Asking Sorry Quotes

We've searched our database for all the quotes and captions related to Asking Sorry. Here they are! All 100 of them:

There was a clatter as the basilisk fangs cascaded out of Hermione's arms. Running at Ron, she flung them around his neck and kissed him full on the mouth. Ron threw away the fangs and broomstick he was holding and responded with such enthusiasm that he lifted Hermione off her feet. "Is this the moment?" Harry asked weakly, and when nothing happened except that Ron and Hermione gripped each other still more firmly and swayed on the spot, he raised his voice. "OI! There's a war going on here!" Ron and Hermione broke apart, their arms still around each other. "I know, mate," said Ron, who looked as though he had recently been hit on the back of the head with a Bludger, "so it's now or never, isn't it?" "Never mind that, what about the Horcrux?" Harry shouted. "D'you think you could just --- just hold it in, until we've got the diadem?" "Yeah --- right --- sorry ---" said Ron, and he and Hermione set about gathering up fangs, both pink in the face.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
I'm calm," Rachel insisted. "Every time I'm around you, some monsters attack us. What's to be nervous about?" "Look," I said. "I'm sorry about the band room. I hope they didn't kick you our or anything." "Nah. They asked me a lot of questions about you. I played dumb." "Was it hard?" Annabeth asked.
Rick Riordan (The Battle of the Labyrinth (Percy Jackson and the Olympians, #4))
She heard him mutter, 'Can you take away this grief?' 'I'm sorry,' she replied. 'Everyone asks me. And I would not do so even if I knew how. It belongs to you. Only time and tears take away grief; that is what they are for.
Terry Pratchett (I Shall Wear Midnight (Discworld, #38; Tiffany Aching, #4))
As we ride the elevator Gale finally says “You're still angry.” “And you're still not sorry,” I reply. "I will stand by what I said. Do you want me to lie about it?” he asks. “No, I want you to rethink it and come up with the right opinion,” I tell him.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Death’s greatest power is not that it can make people die, but that it can make people want to stop living.
Fredrik Backman (My Grandmother Asked Me to Tell You She's Sorry)
Only different people change the world,” Granny used to say. “No one normal has ever changed a crapping thing.
Fredrik Backman (My Grandmother Asked Me to Tell You She's Sorry)
Almighty God, I am sorry I am now an atheist, but have You read Nietzsche?
John Fante (Ask the Dust (The Saga of Arturo Bandini, #3))
I found him carefully studying me, his lips in a thin line. “Has anyone ever taken care of you?” he asked quietly. “No.” I’d long since stopped feeling sorry for myself about it.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
As for my brothers," Zeus said, "we are thankful"-he cleared his throat like the words were hard to get out-"erm, thankful for the aid of Hades." The lord of the dead nodded. He had a smug look on his face, but I figure he'd earned the right. He patted his son Nico on the shoulders, and Nico looked happier than I'd ever seen him. "And, of course," Zeus continued, though he looked like his pants were smoldering, "we must...um...thank Poseidon." "I'm sorry, brother," Poseidon said. "What was that?" "We must thank Poseidon," Zeus growled. "Without whom . . . it would've been difficult-" "Difficult?" Poseidon asked innocently. "Impossible," Zeus said. "Impossible to defeat Typhon.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
Never mess with someone who has more spare time than you do[.]
Fredrik Backman (My Grandmother Asked Me to Tell You She's Sorry)
Having a grandmother is like having an army. This is a grandchild’s ultimate privilege: knowing that someone is on your side, always, whatever the details.
Fredrik Backman (My Grandmother Asked Me to Tell You She's Sorry)
I don't know if I continue, even today, always liking myself. But what I learned to do many years ago was to forgive myself. It is very important for every human being to forgive herself or himself because if you live, you will make mistakes- it is inevitable. But once you do and you see the mistake, then you forgive yourself and say, 'Well, if I'd known better I'd have done better,' that's all. So you say to people who you think you may have injured, 'I'm sorry,' and then you say to yourself, 'I'm sorry.' If we all hold on to the mistake, we can't see our own glory in the mirror because we have the mistake between our faces and the mirror; we can't see what we're capable of being. You can ask forgiveness of others, but in the end the real forgiveness is in one's own self. I think that young men and women are so caught by the way they see themselves. Now mind you. When a larger society sees them as unattractive, as threats, as too black or too white or too poor or too fat or too thin or too sexual or too asexual, that's rough. But you can overcome that. The real difficulty is to overcome how you think about yourself. If we don't have that we never grow, we never learn, and sure as hell we should never teach.
