β
You donβt believe the sky is falling until a chunk of it falls on you.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
As they say, history does not repeat itself, but it rhymes.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
Once a story youβve regarded as true has turned false, you begin suspecting all stories.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
The truth can cause a lot of trouble for those who are not supposed to know it.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
Youβd be surprised how quickly the mind goes soggy in the absence of other people. One person alone is not a full person: we exist in relation to others. I was one person: I risked becoming no person.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
And how easily a hand becomes a fist.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
No one wants to die,β said Becka. βBut some people donβt want to live in any of the ways that are allowed.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
Two roads diverged in a yellow wood, and I took the one most travelled by. It was littered with corpses, as such roads are. But as you will have noticed, my own corpse is not among them.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
Being able to read and write did not provide answers to all questions. It led to other questions, and then to others.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
The inventor of the mirror did few of us any favours: we must have been happier before we knew what we looked like.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
But it can put a lot of pressure on a person to be told they need to be strong.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
Nobody is any authority on the fucks other people give,
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
Where there is an emptiness, the mind will obligingly fill it up. Fear is always at hand to supply any vacancies, as is curiosity. I have had ample experience with both.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
All that was necessary was a law degree and a uterus: a lethal combination.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
Weβre stretched thin, all of us; we vibrate; we quiver, weβre always on the alert. Reign of terror, they used to say, but terror does not exactly reign. Instead it paralyzes. Hence the unnatural quiet.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
Still, I wanted to believe; indeed I longed to; and, in the end, how much of belief comes from longing?
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
Itβs better that way, and I am a great proponent of better. In the absence of best.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
I was the age at which parents suddenly transform from people who know everything into people who know nothing. β
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
underlings given sudden power frequently become the worst abusers of it.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
You take the first step, and to save yourself from the consequences, you take the next one. In times like ours, there are only two directions: up or plummet.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
How can I have behaved so badly, so cruelly, so stupidly? you will ask. You yourself would never have done such things! But you yourself will never have had to.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
You don't believe the sky is falling until a chunk of it falls on you.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
I was buying time. One is always buying something.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
Giving up was the new normal, and I have to say it was catching.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
The muscles of my face were beginning to hurt. Under some conditions, smiling is a workout.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
I, too, was once like you: fatally hooked on life.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
Totalitarianisms may crumble from within, as they fail to keep the promises that brought them to power; or they may be attacked from without; or both. There are no sure-fire formulas, since very little in history is inevitable
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
How tedious is a tyranny in the throes of enactment. Itβs always the same plot.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
You pride yourself on being a realist, I told myself, so face the facts. Thereβs been a coup, here in the United States, just as in times past in so many other countries. Any forced change of leadership is always followed by a move to crush the opposition. The opposition is led by the educated, so the educated are the first to be eliminated.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
Life is not about hair,β I said then, only half jocularly. Which is true, but it is also true that hair is about life. It is the flame of the bodyβs candle, and as it dwindles the body shrinks and melts away.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
But sins must not be overlooked simply because the sinner is skilled.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
The ability to concoct plausible lies is a talent not to be underestimated.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
Love is a discipline, like prayer,β I said.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
Wedlock: it had a dull metallic sound, like an iron door clicking shut.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
I made choices, and then, having made them, I had fewer choices.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
You are of course fully in control of what you choose to read,
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
When a shameful thing is done to you, the shamefulness rubs off on you. You feel dirtied.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
They were wearing camouflage gear direct from central casting, and if it hadn't been for the guns I might have laughed, not yet realizing that female laughter would soon be in short supply.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
Forbidden things are open to the imagination.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
Sorry solves nothing
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
knowledge is power, especially discreditable knowledge.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
Keep your friends close but your enemies closer. Having no friends, I must make do with enemies.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
you could believe you were living virtuously and also murder people if you were a fanatic.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
Such a cruel thing, memory. We canβt remember what it is that weβve forgotten. That we have been made to forget. That we've had to forget, in order to pretend to live here in a normal way.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
You need to be strong. They were trying to make things better. But it can put a lot of pressure on a person to be told they need to be strong.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
The ways of God are not the ways of man, and they are most emphatically not the ways of woman.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
One person alone is not a full person: we exist in relation to others. I was one person: I risked becoming no person.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
Nobody has any authority on the fucks that other people give.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
Think of me as a guide. Think of yourself as a wanderer in a dark wood. Itβs about to get darker.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
Not for nothing do we at Ardua Hall say βPen Is Envy.ββ
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
but they mean well, I remind myself. Is that ever a convincing excuse when thereβs blood on the carpet?
