Aspen Leaves Quotes

Above me, wind does its best to blow leaves off the aspen tree a month too soon. No use wind. All you succeed in doing is making music, the noise of failure growing beautiful.

But as I get older I think – can it really be love if we don’t talk that much, don’t see each other? Isn’t love something that happens between people who spend time together and know each other’s faults and take care of each other? In the end I decide that the mark we’ve left on each other is the color and shape of love. That’s the unfinished business between us. Because love is never finished. It circles and circles the memories always out of order and not always complete. There’s one I always come back to: me and Cameron Quick, laying on the ground in an aspen grove on a golden fall day, the aspen leaves clattering and quaking the way they do. Cameron turning to me, reaching out a small and dirty hand, which I take and do not let go.

Nights alone in my yellow kitchen, I made myself hot chocolate. I missed my mother. In my window, maple leaves rusted, young fall blooming.

O, had the monster seen those lily hands Tremble like aspen leaves upon a lute And make the silken strings delight to kiss them, He would not then have touched them for his life

The bravest thing I ever did was leave there. The next bravest thing I did was come back, to make myself heard.

How blue is the sea, how blue is the sky, how blue and tiny and redeemable everything is, even you, even your eyes, even your imagination. The Soul at Last The Lord’s terrifying kindness has come to me. It was only a small silvery thing—say a piece of silver cloth, or a thousand spider webs woven together, or a small handful of aspen leaves, with their silver backs shimmering. And

I leave the lip gloss on. Bright things in nature are often poisonous. Let that be my defense, then. Let Aspen watch, and predators prowl, and all the waiting jaws yawn wider. I will be a ruin to consume.

If your mind and spirit are seduced by images of windswept ridge tops, flutters of aspen leaves caressed by a canyon breeze and the crimson tendrils of dying sun…if your fingers feel the silken pulse of a lover and your lips taste the deep kisses of building passion…if nostrils flare with the conjured scents of gunpowder and perfume, sage brush and pine, and your ears delight in the murmur of river current…if your heart pounds at the clash of good and evil and with each twist and turn of interwoven lives you feel a primal throb, then I have accomplished my mission.

Along the field as we came by A year ago, my love and I, The aspen over stile and stone Was talking to itself alone. 'Oh who are these that kiss and pass? A country lover and his lass; Two lovers looking to be wed; And time shall put them both to bed, But she shall lie with earth above, And he beside another love.' And sure enough beneath the tree There walks another love with me, And overhead the aspen heaves Its rainy-sounding silver leaves; And I spell nothing in their stir, But now perhaps they speak to her, And plain for her to understand They talk about a time at hand When I shall sleep with clover clad, And she beside another lad.

We were in the woods, and not a parent or a friend on earth knew where. At this moment, we were untraceable, this notion an odd pleasure. A patch of fallen leaves glowed in a pool of golden sun, and the dim forest air smelled sweet, of young lilac, invisible sage.

I turn and walk back to the home shore whose tall yellow bluffs still bare of snow I can see nearly half a mile to the north. I find my way as I came, over dusty sandbars and by old channels, through shrubby stands of willows. The cold, late afternoon sun breaks through its cloud cover and streaks the grey sand mixed with snow. As it has fallen steadily in the past weeks, the river has left behind many shallow pools, and these are now roofed with ice. When I am close to the main shore I come upon one of them, not far from the wooded bank. The light snow that fell a few days ago has blown away; the ice is polished and is thick enough to stand on. I can see to the bottom without difficulty, as through heavy dark glass. I bend over, looking at the debris caught there in the clear, black depth of the ice: I see a few small sticks, and many leaves. There are alder leaves, roughly toothed and still half green; the more delicate birch leaves and aspen leaves, the big, smooth poplar leaves, and narrow leaves from the willows. They are massed or scattered, as they fell quietly or as the wind blew them into the freezing water. Some of them are still fresh in color, glowing yellow and orange; others are mottled with grey and brown. A few older leaves lie sunken and black on the silty bottom. Here and there a pebble of quartz is gleaming. But nothing moves there. It is a still, cold world, something like night, with its own fixed planets and stars.

This is June, the month of grass and leaves … already the aspens are trembling again, and a new summer is offered me.

So many leaves have fallen on my life. Some settled nicely to rest, but most fell, withered to bitter cold and drifted on. But, after all that, I would brave all the coldness of humanity again for the sight of a few more beautiful yellow leaves falling on Aspen, and the birds....

The habits and habitats of modern life are simply not evolutionarily stable. Metal and plastic. Electric lights blotting out stars. Ten-story buildings blocking sun and moon. Cars honking and everything else ringing, beeping, and buzzing until we can't even hear aspen leaves quaking. Think about all the changes that our species has experienced in the last several thousand years. Too many. Too fast.

