Attraction Poems Quotes

I Am Vertical But I would rather be horizontal. I am not a tree with my root in the soil Sucking up minerals and motherly love So that each March I may gleam into leaf, Nor am I the beauty of a garden bed Attracting my share of Ahs and spectacularly painted, Unknowing I must soon unpetal. Compared with me, a tree is immortal And a flower-head not tall, but more startling, And I want the one's longevity and the other's daring.

The sun still lives his silent vows to the moon, by bowing to kiss her feet whenever she walks in the room.

If more people recognized the difference between friendship and mere attraction, or how love must partake of both to prosper, I expect there'd be more happy people." "And a lot fewer poems and plays," I said, laughing as I splashed about in the scented water.

A mask you ask? Optional I find! Masks lend appeal of a mysterious kind.

The heart can be the reality beneath the contrivance a sideshow attraction an ashtray full voice roughened by decades of Marlboro Reds

You are the remedy of intensity i need in my life, to spin me out of the miserable monotony of working on life's daily assembly lines.

You must never run from anything immortal. It attracts their attention. [...] Never run. [...] Walk slowly, and pretend to be thinking of something else. Sing a song, say a poem, do your tricks, but walk slowly and she may not follow.

In Plaster I shall never get out of this! There are two of me now: This new absolutely white person and the old yellow one, And the white person is certainly the superior one. She doesn't need food, she is one of the real saints. 
At the beginning I hated her, she had no personality -- She lay in bed with me like a dead body 
And I was scared, because she was shaped just the way I was 
 Only much whiter and unbreakable and with no complaints. I couldn't sleep for a week, she was so cold. I blamed her for everything, but she didn't answer. 
I couldn't understand her stupid behavior! 
When I hit her she held still, like a true pacifist. 
Then I realized what she wanted was for me to love her: She began to warm up, and I saw her advantages. 

Without me, she wouldn't exist, so of course she was grateful. 
I gave her a soul, I bloomed out of her as a rose 
Blooms out of a vase of not very valuable porcelain, And it was I who attracted everybody's attention, 
Not her whiteness and beauty, as I had at first supposed. 
I patronized her a little, and she lapped it up -- 
You could tell almost at once she had a slave mentality. 

I didn't mind her waiting on me, and she adored it. 
In the morning she woke me early, reflecting the sun 
From her amazingly white torso, and I couldn't help but notice 
Her tidiness and her calmness and her patience: She humored my weakness like the best of nurses, 
Holding my bones in place so they would mend properly. In time our relationship grew more intense. 

She stopped fitting me so closely and seemed offish. 
I felt her criticizing me in spite of herself, 
As if my habits offended her in some way. She let in the drafts and became more and more absent-minded. 
And my skin itched and flaked away in soft pieces 
Simply because she looked after me so badly. Then I saw what the trouble was: she thought she was immortal. She wanted to leave me, she thought she was superior, 
And I'd been keeping her in the dark, and she was resentful -- Wasting her days waiting on a half-corpse! 
And secretly she began to hope I'd die. Then she could cover my mouth and eyes, cover me entirely, 
And wear my painted face the way a mummy-case Wears the face of a pharaoh, though it's made of mud and water. 

I wasn't in any position to get rid of her. She'd supported me for so long I was quite limp -- I had forgotten how to walk or sit, So I was careful not to upset her in any way 
Or brag ahead of time how I'd avenge myself. Living with her was like living with my own coffin: Yet I still depended on her, though I did it regretfully. I used to think we might make a go of it together -- 
After all, it was a kind of marriage, being so close. 
Now I see it must be one or the other of us. She may be a saint, and I may be ugly and hairy, 
But she'll soon find out that that doesn't matter a bit. I'm collecting my strength; one day I shall manage without her, 
And she'll perish with emptiness then, and begin to miss me. --written 26 Feburary 1961

Bait Goat There is a distance where magnets pull, we feel, having held them back. Likewise there is a distance where words attract. Set one out like a bait goat and wait and seven others will approach. But watch out: roving packs can pull your word away. You find your stake yanked and some rough bunch to thank.

The long poem of walking manipulates spatial organizations, no matter how panoptic they may be: it is neither foreign to them (it can take place only within them) nor in conformity with them (it does not receive its identity from them). It creates shadows and ambiguities within them. It inserts its multitudinous references and citations into them (social models, cultural mores, personal factors). Within them it is itself the effect of successive encounters and occasions that constantly alter it and make it the other's blazon: in other words, it is like a peddler carrying something surprising, transverse or attractive compared with the usual choice. These diverse aspects provide the basis of a rhetoric. They can even be said to define it.

. . . take cover North America, I am attracted to someone.

He ran,” the unicorn said. “You must never run from anything immortal. It attracts their attention.” Her voice was gentle, and without pity. “Never run,” she said. “Walk slowly, and pretend to be thinking of something else. Sing a song, say a poem, do your tricks, but walk slowly and she may not follow. Walk very slowly, magician.

I read your poem," I croaked. "'Fall.'" Then something I never thought would happen, happened: Marcus Flutie was shocked by something I said. "You did?" he said. "I thought you lost it!" "Well someone found it for me. Where do you get off saying," I lowered my voice, "we'll be naked without shame in paradise?" He didn't open his mouth. "I know what that means, you know. Who do you think I am?" He didn't open his mouth. "We are never going to be naked without shame in paradise." He didn't open his mouth. "We're NEVER going to have sex," I whispered, clearly over-stating my case. He didn't open his mouth. The mouth that used to bite mine. "And I'm just going to forget about that biting thing from the other night," I said. He looked at me right in the eyes. If he'd focused hard enough on my pupils, he could've seen his own reflection, his own face smirking at me. "You couldn't forget if you tried," he said, before walking away. He's right. And I don't know if I hate him or love him for that.

She doesn’t work in photos though. You see, what you must understand is her beauty is that thing she does in between words.

So I’m reading some poem by Louise . . . something, I forget her last name, but it’s about Hades and the underworld, and I don’t even notice that Paige has come up to my table until she says, ‘Doesn’t everyone want love?’ And I’m thinking, wow, that’s a pretty deep question, but then again Paige is really smart, and this is my chance to finally show her that I’m not just a dumb jock. So I say, ‘I heard this theory once that love means your subconscious is attracted to someone else’s subconscious.’” “Very deep,” Cade said. “Exactly. And I’m feeling proud of myself for that one, until she points to the book and says, ‘Oh, that wasn’t a question. I was just quoting a line from the poem.

You were just another stranger in the room, In a room full of bodies, I was attracted to you, I became your tiny dancer, I became everything to you, Little did you know, That I'm just a dancer, Not your fool.

Have you ever wondered What happens to all the poems people write? The poems they never let anyone else read? Perhaps they are Too private and personal Perhaps they are just not good enough. Perhaps the prospect of such a heartfelt expression being seen as clumsy shallow silly pretentious saccharine unoriginal sentimental trite boring overwrought obscure stupid pointless or simply embarrassing is enough to give any aspiring poet good reason to hide their work from public view. forever. Naturally many poems are IMMEDIATELY DESTROYED. Burnt shredded flushed away Occasionally they are folded Into little squares And wedged under the corner of An unstable piece of furniture (So actually quite useful) Others are hidden behind a loose brick or drainpipe or sealed into the back of an old alarm clock or put between the pages of AN OBSCURE BOOK that is unlikely to ever be opened. someone might find them one day, BUT PROBABLY NOT The truth is that unread poetry Will almost always be just that. DOOMED to join a vast invisible river of waste that flows out of suburbia. well Almost always. On rare occasions, Some especially insistent pieces of writing will escape into a backyard or a laneway be blown along a roadside embankment and finally come to rest in a shopping center parking lot as so many things do It is here that something quite Remarkable takes place two or more pieces of poetry drift toward each other through a strange force of attraction unknown to science and ever so slowly cling together to form a tiny, shapeless ball. Left undisturbed, this ball gradually becomes larger and rounder as other free verses confessions secrets stray musings wishes and unsent love letters attach themselves one by one. Such a ball creeps through the streets Like a tumbleweed for months even years If it comes out only at night it has a good Chance of surviving traffic and children and through a slow rolling motion AVOIDS SNAILS (its number one predator) At a certain size, it instinctively shelters from bad weather, unnoticed but otherwise roams the streets searching for scraps of forgotten thought and feeling. Given time and luck the poetry ball becomes large HUGE ENORMOUS: A vast accumulation of papery bits That ultimately takes to the air, levitating by The sheer force of so much unspoken emotion. It floats gently above suburban rooftops when everybody is asleep inspiring lonely dogs to bark in the middle of the night. Sadly a big ball of paper no matter how large and buoyant, is still a fragile thing. Sooner or LATER it will be surprised by a sudden gust of wind Beaten by driving rain and REDUCED in a matter of minutes to a billion soggy shreds. One morning everyone will wake up to find a pulpy mess covering front lawns clogging up gutters and plastering car windscreens. Traffic will be delayed children delighted adults baffled unable to figure out where it all came from Stranger still Will be the Discovery that Every lump of Wet paper Contains various faded words pressed into accidental verse. Barely visible but undeniably present To each reader they will whisper something different something joyful something sad truthful absurd hilarious profound and perfect No one will be able to explain the Strange feeling of weightlessness or the private smile that remains Long after the street sweepers have come and gone.

