Atmosphere In Literature Quotes

There is always a unique atmosphere in the car when you drive through the City with a dead body in the back.

A certain atmosphere of breathless and unexplainable dread of outer, unknown forces must be present; and there must be a hint, expressed with a seriousness and portentousness becoming its subject, of that most terrible conception of the human brain - a malign and particular suspension or defeat of those laws of Nature which are our only safeguard against the assaults of chaos and the daemons of unplumbed space .... Therefore we must judge a weird tale not by the author's intent, or by the mere mechanics of the plot; but by the emotional level which it attains at its least mundane point... The one test of the really weird is simply this - whether or not there be excited in the reader a profound sense of dread, and of contact with unknown spheres and powers; a subtle attitude of awed listening, as if for the beating of black wings or the scratching of outside shapes and entities on the known universe's utmost rim.

The atmosphere of orthodoxy is always damaging to prose, and above all it is completely ruinous to the novel, the most anarchical of all forms of literature.

Two thousand summers have imparted to the monuments of Grecian literature, as to her marbles, only a maturer golden and autumnal tint, for they have carried their own serene and celestial atmosphere into all lands to protect them against the corrosion of time.

Occasionally, noticing an exact identity of thought between what I felt but could not articulate and the clearly expressed idea of a writer, I was so carried away by emotion that, dropping the book, I would stand up and pace the room for a while to compose myself before continuing to read. In this way my mind was moulded by degrees as much by my own inborn ideas about the nature of things, developed by the exercise of reason in the healthy atmosphere of literature, as by the influence of the great thinkers whose ideas I imbibed from their works.

That was originally what I had loved him for: that at a period when our native land was nude and crude and provincial, when the famous 'atmosphere' it is supposed to lack was not even missed, when literature was lonely there and art and form akmost impossible, he had found the means to live and write like one of the first; to be free and general and not at all afraid; to feel, understand, and express everything.

And with distance in time it is the same as with distance in place. The imagination has its atmosphere and its sunlight as well as the earth has; only its mists are even more gorgeous and delicate, its aerial perspectives are even more wide and profound. It also transifgures and beautifies things in far more various ways. For the imagination is all senses in one; it is sight, it is smell, it is hearing; it is memory, regret, and passion. Everything goes to nourish it, from first love to literature - literature, which, for cultivated people, is the imagination's gastric juice.

What the story does do, all it can do, is to transform us from readers into listeners, to whom 'a' voice speaks, the voice of the tribal narrator, squatting in the middle of the cave, and saying one thing after another until the audience falls asleep among their offal and bones. The story is primitive, it reaches back to the origins of literature, before reading was discovered, and it appeals to what is primitive in us. That is why we are so unreasonable over the stories we like, and so ready to bully those who like something else. Intolerance is the atmosphere stories generate.

Macbeth as a whole is awash with questions, sometimes questions responded to by another question, which helps to generate an atmosphere of uncertainty, anxiety and paranoid suspicion.

The true weird tale has something more than secret murder, bloody bones, or a sheeted form clanking chains according to rule. A certain atmosphere of breathless and unexplainable dread of outer, unknown forces must be present; and there must be a hint, expressed with a seriousness and portentousness becoming its subject, of that most terrible conception of the human brain--a malign and particular suspension or defeat of those fixed laws of Nature which are our only safeguard against the assaults of chaos and the daemons of unplumbed space.

For me the poem and the poetry open mic isn’t about competition and it never will be. Honestly? It's wrong. The open mic is about 1 poet, one fellow human being up on a stage or behind a podium sharing their work regardless of what form or style they bring to it. In other words? The guy with the low slam score is more than likely a far better poet-writer than the guy who actually won. But who are you? I ? Or really anyone else to judge them? The Poetry Slam has become an overgrown, over used monopoly on American literature and poetry and is now over utilized by the academic & public school establishments. And over the years has sadly become the "McDonalds Of Poetry". We can only hope that the same old stale atmosphere of it all eventually becomes or evolves into something new that translates to and from the written page and that gives new poets with different styles & authentic voices a chance to share their work too.

I never allow myself to be influenced either by atmospheric perturbations or by the conventional divisions of time. I would happily instate the use of the opium pipe and the Malay kris, but I know nothing about the use of those infinitely more pernicious and also insipidly bourgeois implements, the watch and the umbrella.

...He said defensively, "But from now on, Japan is sure to develop." "Japan's headed for a fall," the man said coolly. Say a thing like that in Kumamoto and you'd get a punch in the nose, or be called a traitor. The atmosphere Sanshiro grew up in left no room in his head for such an idea. Just because he was young, was the man having some fun at his expense? The man kept on grinning. Yet his way of talking was perfectly composed. Not knowing what to think, Sanshiro held his tongue. His companion went on, "Tokyo is bigger than Kumamoto. Japan is bigger than Tokyo. And what's bigger than Japan is..." He paused and looked at Sanshiro, who was listening intently. "...the inside of your head. That's bigger than Japan. Don't let yourself get bogged down. You may believe your way of thinking is for the good of the nation, but you could actually be bringing it down." When he heard this, Sanshiro felt he had indeed left Kumamoto. And he realized, too, what a small person his Kumamoto self had been.

the Revolution did not produce a single piece of imaginative literature that has endured. The generation of writers who came of age during the Revolution breathed in a supercharged ideological atmosphere; they pressed themselves and their art into the service of their country, only to discover that a republic could be as demanding a patron as a wealthy prince.

Though one of the greatest love stories in world literature, Anna Karenin is of course not just a novel of adventure. Being deeply concerned with moral matters, Tolstoy was eternally preoccupied with issues of importance to all mankind at all times. Now, there is a moral issue in Anna Karenin, though not the one that a casual reader might read into it. This moral is certainly not that having committed adultery, Anna had to pay for it (which in a certain vague sense can be said to be the moral at the bottom of the barrel in Madame Bovary). Certainly not this, and for obvious reasons: had Anna remained with Karenin and skillfully concealed from the world her affair, she would not have paid for it first with her happiness and then with her life. Anna was not punished for her sin (she might have got away with that) nor for violating the conventions of a society, very temporal as all conventions are and having nothing to do with the eternal demands of morality. What was then the moral "message" Tolstoy has conveyed in his novel? We can understand it better if we look at the rest of the book and draw a comparison between the Lyovin-Kitty story and the Vronski-Anna story. Lyovin's marriage is based on a metaphysical, not only physical, concept of love, on willingness for self-sacrifice, on mutual respect. The Anna-Vronski alliance was founded only in carnal love and therein lay its doom. It might seem, at first blush, that Anna was punished by society for falling in love with a man who was not her husband. Now such a "moral" would be of course completely "immoral," and completely inartistic, incidentally, since other ladies of fashion, in that same society, were having as many love-affairs as they liked but having them in secrecy, under a dark veil. (Remember Emma's blue veil on her ride with Rodolphe and her dark veil in her rendezvous at Rouen with Léon.) But frank unfortunate Anna does not wear this veil of deceit. The decrees of society are temporary ones ; what Tolstoy is interested in are the eternal demands of morality. And now comes the real moral point that he makes: Love cannot be exclusively carnal because then it is egotistic, and being egotistic it destroys instead of creating. It is thus sinful. And in order to make his point as artistically clear as possible, Tolstoy in a flow of extraordinary imagery depicts and places side by side, in vivid contrast, two loves: the carnal love of the Vronski-Anna couple (struggling amid their richly sensual but fateful and spiritually sterile emotions) and on the other hand the authentic, Christian love, as Tolstoy termed it, of the Lyovin-Kitty couple with the riches of sensual nature still there but balanced and harmonious in the pure atmosphere of responsibility, tenderness, truth, and family joys.

We stepped to the window. Off to one side there was thunder, and the splendid rain was trickling down upon the land; the most refreshing fragrance rose up to us from the rich abundance of the warm atmosphere. She stood leaning on her elbows, with her gaze searching the countryside; she looked up to heaven and at me; I saw her eyes fill with tears, and she laid her hand on mine, saying, "Klopstock!" I recalled at once the glorious ode she had in mind, and became immersed in the stream of emotions which she had poured over me by uttering this symbolic name. I could not bear it, I bent down over hand and kissed it amid tears of the utmost rapture. And looked into her eyes again - noble poet! Would that you had seen your apotheosis in that gaze, and would that your name, so often profaned, would never reach my ears from any other lips.

Order Out of Chaos ... At the right temperature ... two peptide molecules will stay together long enough on average to find a third. Then the little trio finds a fourth peptide to attract into the little huddle, just through the random side-stepping and tumbling induced by all the rolling water molecules. Something extraordinary is happening: a larger structure is emerging from a finer system, not in spite of the chaotic and random motion of that system but because of it. Without the chaotic exploration of possibilities, the rare peptide molecules would never find each other, would never investigate all possible ways of aggregating so that the tape-like polymers emerge as the most likely assemblies. It is because of the random motion of all the fine degrees of freedom that the emergent, larger structures can assume the form they do. Even more is true when the number of molecules present becomes truly enormous, as is automatically the case for any amount of matter big enough to see. Out of the disorder emerges a ... pattern of emergent structure from a substrate of chaos.... The exact pressure of a gas, the emergence of fibrillar structures, the height in the atmosphere at which clouds condense, the temperature at which ice forms, even the formation of the delicate membranes surrounding every living cell in the realm of biology -- all this beauty and order becomes both possible and predictable because of the chaotic world underneath them.... Even the structures and phenomena that we find most beautiful of all, those that make life itself possible, grow up from roots in a chaotic underworld. Were the chaos to cease, they would wither and collapse, frozen rigid and lifeless at the temperatures of intergalactic space. This creative tension between the chaotic and the ordered lies within the foundations of science today, but it is a narrative theme of human culture that is as old as any. We saw it depicted in the ancient biblical creation narratives of the last chapter, building through the wisdom, poetic and prophetic literature. It is now time to return to those foundational narratives as they attain their climax in a text shot through with the storm, the flood and the earthquake, and our terrifying ignorance in the face of a cosmos apparently out of control. It is one of the greatest nature writings of the ancient world: the book of Job.

