Attacking My Character Quotes

For several years, I had been bored. Not a whining, restless child's boredom (although I was not above that) but a dense, blanketing malaise. It seemed to me that there was nothing new to be discovered ever again. Our society was utterly, ruinously derivative (although the word derivative as a criticism is itself derivative). We were the first human beings who would never see anything for the first time. We stare at the wonders of the world, dull-eyed, underwhelmed. Mona Lisa, the Pyramids, the Empire State Building. Jungle animals on attack, ancient icebergs collapsing, volcanoes erupting. I can't recall a single amazing thing I have seen firsthand that I didn't immediately reference to a movie or TV show. A fucking commercial. You know the awful singsong of the blasé: Seeeen it. I've literally seen it all, and the worst thing, the thing that makes me want to blow my brains out, is: The secondhand experience is always better. The image is crisper, the view is keener, the camera angle and the soundtrack manipulate my emotions in a way reality can't anymore. I don't know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script. It's a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless Automat of characters. And if all of us are play-acting, there can be no such thing as a soul mate, because we don't have genuine souls. It had gotten to the point where it seemed like nothing matters, because I'm not a real person and neither is anyone else. I would have done anything to feel real again.

But in a country where you hang your dead up on walls and pride whether or not a man bears a javelin more than his character, how am I to persuade you out of a war? It would be suicide for Kildenree to war on Bayern and butchery for Bayern to attack Kildenree. If you don't believe me, then send me back. Or if you don't trust me to leave, I'll return to my little room on the west wall and tend your geese, and you can be sure that on my watch no thieves will touch my flock.

Dad: Honey, have you seen my glasses? I can"t find them. Mom: I haven't seen them. Calvin: (with glasses, to Dad) Calvin, go do something you hate! Being miserable builds character!

I was free with every road as my home. No limitations and no commitments. But then summer passed and winter came and I fell short for safety. I fell for its spell, slowly humming me to sleep, because I was tired and small, too weak to take or handle those opinions and views, attacking me from every angle. Against my art, against my self, against my very way of living. I collected my thoughts, my few possessions and built isolated walls around my values and character. I protected my own definition of beauty and success like a treasure at the bottom of the sea, for no one saw what I saw, or felt the same as I did, and so I wanted to keep to myself. You hide to protect yourself.

At least two important conservative thinkers, Ayn Rand and Leo Strauss, were unbelievers or nonbelievers and in any case contemptuous of Christianity. I have my own differences with both of these savants, but is the Republican Party really prepared to disown such modern intellectuals as it can claim, in favor of a shallow, demagogic and above all sectarian religiosity? Perhaps one could phrase the same question in two further ways. At the last election, the GOP succeeded in increasing its vote among American Jews by an estimated five percentage points. Does it propose to welcome these new adherents or sympathizers by yelling in the tones of that great Democrat bigmouth William Jennings Bryan? By insisting that evolution is 'only a theory'? By demanding biblical literalism and by proclaiming that the Messiah has already shown himself? If so, it will deserve the punishment for hubris that is already coming its way. (The punishment, in other words, that Jerry Falwell and Pat Robertson believed had struck America on Sept. 11, 2001. How can it be that such grotesque characters, calling down divine revenge on the workers in the World Trade Center, are allowed a respectful hearing, or a hearing at all, among patriotic Republicans?). [. . . And Why I'm Most Certainly Not! -- The Wall Street Journal, Commentary Column. May 5, 2005]

Ann: You didn’t cause my miscarriages. But you are committed to transforming me to be like you.

Perhaps their attacks on my character meant that the hour was ripe for my career to begin in earnest.   Seize

From an encounter in 1862... “Dickens told me,” Dostoyevsky recalled in a letter written years later, “that all the good, simple people in his novels . . . are what he wanted to have been, and his villains were what he was (or rather, what he found in himself), his cruelty, his attacks of causeless enmity towards those who were helpless and looked to him for comfort, his shrinking from those whom he ought to love. . . . There were two people in him, he told me: one who feels as he ought to feel and one who feels the opposite. From the one who feels the opposite I make my evil characters, from the one who feels as a man ought to feel, I try to live my life.

Their character is built upon conventional morality. It leans on the social order. Mine stands free from everything artificial. Le They are bound in all sorts of conventions. They depend on life, which, in this connexion, is a historical fact surrounded by all sorts of restraints and considerations, a complex, organized fact open to attack at every point; whereas I depend on death, which knows no restraints and cannot be attached. My superiority is evident.

And now, at the sight of this clumsy stranger...I had my first attack of tears. I am afraid I led that boy a dog's life, for as he was new to the work, I had a hundred opportunities of setting him right and putting him down, and I was not slow to profit by them.

Sitting in a van twiddling my thumbs while you bone up is one thing, but attacking her? No way." "Bone up?" Cale asked uncertainly. "Get a boner," the man explained, and then added, "Or an erection to those of us too damned old to know modern lingo... not to mention be able to judge character anymore.

These books have really helped me get through some rough patches in my life... So if you want to disagree with me, that's fine, but please do so in a respectful manner. (On anyone's posts for that matter) You never know what someone may be going through. I was recently called an idiot and other names that I won't repeat because I try to keep my language clean, simply because I was defending some other people who were being attacked for loving the Keeper of the Lost Cities. And I know for a fact that many people (myself included) go to books to escape their everyday life. I know of a few people who have read a book that helped them through depression because the characters in that book found a way through it. I've heard about people who were thinking about suicide and then part of a book helped them realize that it wasn't the answer. Books can save lives, as well as any other hobby. So feel free to share your opinion, but please don't attack people for theirs, no matter what it is.

Lefty openly attacked the Gaming Commission and its chairman, future U.S. Senator Harry Reid. An encounter between Lefty and Reid was dramatized in a scene in Casino, in which actor Dick Smothers played a character based on Reid. Although there was some Hollywood in that scene, Tony had told me that Reid was in fact viewed as an ally and did receive special treatment and comps at the Stardust. What Reid did in return for those comps I don’t know, but I do know that with the Mob you don’t get something for nothing. There is no doubt in my mind that Reid took some action or inaction that benefited the Outfit. Anyway, the battle between Lefty and the Commission was a hot topic in Vegas and was widely reported in the newspapers and on TV, exactly what the crime families wanted to avoid.