Glossa Time goes by, time comes along, All is old and all is new; What is right and what is wrong, You must think and ask of you; Have no hope and have no fear, Waves that rise can never hold; If they urge or if they cheer, You remain aloof and cold. To our sight a lot will glisten, Many sounds will reach our ear; Who could take the time to listen And remember all we hear? Keep aside from all that patter, Seek yourself, far from the throng When with loud and idle clatter Time goes by, time comes along. Nor forget the tongue of reason Or its even scales depress When the moment, changing season, Wears the mask of happiness - It is born of reason's slumber And may last a wink as true: For the one who knows its number All is old and all is new. Be as to a play, spectator, As the world unfolds before: You will know the heart of matter Should they act two parts or four; When they cry or tear asunder From your seat enjoy along And you'll learn from art to wonder What is right and what is wrong. Past and future, ever blending, Are the twin sides of same page: New start will begin with ending When you know to learn from age; All that was or be tomorrow We have in the present, too; But what's vain and futile sorrow You must think and ask of you; For the living cannot sever From the means we've always had: Now, as years ago, and ever, Men are happy or are sad: Other masks, same play repeated; Diff'rent tongues, same words to hear; Of your dreams so often cheated, Have no hope and have no fear. Hope not when the villains cluster By success and glory drawn: Fools with perfect lack of luster Will outshine Hyperion! Fear it not, they'll push each other To reach higher in the fold, Do not side with them as brother, Waves that rise can never hold. Sounds of siren songs call steady Toward golden nets, astray; Life attracts you into eddies To change actors in the play; Steal aside from crowd and bustle, Do not look, seem not to hear From your path, away from hustle, If they urge or if they cheer; If they reach for you, go faster, Hold your tongue when slanders yell; Your advice they cannot master, Don't you know their measure well? Let them talk and let them chatter, Let all go past, young and old; Unattached to man or matter, You remain aloof and cold. You remain aloof and cold If they urge or if they cheer; Waves that rise can never hold, Have no hope and have no fear; You must think and ask of you What is right and what is wrong; All is old and all is new, Time goes by, time comes along.

Once you know what you want in life... Like a magnet you attract the resources necessary to manifest the world you desire.

A young hero is the world's greatest attraction.

A giver's purse can never be paused.

In the end we're all on a journey of sorts. We wait for a sign or something that attracts our attention. Look for a deeper meaning to it all. That's what poetry is for. Searching.

Love with your eyes, and it'll fade in a year, Love with your horns, it'll fade even sooner. Fall in love with the being beyond the body, And you'll have your messy but sweet everafter.

BOOK BEAUTY Here's the end of that story about the old woman who wanted to lure a man with strange cosmetics. She made a paste of pages from the Qur'an to fill the deep creases on her face and neck with. This is not about an old woman, dear reader. It's about you, or anyone who tries to use books to make themselves attractive. There she is, sticking scripture, thick with saliva, on her face. Of course, the bits keep falling off. "The devil," she yells, and he appears! "This is a trick I've never seen. You don't need me. You are yourself a troop of demons!" So people steal inspired words to get compliments. Don't bother. Death comes and all talking, stolen or not, stops. Pity anyone unfamiliar with silence when that happens. Polish your heart with mediation and quietness. Let the inner life grow generous and handsome like Joseph. Zuleika did that and her "old woman's spring cold snap" turned to mid-July. Dry lips wet from within. Ink is not rouge. Let language lie bygone. Now is where love breathes.

I’m sorry I cannot say I love you when you say you love me. The words, like moist fingers, appear before me full of promise but then run away to a narrow black room that is always dark, where they are silent, elegant, like antique gold, devouring the thing I feel. I want the force of attraction to crush the force of repulsion and my inner and outer worlds to pierce one another, like a horse whipped by a man. I don’t want words to sever me from reality. I don’t want to need them. I want nothing to reveal feeling but feeling—as in freedom, or the knowledge of peace in a realm beyond, or the sound of water poured into a bowl.

I'm attracted to ellipsis, to the unsaid, to suggestion, to eloquent, deliberate silence. The unsaid, for me, exerts great power: often I wish an entire poem could be made in this vocabulary. It is analogous to the unseen; for example, to the power of ruins, to works of art either damaged or incomplete. Such works inevitably allude to larger contexts they haunt because they are not whole, though wholeness is implied. . .

Among the Haida Indians of the Pacific Northwest, the verb for "making poetry" is the same as the verb "to breathe." Such tidbits of ethnic lore delighted Amanda, and she vowed from that time onward she would try to regulate each breath as if she were composing a poem.

confess i am curiously drawn unmentionable to the americans doubt i could exist among them for long however psychic demands far too severe much violence much that repels i am attracted none the less their variousness their ingenuity their elan vital and that some thing essence quiddity i cannot penetrate or name

The ruinous deeds of the ravaging foe (Beowulf) The best-known long text in Old English is the epic poem Beowulf. Beowulf himself is a classic hero, who comes from afar. He has defeated the mortal enemy of the area - the monster Grendel - and has thus made the territory safe for its people. The people and the setting are both Germanic. The poem recalls a shared heroic past, somewhere in the general consciousness of the audience who would hear it. It starts with a mention of 'olden days', looking back, as many stories do, to an indefinite past ('once upon a time'), in which fact blends with fiction to make the tale. But the hero is a mortal man, and images of foreboding and doom prepare the way for a tragic outcome. He will be betrayed, and civil war will follow. Contrasts between splendour and destruction, success and failure, honour and betrayal, emerge in a story which contains a great many of the elements of future literature. Power, and the battles to achieve and hold on to power, are a main theme of literature in every culture - as is the theme of transience and mortality. ................ Beowulf can be read in many ways: as myth; as territorial history of the Baltic kingdoms in which it is set; as forward-looking reassurance. Questions of history, time and humanity are at the heart of it: it moves between past, present, and hope for the future, and shows its origins in oral tradition. It is full of human speech and sonorous images, and of the need to resolve and bring to fruition a proper human order, against the enemy - whatever it be - here symbolised by a monster and a dragon, among literature's earliest 'outsiders'. ....... Beowulf has always attracted readers, and perhaps never more than in the 1990s when at least two major poets, the Scot Edwin Morgan and the Irishman Seamus Heaney, retranslated it into modern English. Heaney's version became a worldwide bestseller, and won many awards, taking one of the earliest texts of English literature to a vast new audience.

Heroic poetry tends in its simplest form to be concerned with immediate events and local heroes. A certain length of tradition is required before the epic poem, telling the story of the hero, becomes current. Heroic poetry assumes that the audience knew what the outcome of the battle was, and is concerned with individual feats; the context is of little importance. Epic poems only become attractive as a form when the audience needs to be told who the heroes were.