An inseparable complement to the exoticism in his stories is the erudition, the bits of specialized knowledge, usually literary, but also philological, historical, philosophical, or theological. This knowledge, which borders on but never oversteps the bounds of pedantry, is quite freely flaunted. But the point is not to show off Borges's wide acquaintance with different cultures. Rather, it is a key element in his creative strategy, the aim of which was to imbue his stories with a certain colorfulness, to endow them with an atmosphere all their own. In other words Borges's learning by his use of exotic settings and characters fulfills an exclusively literary function, which, in twisting the erudition around and making it sometimes decorative, sometimes symbolic, subordinates it to the task at hand. In this way Borges's theology, philosophy, linguistics and so forth, lose their original character, take on the quality of fiction, and, becoming part and parcel of a literary fantasy, are turned into literature.

The great Russian literature is above all a literature of pessimism, more accurately of passive pessimism.... Russian passive pessimism educated the cadre of "superfluous people," or to put it more simply, parasites, "dreamers," people "without any given responsibilities," "whimperers," "grey little people" of the "twentieth rank.".... In contemporary Russian ethnographic romanticism such an idealization of past Razins and Pugachevs fuses with a sense of Russian "imperial" patriotism and obscures dreams concerning the future. It is incapable of going beyond this. The great Russian literature has reached its limit and has halted at the crossroads.... And the illiterate advice to found our orientation upon Muscovite art sounds like a malicious irony directed at the same Russian literature. By the will of history entirely the opposite will come to pass: Russian literature can only find the magical balm for its revival beneath the luxuriant, vital tree of the renaissance of young national republics, in the atmosphere of the springtime of once oppressed nations.

It is easy to see what art is at risk of losing in such continual involvement: their former comfort, mainly, and that divine freedom that lives and breathes in Mozart's works. We can now better understand the tormented and tenacious atmosphere of our works of art, their furrowed brow and sudden debacles. And so, we tell ourselves we understand that this is why there are more journalists than writers, or amateur painters than Cézannes, and why children's literature and murder mysteries have taken the place of Tolstoy's War and Peace or Stendhal's The Charterhouse of Parma.

This unusual situation is due to the fact that the tablet omits all outbreaks of the conventional literary structure – Anu opened his mouth to speak, saying to the lady Ishtar … followed by Ishtar opened her mouth to speak, saying to her father, Anu … Gilgamesh VI: 87–88; 92–93 – with which Babylonian narrative literature is, not to put too fine a point on it, slightly tiresomely littered. In fact, I cannot come up with another example of Babylonian mythological or epic literature that is devoid of this characteristic speech-linking device. Its repetitive nature at first sight looks like a remnant of oral literature, where things are repeated more than we would repeat them today, which the modern connoisseur of cuneiform literature just has to accept, or appreciate as atmospheric and authentic. On reflection, however, it is just the opposite. The characteristic dependence on this formula originates in the very transition from oral to written literature, for who is speaking at any one time will always be clear in a storyteller’s presentation, but the process of writing down what has previously been spoken aloud creates ambiguity for the reader unless each speaker is clearly identified.

Literature before the Renaissance had frequently offered ideal patterns for living which were dominated by the ethos of the church, but after the Reformation the search for individual expression and meaning took over. Institutions were questioned and re-evaluated, often while being praised at the same time. But where there had been conventional modes of expression, reflecting ideal modes of behaviour - religious, heroic, or social - Renaissance writing explored the geography of the human soul, redefining its relationship with authority, history, science, and the future. This involved experimentation with form and genre, and an enormous variety of linguistic and literary innovations in a short period of time. Reason, rather than religion, was the driving force in this search for rules to govern human behaviour in the Renaissance world. The power and mystique of religion had been overthrown in one bold stroke: where the marvellous no longer holds sway, real life has to provide explanations. Man, and the use he makes of his powers, capabilities, and free will, is thus the subject matter of Renaissance literature, from the early sonnets modelled on Petrarch to the English epic which closes the period, Paradise Lost, published after the Restoration, when the Renaissance had long finished. The Reformation gave cultural, philosophical, and ideological impetus to English Renaissance writing. The writers in the century following the Reformation had to explore and redefine all the concerns of humanity. In a world where old assumptions were no longer valid, where scientific discoveries questioned age-old hypotheses, and where man rather than God was the central interest, it was the writers who reflected and attempted to respond to the disintegration of former certainties. For it is when the universe is out of control that it is at its most frightening - and its most stimulating. There would never again be such an atmosphere of creative tension in the country. What was created was a language, a literature, and a national and international identity.

It may be that the most striking thing about members of my literary generation in retrospect will be that we were allowed to say absolutely anything without fear of punishment. Our American heirs may find it incredible, as most foreigners do right now, that a nation would want to enforce as a law something which sounds more like a dream, which reads as follows: "Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof, or abridging the freedom of the press, or the right of the people peaceably to assemble, and to petition the Government for a redress of grievances." How could a nation with such a law raise its children in an atmosphere of decency? It couldn't--it can't. So the law will surely be repealed soon for the sake of children.

Well do I remember a friend of mine telling me once--he was then a labourer in the field of literature, who had not yet begun to earn his penny a day, though he worked hard--telling me how once, when a hope that had kept him active for months was suddenly quenched--a book refused on which he had spent a passion of labour--the weight of money that must be paid and could not be had, pressing him down like the coffin-lid that had lately covered the ONLY friend to whom he could have applied confidently for aid--telling me, I say, how he stood at the corner of a London street, with the rain, dripping black from the brim of his hat, the dreariest of atmospheres about him in the closing afternoon of the City, when the rich men were going home, and the poor men who worked for them were longing to follow; and how across this waste came energy and hope into his bosom, swelling thenceforth with courage to fight, and yield no ear to suggested failure. And

On one level, the poems after Verlaine in this new book are a selfish project. I wanted to try on a voice with which, despite sharing some stylistic and tonal sympathies, I seemed to have little in common. It served as a psychodramatic exercise, a walk in somebody else’s shoes. Writing each new poem while drawing on the raw material of Verlaine in translation has led me, in the always dramatised context of the individual poem, to think and say things I’d likely never have dreamed of otherwise. But just as importantly, I hope these poems paint a fresh portrait of Paul Verlaine, however partial and sketchy, that reveals him to be a more surprising, hard-thinking, and even revivifying poet than expected. Beyond his skilled conjuring of delicate and atmospheric allusiveness, at its best, his is also poetry of punchy musicality, philosophical edge, and candidness – both intellectual and emotional – which allows for genuine beauty, sensuality, and sadness.

A written word is the choicest of relics. It is something at once more intimate with us and more universal than any other work of art. It is the work of art nearest to life itself. It may be translated into every language, and not only be read but actually breathed from all human lips;—not be represented on canvas or in marble only, but be carved out of the breath of life itself. The symbol of an ancient man’s thought becomes a modern man’s speech. Two thousand summers have imparted to the monuments of Grecian literature, as to her marbles, only a maturer golden and autumnal tint, for they have carried their own serene and celestial atmosphere into all lands to protect them against the corrosion of time. Books are the treasured wealth of the world and the fit inheritance of generations and nations. Books, the oldest and the best, stand naturally and rightfully on the shelves of every cottage. They have no cause of their own to plead, but while they enlighten and sustain the reader his common sense will not refuse them. Their authors are a natural and irresistible aristocracy in every society, and, more than kings or emperors, exert an influence on mankind.

You mentioned that Palermo, the part of Buenos Aires where you were brought up, had been a violent place full of bohemians and bandits. There they had two names for the knife, ‘the blade’ and ‘the slicer’. The two names described the same object, but ‘the blade’ was the thing itself, and ‘the slicer’ described its function. ‘The blade’ could fit in the hand even of a sickly child shut up in his father’s library, ‘the blade’ could be any of the superannuated daggers and swords belonging to his warrior grandfather or great-grandfather and displayed on the walls of his house, but ‘the slicer’, the knife in the hand slicing back and forth, in and out, existed only in his imagination, in a fascinating world of rapid settlings of accounts and duels over honor, an insult or a woman, in dark street where you never went, where no writer went, except in the literature he wrote. ‘I’ve always felt that in order to be a great writer, one should have the experience of life at sea, which is why Conrad and Melville and, in a way, Stevenson, who ended his days in the South Seas, were better than all of us, Vogelstein. At sea, a writer flees from the minor demons and faces only the definitive ones. A character in Conrad says that he has a horror of ports because, in port, ships rot and men go to the devil. He meant the devils of domesticity and incoherence, the small devils of terra firma. But I think that having experience of “the slicer” would give a writer the same sensation as going to sea, of spectacularly breaking the bounds of his own passivity and of his remoteness from the fundamental matters of the world.’ ‘You mean that if the writer were to stab someone three times, he could allege that he was merely doing so in order to improve his style.’ ‘Something like that. Soaking up experience and atmosphere.’ ‘It’s said that the artist Turner used to have himself lashed to the ship’s mast during storms at sea so that he could make sure he was getting the colours and details of his painted vortices right.’ ‘And it worked. But neither you nor I will ever experience “the slicer”, Vogelstein. We are condemned to “the blade”, to the knife purely as theory. Even if we used “the slicer” against someone, we would still be ourselves, watching, analyzing the scene, and, therefore, inevitably, holding “the blade” in our hand. I don’t think I could kill anyone, apart from my own characters. And I don’t think I would feel comfortable at sea either. There aren’t any libraries at sea. The sea replaces the library.