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
What good is it to throw yourself in front of a steamroller out of moral principles and then be crushed flat like a sock emptied of its foot?
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
Torture is like dancing: Iβm too old for it. Let the younger ones practice their bravery.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
Penises,β I said thoughtfully. βThem again.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
Nobody is any authority of the fucks other people give.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
It was always a cruelty to promise them equality,β he said, βsince by their nature they can never achieve it. We have already begun the merciful task of lowering their expectations.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
Such regrets are of no practical use. I made choices, and then, having made them, I had fewer choices. Two roads diverged in a yellow wood, and I took the one most travelled by. It was littered with corpses, as such roads are. But as you will have noticed, my own corpse is not among them.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
I always made dough men, I never made dough women, because after they were baked I would eat them, and that made me feel I had a secret power over men. It was becoming clear to me that, despite the urges Aunt Vidala said I aroused in them, I had no power over them otherwise.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
At the time I thought, Why cry, you should be happy, you got out. But after all thatβs happened to me since that day, I understand why. You hold it in, whatever it is, until you can make it through the worst part. Then, once youβre safe, you can cry all the tears you couldnβt waste time crying before.
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β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
Our time together is drawing short, my reader. Possibly you will view these pages of mine as a fragile treasure box, to be opened with the utmost care. Possibly you will tear them apart, or burn them: that often happens to words.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
Innocent men denying their guilt sound exactly like guilty men, as I am sure you have noticed, my reader. Listeners are inclined to believe neither.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
Well. Its the penises.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
We canβt always do what we want,β said Zilla gently. βEven you.β
βAnd sometimes we have to do what we hate,β said Vera. βEven you.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
I shiver: whose feet are walking on my grave? Time, I plead to the air, just a little more time. That's all I need.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
Iβm all ears,β she said. An untruthβher ears were a small part of herβbut I let that pass.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
The Wheel of Fortune rotates, fickle as the moon. Soon those who were down will move upwards. And vice versa, of course
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
Youβd be surprised how quickly the mind goes soggy in the absence of other people. One person alone is not a full person: we exist in relation to others.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
One person alone is not a full person: we exist in relation to others.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
Itβs a gamble every time you get up in the morning,
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
Just because people are related to you doesnβt mean you love them,
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
It was also shameful: when a shameful thing is done to you, the shamefulness rubs off on you. You feel dirtied.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
I feared I might lose my faith. If youβve never had a faith, you will not understand what that means. You feel as if your best friend is dying, that everything that defined you is being burned away; that youβll be left all alone.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
We must continue to remind ourselves of the wrong turnings taken in the past so we do not repeat them.
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β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
Becka said that spelling was not reading. "Reading," she said, "was when you could hear the words as if they were a song.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
Such regrets are of no practical use. I made choices, and then, having made them, I had fewer choices.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
That birthday was the day I discovered that I was a fraud. Or not a fraud, like a bad magician: a fake, like a fake antique. I was a forgery, done on purpose.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
One by one I could handle them, but if they combined into a mob of three I would have trouble. Divide and conquer would be my motto.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
Keep steady, I told myself. Donβt share too much about yourself, it will be used against you. Listen carefully. Save all clues. Donβt show fear.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
Every woman is supposed to have the same set of motives, or else to be a monster.β βGEORGE ELIOT, DANIEL DERONDA
β
β
Margaret Atwood (The Testaments (The Handmaidβs Tale, #2))
β
Reign of terror, they used to say, but terror does not exactly reign. Instead it paralyzes. Hence the unnatural quiet.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
She who cannot control herself cannot control the path to duty. Do not fight the waves of anger, use the anger as your fuel. Inhale. Exhale. Sidestep. Circumvent. Deflect.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
Itβs foolish to joke with those who have absolute control over you. They donβt like it; they think you donβt appreciate the full extent of their power.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
But in an account such as this, it is better to be scrupulous about your faults, as about all your other actions. Otherwise no one will understand why you made the decisions that you made.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
The adult female body was one big booby trap as far as I could tell. If there was a hole, something was bound to be shoved into it and something else was bound to come out, and that went for any kind of hole: a hole in a wall, a hole in a mountain, a hole in the ground. There were so many things that could be done to it or go wrong with it, this adult female body, that I was left feeling I would be better off without it.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
She was a more charitable person than I was; I admired her in that, but I could not emulate her.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
Which way will the cat jump?