A reflection on Robert Lowell Robert Lowell knew I was not one of his devotees. I attended his famous “office hours” salon only a few times. Life Studies was not a book of central importance for me, though I respected it. I admired his writing, but not the way many of my Boston friends did. Among poets in his generation, poems by Elizabeth Bishop, Alan Dugan, and Allen Ginsberg meant more to me than Lowell’s. I think he probably sensed some of that. To his credit, Lowell nevertheless was generous to me (as he was to many other young poets) just the same. In that generosity, and a kind of open, omnivorous curiosity, he was different from my dear teacher at Stanford, Yvor Winters. Like Lowell, Winters attracted followers—but Lowell seemed almost dismayed or a little bewildered by imitators; Winters seemed to want disciples: “Wintersians,” they were called. A few years before I met Lowell, when I was still in California, I read his review of Winters’s Selected Poems. Lowell wrote that, for him, Winters’s poetry passed A. E. Housman’s test: he felt that if he recited it while he was shaving, he would cut himself. One thing Lowell and Winters shared, that I still revere in both of them, was a fiery devotion to the vocal essence of poetry: the work and interplay of sentences and lines, rhythm and pitch. The poetry in the sounds of the poetry, in a reader’s voice: neither page nor stage. Winters criticizing the violence of Lowell’s enjambments, or Lowell admiring a poem in pentameter for its “drill-sergeant quality”: they shared that way of thinking, not matters of opinion but the matter itself, passionately engaged in the art and its vocal—call it “technical”—materials. Lowell loved to talk about poetry and poems. His appetite for that kind of conversation seemed inexhaustible. It tended to be about historical poetry, mixed in with his contemporaries. When he asked you, what was Pope’s best work, it was as though he was talking about a living colleague . . . which in a way he was. He could be amusing about that same sort of thing. He described Julius Caesar’s entourage waiting in the street outside Cicero’s house while Caesar chatted up Cicero about writers. “They talked about poetry,” said Lowell in his peculiar drawl. “Caesar asked Cicero what he thought of Jim Dickey.” His considerable comic gift had to do with a humor of self and incongruity, rather than wit. More surreal than donnish. He had a memorable conversation with my daughter Caroline when she was six years old. A tall, bespectacled man with a fringe of long gray hair came into her living room, with a certain air. “You look like somebody famous,” she said to him, “but I can’t remember who.” “Do I?” “Yes . . . now I remember!— Benjamin Franklin.” “He was a terrible man, just awful.” “Or no, I don’t mean Benjamin Franklin. I mean you look like a Christmas ornament my friend Heather made out of Play-Doh, that looked like Benjamin Franklin.” That left Robert Lowell with nothing to do but repeat himself: “Well, he was a terrible man.” That silly conversation suggests the kind of social static or weirdness the man generated. It also happens to exemplify his peculiar largeness of mind . . . even, in a way, his engagement with the past. When he died, I realized that a large vacuum had appeared at the center of the world I knew.

Broadening or burrowing to the moon's phases, turbid with pulverized wastemantle, on through flatter, duller, hotter, cotton-gin country it scours, approaching the tidal mark where it puts off majesty, disintegrates, and through swamps of a delta, punting-pole, fowling-piece, oyster-tongs country, wearies to its final act of surrender, effacement, atonement in a huge amorphous aggregate no cuddled attractive child ever dreams of, non-country, image of death as a spherical dew-drop of life. Unlovely monsters, our tales believe, can be translated too, even as water, the selfless mother of all especials.

Milton argued, in 1649, after the execution of Charles I, that a people 'free by nature' had a right to overthrow a tyrant; a subject that recalls vividly the questions examined by Shakespeare in his major tragedies about fifty years before. Milton continued to defend his ideals of freedom and republicanism. But at the Restoration, by which time he was blind, he was arrested. Various powerful contacts allowed him to be released after paying a fine, and his remaining years were devoted to the composition - orally, in the form of dictation to his third wife - of his epic poem on the fall of humanity, Paradise Lost, which was published in 1667. It is interesting that - like Spenser and Malory before him, and like Tennyson two centuries later - Milton was attracted to the Arthurian legends as the subject for his great epic. But the theme of the Fall goes far beyond a national epic, and gave the poet scope to analyse the whole question of freedom, free will, and individual choice. He wished, he said, to 'assert eternal providence,/And justify the ways of God to men'. This has been seen as confirmation of Milton's arrogance, but it also signals the last great attempt to rationalise the spirit of the Renaissance: mankind would not exist outside Paradise if Satan had not engineered the temptation and fall of Adam and Eve. For many critics, including the poets Blake and Shelley, Satan, the figure of the Devil, is the hero of the poem.

Today you are young.your beauty attract every man But the day when you will feel older yourself when you will feel magic of body vanish On that day time will remind you,that man who fall in love with your soul but you will not find him,because you killed him in All The day when you will feel wrinkles on your skin and will understand,no one want to touch it,not soft any more On that day time will remind that man who die for aroma of your skin,for him its always remain best fragrance But you will not find him, because you killed him by your ignorance The day you will feel,you are now not able to feed sex hunger and you will understand men around you but not with you On that day time will remind you that man who never hungry for your body,who just feed love and emotions to your soul and to your heart But you will not find him,because, you killed him by put your betrayed knife in his heart maybe it will not happen,maybe your life will full of love maybe you will never remember past.maybe you will forget All But on the day when you will die,and your loving people will bury you inside your grave,when you will realize, all that who loves you,all that with you spend days & nights all that for whom you cooked you serve,all that whose bed you warm all that who impress by your beauty,all that who claim to love you they all buried you here alone and gone in that your loneliness,time will remind you,that man who just dream to lay with you inside your grave, who dream to bury together in one grave But you will not find him That day will realize you,whom you killed That day will realize you,you killed a man who don't wanted to be just partner of you life but to partner of your death who don't wanted to be just partner of your bed but to partner of your grave Then you will realize you betrayed killed,partner of your grave Partner Of Your Grave,

HOW ATTRACTION HAPPENS Moses is talking to someone drunk with worshiping the golden calf. "What happened to your doubt? You used to be so skeptical of me. The Red Sea parted. Food came every day in the wilderness for forty years. A fountain sprang out of a rock. You saw these things and still reject the idea of prophethood. Then the magician Samiri does a trick to make the metal cow low, and immediately you kneel! What did that hollow statue say? Have you heard a dullness like your own?" This is how attraction happens: people with nothing they value delight in worthlessness. Someone who thinks there's no meaning or purpose feels drawn to images of futility. Each moves to be with its own. The ox does not turn toward a lion. Wolves have no interest in Joseph, unless to devour him. But if a wolf is cured of wolfishness, it will sleep close by Joseph, like a dog in the presence of meditators. Soul companionship gives safety and light to a cave full of friends.

She told me she met the love of her life,” Zohra says at last, still staring out the window. “You read poems about it, you hear stories about it, you hear Sicilians talk about being struck by lightning. We know there’s no love of your life. Love isn’t terrifying like that. It’s walking the fucking dog so the other one can sleep in, it’s doing taxes, it’s cleaning the bathroom without hard feelings. It’s having an ally in life. It’s not fire, it’s not lightning. It’s what she always had with me. Isn’t it? But what if she’s right, Arthur? What if the Sicilians are right? That it’s this earth-shattering thing she felt? Something I’ve never felt. Have you?” Less begins to breath unevenly. She turns to him: “What if one day you meet someone, Arthur, and it feels like it could never be anyone else? Not because other people are less attractive, or drink too much, or have issues in bed, or have to alphabetize every fucking book or organize the dishwasher in some way you just can’t live with. It’s because they aren’t this person. This woman Janet met. Maybe you can go through your whole life and never meet them, and think love is all these other things, but if you do meet them, God help you! Because then: ka-blam! You’re screwed. The way Janet is. She ruined our life for it! But what if that’s real?

"Listen," he said, reaching for her wrist distractedly, eyes on the page of the book as he pulled her closer. Holding the Dark, the title read. By a poet named Melanie Cameron. Emeline leaned back against the shelves, watching him. " 'I didn't know it would go like this,' " he recited. " 'I didn't know I would find you in the dark...' " Emeline stared at his mouth, captivated by the cadence of his voice. His expression was hungry as he read on, as if he'd discovered some delicious secret and wanted to feed it to her. Like a ripe red strawberry dipped in chocolate. "When I lie against you with my eyes closed, I bring your body with me, into the darkness, I bring your whole body inside me. And in that darkness I know you so much better than hands and mouth can know, I know you, as though you were the darkness inside me." He glanced up from the page, fixing her in place with that same hungry gaze. Warmth pooled in her belly. "It's nice," she murmured. He raised an eyebrow. "Nice?" The corner of his mouth turned up as he lifted his hand, bracing it against the shelf beside her. She wrinkled her nose at him. "Pretty, then." "How about tender. And..." His eyes dropped to her mouth. "Intimate." There was the oddest feeling in Emeline's chest. Like a million tiny stars on the cusp of bursting. Sparks crackled in the air between them.