He has no friends that I know of, and his few neighbours consider him a bit of a weirdo, but I like to think of him as my friend as he will sometimes leave buckets of compost outside my house, as a gift for my garden. The oldest tree on my property is a lemon, a sprawling mass of twigs with a heavy bow. The night gardener once asked me if I knew how citrus trees died: when they reach old age, if they are not cut down and they manage to survive drought, disease and innumerable attacks of pests, fungi and plagues, they succumb from overabundance. When they come to the end of their life cycle, they put out a final, massive crop of lemons. In their last spring their flowers bud and blossom in enormous bunches and fill the air with a smell so sweet that it stings your nostrils from two blocks away; then their fruits ripen all at once, whole limbs break off due to their excessive weight, and after a few weeks the ground is covered with rotting lemons. It is a strange sight, he said, to see such exuberance before death. One can picture it in animal species, those million salmon mating and spawning before dropping dead, or the billions of herrings that turn the seawater white with their sperm and eggs and cover the coasts of the northeast Pacific for hundreds of miles. But trees are very different organisms, and such displays of overripening feel out of character for a plant and more akin to our own species, with its uncontrolled, devastating growth. I asked him how long my own citrus had to live. He told me that there was no way to know, at least not without cutting it down and looking inside its trunk. But, really, who would want to do that?

I once read the most widely understood word in the whole world is ‘OK’, followed by ‘Coke’, as in cola. I think they should do the survey again, this time checking for ‘Game Over’. Game Over is my favorite thing about playing video games. Actually, I should qualify that. It’s the split second before Game Over that’s my favorite thing. Streetfighter II - an oldie but goldie - with Leo controlling Ryu. Ryu’s his best character because he’s a good all-rounder - great defensive moves, pretty quick, and once he’s on an offensive roll, he’s unstoppable. Theo’s controlling Blanka. Blanka’s faster than Ryu, but he’s really only good on attack. The way to win with Blanka is to get in the other player’s face and just never let up. Flying kick, leg-sweep, spin attack, head-bite. Daze them into submission. Both players are down to the end of their energy bars. One more hit and they’re down, so they’re both being cagey. They’re hanging back at opposite ends of the screen, waiting for the other guy to make the first move. Leo takes the initiative. He sends off a fireball to force Theo into blocking, then jumps in with a flying kick to knock Blanka’s green head off. But as he’s moving through the air he hears a soft tapping. Theo’s tapping the punch button on his control pad. He’s charging up an electricity defense so when Ryu’s foot makes contact with Blanka’s head it’s going to be Ryu who gets KO’d with 10,000 volts charging through his system. This is the split second before Game Over. Leo’s heard the noise. He knows he’s fucked. He has time to blurt ‘I’m toast’ before Ryu is lit up and thrown backwards across the screen, flashing like a Christmas tree, a charred skeleton. Toast. The split second is the moment you comprehend you’re just about to die. Different people react to it in different ways. Some swear and rage. Some sigh or gasp. Some scream. I’ve heard a lot of screams over the twelve years I’ve been addicted to video games. I’m sure that this moment provides a rare insight into the way people react just before they really do die. The game taps into something pure and beyond affectations. As Leo hears the tapping he blurts, ‘I’m toast.’ He says it quickly, with resignation and understanding. If he were driving down the M1 and saw a car spinning into his path I think he’d in react the same way. Personally, I’m a rager. I fling my joypad across the floor, eyes clenched shut, head thrown back, a torrent of abuse pouring from my lips. A couple of years ago I had a game called Alien 3. It had a great feature. When you ran out of lives you’d get a photo-realistic picture of the Alien with saliva dripping from its jaws, and a digitized voice would bleat, ‘Game over, man!’ I really used to love that.

It is as if there are two big wolves living inside me; one is white and one is black. The white wolf is good, kind, and does no harm. He lives in harmony with all that is around him and does not take offense when no offense was intended. The good wolf, grounded and strong in the understanding of who he is and what he is capable of, fights only when it is right to do so and when he must in order to protect himself or his family, and even then he does it in the right way. He looks out for all the other wolves in his pack and never deviates from his nature. “But there is a black wolf also that lives inside me, and this wolf is very different. He is loud, angry, discontent, jealous, and afraid. The littlest thing will set him off into a fit of rage. He fights with everyone, all the time, for no reason. He cannot think clearly because his greed for more and his anger and hate are so great. But it is helpless anger, son, for his anger will change nothing. He looks for trouble wherever he goes, so he easily finds it. He trusts no one, so he has no real friends.” The old chief sits in silence for a few minutes, letting the story of the two wolves penetrate his young grandson’s mind. Then he slowly bends down, looks deeply into his grandson’s eyes, and confesses, “Sometimes it’s hard to live with these two wolves inside me, for both of them fight hard to dominate my spirit.” Riveted by his elder’s account of this great internal battle, the boy tugs on his grandfather’s breechcloth and anxiously asks, “Which one of the wolves wins, Grandfather?” And with a knowing smile and a strong, firm voice, the chief says, “They both do, son. You see, if I choose to feed only the white wolf, the black wolf will be waiting around every corner looking to see when I am off balance or too busy to pay attention to one of my responsibilities, and he will attack the white wolf and cause many problems for me and our tribe. He will always be angry and fighting to get the attention he craves. But if I pay a little attention to the black wolf because I understand his nature, if I acknowledge him for the strong force that he is and let him know that I respect him for his character and will use him to help me if we as a tribe are ever in big trouble, he will be happy, the white wolf will be happy, and they both win. We all win.

As will be seen from my book, I did not share at that time the conception of the two ancient Roman writers respecting the character and conduct of Catiline, and I am even now prone to believe that there must after all have been something great and consequential in a man whom Cicero, the assiduous counsel of the majority, did not find it expedient to engage until affairs had taken such a turn that there was no longer any danger involved in the attack. It should also be remembered that there are few individuals in history whose renown has been more completely in the hands of enemies than that of Catiline.

The brutality of the regime knows no bounds. It does not remain neutral towards the people here; it creates beasts in its own image out of ordinary people who might have been neighbors instead. Even more dangerous was the fact that the fundamentals of humanity and the ABCs of life have been eviscerated from the hearts of many people here. State television destroys human compassion, the sort of fundamental empathy that is not contingent upon a political or even a cultural orientation, and through which one human being can relate to another. The al-Dunya channel stirs up hatred, broadcasts fake news and maligns any opposing viewpoint. I wasn't the only one subjected to internet attacks by the security services and the Ba'thists, even if the campaign against me may be fiercer because I come from the Alawite community and have a lot of family connections to them -- because I am a woman and it's supposedly easier to break me with rumors and character assassinations and insults. Some of my actress friends who expressed sympathy for the children of Dar'a and called for an end to the siege of the city were subjected to a campaign of character assassinations and called traitors, then forced to appear on state television in order to clarify their position. Friends who expressed sympathy for the families of the martyrs would get insulted, they would be called traitors and accused of being foreign spies. People became afraid to show even a little bit of sympathy for one another, going against the basic facts of life, the slightest element of what could be called the laws of human nature -- that is, if we indeed agree that sympathy is part of human nature in the first place. Moral and metaphorical murder is being carried out as part of a foolproof plan, idiotic but targeted, stupid yet leaving a mark on people's souls.