Maya Angelou
All right, so give me some idea of what you can do," says Haymitch. I can’t do anything," says Peeta, "unless you count baking bread." Sorry, I don’t. Katniss. I already know you’re handy with a knife,” says Haymitch. Not really. But I can hunt,” I say. “With a bow and arrow.” And you’re good?” asks Haymitch. I have to think about it. I’ve been putting food on the table for four years. That’s no small task. I’m not as good as my father was, but he’d had more practice. I’ve better aim than Gale, but I’ve had more practice. He’s a genius with traps and snares. “I’m all right,” I say.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Why do girls always feel like they have to apologize for giving an opinion or taking up space in the world? Have you ever noticed that?" Nicole asked. "You go on websites and some girl leaves a post and if it's longer than three sentences or she's expressing her thoughts about some topic, she usually ends with, 'Sorry for the rant' or 'That may be dumb, but that's what I think.
Libba Bray (Beauty Queens)
The Doctor: Sorry, do you have a name? Idris: Seven hundred years and finally he asks. The Doctor: But what do I call you? Idris: I think you call me... Sexy? The Doctor: [embarrassed] Only when we're alone. Idris: We are alone. The Doctor: Oh. Come on then, Sexy.
Neil Gaiman
It's probably for the best, I told myself. How would I have said goodbye to Mal anyway? Thanks for being my best friend and making my life bearable. Oh, and sorry I fell in love with you for a while there. Make sure to write! 'What are you smiling at?' I whirled, peering into the gloom. The Darkling's voice seemed to float out of the shadows. He walked down to the stream, crouching on the bank to splash water on his face and through his dark hair. 'Well?' he asked, looking up at me. 'Myself,' I admitted. 'Are you that funny?' 'I'm hilarious.
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
People in the real world always say, when something terrible happens, that the sadness and loss and aching pain of the heart will “lessen as time passes,” but it isn’t true. Sorrow and loss are constant, but if we all had to go through our whole lives carrying them the whole time, we wouldn’t be able to stand it. The sadness would paralyze us. So in the end we just pack it into bags and find somewhere to leave it.
Fredrik Backman (My Grandmother Asked Me to Tell You She's Sorry)
I want someone to remember I existed. I want someone to know I was here.
Fredrik Backman (My Grandmother Asked Me to Tell You She's Sorry)
Elsa decides that even if people she likes have been shits on earlier occasions, she has to learn to carry on liking them. You’d quickly run out of people if you had to disqualify all those who at some point have been shits.
Fredrik Backman (My Grandmother Asked Me to Tell You She's Sorry)
There'a a phrase, "the elephant in the living room", which purports to describe what it's like to live with a drug addict, an alcoholic, an abuser. People outside such relationships will sometimes ask, "How could you let such a business go on for so many years? Didn't you see the elephant in the living room?" And it's so hard for anyone living in a more normal situation to understand the answer that comes closest to the truth; "I'm sorry, but it was there when I moved in. I didn't know it was an elephant; I thought it was part of the furniture." There comes an aha-moment for some folks - the lucky ones - when they suddenly recognize the difference.
Stephen King
He asked for a specific. I gave him a specific. I'm sorry it wasn't puppies.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
I’m—sorry about being a lousy date,” Alec muttered. “What are you talking about?” Magnus asked. “You’re a fantastic date. You’ve only been here ten minutes, and I already got half of your clothes off.
Cassandra Clare (The Course of True Love [and First Dates] (The Bane Chronicles, #10))
If I had my life to live over... Someone asked me the other day if I had my life to live over would I change anything. My answer was no, but then I thought about it and changed my mind. If I had my life to live over again I would have waxed less and listened more. Instead of wishing away nine months of pregnancy and complaining about the shadow over my feet, I'd have cherished every minute of it and realized that the wonderment growing inside me was to be my only chance in life to assist God in a miracle. I would never have insisted the car windows be rolled up on a summer day because my hair had just been teased and sprayed. I would have invited friends over to dinner even if the carpet was stained and the sofa faded. I would have eaten popcorn in the "good" living room and worried less about the dirt when you lit the fireplace. I would have taken the time to listen to my grandfather ramble about his youth. I would have burnt the pink candle that was sculptured like a rose before it melted while being stored. I would have sat cross-legged on the lawn with my children and never worried about grass stains. I would have cried and laughed less while watching television ... and more while watching real life. I would have shared more of the responsibility carried by my husband which I took for granted. I would have eaten less cottage cheese and more ice cream. I would have gone to bed when I was sick, instead of pretending the Earth would go into a holding pattern if I weren't there for a day. I would never have bought ANYTHING just because it was practical/wouldn't show soil/ guaranteed to last a lifetime. When my child kissed me impetuously, I would never have said, "Later. Now, go get washed up for dinner." There would have been more I love yous ... more I'm sorrys ... more I'm listenings ... but mostly, given another shot at life, I would seize every minute of it ... look at it and really see it ... try it on ... live it ... exhaust it ... and never give that minute back until there was nothing left of it.
