Asphalt Roof Quotes

We've searched our database for all the quotes and captions related to Asphalt Roof. Here they are! All 22 of them:

purple threaded evening. a torn goddess laying on the roof. milk sky. lavender hued moan against hot asphalt. the thickness of evening presses into your throat. polaroids taped to the ceiling. ivy pouring out of the cracks in the wall. i found my courage buried beneath molding books and forgot to lock the door behind me. the old house never forgets. opened my mouth and a dandelion fell out. reached behind my wisdom teeth and found sopping wet seeds. pulled all of my teeth out just to say i could. he drowned himself in a pill bottle and the orange really brought out his demise. lay me down on a bed of ground spices. there’s a song there, i know it. amethyst geode eyes. cracked open. no one saw it coming. october never loved you. the moon still doesn’t understand that.
Taylor Rhodes (calloused: a field journal)
Below us stretched a landscape only slightly more hospitable than Mars. (I mean the planet, not the god, though I suppose neither is much of a host.) Sun-blasted ochre mountains ringed a valley patchworked with unnaturally green golf courses, dusty barren flats and sprawling neighbourhoods of white stucco walls, red-tiled roofs and blue swimming pools. Lining the streets, rows of listless palm trees stuck up like raggedy seams. Asphalt parking lots shimmered in the heat. A brown haze hung in the air, filling the valley like watery gravy. ‘Palm Springs,
Rick Riordan (The Burning Maze (The Trials of Apollo, #3))
Finding a taxi, she felt like a child pressing her nose to the window of a candy store as she watched the changing vista pass by while the twilight descended and the capital became bathed in a translucent misty lavender glow. Entering the city from that airport was truly unique. Charles de Gaulle, built nineteen miles north of the bustling metropolis, ensured that the final point of destination was veiled from the eyes of the traveller as they descended. No doubt, the officials scrupulously planned the airport’s location to prevent the incessant air traffic and roaring engines from visibly or audibly polluting the ambience of their beloved capital, and apparently, they succeeded. If one flew over during the summer months, the visitor would be visibly presented with beautifully managed quilt-like fields of alternating gold and green appearing as though they were tilled and clipped with the mathematical precision of a slide rule. The countryside was dotted with quaint villages and towns that were obviously under meticulous planning control. When the aircraft began to descend, this prevailing sense of exactitude and order made the visitor long for an aerial view of the capital city and its famous wonders, hoping they could see as many landmarks as they could before they touched ground, as was the usual case with other major international airports, but from this point of entry, one was denied a glimpse of the city below. Green fields, villages, more fields, the ground grew closer and closer, a runway appeared, a slight bump or two was felt as the craft landed, and they were surrounded by the steel and glass buildings of the airport. Slightly disappointed with this mysterious game of hide-and-seek, the voyager must continue on and collect their baggage, consoled by the reflection that they will see the metropolis as they make their way into town. For those travelling by road, the concrete motorway with its blue road signs, the underpasses and the typical traffic-logged hubbub of industrial areas were the first landmarks to greet the eye, without a doubt, it was a disheartening first impression. Then, the real introduction began. Quietly, and almost imperceptibly, the modern confusion of steel and asphalt was effaced little by little as the exquisite timelessness of Parisian heritage architecture was gradually unveiled. Popping up like mushrooms were cream sandstone edifices filigreed with curled, swirling carvings, gently sloping mansard roofs, elegant ironwork lanterns and wood doors that charmed the eye, until finally, the traveller was completely submerged in the glory of the Second Empire ala Baron Haussmann’s master plan of city design, the iconic grand mansions, tree-lined boulevards and avenues, the quaint gardens, the majestic churches with their towers and spires, the shops and cafés with their colourful awnings, all crowded and nestled together like jewels encrusted on a gold setting.
E.A. Bucchianeri (Brushstrokes of a Gadfly (Gadfly Saga, #1))
He picked up Gabe’s Camaro by the torn roof, the chassis creaking and groaning. He raised the car over his head and threw it down the road. It slammed into the wet asphalt and skidded in a shower of sparks for about half a mile before coming to a stop. The gas tank exploded. Not a scratch,I remembered Gabe saying. Oops.
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
Even though the wreckage had been described to her, and though she was still in pain, the sight horrified and amazed her, and there was something she noticed about it that particularly gave her the creeps. Over everything—up through the wreckage of the city, in gutters, along the riverbanks, tangled among tiles and tin roofing, climbing on charred tree trunks—was a blanket of fresh, vivid, lush, optimistic green; the verdancy rose even from the foundations of ruined houses. Weeds already hid the ashes, and wild flowers were in bloom among the city’s bones. The bomb had not only left the underground organs of plants intact; it had stimulated them. Everywhere were bluets and Spanish bayonets, goose-foot, morning glories and day lilies, the hairy-fruited bean, purslane and clotbur and sesame and panic grass and feverfew. Especially in a circle at the center, sickle senna grew in extraordinary regeneration, not only standing among the charred remnants of the same plant but pushing up in new places, among bricks and through cracks in the asphalt. It actually seemed as if a load of sickle-senna seed had been dropped along with the bomb.
