Assassination Games Quotes

We've searched our database for all the quotes and captions related to Assassination Games. Here they are! All 100 of them:

The game had been played, and she had lost.
Sarah J. Maas (The Assassin and the Empire (Throne of Glass, #0.5))
He shook his head pityingly. “This, more than anything else, is what I have never understood about your people. You can roll dice, and understand that the whole game may hinge on one turn of a die. You deal out cards, and say that all a man's fortune for the night may turn upon one hand. But a man's whole life, you sniff at, and say, what, this naught of a human, this fisherman, this carpenter, this thief, this cook, why, what can they do in the great wide world? And so you putter and sputter your lives away, like candles burning in a draft.” “Not all men are destined for greatness,” I reminded him. “Are you sure, Fitz? Are you sure? What good is a life lived as if it made no difference at all to the great life of the world? A sadder thing I cannot imagine. Why should not a mother say to herself, if I raise this child aright, if I love and care for her, she shall live a life that brings joy to those about her, and thus I have changed the world? Why should not the farmer that plants a seed say to his neighbor, this seed I plant today will feed someone, and that is how I change the world today?” “This is philosophy, Fool. I have never had time to study such things.” “No, Fitz, this is life. And no one has time not to think of such things. Each creature in the world should consider this thing, every moment of the heart's beating. Otherwise, what is the point of arising each day?
Robin Hobb (Royal Assassin (Farseer Trilogy, #2))
He advances like a floating Dracula. The menace is ruined by the sporting-goods-store bag loudly crinkling against his leg. A shoebox is in it, judging from the shape. Imagine the wretched sales assistant who had to help Joshua choose shoes.I require shoes to ensure I can effectively run down the targets I am paid to assassinate in my spare time. I require the best value for my money. I am size eleven
Sally Thorne (The Hating Game)
War is the statesman's game, the priest's delight, the lawyer's jest, the hired assassin's trade.
Percy Bysshe Shelley
I intercepted Chaol, and he informed me of your ‘condition.’ You’d think a man in his position wouldn’t be so squeamish, especially after examining all of those corpses.” Calaena opened an eye and frowned as Dorian sat on her bed. “I’m in a state of absolute agony and I can’t be bothered.” “It can’t be that bad,” he said, fishing a deck of cards from his jacket. “Want to play?” “I already told you that I don’t feel well.” “You look fine to me.” He skillfully shuffled the deck. “Just one game.” “Don’t you pay people to entertain you?” He glowered, breaking the deck. “You should be honored by my company.” “I’d be honored if you would leave.” “For someone who relies on my good graces, you’re very bold.” “Bold? I’ve barely begun.” Lying on her side, she curled her knees to her chest. He laughed, pocketing the deck of cards. “Your new canine companion is doing well, if you wish to know.” She moaned into her pillow. “Go away. I feel like dying.” “No fair maiden should die alone,” he said, putting a hand on hers. “Shall I read to you in your final moments? What story would you like?” She snatched her hand back. “How about the story of the idiotic prince who won’t leave the assassin alone?” “Oh! I love that story! It has such a happy ending, too—why, the assassin was really feigning her illness in order to get the prince’s attention! Who would have guessed it? Such a clever girl. And the bedroom scene is so lovely—it’s worth reading through all of their ceaseless banter!” “Out! Out! Out! Leave me be and go womanize someone else!” She grabbed a book and chucked it at him.
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
The assassin pivoted around the table and took aim again. She missed. Gritting her teeth, she considered snapping the cue in half across her knee. But she’d been attempting to play for only an hour. She’d be incredible by midnight! She’d master this ridiculous game or she’d turn the table into firewood. And use it to burn Cain alive.
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
When I was a young man, I had liberty, but I did not see it. I had time, but I did not know it. And I had love, but I did not feel it. Many decades would pass before I understood the meaning of all three. And now, the twilight of my life, this understanding has passed into contentment. Love, liberty, and time: once so disposable, are the fuels that drive me forward. And love, most especially, mio caro. For you, our children, our brothers and sisters. And for the vast and wonderful world that gave us life, and keeps us guessing. Endless affection, mia Sofia. Forever yours, Ezio Auditore.
Ezio Auditore da Firenze
there is no sense in trying to play that game with the past. Here is where we are today, and we can only make our moves from here.
Robin Hobb (Assassin's Quest (Farseer Trilogy, #3))
This, more than anything else, is what I have never understood about your people. You can roll dice, and understand that the whole game may hinge on one turn of a die. You deal out cards, and say that all a man's fortune for the night may turn upon one hand. But a man's whole life, you sniff at, and say, what, this naught of a human, this fisherman, this carpenter, this thief, this cook, why, what can they do in the great wide world? And so you putter and sputter your lives away, like candles burning in a draft.
Robin Hobb
Information was like an aphrodisiac to Finn. Uncovering people's secrets an amusing game.
Jennifer Estep (Spider's Bite (Elemental Assassin, #1))
No one becomes a bestseller by tossing every other potential blockbuster on a bonfire and assassinating other authors.
Damon Suede (Your A Game: winning promo for genre fiction)
Then I'd be dead," I pointed out. "Among other things. Fool, there is no sense in trying to play that game with the past. Here is where we are today, and we can only make our moves from here.
Robin Hobb (Assassin's Quest (Farseer Trilogy, #3))
The world doesn't need to be fixed,it only needs to be balanced.And the art of balance demands you tread lightly,not leap ahead in a continual frenzy.The art of balance demands you know your designated role in the game of life,not start muscling in on everyone else's.The art of balance demands knowledge of timelessness,of birth and death and rebirth.The art of balance demands you know the world cannot be fixed it must be endured. It must simply forever be kept in a splendid play.
Tarun J. Tejpal (Histoire de mes assassins)
Take me with you?" she asked, reaching for is arm. He looked back at were the four women stood watching them and shook his head. "I've seen Piper ruin a whole gaming area, Harper scares me, Elli is my boss, and I want your mom to like me...Sorry babe, you're on your own.
Toni Aleo (Breaking Away (Nashville Assassins, #1))
The partition window opened. Panic flooded through him and he twisted in his seat to see Kooi’s wife. She had a gun, pointed through the little window and at his head. ‘We can talk about this,’ Leeson said, swallowing. ‘I can make you a very wealthy woman.’ She said, ‘Put your hands over your ears, Peter, and close your eyes.
Tom Wood (The Game (Victor the Assassin, #3))
Either scenario has the same end game. He's a dead man.
Tricia Skinner (Angel Kin (Angel Assassins, #2))
Never doubt that a small group of thoughtful, committed, citizens can change the world. Indeed, it is the only thing that ever has. —Margaret Mead, anthropologist
Dave Grossman (Assassination Generation: Video Games, Aggression, and the Psychology of Killing)
Standing there at Powell’s grave, telling my nephew about a buried skull, I realize how much of our relationship revolves around body parts and severed heads. Once Owen learned to walk, we started playing a game I call Frankenstein, in which I am Frankenstein’s monster and I chase him around trying to harvest his organs and appendages because my master is building another boy. “Frankenstein needs your spleen,” I yell, aping the voice of an announcer at a monster truck rally. “Give me your spleen!” Which is why the seemingly gross book I gave him for his birthday, a collection of poetry for children called The Blood-Hungry Spleen was actually a sentimental choice, even though my sister tells me it didn’t go over so well when he brought it to preschool.
Sarah Vowell (Assassination Vacation)
I could indulge here in a little idle generalization, could lay off my own state of profound emotional shock on the larger cultural breakdown, could talk fast about convulsions in the society and alienation and anomie and maybe even assassination, but that would just be one more stylish shell game. I am not a society in microcosm. I am a thirty-four-year old woman with long straight hair and an old bikini bathing suit and bad nerves sitting on an island in the middle of the Pacific waiting for a tidal wave that will not come.
Joan Didion (The White Album)
Techniques of escape depend on attaining the unbelief of assassin-magician Hassan i Sabbah: nothing is true, everything is permitted. Once again, Kaye cautioned that this must be carefully distinguished from ‘postmodern relativism’. Burroughs-Sabbah’s ‘nothing is true’ cannot be equated with postmodernism’s ‘nothing is real’. On the contrary: nothing is true because there is no single, authorized version of reality – instead, there is a superfluity, an excess, of realities. “The Adversary’s game plan is to persuade you that he does not exist” (WL 12).