Erma Bombeck (Eat Less Cottage Cheese And More Ice Cream Thoughts On Life From Erma Bombeck)
Ronan's bedroom door burst open. Hanging on the door frame, Ronan leaned out to peer past Gansey. He was doing that thing where he looked like both the dangerous Ronan he was now and the cheerier Ronan he had been when Gansey first met him. "Hold on," Gansey told Adam. Then, to Ronan: "Why would he be?" "No reason. Just no reason." Ronan slammed his door. Gansey asked Adam, "Sorry. You still have that suit for the party?" Adam's response was buried in the sound of the second-story door falling open. Noah slouched in. In a wounded tone, he said, "He threw me out the window!" Ronan's voice sang out from behind his closed door: "You're already dead!
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
if you hate the one who hates, you could risk becoming like the one you hate.
Fredrik Backman (My Grandmother Asked Me to Tell You She's Sorry)
The mightiest power of death is not that it can make people die, but that it can make the people you left behind want to stop living.
Fredrik Backman (My Grandmother Asked Me to Tell You She's Sorry)
I don't balance you like you need." "What the hell does that mean?" he exclaimed. My heart ached for him, and I was so sorry for what I'd done...but this was the truth of it all. "The fact that you have to ask says it all. When you find that person...you'll know.
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
Sorry, am I being rude?" she asks. "I'm used to saying whatever is on my mind. Mom used to say that politeness is deception in pretty packaging
Veronica Roth
Wolf, are you asking me to be ... your alpha female?" He hesitated. Scarlet couldn't help it - she burst into laughter. "Oh - I'm sorry. That was mean. I know I shouldn't tease you about this." Still grinning, she made to retract her hand, but he was suddenly gripping it, refusing to relinquish the touch. "You just look so scared, like I'm going to disappear any minute. We're stuck on a spaceship, Wolf. I'm not going anywhere." His lips twitched, his nervousness beginning to ease away, though his hand stayed tense over hers. "Alpha female," he murmured. "I sort of like that." Beaming, Scarlet gave a mild shrug. "It could grow on me.
Marissa Meyer (Scarlet (The Lunar Chronicles, #2))
We want to be loved,’ ” quotes Britt-Marie. “ ‘Failing that, admired; failing that, feared; failing that, hated and despised. At all costs we want to stir up some sort of feeling in others. The soul abhors a vacuum. At all costs it longs for contact.’ 
Fredrik Backman (My Grandmother Asked Me to Tell You She's Sorry)
... not all monsters look like monsters. There are some that carry their monstrosity inside.
Fredrik Backman (My Grandmother Asked Me to Tell You She's Sorry)
If I weren't standing next to your boyfriend, I'd be tempted to ask you out myself." She blushes, and St. Clair bounds inside the box office and wrestles her into a hug. "Miiiiiiiiine!" he says. "Cut it out." Anna pushes him off, laughing. "You'll get fired. And then I'll have to support your sorry arse for the rest of our lives.
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
Everything is complicated if no one explains it to you.
Fredrik Backman (My Grandmother Asked Me to Tell You She's Sorry)
She told me later that her parents had told her to steer clear of me at school. "My mum said that nobody really knew where you came from. And that you might be dangerous." "Why didn't you listen to her?" I asked. "Because nobody knew where you came from, Simon! And you might be dangerous!" "You have the worst survival instincts." "Also, I felt sorry for you," she said. "You were holding your wand backwards.
Rainbow Rowell (Carry On (Simon Snow, #1))
One day at a time. One dream at a time. And one could say it’s right and one could say it’s wrong. And probably both would be right. Because life is both complicated and simple. Which is why there are cookies.
Fredrik Backman (My Grandmother Asked Me to Tell You She's Sorry)
Amos sipped his coffee. "Sorry if that distubed you. Khufu's very picky. He only eats foods that end in -o. Doritos, burritos, flamingos." I blinked. "Did you say-" "Carter," Sadie warned. She looked a little queasy, like she'd already had this conversation. "Don't ask.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
When a Satanist commits a wrong, he realizes that is it natural to make a mistake―and if he is truly sorry about what he has done, he will learn from it and take care not to do the same thing again. If he is not honestly sorry about what he has done, and knows he will do the same thing over and over, he has no business confessing and asking forgiveness in the first place.
Anton Szandor LaVey (The Satanic Bible)
Ell?" Kate asked. "You okay?" "Yeah, I thought I saw a spider." I shook my fist at Will and scowled. "A big, really ugly one. Sorry.
Courtney Allison Moulton (Angelfire (Angelfire, #1))
Grow up and be different and don’t let anyone tell you not to be different, because all superheroes are different.