We are engaged in a world war of stories—a war between incompatible versions of reality—and we need to learn how to fight it. A tyrant has arisen in Russia and brutality engulfs Ukraine, whose people, led by a satirist turned hero, offer heroic resistance, and are already creating a legend of freedom. The tyrant creates false narratives to justify his assault—the Ukrainians are Nazis, and Russia is menaced by Western conspiracies. He seeks to brainwash his own citizens with such lying stories. Meanwhile, America is sliding back towards the Middle Ages, as white supremacy exerts itself not only over Black bodies, but over women’s bodies too. False narratives rooted in antiquated religiosity and bigoted ideas from hundreds of years ago are used to justify this, and find willing audiences and believers. In India, religious sectarianism and political authoritarianism go hand in hand, and violence grows as democracy dies. Once again, false narratives of Indian history are in play, narratives that privilege the majority and oppress minorities; and these narratives, let it be said, are popular, just as the Russian tyrant’s lies are believed. This, now, is the ugly dailiness of the world. How should we respond? It has been said, I have said it myself, that the powerful may own the present, but writers own the future, for it is through our work, or the best of it at least, the work which endures into that future, that the present misdeeds of the powerful will be judged. But how can we think of the future when the present screams for our attention, and what, if we turn away from posterity and pay attention to this dreadful moment, can we usefully or effectively do? A poem will not stop a bullet. A novel cannot defuse a bomb. Not all our satirists are heroes. But we are not helpless. Even after Orpheus was torn to pieces, his severed head, floating down the river Hebrus, went on singing, reminding us that the song is stronger than death. We can sing the truth and name the liars, we can join in solidarity with our fellows on the front lines and magnify their voices by adding our own to them. Above all, we must understand that stories are at the heart of what’s happening, and the dishonest narratives of oppressors have proved attractive to many. So we must work to overturn the false narratives of tyrants, populists, and fools by telling better stories than they do, stories within which people want to live. The battleground is not only on the battlefield. The stories we live in are contested territories too. Perhaps we can seek to emulate Joyce’s Dedalus, who sought to forge, in the smithy of his soul, the uncreated conscience of his race. We can emulate Orpheus and sing on in the face of horror, and not stop singing until the tide turns, and a better day begins.

He ambled towards the abyss again, Acquiescing to the adroit turns of his Abtenauer, his Altai horse, his Appaloosa, His Ardennais, and his Australian Brumby….. Agilely each equine adumbrates the aesthetics Of aestivating, much like aficionados of nature And much like ailurophiles, too…… Ambrosial aromas attract his attention to the Assemblage of amaranth foliage growing At the abyss’s edge. “Anglophile!” “Antediluvian!” “Aplomb!” “Apocryphal!” “Apophenia!” “Apothecary!” Each petal calls out to him as he captures their vision in his Aqueous humor. Now an arabesque they display, Then some archipelago formation, as they (those purple perennials) Give in to the Wind’s whimsy. “What’s in my arsenal?” He asks himself. “Do I have Authenticity, like Astrophysics and Astronomy?” “Am I at last in my Autumn, torn asunder by Avarice? Shall I now step toward Winter to wither and waste away, without rebirth?” The Summer’s azure skies call him back, reminding him of his herd. Homeward he must turn. The pony pushes him back to the plain. And, as he trudges away from the abyss, the warriors of darkness— His old battle buddies who left him behind as they raced toward Providence— Rattle in his mind with their Paleolithic war toys, on the war path, chanting: “The greatest battles we face are in the silent chambers of our own souls…..” -----from the poem 'Summer Battle' in the book HOT STUFF: CELEBRATING SUMMER'S SIMMER AND SIZZLE, by Mariecor Ruediger

Partner Of Grave," Today, you are young. Your beauty attracts everyone. But the day when you will feel older yourself when you will feel the magic of the body vanish. On that day, time will remind you of the man who fell in love with your soul. but you will not find him because you killed him in All The day when you will feel wrinkles on your skin and will understand; no one wants to touch it. It's not soft anymore. On that day, time will remind that man who dies for the aroma of your skin; for him, it was always the best fragrance. But you will not find him because you killed him in your ignorance. The day you will feel that you are now unable to feed sexual hunger and you will understand men around you but not with you. On that day, time will remind you of that man. who was never hungry for your body, who just feeds love and emotions to your soul and to your heart But you will not find him because You killed him by putting your betrayal knife in his heart. Maybe it will never happen, and maybe your life will be full of love. Maybe you will never remember the past. Maybe you will forget All But on the day when you die, your loving people will bury you. Inside your grave, At that time, you will realize, All the people who love you, all the people who spend their days and nights with you All that for whom you cooked you served, all that whose bed you warm All those who are impressed by your beauty, all those who claim to love you They all buried you here alone and gone. In that your loneliness, time will remind you, that man who just dreamed to lay with you inside your grave, who dream to be buried together in one grave But you will not find him. That day, you will realize who you killed. That day, you will realize you killed a man. who desired to be not only your life partner but also your death partner. who desired to be not only the partner of your bed but also the partner of your grave. Then you'll realize your betrayal killed your partner of grave Partner Of Your Grave," ― Mohammed Zaki Ansari

On May 10, 1933, National Socialist student groups marched “against the un-German spirit” and burned “un-German writings” in street actions designed to attract publicity. By now it seemed inevitable that the Franks would emigrate to Amsterdam. “When the Jews write in German, they lie,” the Nazis had proclaimed. The works of Thomas, Klaus, and Heinrich Mann, of Arnold and Stefan Zweig, of Kurt Tucholsky, Erich Maria Remarque, and Franz Werfel, not to mention the Communist writings of Marx and Engels and the books of Bertolt Brecht and many others, were tossed into the flames in many German cities to the accompaniment of shouted slogans; it was as though the demonstrators wished to burn the authors themselves at the stake. Otto Frank’s favorite poet, Heinrich Heine, whose poem “Lorelei” every schoolchild knew by heart, was declared a nonperson. In future textbooks, “Poet unknown” would replace the name of Heinrich Heine, a poet who had written a hundred years earlier, “Wherever they burn books they will also, in the end, burn human beings.

But ours is all life geranium plants in sunny windows tucked alongside banks of the Rio Pueblo capturing the light and staying healthy physical attraction of two acrobats

Part of my attraction to her is she actually believes i'm beautiful and since I don't have eyes of my own I rely on her to tell me who I am.

Often times we are what we attract and if you don’t want messiness keep a clean house. Love,

I returned to my pillow and comforter, both of which I loved; they smelled like lavender, and were so cozy, poems should be written about their epic cozy wonder. I snuggled against their softness and willed away the touch of anxiety I felt about my mom’s strange behavior.

Beauty Ain't Beauty (The Sonnet) Beauty is not in the eye of the beholder, Beauty is in the heart of the beholder. Eyes have evolved not to perceive beauty, But to look for a fertile progenitor. All instincts of beauty are prehistoric, All impulse of attraction is mere heat. Such tendency is an act of animal libido, It has nothing to do with human heartbeat. If you wanna discover someone's beauty, You gotta throw the dirt off your heart. Observe their behavior outside the body, Only then shall you witness true beauty's path. Across the vacuum of body lies the valley of beauty. Defy the vacuum, and you'll realize, beauty is divinity.

A sweet little baby girl sleeping just next to me. Her attractive brows on the eyes are like rainbow in the skies. Seeing repeatedly her Cute little face, which is undoubtedly full of grace. Ofcourse I am trying to sleep, but out of sheet again and again prefering to peep. Stopping myself in continuity, thought of writing the experience once properly awake But I Can’t doze sound, since I wanna jot it down right away without any mistake Lucky I am, to have this small yet best blessing everyday on my side A proud father is rhyming today for his beloved daughter which he consider his pride A sweet little baby girl sleeping just next to me. Endless Gratitude lord for reminding to rhyme even when I am half asleep !!

It has been my extraordinary good fortune to find work that makes use of my strengths and doesn’t test my weaknesses. To this day, if you put me behind a busy sales counter, a meltdown would be imminent, for I can’t easily read new faces and shifting attention rapidly from one unfamiliar person to another overwhelms me. If I could choose to have one supernatural power, it would undoubtedly be invisibility, and yet I want and need public acknowledgment of my work. I suffer little stage fright when it comes to public speaking or appearances on radio or television—I’ve got those particular acts figured out—but unstructured participation in social gatherings remains agonizing, unless I know exactly what is expected from me. It would be easier for me to improvise an epic poem before a sellout crowd at Madison Square Garden than to approach an attractive stranger across the room and strike up a conversation.

Your special someone! In the vastness of her inner mind, In the confines of her selective memories, In the visions of her eyes refined, I want to discover our love stories, In the blinking of her eyelids, In the movement of her hands, In the flickering of her lips and their deliberate wet slides, I wish to create our empire of love lands, In the mere act of her standing and doing nothing, Just standing there staring at time, In her thoughts, in her feelings, and in her everything, I want to be her companion, or a mere shadow always cast on her moment of time, In the idleness of her mind and its moments of thinking, In the days of her life and the nights of her dreams, In the smile that springs from her face when her beautiful eyes are blinking, I wish to be her happy dreams and those infinite love beams, In her playful mood, in her pensive moments, In her feelings that originate from somewhere within her, In her heart beats and her life’s pavements, I want to be her blissful destiny, just like a feeling always living within her, In the moments of her secret confessions, When her heart secretly talks to her mind, In her secret love breeding sessions, I wish to be her passion, her emotion, her feeling, her everything that she wishes to find, In her North, her South, her East and in her West, In her quest to seek her moment of glory, In the adventures of her heart where she is the best, I wish to be the beginning and the end of her life’s every story, In the day when she is awake, And during the night when she is asleep, In the silence of her mind, where she, her darling worlds does make, I wish to be her treasure, her feelings, that always towards me leap, In the sensitivity of her actions, In the beauty that glows on her beautiful face, In her simple, yet charming attractions, I wish to be that ingredient of eternal grace, In the silence of her room, In the tender fluttering of her window curtains, In the beauty of her Summer bloom, I wish to be her heart’s only happy bulletins, In the tip-toeing of her feet, In the humming of her favorite song, In the relaxing rhythm of her every heart-beat, I wish to be her movement, leading her to my heart and memories, where she truly does belong, In the feelings of her passionate kiss, In the passions of her midnight dreams, In the moments of her sensual bliss, I wish to be her desire, and the loveliest dream, that so real seems, In the sunshine of the beautiful Summer day, In the calm of the warm Summer night, In the sweet corner of her room, where, she her dreams of passion does display, I wish to be her anxiety, and her love’s delight, In that every thought where she thinks of someone, In that step that she takes towards that special someone, In her need to be with someone, Irma, I wish to be the only one, that special someone!