CCRU (Ccru: Writings 1997-2003)
John of Bavaria, realizing the game was up and his throwing in the priesthood and marrying had just wasted everyone’s time, made Philip the Good his heir. He was shortly thereafter assassinated in The Hague with a poisoned prayer book (yes, really – nothing can beat the fifteenth century).
Simon Winder (Lotharingia: A Personal History of Europe's Lost Country)
You’re stealthier than a cat’s shadow. You can’t possibly expect me to notice you when you’re lurking.” “Perhaps you have not been assiduous enough with your training.” “I can’t believe you’re blaming me for the fact that you’re a chronic eavesdropper.” “What did you expect from an assassin?” he
Lindsay Buroker (Deadly Games (The Emperor's Edge, #3))
Whatever you're thinking of. Just don't. I don't want anything to do with it." "What I was about to say," said Miles, giving him an extremely dry look, "was that we, being on the side of truth and justice, need not stoop to such chicanery as, say, bribery, assassination or milder forms of physical diversion, or—heh!—blackmail. ... "If we're not stooping, what do you call that shell game with the Vortugalovs and the uterine replicator?" Ivan demanded indignantly. "A piece of wholly unexpected good fortune. None of us here had anything to do with it," Miles replied tranquilly. "So it's not a dirty trick if it's untraceable?" "Correct, Ivan. You learn fast.
Lois McMaster Bujold (A Civil Campaign (Vorkosigan Saga, #12))
In individuals, as in society, high culture, sensibility and intelligence can, at times, coexist with the fanaticism of the torturer and the assassin. In the civilization of the spectacle, intellectuals are of interest only if they play the fashion game and become clowns. When religion and the state become confused, freedom irremediably disappears.
Mario Vargas Llosa (NOTES ON THE DEATH OF CULTURE)
He pleasures his body with drugs and deadens his soul with his savage amusements. Aye, and spreads the disease to those around him, until they take no satisfaction in a contest of skill that draws no blood, until games are only amusing if lives are wagered on the outcome. The very coinage of life becomes debased. Slavery spreads, for if it is accepted to take a man’s life for amusement, then how much wiser to take it for profit?
Robin Hobb (Assassin's Quest (Farseer Trilogy, #3))
You can roll dice, and understand that the whole game may hinge on one turn of a die. You deal out cards, and say that all a man’s fortune for the night may turn upon one hand. But a man’s whole life, you sniff at, and say, what, this nought of a human, this fisherman, this carpenter, this thief, this cook, why, what can they do in the great wide world? And so you putter and sputter your lives away, like candles burning in a draught.
Robin Hobb (Royal Assassin (Farseer Trilogy, #2))
Gods,” Locke muttered. “We should be back in our beds, sleeping the day away. Have we ever been less in control of our lives than we are at this moment? We can’t run away from the archon and his poison, which means we can’t just disengage from the Sinspire game. Gods know we can’t even see the Bondsmagi lurking, and we’ve suddenly got assassins coming out of our assholes. Know something? I’d lay even odds that between the people following us and the people hunting us, we’ve become this city’s principal means of employment. Tal Verrar’s entire economy is now based on fucking with us.” It
Scott Lynch (Red Seas Under Red Skies (Gentleman Bastard, #2))
The guard locks the gates of the turbeh, letting the heavy sound of the lock fall into the dark interior, as though leaving the name of the key inside. Dispirited, like me, he sits down on the stone beside me and closes his eyes. Just when I think he has dozed off in his part of the shade, the guard lifts his hand and points to a moth fluttering above the entrance to the tomb, having come out of our clothes or the Persian carpets in the turbeh. "You see," he says to me casually, "the moth is way up there by the white wall of the doorway, and it is visible only because it moves. From here it almost looks like a bird in the sky. That's probably how the moth sees the wall, and only we know it is wrong. But it doesn't know that we know. It doesn't even know we exist. You try to communicate with it if you can. Can you tell it anything in a way it understands; can you be sure it understood you completely?" "I don't know," I replied. "Can You?" "Yes," the old man said quietly, and with a clap of his hands he killed the moth, then profered its crushed body on the palm of his hand. "Do you think it didn't understand what I told it?" "You can do the same thing with a candle, extinguish it with your two fingers to prove you exist," I commented. "Certainly, if a candle is capable of dying... Now, imagine," he went on, "that there is somebody who knows about us what we know about the moth. Somebody who knows how, with what, and why this space that we call the sky and assume to be boundless, is bounded-- somebody who cannot approach us to let us know that he exists except in one way-- by killing us. Somebody, on whose garments we are nourished, somebody who carries our death in his hand like a tongue, as a means of communicating with us. By killing us, this anonymous being informs us about himself. And we, through our deaths, which may be no more than a warning to some wayfarer sitting alongside the assassin, we, I say, can at the last moment perceive, as through an opened door, new fields and other boundaries. This sixth and highest degree of deathly fear (where there is no memory) is what holds and links us anonymous participants in the game. The hierarchy of death is, in fact, the only thing that makes possible a system of contacts between the various levels of reality in an otherwise vast space where deaths endlessly repeat themselves like echoes within echoes...
Milorad Pavić
If this were a game, like the countless stupid things I’ve played over the years, I’d be heading down there to pick off the guards one by one and free them. Then we’d take back the colony and put an end to this terror. But I don’t have the skills or the weapons that my character would have. There aren’t handy weapon caches stored in secret places that I can raid to arm myself and my fellows. None of the games I’ve ever played have built in total failure from the start. I wouldn’t have the first idea of how to tackle one of the guards and take their weapon. There’s no engine to interpret my clumsy actions and translate them into flawless silent assassinations. There is no heroism in me without the supporting game narrative.
Emma Newman (Planetfall (Planetfall, #1))
A Märklin rifle,’ Harry said, ‘is a German semiautomatic hunting rifle which uses 16 mm bullets, bigger than those of any other rifle. It is intended for use on big game hunts, such as for water buffalo or elephants. The first rifle was made in 1970, but only three hundred were made before the German authorities banned the sale of the weapon in 1973. The reason was that the rifle is, with a couple of simple adjustments and Märklin telescopic sights, the ultimate professional murder weapon, and it had already become the world’s most sought after assassination weapon by 1973. Of the three hundred rifles at least one hundred fell into the hands of contract killers and terrorist organisations like Baader Meinhof and the Red Brigade.
Jo Nesbø (The Redbreast (Oslo Sequence 1))
Mr. Sturgess ran the classes with iron, ex-military discipline. We each had spots on the floor, denoting where we should stand rigidly to attention, awaiting our next task. And he pushed us hard. It felt like Mr. Sturgess had forgotten that we were only age six--but as kids, we loved it. It made us feel special. We would line up in rows beneath a metal bar, some seven feet off the ground, then one by one we would say: “Up, please, Mr. Sturgess,” and he would lift us up and leave us hanging, as he continued down the line. The rules were simple: you were not allowed to ask permission to drop off until the whole row was up and hanging, like dead pheasants in a game larder. And even then you had to request: “Down, please, Mr. Sturgess.” If you buckled and dropped off prematurely, you were sent back in shame to your spot. I found I loved these sessions and took great pride in determining to be the last man hanging. Mum would say that she couldn’t bear to watch as my little skinny body hung there, my face purple and contorted in blind determination to stick it out until the bitter end. One by one the other boys would drop off the bar, and I would be left hanging there, battling to endure until the point where even Mr. Sturgess would decide it was time to call it. I would then scuttle back to my mark, grinning from ear to ear. “Down, please, Mr. Sturgess,” became a family phrase for us, as an example of hard physical exercise, strict discipline, and foolhardy determination. All of which would serve me well in later military days. So my training was pretty well rounded. Climbing. Hanging. Escaping. I loved them all. Mum, still to this day, says that growing up I seemed destined to be a mix of Robin Hood, Harry Houdini, John the Baptist, and an assassin. I took it as a great compliment.