I was one of the first in the country, perhaps the first in Chicago, to have my character, my commitment, and my very self attacked in such a way by Movement women that it left me torn in little pieces and unable to function. It took me years to recover, and even today the wounds have not entirely healed. This attack is accomplished by making you feel that your very existence is inimical to the Movement and that nothing can change this short of ceasing to exist. These feelings are reinforced when you are isolated from your friends as they become convinced that their association with you is similarly inimical to the Movement and to themselves. Any support of you will taint them. Eventually all your colleagues join in a chorus of condemnation which cannot be silenced, and you are reduced to a mere parody of your previous self. I had survived my youth because I had never given anyone or any group the right to judge me. That right I had reserved to myself. But the Movement seduced me by its sweet promise of sisterhood. It claimed to provide a haven from the ravages of a sexist society; a place where one would be understood. It was my very need for feminism and feminists that made me vulnerable. I gave the movement the right to judge me because I trusted it. And when it judged me worthless, I accepted that judgment.

It is my intention, moreover, to recount the misfortunes which immediately came upon the whole Jewish nation in consequence of their plots against our Saviour, and to record the ways and the times in which the divine word has been attacked by the Gentiles, and to describe the character of those who at various periods have contended for it in the face of blood and of tortures, as well as the confessions which have been made in our own days, and finally the gracious and kindly succor which our Saviour has afforded them all. Since I propose to write of all these things I shall commence my work with the beginning of the dispensation of our Saviour and Lord Jesus Christ.

Recently I have been attacked in newspapers by two 'fabulist' writers, as far as I can make out for the ordinariness of the worlds I portray. To which the most obvious reply is that it's all very well writing about elves and dragons and goddesses rising out of the ground and the rest of it--who couldn't do that and make it colorful? (Readable, of course, is another matter...) But writing about pubs and struggling singer-songwriters--well, that's hard work. Nothing happens. Nothing happens, and yet, somehow, I have to persuade you that something is happening somewhere in the hearts and minds of my characters, even though they're just standing there drinking beer and making jokes about Peter Frampton.

I now reckon upon a speedy dissolution. I have suffered very little pain from my disorder; and what is more strange have, notwithstanding the great decline of my person, never suffered a moment's abatement of spirits; insomuch that were I to name the period of my life which I should most choose to pass over again, I might be tempted to point to this later period. I possess the same ardour as ever in study, and the same gaiety in company; I consider, besides, that a man of sixty-five, by dying, cuts off only a few years of infirmities; and though I see many symptoms of my literary reputation's breaking out at last with additional lustre, I know that I could have but few years to enjoy it. It is difficult to be more detached from life than I am at present. "To conclude historically with my own character, I am, or rather was (for that is the style I must now use in speaking of myself); I was, I say, a man of mild dispositions, of command of temper, of an open, social, and cheerful humour, capable of attachment, but little susceptible of enmity, and of great moderation in all my passions. Even my love of literary fame, my ruling passion, never soured my temper, notwithstanding my frequent disappointments. My company was not unacceptable to the young and careless, as well as to the studious and literary; and as I took a particular pleasure in the company of modest women, I had no reason to be displeased with the reception I met with from them. In a word, though most men any wise eminent, have found reason to complain of calumny, I never was touched or even attacked by her baleful tooth; and though I wantonly exposed myself to the rage of both civil and religious factions, they seemed to be disarmed in my behalf of their wonted fury. My friends never had occasion to vindicate any one circumstance of my character and conduct; not but that the zealots, we may well suppose, would have been glad to invent and propagate any story to my disadvantage, but they could never find any which they thought would wear the face of probability. I cannot say there is no vanity in making this funeral oration of myself, but I hope it is not a misplaced one; and this is a matter of fact which is easily cleared and ascertained.

I was sitting there by the fire, Looking at the coldness of New York, She came out and sat beside me, We both were anxious and in pain, As we had no job, no money, Just this apartment, empty with no single food grain, But the most of all we have no rent to pay, And thus were obliged to live in the streets tomorrow, We didn’t mind, but the fear, Was only that we were full of character and esteem, Which can’t survive the city of apple? The door knocked as the owner came for payment, The door burst out and in the meantime, My wife fell on the ground crying, With her hands on her chest, The owner stunned as I also fell down the same way, He yelled for the ambulance as we faint, She and I opened our eyes in a hospital, Sharing the same bed, We took each other hands smiling, The owner said we had a heart attack, The owner started leaving as per the doctor’s suggestion, Of course the problem of rent was solved, He turned back saying he didn’t understand, How two people can get attack together? The fool still didn’t understand that, We were two bodies but one heart!

When a victim does go for help, she is seen as attacking the assailant. These are separate; seeking aid is her primary motive, his fallout is a secondary effect. But we are taught, if you speak, something bad happens to him. You will be blamed for every job he doesn’t get, every game he doesn’t play. His family, friends, community, team, will unleash hell on you, are you sure you want that? We force her to think hard about what this will mean for his life, even though he never considered what his actions would do to her. Inherently the victim is outnumbered. She is the sole object of his sexual aggression, expected to single-handedly undo all of their staunch beliefs, backed by years of amiable stories. They’ll say, We’ve never seen him behave that way, so you must be lying. This sentiment was echoed in Brock’s sister’s statement: The evidence presented during his trial and the conclusions that were made about his character were only from one night of his life, from strangers that didn’t know him: a fraction of a fraction of his existence. Victims are not fractions; we are whole.

We were the first human beings who would never see anything for the first time. We stare at the wonders of the world, dull-eyed, underwhelmed. Mona Lisa, the Pyramids, the Empire State Building. Jungle animals on attack, ancient icebergs collapsing, volcanoes erupting. I can't recall a single amazing thing I have seen firsthand that I didn't immediately reference to a movie or TV show. A fucking commercial. You know the awful singsong of the blasé: Seeeen it. I've literally seen it all, and the worst thing is, the thing that makes me want to blow my brains out, is: The secondhand experience is always better. The image is crisper, the view is keener, the camera angle and the soundtrack manipulate my emotions in a way reality can't anymore. I don't know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script. It's a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless automat of characters. And if all of us are play-acting, there can be no such thing as a soul mate, because we don't have genuine souls. It had gotten to the point where it seemed like nothing matters, because I'm not a real person and neither is anyone else.