Rule by decree has conspicuous advantages for the domination of far-flung territories with heterogeneous populations and for a policy of oppression. Its efficiency is superior simply because it ignores all intermediary stages between issuance and application, and because it prevents political reasoning by the people through the withholding of information. It can easily overcome the variety of local customs and need not rely on the necessarily slow process of development of general law. It is most helpful for the establishment of a centralized administration because it overrides automatically all matters of local autonomy. If rule by good laws has sometimes been called the rule of wisdom, rule by appropriate decrees may rightly be called the rule of cleverness. For it is clever to reckon with ulterior motives and aims, and it is wise to understand and create by deduction from generally accepted principles. Government by bureaucracy has to be distinguished from the mere outgrowth and deformation of civil services which frequently accompanied the decline of the nation-state—as, notably, in France. There the administration has survived all changes in regime since the Revolution, entrenched itself like a parasite in the body politic, developed its own class interests, and become a useless organism whose only purpose appears to be chicanery and prevention of normal economic and political development. There are of course many superficial similarities between the two types of bureaucracy, especially if one pays too much attention to the striking psychological similarity of petty officials. But if the French people have made the very serious mistake of accepting their administration as a necessary evil, they have never committed the fatal error of allowing it to rule the country—even though the consequence has been that nobody rules it. The French atmosphere of government has become one of inefficiency and vexation; but it has not created and aura of pseudomysticism. And it is this pseudomysticism that is the stamp of bureaucracy when it becomes a form of government. Since the people it dominates never really know why something is happening, and a rational interpretation of laws does not exist, there remains only one thing that counts, the brutal naked event itself. What happens to one then becomes subject to an interpretation whose possibilities are endless, unlimited by reason and unhampered by knowledge. Within the framework of such endless interpretive speculation, so characteristic of all branches of Russian pre-revolutionary literature, the whole texture of life and world assume a mysterious secrecy and depth. There is a dangerous charm in this aura because of its seemingly inexhaustible richness; interpretation of suffering has a much larger range than that of action for the former goes on in the inwardness of the soul and releases all the possibilities of human imagination, whereas the latter is consistently checked, and possibly led into absurdity, by outward consequence and controllable experience.

By 1937 the whole of the intelligentsia was mentally at war. Left-wing thought had narrowed down to “anti-Fascism,” i.e., to a negative, and a torrent of hate-literature directed against Germany and the politicians supposedly friendly to Germany was pouring from the Press. The thing that, to me, was truly frightening about the war in Spain was not such violence as I witnessed, nor even the party feuds behind the lines, but the immediate reappearance in left-wing circles of the mental atmosphere of the Great War. The very people who for twenty years had sniggered over their own superiority to war hysteria were the ones who rushed straight back into the mental slum of 1915. All the familiar war-time idiocies, spy-hunting, orthodoxy-sniffing (Sniff, sniff. Are you a good anti-Fascist?), the retailing of incredible atrocity-stories, came back into vogue as though the intervening years had never happened. Before the end of the Spanish war, and even before Munich, some of the better of the left-wing writers were beginning to squirm. Neither Auden nor, on the whole, Spender wrote about the Spanish war in quite the vein that was expected of them. Since then there has been a change of feeling and much dismay and confusion, because the actual course of events has made nonsense of the left-wing orthodoxy of the last few years. But then it did not need very great acuteness to see that much of it was nonsense from the start. There is no certainty, therefore, that the next orthodoxy to emerge will be any better than the last. On

The lives of thousands of young Frenchmen were ready for this literary bath of blood and sentiment in the 1830's. Their fathers and grandfathers had had their romanticism in the raw: the drama of the French Revolution, the glamour of the Napoleonic campaigns in Europe and in Africa had filled their lives with colour; now the young people, listening with envy to reminiscence and tradition, knew they were living in a world that had become flat and dull. For the unshackling of the Revolution and the pageantry and devotion of the Empire had been succeeded by two colourless Bourbon kings, who had learned nothing from the times and were so stupid as to insist on absolutism without providing any splendour to justify it; and when their line was expelled in a minor revolution in 1830 they were replaced by their even more colourless cousin, Louis Philippe of Orleans, a constitutional monarch whose virtue was that he was more bourgeois than the bourgeois and whom the newspapers caricatured unendingly, strolling with his family past the shops he owned, carrying an umbrella under his arm. In placing him on the throne the French bourgeoisie consolidated the gains it had begun to make forty years before, and his prime minister gave the watchword of the day when he urged his fellow-citizens to make as much money as they possibly could. The French bourgeois — the revolutionaries of 1789, the conquerors of Europe under Napoleon — became rich, smug, tenacious, and fearful of change; and their children and grandchildren, the young men of Flaubert's generation, were raised in an atmosphere of careful, commercial materialism, of complete lack of interest in literature and the arts, and of complete distrust of impulse and imagination.

The Cats in the City Location: an Arab city. Time: the age of defeat. The twenty-first century. General atmosphere: “fancy” neighborhoods. Expensive houses painted in tombstone colors. Beautiful and well-maintained gardens. Flowers that no one dares to smell. Imported cars. Imported devices. Imported clothes. Imported foods. Endless consumer shops for anything and everything. Between every other restaurant, there are shops selling cosmetics and souvenirs. Between every other consumer market, There is a worship place. All consumer shops are built skillfully On the scab of the same old wound; A wound that can flood the city with blood and death With the slightest fingernail scratch. As I walk farther from the city, The consumer shops vanish. The lights are suddenly dimmed. The cheering and the hustle and bustle of the consumers go silent. I see myself in total darkness. I am alone hearing nothing but the sounds of my footsteps, And the meows of hungry stray street cats, Covered with the ashes of daily existence. A thin and hungry cat approaches me, She meows in despair and starvation, Begging me for her bite of the day (or the week?) I throw her a small piece of my sandwich. She picks it up and runs away To celebrate her temporary gains! She leaves me alone wondering in darkness: What reflects the reality of this city more The 'fancy' neighborhoods I saw earlier, Or the starving cats in the darkness? June 8, 2014

Here are the ominous parallels. Our universities are strongholds of German philosophy disseminating every key idea of the post-Kantian axis, down by now to old-world racism and romanticist technology-hatred. Our culture is modernism worn-out but recycled, with heavy infusions of such Weimarian blends as astrology and Marx, or Freud and Dada, or “humanitarianism” and horror-worship, along with five decades of corruption built on this kind of base. Our youth activists, those reared on the latest viewpoints at the best universities, are the pre-Hitler youth movement resurrected (this time mostly on the political left and addicted to drugs). Our political parties are the Weimar coalition over again, offering the same pressure-group pragmatism, and the same kind of contradiction between their Enlightenment antecedents and their statist commitments. The liberals, more anti-ideological than the moderate German left, have given up even talking about long-range plans and demand more controls as a matter of routine, on a purely ad hoc basis. The conservatives, much less confident than the nationalist German right, are conniving at this routine and apologizing for the remnants of their own tradition, capitalism (because of its clash with the altruist ethics)—while demanding government intervention in or control over the realms of morality, religion, sex, literature, education, science. Each of these groups, observing the authoritarian element in the other, accuses it of Fascist tendencies; the charge is true on both sides. Each group, like its Weimar counterpart, is contributing to the same result: the atmosphere of chronic crisis, and the kinds of controls, inherent in an advanced mixed economy. The result of this result, as in Germany, is the growth of national bewilderment or despair, and of the governmental apparatus necessary for dictatorship. In America, the idea of public ownership of the means of production is a dead issue. Our intellectual and political leaders are content to retain the forms of private property, with public control over its use and disposal. This means: in regard to economic issues, the country’s leadership is working to achieve not the communist version of dictatorship, but the Nazi version. Throughout its history, in every important cultural and political area, the United States, thanks to its distinctive base, always lagged behind the destructive trends of Germany and of the rest of the modern world. We are catching up now. We are still the freest country on earth. There is no totalitarian (or even openly socialist) party of any size here, no avowed candidate for the office of Führer, no economic or political catastrophe sufficient to make such a party or man possible—so far—and few zealots of collectivism left to urge an ever faster pursuit of national suicide. We are drifting to the future, not moving purposefully. But we are drifting as Germany moved, in the same direction, for the same kind of reason.

In this little, wet, leaky hole, we were all quartered, in an atmosphere so bad that our lamp, which swung in the middle from the beams, sometimes actually burned blue, with a large circle of foul air about it.

It is easy to see what art is at risk of losing in such continual involvement: their former comfort, mainly, an that divine freedom that lives and breathes in Mozart's works. We can now better understand the tormented and tenacious atmosphere of our works of art, their furrowed brow and sudden debacles. And so, we tell ourselves we understand that this is why there are more journalists than writers, ore amateur painters tan Cézannes, and why children's literature and murder mysteries have taken the place of Tolstoy's War and Peace or Stendhal's The Charterhouse of Parma.

It is easy to see what art is at risk of losing in such continual involvement: their former comfort, mainly, an that divine freedom that lives and breathes in Mozart's works. We can now better understand the tormented and tenacious atmosphere of our works of art, their furrowed brow and sudden debacles. And so, we tell ourselves we understand that this is why there are more journalists than writers, or amateur painters than Cézannes, and why children's literature and murder mysteries have taken the place of Tolstoy's War and Peace or Stendhal's The Charterhouse of Parma.

Emerson and the circle of liberal intellectuals around him, Kant and Fichte were simply more important than Locke or Hume or the Scottish Common Sense school in philosophy; Goethe and Novalis were more important than Wordsworth or Keats in literature, and the work of Herder, Coleridge (himself strongly influenced by German thought), and Schleiermacher was more important in theology than Jonathan Edwards and the American Puritan tradition. One simply could not expect, in 1837, to understand the advanced intellectual atmosphere of the times without taking up Germany.1

As on this earth planet we have a multi variety of living entities, we can understand from Vedic literature that in the sun also there is a variety of living entities, but their bodies are made of fire, just as ours are made of earth. In material nature there are five gross elements: earth, water, air, fire and space. In different planets there are different atmospheres due to one of these five elements prevailing, and there are different bodies for the living entities composed of whatever element may be predominant in a particular planet.