In my defense I have only silence, dew on the grass, a nightingale among the branches. You forgive it, its long tenure in the leaves of one aspen after another, drops of eternity, grams of amazement, and the sleepy complaints of the poor poets

She has seen dieback across the West. Aspens are withering. Grazed on by everything with hooves, cut off from rejuvenating fire, whole groves are vanishing. Now she sees a forest, spreading across these mountains since before humans left Africa, giving way to second homes. She sees it in one great glimpse of flashing gold: trees and humans, at war over the land and water and atmosphere. And she can hear, louder than the quaking leaves, which side will lose by winning.

When will I death? Might I death alone? Probably yes Little scared about that. I must say But am not death yet Not dead yet. Not yet. And not yet. World lays out before me new with each click of step and swish of aspen leaves above for that I say thanks For as long as world is shiny new there is no death and what lovely may I not yet do?

Today and every day, live and lead the memory you want to leave behind.

A woman's hand, your hand in its starry paleness only to help you walk downstairs, refracts its beam into my own. Its slightest touch branches out inside me and in a moment will trace above us those delicate canopies where the inverted sky stirs its blue leaves with misty aspen or willow. As for me, to what do I actually owe this remission of a pain that so many others suffer because of less guilt than I feel today? Before I met you I'd known misfortune, despair. Before I met you, come on, those words mean nothing. You know very well that when I first laid eyes on you I recognized you without the slightest hesitation. And from what borders did you come, so fearfully protected against everyone, what initiation to which no one or almost no one was admitted has consecrated what you are.

Often he vanished for days down the spiral staircase into the engine-room to overhaul the weary machinery, leaving me with a curt note tacked to his then-favourite aspen, the Aspen Laura-Anne, a white-limbed thing with noisy leaves: 'A due-south drift, please, love, for a day or two, n'est-ce pas?

I started thinking about how many contented, happy people there are in actual fact! What an oppressive force! Think about this life of ours: the insolence and idleness of the strong, the ignorance and bestiality of the weak, unbelievable poverty everywhere, overcrowding, degeneracy, drunkenness, hypocrisy, deceit... Meanwhile all is quiet and peaceful in people's homes and outside on the street; out of the fifty thousand people who live in the town, there is not one single person prepared to shout out about it or kick up a fuss. We see the people who go to the market for their groceries, travelling about in the daytime, sleeping at night, the kind of people who spout nonsense, get married, grow old, and dutifully cart their dead off to the cemetery; but we do not see or hear those who are suffering, and all the terrible things in life happen somewhere offstage. Everything is quiet and peaceful, and the only protest is voiced by dumb statistics: so many people have gone mad, so many bottles of vodka have been drunk, so many children have died from malnutrition... And this arrangement is clearly necessary: it's obvious that the contented person only feels good because those who are unhappy bear their burden in silence; without that silence happiness would be inconceivable. It's a collective hypnosis. There ought to be someone with a little hammer outside the door of every contented, happy person, constantly tapping away to remind him that there are unhappy people in the world, and that however happy he may be, sooner or later life will show its claws; misfortune will strike - illness, poverty, loss - and no one will be there to see or hear it, just as they now cannot see or hear others. But there is no person with a little hammer; happy people are wrapped up in their own lives, and the minor problems of life affect them only slightly, like aspen leaves in a breeze, and everything is just fine.

I. IN WINTER Myself Pale mornings, and I rise. Still Morning Snow air--my fingers curl. Awakening New snow, O pine of dawn! Winter Echo Thin air! My mind is gone. The Hunter Run! In the magpie's shadow. No Being I, bent. Thin nights receding. II. IN SPRING Spring I walk out the world's door. May Oh, evening in my hair! Spring Rain My doorframe smells of leaves. Song Why should I stop for spring? III. IN SUMMER AND AUTUMN Sunrise Pale bees! O whither now? Fields I did not pick a flower. At Evening Like leaves my feet passed by. Cool Nights At night bare feet on flowers! Sleep Like winds my eyelids close. The Aspen's Song The summer holds me here. The Walker In dream my feet are still. Blue Mountains A deer walks that mountain. God of Roads I, peregrine of noon. September Faint gold! O think not here. A Lady She's sun on autumn leaves. Alone I saw day's shadow strike. A Deer The trees rose in the dawn. Man in Desert His feet run as eyes blink. Desert The tented autumn, gone! The End Dawn rose, and desert shrunk. High Valleys In sleep I filled these lands. Awaiting Snow The well of autumn--dry.

We focused our eyes on a dozen quaking aspen, trembling in the breeze, creating ripples of liquid gold. Ernie said, “Did you know, if the leaves can’t move, they get eaten by insects.” We listened to the quiver of a million shimmery yellow leaves, then Ernie said, “The trees look like brothers the way they stand by each other. Not one of them looks sick or in danger of falling by the wayside.

You are on your back at the foot of an aspen. In its trembling shade. She at right angles propped on her elbows head between her hands. Your eyes opened and closed have looked in hers looking in yours. In your dark you look in them again. Still. You feel on your face the fringe of her long black hair stirring in the still air. Within the tent of hair your faces are hidden from view. She murmurs, Listen to the leaves. Eyes in each other's eyes you listen to the leaves. In their trembling shade.