Still others assert that they have grown enormously as a result of their traumatic experience, discovering a maturity and strength of character that they didn’t know they had—for example, reporting having found “a growth and a freedom to…give fuller expression to my feelings or to assert myself.” A new and more positive perspective is a common theme among those enduring traumas or loss, a renewed appreciation of the preciousness of life and a sense that one must live more fully in the present. For example, one bereaved person rediscovered that “having your health and living life to the fullest is a real blessing. I appreciate my family, friends, nature, life in general. I see a goodness in people.”12 A woman survivor of a traumatic plane crash described her experience afterward: “When I got home, the sky was brighter. I paid attention to the texture of sidewalks. It was like being in a movie.”13 Construing benefit in negative events can influence your physical health as well as your happiness, a remarkable demonstration of the power of mind over body. For example, in one study researchers interviewed men who had had heart attacks between the ages of thirty and sixty.14 Those who perceived benefits in the event seven weeks after it happened—for example, believing that they had grown and matured as a result, or revalued home life, or resolved to create less hectic schedules for themselves—were less likely to have recurrences and more likely to be healthy eight years later. In contrast, those who blamed their heart attacks on other people or on their own emotions (e.g., having been too stressed) were now in poorer health.

For several years, I had been bored. Not a whining, restless child's boredom (although I was not above that) but a dense, blanketing malaise. It seemed to me that there was nothing new to be discovered ever again. Our society was utterly, ruinously derivative (although the word derivative as a criticism is itself derivative). We were the first human beings who would never see anything for the first time. We stare at the wonders of the world, dull-eyed, underwhelmed. Mona Lisa, the Pyramids, the Empire State Building. Jungle animals on attack, ancient icebergs collapsing, volcanoes erupting. I can't recall a single amazing thing I have seen firsthand that I didn't immediately reference to a movie or TV show. A fucking commercial. You know the awful singsong of the blasé: Seeeen it. I've literally seen it all, and the worst thing, the thing that makes me want to blow my brains out, is: The secondhand experience is always better. The image is crisper, the view is keener, the camera angle and the soundtrack manipulate my emotions in a way reality can't anymore. I don't know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script. It's a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless Automat of characters. And if all of us are play-acting, there can be no such thing as a soul mate, because we don't have genuine souls. It had gotten to the point where it seemed like nothing matters, because I'm not a real person and neither is anyone else. I would have done anything to feel real again.

With regard to Senator Strom Thurmond's attack on my morality, I have no comment. By religious training and fundamental philosophy, I am disinclined to to put myself in the position of having to defend my own moral character. Questions in this area should properly be directed to those who have entrusted me with my present responsibilities.

Dostoevsky introduced Dickens’s words with his own: The person he [the writer] sees most of, most often, actually every day, is himself. When it comes to a question of why a man does something else, it’s the author’s own actions which make him understand, or fail to understand, the sources of human action. Dickens told me the same thing when I met him at the office of his magazine . . . in 1862. He told me that all the good simple people in his novels, Little Nell, even the holy simpletons like Barnaby Rudge, are what he wanted to have been, and his villains were what he was (or rather, what he found in himself), his cruelty, his attacks of causeless enmity towards those who were helpless and looked to him for comfort, his shrinking from those whom he ought to love, being used up in what he wrote. There were two people in him, he told me: one who feels as he ought to feel and one who feels the opposite. From the one who feels the opposite I make my evil characters, from the one who feels as a man ought to feel I try to live my life. Only two people? I asked.

Note: I am sure that now they will approach Medium to stop me from writing. Let’s see what happens. “A genuine person or celebrity doesn’t need a certificate or blue tick. Such ways are blackmailing your passion, emotion, or willingness. Criminals and money-mongers misuse and try to earn in an ugly and easy way. This trend also discriminates against others who cannot afford such an awkward notion.” Istay determined every day. I cannot tolerate liars and those who misuse their authority and attempt to victimize the righteous for their will and purpose in an illegitimate way to please their godfathers of the mafia and international criminal intelligence agencies. I am pretty sure, after reviewing again the replies from the Twitter team that mirror and endorse the Twitter team, that someone works for intelligence agencies or criminal and mafia groups. Since the beginning months of this year, I have been continuously victimized without specifying why I was posting the wrong things. I am going to publish a few emails that will exhibit the picture of how I was being victimized, harassed, and even threatened about things that I was neither aware of nor that the team explained. I was already under the attacks of criminals and even the gang of filthy-minded gays who were suffering from mental issues and sexual frustration; knowing it, I am not gay. In the Twitter team, the presence of such ones is not excluded since I felt a similar style of victimization. How do they dare to adopt such mean tactics to gain their will and desire? This reply email shows that a screenshot article has been displayed since 2020. After four years, it became an issue for someone in the Twitter team who continued to lock my account and tag the restriction flag. Text of my emails; “I am still uncertain about what to post and what not to post. You didn’t specify why my account was locked, whether it was because of the content I removed or something else. Is it permissible for me to share media and social media links in which my quotes are mentioned? My writings do not contain any personal attacks; nonetheless, thank you.” “You locked my Twitter, @EhsanSehgal, again; you know why you are doing it. Now, I can say only goodbye to my locked account and enjoy your terror. It is not a protection of my account; it is victimization. No more requests to unlock my account. Someone of angelic character will do it without my request. Shame on you all, involved ones.” Team replied; Hello, “We had a look at your account, and it appears that everything is now resolved! If that’s not the case, please reply to this message, and we’ll continue to help. Thanks,” X Support This was a screenshot article from Wikipedia about me on my profile that was illegitimately removed by such people as the Twitter team forced me to remove. Despite that, they continued locking my account to identify and provide an ID or passport. I did that twice and identified several times, but the team seemed not satisfied since their goal was something else; they would not approach nor be able to do it. To stop such criminal torture, I deactivated my account and decided never to come back there again.