Fredrik Backman (My Grandmother Asked Me to Tell You She's Sorry)
Having a grandmother is like having an army. This is a grandchild's ultimate privilege: knowing that someone is on your side, always, whatever the details. Even when you are wrong. Especially then, in fact. A grandmother is both a sword and a shield.
Fredrik Backman (My Grandmother Asked Me to Tell You She's Sorry)
What’s all the yelling about?” Kishan asked. “Would you please tell your sorry excuse for a brother that I’m not talking to him anymore?” Kishan grinned. “No problem. She’s not talking to you anymore.
Colleen Houck (Tiger's Voyage (The Tiger Saga, #3))
Because if a sufficient number of people are different, no one has to be normal.
Fredrik Backman (My Grandmother Asked Me to Tell You She's Sorry)
People have to tell their stories, Elsa. Or they suffocate.
Fredrik Backman (My Grandmother Asked Me to Tell You She's Sorry)
Every seven-year-old deserves a superhero. That's just how it is.
Fredrik Backman (My Grandmother Asked Me to Tell You She's Sorry)
The currency there is imagination; instead of buying something with coins, you buy it with a good story. Libraries aren’t known as libraries but as “banks,” and every fairy tale is worth a fortune.
Fredrik Backman (My Grandmother Asked Me to Tell You She's Sorry)
We?" Simon looked at him in disbelief. "Are you ever going home?" "What, bored with my company already?" "Let me ask you something," Simon said. "Do you find me fascinating to be around?" "What was that?" Jace said. "Sorry, I think I fell asleep for a moment. Do, continue with whatever mesmerizing thing you were saying.
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
There’s something special about a grandmother’s house. You never forget how it smells.
Fredrik Backman (My Grandmother Asked Me to Tell You She's Sorry)
How come someone always saves the people who try to kill themselves and then makes them tell everyone how sorry they are for ruining their evening? I keep feeling like everyone wants me to apologize for something. but I'm not going to. I don't have anything to apologize for. They're the ones who screwed everything up. Not me. I didn't ask to be saved.
Michael Thomas Ford (Suicide Notes)
Alec isn’t happy,” said Magnus, as if she hadn’t spoken. “Of course he isn’t,” Isabelle snapped. “Jace—” “Jace,” said Magnus, and his hands made fists at his sides. Isabelle stared at him. She had always thought that he didn’t mind Jace; liked him, even, once the question of Alec’s affections had been settled. Out loud, she said: “I thought you were friends.” “It’s not that,” said Magnus. “There are some people — people the universe seems to have singled out for special destinies. Special favors and special torments. God knows we’re all drawn toward what’s beautiful and broken; I have been, but some people cannot be fixed. Or if they can be, it’s only by love and sacrifice so great it destroys the giver.” Isabelle shook her head slowly. “You’ve lost me. Jace is our brother, but for Alec — he’s Jace’s parabatai too —” “I know about parabatai,” said Magnus, his voice rising in pitch. “I’ve known parabatai so close they were almost the same person; do you know what happens, when one of them dies, to the one that’s left—” “Stop it!” Isabelle clapped her hands over her ears, then lowered them slowly. “How dare you, Magnus Bane,” she said. “How dare you make this worse than it is —” “Isabelle.” Magnus’ hands loosened; he looked a little wide-eyed, as if his outburst had startled even him. “I am sorry. I forget, sometimes . . . that with all your self-control and strength, you possess the same vulnerability that Alec does.” “There is nothing weak about Alec,” said Isabelle. “No,” said Magnus. “To love as you choose, that takes strength. The thing is, I wanted you here for him. There are things I can’t do for him, can’t give him . . .” For a moment Magnus looked oddly vulnerable. “You have known Jace as long as he has. You can give him understanding I can’t. And he loves you.” “Of course he loves me. I’m his sister.” “Blood isn’t love,” said Magnus, and his voice was bitter. “Just ask Clary.
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
It’s hard to help those who don’t want to help themselves.” “Someone who wants to help himself is possibly not the one who most needs help from others,” Elsa objects.
Fredrik Backman (My Grandmother Asked Me to Tell You She's Sorry)
Don’t fight with monsters, for you can become one. If you look into the abyss for long enough, the abyss looks into you.