In a city it's impossible to forget we live in places raised and built over time itself. The past is underneath our feet. Every day when I leave the house , I may walk over a place where a king killed a wolf in the Royal Forest of Stocket, one of the medieval hunting forests ,where alder and birch , oak and hazel,willow, cherry and aspen grew. The living trees were cut down , their wood used to fuel the city's growth , it's trade, it's life.The ancient wood ,preserved in peat, was found underneath the city(The site of the killing is fairly well buried -the wolf and the king had their encounter some time around the early years of the eleventh century)It's the same as in any other city, built up and over and round , ancient woodlands cut down , bogs drained , watercourses altered, a landscape rendered almost untraceable, vanished.Here, there's a history of 8,000 years of habitation , the evidence in excavated fish hooks and fish bone reliquaries, in Bronze Age grave-goods of arrowheads and beakers, what's still under the surface, in revenants and ghosts of gardens , of doo'cots and orchards, of middens and piggeries, plague remains and witch-hunts, of Franciscans and Carmelites, their friaries buried , over-taken by time and stone .This is a stonemasons' city , a city of weavers and gardeners and shipwrights and where I walk , there was once a Maison Dieu, a leper house; there was song schools and sewing schools, correction houses and tollboths, hidden under layers of time, still there

They rode up switchbacks through a lonely aspen wood where the fallen leaves lay like golden disclets in the damp black trail. The leaves shifted in a million spangles down the pale corridors and Glanton took one and turned it like a tiny fan by its stem and held it and let it fall and its perfection was not lost on him. They rode through a narrow draw where the leaves were shingled up in ice and they crossed a high saddle at sunset where wild doves were rocketing down the wind and passing through the gap a few feet off the ground, veering wildly among the ponies and dropping off down into the blue gulf below.

It took me almost two thousand miles in the woods to see I had to do some hard work that wasn’t simply walking—that I needed to begin respecting my own body’s boundaries. I had to draw clear lines. Ones that were sound in my mind and therefore impermeable, and would always, no matter where I walked, protect me. Moving forward, I wanted rules. First—when I felt unsafe I’d leave, immediately. The first time, not the tenth time. Not after a hundred red flags smacked in wind violently, clear as trail signs pointing the way to SNAKES. Not after I’d been bitten—the violation. If I wasn’t interested, I would reject the man blatantly.

I spotted Poe immediately. He was raking the leaves around his tree home, a lovely aspen. The whiteness of its bark seemed brighter than the other trees, the knotholes darker; the moss creeping up the south side was luxurious with fat purple flowers, and the leaves were a riot of green in every shade with veins of pure gold. It was, in short, the prettiest tree in the Kyrrðarskogur, which was Wendell's doing, but Poe was clearly taking his responsibilities as the owner of such a fine specimen seriously. He had built a trellis against the tree, up which climbed a vine of wild roses, and he had made little furrows in the ground to irrigate the tree's roots.

How beautiful the old Glen was, in its August ripeness, with its chain of bowery old homesteads, tilled meadows and quiet gardens. The western sky was like a great golden pearl. Far down the harbour was frosted with a dawning moonlight. The air was full of exquisite sounds—sleepy robin whistles, wonderful, mournful, soft murmurs of wind in the twilit trees, rustle of aspen poplars talking in silvery whispers and shaking their dainty, heart-shaped leaves, lilting young laughter from the windows of rooms where the girls were making ready for the dance. The world was steeped in maddening loveliness of sound and colour. He would think only of these things and of the deep, subtle joy they gave him.

Toward an Organic Philosophy SPRING, COAST RANGE The glow of my campfire is dark red and flameless, The circle of white ash widens around it. I get up and walk off in the moonlight and each time I look back the red is deeper and the light smaller. Scorpio rises late with Mars caught in his claw; The moon has come before them, the light Like a choir of children in the young laurel trees. It is April; the shad, the hot headed fish, Climbs the rivers; there is trillium in the damp canyons; The foetid adder’s tongue lolls by the waterfall. There was a farm at this campsite once, it is almost gone now. There were sheep here after the farm, and fire Long ago burned the redwoods out of the gulch, The Douglas fir off the ridge; today the soil Is stony and incoherent, the small stones lie flat And plate the surface like scales. Twenty years ago the spreading gully Toppled the big oak over onto the house. Now there is nothing left but the foundations Hidden in poison oak, and above on the ridge, Six lonely, ominous fenceposts; The redwood beams of the barn make a footbridge Over the deep waterless creek bed; The hills are covered with wild oats Dry and white by midsummer. I walk in the random survivals of the orchard. In a patch of moonlight a mole Shakes his tunnel like an angry vein; Orion walks waist deep in the fog coming in from the ocean; Leo crouches under the zenith. There are tiny hard fruits already on the plum trees. The purity of the apple blossoms is incredible. As the wind dies down their fragrance Clusters around them like thick smoke. All the day they roared with bees, in the moonlight They are silent and immaculate. SPRING, SIERRA NEVADA Once more golden Scorpio glows over the col Above Deadman Canyon, orderly and brilliant, Like an inspiration in the brain of Archimedes. I have seen its light over the warm sea, Over the coconut beaches, phosphorescent and pulsing; And the living light in the water Shivering away from the swimming hand, Creeping against the lips, filling the floating hair. Here where the glaciers have been and the snow stays late, The stone is clean as light, the light steady as stone. The relationship of stone, ice and stars is systematic and enduring: Novelty emerges after centuries, a rock spalls from the cliffs, The glacier contracts and turns grayer, The stream cuts new sinuosities in the meadow, The sun moves through space and the earth with it, The stars change places. The snow has lasted longer this year, Than anyone can remember. The lowest meadow is a lake, The next two are snowfields, the pass is covered with snow, Only the steepest rocks are bare. Between the pass And the last meadow the snowfield gapes for a hundred feet, In a narrow blue chasm through which a waterfall drops, Spangled with sunset at the top, black and muscular Where it disappears again in the snow. The world is filled with hidden running water That pounds in the ears like ether; The granite needles rise from the snow, pale as steel; Above the copper mine the cliff is blood red, The white snow breaks at the edge of it; The sky comes close to my eyes like the blue eyes Of someone kissed in sleep. I descend to camp, To the young, sticky, wrinkled aspen leaves, To the first violets and wild cyclamen, And cook supper in the blue twilight. All night deer pass over the snow on sharp hooves, In the darkness their cold muzzles find the new grass At the edge of the snow.

