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With this much background, the reader should now be able to grasp that the "extravagant metaphors" in love poets like Vidal, Sordello, Chaucer, Shakespeare, Donne, etc., are often not a matter of flattering the lady but serious statements of a philosophy which runs directly counter to the basic assumptions of our anal-patriarchal culture. Specifically, the repeated, perfectly clear identifications of the poet's mistress with a goddess are part of the mental set, or ritual, connected with this cult. Tibetan teachers train disciples of Tantra to think of the female partner as being literally, not metaphorically, the goddess Shakti, divine partner of Shiva. The Sufis, working within the monotheistic patriarchy of Islam, could not emulate this, but made her an angel communicating between Allah and man. The witch covens made her the great mother goddess. Aleister Crowley's secret teachings, in our own century, instructed his pupils to envision her as the Egyptian star-goddess, Nuit.
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