Without a word, I leaned down to collect my things. We carried pencil boxes back then. Mine was pink with Hello Kitty characters and full of sharpened yellow #2s. I grabbed one, stood up, and jammed it into the side of her head. The pencil splintered and part of it lodged in her neck. Syd started screaming and the other kids understandably lost it. Meanwhile, I was in a daze. The pressure was gone. But, unlike every other time I’d done something bad, my physical attack on Syd had resulted in something different, a sort of euphoria. I walked away from the scene blissfully at ease. For weeks I’d been engaging in all manner of subversive behavior to make the pressure disappear and none of it had worked. But now—with that one violent act—all traces of pressure were eradicated. Not just gone but replaced by a deep sense of peace. It was like I’d discovered a fast track to tranquility, one that was equal parts efficacy and madness. None of it made sense, but I didn’t care. I wandered around in a stupor for a while. Then I went home and calmly told my mom what had happened.

December 11 My enemy is not the man who wrongs me, but the man who means to wrong me. Democritus Every enemy has the capability to disrupt your life, some in a small way and others to a much larger capacity, but not many of them go to the effort to cause you harm. The fact that you don’t openly see enemies attacking you physically, verbally or discreetly behind your back, doesn’t mean that you do not have any enemies. It simply means that your enemies are not malevolent enough or energetic enough to make the effort to cause you harm, but their lack of effort should not be mistaken for a lack of malevolence toward you. As Democritus taught, just because a man does you no harm, it doesn’t mean he is not your enemy. You have to look deeper than that. You have to read between the lines. Your enemy is not only the man who wrongs you, but also the man who longs to see you wronged. He is the man who is happy when you are hit with misfortune, the man who celebrates your downfall. Your enemy is the person who wishes you calamity, even if he doesn’t have the courage to openly state the fact or to actually try to act on it. Be careful who you trust. You don’t always know who your enemies are. They are not always those who openly oppose you. The enemies of a good man are usually not men of character and backbone. They are more likely to be men of low character who lack the courage to openly come against you. Instead, they find it easier to simply sit back and think malicious thoughts of your ruin. Be wise and learn to read people’s spirits. Be careful who you trust. I always guard myself well. No enemy can hurt me!

It’s mayhem, it’s chaos, and then the hose is unleashed. An icy torrent of water knocks me to the ground and separates me from Seth. Water fills my nose, and I choke on it, coughing hard and desperately trying to shield my eyes from the worst of it so I can see. The spray moves away from me long enough that I can stand on shaky legs. It’s a fight to regain my bearings, my vision still blurred, and stray limbs and bodies tangle across the ground, tripping me with every step. The gate is at my back, and everywhere I look is a mess of water, people, and mud. It’s so loud; even when I blink away the last of the water, I still feel too disoriented, like I’m disconnected from my body. I slip. My shoulder slams into concrete, and I breathe through the pain as I force myself to my feet again. Someone shouts my name, but then there’s a guard in front of me, his helmet visor pulled up so I can see the wicked gleam in his eyes when he pulls out a small black object from his belt. I spot the metal prongs and realize what’s about to happen. Terror lances up my spine, thick and suffocating in my throat. I can’t move. Behind me, Ajei screams. A large hand wrenches me back by the arm, and I lose my balance. Electricity crackles from the end of the taser, missing my drenched side by a centimeter as I crash to the ground hard. “We saw you!” Someone screams. “We have a video! Murderer! You tried to kill him!” Without warning, hands are everywhere, grabbing me and pulling me back to safety. “No, wait!” I shout, struggling to free myself from their grasp. I can’t leave now, not like this. I need to be up at the front, strong in the face of danger, just like our ancestors. I need to make my family proud; need to protect them and the land we were blessed with the way I promised I would. There’s a cry of pain, and I catch a glimpse of Seth yanking my attacker’s arm behind his back until he’s forced to drop the taser, which Seth kicks away. His eyes are ablaze, and he’s utterly ruthless, but despite everything, I can only think of how beautiful he looks. Then, he swings out a leg and takes out another guard who is going after a fleeing Ajei, her phone in her hand from where she had been recording everything. He spies me on the ground amidst the throngs of protestors, something like fear on his face, and roars, “Get him out of here!

I experienced a deep depression, grappling with panic attacks and the onset of agoraphobia. In this phase of my condition, an indelible aspect was how my dearly held home of three years assumed a profoundly eerie character whenever my morale hit its lowest. The diminishing evening light, once a herald of autumn's charm, now enveloped me in a stifling darkness. It puzzled me how a place so filled with recollections of laughter, capability, and sighs could suddenly feel so unwelcoming and ominous. Though I wasn't alone in a physical sense, the isolation was palpable.

Instead of Punishment 1. EXPRESS YOUR FEELINGS STRONGLY—WITHOUT ATTACKING CHARACTER. “I’m furious that my new saw was left outside to rust in the rain!” 2. STATE YOUR EXPECTATIONS. “I expect my tools to be returned after they’ve been borrowed.” 3. SHOW THE CHILD HOW TO MAKE AMENDS. “What this saw needs now is a little steel wool and a lot of elbow grease.” 4. OFFER A CHOICE. “You can borrow my tools and return them or you can give up the privilege of using them. You decide.” 5. TAKE ACTION. Child: “Why is the toolbox locked?” Father: “You tell me why.” 6. PROBLEM-SOLVE. “What can we work out so that you can use my tools when you need them, and so that I’ll be sure they’re there when I need them?

Let’s say it straight out: Hillary Clinton lied about the reason for the Benghazi attack. She lied about it to the nation as a whole and she lied right to the faces of the grieving family members of those who died there—and then lied about her lying. And she keeps telling Americans one huge, disgusting lie after another. As I wrap up writing this book, Hillary has claimed that we “didn’t lose a single person” in Libya. Really? Try telling that to the families of the four men we lost on September 11, 2012. Not too long before Mrs. Clinton committed that amazing, bizarre falsehood, the late Sean Smith’s mother, Pat, broke down on national television, exclaiming, “Hillary is a liar! I know what she told me.” Pat went on to say that she wanted to “see Hillary in jail” for her misdeeds at Benghazi. “She’s been lying. She’s turned the whole country into a bunch of liars.” Two decades ago the late New York Times columnist William Safire wrote: “Americans of all political persuasions are coming to the sad realization that our first lady—a woman of undoubted talents who was a role model for many in her generation—is a congenital liar.” The lies change. The liar doesn’t. I don’t know where the future will lead, but I know enough of history and I know my own personal experiences. I trust in the Constitution. I know who I am, what I do, and whom I’m doing it for. My God, my family, and my country are my riches. I’m not looking for a fight, but I don’t run from one, either: I walk softly and carry my standard-issue stick. I’m proud of my legacy, but it’s not over, not yet. No matter what, I never stop hearing Genny in my ear: “Just do the right thing.” That’s why I told you my story. Me, I’m not important. But what I learned about the Clintons firsthand—the hard way—is very important. It’s 2016, but with Hillary Clinton again running for president, it feels uncomfortably like the 1990s again—as if America were trapped in some great, cruel time machine hurtling us back to the land of Monica and Mogadishu and a thousand other Clinton-era nightmares. Fool me once, as the saying goes—your fault. Fool me twice… The bottom line: My job in the 1990s was to lay down my life for the presidency. My obligation today is to raise my voice, to help safeguard the presidency from Bill and Hillary Clinton—to remind readers like you of what happened back then. We all remember—or should remember—what a Clinton White House was like. If we board that time machine for a return trip—it’s our fault.