Your special someone! In the vastness of her inner mind, In the confines of her selective memories, In the visions of her eyes refined, I want to discover our love stories, In the blinking of her eyelids, In the movement of her hands, In the flickering of her lips and their deliberate wet slides, I wish to create our empire of love lands, In the mere act of her standing and doing nothing, Just standing there staring at time, In her thoughts, in her feelings, and in her everything, I want to be her companion, or a mere shadow always cast on her moment of time, In the idleness of her mind and its moments of thinking, In the days of her life and the nights of her dreams, In the smile that springs from her face when her beautiful eyes are blinking, I wish to be her happy dreams and those infinite love beams, In her playful mood, in her pensive moments, In her feelings that originate from somewhere within her, In her heart beats and her life’s pavements, I want to be her blissful destiny, just like a feeling always living within her, In the moments of her secret confessions, When her heart secretly talks to her mind, In her secret love breeding sessions, I wish to be her passion, her emotion, her feeling, her everything that she wishes to find, In her North, her South, her East and in her West, In her every quest to seek her moment of glory, In the adventures of her heart where she is the best, I wish to be the beginning and the end of her life’s every story, In the day when she is awake, And during the night when she is asleep, In the silence of her mind, where she, her darling worlds does make, I wish to be her treasure, her feelings, that always towards me leap, In the sensitivity of her actions, In the beauty that glows on her beautiful face, In her simple, yet charming attractions, I wish to be that ingredient of eternal grace, In the silence of her room, In the tender fluttering of her window curtains, In the beauty of her Summer bloom, I wish to be her heart’s only happy bulletins, In the tip-toeing of her feet, In the humming of her favorite song, In the relaxing rhythm of her every heart-beat, I wish to be her movement, leading her to my heart and memories, where she truly does belong, In the feelings of her passionate kiss, In the passions of her midnight dreams, In the moments of her sensual bliss, I wish to be her desire, and the loveliest dream, that so real seems, In the sunshine of the beautiful Summer day, In the calm of the warm Summer night, In the sweet corner of her room, where, she her dreams of passion does display, I wish to be her sweet anxiety, and her love’s delight, In every thought where she thinks of someone, In every step that she takes towards that special someone, In her every need to be with someone, Irma, I wish to be the only one, that special someone!

An Unrequited Vision by Stewart Stafford Though the sheen of infatuation, Deflects the glare of humanity, I must bathe naked in my flaws To peel your blinding cataracts. This intrusion is not a sweet union, 'Tis a hand plucking a stringless harp, A looking glass without reflection, A mirage of the shimmering sun. Affection's look clouds with malice, Eyes flit to the blade to save face, Stay that rash hand of vengeance, Allow a beauteous refill of your gaze. © Stewart Stafford, 2023. All rights reserved.

Kitsch is decorous object with fake attraction that is in fact without value. In light of the poem of Job, I suggest that when our ministry does not challenge and offend and open news paths, we are likely to be engaged in religious kitsch.

[Love Wasn’t as They Said] Love wasn’t as they said… It didn’t last forever as they claimed… It is fleeting moments only recognized By those with sight and insight… And perhaps only captured By those patiently waiting as if to see a lightning in the sky… And, like lightning perhaps, we never know Where love goes after it strikes… And perhaps the only love that lasts Is one that know when to stay and when to walk away… ** Love wasn’t synonymous with honor As they defined honor... It is often the awareness that falls upon us After betraying or letting down the loved ones… Love wasn’t holding hands forever, It is boring afternoons spent together With no words And no activities… It wasn’t lifetime sexual attraction As many claimed… It is the companionship that remains After the hormonal fires are put out, When the noises of immaturity go silent, And after the childish quarrels and squabbles stop… It is the home that remains erected Long after getting erectile dysfunction… It that appetite for life after the last egg from the last period… It is that strange feeling of elation That may come after what is mistakenly called a “midlife crisis”, To fill that frightening gap between hope and reality… ** Love a widow brushing her hair, On a bus or in a public place, Unbothered by onlookers or passersby, As she opens her shabby handbag And takes out an apple to bite on With the teeth she has left… Love is an eye surrounded with wrinkles But is finally able to see the world Sensitively, insightfully, and more realistically, Without exaggerated embellishment or distortion… ** Love is shreds of joy Interspersed with long intervals Of boredom, exhaustion, reproach, and disappointment… It’s not measured with red flowers, bears, and expensive gifts in shiny wraps, It is who remains when the glucose, blood pressure and cholesterol numbers are high… It’s those who stay after the heart catheterization and knee replacement surgeries… Love gets stronger after getting osteoporosis And may move mountains despite the rheumatism… ** Love is the few seconds when our eyes cross with strangers Who awaken in us feelings we hadn’t experienced with those living with us in years… Or perhaps it’s rubbing arms and shoulders with a passenger On a bus, in a train, or on a plane… It is that fleeting look from a passerby in the street Convey to us that they, too, have understood the game, But there’s not much they can do about it… ** Love wasn’t as they said It wasn’t as they said… It is not 1+1=2… It is sometimes three or more… At other times, it grows at point zero or lower, In solitude, in loneliness, and in seclusion… Isn’t it time, I wonder, to demolish everything falsely, unfairly, and misleadingly attributed to love? Or is it that love burns and dies Precisely when we try to capture it in our hands? [Original poem published in Arabic on October 27, 2022 at ahewar.org]

[Love Wasn’t as They Said] Love wasn’t as they said… It didn’t last forever as they claimed… It is fleeting moments only recognized By those with sight and insight… And perhaps only captured By those patiently waiting as if to see a lightning in the sky… And, like lightning perhaps, we never know Where love goes after it strikes… And perhaps the only love that lasts Is one that know when to stay and when to walk away… ** Love wasn’t synonymous with honor As they defined honor... It is often the awareness that falls upon us After betraying or letting down the loved ones… Love wasn’t holding hands forever, It is boring afternoons spent together With no words And no activities… It wasn’t lifetime sexual attraction As many claimed… It is the companionship that remains After the hormonal fires are put out, When the noises of immaturity go silent, And after the childish quarrels and squabbles stop… It is the home that remains erected Long after getting erectile dysfunction… It that appetite for life after the last egg from the last period… It is that strange feeling of elation That may come after what is mistakenly called a “midlife crisis”, To fill that frightening gap between hope and reality… ** Love is a widow brushing her hair, On a bus or in a public place, Unbothered by onlookers or passersby, As she opens her shabby handbag And takes out an apple to bite on With the teeth she has left… Love is an eye surrounded with wrinkles But is finally able to see the world Sensitively, insightfully, and more realistically, Without exaggerated embellishment or distortion… ** Love is shreds of joy Interspersed with long intervals Of boredom, exhaustion, reproach, and disappointment… It’s not measured with red flowers, bears, and expensive gifts in shiny wraps, It is who remains when the glucose, blood pressure and cholesterol numbers are high… It’s those who stay after the heart catheterization and knee replacement surgeries… Love gets stronger after getting osteoporosis And may move mountains despite the rheumatism… ** Love is the few seconds when our eyes cross with strangers Who awaken in us feelings we hadn’t experienced with those living with us in years… Or perhaps it’s rubbing arms and shoulders with a passenger On a bus, in a train, or on a plane… It is that fleeting look from a passerby in the street Convey to us that they, too, have understood the game, But there’s not much they can do about it… ** Love wasn’t as they said It wasn’t as they said… It is not 1+1=2… It is sometimes three or more… At other times, it grows at point zero or lower, In solitude, in loneliness, and in seclusion… Isn’t it time, I wonder, to demolish everything falsely, unfairly, and misleadingly attributed to love? Or is it that love burns and dies Precisely when we try to capture it in our hands? [Original poem published in Arabic on October 27, 2022 at ahewar.org]

Firefly Sonnet Firefly, oh firefly, why do you gleam so! Who do you try to impress, who is the object of your glow! Oh, ye of little sight, said the gentle little beacon! Creatures with light eternal, don't shine to stir public opinion. I gleam, 'cause that's my life, I know no other way of existence. Puny apes gotta find an agenda, for most are anemic of effulgence. And you have the gall to call us bugs, while your mind is stuck in gutter! My fire bears proof of existence, you carry yours as cheap souvenir. (Note: as a biologist I must mention, this is a purely poetic piece, not to be analyzed with science, for evolutionarily speaking, glowworms use their glow to warn away predators, and attract mate.)