Bear Grylls (Mud, Sweat and Tears)
important public place in all of Israel. There couldn’t be any higher stakes in the honor game. The second point Matthew makes is at the end of the conflict story: “No one could say a word in reply, and from that day on no one dared to ask him any more questions” (Mt 22:46). Jesus won. The leaders then decide to kill Jesus. Honor is at stake here. They cannot just go down to the assassin’s booth at the market. Sticking a knife in Jesus in some Jerusalem alley would make him a martyr. They need to publicly disgrace Jesus in order to get their honor back. They need him executed as a criminal. This honor stuff is pretty serious. Some Middle Easterners still kill over honor.[19] It is within this context that we must understand the fact that Jesus encouraged his disciples to be humble: “When someone invites you to a wedding feast, do not take the place of honor” (Lk 14:8). If you are not humble, you could suffer a terrible fate: “for
E. Randolph Richards (Misreading Scripture with Western Eyes: Removing Cultural Blinders to Better Understand the Bible)
He made a motion that dismissed me. And I rose, but as I did so I took from his tray a little silver knife, all engraved, that he had been using to cut fruit with. I looked him in the eyes as I did so, and quite openly slipped it up my sleeve. King Shrewd's eyes widened, but he said not a word. Two nights later, when Chade summoned me, our lessons resumed as if there had never been a pause. He talked, I listened, I played his stone game and never made an error. He gave me an assignment, and we made small jokes together. He showed me how Slink the weasel would dance for a sausage. All was well between us again. But before I left his chambers that night, I walked to his hearth. Without a word, I placed the knife on the center of his mantel shelf. Actually, I drove it, blade first, into the wood of the shelf. Then I left without speaking of it or meeting his eyes. In fact, we never spoke of it. I believe that the knife is still there. ... I sat still until I began to wonder if I would do it. Then I lifted my eyes to a silver fruit knife driven deep into Chade's mantelpiece, and I thought I knew the answer.
Robin Hobb (Assassin's Apprentice (Farseer Trilogy, #1))
N.E.W.T. Level Questions 281-300: What house at Hogwarts did Moaning Myrtle belong to? Which dragon did Viktor Krum face in the first task of the Tri-Wizard tournament? Luna Lovegood believes in the existence of which invisible creatures that fly in through someone’s ears and cause temporary confusion? What are the names of the three Peverell brothers from the tale of the Deathly Hallows? Name the Hogwarts school motto and its meaning in English? Who is Arnold? What’s the address of Weasley’s Wizarding Wheezes? During Quidditch try-outs, who did Ron beat to become Gryffindor’s keeper? Who was the owner of the flying motorbike that Hagrid borrows to bring baby Harry to his aunt and uncle’s house? During the intense encounter with the troll in the female bathroom, what spell did Ron use to save Hermione? Which wizard, who is the head of the Department for the Regulation and Control of Magical Creatures at the Ministry of Magic lost his son in 1995? When Harry, Ron and Hermione apparate away from Bill and Fleur’s wedding, where do they end up? Name the spell that freezes or petrifies the body of the victim? What piece did Hermione replace in the game of Giant Chess? What bridge did Fenrir Greyback and a small group of Death Eaters destroy in London? Who replaced Minerva McGonagall as the new Deputy Headmistress, and became the new Muggle Studies teacher at Hogwarts? Where do Bill and Fleur Weasley live? What epitaph did Harry carve onto Dobby’s grave using Malfoy’s old wand? The opal neckless is a cursed Dark Object, supposedly it has taken the lives of nineteen different muggles. But who did it curse instead after a failed attempt by Malfoy to assassinate Dumbledore? Who sends Harry his letter of expulsion from Hogwarts for violating the law by performing magic in front of a muggle? FIND THE ANSWERS ON THE NEXT PAGE! N.E.W.T. Level Answers 281-300 Ravenclaw. Myrtle attended Hogwarts from 1940-1943. Chinese Firebolt. Wrackspurts. Antioch, Cadmus and Ignotus. “Draco dormiens nunquam titillandus” and “Never tickle a sleeping dragon.” Arnold was Ginny’s purple Pygmy Puff, or tiny Puffskein, bred by Fred and George. Number 93, Diagon Alley. Cormac McLaggen. Sirius Black. “Wingardium Leviosa”. Amos Diggory. Tottenham Court Road in London. “Petrificus Totalus”. Rook on R8. The Millenium Bridge. Alecto Carrow. Shell Cottage, Tinworth, Cornwall. “HERE LIES DOBBY, A FREE ELF.” Katie Bell. Malfalda Hopkirk, the witch responsible for the Improper use of Magic Office.
Sebastian Carpenter (A Harry Potter Quiz for Muggles: Bonus Spells, Facts & Trivia (Wizard Training Handbook (Unofficial) 1))
Come to my house right now, and I’ll let you sneak up to my room. I’ll be a sitting duck for you if it means I can see you again.” “No.” “No?” “No, I don’t want to win like that. When I get your name, I want to have the satisfaction of knowing I beat you fair and square. My first ever Assassins win can’t be tainted.” I pause. “And besides, your house is a safe zone.” Peter lets out an aggravated sigh. “Are you at least coming to my lacrosse game on Friday?” His lacrosse game! That’s the perfect place to take him out. I try to keep my voice calm and even as I say, “I can’t come. My dad has a date, and he needs me to watch Kitty.” A lie, but Peter doesn’t know that. “Well, can’t you bring her? She’s been asking to go to one of my games.” I think fast. “No, because she has a piano lesson after school.” “Since when does Kitty play the piano?” “Recently, in fact. She heard from our neighbor that it helps with training puppies; it calms them down.” I bite my lip. Will he buy it? I hurry to add, “I promise I’ll be at the next game no matter what.” Peter groans, this time even louder. “You’re killing me, Covey.” Soon, my dear Peter. I will surprise him at the game; I’ll get all decked out in our school colors; I’ll even paint his jersey number on my face. He’ll be so happy to see me, he won’t suspect a thing!
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
I want to say something here, a lot of times, each of us may have been guilty of labeling someone materialistic because they have a high standard or expectation from those they want to relate with or deal with. In our minds, we are pissed off. How can they elevate the standards so high, so high that we are excluded, it must be selfish of them and in fact wicked. They are saying that we are not fit to be their friends, etc, etc. We spend so much energy trying to analyse and sometimes even dare to dictate to others what standards they should keep and maintain so we can fit in, I think with respect, it is a flawed way of thinking about the situation. It is a manner of thinking about the situation that may never solve of problems, our inadequacy. The government may set standards and regulations about how we ought t conduct our affairs in the public, but it will hardly, rarely and barely concern itself with the regulation of personal and private life, except those private actions that have or bring about public consequences. As such, each one of us has the power to make Rules and Regulations for the Admission of Persons into our lives, it is not in your capacity to cry when someone chooses to set his as high as the Eiffel tower Finally, instead of dying of envy, jealousy or resulting in character assassination, what you may do is spend time climbing the ladder of life, that you may become relevant to those you wish to dine and wine with. This is the hard part and most of us will rather squirm and cry-fowl. The rules of the game was set by nature, quitting, is a choice too.