The New Yorker (The 40s: The Story of a Decade (New Yorker: The Story of a Decade))
from the upcoming novel, Agent White: A figure dressed all in black ran across the rooftops in the rain. A black cloak fluttered behind him as he ran two and sometimes three stories above the sidewalk where Ezra Beckitt stood. Long silver hair tied back in a ponytail flew out behind him, exposing ears that came to sharp points. His left ear was pierced with a silver ring, high up in the cartilage. Like the old man, this black figure wore a sword; but this weapon was long and thin, slightly curved. The blade stuck out behind him for three and a half feet, almost seeming to glow against the grey backdrop of the rain-soaked cityscape. Suddenly, the figure in black looked down into the street and saw Ezra there. More, he saw Ezra seeing him. Startled, he lost his sure footing and slid down the steep incline of an older building’s metal roof, the busy street below waiting to catch him in an asphalt embrace. The figure in black got his feet under himself and pushed, flying out into space above the street. For an eternity Ezra watched him, suspended in the air and the rain with his cloak spread in midnight ripples around him, and then the figure in black flipped neatly and landed on the sidewalk half a block away. The pavement cracked, pushing up in twisted humps around the figure in black’s tall leather boots. Before the sound of this impact even reached Ezra the figure was up and gone, dashing through the morning throngs waiting for buses or headed to the ‘tram station. Ezra saw a girl’s hair blow back in the wind created by his passing, but she never noticed him. A young techie blinked his 20-20’s (Ezra’s own enhanced senses picked up the augmented eyes because of a strange, silvery glow in the pupils) and turned halfway around, almost seeing him. And then the figure in black darted into an alley, gone. Ezra drew his service weapon and ran after, pushing his way through the sidewalk traffic. Turning into the alley he skidded to a stop, stunned; the figure in black was still there. The alley was just wide enough to accommodate Ezra’s shoulders- he couldn’t have held his arms out at his sides. Dumpsters spilled their trash out onto the wet pavement. The alley ended in a fire door, the back exit of a store on the next street over. Even if it was locked, Ezra didn’t think it would pose a real problem for the figure in black. No, he was waiting for him. Ezra advanced with his gun out in front of him, and his eyes locked with the figure in black’s. His were completely black- no pupils, no corneas, only solid black that held no light. The figure in black smiled, exposing teeth that looked very sharp, and laid his hand on the hilt of his sword. He wore leather gloves with the fingers cut off. His fingers were very long and very white. “Don’t even think about it,” Ezra said, clicking the safety off his weapon. “I am a Hatis City Guard, an if you move I will put you down.” This only seemed to amuse the figure in black, whose smiled widened as he drew his sword. Ezra opened fire.
Michael Kanuckel
The closest building was a motel. Like a picture in a kid’s book. Like learning your ABCs. M is for Motel. It was long and low, made of dull red boards, with a pitched roof of gray asphalt shingle, and a red neon Office sign in the first window, and then a louvered door for storage, and then a repeating pattern, of a broad window with an HVAC grille and two plastic lawn chairs under it, and a numbered door, and another broad window with the same grille and the same chairs, and another numbered door, and so on, all the way to the end. There were twelve rooms in total, all in a line. But there were no cars parked out front of any of them. Looked like zero occupancy. “OK?” Shorty said.
Lee Child (Past Tense (Jack Reacher, #23))
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Titan Roofing Company of Nashville
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Rosenow Customs
The earliest examples date to 1901, and the first manufacturer was the H.M. Reynolds Company of Grand Rapids, Michigan, which sold its product under the slogan “The Roof That Stays Is the Roof That Pays.” Asphalt occurs naturally in a few places on Earth—the tar sands of Alberta, for instance, are mostly bitumen, which is the geologist’s word for asphalt. But the asphalt used in shingles comes from the oil-refining process: it’s the stuff that still hasn’t boiled at five hundred degrees Fahrenheit. Vacuum distillation separates it from more valuable products such as gasoline, diesel, and naphtha; it then is stored and transported at high temperatures until it can be used, mostly for making roads.
Bill McKibben (Falter: Has the Human Game Begun to Play Itself Out?)
Think, again, of the sheer amount of human organization required for the American Society for Testing and Materials to produce directive D3462-87 (“Asphalt Shingles Made from Glass Felt and Surfaced with Mineral Granules”) and then to enforce its mandates. We could, clearly, repeat this exercise for everything you see around you, and everything you hear, and everything you smell—all the infinitely more interesting activities always under way beneath all those roofs. As I write, for instance, I’m listening to Orchestra Baobab on Spotify. It was the house band at a Dakar nightclub in the 1970s, where its music reflected the Cuban beats that came with sailors to West Africa in the 1940s; eventually the group recorded its best album at a Paris studio, and now it somehow resides on a computer server where 196,847 people from across the planet listen to it each month.
Bill McKibben (Falter: Has the Human Game Begun to Play Itself Out?)