Fredrik Backman (My Grandmother Asked Me to Tell You She's Sorry)
The letter had been crumpled up and tossed onto the grate. It had burned all around the edges, so the names at the top and bottom had gone up in smoke. But there was enough of the bold black scrawl to reveal that it had indeed been a love letter. And as Hannah read the singed and half-destroyed parchment, she was forced to turn away to hide the trembling of her hand. —should warn you that this letter will not be eloquent. However, it will be sincere, especially in light of the fact that you will never read it. I have felt these words like a weight in my chest, until I find myself amazed that a heart can go on beating under such a burden. I love you. I love you desperately, violently, tenderly, completely. I want you in ways that I know you would find shocking. My love, you don't belong with a man like me. In the past I've done things you wouldn't approve of, and I've done them ten times over. I have led a life of immoderate sin. As it turns out, I'm just as immoderate in love. Worse, in fact. I want to kiss every soft place of you, make you blush and faint, pleasure you until you weep, and dry every tear with my lips. If you only knew how I crave the taste of you. I want to take you in my hands and mouth and feast on you. I want to drink wine and honey from you. I want you under me. On your back. I'm sorry. You deserve more respect than that. But I can't stop thinking of it. Your arms and legs around me. Your mouth, open for my kisses. I need too much of you. A lifetime of nights spent between your thighs wouldn't be enough. I want to talk with you forever. I remember every word you've ever said to me. If only I could visit you as a foreigner goes into a new country, learn the language of you, wander past all borders into every private and secret place, I would stay forever. I would become a citizen of you. You would say it's too soon to feel this way. You would ask how I could be so certain. But some things can't be measured by time. Ask me an hour from now. Ask me a month from now. A year, ten years, a lifetime. The way I love you will outlast every calendar, clock, and every toll of every bell that will ever be cast. If only you— And there it stopped.
Lisa Kleypas (A Wallflower Christmas (Wallflowers, #4.5))
Sorry,” I mumbled. “Maybe you’re hungry,” said Zoya. “I always get mean when I’m hungry.” “Are you hungry all the time?” asked Harshaw. “You haven’t seen me mean. When you do, you’ll require a very big hanky.” He snorted. “To dry my tears?” “To stanch the bleeding.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
Granny then said the real trick of life was that almost no one is entirely a shit and almost no one is entirely not a shit. The hard part of life is keeping as much on the not-a-shit side as one can.
Fredrik Backman (My Grandmother Asked Me to Tell You She's Sorry)
Sorry to burst your bubble, but you were actually pointing at the old guy a few seats over. He totally freaked out and started shouting to everyone that you scored that goal for him, and then I heard him ask his wife if maybe you knew that he was just diagnosed with diabetes, so I didn’t have the heart to tell him who the goal was really for.
Elle Kennedy (The Deal (Off-Campus, #1))
I’ve read hundreds of novels in my life, most of them claiming that love was the center of the universe. That it could heal any damage inside of us. That it was what we needed to survive. From Darcy to Heathcliff, I thought they were fools. That love was something fictional, only found in worn pages of a book. That it was just made up to keep humans full of hope, that it was a lie. But all that changed since I met my Elizabeth Bennett. I never thought I would find myself completely and utterly consumed by another until her. She took my hand and led me out of the darkness and showed me that, whatever our souls are made of, hers and mine are the same. I’m sorry, please forgive me. You once asked me who I loved most in this world. It’s you. — Hardin ( Movie- "After" - Hardin's letter to Tessa )
Anna Todd
And I want to play hide-and-seek and give you my clothes and tell you I like your shoes and sit on the steps while you take a bath and massage your neck and kiss your feet and hold your hand and go for a meal and not mind when you eat my food and meet you at Rudy's and talk about the day and type up your letters and carry your boxes and laugh at your paranoia and give you tapes you don't listen to and watch great films and watch terrible films and complain about the radio and take pictures of you when you're sleeping and get up to fetch you coffee and bagels and Danish and go to Florent and drink coffee at midnight and have you steal my cigarettes and never be able to find a match and tell you about the tv programme I saw the night before and take you to the eye hospital and not laugh at your jokes and want you in the morning but let you sleep for a while and kiss your back and stroke your skin and tell you how much I love your hair your eyes your lips your neck your breasts your arse your and sit on the steps smoking till your neighbour comes home and sit on the steps smoking till you come home and worry when you're late and be amazed when you're early and give you sunflowers and go to your party and dance till I'm black and be sorry when I'm wrong and happy when you forgive me and look at your photos and wish I'd known you forever and hear your voice in my ear and feel your skin on my skin and get scared when you're angry and your eye has gone red and the other eye blue and your hair to the left and your face oriental and tell you you're gorgeous and hug you when you're anxious and hold you when you hurt and want you when I smell you and offend you when I touch you and whimper when I'm next to you and whimper when I'm not and dribble on your breast and smother you in the night and get cold when you take the blanket and hot when you don't and melt when you smile and dissolve when you laugh and not understand why you think I'm rejecting you when I'm not rejecting you and wonder how you could think I'd ever reject you and wonder who you are but accept you anyway and tell you about the tree angel enchanted forest boy who flew across the ocean because he loved you and write poems for you and wonder why you don't believe me and have a feeling so deep I can't find words for it and want to buy you a kitten I'd get jealous of because it would get more attention than me and keep you in bed when you have to go and cry like a baby when you finally do and get rid of the roaches and buy you presents you don't want and take them away again and ask you to marry me and you say no again but keep on asking because though you think I don't mean it I do always have from the first time I asked you and wander the city thinking it's empty without you and want what you want and think I'm losing myself but know I'm safe with you and tell you the worst of me and try to give you the best of me because you don't deserve any less and answer your questions when I'd rather not and tell you the truth when I really don't want to and try to be honest because I know you prefer it and think it's all over but hang on in for just ten more minutes before you throw me out of your life and forget who I am and try to get closer to you because it's beautiful learning to know you and well worth the effort and speak German to you badly and Hebrew to you worse and make love with you at three in the morning and somehow somehow somehow communicate some of the overwhelming undying overpowering unconditional all-encompassing heart-enriching mind-expanding on-going never-ending love I have for you.