The first and worst problem of migration illustrates that most immigrants miss and even lose their culture, literature, language, values, and the atmosphere of religious surroundings and family connections, whereas the second and grave matter is that they are unable and unwilling to adopt the new ones since the cat and lion features look similar but cannot be the same. As a fact, immigrants live and breathe in the circus, having the best care and all facilities, but not as a birthplace where they belong. It is a tragedy of feelings that no one views or realizes seriously.

I admired the way Anton Pavlovich didn’t seem so much interested in telling a story as in conveying a nastroeniye – a mood or atmosphere. Anton Pavlovich is the master of nastroeniye, Lyudmila Aleksandrovna had told me, and he certainly was, capturing in his writing the essence of late nineteenth-century Russia.

In Greek, the most significant area to which these curricula were reduced was the rudiments of Aristotelian logic. It is possible, for instance, to discern a major structural change in the medical curriculum in Alexandria toward the end of the sixth century, perhaps as a reaction to the decline of philosophical instruction in that last remaining center of Greek philosophical studies. ...The theological applications of philosophy in Greek patristic literature, by contrast, were many and longevous, though clearly harnessed to their theological, apologetic, and polemical goals rather than free philosophical discourse. In Syriac Christianity, as in Greek, there is a similar development of a logical curriculum, except that it was rather shorter: The Sasanian rulers actively endorsed a translation culture that viewed the transferral of Greek texts and ideas into Middle Persian as the “restitution” of an Iranian heritage that was allegedly pilfered by the Greeks after the campaigns of Alexander the Great.17 It was this cultural context, and the atmosphere of open debate fostered most energetically by Chosroes I Anushirwan (ruled 531–78), that must have prompted the Greek philosophers to seek refuge in his court after Justinian’s 529 edict prohibited them from teaching.

We come into a world with a history shaped by the subtle dichotomy of culture and ethos, the dynamic forces of ideas and philosophy, and the mesmerizing undercurrent and of science and religion. The relentless clicking of time binds generations of people together. Family, country, cultural trends, and shared historical precepts link people. How we act in our lifetimes will affect the continuum of history. Our deeds will construct the industry, companies, commerce, cities, and governmental intuitions that shape our children’s lives. Our economic choices and environmental policies will determine the quality of the water that our children drink and the air they breathe. Our collective consciousness as depicted through works of literature, poetry, music, films, personal charity, and political benevolence will affect the cultural atmosphere for generations to come.

The evening uneven sea glimmered with slices of dairy moon, the surface waves a shifting brew of dark tea stirred by an atmospheric spoon.

Before drawing the curtain across the porthole, Lydia took a peek outside. The evening uneven sea glimmered with slices of dairy moon, the surface waves a shifting brew of dark tea stirred by an atmospheric spoon.

That year I had signed up for a course in French Medieval Literature. My mind was turning back, in a way, to the things I remembered from the old days in Saint Antonin. The deep, naive, rich simplicity of the twelfth and thirteenth centuries was beginning to speak to me again. I had written a paper on a legend of a 'Jongleur de Notre Dame,' compared with a story from the Fathers of the Desert, in Migne's Latin Patrology. I was being drawn back into the Catholic atmosphere, and I could feel the health of it, even in the merely natural order, working already within me.

The true weird tale has something more than secret murder, bloody bones, or a sheeted form clanking chains according to rule. A certain atmosphere of breathless and unexplainable dread of outer, unknown forces must be present; and there must be a hint, expressed with a seriousness and portentousness becoming its subject, of that most terrible conception of the human brain--a malign and particular suspension or defeat of those fixed laws of Nature which are our only safeguard against the assaults of chaos and the daemons of unplumbed space

If Ward is right, Lewis has crafted each novel in the light of the atmosphere associated with one of the planets in the medieval tradition. This does not necessarily mean that this symbolism determines the plot of each novel, or the overall series; it does, however, help us understand something of the thematic identity and stylistic tone of each individual novel. Ward’s analysis is generally agreed to have opened up important new ways of thinking about the Narnia series, although further discussion and evaluation will probably lead to modification of some of its details. There is clearly more to Lewis’s imaginative genius than his earlier interpreters appreciated. If Ward is right, Lewis has used themes drawn from his own specialist field of medieval and Renaissance literature to ensure the coherency of the Chronicles of Narnia as a whole, while at the same time giving each book its own distinct identity.

Cause every love story there's a certain glamor!

Perfume is to smells what eroticism is to sex: an aesthetic, cultural, emotional elaboration of the raw materials provided by nature. The ladies of the court, led by Marie-Antoinette, resorted to the only thing that could keep them one step ahead of the commoners, however wealthy they were: fashion. In fact, this is how fashion as we know it came into existence: the latest trend adopted by a happy few for a season before trickling down to the middle classes. Just a touch of the negligence etudiee that distinguishes chic Parisian women from their fiercely put-together New Yorker or Milanese counterparts. Perfume needs to be supported by image. You're not just doing it to smell good: you're perpetuating a ritual of erotic magic that's been scaring and enticing men in equal measure for millennia. Perfumes are our subconscious. They read us more revealingly than any other choice of adornment, perhaps because their very invisibility deludes us into thinking we can get away with the message they carry. These scents severed fragrance from its function as an extension of a female or male persona - the rugged guy, the innocent waif or the femme fatale - to turn it into a thing that was beautiful, interesting and evocative in and of itself. Perfume's advertising relies on the 3 aspiration S: stars, sex and seduction, with a side helping of dreams or exoticism. Descriptions, impressions, analogies, short stories, snippets or real-life testing, bits of history, parallels with music or literature. Connecting a scent with emotions, impressions, atmospheres, isn't that why we wear it? Isn't it all subjective? Just because you don't want it in your life doesn't make it bad. And it's not entirely impossible to consider perfumes beyond their "like/don't like" status. What intent does t set out to fulfill? How does it achieve its effects? How does it fit in with the history of the brand or its identity? How does it compare to the current season's offerings? Does it bring something new? The story told by the perfumer blends with the ones we tell ourselves about it; with our feelings, our moods, our references, our understanding of it. Once it is released from the bottle, it becomes a new entity. We make it ours: we are the performers of our perfume. Both lust and luxury are coupled in the same Latin word: luxuria is one of the 7 deadly sins. The age-old fear of female sexuality. The lure of beauty, set off by costly and deceitful adornments, could lead men to material and moral ruin but, more frighteningly, suck them into a vortex of erotic voracity. A man's desire waxes and wanes. But how can a woman, whose pleasure is never certain and whose receptive capacity is potentially infinite, ever be controlled?

Life Not Found --- Since I migrated From my surroundings Atmosphere, weathers Language, culture, literature Friends, family City, country When I realized And looked back On my life browser It resulted in displaying; What you tried to search On the time server that Life not Found Sorry.

In the Second Mansion, you aim to become more discerning about your thoughts, motivations, and personal companions. We all need to be more discriminating about whom we allow into the circles that influence our souls. Beyond your friendships and social interactions, you need to become aware of how your psyche and soul are changing, of their shifts in perceptions. As you become more awakened, you may become more psychically hypersensitive and reactive to other people’s emotional energy, to highly charged negative atmospheres, to stresses in people around you, or even to the great tensions of the planet. Teresa warned her nuns that as they progressed in their Castles, they would become vulnerable in some way to other people’s emotional, psychological, mental, and spiritual debris. You need to learn, as an emerging mystic, how to protect your energy field. This hypersensitivity can be brought on by spending too much time alone in retreat or by opening up too many interior rooms too rapidly. In rare cases, achieving a blissful state of consciousness can result in a sense of ungroundedness and disorientation. A more common experience is that reading sacred literature and doing soul work can shift your values and make you feel very detached from your familiar world. In these states, you require serious hand-holding and the companionship of someone who understands the journey of the soul. You will always need to maintain a solitary, silent prayer life and time for reflection, but you will also need to reach out to at least one other person to share your experience of God.

When is talking about literature not an evasion of the real question at hand? Although a nice-enough evasion.

Daylight slanted in through the bars making his eyes glint like polished steel. Motes of dust frenzied in his atmosphere as if drawing energy from the electric force of his presence. A thin ring of gold glinted in his left ear, and sharp cheekbones underscored an arrogant brow. He’d look stern but for his mouth, which was not so severe. It bowed with a fullness she might have called feminine if the rest of his face wasn’t so brutally cast. Mercy hadn’t realized she’d been staring at his lips, gripped with a queer sort of fascination until they parted and he spoke. “You were quite impressive back there.” “What?” Mercy shook her head dumbly. Had he just complimented her? Had they just been through the same scene? She’d never been less impressed with herself in her entire life. Would that she could have been like him. Smooth and unaffected. Infuriatingly self-assured. And yet…he’d only been that way after breaking the nose of the officer who'd struck her, and possibly his jaw. Lord but she’d never seen a man move like that before. “I listened to your deductions,” he explained. “From where you were hiding in the closet?” she quipped, rather unwisely. Something flickered in his eyes, and yet again she was left to guess if she’d angered or amused him. “From where I was hiding in the closet,” he said with a droll sigh as he shifted, seeming to find a more comfortable position for his bound hands. “You’re obviously cleverer than the detectives. How do you know so much about murder scenes?” Mercy warned herself not to preen. She stomped on the lush warmth threatening to spread from her chest at his encouragement, and thrust her nose in the air, perhaps a little too high. “I am one of only three female members of the Investigator Eddard Sharpe Society of Homicidal Mystery Analysis. As penned by the noted novelist, J. Francis Morgan, whom I suspect is a woman.” “Why do you suspect that?” His lip twitched, as if he also battled to suppress his own expression. “Because men tend to write women characters terribly, don’t they? But J. Francis Morgan is a master of character and often, the mystery is even solved by a woman rather than Detective Sharpe. His heroines are not needlessly weak or stupid or simpering. They’re strong. Dangerous. Powerful. Sometimes even villainous and complicated. That is good literature, I say. Because it’s true to life.” He’d ceased fighting his smile and allowed his lip to quirk up in a half-smile as he regarded her from beneath his dark brow. “Mathilde’s murderer now has one more person they’d do well to fear in you.” She leveled him a sour look. “Does that mean you fear me?” He tilted toward her. Suddenly—distressingly—grave. “You terrify me, Mercy Goode.