Magnus Nwagu Amudi
On the phone a few nights later, Peter suddenly says, “You have me, don’t you?” “No!” I haven’t told him I took out John over the weekend. I don’t want him--or Genevieve, for that matter--to have any extra info. It’s down to the three of us now. “So you do have me!” He lets out a groan. “I don’t want to play this game anymore. It’s making me lonely and really…frustrated. I haven’t seen you outside of school for a week! When is this going to be over?” “Peter, I don’t have you. I have John.” I feel a little guilty for lying, but this is how winners play this game. You can’t second-guess yourself. There’s a silence on the other end. Then he says, “So are you going to drive over to his house to tag him out? He lives in the middle of nowhere. I could take you if you want.” “I haven’t figured out my game plan yet,” I say. “Who do you have?” I know it has to be me or Genevieve. He gets quiet. “I’m not saying.” “Well, have you told anyone else?” Like, say, Genevieve? “No.” Hmm. “Okay, well, I just told you, so you obviously owe me that same courtesy.” Peter bursts out, “I didn’t make you, you offered up that information yourself, and look, if it was a lie and you have me, please just freaking take me out already! I’m begging you. Come to my house right now, and I’ll let you sneak up to my room. I’ll be a sitting duck for you if it means I can see you again.” “No.” “No?” “No, I don’t want to win like that. When I get your name, I want to have the satisfaction of knowing I beat you fair and square. My first ever Assassins win can’t be tainted.” I pause. “And besides, your house is a safe zone.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Story time. In September of 1869, there was a terrible fire at the Avondale coal mine near Plymouth, Pennsylvania. Over 100 coal miners lost their lives. Horrific conditions and safety standards were blamed for the disaster. It wasn’t the first accident. Hundreds of miners died in these mines every year. And those that didn’t, lived in squalor. Children as young as eight worked day in and out. They broke their bodies and gave their lives for nothing but scraps. That day of the fire, as thousands of workers and family members gathered outside the mine to watch the bodies of their friends and loved ones brought to the surface, a man named John Siney stood atop one of the carts and shouted to the crowd: Men, if you must die with your boots on, die for your families, your homes, your country, but do not longer consent to die, like rats in a trap, for those who have no more interest in you than in the pick you dig with. That day, thousands of coal miners came together to unionize. That organization, the Workingmen’s Benevolent Association, managed to fight, for a few years at least, to raise safety standards for the mines by calling strikes and attempting to force safety legislation. ... Until 1875, when the union was obliterated by the mine owners. Why was the union broken so easily? Because they were out in the open. They were playing by the rules. How can you win a deliberately unfair game when the rules are written by your opponent? The answer is you can’t. You will never win. Not as long as you follow their arbitrary guidelines. This is a new lesson to me. She’s been teaching me so many things, about who I am. About what I am. What I really am. About what must be done. Anyway, during this same time, it is alleged a separate, more militant group of individuals had formed in secret. The Molly Maguires. Named after a widow in Ireland who fought against predatory landlords, the coal workers of Pennsylvania became something a little more proactive, supposedly assassinating over two dozen coal mine supervisors and managers. ... Until Pinkerton agents, hired by the same mine owners, infiltrated the group and discovered their identities. Several of the alleged Mollies ended up publicly hanged. Others disappeared. You get the picture. So, that’s another type of secret society. The yeah-we’re-terrorists-but-we-strongly-feel-we’re-justified-and-fuck-you-if-you-don’t-agree society. So, what’s the moral of this little history lesson? This sort of thing happens all day, every day across the universe. It happens in Big Ways, and it happens in little ways, too. The strong stomp on the weak. The weak fight back, usually within the boundaries of the rat trap they find themselves confined. They almost always remain firmly stomped. But sometimes, the weak gather in secret. They make plans. They work outside the system to effect change. Like the Mollies, they usually end up just as stomped as everyone else. But that’s just life. At least they fucking tried. They died with their boots on, as much as I hate that expression. They died with their boots on for their people, their family, not for some rich, nameless organization that gives no shits whether they live or die. Or go extinct. Or are trapped for a millennia after they’re done being used. In my opinion, that’s the only type of society that’s worth joining, worth fighting for. Sure, you’re probably gonna die. But if you find yourself in such a position where such an organization is necessary, what do you have to lose? How can you look at yourself if you don’t do everything you can? And that brings us to the door you’re standing in front of right now. What does all this have to do with what you’re going to find on the other side? Nothing!
Matt Dinniman (The Eye of the Bedlam Bride (Dungeon Crawler Carl, #6))
It was discussed and decided that fear would be perpetuated globally in order that focus would stay on the negative rather than allow for soul expression to positively emerge. As people became more fearful and compliant, capacity for free thought and soul expression would diminish. There is a distinct inability to exert soul expression under mind control, and evolution of the human spirit would diminish along with freedom of thought when bombarded with constant negative terrors. Whether Bush and Cheney deliberately planned to raise a collective fear over collective conscious love is doubtful. They did not think, speak, or act in those terms. Instead, they knew that information control gave them power over people, and they were hell-bent to perpetuate it at all costs. Cheney, Bush, and other global elite ushering in the New World Order totally believed in the plan mapped out by artificial intelligence. They were allowing technology to dictate global control. “Life is like a video game,” Bush once told me at the rural multi-million dollar Lampe, Missouri CIA mind control training camp complex designed for Black Ops Special Forces where torture and virtual reality technologies were used. “Since I have access to the technological source of the plans, I dictate the rules of the game.” The rules of the game demanded instantaneous response with no time to consciously think and critically analyze. Constant conscious disruption of thought through television’s burst of light flashes, harmonics, and subconscious subliminals diminished continuity of conscious thought anyway, creating a deficit of attention that could easily be refocused into video game format. DARPA’s artificial intelligence was reliant on secrecy, and a terrifying cover for reality was chosen to divert people from the simple truth. Since people perceive aliens as being physical like them, it was decided that the technological reality could be disguised according to preconceptions. Through generations of genetic encoding dating back to the beginning of man, serpents incite an innate autogenic response system in humans to “freeze” in terror. George Bush was excited at the prospects of diverting people from truth by fear through perpetuating lizard-like serpent alien misconceptions. “People fear what they don’t know anyway. By compounding that fear with autogenic fear response, they won’t want to look into Pandora’s Box.” Through deliberate generation of fear; suppression of facts under the 1947 National Security Act; Bush’s stint as CIA director during Ford’s Administration; the Warren Commission’s whitewash of the Kennedy Assassination; secrecy artificially ensured by mind control particularly concerning DARPA, HAARP, Roswell, Montauk, etc; and with people’s fluidity of conscious thought rapidly diminishing; the secret government embraced the proverbial ‘absolute power that corrupts absolutely.’ According to New World Order plans being discussed at the Grove, plans for reducing the earth’s population was a high priority. Mass genocide of so-called “undesirables” through the proliferation of AIDS4 was high on Bush’s agenda. “We’ll annihilate the niggers at their source, beginning in South and East Africa and Haiti5.” Having heard Bush say those words is by far one of the most torturous things I ever endured. Equally as torturous to my being were the discussions on genetic engineering, human cloning, and depletion of earth’s natural resources for profit. Cheney remarked that no one would be able to think to stop technology’s plan. “I’ll destroy the planet first,” Bush had vowed.
Cathy O'Brien (ACCESS DENIED For Reasons Of National Security: Documented Journey From CIA Mind Control Slave To U.S. Government Whistleblower)
plumbing as toilets were
Ward Larsen (Assassin's Game (David Slaton #2))
In reality, he was in an
H. Terrell Griffin (The Assassin's Game)
War is the statesman’s game, the priest’s delight, The lawyer’s jest, the hired assassin’s trade.’ She
John Gardner (The Secret Generations (The Secret Trilogy Book 1))
This, more than anything else, is what I have never understood about your people. You can roll dice, and understand that the whole game may hinge on one turn of a die. You deal out cards, and say that all a man’s fortune for the night may turn upon one hand. But a man’s whole life, you sniff at, and say, what, this naught of a human, this fisherman, this carpenter, this thief, this cook, why, what can they do in the great wide world? And so you putter and sputter your lives away, like candles burning in a draft.
Robin Hobb (Royal Assassin (Farseer Trilogy, #2))
In terms of game theory, the opposite of a failed tactic is not necessarily success.
Robert Ferrigno (Sins of the Assassin (Assassin Trilogy, #2))
God didn't play games. He wasn't a co-conspirator. God either hit you hard and fast, and that was that, or he sat back and watched things spool out, laughing all the way out.
Robert Ferrigno (Heart of the Assassin (Assassin Trilogy, #3))
bed, the Glock near his right hand, safety off.
Ward Larsen (Assassin's Game (David Slaton #2))
For thirty-five years Sanderson had watched policemen near the end of their careers, and he knew there were two distinct leanings. Most pulled back and coasted onto the off-ramp of retirement. They put checkmarks in boxes and answered phones when it suited them, showed up at the station a few minutes later each morning. When the halfhearted party finally came, with its backslapping and cake and embarrassing gifts, it was no more than a ripple, quickly lost in the ongoing storm of day-to-day operations. But there was a second path. Men and women who went out on less subdued terms, the results either noble or ruinous, but always spectacular.
Ward Larsen (Assassin's Game (David Slaton #2))
Ms. Russell,” said Dawna delicately, “I am not sure you are fully aware of Mr. Sonrio’s skills. His ability to be effective—it borders on the unrealistic. He has destroyed entire governments. Lev- eled armies. Found and obliterated terrorist cells the intelligence agencies of several continents were chasing their tails trying to pursue. He has altered the course of nations. A lone man.” Her voice was calm, factual, and very serious. Huh. So that was what Rio did in his spare time. I’d had no idea he was that impressive. I’m not going to lie: I was jealous.