SOMETIMES ON A PORCH in June, a girl begins to plunk her banjo; and after a spell of stillness, while the sound travels down their ear crinkles into their inmost feeling-chambers, the music starts to dance the people passing by. They toss like puppets on a bouncing sheet; like boys without a boat; they swing like weeds in the wind; they leap heptangularly about, dancing eccentric saltarellos, discovering that their springs are not so rusty. For even if you have built masterful aspen castles in your mind, have toppled whole forests to throttle the writhing elements into a liveably serene personal pond; if you have longtime sculled your ingenious fins to withstand the tumble-crazy currents; there is music that will dissolve your anchors, your sanctuaries, floating you off your feet, fetching you away with itself. And then you are a migrant, and then you are amuck; and then you are the music’s toy, juggled into its furious torrents, jostled into its foamy jokes, assuming its sparklyblue or greenweedy or brownmuddy tinges, being driven down to the dirgy bottom where rumble-clacking stones are lit by waterlogged and melancholy sunlight, warping back up to the surface, along with yew leaves and alewives and frog bones and other strange acquisitions snagged and rendered willy-nilly by the current, straggling away on its rambling cadenzas, with ever-changing sights—freckled children on the bank, chicken choirs, brewing thunderclouds, june bugs perched in wild parsley—until it spills you into a place whose dimensions make nonsense of your heretofore extraordinary spatial intelligence.

We’re talking now of late August evenings in Minnesota. That world consists of the din of lawn mower blades turning in raucous slicing circles like buzzards over prey, the throb of a racing boat’s outboard motor on the Lake. Garden hoses run with cool water and wash over the last flowers of the year before the autumn turns all the green to brown. In the afternoons, children run through sprinklers on the lawn and men burn piles of last autumn’s leaves. Mothers prepare suppers and read novels under the shade of summer hats, carefully watching over their children from afar. All is safe and good in the summer. But Thom Algonquin can no longer hear the lawn mowers humming, boat motors churning, the hoses splashing or the children playing. He doesn’t smell the leaves burning or help his mother prepare supper. Thom Algonquin is seven years old and he has walked too far into the woods near his home on Lake Superior. He hears nothing save the sound of sunlight and trees, birds, and his own feet pattering along atop the underbrush. He is not so sure he can hear these things exactly though. It has now become clear to him that he has gone too far, too deep into the old woods. He is accustomed to going a little farther than his mother allowed, but he has walked miles past that line now. Though his heart races he does not scream or run or cry. He looks around for home but each direction is identical to the others. He remembers his Cub Scout manual saying that moss grows on the northern side of tree trunks because there is less sunlight. But the aspen trees have no moss on them at all, and the big white oaks have moss on every side of their trunks. He holds his breath and listens. He hears his heart beat, and somewhere behind that, he hears water, waves and lapping tides. The Lake. He can always find home from the Lake. His father told him to simply keep the water on his left hand and walk until he is home, should he ever get lost. Thom moves toward the sound of water. He walks quickly but doesn’t run, doesn’t panic. If he runs he will know that something is wrong and that he is scared. He does not want to know these things, does not want them to become real, so he walks quickly but calmly.

I doubted I could survive in the woods without these very basic things to help me. It seemed like a tremendous leap of faith to forsake the tools I’d always been told I needed. And yet leaving college to walk was such a massive leap of faith already, and nothing I’d ever trusted and believed in seemed true any longer.