Самое главное – это атмосфера и мгновения. Это – то прозрачное и величественное, что существует в жизни. И воспоминания состоят именно из этих мгновений, которые, как яркие вспышки, появляются среди мрака прошлого. Когда ты внезапно можешь осознать, что было важным для тебя в то далекое время. И эти воспоминания наполняют тебя сегодняшнего. И как волны бесконечного, движущегося моря памяти приходят на берег жизни. И ты начинаешь чувствовать себя свободным и бесконечным в своем путешествии по этому морю.

On one level, the poems after Verlaine in this collection are a selfish project. I wanted to try on a voice with which, despite sharing some stylistic and tonal sympathies, I seemed to have little in common. It served as a psychodramatic exercise, a walk in somebody else’s shoes. Writing each new poem while drawing on the raw material of Verlaine in translation has led me, in the always dramatised context of the individual poem, to think and say things I’d likely never have dreamed of otherwise. But just as importantly, I hope these poems paint a fresh portrait of Paul Verlaine, however partial and sketchy, that reveals him to be a more surprising, hard-thinking, and even revivifying poet than expected. Beyond his skilled conjuring of delicate and atmospheric allusiveness, at its best, his is also poetry of punchy musicality, philosophical edge, and candidness – both intellectual and emotional – which allows for genuine beauty, sensuality, and sadness.

Above a quite low level, literature is an attempt to influence the viewpoint of one’s contemporaries by recording experience. And so far as freedom of expression is concerned, there is not much difference between a mere journalist and the most ‘unpolitical’ imaginative writer. The journalist is unfree, and is conscious of unfreedom, when he is forced to write lies or suppress what seems to him important news; the imaginative writer is unfree when he has to falsify his subjective feelings, which from his point of view are facts. He may distort and caricature reality in order to make his meaning clearer, but he cannot misrepresent the scenery of his own mind; he cannot say with any conviction that he likes what he dislikes, or believes what he disbelieves. If he is forced to do so, the only result is that his creative faculties will dry up. Nor can he solve the problem by keeping away from controversial topics. There is no such thing as a genuinely non-political literature, and least of all in an age like our own, when fears, hatreds, and loyalties of a directly political kind are near to the surface of everyone’s consciousness. Even a single taboo can have an all-round crippling effect upon the mind, because there is always the danger that any thought which is freely followed up may lead to the forbidden thought. It follows that the atmosphere of totalitarianism is deadly to any kind of prose writer, though a poet, at any rate a lyric poet, might possibly find it breathable. And in any totalitarian society that survives for more than a couple of generations, it is probable that prose literature, of the kind that has existed during the past four hundred years, must actually come to an end.

The first and worst problem of migration illustrates that mostly immigrants miss and even lose its culture, literature, language, values and the atmosphere of religious surroundings and family connections; whereas, the second and gravely matter that unable and unwilling to adopt the new ones since the cat and lion features look like the similar; however, cannot be the same. As a fact, immigrants live and breathe in the circus, having the best care and all facilities, but not as a birth nature, where they belong. It is a tragedy of feelings, which no one views and realizes seriously.

In medieval society, daily or at least frequent contact with opponents was inescapable; thus conflict was a constant and ongoing part of life. Enemies frequently were forced to encounter one another, perhaps even to work together, and certainly to pray together, and this constantly reinforced atmosphere of hostility ultimately involved not only the opponents themselves and their immediate families but the entire community. Every conflict drew into it a wider society; as individuals and families were forced to take sides, to define their relationships to the principal participants. In the dispute at Chorges we see a conflict that involves not only the prior and the de Turre brothers but also their respective vassals, lords (the abbot and the archbishop respectively), and kin and, ultimately, the neighbors who are forced to testify for one side or the other. The circle of conflict becomes progressively wider. The fatal magnetism that feuds exercised on society at large is perhaps best illustrated in contemporary literature. The essence of the tragedy in medieval epics and sagas is often exactly this: that a man, burdened by complex obligations to estranged parties, is ultimately and fatally drawn into their conflict. Neutrality is unthinkable. The most obvious example is the conflict between Roland and his father-in-law, Ganelon, which ultimately leads to the deaths not only of the two principals but also of the peers, numerous Frankish knights, and thirty of Ganelon's kinsmen (not to mention thousands of Saracens). At Chorges, the prior tries to avoid having Peter de Rosset drawn into the web of conflict for fear of losing his friendship; the bailiff Peter attempts to avoid testifying because he knows that to do so will place in the conflict. Both efforts come to nought. From this process of taking sides, of testing bonds, came not only social antagonism but cohesion as well. Dispute thus served to define the boundaries of social groups: kindreds, vassalic groups, patronage connections, and the like. Moreover, conflicts created new groups as individuals or parties sought new alliances to assist them in pressing their claims. Finally, every conflict tested the implicit, preexisting social bonds and hierarchies, and every new outbreak caused existing ties to be either reaffirmed or denied. The Chorges dispute tests and reinforces the bonds uniting the de Turre and de Rosset groups, tests and strengthens the loyalty of their vassals and amid, and forces the entire local community to define itself in relationship to the two sides. By the end of the account (which is not the same as the end of the dispute), the knights have reason to doubt the strength of their bonds with their lord, the archbishop, and to take comfort in the loyalty of Bruno Stephanus and their other vassals who have proven their devotion. The archbishop and the monks, who had often faced each other as opponents, have drawn closer together in their mutual effort to end the conflict. Like the dispute over the sponsaficium itself, the narrative of it does not begin at the "beginning" and carry through to the "end." This is typical of such records because these conflicts were such an essential part of the social fabric that one can hardly speak of them in this society as having a beginning, a middle, and an end. Conflicts were more structures than events--structures often enduring generations. The basis for social forms themselves was often a long-term, inherited conflict without which social groups would have lost their meaning and hence their cohesion.

Literature is a magician. It creates things in an atmosphere that no form of art, no life can go beyond; as such nothing has the ability to represent those things originated from literature.

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A Reclusive Invitation by Stewart Stafford In a mansion crouched at the forest's edge, Gargoyles perched on a Jericho hedge, Lived Samuel Keane, with millions at least, Welcomed the locals to his Christmas feast. Self-imposed exile of wealth's solitary scene, On that evening, time for connection pristine, An alabaster white suit in a chessboard hall; Legions of armour and battle scars to recall. "Come, gather round, let camaraderie ignite! On Christmas Eve, a dream-come-true night!" Perkins, the grey butler, in reluctant festive red, Gestured them toward Keane's banquet spread. Their gracious host took his place at the end, A throne chair helped into place with a bend, Beaming, he clapped and food was brought in, To gasps and applause at the goblets of gin. A succulent feast at a baronial ball; Roasted goose, boar, a tall glass highball, Stories grew taller, just like each drink, Songs and jests sent them over the brink. Enjoyment and melody's atmosphere bright, Fleeting warmth shared in lush candlelight. Dawn looms, Les Misérables adore company: "Why does hangover guilt crave chablis?" A Father Christmas event once a year, Guests departed, a loud triple cheer, A fading smile of a host so grand, Adrift, nothing elaborate planned. The fireworks faded, the last ember died, Keane shut his mansion with secrets inside. A portcullis closed slowly on a seasonal high, A gothic arch door shut 'neath morning star sky. © 2024, Stewart Stafford. All rights reserved.

Thus the “brainy” economy designed to produce this happiness is a fantastic vicious circle which must either manufacture more and more pleasures or collapse—providing a constant titillation of the ears, eyes, and nerve ends with incessant streams of almost inescapable noise and visual distractions. The perfect “subject” for the aims of this economy is the person who continuously itches his ears with the radio, preferably using the portable kind which can go with him at all hours and in all places. His eyes flit without rest from television screen, to newspaper, to magazine, keeping him in a sort of orgasm-with-out-release through a series of teasing glimpses of shiny automobiles, shiny female bodies, and other sensuous surfaces, interspersed with such restorers of sensitivity—shock treatments—as “human interest” shots of criminals, mangled bodies, wrecked airplanes, prize fights, and burning buildings. The literature or discourse that goes along with this is similarly manufactured to tease without satisfaction, to replace every partial gratification with a new desire. For this stream of stimulants is designed to produce cravings for more and more of the same, though louder and faster, and these cravings drive us to do work which is of no interest save for the money it pays—to buy more lavish radios, sleeker automobiles, glossier magazines, and better television sets, all of which will somehow conspire to persuade us that happiness lies just around the corner if we will buy one more. Despite the immense hubbub and nervous strain, we are convinced that sleep is a waste of valuable time and continue to chase these fantasies far into the night. Animals spend much of their time dozing and idling pleasantly, but, because life is short, human beings must cram into the years the highest possible amount of consciousness, alertness, and chronic insomnia so as to be sure not to miss the last fragment of startling pleasure. It isn’t that the people who submit to this kind of thing are immoral. It isn’t that the people who provide it are wicked exploiters; most of them are of the same mind as the exploited, if only on a more expensive horse in this sorry-go-round. The real trouble is that they are all totally frustrated, for trying to please the brain is like trying to drink through your ears. Thus they are increasingly incapable of real pleasure, insensitive to the most acute and subtle joys of life which are in fact extremely common and simple. The vague, nebulous, and insatiable character of brainy desire makes it particularly hard to come down to earth—to be material and real. Generally speaking, the civilized man does not know what he wants. He works for success, fame, a happy marriage, fun, to help other people, or to be a “real person.” But these are not real wants because they are not actual things. They are the by-products, the flavors and atmospheres of real things—shadows which have no existence apart from some substance. Money is the perfect symbol of all such desires, being a mere symbol of real wealth, and to make it one’s goal is the most blatant example of confusing measurements with reality. It is therefore far from correct to say that modern civilization is materialistic, that is, if a materialist is a person who loves matter. The brainy modern loves not matter but measures, no solids but surfaces. He drinks for the percentage of alcohol (“spirit”) and not for the “body” and taste of the liquid. He builds to put up an impressive “front” rather than to provide a space for living.