S.L. Huang (Zero Sum Game (Cas Russell, #1))
Assassin Experts in the rapid elimination of a single target. They gain access to a wide variety of abilities that increase their effectiveness with stealth, poisons and critical hits.
Cube Kid (Wimpy Villager 16.5: The Ebook: The Movie: The Game: The Submarine: The Schoolbus: The Just Kidding It's Actually An Ebook)
He remembered tracking an Israeli assassin across Sweden to the village of Oxelösund, followed by a harrowing passage in Janna Magnussen’s crate of an airplane. Stepping onto the dock in Sassnitz, Germany, and then … and then nothing. Sanderson couldn’t recall anything more, not even how he’d ended up in this room.
Ward Larsen (Assassin's Game (David Slaton #2))
Caitlin Macguire was one of the best snipers he’d ever encountered. A veteran of the Ulster Volunteer Force in Northern Ireland, she’d been responsible for assassinating half a dozen IRA members before she’d turned thirty, plus one of her own men suspected of turning traitor. The Troubles might have simmered down since then, but Faulkner had found use for her. Time and again she had proven herself a ruthless and efficient killer, and she was sitting on a rooftop with a silenced sniper rifle barely two hundred yards away. ‘If I had, do you not think I’d take it?’ It took a brave man indeed to interrupt her during her work. ‘Little bastard’s dug in tight, so he is
Will Jordan (Deception Game (Ryan Drake #5))
Victor examined it while the driver wheezed and choked. It was a small Cold War era Soviet pistol. A Makarov. Outdated, inaccurate, but still deadly in the right hands. The gun bore none of the marks or scratches of a long life of use. He released the magazine and checked the load. It was filled with eight 9x18 mm copper-cased rounds. The chamber was empty and the safety was on. It was a backup weapon — for protection, not aggressive use. The woman made a continuous coughing, spluttering noise as she struggled and suffocated.
Tom Wood (The Game (Victor the Assassin, #3))
He had one leg crossed over the other and sat with both hands resting casually in his lap. He wore a three-piece suit, silvery grey in colour, with the jacket open to reveal the waistcoat and a striped red and white dress shirt underneath. His tie was ruby red and affixed to the shirt by a gold tie bar shaped like a pirate’s cutlass. His shoes were brown tasselled loafers with the toes polished to a mirror sheen. Light brown hair was swept back from a face that was far more youthful than Victor had expected. He looked no older than twenty-eight or nine.
Tom Wood (The Game (Victor the Assassin, #3))
No exterior sounds were audible to dilute the glorious music that emanated from the Rolls-Royce’s top of the range sound system. The London Philharmonic Orchestra Choir were performing a stirring rendition of Thomas Tallis’s Gaude gloriosa Dei Mater. Leeson sipped twenty-four-year-old single malt and sang along in Latin. As the anthem finished he dabbed his watery eyes with an Egyptian cotton handkerchief and thumbed a button on the console to mute the speakers before he was enraptured by more beauteous sound. Tallis made Mozart and Beethoven seem like amateurs.
Tom Wood (The Game (Victor the Assassin, #3))
Alan Beaumont stepped through the automatic door of his office building and down the broad steps to the pavement. The sky above DC was a monochrome of grey cloud. A light rain fell, but a few drops of water were not going to bother him. Damp clothes? Whatever. Messed-up hair? He had no hair to ruin. That was long gone. Nothing had helped retain those once-magnificent curls. Not pills. Not potions. Nada. He used a thumb and middle finger to snap open his Zippo lighter and lit the cigarette perched between his lips. Smoking was perhaps the only real pleasure he had. He watched the downtown traffic and the pedestrians pass by, all miserable. Good. He didn’t like anyone to be happy but himself. It wasn’t pure selfishness. Joy was a zero sum game. There just wasn’t enough to go around.
Tom Wood (The Darkest Day (Victor the Assassin, #5))
Some people loathe the act of killing a person at first, but as they continue to do it, it can feel like a game. They can begin to feel superior, like the winner of the game. But, if the reaper has to save a life for every life they take, it keeps them humble. It’s a matter of subservience so the reaper doesn’t begin to think of himself stronger than he is.
Pauline Creeden
The second game, it doesn’t have an official title, but it revolves around power: trying to obtain it, attempting to increase it, or, if you enjoy playing the first game, trying to lose it.
Justin DePaoli (An Assassin's Blade: the Complete Trilogy (An Assassin's Blade #1-3))
outside your little hidey hole in Miami.” “OK, what do you want?” “We’re trying to track down a guy, a foreign national, on American soil. We believe New York.” “Face recognition should’ve picked him up if you have him on file.” “I would’ve thought so . . . but it hasn’t.” “Why is that?” “This man is an assassin. And we believe he’s about to carry out a terrorist attack. Maybe a hit. We don’t know.” “And you’ve used all face-recognition technology at your disposal?” Reznick turned and looked at O’Donoghue, who nodded. “Yes, we have.” “Then you got a problem.” “That’s why I’m calling. Can you help me or not?” There was a silence, as if the hacker was considering what he was about to say. “I might.” Reznick felt exasperation. “Look, I haven’t got time to play games, my friend.” “I’m working on some software. I hope to patent it later this year, once I’ve tested it more extensively. This is my intellectual property, so I’m reluctant to give out the details.” “What exactly does this software do?” “It recognizes people through how they walk. Their gait. And it’s phenomenally accurate.” “We’ve got footage of the guy we’re looking for walking in Tijuana.” “Send it to me.” “This is real classified stuff, my friend.” “I’m former NSA, cleared at the highest level. I know all about what you’re talking about.” “Where will we send the clip?” The hacker gave a ProtonMail address. “Swiss-based, encrypted, right?” “Exactly, Reznick. Why I use it.” O’Donoghue keyed in the email address and sent the covert footage of Andrej Dragović with Dimitri Merkov in Tijuana. A few moments later, the hacker spoke. “Which
J.B. Turner (Hard Way (Jon Reznick, #4))
My son really wanted the new Assassin’s Creed game,
L.J. Shen (Bad Cruz)
I tell you again, I had no part in the attempt to kill your son.” “The assassin was armed with your dagger.” Tyrion felt the heat rise in him. “It was not my dagger,” he insisted. “How many times must I swear to that? Lady Stark, whatever you may believe of me, I am not a stupid man. Only a fool would arm a common footpad with his own blade.” Just for a moment, he thought he saw a flicker of doubt in her eyes, but what she said was, “Why would Petyr lie to me?” “Why does a bear shit in the woods?” he demanded. “Because it is his nature. Lying comes as easily as breathing to a man like Littlefinger. You ought to know that, you of all people.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
While there was a general consensus that I was now America’s public enemy number one, there was considerable debate about who I was working for. Each channel had a coterie of experts discussing this, and every last one of them had a different conclusion, all of which were wrong. Within fifteen minutes, I was accused of being connected to six different extremist terrorist groups, twelve hostile foreign governments, and three crackpot conspiracy theories, one of which involved the CIA, the FBI, the NSA, and NASA. Even the “experts” who suspected I was acting alone couldn’t agree on why. My attempted assassination was blamed on everything from video games to Facebook to a misguided crush on the president’s daughter.
Stuart Gibbs (Spy School Secret Service)
Next time you dream about the dead, ask them questions! Who was behind JFK’s assassination? What’s in Area 51? Does God hear NFL players praying before games? If so, does he have a favorite, because it seems to me the Patriots have some sort of upper hand.
Wendy Webb (The Haunting of Brynn Wilder)
In 1978, after NFL safety Jack Tatum (“The Assassin”) delivered a hit that paralyzed his opponent Darryl Stingley from the chest down, the chairman of the NFL Competition Committee responded that “no one liked the assassination of President Kennedy, but the world had to go on.