The harsh dimness that follows loss isn’t static, but charged with the energy of immanent change. Hurt, I was left with a choice: wallow and stay in the dark, or seek light and fight to reach it. These two paths emerged. I had this choice to make. Loss is the shocking catalyst of transformation. I saw that this mountain valley, haunted by senseless murders, darker, had absorbed unthinkable violence and turned it into mesmerizing light. My rape became my catalyst. Rape gave me cause to flee the muteness – forced me into making a bold and forceful change. I chose to fight to find a way to leave to seek my own strength and beauty. I was searching to find the way to make light.

I don’t remember having one conversation with my dad in the three days I was home, but looking back at my journal, I see I wrote about him. I scrawled about how I heard him telling my mom that I needed to go back. I was unhappy; he thought the hiking was better for me. I wonder why he told these things to my mother, nothing to me. I wonder if overhearing his approval encouraged me to finally fly back to the trail. Maybe. Maybe my father’s faith in my walk—in me—made me feel strong enough to leave. His actual words, as I wrote them in my notebook, were, “She’s an adult now, she can do what she wants. It doesn’t mean she’s not selfish.” He almost understood.

Loss is the shocking catalyst of transformation. I saw that this mountain valley, haunted by senseless murders, darker, had absorbed unthinkable violence and turned it into mesmerizing light. My rape became my catalyst. Rape gave me cause to flee the muteness—forced me into making a bold and forceful change. I chose to fight to find a way to leave to seek my own strength and beauty. I was searching to find the way to make light.

Winter was held off for yet another day although it didn’t even attempt to hide its dark intentions anymore, and the weather was cool and clear. Pockets of aspen performed maudlin technicolor death scenes on the mountainsides while brittle dry leaves choked the small streams and skittered across the road with breaths of wind.

You might even say there is a tree for every mood and every moment. When you have something precious to give to the universe, a song or a poem, you should first share it with a golden oak before anyone else. If you are feeling discouraged and defenceless, look for a Mediterranean cypress or a flowering horse chestnut. Both are strikingly resilient, and they will tell you about all the fires they have survived. And if you want to emerge stronger and kinder from your trials, find an aspen to learn from – a tree so tenacious it can fend off even the flames that aim to destroy it. If you are hurting and have no one willing to listen to you, it might do you good to spend time beside a sugar maple. If, on the other hand, you are suffering from excessive self-esteem, do pay a visit to a cherry tree and observe its blossoms, which, though undoubtedly pretty, are no less ephemeral than vainglory. By the time you leave, you might feel a bit more humble, more grounded.

Above me, wind does it’s best to blow leaves off the aspen tree a month too soon. No use wind. All you succeed in doing is making music; the noise of failure growing beautiful.

The quaking aspen takes its name from its leaves, which react to the slightest breath of wind. And although we have sayings that associate this characteristic with fear (“to shake like a leaf”), quaking aspens don’t shake because they are afraid. Their leaves hang from flexible stems and flutter in the breeze, exposing first their upper and then their lower surfaces to the sun. This means both sides of the leaf can photosynthesize. This is in contrast to other species, where the underside is reserved for breathing. Thus, quaking aspens can generate more energy, and they can grow even faster than birches.

You might even say there is a tree for every mood and every moment. When you have something precious to give to the universe, a song or a poem, you should first share it with a golden oak before anyone else. If you are feeling discouraged and defenceless, look for a Mediterranean cypress or a flowering horse chestnut. Both are strikingly resilient, and they will tell you about all the fires they have survived. And if you want to emerge stronger and kinder from your trials, find an aspen to learn from – a tree so tenacious it can fend off even the flames that aim to destroy it. If you are hurting and have no one willing to listen to you, it might do you good to spend time beside a sugar maple. If, on the other hand, you are suffering from excessive self-esteem, do pay a visit to a cherry tree and observe its blossoms, which, though undoubtedly pretty, are no less ephemeral than vainglory. By the time you leave, you might feel a bit more humble, more grounded. To reminisce about the past, seek out a holly to sit under; to dream about the future, choose a magnolia instead. And if it is friends and friendships on your mind, the most suitable companion would be a spruce or a ginkgo. When you arrive at a crossroads and don’t know which path to take, contemplating quietly by a sycamore might help. If you are an artist in need of inspiration, a blue jacaranda or a sweetly scented mimosa could stir your imagination. If it is renewal you are after, seek a wych elm, and if you have too many regrets, a weeping willow will offer solace. When you are in trouble or at your lowest point, and have no one in whom to confide, a hawthorn would be the right choice. There is a reason why hawthorns are home to fairies and known to protect pots of treasure. For wisdom, try a beech; for intelligence, a pine; for bravery, a rowan; for generosity, a hazel; for joy, a juniper; and for when you need to learn to let go of what you cannot control, a birch with its white-silver bark, peeling and shedding layers like old skins. Then again, if it’s love you’re after, or love you have lost, come to the fig, always the fig.