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【V信83113305】：Gakushuin Women's College is a prestigious private institution in Tokyo, rooted in a history of educating the Japanese nobility since the Meiji era. While it became a fully-fledged university in 1949, it retains a unique identity focused on providing a small-scale, liberal arts education exclusively for women. The curriculum is designed to foster well-rounded, independent thinkers through a broad-based education in the humanities and social sciences. Its intimate learning environment ensures close student-faculty interaction, creating a supportive and personalized academic experience. The university’s beautiful, serene campus in the Mejiro district offers a traditional and focused atmosphere for study. It is particularly renowned for its strong programs in Japanese literature and culture, continuing a legacy of academic excellence and female empowerment.，学习院女子大学文凭, 学习院女子大学毕业证最安全办理办法, 做今年新版学习院女子大学毕业证, 留学生买毕业证毕业证文凭成绩单办理, 1:1原版学习院女子大学毕业证+学習院女子大学成绩单, 安全办理-学习院女子大学文凭学習院女子大学毕业证学历认证, 学習院女子大学留学成绩单毕业证

【V信83113305】：Founded in 1926, Taisho University is a prestigious private institution located in Tokyo, Japan. Rooted in Buddhist traditions, the university emphasizes humanities, social sciences, and religious studies, fostering a unique academic environment that blends spirituality with modern education. It offers undergraduate and graduate programs across disciplines such as literature, psychology, and sociology, with a strong focus on interdisciplinary research. The campus, known for its serene atmosphere, provides students with state-of-the-art facilities and access to extensive Buddhist literature. Taisho University is also renowned for its cultural contributions, hosting seminars and events that promote dialogue between Eastern and Western philosophies. Committed to nurturing global citizens, it encourages ethical leadership and compassionate engagement with society.，100%安全办理大正大学毕业证, 学历文凭认证大正大学毕业证-大正大学毕业证如何办理, 大正大学成绩单制作, 日本留学成绩单毕业证, 高端烫金工艺大正大学大正大学毕业证成绩单制作, 办理日本大正大学本科学历, 原版大正大学毕业证办理流程, 高端大正大学大正大学毕业证办理流程

【V信83113305】：Founded in 1949, Seijo University is a prestigious private institution located in Setagaya, Tokyo. Known for its strong emphasis on liberal arts and humanities, the university offers undergraduate and graduate programs across disciplines such as literature, economics, and psychology. Its small class sizes foster close student-faculty interaction, creating an intimate learning environment. The campus, nestled in a quiet residential area, provides a serene atmosphere conducive to academic focus. Seijo University also promotes international exchange, partnering with institutions worldwide to offer study-abroad opportunities. With a commitment to critical thinking and cultural enrichment, it cultivates well-rounded graduates prepared for diverse careers. The university’s alumni network includes notable figures in academia, business, and the arts, reflecting its enduring impact on Japanese society.，Seijo Universitydiploma安全可靠购买Seijo University毕业证, 申请学校!成城大学成绩单成城大学成绩单成城大学改成绩, 网上制作成城大学毕业证-成城大学毕业证书-留信学历认证放心渠道, 100%满意-成城大学毕业证成城大学学位证, Seijo University成城大学原版购买, 日本毕业证学历认证, 留学生买毕业证Seijo University毕业证文凭成绩单办理, 办理日本大学毕业证书, 成城大学学位定制

【V信83113305】：Gifu Shotoku Gakuen University is a private institution located in Gifu Prefecture, Japan, known for its strong foundation in the humanities and social sciences. Rooted in Buddhist educational principles, the university emphasizes moral character development alongside academic excellence. It offers a range of undergraduate and graduate programs, with particular strengths in foreign languages, literature, and education, preparing students to contribute meaningfully in a globalized world. The campus provides a supportive, close-knit community atmosphere that fosters personal growth and cross-cultural understanding. Committed to its founding spirit of peace and virtue, the university strives to cultivate well-rounded individuals equipped with both professional knowledge and a strong sense of social responsibility.，高端定制岐阜聖徳学園大学毕业证留信认证, 岐阜聖徳学園大学文凭毕业证丢失怎么购买, 岐阜聖徳学園大学毕业证怎么办理-加钱加急, 网络办理岐阜聖徳学園大学毕业证官方成绩单学历认证, 如何办理岐阜聖徳学園大学毕业证一比一定制, 挂科办理岐阜聖徳学園大学岐阜圣德学园大学学历学位证, 办岐阜圣德学园大学毕业证university

【V信83113305】：Seijo University in Tokyo is a prestigious private institution renowned for its strong academic heritage and vibrant campus life. Nestled in a serene, green environment, it offers a unique blend of urban access and a tranquil learning atmosphere. The university excels in the humanities and social sciences, particularly through its distinguished Faculty of Arts and Literature, fostering critical thinking and global perspectives among students. With a commitment to small class sizes and personalized education, Seijo provides a supportive community for intellectual growth. Its active international exchange programs further enrich the student experience, preparing graduates to thrive in a interconnected world.，定制星城大学毕业证, Seijo University文凭制作流程学术背后的努力, 最新星城大学毕业证成功案例, 原版定制星城大学毕业证书, 办理真实Seijo University毕业证成绩单留信网认证, 星城大学毕业证怎么办理-加钱加急, 极速办Seijo University星城大学毕业证Seijo University文凭学历制作, 申请学校!Seijo University成绩单星城大学成绩单Seijo University改成绩, 网络办理星城大学毕业证官方成绩单学历认证

【V信83113305】：Hijiyama University in Hiroshima, Japan, is a distinguished institution known for its strong emphasis on the arts and humanities. Nestled in the scenic city of Hiroshima, it offers a unique academic environment that blends creative education with the region's profound historical and cultural heritage. The university provides a range of programs in fields such as literature, media, and design, fostering innovation and critical thinking among its students. With a commitment to interdisciplinary learning and community engagement, Hijiyama University cultivates well-rounded individuals prepared to contribute to global society. Its serene campus and dedicated faculty create an inspiring atmosphere for academic and personal growth.，办理比治山大学成绩单高质量保密的个性化服务, 比治山大学成绩单比治山大学毕业证快速办理方式, 办理比治山大学学历认证回国人员证明, 硕士博士学历比治山大学毕业证-比治山大学毕业证书-真实copy原件, 极速办比治山大学毕业证Hijiyama University文凭学历制作, 办日本Hijiyama University比治山大学文凭学历证书, 比治山大学毕业证学校原版一样吗, 666办理比治山大学毕业证最佳渠道, 网上制作比治山大学毕业证-比治山大学毕业证书-留信学历认证放心渠道

【V信83113305】：Kokugakuin University stands as a prominent institution dedicated to the study and preservation of Japanese traditional culture, particularly Shinto. Founded in 1882, its mission is deeply rooted in exploring the nation's spiritual heritage, classical literature, and history. The university offers a unique academic environment where students can engage with indigenous Japanese thought, ethics, and religious practices. Its research and curricula provide profound insights into the evolution of Japan's national identity, making it a vital center for both domestic and international scholars seeking to understand the core of Japanese spirituality. The campus atmosphere itself is often seen as a reflection of this deep cultural commitment.，硕士国学院大学文凭定制國學院大學毕业证书, 优质渠道办理國學院大學毕业证成绩单学历认证, 國學院大學毕业证怎么办理-加钱加急, 國學院大學毕业证成绩单原版定制, 办理国学院大学成绩单高质量保密的个性化服务, 國學院大學毕业证书, 國學院大學国学院大学原版购买, 日本毕业证办理

【V信83113305】：Seijo University, a prestigious private institution nestled in the vibrant Setagaya ward of Tokyo, is renowned for its strong liberal arts foundation and intimate academic environment. Founded in 1950, its name "Seijo," meaning "to complete the castle," metaphorically represents its mission to build well-rounded individuals. The university is particularly distinguished for its exceptional Faculty of Arts and Literature and its esteemed psychology programs, attracting students seeking a deep, personalized education. With a low student-to-faculty ratio, it fosters close mentorship and rigorous scholarship. Its serene, green campus provides a traditional collegiate atmosphere within the dynamic capital, making it a unique and sought-after choice for students dedicated to the humanities and social sciences.，最爱-日本-成城大学毕业证书样板, 加急多少钱办理成城大学毕业证-成城大学毕业证书, 成城大学毕业证最新版本推荐最快办理成城大学文凭成绩单, 办理成城大学毕业证成绩单学历认证, 成城大学文凭制作流程确保学历真实性, 100%办理成城大学毕业证书, 1分钟获取成城大学毕业证最佳办理渠道, 成城大学文凭制作服务您学历的展现, 成城大学毕业证定制