Kathleen Bachynski (No Game for Boys to Play: The History of Youth Football and the Origins of a Public Health Crisis (Studies in Social Medicine))
Chapter 7:Methods of Madness If it is possible to do it, and it will further their death grip over the world, the proponents of the New World Order have no reservations about poisoning us, brainwashing us, intimidating us, giving us a subpar education, falsely imprisoning us, and finally assassinating us if all else fails to bring the United States crashing down and its citizens under one world government compliance. Nearly every major think tank you can research is actively involved in bringing about ways to further the Great Plan agenda. Finding ways to dumb us down, tranquilize us, amuse us, confuse us, poison us, distract us, etc. ad nauseum is the name of the game, and we’re going to go over many of the ways they influence us to keep us from discovering the truth of what is happening and then acting upon it.
J. Micha-el Thomas Hays (Rise of the New World Order: The Culling of Man)
You are not a prince, you are an assassin. You are not the player, you are the game-piece. And when you make your own moves, you set every other strategy awry and endanger every piece on the board!
Robin Hobb (Assassin's Quest (Farseer Trilogy, #3))
Wanted's lead was Wesley Gibson, drawn by J.G. Jones to resemble handsome rapper Eminem with an eye on the movie potential, but who stood for every shy, overweight, underweight, misunderstood kid reveling in the power to trash, denigrate, and insult his imagined enemies - who were just about everybody, especially the creators of the comic books, music, games, and movies that brought to these miserable lives the only meaning they would ever know. Geek royalty. Meet the new boss, same as the old boss. Wesley acted out the new porn-fueled fantasies of dumping the fat girlfriend, hooking up with the hot sex-mad assassin chicks, raping pretty newsreaders, and Getting Away with It All. At its best, reminiscent of the cool, amused cruelty of a Joe Orton play, the bludgeoning effect of Wanted's uneasy satire exposed the horrible truth: The fragile, asocial, and different really just wanted to do coke, fuck bimbos, and bully people. The revolution had arrived.
Grant Morrison (Supergods: What Masked Vigilantes, Miraculous Mutants, and a Sun God from Smallville Can Teach Us About Being Human)
You don't get to ask questions,' I said, and he looked up at me, exhaustion and pain lining his face, my blood shining on his lips. Part of me hated the words, for acting like this while he was wounded, but I didn't care. 'You only get to answer them. And nothing more.' Wariness flooded his eyes, but he nodded, biting off another mouthful of the weed and chewing. I stared down at him, the half-Illyrian warrior who was my soul-bonded partner. 'How long have you know that I'm your mate?' Rhys stilled. The entire world stilled. He swallowed. 'Feyre.' 'How long have you know that I'm your mate.' 'You... You ensnared the Suriel?' How he'd pieced it together, I didn't give a shit. 'I said you don't get to ask questions.' I thought something like panic might have flashed over his features. He chewed again on the plant- as if it instantly helped, as if he knew that he wanted to be at his full strength to face this, face me. Colour was already blooming on his cheeks, perhaps from whatever healing was in my blood. 'I suspected for a while,' Rhys said, swallowing once more. 'I knew for certain when Amarantha was killing you. And when we stood on the balcony Under the Mountain- right after we were freed, I felt it snap into place between us. I think when you were Made, it... it heightened the smell of the bond. I looked at you then and the strength of it hit me like a blow.' He'd gone wide-eyed, had stumbled back as if shocked- terrified. And had vanished. That had been over half a year ago. My blood pounded in my ears. 'When were you going to tell me?' 'Feyre.' 'When were you going to tell me?' 'I don't know. I wanted to yesterday. Or whenever you'd noticed that it wasn't just a bargain between us. I hoped you might realise when I took you to bed, and-' 'Do the others know?' 'Amren and Mor do. Azriel and Cassian suspect.' My face burned. They knew- they- 'Why didn't you tell me?' 'You were in love with him; you were going to marry him. And then you... you were enduring everything and it didn't feel right to tell you.' 'I deserved to know.' 'The other night you told me you wanted a distraction, you wanted fun. Not a mating bond. And not to someone like me- a mess.' So the words I'd spat after the Court of Nightmares had haunted him. 'You promised- you promised no secrets, no games. You promised.' Something in my chest was caving in on itself. Some part of me I'd thought long gone. 'I know I did,' Rhys said, the glow returning to his face. 'You think I didn't want to tell you? You think I liked hearing you wanted me only for amusement and release? You think it didn't drive me out of my mind so completely that those bastards shot me out of the sky because I was too busy wondering if I should just tell you, or wait- or maybe take whatever pieces that you offered me and be happy with it? Or that maybe I should let you go so you don't have a lifetime of assassins and High Lords hunting you down for being with me?' 'I don't want to hear this. I don't want to hear you explain how you assumed that you knew best, that I couldn't handle it-' 'I didn't do that-' 'I don't want to hear you tell me that you decided I was to be kept in the dark while you friends knew, while you all decided what was right for me-' 'Feyre-' 'Take me back to the Illyrian camp. Now.' He was panting in great, rattling gulps. 'Please.' But I stormed to him and grabbed his hand. 'Take me back now.' And I saw the pain and sorrow in his eyes. Saw it and didn't care, not as that thing in my chest was twisting and breaking. Not as my heart- my heart- ached, so viciously that I realised it'd somehow been repaired in these past few months. Repaired by him. And now it hurt. Rhys saw all that and more on my face, and I saw nothing but agony in his as he rallied his strength, and, grunting in pain, winnowed us into the Illyrian camp.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
The system worked because felons and misdemeanants plead guilty most of the time and did not file nuisance appeals routinely. The system worked because pre-breakdown jail time was doable. Criminals were pre-psychologized. They accepted authority. They knew they were lowlife scum because they saw it on TV and read it in the papers. They were locked into a rigged game. Authority usually won. They took pleasure in picayune triumphs and reveled in the game’s machinations. The game was insiderism. Insiderism and fatalism were hip. If you stayed shy of the gas chamber, the worst you’d get was penitentiary time. Pre-breakdown joint time was doable. You could drink pruno and fuck sissies in the ass. The system worked because America was yet to buck race riots and assassinations and environmental bullshit and gender confusion and drug proliferation and gun mania and religious psychoses linked to a media implosion and an emerging cult of victimhood—a 25-year transit of divisive bad juju that resulted in a stultifying mass skepticism.
James Ellroy (My Dark Places)
Demonstrating for peace to promote war was nothing new. Totalitarianism always requires a tangible enemy. To the ancient Greeks, a holocaust was simply a burnt sacrifice. Khrushchev wanted to go down in history as the Soviet leader who exported communism to the American continent. In 1959 he was able to install the Castro brothers in Havana and soon my foreign intelligence service became involved in helping Cuba's new communist rulers to export revolution throughout South America. At that point it did not work. In the 1950s and 1960s most Latin Americans were poor, religious peasants who had accepted the status quo. A black version of liberation theology began growing in a few radical-leftist black churches in the US where Marxist thought is predicated on a system pf oppressor class ( white ) versus victim class ( black ) and it sees just one solution: the destruction of the enemy. In the 1950s UNESCO was perceived by many as a platform for communists to attack the West and the KGB used it to place agents around the world. Che Guevara's diaries, with an introduction by Fidel Castro, were produced by the Kremlin's dezinformatsiya machine. Changing minds is what Soviet communism was all about. Khrushchev's political necrophagy ( = blaming and condemning one's predecessor in office. It is a dangerous game. It hurts the country's national pride and it usually turns against its own user ) evolved from the Soviet tradition of sanctifying the supreme ruler. Although the communists publicly proclaimed the decisive role of the people in history, the Kremlin and its KGB believed that only the leader counted. Change the public image of the leader and you change history, I heard over and over from Khrushchev's lips. Khrushchev was certainly the most controversial Soviet to reign in the Kremlin. He unmasked Stalin's crimes, but he made political assassination a main instrument of his own foreign policy; he authored a policy of peaceful coexistence with the West but he pushed the world to the brink of nuclear war; he repaired Moscow's relationships with Yugoslavia's Tito, but he destroyed the unity of the communist world. His close association with Stalin's killings made him aware of what political crime could accomplish and gave him a taste for the simple criminal solution. His total ignorance about the civilized world, together with his irrational hatred of the "bourgeoisie" and his propensity to offend people, made him believe that disinformation and threats were the most efficient and dignified way for a Soviet leader to deal with "bourgeois" governments. As that very clever master of deception Yuri Andropov once told me, if a good piece of disinformation is repeated over and over, after a while it will take on a life of its own and will, all by itself, generate a horde or unwitting but passionate advocates. When I was working for Ceausescu, I always tried to find a way to help him reach a decision on his own, rather than telling him directly what I thought he should do about something. That way both of us were happy. From our KGB advisors, I had learned that the best way to ut over a deception was to let the target see something for himself, with his own eyes. By 1999, President Yeltsin's ill-conceived privatization had enabled a small clique of predatory insiders to plunder Russia's most valuable assets. The corruption generated by this widespread looting penetrated every corner of the country and it eventually created a Mafia-style economic system that threatened the stability of Russia itself. During the old Cold War, the KGB was a state within a state. In Putin's time, the KGB now rechristened FSB, is the state. The Soviet Union had one KGB officer for every 428 citizens. In 2004, Putin's Russia had one FSB officer for every 297 citizens.