Real Love   It seems I got off on the wrong foot, right from the start. Speaking unwisely, but speaking from my heart.   Feelings aren’t easy to explain; meanings of words are sometimes lost, in what we say. Our fears and heartaches from the past often get in the way.   My heart is tender and fearful from all the pain that has happened to me. I feel yours is, too, and that pain and sorrow can cause us to miss what could be.   Being too careful, we can lose the chance that we long for. For sometimes, the one for us is only briefly at the door.   It takes courage, faith and trust to find real, true love. We must not give up, and put our hope in the Lord up above   If one is willing to share their thoughts and their dreams. If there is any attraction at all, it is a waste it seems.   Because real love is one of the hardest things to find. But if you do, it gives peace, comfort and joy to your heart and to your mind.   So here is your poem, that is written to you from me. It is written from my heart, to a love that shall never be.

I once began to ask around what constitutes a good poem. It felt petty, in a sense. A boy would need no help in deciding which girls he thinks are pretty.

This immense, still impending total human sacrifice cannot be appraised in the rational or scientific terms that those who have created this system favor: it is, I stress again, an essentially religious phenomenon. As such it offers a close parallel with the original doctrines of Buddhism, even down to the fact that it shares Prince Gautama's atheism. What, indeed, is the elimination of man himself from the process he in fact has discovered and perfected, with its promised end of all striving and seeking, but the Buddha's final escape from the Wheel of Life? Once complete and universal, total automation means total renunciation of life and eventually total extinction: that very retreat into Nirvana that Prince Gautama pictured as man's only way to free himself from sorrow and pain and misfortune. When the life-impulse is depressed, this doctrine, we know, exerts an immense attraction upon masses of disappointed and disheartened souls: for a few centuries Buddhism became dominant in India and swept over China. For similar reasons it is reviving again today. But note: those who originally accepted this view of man's ultimate destiny, and sought to meet death halfway, did not go to the trouble of creating an elaborate technology to accomplish this end: in that direction they went no farther, significantly enough, than the invention of a water-driven prayer wheel. Instead they practiced concentrated meditation and inner detachment, acts as free from technological intervention as the air they breathed. And they earned an unexpected reward for this mode of withdrawal, a reward that the worshippers of the machine will never know. Instead of extinguishing forever their capacity to feel pleasure or pain, they intensified it, creating poems, philosophies, paintings, sculptures, monuments, ceremonies that restored their hope, their organic animation, their creative zeal: revealing once more in the erotic exuberance an impassioned and exalted sense of man's own potential destiny. Our latter-day technocratic Buddhism can make no such promises

our interpretations of the world—all facets: poems, events, religious literature—are a form of intention, which have the power to gravitate those intentions back to us, and ultimately to the people who surround us in the form of manifested realities. Consider

No. No, it was a lonely writer I met one stormy day in Laguna Beach. He had a poem about Thelonious Monk that he sealed in a tin can and labeled Campbell's Cream of Piano Soup. Later I hear he killed himself to avoid the draft.

My second crush, don’t know, who you are, by thinking of you, my day pass. The things, the things, the things changed, forgot the first, second begins. The second crush, my second crush, don’t know who you are, but, by thinking of you, my day pass. Who you are, i don’t know, but seeing you shed tears. My feelings drop, water stops, in my eyes. The things, the things, the things changed. I fall in love, are you goddess or what. As i came near you, my heart beat rise. Want to stop my legs, but they attracts. Like your tears attract the sand, when they are falling on land. My heart, my heart, my heart beat rise, you came, you came, you are closer to my eyes. I see tears fallen on the ground, my love rotating around you round and round. Now, you are the first, you are the last, that i told you my sweet heart. When i see you first time, it was my last time, to fall in love, my dear valentine. The second crush, my second crush, don’t know who you are, but, by thinking of you, my day pass. The things, the things, the things changed. Now, crush end, time spend, love start, now, you are my life part.:-)

HOW TO BECOME PART OF NATURE Pay your bills promptly Keep track of everything you spend Take taxis everywhere you go Avoid people you’re naturally attracted to Discuss the weather with strangers Make random phone calls at 2 a.m. Neither apologize nor forgive Avoid curiosity Always wear blue suits Never smile Tell long boring stories Yawn when people are talking to you Avoid sex whenever possible Complain loudly about unions Cultivate a British accent Make obscene gestures at nuns Never fart in public Rattle change in your pocket Flush newspapers down public toilets Lecture people about smoking Collect pornography Be the first to pass out at parties Debunk current fads Keep your eyes unfocussed This is all you need to know. Within three years of following these rules carefully you will be part of nature. —

Selling & Buying" Everyone is up for sale, because most are looking for nothing but selling and buying … They sell life to buy a wretched living! You see them selling with no shame or dignity, and whenever you encounter a sign of kindness or a smile, you soon discover that it is fake and for marketing purposes only… You see the sons of bitches and their children and grandchildren all busy selling real estate cars bodies and desires fruit and vegetables countries and agricultural lands natural resources (after proxy revolutions) clothes, shoes, and things – both fake and original – cheap gifts and souvenirs in touristy cities iPhones with ugly accessories long and wide lists of all things, big or small, that are supposed to make them happier trendier more attractive and more human… And between one sale and another, they rest and talk about values, the Creator, ethics, religion, what is prohibited and what’s allowed… Between one sale and another buy, you find them discussing dignity and freedom, theorizing the meaning of life, talking about politics and revolutions nature and the environment diseases and chronic illnesses the latest technological advancements about everything expect the fact that all the misfortunes on this planet are because they don’t hesitate to sell anything and everything their hands can reach, in exchange for one moment of superficiality! You see those who chase after and master the game of selling and buying in perfect harmony with the latest trends and styles, yet dwelling inside miserable bodies whose soul and spirit have long departed with no return… Oh, how fortunate are those who learned to adapt with this game of selling and buying… [Original poem published in Arabic on June 29, 2024 at ahewar.org]

Honor and Love (The Sonnet) I don't care for one time fling, Got no hankering for casual coitus. I am a human, not baboon set free, I don't consent to rampant desires. When I fall I fall mind and body, Body plays a little, more the mind. I'm attracted to face, not figure, Finally by mind the deal is signed. If the mind doesn't come through, a cute face doesn't sustain nothing. Heart anemic makes the world anemic, getting drunkly sick on perverted fling. In a world of cheats and perves, Be the proof of honor and love. In the wild of sharks and wolves, Be the gentle elephant, be a dove.

Shit Cafés I started avoiding beautiful places as they attracted people. Too many people: The seaside Botanic gardens Quaint country towns... So, I started going to shit cafes, sat in back alleyways. Until the shit cafés closed down because no one was going

Poet of A Planet (The Sonnet) I am not the poet of a nation, I am the poet of a planet. I don't do just one culture, Assimilation is the prime tenet. Hence my work repels nationalists, Like the sun repels the nightcrawlers, While it attracts expanding beings, Like the amazon attracts explorers. If you wanna hear how great your culture is, Go read some fundamentalist fiction. I don't write for prehistoric barbarians, To put it bluntly, I write for modern humans. I repeat, I'm not the poet of a single nation. I am but the living proof of amalgamation.

and when she walks into the room, everybody turns: some kind of light is coming from her head. Even the geraniums look curious, and the bees, if they were here, would buzz suspiciously around her hair, looking for the door in her corona. We're all attracted to the perfume of fermenting joy,

Our Mothers Your eyes see hope for tomorrow Your hearts are made of gold that many wish to borrow Your minds sharp enough for others follow Your hands ensure that children grow Your feet go places where some cannot know Your courage makes you stand where strong winds blow Your presence becomes warmth, regardless of the snow Your influence can be felt within a stone’s throw You hold nothing back for whom you protect You speak words with good intent You treat others with so much respect You fight and never retract You pursue a path that keeps your faith intact You fulfil dreams and make a significant impact You pass through tough times while remaining steadfast You conquer battles as you pray and fast You instil discipline that becomes a great shield You serve others until they succeed You give inspiration among those who bleed You understand that you are rearing a rare breed You plant and nurture the right seed You help attract breakthroughs with speed You care for those in need You touch lives, indeed You lead your own to be great every step of the way You play your role very well, even without a pay You smile as if every day is your pay day You exude wisdom and put it on full display You save generations from going astray You run your race just like in a relay You pass the baton with no delay You carry so much worth as you get to be gray Hence, we salute you, our Mothers