Sarah Kane (Crave)
I'm sorry." He sounded so...earnest, which made Lila instantly suspicious. Alucard was many things, but genuine wasn't usually one of them. "For growing on me?" she asked. He shook his head. "For whatever happened to you. For whoever hurt you so deeply that you see things like friends and fondness as weapons instead of shields.
V.E. Schwab (A Gathering of Shadows (Shades of Magic, #2))
Right, you've got a crooked sort of cross..." He consulted Unfogging the Future. "That means you're going to have 'trials and suffering' — sorry about that — but there's a thing that could be the sun... hang on... that means 'great happiness'... so you're going to suffer but be very happy..." "You need your Inner Eye tested, if you ask me," said Ron, and they both had to stifle their laughs as Professor Trelawney gazed in their direction.
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
I'm so sorry, Henri," I whisper in his ear. I close my eyes. "I love you. I wouldn't have missed a second of it, either. Not for anything," I whisper. "I'm going to take you back yet. Somehow I am going to get you back to Lorien. We always joked about it but you were my father, the best father I could have ever asked for. I'll never forget you, not for a minute for as long as I live. I love you, Henri. I always did.
Pittacus Lore (I Am Number Four (Lorien Legacies, #1))
Do you remember infinity?” Slowly, I turned around. “What about it?” Tossing something toward me, he said, “Catch.” I reached out and caught it in the air. A silver necklace. I held it up and examined it. The infinity necklace. It didn’t shine the way it used to; it looked a bit coppery now. But I recognized it. Of course I recognized it. “What is this?” I asked. “You know what it is,” he said. I shrugged. “Nope, sorry.” I could see that he was both hurt and angry. “Okay, then. You don’t remember it. I’ll remind you. I bought you that necklace for your birthday.” My birthday. It had to have been for my sixteenth birthday. It was the only year he ever forgot to buy me a birthday present—the last summer we’d all been together at the beach house, when Susannah was still alive.
Jenny Han (We'll Always Have Summer (Summer #3))
No,” he muttered, running a hand through his copper hair. “No. No. There are dozens.” “Kell?” she asked, moving to touch his arm. He shook her off. “Dozens of ships, Lila! And you had to climb aboard his.” “I’m sorry,” she shot back, bristling, “I was under the impression that I was free to do as I pleased.” “To be fair,” added Alucard, “I think she was planning to steal it and slit my throat.” “Then why didn’t you?” snarled Kell, spinning on her. “You’re always so eager to slash and stab, why couldn’t you have stabbed him?
V.E. Schwab (A Gathering of Shadows (Shades of Magic, #2))
Can I just point something out?" Fletcher asked. "That is an awful plan. On a scale of one to ten - the Trojan War being a ten and General Custer verus all those Indians being a one - your plan is a zero. I don't think it is a plan at all. I think it's just a series of happenings that are, to be honest, unlikely to follow on from each other in the way in which everyone's probably hoping." "Do you have a better plan?" Valkyrie asked. "Of course not. I'm a man of action, not thought." Valkyrie nodded. "You're definitely not a man of thought." "Why are you in charge anyway? What do you know about organising something like this?" "I have faith," Tanith said. "As do I," said Ghastly. Valkyrie smiled at them gratefully. "So you think the plan will work?" "God, no," said Ghastly. "Sorry, Val," said Tanith
Derek Landy
The Brigands charged in with their weapons drawn. "Who are you?" Young Bertie asked. "We're the bad guys!" their leader announced. "What are you going to do?" "Plunder and pillage!" one of them yelled. The others immediately shoved him. "Not in front of the kid, Ralph! Fer cryin' out loud..." "Oh, yeah. Sorry! We're here to take your candy!
Lisa Mantchev (Eyes Like Stars (Théâtre Illuminata, #1))
If you’re sorry, that means you want forgiveness. Is that what you’re asking for? If you want forgiveness, that means you want to make things right. And if you want to make things right, that means that you don’t intend to put me in harm’s way again. So, if you are saying you’re sorry, I don’t think you understand what that entails.