You could tell the long-termers from the people who had moved in over the past ten years because the shingles on their roofs were asphalt, the siding, if it was wood, a little scabrous.
Kelly Link (The Book of Love)
He picked up Gabe’s Camaro by the torn roof, the chassis creaking and groaning. He raised the car over his head and threw it down the road. It slammed into the wet asphalt and skidded in a shower of sparks for about half a mile before coming to a stop. The gas tank exploded. Not a scratch, I remembered Gabe saying. Oops.
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
the bull-man bellowed in rage. He picked up Gabe’s Camaro by the torn roof, the chassis creaking and groaning. He raised the car over his head and threw it down the road. It slammed into the wet asphalt and skidded in a shower of sparks for about half a mile before coming to a stop. The gas tank exploded. Not a scratch, I remembered Gabe saying. Oops.
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
Except for the sign on the front lawn, there wasn't much difference between this house and his. World War II bungalows with clapboard siding. Two bedrooms, one bath. A small lawn that ran out to the street. A peaked roof with dark asphalt shingles. Both ordinary, in all ways. One vacant. One empty.
Thomas King (Obsidian: A DreadfulWater Mystery)
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ATS Exteriors
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Best New Jersey Roofing
for shade sail That is true, however when you read the fine print of a warranty they are all virtually the same. I understand op is talking about a metal roof, but in conditions of asphalt the products are the same regarding quality irrespective of supplier with a warranty generally simply cobering up to 20 years. Warranty as well only cover elements, certainly not install. The cert simply gaurantees the merchandise is normally intalled to company specs. Whats even more important may be the roofers do the job warranty. If the roof structure isn't installed correctly regardless of certification it will fail and warranty will be voided. A certification is purchased, no training is done. Thus if the roofer just buys a cert to improve business it will not matter if he follows the cert. Yes they could loose the, but most obtain the cert to improve business, certainly not for just about any added warranty for the home owner. So with regard to warranty a roofers warranty on their work is considerably more important. Just about all roofs mounted incorrectly or with shotty workmanship will are unsuccessful in a calendar year. Edit: added paet about warranty only covering materials.
ww.shadepundit.com
41. Among the Rewards of My Sloth . . . . . . is that the tree in our backyard that we had cut down because it was mostly dead and waiting to pierce the asphalt-shingled roof and, more urgently maybe, the neighbor’s (and always, yes, mourn a tree by my hand felled, for it is a home, dead or not) is still, about three and a half months later, sprawled in many parts of the backyard. Probably about one hundred little and not so little logs chucked in a pile out near the black walnut tree, very much alive. And a brush pile about the size of a Cadillac Escalade leaning up against the building you’d be very generous to call a garage, twisting slowly apart on its cracked foundation. Sometimes the brush pile and logs would make me feel like a piece of shit, perhaps especially when Stephanie looked wistfully out into that yard, remembering, I imagine, when she could visualize a garden there. Not to mention my mother, who, when I first got this house in Bloomington, Indiana, in a kind of terror I have to think is informed by some unspoken knowledge (black husband, brown kids in the early seventies kind of knowledge), pleaded with my brother and uncle to convince me to mow my grass lest the neighbors burn my house down. (Of which, let it be known, there was no danger in my case. Despite the Confederate flags in the windows three doors down. You should see his yard. By the way, if you haven’t seen the movie A Man Named Pearl, you should.) Anyway, I’d think, very much pervious to all of the above despite my affect to the contrary, we’ll get a splitting maul and wood chipper and turn a lot of that wood into good mulch, which turns into good soil, trying to make myself feel better about myself. But today, going out back to grab some wood for the stove, past my mess, there was a racket blasting from that thicket like the most rambunctious playground you’ve ever heard, and getting closer, looking inside, I saw maybe one hundred birds hopping around in this enormous temporary nest, sharing a song I never would’ve heard and been struck dumb with glee by had I had my shit more together.
Ross Gay (The Book of Delights: Essays)
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My Roof Repair Malaysia
Sometimes I think of the town the way I think of Mr. Mosley pumped full of pink fluid. We want to fool ourselves. Pretend that our community is thriving. For all the effort neighbors put into keeping up the town, it seems that one roof tile and windowpane at a time is not worth replacing. Piece by piece, Petroleum is crumbling away. Even the asphalt on our town’s one paved road is cracked, full of shallow craters, and will soon return to dirt.
Susan Henderson (The Flicker of Old Dreams)
Hailey perched on the roof of her two-storey brick house, oblivious to the pair of teenage girls giggling at the end of her street. One of them pressed her hands onto the road. The asphalt shuddered and moaned, great big cracks tearing through the black ground as water gushed up from underneath it, transforming the road into a crystal blue lake. The second girl stirred her hand through the water, ice blasting from her fingertips and shooting down the lake, freezing it solid. ‘Ice rink,’ both girls shouted. ‘Ice rink. Ice rink.’ Children piled out of houses, pulling on skates and scrambling onto the frozen water.
Sarah A. Vogler (Poseidon's Academy (Book 1))