TRAIL DESCRIPTION NOTE: This description begins at the trailhead parking area and sign just off Lost Park Road. A side trail, marked as the Long Gulch Trail, goes 0.2 mile up the hillside to intersect The Colorado Trail. Thru-hikers will not encounter this trailhead unless they make a specific detour to it. From the trailhead, cross the creek on a small bridge and go uphill for 0.2 mile to the CT, mile 0.0 (10,176 feet). Westbound hikers will turn left at this well-marked intersection. There is a good campsite near here, with water available from the fast-moving creek. Cross the creek about 300 feet past the intersection. The trail enters the Lost Creek Wilderness Area at mile 0.3 (10,263). Then at mile 1.6 (10,380) it heads through a mixed aspen-fir forest with some bristlecone pines. Cross a seasonal stream at mile 2.9 (10,366). There is a good campsite nearby. Cross a marshy area at mile 3.1 (10,387) and streams at mile 3.9 (10,347) and mile 4.5 (10,258). There is another creek at mile 5.3 (10,174) with several good campsites. The CT leaves the Lost Creek Wilderness Area at mile 6.6 (9,816) and crosses Rock Creek at mile 7.3 (9,534) where users should refill their bottles. Turn left when intersecting the Ben Tyler Trail at mile 7.4 (9,519). Ranch buildings are visible ahead. Pass through a Forest Service gate at mile 7.6 (9,555), continue to the Rock Creek Trailhead at mile 8.0 (9,726), and cross the road. Cross Johnson Gulch and a small, seasonal stream at mile 8.4 (9,521). This possible water source is the last until Kenosha Pass and there’s room to camp. Just past the stream, the CT crosses a jeep road and eventually passes through a stand of large aspen trees. At mile 10.6 (9,956) continue straight on the CT at a T road intersection. There are great views of the mountains to the south and west and toward the town of Jefferson. The trail eventually reaches a parking area at mile 14.4 (10,010). It continues to the left, and after crossing US Hwy 285, reaches the end of Segment 5 at mile 14.6 (9,969).

You know something? It was beautiful. So still you could hear one aspen leaf caressing another, the moon wide and white shining through the leaves, and just above the dark, somber spruce, bunched closely together, tall and still like a crowd of black-robed monks standing in prayer.

You want me to leave you here until tomorrow morning? Bound up like the little slut you and I both know you are? Then spit it out. I fucking dare you, Aspen. Spit it out and I’ll treat you like a cheap whore. Maybe take some pictures while you’re tied up like this, or put a pretty gag in your mouth.” He glowers at me. “Swallow it and I’ll let you up.

When will I death? Might I death alone? Probably yes Little scared about that. I must say But am not death yet Not dead yet. Not yet. And not yet. World lays out before me new with each click of step and swish of aspen leaves above for that I say thanks For as long as world is shiny new there is no death and what lovely may I not yet do?

You might even say there is a tree for every mood and every moment. When you have something precious to give to the universe, a song or a poem, you should first share it with a golden oak before anyone else. If you are feeling discouraged and defenceless, look for a Mediterranean cypress or a flowering horse chestnut. Both are strikingly resilient, and they will tell you about all the fires they have survived. And if you want to emerge stronger and kinder from your trials, find an aspen to learn from–a tree so tenacious it can fend off even the flames that aim to destroy it. If you are hurting and have no one willing to listen to you, it might do you good to spend time beside a sugar maple. If, on the other hand, you are suffering from excessive self-esteem, do pay a visit to a cherry tree and observe its blossoms, which, though undoubtedly pretty, are no less ephemeral than vainglory. By the time you leave, you might feel a bit more humble, more grounded. To reminisce about the past, seek out a holly to sit under; to dream about the future, choose a magnolia instead. And if it is friends and friendships on your mind, the most suitable companion would be a spruce or a ginkgo. When you arrive at a crossroads and don’t know which path to take, contemplating quietly by a sycamore might help. If you are an artist in need of inspiration, a blue jacaranda or a sweetly scented mimosa could stir your imagination. If it is renewal you are after, seek a wych elm, and if you have too many regrets, a weeping willow will offer solace. When you are in trouble or at your lowest point, and have no one in whom to confide, a hawthorn would be the right choice. There is a reason why hawthorns are home to fairies and known to protect pots of treasure. For wisdom, try a beech; for intelligence, a pine; for bravery, a rowan; for generosity, a hazel; for joy, a juniper; and for when you need to learn to let go of what you cannot control, a birch with its white-silver bark, peeling and shedding layers like old skins. Then again, if it’s love you’re after, or love you have lost, come to the fig, always the fig.