We spend the first couple of decades of our lives trying to figure out who the hell we are. Some people never find out. They keep searching and searching and searching. Or they’ll be different people with everyone. Never any consistent presentation of who they are. But if we can realize by our mid-twenties who we are, we have to ask ourselves this question: Do we like who we are? If the answer is yes, then we should spend the rest of our lives maintaining who we are. If you think about it, it’s that maintenance of self that is constantly attacked, challenged, or compromised on a day-to-day basis—not just in the business, but in life. It’s what gives you the hills and the valleys. But if you can maintain who you are, then you become a magnet of consistency to which all the inconsistent elements spinning around in your little hemisphere are drawn. Those elements—the clients, people in the office, your family—want to know who they are. Your consistency can bring the same to their lives, and if it does, they’re going to want to stick with you. It worked for me. After nineteen months I was promoted to agent. As for the people who didn’t work hard, they were still in the mailroom. I was right and they were wrong. What I try to give to trainees today is an understanding of the business and what it means to have power. There are two kinds of power. Your primary power is your character and your integrity. Your secondary power is your learned skills: your people skills, what you do to make a living, what you learned in college, what you’ve learned in dealing with other people. You must, in order to be totally successful, have control of both sets of power. If I ask the question “What does it mean to be thoughtfully political?” the answer, other than “Being kind,” is “To think.” Think about what you want. Then think about the people who are going to help get it for you. Then be political and figure out how to make those people happy about giving you what you want. That’s what it’s always been about for me. If you can do that, you can do anything. That is the whole secret to Sam Haskell. I don’t believe in the pursuit of power. When it is earned and deserved, it’s just there. It’s just got to happen as the result of other actions that you take. Whatever power I have is only because I’ve lived my life the right way, I’ve worked hard, I’ve had character and integrity in everything I do.

Angry tears stung her eyes. Tension built and boiled inside her. Her cheeks grew hot with suppressed anger, her movements became jerky and abrupt. She shoved an errant strand of hair out of her face, stormed to the washstand — And collided with her husband. He had been coming toward her with a piece of wet linen and a bowl half-filled with water. As he and Juliet bounced off each other, some of the water spilled onto the carpet, the rest down the front of his waistcoat. Ignoring it, Gareth held out the damp rag like a truce offering. "Here." "What's that for?" "She needs washing, doesn't she?" "What do you know about babies?" "Come now, Juliet. I am not entirely lacking in common sense." "I wonder," she muttered, spitefully. He summoned a polite though confused smile — and that only stoked Juliet's temper all the more. She did not want him to be such a gentleman, damn it!  She wanted a good, out-and-out row with him. She wanted to tell him just what she thought of him, of his reckless spending, of his carefree attitude toward serious matters. Oh, why hadn't she married someone like Charles — someone capable, competent, and mature? "What is wrong, Juliet?" "Everything!" she fumed. She plunged the linen in the bowl of water and began swabbing Charlotte's bottom. "I think Perry was right. We should go straight back to your brother, the duke." "You should not listen to Perry." "Why not? He's got more sense than you and the rest of your friends combined. We haven't even been married a day, and already it's obvious that you're hopelessly out of your element. You have no idea what to do with a wife and daughter. You have no idea where to go, how to support us — nothing. Yet you had to come charging after us, the noble rescuer who just had to save the day. I'll bet you didn't give any thought at all to what to do with us afterward, did you? Oh!  Do you always act before thinking? Do you?" He looked at her for a moment, brows raised, stunned by the force of her attack. Then he said dryly, "My dear, if you'll recall, that particular character defect saved your life. Not to mention the lives of the other people on that stagecoach." "So it did, but it's not going to feed us or find us a place to live!"  She lifted Charlotte's bottom, pinned a clean napkin around the baby's hips, and soaped and rinsed her hands. "I still cannot believe how much money you tossed away on a marriage license, no, a bribe, this morning, nor how annoyed you still seem to be that we didn't waste God-knows-how-much on a hotel tonight. You seem to have no concept of money's value, and at the rate you're going, we're going to have to throw ourselves on the mercy of the local parish or go begging in the street just to put food in our bellies!" "Don't be ridiculous. That would never happen." "Why wouldn't it?" "Juliet, my brother is the Duke of Blackheath. My family is one of the oldest and richest in all of England. We are not going to starve, I can assure you." "What do you plan to do, then, work for a living? Get those pampered, lily-white hands of yours dirty and calloused?

My class leader signed up for FAMS figuring the guy who would attack him would be shouting “Allah hu Akbar!” and wielding a box cutter. But sometimes bureaucracy and corruption make it so that the guy who shoots you square in the neck, leg, chest, or face could be your incompetent firearms instructor. Beyond the veil, sometimes the enemy is the one that’s supposed to have your back, sign your paycheck, or shake your hand on graduation day. I learned that primarily from the Clintons, but the message really clicked once I had been threatened by the FBI for obstructing justice, withholding evidence of a federal investigation, and dereliction of duty.

