saying that he did not think the policy that put Socrates to death and that left Athens prostrate was the highest expression of human wisdom, or by quoting Aristotle’s definition of democracy as mob-rule, the depraved version of a commonwealth.’ β€˜Can you suggest a better system?’ asked Dutourd. β€˜Sir,’ said Stephen, β€˜my words were those of some hypothetical person: where my own views are concerned, tradition seals my mouth. As I have told you, we do not discuss politics at this table.
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Patrick O'Brian (The Wine-Dark Sea (Aubrey/Maturin, #16))
β€œ
Oh well,' said Jack: and then, 'Did you ever meet Bach?' 'Which Bach?' 'London Bach.' 'Not I.' 'I did. He wrote some pieces for my uncle Fisher, and his young man copied them out fair. But they were lost years and years ago, so last time I was in town I went to see whether I could find the originals: the young man has set up on his own, having inherited his master's music-library. We searched through the papers β€” such a disorder you would hardly credit, and I had always supposed publishers were as neat as bees β€” we searched for hours, and no uncle's pieces did we find. But the whole point is this: Bach had a father.' 'Heavens, Jack, what things you tell me. Yet upon recollection I seem to have known other men in much the same case.' 'And this father, this old Bach, you understand me, had written piles and piles of musical scores in the pantry.' 'A whimsical place to compose in, perhaps; but then birds sing in trees, do they not? Why not antediluvian Germans in a pantry?' 'I mean the piles were kept in the pantry. Mice and blackbeetles and cook-maids had played Old Harry with some cantatas and a vast great passion according to St Mark, in High Dutch; but lower down all was well, and I brought away several pieces, 'cello for you, fiddle for me, and some for both together. It is strange stuff, fugues and suites of the last age, crabbed and knotted sometimes and not at all in the modern taste, but I do assure you, Stephen, there is meat in it. I have tried this partita in C a good many times, and the argument goes so deep, so close and deep, that I scarcely follow it yet, let alone make it sing. How I should love to hear it played really well β€” to hear Viotti dashing away.
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Patrick O'Brian (The Ionian Mission (Aubrey & Maturin #8))
β€œ
Sublime Books The Known World, by Edward P. Jones The Buried Giant, by Kazuo Ishiguro A Thousand Trails Home, by Seth Kantner House Made of Dawn, by N. Scott Momaday Faithful and Virtuous Night, by Louise GlΓΌck The Left Hand of Darkness, by Ursula K. Le Guin My Sentence Was a Thousand Years of Joy, by Robert Bly The World Without Us, by Alan Weisman Unfortunately, It Was Paradise, by Mahmoud Darwish Collected Fictions, by Jorge Luis Borges, trans. Andrew Hurley The Xenogenesis Trilogy, by Octavia E. Butler Map: Collected and Last Poems, by WisΕ‚awa Szymborska In the Lateness of the World, by Carolyn ForchΓ© Angels, by Denis Johnson Postcolonial Love Poem, by Natalie Diaz Hope Against Hope, by Nadezhda Mandelstam Exhalation, by Ted Chaing Strange Empire, by Joseph Kinsey Howard Tookie’s Pandemic Reading Deep Survival, by Laurence Gonzales The Lost City of the Monkey God, by Douglas Preston The House of Broken Angels, by Luis Alberto Urrea The Heartsong of Charging Elk, by James Welch Selected Stories of Anton Chekhov, trans. Richard Pevear and Larissa Volokhonsky The Sound of a Wild Snail Eating, by Elisabeth Tova Bailey Let’s Take the Long Way Home, by Gail Caldwell The Aubrey/Maturin Novels, by Patrick O’Brian The Ibis Trilogy, by Amitav Ghosh The Golden Wolf Saga, by Linnea Hartsuyker Children of Time, by Adrian Tchaikovsky Coyote Warrior, by Paul VanDevelder Incarceration Felon, by Reginald Dwayne Betts Against the Loveless World, by Susan Abulhawa Waiting for an Echo, by Christine Montross, M.D. The Mars Room, by Rachel Kushner The New Jim Crow, by Michelle Alexander This Is Where, by Louise K. Waakaa’igan I Will Never See the World Again, by Ahmet Altan Sorrow Mountain, by Ani Pachen and Adelaide Donnelley American Prison, by Shane Bauer Solitary, by Albert Woodfox Are Prisons Obsolete?, by Angela Y. Davis 1000 Years of Joys and Sorrows, by Ai Weiwei Books contain everything worth knowing except what ultimately matters. β€”Tookie * * * If you are interested in the books on these lists, please seek them out at your local independent bookstore. Miigwech! Acknowledgments
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Louise Erdrich (The Sentence)