She tossed a coin backward, then used it to Push herself slightly up and to the right. She landed on a low stone wall, barely breaking stride as she ran spryly along the wall’s top. Burning pewter enhanced more than muscles—it increased all the body’s physical abilities. Keeping pewter at a low burn gave her a sense of balance that any night burglar would have envied. The wall turned north, and Vin paused at the corner. She fell into a crouch, bare feet and sensitive fingers gripping the chill stone. Her copper on to hide her Allomancy, she flared tin to strain her senses. Stillness. Aspens made insubstantial ranks in the mist, like emaciated skaa standing in their work lines. Estates rolled in the distance—each one walled, manicured, and well guarded. There were far fewer dots of light in this city than there were in Luthadel. Many of the homes were only part-time residences, their masters away visiting some other sliver of the Final Empire. Blue lines suddenly appeared before her—one end of each pointing at her chest, the other disappearing into the mists. Vin immediately jumped to the side, dodging as a pair of coins shot past in the night air, leaving trails in the mist. She flared pewter, landing on the cobbled street beside the wall. Her tin-enhanced ears picked out a scraping sound; then a dark form shot into the sky, a

When Lonegan hosted rallies, he and his team were ready to record the e-mail address of anyone who shared it. They made phone trees and hosted volunteer training sessions. They passed out the phone numbers of local congressmen to activists and coached them on the best time to call. (Late night was sometimes best so that volunteers could leave voicemails, which would be waiting in big batches when the politician showed up for work the next day.) They taught volunteers the fine art of calling talk-radio programs and getting on the air, coaching them to mention the right website address or phone number when they were on the air. Lonegan and his colleagues did more than just get Tea Party activists to focus on the Waxman-Markey bill. Americans for Prosperity also helped direct the activists’ passion toward a very specific group of targets: Republican politicians. Attacking the Republican party was one of AFP’s central strategies from the earliest days. In 2006, Lonegan attended a private AFP event hosted by Charles and David Koch, in Aspen, Colorado.

The mourning cloak caterpillar eats the leaves of elm, willow, cottonwood, poplar, birch, aspen or hackberry trees. Look for trees with leaves that have been eaten down to the "skeletons.

On a stage of earth, beneath a canopy of stars, with a score of scattered laughter, Mercy watched a story unfold more enchanting than any the Dream Factory of Hollywood could have produced. Even the applause of the people, drifting up to meet and mingle with that of the aspen leaves, felt ethereal.

I left because I’m an attorney. The five-year career plan I talk about was my journey to become junior partner. The day I left was because of that. If I would have stayed in Aspen, I wouldn’t be in the running for partner anymore and all the sacrifices I’ve made these past years would have been for nothing. Those sacrifices include you too. I couldn’t go all in with you because I work over seventy hours a week. But Monday, that should all be over. I will know if I made partner or not. I hope you understand what I am saying. But more importantly, I hope you forgive me for leaving. I love you. Please call me. My number is 404-398-0253. My name is Kree Wilson btw.

much to leave us where we are. So, he uses what happens to us to always, always draw us to him.

Calling to Measure It’s an obsession now, this matching And measuring, comparing, for instance, The coral-violet of the inner lip Of a queen conch to the last rim of dusk On the purple-flowering raspberry To the pure indigo of the bird-voiced Tree frog’s twittering tongue, then converting The result to an accepted standard Of rose-scarlet gradations. It’s difficult to say which is greater- The brevity of the elk’s frosty bellow Or the moments of fog sun-lifted Through fragrances of blue spruce Or the fading flavor in one spoonful Of warm chocolate rum. I mark out space by ten peas Strung on a string. The pane perimeter Of my window, for instance, is twenty-eight Lengths, twelve lengths over. Seventy pea-strings stretch from bed To door, Four go round my neck. My longing for you is more painful Than the six-times folding, doubling And doubling, of a coyote’s Most piercing cry, more inconsolable Than a whole night of moonlight blinded By thunderclouds, more constant Than black at the center of a cavern Stone below leagues of granite. I gauge my cold by the depth Of stillness in the pod heart of a frozen Wren. I time my breath by the faltering Leaves of aspen in wind. I count the circles Of my dizziness by the spreading rings Of rain-lassos on the pond, by the repeating Bell chimes of the corridor clock, By the one unending ring of the horizon. Where is the tablet, where the rule, where The steel weights, the balance, the book, Properly to make measure of a loss So grand and deep I can spread and stitch it To every visible star I name- Arcturus, Spica, Vega, Regulus- in this dark Surrounding dark surrounding dark?

countryside of Laraford, five sisters and two young men were enjoying the last day of summer. On the far side of the park, a large gathering of aspen trees guarded dusty dirt pathways with their speckled white trunks and a ceiling of crisp green and yellow leaves. Beside the forest, a dry meadow of breezy grass and elm trees spread across the remainder of the park, its only

The countryside around us changed again. Now we were driving through forest. Sørland forests with mountain crags here and there among the trees, hills covered with spruce and oaks, aspen and birch, sporadic dark moorland, sudden meadows, flatland with densely growing pine trees. When I was a boy I used to imagine the sea rising and filling the forest so that the hilltops became islets you could sail between and on which you could bathe. Of all my childhood fantasies this was the one that captivated me most; the thought that you could swim over bus shelters and roofs, perhaps dive down and glide through a door, up a staircase, into a living room. Or just through a forest, with its slopes, cliffs, cairns, and ancient trees. At a certain point in childhood my most exciting game was building dams in streams, watching the water swell and cover the marsh, the roots, the grass, the rocks, the beaten earth path beside the stream. It was hypnotic. Not the mention the cellar we found in an unfinished house filled with shiny, black water we sailed on in two styrofoam boxes, when we were around five years old. Hypnotic. The same applied to winter when we skated along frozen streams in which grass, sticks, twigs, and small plants stood upright in the translucent ice beneath us. What had been the great attraction? And what had happened to it? Another fantasy I had at that time was that there were two enormous saw blades sticking out from the side of the car, chopping off everything as we drove past. Trees and streetlamps, houses and outhouses, but also people and animals. If someone was waiting for a bus they would be sliced through the middle, their top half falling like a felled tree, leaving feet and waist standing and the wound bleeding.