I don’t think she’s really gone…’ Robert hesitates. ‘I just think we can’t see her any more.’ ‘What do you mean?’ He straightens up, then hunches forward on his knees. ‘I was reading this thing by St Augustine…’ ‘I didn’t know you’re religious.’ ‘I’m not, really. But he wrote some pretty good stuff. There’s this bit where he’s talking about time, and how it’s just an illusion.’ Ella frowns. ‘Then what are clocks doing?’ ‘They’re measuring the teeth on a cog, or the number of times a pendulum has gone back and forth…’ He looks at Ella’s frown. ‘I don’t know, it’s hard to explain. But what he’s saying is, there’s no such thing as the past or the future, just this big, eternal now.’ Ella tries to get her head around this, craning her neck so she’s looking right up through the gaps in the clouds. The stars flicker. ‘Nope, I don’t get it.’ ‘Well, he compares it to a poem…but you could imagine it like a record.’ ‘A record?’ ‘Yeah, imagine a seventy-eight.’ Ella closes her eyes and pictures the record. ‘So, you put it on the turntable and listen to the first verse of the song, then there’s a chorus, then another verse. While you’re listening to the second verse, the first verse is still there, spinning around on the record, but you’re not listening to it any more. St Augustine said that the record is like a human life, or all of human history.’ Ella thinks for a moment. The idea is starting to take shape in her head as she imagines the shiny black disc, spinning on its axis. She’s not sure if it makes sense or not, but the idea is attractive. She thinks of all the people who have gone before them, their lives still spinning through infinity like silent songs. ‘So where’s Rene, in this metaphor?’ ‘She’s like…’ Robert thinks for a moment. ‘She’s like a clarinet solo in the first verse. A beautiful solo, harmonizing with the melody. And then she stops, and she doesn’t repeat again for the rest of the song…but she’s still there, on the record.

How can I be ? Proud of my struggle, but having nothing to show. Guns , petrol, tires , gas, everything blows Now I am standing on top of Museum building burned into ashes. It Is smoke in the mirrors. Look at our Repercussions. Our legacy, our reputation. Canvas and portraits of arrogance Lies, deception, fractions results of politicians Insurrection results of a failed mission Blood used to paint our image Poor quality in this fotos, because nothing changed. You might think it is the 80’s, because you can see tribalism and racism. A perfect black and white picture. Sound of freedom turned into sound of violence, Ambulance, Police siren , people crying and dying Hunger and poverty used as tourists attraction They say look more poorer, so we can get more donation. I am getting global media coverage, Because I am queuing and walking long distance for food, Not because we are getting killed , abused and treated unfairly. They look at me and say Africa is starving Took my pics , post them on social media. Now they are laughing. Being born with a price tag, that says you not worth it, because your black. Government looted everything from the poor Now the poor are looting the government. It is like a stolen movie. Those who started it all and who are behind it, are not getting their credit and spotlight . If we change looting to colonization , then they would be heroes. Not sure whether to say goodbye or good night Because when you're in Phoenix , this might be your last night. 

No longer do I wonder why the clay of your body attracts stardust, hands, weekends.

Silence the lambs The quiet of the night brings the peaceful of the moonlight of the sky. As through the forest you hear the lambs' cries as they have wandered too far into the darkness. It is cold as to the flock be nowhere in sight. The lamb has to be found some way, somehow. Silence the lamb of the fear as to stop weeping. It will attract the attention of the wolves in the distance. It is to the owl of wisdom to seek out the ravens' omen to see the future of the lamb's way back home or the path of certain death. The owl makes the swift decision. As the magic fills the air to the breeze of the wind that is to carry the guidance of the lamb to the herd it came from. The omen of the raven is to silence the lambs fear as to be safe as well as warm amongst the flock of sheep it was separated from. Silence the lambs to the peaceful sleep til the morning. Under the owl as well the raven's protection of the morning sun. Silence be the lambs for a new day has started. The lambs be silent now for they are both fed as well as protected amongst the herd. Quiet as they sleep amongst the lambs' counting sheep as the night races time to daybreak. Now the lamb has survived another day, another night. Tapping of the ravens without the screeching of the owl. The lamb be special as the birds know this isn’t a sacrificial lamb. For it has made its way home. By the moon as well as the stars. With the guidance of the owl's wisdom and the ravens the omen. As well as the magical divinity of the power of magic. For now, the lambs be silent through darkness of the night to save souls from the devil himself.

Stay true to your narrative and refuse to conform to a cookie-cutter version of yourself just to accommodate others' comfort. Embrace every unique piece of who you are, for it's in your authenticity that you truly shine, attracting those who appreciate you for you.

Broken boat! The small boat was anchored, where the lake ended, It stood there over the water and nothing at all pretended, The silently lapping water showed no hurry, Just like the still boat that today had no reason to worry, The boat, the water, everything appeared to be at ease, They had no reason to rush, and nobody to please, Just themselves and their anchored state, That steadfastly cast them into this feeling of never being tired to wait, Wait for the sunrise, wait for the moon rise, wait for the morning, Wait for the boatman, wait for a new wave, wait for the birds to sing, It seemed the boat and the lake could wait forever and for everything, And just like the boat I too waited for someone, that feeling beautiful, that special something, The lake spreads far and wide, And the boat stands anchored between this divide, To wait or to drift at the wind’s will, The prospect is attractive but the boat has a promise to fulfill, Towards the boatman, towards the anchor, towards the lake too, And towards something or maybe someone, nobody knows who, Maybe it is her secret affair, With the shore, with the security it offers her, While she is romancing the shore and it erotically kisses her hull, And an onlooker like me feels she wants to break free from this life so dull, But maybe she does not regard the weight of the anchor to be a boundation, For it holds her close to the erotic shore and it's wet and muddy sensation, As time passes by, the boat begins to rot, The kiss of the shore that enticed her and felt so hot, Was actually fooling her to feel what was not real, By the time the boat realised the kiss of the shore was unreal, The hull of the boat had perforated and crumbled, And as it lay there in this state of uselessness and now humbled, The shore no longer kissed it, Because now a new boat stood anchored there, and the shore was erotically kissing it, The boat has decomposed, and its wood drifts freely in the lake now, And it wanders endlessly to seek that real feeling of love, But in pieces, one here, one there, one somewhere unknown, In pieces trying to find love that it never had actually felt or known, So, whenever I see a broken piece of a boat, I think of you my love, and then with these pieces I and my feelings float, Where? Only every broken piece of the boat can tell, But unlike the boat, I feel our love is real and it is for nobody except us to judge and tell!

wandered through Stratford, waiting to hear back. The main downtown area was small and pedestrian, centered on the local tourist industry. Most of the buildings were in the half-timbered Tudor style, lending an air of Renaissance authenticity to the town. Quaint street signs helpfully funneled bumbling tourists toward the attractions: “Shakespeare’s Birthplace” or “Holy Trinity Church and Shakespeare’s Grave.” On High Street, I passed the Hathaway Tea Rooms and a pub called the Garrick Inn. Farther along, a greasy-looking cafe called the Food of Love, a cutesy name taken from Twelfth Night (“ If music be the food of love, play on”). The town was Elizabethan kitsch—plus souvenir shops, a Subway, a Starbucks, a cluster of high-end boutiques catering to moneyed out-of-towners, more souvenir shops. Shakespeare’s face was everywhere, staring down from signs and storefronts like a benevolent big brother. The entrance to the “Old Bank estab. 1810” was gilded ornately with an image of Shakespeare holding a quill, as though he functioned as a guarantee of the bank’s credibility. Confusingly, there were several Harry Potter–themed shops (House of Spells, the Creaky Cauldron, Magic Alley). You could almost feel the poor locals scheming how best to squeeze a few more dollars out of the tourists. Stratford and Hogwarts, quills and wands, poems and spells. Then again, maybe the confusion was apt: Wasn’t Shakespeare the quintessential boy wizard, magically endowed with inexplicable powers?