【V信83113305】：Founded in 1926, Taisho University is a prestigious private institution located in Tokyo, Japan. Rooted in Buddhist traditions, the university emphasizes humanities, social sciences, and religious studies, fostering a unique academic environment that blends spirituality with modern education. It offers undergraduate and graduate programs across disciplines such as literature, psychology, and sociology, with a strong focus on interdisciplinary research. The campus, known for its serene atmosphere, provides students with state-of-the-art facilities and a vibrant cultural community. Taisho University is also recognized for its commitment to global exchange, hosting international students and promoting cross-cultural dialogue. By integrating traditional values with contemporary scholarship, it cultivates thoughtful leaders dedicated to societal well-being.，大正大学学位证毕业证, 大正大学成绩单办理, 大正大学毕业证-大正大学毕业证书, 办理日本大学毕业证书, 大正大学-大正大学大学毕业证成绩单, 如何获取大正大学-大正大学-毕业证本科学位证书, 1:1原版大正大学大正大学毕业证+大正大学成绩单, 办理大正大学毕业证-大正大学毕业证书-毕业证

【V信83113305】：Founded in 1926, Taisho University is a prestigious private institution located in Tokyo, Japan. Rooted in Buddhist traditions, the university emphasizes humanities, social sciences, and religious studies, fostering a unique academic environment that blends spirituality with modern education. It offers undergraduate and graduate programs across disciplines like psychology, literature, and sociology, with a strong focus on interdisciplinary research. The campus features historic architecture alongside modern facilities, creating a serene atmosphere for learning. Known for its inclusive ethos, Taisho University promotes cultural exchange and global perspectives, attracting both domestic and international students. Its commitment to peace and humanistic values reflects Japan’s intellectual heritage while addressing contemporary societal challenges. A hub for intellectual and spiritual growth, Taisho University continues to shape future leaders with wisdom and compassion.，大正大学大正大学-多少钱, 大正大学电子版毕业证与日本大正大学学位证书纸质版价格, 日本留学本科毕业证, 大正大学文凭购买, 大正大学-大正大学大学毕业证成绩单, 日本大正大学大正大学毕业证成绩单在线制作办理, 办理大正大学学历与学位证书投资未来的途径, 申请学校!大正大学成绩单大正大学成绩单大正大学改成绩

【V信83113305】：Located in Yokohama, Japan, Tsurumi University is a private institution renowned for its focus on humanities, education, and health sciences. Established in 1925, the university has cultivated a strong academic reputation, particularly in fields like dentistry, literature, and early childhood education. Its campus blends modern facilities with a serene environment, fostering a conducive learning atmosphere. Tsurumi emphasizes practical education, offering students hands-on training and research opportunities. With a commitment to global perspectives, the university encourages international exchanges and collaborations. Its small class sizes ensure personalized attention, nurturing well-rounded graduates. Tsurumi University’s dedication to community engagement and academic excellence makes it a distinguished choice for students seeking a holistic education in Japan.，鶴見大学毕业证认证, 购买鹤见大学文凭, 鶴見大学文凭制作流程确保学历真实性, 鶴見大学鹤见大学毕业证制作代办流程, 鶴見大学学位定制, 鹤见大学-鶴見大学大学毕业证成绩单, 办理鶴見大学鹤见大学毕业证文凭

【V信83113305】：Bard College, located in Annandale-on-Hudson, New York, is a distinguished liberal arts institution known for its innovative academic programs and vibrant intellectual community. Founded in 1860, the college emphasizes interdisciplinary learning, encouraging students to explore diverse fields such as the arts, humanities, and sciences. Bard’s unique curriculum includes the renowned "Language and Thinking" program, which fosters critical thinking and writing skills. The campus, set against the scenic Hudson River, provides an inspiring environment for creativity and scholarship. Bard also boasts a strong commitment to social justice and global engagement, with initiatives like the Bard Prison Initiative, offering higher education to incarcerated individuals. With its small class sizes and dedicated faculty, Bard cultivates a close-knit, intellectually stimulating atmosphere. Its alumni include notable figures in arts, literature, and academia, reflecting the college’s enduring impact. Bard College continues to be a beacon of progressive education and cultural enrichment.，办理真实毕业证成绩单留信网认证, 巴特学院毕业证学历认证, 挂科办理Butte College巴特学院毕业证文凭, 购买巴特学院毕业证, 定制BC毕业证, 申请学校!成绩单巴特学院成绩单改成绩, 出售Butte College巴特学院研究生学历文凭, 美国毕业证学历认证

【V信83113305】：Nara University is a private institution located in Nara, Japan, renowned for its focus on humanities and social sciences. Established in 1969, the university offers programs in cultural studies, literature, and education, emphasizing Japan’s rich historical heritage. Its campus, nestled near historic sites like Todai-ji Temple, provides a unique learning environment blending academia with tradition. The university fosters small-class education, encouraging close student-faculty interaction. Research centers dedicated to regional culture and international exchange further enhance its academic appeal. With a commitment to nurturing global perspectives, Nara University collaborates with institutions worldwide, offering study-abroad opportunities. Its serene setting and scholarly atmosphere make it an ideal choice for students seeking a deep connection to Japanese culture while pursuing higher education.，奈良学园大学学位证毕业证, 一比一原版奈良学园大学毕业证-奈良学園大学毕业证书-如何办理, 挂科办理Nara Gakuen University奈良学园大学毕业证文凭, 奈良学園大学毕业证购买, 一流奈良学园大学学历精仿高质, Nara Gakuen Universitydiploma安全可靠购买Nara Gakuen University毕业证, 奈良学园大学电子版毕业证与日本Nara Gakuen University学位证书纸质版价格

【V信83113305】：The University of Wisconsin-Madison stands as a premier public research university and the flagship institution of the Wisconsin system. Renowned for its vibrant academic spirit, it is a proud member of the prestigious Association of American Universities. The campus is famously situated on an isthmus between lakes Mendota and Monona, offering stunning scenery. It is particularly celebrated for its cutting-edge research programs, a storied history of academic excellence, and the influential "Wisconsin Idea" – the principle that education should positively impact people's lives beyond the classroom. This ethos permeates its world-class instruction in fields ranging from the sciences and agriculture to political science and literature. The university also boasts a strong collegiate atmosphere with passionate Badger spirit, making it a dynamic and inspiring place to learn and discover.，最佳办理威斯康星大学麦迪逊分校毕业证方式, UWM-diploma安全可靠购买威斯康星大学麦迪逊分校毕业证, 如何办理威斯康星大学麦迪逊分校学历学位证, 快速办理UWM毕业证-威斯康星大学麦迪逊分校毕业证书-百分百放心, 网络快速办理UWM毕业证成绩单, 办理美国毕业证, UWM毕业证书威斯康星大学麦迪逊分校毕业证诚信办理, 威斯康星大学麦迪逊分校毕业证最放心办理渠道, 一比一原版University of Wisconsin-Madison威斯康星大学麦迪逊分校毕业证购买

【V信83113305】：Seijo University, located in the vibrant city of Tokyo, is a prestigious private institution renowned for its strong liberal arts education and intimate academic environment. Founded in 1950, its name "Seijo," meaning "achieve purity," reflects its commitment to nurturing well-rounded individuals with a global perspective. The university is particularly celebrated for its distinguished faculty and rigorous programs in humanities, social sciences, and literature. Its small class sizes foster close student-professor interaction and a tight-knit community atmosphere. The picturesque campus provides a serene, green oasis away from the urban bustle, creating an ideal setting for focused study and intellectual growth, making it a unique and respected choice for higher learning in Japan.，最佳办理成城大学毕业证方式, 成城大学毕业证和学位证办理流程, 日本毕业证认证, 高质Seijo University成城大学成绩单办理安全可靠的文凭服务, 成城大学文凭复刻, 成城大学毕业证定制, 办理Seijo University大学毕业证成城大学, 硕士成城大学文凭定制成城大学毕业证书, 原版定制成城大学毕业证书

【V信83113305】：Founded in 1892, Gresham University stands as a prominent private institution on the East Coast of the United States, renowned for its rigorous liberal arts education. The university's picturesque campus blends historic Gothic architecture with state-of-the-art facilities, creating an inspiring environment for over 7,000 students. Gresham offers a comprehensive range of undergraduate and graduate programs, with particular strength in political science, economics, and literature. Its low student-to-faculty ratio fosters a collaborative and intimate learning atmosphere, emphasizing critical thinking and intellectual discourse. The university takes pride in its diverse community and global perspective, maintained through numerous study-abroad opportunities and partnerships with leading international institutions. Gresham's distinguished alumni network includes Pulitzer Prize winners, CEOs, and public servants, cementing its reputation for cultivating leaders who drive meaningful change in society.，【V信83113305】原版定制GU格里斯兰大学毕业证书,格里斯兰大学毕业证书-一比一制作,快速办理GU毕业证-格里斯兰大学毕业证书-百分百放心,极速办理GU格里斯兰大学毕业证书,网络快速办理GU毕业证成绩单,本地美国硕士文凭证书原版定制GU本科毕业证书,100%定制GU毕业证成绩单,加急多少钱办理GU毕业证-格里斯兰大学毕业证书,GU毕业证怎么办理-加钱加急,GU毕业证成绩单办理格里斯兰大学毕业证书官方正版