When a person becomes discontent with his or her world, three options surface: attempt to transform the problematic aspect of the status quo; or accept it; or leave it.

Keokotah came out and stood beside me. “Is good,” he said, “all this.” “It is,” I agreed. “When grass comes, what you do?” “I shall walk along the mountain where the aspen grows, and beside the lakes where the moon goes to rest. I want to find the places where the rivers begin. I want to drink where the water comes from under the slide rock. I want to walk the way of the elk, the deer, and the bear.” “You are not elk or deer or bear. You man. What you do when your knees are stiff? When the earth no longer soft for sleeping? When the cold does not leave your bones? Who will share your lodge when the last leaves fall?

You have to make a choice. Do you fight, or do you keep your head down? Do you put your chin up and your eyes to the sky, or do you tremble like the aspen leaves and contemplate throwing yourself in the fast-flowing river at the bottom of the garden? Or is there, I asked myself, a way to do both? Can you be two people - someone to fool them, and also someone who is not a fool to yourself? Can you live like that?

On the highest slopes, the small leaves of the aspens quaked. And we listened to them-they were such exposed things holding on and making vulnerable, fluttering music-and this quaking gave us a peaceful feeling. We stood there thinking of nothing except leaves, leaves, leaves. Or standing in this grove brought out the melancholy in us, and we felt a rush of sadness, in our throats, in our stomachs, in our necks, but it, too, was not attached to any one thing in particular. It was just this, the aspen leaves, not falling, but making the sound of holding on.

As he lights up, the sun is setting, turning the sky as many pastels as you see on the side of a rainbow trout. The reddest clouds are the fish cut open. Aspen trees are peaking with yellow. A wind comes up the draw, announced in advance by clapping aspen leaves, and then he can hear it take the pines around the house and he feels it on his cheek and it makes the end of his cigarette glow brighter. He takes a deep drag and looks down past the springhouse nested in orange willow branches. Up over the opposing hill he sees the snow on mountains west of Laramie. Another breath of wind comes up and starts the aspens chattering like nervous girls, and they catch the last low-angling rays of sun and flare. The dark tops of evergreens are red, almost bloody, and for a good thirty seconds he knows that the world is something altogether other than what it appears to be.

Between the sky and the egg-shaped, egg-smooth granite boulder that floats out in the middle of the meadow’s widest field, everything has its own green: cattails, willow leaves, the flip side of an aspen leaf, the gray-green sage, the yellow-green native pasture, the loden timber, all circling around, with that boulder at the center, as if the meadow were a green ear held up to listen to the sky’s blue, and there is an axis drawn between the boulder and the sun. Elsewhere on the mountain, most of the green stays locked in pines, the prairie is scorched yellow. But Lyle’s meadow is a hemorrhage of green, and a green clockwork of waterways and grasses, held up to the sky in its ring of ridges, held up for the sky to listen, too. The granite boulder is only there to hold it down.

After the Disaster A picnic in the sequoias, light filtered into planes, and the canopy cut through. Fire raged in that place one month ago. Since I’d been there, I’d have to see it burning. Nature of events to brush against us like the leaves of aspens brush against each other in a grove full of them carved with the initials of people from the small weird town hikers only like for gas. Messages get past borders—water across the cut stem of the sent sunflower alive with good intentions. People who mistake clarity for certainty haven’t learned that listening isn’t taking a transcript, it’s not speech the voice longs for, it’s something deeper inside the throat. Now, from the beginning, recite the alphabet of everything you should have wanted, silverware, a husband, a house to live in like a castle, but I wanted fame among the brave. A winter night in desert light: trucks carving out air-corridors of headlight on the interstate at intervals only a vigil could keep. Constellations so clean you can see the possibilities denied. Talking about philosophy might never be dinner but can return your body to a state of wonder before sleep. The night reduced us to our elements. I wanted water, and whatever found itself unborn in me to stay alive.

It was simply that leaving with Daniel would mean that I'd miss Kickoff - and thus defer the massive pressure I felt. I felt the hurt of my first day of camp, Day 1 of college. The places populated with people who'd never known me, I was forced to confront the truth I really already knew: being here was not enough to make me different.

You will never miss me,” she replied. “When you hear the trickling of water in a stream, that will be my voice speaking to you. When a meadowlark is singing in the meadow, that will be my song of blessing for you. When the wind rustles the grass or stirs the leaves of the aspen tree, I’ll be moving around you. When you smell the sweet fragrance of the cedar or drink cool water from a spring, that will be the scent of me and the taste of me.