God is the only object worthy of our love, for He is the True Beloved; every other object of love veils His Face. In describing His Image which they contemplate in their hearts, the Sufis often use terminology pertaining to the primary derivative beloved of the male human being, that is, woman. All the imagery employed by the Persian poets in the ghazal or „love poem“ to praise derivative beloveds takes on a new significance at the hands of the Sufi poets. Again one must keep in mind that this is not a question of poetical convention, since according to Sufi teachings women manifest the divine Attributes of Beauty, Mercy, Gentleness, and Kindness in a relatively direct manner within their outward forms. In Rumi‘s view, their derivative beauty is the closest thing to True Beauty in the material world. For this very reason, the attraction that their beauty exerts upon a man can be one of the greatest obstacles to his spiritual development. As long as he thinks that a woman‘s beauty belongs to her, he will be led astray. But once he is able to see her beauty as the reflection of God‘s Beauty, then his derivative love can be transformed into True Love. (p. 286)

Thus instead of supposing that a work of art must be something that all can behold – a poem, a painting, a book, a great building – consider making of your own life a work of art. You have yourself to begin with, and a time of uncertain duration to work on it. You do not have to be what you are, and even though you may be quite content with who and what you are, it will not be hard for you to think of something much greater that you might become. It need not be something spectacular or even something that will attract any notice from others. What it will be is a kind of excellence that you project for yourself, and then attain – something you can then take a look at, with honest self appraisal, and be proud of.

Why am I attracted to magic? Write down your responses. You might find you write a poem, or even something that later you will be able to use in a ritual. No-one else will read it, so you can be as honest as you like. Date the page. It is the beginning of a mgical diary.

From kindergarten through senior year of high school, Evan attended Crossroads, an elite, coed private school in Santa Monica known for its progressive attitudes. Tuition at Crossroads runs north of $ 22,000 a year, and seemingly rises annually. Students address teachers by their first names, and classrooms are named after important historical figures, like Albert Einstein and George Mead, rather than numbered. The school devotes as significant a chunk of time to math and history as to Human Development, a curriculum meant to teach students maturity, tolerance, and confidence. Crossroads emphasizes creativity, personal communication, well-being, mental health, and the liberal arts. The school focuses on the arts much more than athletics; some of the school’s varsity games have fewer than a dozen spectators. 2 In 2005, when Evan was a high school freshman, Vanity Fair ran an exhaustive feature about the school titled “School for Cool.” 3 The school, named for Robert Frost’s poem “The Road Not Taken,” unsurprisingly attracts a large contingent of Hollywood types, counting among its alumni Emily and Zooey Deschanel, Gwyneth Paltrow, Jack Black, Kate Hudson, Jonah Hill, Michael Bay, Maya Rudolph, and Spencer Pratt. And that’s just the alumni—the parents of students fill out another page or two of who’s who A-listers. Actor Denzel Washington once served as the assistant eighth grade basketball coach, screenwriter Robert Towne spoke in a film class, and cellist Yo-Yo Ma talked shop with the school’s chamber orchestra.

Heroic poetry tends in its simplest form to be concerned with immediate events and local heroes. A certain length of tradition is required before the epic poem, telling the story of the hero, becomes current. Heroic poetry assumes that the audience knew what the outcome of the battle was, and is concerned with individual feats; the context if of little importance. Epic poems only become attractive as a form when the audience needs to be told who the heroes were.

I found I missed the compelling riddle-like quality of especially tricky math problems, that tight flourish of logic unfolding step by step. This is probably the same quality that also attracts me to particularly tricky poems. In both cases, a sense of wonder animates the premise: how can these constructed symbols mean something true about the world?

Sir Montague Fowler (1858-1933) fourth (and last) Baronet of Braemore, was the third son of Sir John Fowler. Coming from the family of a very wealthy and eminent engineer, he might have been expected to pursue some career along the same lines, or go into politics, or even - as his younger brother Evelyn seems to have done - become expert at doing nothing. Instead, he entered the church. He attracted public approbation for several charitable acts before the war and was rector at various churches in London; but the high point of his ecclesiastical career was his appointment as chaplain and purse-bearer to the Archbishop of Canterbury. And he wrote books: Some Notable Archbishops of Canterbury (1895), Church History in Victoria's Reign (1896), Christian Egypt (1901), The Morality of Social Pleasures (1910) and others. In 1913, he founded the Church Imperial Club in London, which had 'an imposing list of divines and Church dignitaries as patrons'. In 1889, he married his first wife, Ada Dayrell Thomson, a niece of the Archbishop of York. She too was an author, a bit like the Countess of Cromartie, but more racy: her several works written under the pseudonym 'Dayrell Trelawney' included The Revolt of Daphne, The Robbery of the Pink Diamond and The Secret of the Haunted Road. She also wrote several plays under the nom de plume 'Gaston Grevex', and a marvellously patriotic poem, Femina Imperialis 1900 ('Awake! Imperial daughter of a race/That rules the sea...') appeared under her own name in the Revelstoke Herald of British Columbia in 1900. Ada died in 1911. In 1914, Montague married his second wife, Denise Chailliey, a Frenchwoman thirty-four years his junior; she wrote neither novels nor church histories, but produced two daughters, bred toy spaniels and outlived her husband by sixty years.

A Beautiful,limelighted Island city with its glorified Heritage and Culture,invites every curious Traveller to Travel around her heart-One has it willingly unbound to explore, seeking a Poetic Life,yet singing songs,writing a wide range of Poems to satiate his Imagery,the sweet trains of fancy to flow in Passion,The city glimmers,yet more attractive as every breath it takes,and join hands with man to know her secrets.

In many of his poems he fantasized about Arab love legends in terms that are sensual and violent. He also wove many Arabic terms into his writing, learned from his Arabic teacher, Khalil al-Sakakini. In one letter he wrote: “I am a foreigner in the world of Aryan culture; my place is in the East and my paths lead to the sun.” He was attracted to a stereotype—the “Arab,

The second main argument to support the idea that simple living enhances our capacity for pleasure is that it encourages us to attend to and appreciate the inexhaustible wealth of interesting, beautiful, marvelous, and thought-provoking phenomena continually presented to us by the everyday world that is close at hand. As Emerson says: “Things near are not less beautiful and wondrous than things remote. . . . This perception of the worth of the vulgar is fruitful in discoveries.”47 Here, as elsewhere, Emerson elegantly articulates the theory, but it is his friend Thoreau who really puts it into practice. Walden is, among other things, a celebration of the unexotic and a demonstration that the overlooked wonders of the commonplace can be a source of profound pleasure readily available to all. This idea is hardly unique to Emerson and Thoreau, of course, and, like most of the ideas we are considering, it goes back to ancient times. Marcus Aurelius reflects that “anyone with a feeling for nature—a deeper sensitivity—will find it all gives pleasure,” from the jaws of animals to the “distinct beauty of old age in men and women.”48 “Even Nature’s inadvertence has its own charms, its own attractiveness,” he observes, citing as an example the way loaves split open on top when baking.49 With respect to the natural world, celebrating the ordinary has been a staple of literature and art at least since the advent of Romanticism in the late eighteenth century. Wordsworth wrote three separate poems in praise of the lesser celandine, a common wildflower; painters like van Gogh discover whole worlds of beauty and significance in a pair of peasant boots; many of the finest poems crafted by poets like Thomas Hardy, Robert Frost, Elizabeth Bishop, William Carlos Williams, and Seamus Heaney take as their subject the most mundane objects, activities, or events and find in these something worth lingering over and commemorating in verse: a singing thrush, a snowy woods, a fish, some chilled plums, a patch of mint. Of course, artists have also celebrated the extraordinary, the exotic, and the magnificent. Homer gushes over the splendors of Menelaus’s palace; Gauguin left his home country to seek inspiration in the more exotic environment of Tahiti; Handel composed pieces to accompany momentous ceremonial occasions. Yet it is striking that a humble activity like picking blackberries—the subject of well-known poems by, among others, Sylvia Plath, Seamus Heaney, and Richard Wilbur—appears to be more inspirational to modern poets, more charged with interest and significance, than, say, the construction of the world’s tallest building, the Oscar ceremonies, the space program, or the discovery of DNA’s molecular structure. One might even say that it has now become an established function of art to help us discover the remarkable in the commonplace

I am sorry my words sometimes frighten the fireflies from your dreams, I am sorry that battalions of doubt have pitched camp in your heart. It would be crazy to love you as much as I do. It is 3:03 and by now the whole universe is attracted to you so that I feel gobbled up like the ice in a comet. I am sorry the time is passing so slowly. I am sorry, birds, for not mentioning you again until the end. My fifth grade teacher said comets are angels. You can determine the exact makeup of a comet by spectrographic analysis. An X ray of this poem would reveal dark spots on its heart. It would reveal the smallest memories— my hand resting so gently on your hip that it requires great effort just to stay on this earth, how your legs seem to become part of your bicycle and you seem to fly into a world that lies beside this one.

Idyllic haven, Magnificent Perspective, Unique attraction.