Ion Mihai Pacepa (Disinformation)
There is no action that takes place between humans in which secrets do not play a part, whether it be a game of cards or the selling of a cow. The advantage is always to the one who is shrewder in what secret to reveal and when.
Robin Hobb (Assassin's Quest (Farseer Trilogy, #3))
He'd always played a lot of games: baseball, basketball, different card games, war and finance games, horseracing, football, and so on, all on paper of course. Once, he'd got involved in a tabletop war-games club, played by mail, with mutual defense pacts, munition sales, secret agents, and even assassinations, but the inability of the other players to detach themselves from their narrow-minded historical preconceptions depressed Henry. Anything more complex than a normalized two-person zero-sum game was beyond them. Henry had invented for the a variation on Monopoly, using twelve, sixteen, or twenty-four boards at once and an unlimited number of players, which opened up the possibility of wars run by industrial giants with investments on several boards at once, the buying off of whole governments, the emergence of international communications and utilities barons, strikes and rebellions by the slumdwellers between "Go" and "Jail," revolutionary subversion and sabotage with sympathetic ties across the boards, the creation of international regulatory bodies by the established power cliques, and yet without losing any of the basic features of their own battle games, but it never caught on. He even introduced health, sex, religious, and character variables, but that made even less of a hit, though he did manage, before leaving the club, to get a couple pieces on his "Intermonop" game published in some of the club literature.
Robert Coover (The Universal Baseball Association, Inc., J. Henry Waugh, Prop.)
I hated having to kill you but it’s just a game anyway.
Tayler Marie Brooks (Assassin (Assassin Duology, #1))
He wrapped his arm around her shoulders, covering her mouth with his hand. Her eyes took on a wild look. Good. He had made her fear him. She wasn’t so arrogant now, was she?
Tayler Marie Brooks (Assassin (Assassin Duology, #1))
I think this was just some crazy coincidence or someone is using this game as a cover for their crime.
Tayler Marie Brooks (Assassin (Assassin Duology, #1))
. . . the students that had died were in this Assassin game. She didn’t believe in coincidences so someone was targeting these players. She just hadn’t figured out why.
Tayler Marie Brooks (Assassin (Assassin Duology, #1))
After they had gone, and I was alone, I permitted myself to breathe out. I felt dizzy with the decision I had made. I wasn’t going back to Buckkeep. What I was going to do, I had no idea. I had swept my broken bits of life from the game table. Now there was room to set out anew what pieces I still had, to plot a new strategy for living. Slowly, I realized I had no doubts. Regrets warred with relief, but I had no doubts. Somehow it was much more bearable to move forward into a life where no one would recall who I had been. A life not pledged to someone else’s will.
Robin Hobb (Royal Assassin (Farseer Trilogy, #2))
When were you going to tell me?” “I don’t know. I wanted to yesterday. Or whenever you’d noticed that it wasn’t just a bargain between us. I hoped you might realize when I took you to bed, and—” “Do the others know?” “Amren and Mor do. Azriel and Cassian suspect.” My face burned. They knew—they— “Why didn’t you tell me?” “You were in love with him; you were going to marry him. And then you … you were enduring everything and it didn’t feel right to tell you.” “I deserved to know.” “The other night you told me you wanted a distraction, you wanted fun. Not a mating bond. And not to someone like me—a mess.” So the words I’d spat after the Court of Nightmares had haunted him. “You promised—you promised no secrets, no games. You promised.” Something in my chest was caving in on itself. Some part of me I’d thought long gone. “I know I did,” Rhys said, the glow returning to his face. “You think I didn’t want to tell you? You think I liked hearing you wanted me only for amusement and release? You think it didn’t drive me out of my mind so completely that those bastards shot me out of the sky because I was too busy wondering if I should just tell you, or wait—or maybe take whatever pieces that you offered me and be happy with it? Or that maybe I should let you go so you don’t have a lifetime of assassins and High Lords hunting you down for being with me?” “I don’t want to hear this. I don’t want to hear you explain how you assumed that you knew best, that I couldn’t handle it—” “I didn’t do that—” “I don’t want to hear you tell me that you decided I was to be kept in the dark while your friends knew, while you all decided what was right for me—” “Feyre—” “Take me back to the Illyrian camp. Now.” He was panting in great, rattling gulps. “Please.” But I stormed to him and grabbed his hand. “Take me back now.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
The game had been played and she had lost
Sarah J. Maas (The Assassin and the Empire (Throne of Glass, #0.5))
The AC was all about bringing all great subjects together. The AC wasn’t some dreary, stuffy set of academic tomes. The books were written in letters of fire. The pages burned. Smoke rose from the covers. These were polemics and artworks and extravaganzas in soaring rhetoric. They were assassinations, denunciations, and deconstructions. They were about martyrs, saints and sinners, angels and demons. They were incendiary. They were dynamite. They blew up everything. Shouldn’t books be detonations? We must not have the blind leading the blind and the bland leading the bland. We must cross the rivers of hell, and swear our most solemn oaths over the black waters of the Styx.
David Sinclair (Without the Mob, There Is No Circus)
Replies never catch up with accusations, however, as Senator Joe McCarthy demonstrated in his campaign of character-assassination back in the 1950s. Demagogues are defeated by counter-attacks, not by protestations of innocence. But counter-attacks are not always easy to manage, especially when you are a guest on someone else’s show and playing a game at which you are an amateur facing a pro. However—another lesson from the old neighborhood—you don’t have to win every fight to make people leave you alone. The mere prospect that you may inflict a bloody nose and a couple of nasty bruises may be enough to take all the fun out of picking on you.
Thomas Sowell
War is the statesman's game, the priest's delight, the lawyer's jest, the hired assassin's trade.” Percy Bysshe Shelley
Mainak Dhar (The 1st Assassin (Unit 22, #1))
Thinking they’d found their man, a Mossad team was dispatched to the village of Lillehammer, Norway, to assassinate Salameh, but mistakenly murdered an innocent Moroccan waiter as he walked home from a theater with his pregnant wife.
Ward Larsen (Assassin's Game (David Slaton #2))
On the third, we got into troubles. Baz Jesek had gotten more and more involved with equipment and maintenance—he is a good engineer, I’ll give him that—I was tactical commander, and Oser—I thought by default, but now I think design—took up the administrative slack. Could have been good, each doing what he did best, if Oser’d been working with and not against us. In the same situation, I’d have sent assassins. Oser employed guerilla accountants.
Lois McMaster Bujold (The Vor Game (Vorkosigan Saga, #6))
Woodstock, summer of 1969, was the turning point of rock festivals. Time magazine described this happening as “one of the most significant political and sociological events of the age.” One half-million American youth assembled for a three-day rock concert. They were non-violent, fun-loving hippies who resembled the large followings of Mahatma Gandhi in India and Rev. Martin Luther King in the USA, both strong advocates of non-violence. Both assassinated. It is important to understand the kinds of drugs and chemical agents available to stifle dissent, the mentality of people hell-bent on changing the course of history, to comprehend that cultures and tastes can be moved in directions according to game plans in the hands of a few people. Adolf Hitler’s first targets in Nazi Germany were Gypsies and the students. LSD was a youth-oriented drug perfected in the laboratory. When it was combined with other chemicals and given wide distribution, all that remained were marching orders to go to war.