Tricia Levenseller (Daughter of the Pirate King (Daughter of the Pirate King, #1))
Do you think I’m pretty?” Smitty glanced away from the computer screen he’d been staring at for the last three hours, looked at his sister, and shook his head. “No.” “What do ya mean no?” “You asked. Sorry if you didn’t like the answer. I always thought you were funny lookin’. Asked momma, ‘What is that thing laying in your bed?’ And she said, ‘I found it hiding under a car, you be nice to it now.
Shelly Laurenston (The Beast in Him (Pride, #2))
Percy: “You asked Poseidon for… me?” Tyson: "For a friend, young cyclopes grow up alone on the streets, learns to make things out of scraps. Learn to survive." Percy: “But that’s so cruel!” Tyson: “Makes us appreciate blessings, not be greedy and mean and fat like Polyphemus. But I got scared. Monsters chased me so much, clawed me sometimes--" Percy: “The scars on your back?” Tyson: “Sphinx on Seventy-second Street. Big Bully. I prayed to Daddy for help. Soon the people at Meriwether found me. Mey you. Biggest blessing ever. Sorry I said Poseidon was mean. He sent me a brother.
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
I asked you to be my parabatai because I needed you, but you’re allowed to need me, too. This”—he indicated his own parabatai rune—“means you are the better, other half of me, and I care about you more than I care about myself. Remember that. I’m sorry I didn’t realize how much you were hurting. I didn’t see it then, but I see it now.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
I just wanted to say that you don't always have to be all right. I asked you to be my parabatai because I needed you, but you're allowed to need me, too. This" - he indicated his own parabatai rune - "means you are the better, other half of me, and I care about you more than I care about myself. Remember that. I'm sorry I didn't realize how much you were hurting. I didn't see it then, but I see it now.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
When clouds of pain loom in the sky When a shadow of sadness flickers by When a tear finds its way to the eye When fear keeps the loneliness alive I try and console my heart Why is it that you cry? I ask This is only what life imparts These deep silences within Have been handed out to all by time Everyone’s story has a little sorrow Everyone’s share has a little sunshine No need for water in your eyes Every moment can be a new life Why do you let them pass you by? Oh heart, why is it that you cry?
Javed Akhtar
Party lights hang over the street, yellow and red and green. Sadie stumbles over someone’s chair, but I’m ready for this and I catch her easily by the arm. “Sorry, clumsy,” she says. “You always were, Sadie. One of your more endearing traits.” Before she can ask about that I slip my arm around her waist. She slips hers around mine, still looking up at me. The lights skate across her cheeks and shine in her eyes. We clasp hands, fingers folding together naturally, and for me the years fall away like a coat that’s too heavy and too tight. In that moment, I hope on thing above all others: that she was not too busy to find at least one good man … She speaks in a voice almost too low to be heard over the music. But I hear her – I always did. “Who are you, George?” “Someone you knew in another life, honey.
Stephen King (11/22/63)
My father gave me a ruined boy to compensate for the fact that he does not love me. The boy is fragile, broken—broke himself—broke everything. I asked him why he did it. He said because the world was unlivable. He said it was unlovable, but I think he meant himself. I think he meant that loneliness is sometimes painful. I curl against him, tuck my head beneath his chin and listen to his heart. It says stay and wait. It says regret. He knows what it is to want love, a love so fierce you grow roots. I hear his heart say please. He went looking for angels and found me instead, girl of the sorrows, sad but not sorry. I waited for a sign, a star to fall. He reached for a knife and drew branches.
Brenna Yovanoff
My Name “I guess you are kind of curious as to who I am, but I am one of those who do not have a regular name. My name depends on you. Just call me whatever is in your mind. If you are thinking about something that happened a long time ago: Somebody asked you a question and you did not know the answer. That is my name. Perhaps it was raining very hard. That is my name. Or somebody wanted you to do something. You did it. Then they told you what you did was wrong—“Sorry for the mistake,”—and you had to do something else. That is my name. Perhaps it was a game you played when you were a child or something that came idly into your mind when you were old and sitting in a chair near the window. That is my name. Or you walked someplace. There were flowers all around. That is my name. Perhaps you stared into a river. There as something near you who loved you. They were about to touch you. You could feel this before it happened. Then it happened. That is my name.
Richard Brautigan (In Watermelon Sugar)
Off with you" is a phrase used by people who lack the curtesy to say something more polite, such as, "if there's nothing else you require I must be going" or "I'm sorry but I'm going to have to ask you to leave, please" or even "excuse me but I believe you have mistaken my home for your own and my valuable belongings for yours and I must ask you to return the items in question to me and leave my home after untying me from this chair, as I'm unable to do it myself, if it's not too much trouble.