DEFENDING A RAPIST What is the character of a person who becomes a sexual enabler? We get an early glimpse into this question from 1975, when Hillary Clinton defended a man, Thomas Alfred Taylor, who was accused of beating and raping a twelve-year-old girl. A virgin prior to the attack, she spent five days in a coma, several months recovering from her injuries, and years in therapy. Even people who are accused of heinous crimes deserve criminal representation. Hillary’s strategy in defending Taylor, however, was to blame the teenage victim. According to an affidavit filed by Hillary, children who come from “disorganized families such as the complainant” sometimes “exaggerate or romanticize sexual experiences.” Hillary suggested the girl was “emotionally unstable with a tendency to seek out older men and engage in fantasizing.” Here Hillary seems to be echoing what Bernie Sanders wrote in his rape fantasy essay. In this case, however, the girl certainly didn’t dream up the assault and rape. There was physical evidence that showed she had been violated, and she was beaten so badly she was in a coma. Prosecutors had in their possession a bloodied pair of Taylor’s underwear. But fortunately for Hillary and her client, the forensic lab mishandled the way that evidence was preserved. At the time of trial, the state merely had a pair of Taylor’s underwear with a hole cut in it. Hillary plea bargained on behalf of Taylor and got him released without having to do any additional time. A tape unearthed by the Washington Free Beacon has Hillary celebrating the outcome. “Got him off with time served in the county jail,” she says. Did Hillary believe that, in this case, justice was done? Certainly not. On the tape, Hillary admits she never trusted her client. “Course he claimed he didn’t, and all this stuff.” So she decided to verify his story. “I had him take a polygraph, which he passed—which forever destroyed my faith in polygraphs.” Clearly Hillary knows her client is guilty, and this fact doesn’t bother her. The most chilling aspect of Hillary’s voice is her indifference—even bemusement—at getting a man off after he raped a twelve-year-old. The episode is a revealing look into the soul of an enabler. In fact, it reminds me of Alinsky protesting to Frank Nitti about the wasted expense of importing an out-of-town-killer. Hillary, like Alinsky, seems to be a woman without a conscience.9

In short, I have spent much of my career working on vaccine development. I have also had extensive experience in drug repurposing for infectious disease outbreaks. My contributions to science and industry are outstanding. I am proud of my contributions. My friendships and connections with professional colleagues have persisted for years. So, when I am defamed by the New York Times, Washington Post, The Atlantic, or others, I know that there is more driving their character assassination attempts than efforts to report actual truth. These attacks are not about “me” personally, but rather about me speaking outside of the approved government and WHO/WEF narrative concerning COVID-19 policies.

But my method nonetheless embodies a thesis: the details and the counter-narratives revealed in this genetic micro-focus constitute an attack on ‘semperidentity’, on ‘always-sameness’. Such continuous identity is supposed to lie—as ideologies of mythic monologic thinking would have us believe—archetypally within us all. The amplificatory character of Joyce’s writing, as traced in this study, reflects the comic theme of an idealized popular resurrection.

Kunal Nayyar: Just like Simon, I went through my own anxieties. Mine were not related to my performance on the show. The anxiety for me was how to navigate this new world where everywhere I turned, someone wanted something from me. And for the first time in my life I had to build a cage around myself. And in that cage, I was going nuts. I was having panic attacks while driving on the highway. All my worst fears of claustrophobia and heights sort of rose to the surface. And I think it’s because I began to believe an identity that didn’t really exist. When you begin to play a character on television, people want to meet that character; they don’t want to meet you. So I’m meeting people with love and adoration and respect, thinking that they want to get to know me and spend time with me. And what broke my heart was the realization that, No, they want to meet the character, and Kunal is no longer really an identity. Now you’re Raj. I had to be careful about the people I was allowing into my life, and it was difficult for me. My naivete dissipated quickly. It was hard to not be able to say hi to everyone, to hug everyone, hang out with everyone. You have to find your balance.

I have been selected to design and administer these unique initiatives because of my prior experience and effectiveness. Past success breeds repeat performances. … What is important are the personality and character traits needed to stand up to criticism and stress, and to labor effectively in a very emotional vineyard—empathy and sensitivity to the plight of those singled out for special consideration; confidence and firmness towards critics. I turn the other cheek when face-to-face with distraught victims or a businessman challenging my pay decisions. Life's unfairness is usually the real source of their anger. The nature of the compensation received is secondary. But a strategic retreat is not an option when critics attack. Self-confidence and firmness become virtues. You cannot allow yourself to be bullied when you are trying to administer a complex policy experiment. The public is usually supportive, appreciative of the difficulty of the task.

Full Disclosure: when Dan DiDio approached me about doing one, I was wary to say the least. Nowadays events often mean character deaths or reboots or company-wide publishing initiatives and so on. But the run Greg Capullo and I had on BATMAN was, for better or for worse, idiosyncratic - about our own hopes, our fears, our interests. It was just... very much ours. Even so, I told Dan that I *did* have a story, one I'd been working on for a few years, a big one, in the back of my brain. It was about a detective case that stretched back to the beginnings of humanity, a mystery about the nature of the DC Universe that Batman would try to uncover, and which would lead him and the Justice League to discover that their own cosmology was much larger, scarier and more wondrous than they'd known. But I wasn't sure it would make a good "event". Dan, to his credit, said, "Work it up and let's see." So I did. But in the course of working it up, I reread all the events I could think of. Just for reference. Not only recent ones, but events from years ago, from when I was a kid. And what I discovered, or rediscovered, was that at their core, events are joyous things. They're these great big stories, ridiculous tales about alien invasions or cosmic gems or zombie-space-cop attacks that have the highest stakes possible - stories where the whole universe hangs in the balance and nothing will ever be the same again! They were *about* things, and - what I also realized while doing my homework - when I was a kid, they were THE stories that brought me and my friends together. We'd split our money and buy different parts of an event, just to be able to argue about it. We'd meet after school and go on for hours about who should win, who should lose... Because even the grimmest events are celebratory. They're about pushing the limits of an already ludicrous form to a breaking point. So that's what I came back with. I remember standing in my kitchen and getting ready to pitch DARK NIGHTS: METAL to Greg, having prepared a whole presentation, a whole argument as to why, crazy as it was, it was us, it was *our* event. I said "It's called METAL," and Greg said, "I'm in," before I could even tell him the story. And even though Dan thought it was crazy, he went with it, and for that I'm very grateful. In the end, METAL is a lot of things - it's about those moments when you find yourself face to face with the worst versions of yourself, moments when all looks like doom - but at it's heart it's a love letter to comic storytelling at its most lunatic, and a tribute to the kinds of stories, events that got me thought hard times as a kid and as an adult. It's about using friendship as a foundation to go further than you thought you could go, and that means it's about me and Greg, and you as well. Because we tried something different with it, something ours, hoping you'd show up, and you did. So thank you, sincerely, from all of us on the team. Because when they work, events are about coming together and rocking out over our love of this crazy art form. And you're all in the band, now and always.