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
They say that a nightmare can frighten you to death, that your heart can literally stop. Will this bad dream kill me, one of these nights? Surely it will take more than that.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
The corrupt and blood-smeared fingerprints of the past must be wiped away to create a clean space for the morally pure generation that is surely about to arrive. Such is the theory.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
If Iβd been older I wouldβve asked what it was right away, but I didnβt because I wanted to postpone the moment when I would know what it was. In stories Iβd read, Iβd come across the words nameless dread. Theyβd just been words then, but now thatβs exactly what I felt.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
we were precious flowers that had to be kept safely inside glass houses, or else we would be ambushed and our petals would be torn off and our treasure would be stolen and we would be ripped apart and trampled by the ravenous men who might lurk around any corner, out there in the wide sharp-edged sin-ridden world.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
We talked about our real mothers and how we wanted to know who theyβd been. Perhaps we ought not to have shared so much, but it was very comforting. βI wish I had a sister,β she said to me one day. βAnd if I did, that person would be you.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
We were custodians of an invaluable treasure that existed, unseen, inside us; we were precious flowers that had to be kept safely inside glass houses, or else we would be ambushed and our petals would be torn off and our treasure would be stolen and we would be ripped apart and trampled by the ravenous men who might lurk around any corner, out there in the wide sharp-edged sin-ridden world.
β
β
Margaret Atwood (The Testaments (The Handmaidβs Tale, #2))
β
Youβll be looking to make a niche for yourself in whatever dim, echoing caverns of academia may still exist by your time. I situate you at your desk, your hair tucked back behind your ears, your nail polish chippedβfor nail polish will have returned, it always does. Youβre frowning slightly, a habit that will increase as you age. I hover behind you, peering over your shoulder: your muse, your unseen inspiration, urging you on. Youβll labour over this manuscript of mine, reading and rereading, picking nits as you go, developing the fascinated but also bored hatred biographers so often come to feel for their subjects.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
There were swings in one of the parks, but because of our skirts, which might be blown up by the wind and then looked into, we were not to think of taking such a liberty as a swing. Only boys could taste that freedom; only they could swoop and soar; only they could be airborne. I have still never been on a swing. It remains one of my wishes.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
What good is it to throw yourself in front of a steamroller out of moral principles and then be crushed flat like a sock emptied of its foot? Better to fade into the crowd, the piously praising, unctuous, hate-mongering crowd. Better to hurl rocks than to have them hurled at you. Or better for your chances of staying alive.
β
β
Margaret Atwood (The Testaments (The Handmaidβs Tale, #2))
β
The world was no longer solid and dependable, it was porous and deceptive. Anything could disappear. At the same time, everything I looked at was very clear. It was like one of those surrealist paintings weβd studied in school the year before. Melted clocks in the desert, solid but unreal.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
So peaceful, the streets; so tranquil, so orderly; yet underneath the deceptively placid surfaces, a tremor, like that near a high-voltage power line. Weβre stretched thin, all of us; we vibrate; we quiver, weβre always on the alert. Reign of terror, they used to say, but terror does not exactly reign. Instead it paralyzes. Hence the unnatural quiet.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
The floods, the fires, the tornadoes, the hurricanes, the droughts, the water shortages, the earthquakes. [...] Why did I think it would nonetheless be business as usual? Because weβd been hearing these things for so long, I suppose. You donβt believe the sky is falling until a chunk of it falls on you
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
Aunt Vidala said that best friends led to whispering and plotting and keeping secrets, and plotting and secrets led to disobedience to God, and disobedience led to rebellion, and girls who were rebellious became women who were rebellious, and a rebellious woman was even worse than a rebellious man because rebellious men became traitors, but rebellious women became adulteresses.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
Another thing: the kids from school had pictures of themselvesβa lot of pictures. Their parents documented every minute of their lives. Some of the kids even had photos of themselves being born, which theyβd brought to Show and Tell. I used to think that was grossβblood and great big legs, with a little head coming out from between them. And they had baby pictures of themselves, hundreds of them. These kids could hardly burp without some adult pointing a camera at them and telling them to do it againβas if they lived their lives twice, once in reality and the second time for the photo.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))