Mae Brussell (The Essential Mae Brussell: Investigations of Fascism in America)
In my homeland, a single cat meant bad luck, but then I’d never been one to believe in such superstition. It was probably the reason I had such terrible luck.
D.K. Holmberg (The Binder's Game (The Sighted Assassin #1))
I don’t suppose you could have picked some more public way to self-destruct? Attempted to assassinate the Emperor with your pocketknife during the Birthday Review, say, or raped a sheep in the Great Square during rush hour?
Lois McMaster Bujold (The Vor Game (Vorkosigan Saga, #6))
The First World War legitimized violence to a degree that not even Bismarck’s wars of unification in 1864-70 had been able to do. Before the war, Germans even of widely differing and bitterly opposed political beliefs had been able to discuss their differences without resorting to violence.152 After 1918, however, things were entirely different. The changed climate could already be observed in parliamentary proceedings. These had remained relatively decorous under the Empire, but after 1918 they degenerated all too often into unseemly shouting matches, with each side showing open contempt for the other, and the chair unable to keep order. Far worse, however, was the situation on the streets, where all sides organized armed squads of thugs, fights and brawls became commonplace, and beatings-up and assassinations were widely used. Those who carried out these acts of violence were not only former soldiers, but also included men in their late teens and twenties who had been too young to fight in the war themselves and for whom civil violence became a way of legitimizing themselves in the face of the powerful myth of the older generation of front-soldiers.153 Not untypical was the experience of the young Raimund Pretzel, child of a well-to-do senior civil servant, who remembered later that he and his schoolfriends played war games all the time from 1914 to 1918, followed battle reports with avid interest, and with his entire generation ‘experienced war as a great, thrilling, enthralling game between nations, which provided far more excitement and emotional satisfaction than anything peace could offer; and that’, he added in the 1930s,‘has now become the underlying vision of Nazism.’154 War, armed conflict, violence and death were often for them abstract concepts, killing something they had read about and had processed in their adolescent minds under the influence of a propaganda that presented it as a heroic, necessary, patriotic act.155
Richard J. Evans (The Coming of the Third Reich (The Third Reich Trilogy Book 1))
Phillips loved being on the operational end of the dirty-tricks business, playing the covert-action games, surreptitiously spinning hidden wheels to orchestrate the series of “coincidences” which would bring about a particular counterintelligence objective
Gaeton Fonzi (The Last Investigation: What Insiders Know about the Assassination of JFK)
the theme of the document was clear: Here was a group who appeared to be a renegade collection of intelligence operatives for whom assassination was part of the game—whatever the game was or had been.
Gaeton Fonzi (The Last Investigation: What Insiders Know about the Assassination of JFK)
Dietrich grinned in the darkness. You’re going to have to do better than that, he thought as he edged forwards. Less than three metres to go before he was in position to strike. Just before he reached the corner, before he exposed himself to Kooi’s position, Dietrich would angle the AK and spray rounds through the pallets of bottles. Maybe he would aim low and try to incapacitate Kooi with bullets in the legs. Then he could have some fun with him. Two metres to go. Something clattered behind him and Dietrich spun around in the direction of the sound. His gaze swept from darkness into light focused and magnified by one of the convex mirrors. He grimaced, the light stinging his eyes with their dilated pupils and ruining his night vision. Purple spots blinded him. He pivoted back around, knowing he’d been tricked. There was an explosion of light and sound.
Tom Wood (The Game (Victor the Assassin, #3))
ietrich didn’t know he’d been hit at first, but he sucked in a breath and felt warm liquid in his throat. He squeezed the AK’s trigger and nothing happened. His fingers didn’t move. The spots cleared from before his eyes and he realised he was staring up at the night through the mill’s skylights. He couldn’t move. He couldn’t feel anything. He breathed again and liquid entered his lungs. Then Dietrich understood. He’d been shot in the neck. The bullet had ruptured his spinal cord and severed his jugular. He lay paralysed from the neck down and drowned in his own blood
Tom Wood (The Game (Victor the Assassin, #3))
If you want the game, you must stalk it. That is all. You cannot say, To stalk this takes too long, I wish to simply eat. It is all one. The stalking is the beginning of the eating.
Robin Hobb (Assassin's Quest (Farseer Trilogy, #3))
he called for an unrestricted investigation and refused to play the Washington political game. Within six months, he was forced to resign. “But when I looked back at what happened,” he later said, “it suddenly became very clear that the problems began only after I ran up against the CIA.
Gaeton Fonzi (The Last Investigation: What Insiders Know about the Assassination of JFK)
It is impossible to overemphasize the importance of Mexico City in the “Spy versus Spy” games going on at that time. It was the only place in the Western Hemisphere where every Communist country and every democratic country had an embassy, and it was a hotbed of intrigue. The Americans alone had fully staffed stations for the FBI, Army Intelligence and the CIA. To be the Chief of Covert Action in Mexico City was a prestigious job indeed.
Gaeton Fonzi (The Last Investigation: What Insiders Know about the Assassination of JFK)
The inside of government is a funny house of mirrors and it was instant frustration. But we couldn’t say the hell with it and walk off the court—it was the only game in town. I could only hope that, in the long run, what we did would be as important as how we looked.
Gaeton Fonzi (The Last Investigation: What Insiders Know about the Assassination of JFK)
no sense in trying to play that game with the past. Here is where we are today, and we can only make our moves from here.
Robin Hobb (Assassin's Quest (Farseer Trilogy, #3))
but far preferred books to films. The special effects were more realistic.
Tom Wood (The Game (Victor the Assassin, #3))
We have both risen to great achievements, the pinnacle of our respective disciplines.
Ward Larsen (Assassin's Game (David Slaton #2))
How can I regret the only life I've ever known?
Altaïr Ibn-La'Ahad
So. I’m to be your servant?” I asked in wry amusement.” “Of course. It’s the perfect guise. You’ll be virtually invisible to all the nobility of Buckkeep. Only other servants will speak to you, and as I intend that you will be a downtrodden, overworked, poorly dressed lackey of a supercilious, overbearing, and insufferable young lord, you will have little time to socialize at all.” He suddenly halted and looked back. One slender, long-fingered hand clasped his chin as h looked down his nose at me. His fake brows and knit amber eyes narrowed as he snapped. “And do not dare to meet my eyes, sirrrah! I will tolerate no impertinence. Stand up straight, keep your place, and speak no word without my leave. Are you clear on these instructions?” “Perfectly.” I grinned at him. He continued to glare at me. Then suddenly the glare was replaced by a look of exasperation. “FitzChivalry, the game is up if you cannot play this role and play it to the hilt. Not just when we stand in the Great Hall of Buckkeep, but every moment of every day when there is the remotest chance that we might be seen. I have been Lord Golden since I arrived, but I am still a newcomer to the Queen’s court, and folk will stare. Chade and Queen Kettricken have done all they could to help me in this ruse, Chade because he perceived how useful I might be, and the Queen because she feels I truly deserve to be treated as a lord.” “And no one recognized you?” I broke in incredulously. He cocked his head. “What would they recognize, Fitz? My dead white skin and colorless eyes? My jester’s motley and my painted face? My capers and cavorting and daring witticisms?” “I knew you the moment I saw you,” I reminded him. He smiled warmly. “Just as I knew you, and would know you when first I met you a dozen lives hence. But few others do. Chade with his assassin’s eyes picked me out, and arranged a private audience at which I made myself known to the Queen. A few others have given me curious glances from time to time, but no one would dare to accost Lord Golden and ask him if fifteen years ago he had been King Shrewd’s jester at this selfsame court. My age appears wrong to them, as does my coloring, as does my demeanor, as does my wealth.” “How can they be so blind?” He shook his head and smiled at my ignorance. “Fitz, Fitz. They never even saw me in the first place. They saw only a jester and a freak. I deliberately took no name when first I arrived here. To most of the lords and ladies of Buckkeep, I was just the fool. They heard my jokes and saw my capers, but they never really saw me.” He gave a small sigh. Then he gave me a considering look. “You made it a name. The Fool. And you saw me. You met my eyes when others looked aside, disconcerted.” I saw the tip of his tongue for a second. “Did you never guess how you frightened me? That all my ruses were useless against the eyes of a small boy?
Robin Hobb (Fool's Errand (Tawny Man, #1))