Evil Attacks *** I know that These are good wishes The family empathizes with me Friends give me the hopes Spiritual figures pray for me Healers try to heal me But nothing can happen, Without the consent of God Whereas, I also know that My invisible and cowered opponents, And enemies keep an eye on me For more harming They attempted to humiliate They tried to cheat and blackmail me They spied on my private life, Violating international law Without shame and sorry However, I stayed determined for truth, fairness, And equality for all I believe evil-character can adapt And trigger all options But cannot win And surpass the Divine power I hope I will come out From all the evil attacks With new life, sound health, And magnet energy To deliver the message of humanity And love.

And these words that I command you today shall be on your heart. (Deuteronomy 6) Our children become less important than our workers. We admonish our workers for our own financial benefit, but our children receive no instruction or correction, in effect being regarded as less valuable than our workers. But why even compare our children with other humans? We take better care of our cattle and horses than our children. Those who own a mule make sure to find the best driver for it, not some idiot who is a dishonest and inexperienced drunk. But if our child needs a teacher, we take the first person who comes along, haphazardly and without consideration. Yet no profession is more important than teaching. For what even remotely compares with guiding the soul and forming the mind and character of a young person? A teacher should be more skilled than a painter, and certainly more virtuous. But we completely neglect this. The one thing that matters to us is that our child learns to speak well — and just for the sake of money! In fact, if a person could become wealthy without being able to speak at all, we would not bother with our language lessons. Money exercises a tyranny over the world! It invades all of life and forces people to go where it chooses, like slaves. We make verbal attacks against it, but it defeats us by the sheer force of events. Nevertheless, I will not stop attacking it with my mouth, and if I achieve anything, you and I will both be better off. John Chrysostom

on Facebook and Internet forums to point out the incorrect use of "their”, "there" and "they're". I get little thanks but what does one expect from the uneducated. Some people just refuse to better themselves. All of that is irritating. I am infuriated when people are mistaken about me. That makes me especially angry. The mistakes always take the form of some ad hominem attack and are based on at best a misconception or at worst a blatant lie. Any assault on my character makes me so angry and I lose my temper very easily when this happens. What do they expect though? That I should sit quietly as they assassinate my character? Not a chance.

I was under the impression clichés could ruin you, ruin your life, your hopes and dreams, bring down your whole operation if you didn't watch it. They were gateway language, leading straight to a business major, a golfy marriage, needlepoint pillows that said things about your golf game, and a self-inflicted gunshot to the head that your family called a heart attack in your alma mater announcements. Character suicide.

On the set, Walter provoked Spencer Tracy’s ire. Katie (Katharine Hepburn) didn’t have “good judgment” or common sense, Brennan told Tracy. Walter was referring to her attacks on Senator Joseph McCarthy. Tracy turned icy, and the next day director John Sturges discovered Tracy and Brennan were no longer speaking to one another. The estranged actors addressed one another through intermediaries. Sturges remembered this exchange: [Tracy to Sturges] Would you ask Mr. Brennan to not get in my key light? [Brennan to Sturges] Tell Mr. Tracy if he hit his mark, I wouldn’t be in his key light. At one point Brennan turned his back on Tracy and held up three fingers, signifying that he had three Academy Awards. Tracy had two.

None of these accusations is true. None is relevant. A strong clue that a person is arguing from a position of weakness is when they attack character rather than arguments and facts. Bertrand Russell pointed out that ad hominem is a last-ditch defense of the losing side. My atheism has nothing to do with any of this. Even if it did, how would it add to the evidence for a god?

The quickest way to deal with a personal attack is to simply point it out with a question. When someone goes after you rather than your argument, ask, “I’m a little confused about your response. Even if you were right about my character, could you explain to me exactly what that has to do with this issue?

I’m teaching early modernist literature, and my students have all of these very bizarre moral reads on the books, which I believe comes from their native narrative intake, which is mostly all of these stupid fucking comic book movies.” “Whoa, whoa, whoa, buddy,” said Moddie. “If you didn’t see Wonder Woman, I’m pretty sure you’re a rapist.” “Well, exactly!” said Peter. “Exactly. Well, film, but probably actually TV, has quite obviously replaced literature as the dominant narrative form. That’s not controversial, it’s just true. So now people are learning how to create narrative identity out of their own experiences using this model we see in film where good triumphs over evil. We see ourselves in the characters as good, and we internalize that to mean that we are good heroes and anything that upsets us or gets in the way of our heroic and constant ascent is evil. We don’t understand anything about the dark parts of our own nature. All of those parts are repressed, so of course, when we see those parts of ourselves expressed in another person, we attack. We vanquish the evil in ourselves by exerting control over others, through shaming, shunning, accusation, boycott. And this is the cultural norm right now, for some obvious and relatable reasons.” “Sure.” “In criticizing oversimplification and scapegoating, I’m not trying to oversimplify and create a new scapegoat. Some people and some actions should be condemned. Some things are objectively bad. But it’s gone too far, and when I see the Marvel Universe mind confronting the complexity of James—it’s wild. They get angry. So, I wanted to try to trace this narrative lineage back from Wonder Woman, for example, through Syd Field’s screenwriting books, Joseph Campbell—who was a Republican who fucked his students, if the author’s identity is important to you,” said Peter, raising and shaking his finger, “back in time to Freytag’s Pyramid, Debit and Credit, and this whole idea of the objectively perfect narrative form or structure, and how this entire notion, which has created the ‘new paradigm,’ ” Peter made a face, “of storytelling, is based on an intense philosophy of racial purity, is essentially propaganda, and is incredibly spiritually limiting, and the best thing we could do would be to become aware of exactly what it is we are consuming before we let it dictate our inner moral and aesthetic compasses.” Peter was very excited. “So, you wanted to do a lecture about how all of your students are fascists but don’t know it?” asked Moddie. Peter shrugged. “I was high.” “How did you imagine it would go?” asked Moddie. “Dead Poets Society.

The most upsetting thing about the attack is that it has turned me once again into somebody I have tried very hard not to be. For more than thirty years I have refused to be defined by the fatwa and insisted on being seen as the author of my books—five before the fatwa and sixteen after it. I had just about managed it. When the last few books were published, people finally stopped asking me about the attack on The Satanic Verses and its author. And now here I am, dragged back into that unwanted subject. I think now I’ll never be able to escape it. No matter what I’ve already written or may now write, I’ll always be the guy who got knifed. The knife defines me. I’ll fight a battle against that, but I suspect I will lose.Living was my victory. But the meaning the knife had given my life was my defeat. In Victory City, my central character, Pampa Kampana, writes a mighty narrative poem in Sanskrit, named Jayaparajaya, meaning “Victory and Defeat.” That could also be the title for the story of my life.

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