【V信83113305】：Daito Bunka University, commonly known as "Daito," is a private institution located in Tokyo and Saitama, Japan. Founded in 1923, it has a rich history centered on the study of Asian culture and humanities. The university is particularly renowned for its strong programs in Chinese studies, literature, and sports sciences, producing many notable athletes. With a educational philosophy rooted in fostering a deep understanding of international perspectives, especially within Asia, it provides a vibrant academic environment for its students. The campus offers a blend of modern facilities and a traditional academic atmosphere, making it a unique place for higher learning in Japan.，100%满意-同朋大学毕业证同朋大学学位证, 仿制同朋大学毕业证同朋大学毕业证书快速办理, 原版定制同朋大学同朋大学毕业证书, 同朋大学毕业证办理流程和安全放心渠道, 制作日本文凭同朋大学毕业证, 最爱-日本-同朋大学毕业证书样板, 做今年新版同朋大学同朋大学毕业证, 日本文凭办理, 同朋大学同朋大学毕业证本科学历办理方法

【V信83113305】：Founded in 1824, Kenyon College is a prestigious private liberal arts institution located in Gambier, Ohio. Renowned for its rigorous academic environment and tight-knit community, Kenyon offers a distinctive undergraduate experience centered around critical thinking and intellectual engagement. The college is particularly celebrated for its exceptional English literature and creative writing programs, which have produced numerous acclaimed authors and poets. With its picturesque campus featuring Gothic architecture and a strong emphasis on personalized education, Kenyon fosters close student-faculty relationships and a deeply collaborative learning atmosphere. It remains a distinguished institution dedicated to shaping well-rounded individuals through a comprehensive and transformative liberal arts education.，KC凯尼恩学院毕业证最稳最快办理方式, 哪里买KC凯尼恩学院毕业证|KC成绩单, 办理美国Kenyon College本科学历, KCdiploma安全可靠购买KC毕业证, 硕士凯尼恩学院文凭定制KC毕业证书, 办理KC凯尼恩学院毕业证成绩单学历认证, 网络快速办理KC毕业证成绩单, KC毕业证最稳最快办理方式, 一比一原版Kenyon College凯尼恩学院毕业证购买

【V信83113305】：The University of Mississippi, affectionately known as "Ole Miss," is a prominent public research university located in Oxford. Established in 1848, it is the state's flagship institution, renowned for its beautiful campus steeped in Southern tradition. Academically, it offers a wide range of programs, with notable strengths in law, medicine, pharmacy, and journalism. The university is a vibrant center for literature and arts, deeply connected to the legacy of Nobel Prize-winning author William Faulkner. Its collegiate atmosphere is defined by a strong sense of community and school spirit, epitomized by its storied athletics programs in the SEC. Ole Miss continues to evolve, striving to blend its rich history with a forward-looking, comprehensive educational mission.，【V信83113305】安全办理-密西西比大学文凭UOM毕业证学历认证,原版UOM毕业证书办理流程,高端烫金工艺UOM毕业证成绩单制作,硕士密西西比大学文凭定制UOM毕业证书,最爱-美国-UOM毕业证书样板,硕士-UOM毕业证密西西比大学毕业证办理,高端UOM毕业证办理流程,原价-UOM毕业证官方成绩单学历认证,最新UOM毕业证成功案例,密西西比大学毕业证成绩单-高端定制UOM毕业证

【V信83113305】：Nara University, located in Japan's ancient capital, is renowned for its profound dedication to the humanities and social sciences. It excels in specialized fields such as history, archaeology, literature, and cultural studies, deeply rooted in the rich historical heritage of the Nara region. The university offers a unique academic environment where students can engage in firsthand research with ancient artifacts and World Heritage sites. Its rigorous curriculum and intimate learning atmosphere foster a deep understanding of Japanese tradition and culture. By combining theoretical studies with practical fieldwork, Nara University serves as a vital institution for preserving and interpreting Japan's historical legacy while cultivating experts who contribute to cultural research and global academic exchange.，硕士-奈良大学毕业证奈良大学毕业证办理, 网上制作奈良大学毕业证-奈良大学毕业证书-留信学历认证放心渠道, 办奈良大学毕业证-Diploma, 奈良大学假学历, 奈良大学毕业证文凭奈良大学毕业证, 奈良大学毕业证学校原版一样吗, 1:1原版奈良大学毕业证+Nara University成绩单, 购买奈良大学毕业证, 办理真实Nara University毕业证成绩单留信网认证

【V信83113305】：Seijo University, a prestigious private institution in Tokyo, is renowned for its strong liberal arts education and serene, green campus. Established in 1950, it emphasizes small-class teaching and close student-faculty interaction, fostering a highly personalized academic environment. The university excels in humanities and social sciences, with particular strengths in literature, psychology, and sociology. Its intimate learning atmosphere encourages critical thinking and intellectual exploration. Located in the desirable Seijo neighborhood, the campus offers a tranquil setting conducive to study, while still providing access to the dynamic resources of the capital city. It is consistently ranked among Japan's top universities for student satisfaction and academic quality.，100%定制成城大学毕业证成绩单, 100%加急制作-成城大学毕业证学校原版一样, 日本毕业证学历认证, 办理日本Seijo University成城大学毕业证Seijo University文凭版本, 本地日本硕士文凭证书原版定制成城大学本科毕业证书, 修改成城大学成绩单电子版gpa让学历更出色, 办理日本-成城大学毕业证书成城大学毕业证, 成城大学成城大学毕业证本科学历办理方法, 成城大学成城大学毕业证书

【V信83113305】：Founded in 1971, Sorbonne University (Paris IV) stands as a cornerstone of French humanities and liberal arts education. Evolving from the historic University of Paris, it proudly继承了 the legacy of the original Sorbonne college. The university is globally renowned for its exceptional programs in literature, languages, history, philosophy, and geography. Its prestigious faculty and rigorous academic environment attract scholars and students from around the world. Nestled in the vibrant Latin Quarter, its iconic buildings provide a stimulating and historic atmosphere for intellectual pursuit. As a central pillar of the Sorbonne Universities group, it continues to be a leading international center for the study of human culture and thought.，巴黎第四大学毕业证成绩单-高端定制Paris-Sorbonne毕业证, 1:1原版Paris-Sorbonne巴黎第四大学毕业证+Paris-Sorbonne成绩单, 网络办理Paris-Sorbonne毕业证官方成绩单学历认证, 加急巴黎第四大学毕业证Paris-Sorbonne毕业证书办理多少钱, 快速办理Paris-Sorbonne巴黎第四大学毕业证如何放心, 原版定制Paris-Sorbonne巴黎第四大学毕业证书, 一比一原版Paris-Sorbonne巴黎第四大学毕业证购买, 在线办理巴黎第四大学毕业证本科硕士成绩单方法, 仿制巴黎第四大学毕业证Paris-Sorbonne毕业证书快速办理

【V信83113305】：The University of Mississippi, affectionately known as "Ole Miss," stands as a prominent public research university in the town of Oxford. Founded in 1848, its campus is renowned for its stunning blend of historic Greek Revival architecture and vibrant modern facilities, all set amidst picturesque groves of oak trees. Academically, the university offers a wide range of programs, with notable strengths in law, medicine, accounting, and Southern history. It is also a nationally recognized center for writing and literature, deeply connected to the legacy of Nobel Prize-winning author William Faulkner. Beyond academics, Ole Miss is famous for its spirited SEC athletic teams and a rich cultural tradition, most visibly embodied by the electrifying game-day atmosphere at Vaught-Hemingway Stadium. The university continues to evolve, striving for academic excellence while thoughtfully engaging with its complex history.，出售证书哪里能购买毕业证, 密西西比大学毕业证最快且放心办理渠道, UOM文凭办理, 正版密西西比大学学历证书学位证书成绩单, 原版定制密西西比大学毕业证UOM毕业证书一比一制作, 密西西比大学成绩单办理, 硕士-UOM毕业证密西西比大学毕业证办理, UOM毕业证书加急制作, 加急多少钱办理UOM毕业证-密西西比大学毕业证书

【V信83113305】：Founded in 1742, Moravian University stands as one of America's oldest educational institutions, offering a rich blend of historical significance and modern academic excellence. Located in Bethlehem, Pennsylvania, this private university provides a personalized learning environment with a low student-to-faculty ratio, emphasizing close mentorship and undergraduate research. Known for its strong programs in health sciences, music, and literature, Moravian fosters a supportive community grounded in its liberal arts foundation. The picturesque campus combines historic colonial architecture with state-of-the-art facilities, creating a unique atmosphere that honors tradition while innovating for the future. It remains dedicated to developing ethical leaders prepared for global engagement.，摩拉维亚大学-pdf电子毕业证, 摩拉维亚大学毕业证学校原版一样吗, 办摩拉维亚大学毕业证Moravian University-Diploma, 摩拉维亚大学毕业证MU毕业证学校原版100%一样, 一比一原版摩拉维亚大学毕业证MU毕业证书如何办理, 最新摩拉维亚大学毕业证成功案例, MU摩拉维亚大学学位证书快速办理, 硕士-MU毕业证摩拉维亚大学毕业证办理, 加急摩拉维亚大学毕业证MU毕业证书办理多少钱

【V信83113305】：Shimane University, located in Matsue, Japan, is a national university renowned for its strong emphasis on interdisciplinary research and regional development. It comprises faculties such as Law and Literature, Education, Medicine, and Science and Engineering, offering a diverse academic environment. The university is particularly noted for its research in environmental science, agricultural studies, and medical sciences, contributing significantly to both local and global communities. With a commitment to fostering innovation and cultural preservation, Shimane University provides a vibrant learning atmosphere set against the rich historical backdrop of the Shimane Prefecture, making it a unique institution dedicated to academic excellence and societal contribution.，Offer(Shimane University成绩单)岛根大学如何办理?, 如何办理岛根大学学历学位证, 日本文凭办理, 加急定制-島根大学学位证岛根大学毕业证书, 网络快速办理島根大学毕业证成绩单, 原版島根大学岛根大学毕业证书办理流程, 岛根大学挂科了怎么办？島根大学毕业证成绩单专业服务, 岛根大学毕业证制作, 如何办理島根大学岛根大学毕业证一比一定制

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