Lemony Snicket (The Penultimate Peril (A Series of Unfortunate Events, #12))
He is sorry- For everything- For Prentisstown- For Viola- For Ben- For every failure and every wrong- For letting his pa down- And he's looking up at me- And he's begging me- He's begging me- Like I'm the only one who can forgive him- Like it's only me who's got the power- Todd?- Please- And all I can say is "Davy-" And the fright and the terror in his Noise is too much- It's too much- And then it stops. Davy slumps, eyes still open, eyes still staring back at me, eyes still asking (I swear) for me to forgive him. And he lies there, still. Davy Prentiss is dead.
Patrick Ness (The Ask and the Answer (Chaos Walking, #2))
What’s so funny?” I asked, horrified, trying to think of an inconspicuous way to check my breath. “Of everything you’ve done, this is by far the most entertaining!” Maxon bent over, hitting his knee as he laughed. “Excuse me?” He kissed me hard on my forehead. “I always wondered what it would be like to see you try.” He started laughing again. “I’m sorry; I have to go.” Even the way he stood held a sense of amusement. “I’ll see you in the morning.” And then he left. He just left!
Kiera Cass (The One (The Selection, #3))
Oh my. He's English. "Er. Does Mer live here?" Seriously, I don't know any American girl who can resist an English accent. The boy clears his throat. "Meredith Chevalier? Tall girl? Big, curly hair?" Then he looks at me like I'm crazy or half deaf, like my Nana Oliphant. Nanna just smiles and shakes her head whenever I ask, "What kind of salad dressing would you like?" or "Where did you put Granddad's false teeth?" "I'm sorry." He takes the smallest step away from me. "You were going to bed." "Yes! Meredith lives here. I've just spent two hours with her." I announce this proudly like my little brother, Seany, whenever he finds something disgusting in the yard. "I'm Anna! I'm new here!" Oh, [Gosh]. What. Is with. The scary enthusiasm? My cheeks catch fire, and it's all so humiliating. The beautiful boy gives an amused grin. His teeth are lovely - straight on top and crooked on the bottom, with a touch of overbite. I'm a sucker for smiles like this, due to my own lack of orthodontia. I have a gap between my front teeth the size of a raisin. "Étienne," he says. "I live one floor up." "I live here." I point dumbly at my room while my mind whirs: French name, English accent, American school. Anna confused. He raps twice on Meredith's door. "Well. I'll see you around then, Anna." Eh-t-yen says my name like this: Ah-na.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
What's that you're holding?" he asked, noticing the pamphlet, still rolled up in her left hand. "Oh, this?" She held it up. "How to Come Out to Your Parents." He widened his eyes. "Something you want to tell me?" "It's not for me. It's for you." She handed it to him. "I don't have to come out to my mother," said Simon. "She already thinks I'm gay because I'm not interested in sports and I haven't had a serious girlfriend yet. Not that she knows of, anyway." "But you have to come out as a vampire," Clary pointed out. "Luke thought you could, you know, use one of the suggested speeches in the pamphlet, except use the word 'undead' instead of--" "I get it, I get it." Simon spread the pamplet open. "Here, I'll practice on you." He cleared his throat. "Mom. I have something to tell you. I'm undead. Now, I know you may have some preconceived notions about the undead. I know you may not be comfortable with the idea of me being undead. But I'm here to tell you that the undead are just like you and me." Simon paused. "Well, okay. Possibly more like me than you." "SIMON." "All right, all right." He went on. "The first thing you need to understand is that I'm the same person I always was. Being undead isn't the most important thing about me. It's just part of who I am. The second thing you should know is that it isn't a choice. I was born this way." Simon squinted at her over the pamphlet. "Sorry, reborn this way.
Cassandra Clare
Maybe in the next life we'll meet each other for the first time- believing in everything but the harm we're capable of. Maybe we'll be the opposite of buffaloes. We'll grow wings and spill over the cliff as a generation of monarchs, heading home. Green Apple. Like snow covering the particulars of the city, they will say we never happened, that our survival was a myth. But they're wrong. You and I, we were real. We laughed knowing joy would tear the stitches from our lips. Remember: The rules, like streets, can only take you to known places. Underneath the grid is a field- it was always there- where to be lost is never to be wrong, but simply more. As a rule, be more. As a rule, I miss you. As a rule,"little" is always smaller than "small". Don't ask me why. I'm sorry I don't call enough. Green Apple. I'm sorry I keep saying How are you? when I really mean Are you happy?
Ocean Vuong (On Earth We're Briefly Gorgeous)
Uh-oh,' said Gazzy, but Angel was so nauseated she didn't have time to leap to a safe distance, or grab a gas mask Bbbbbrrrrrrrttthhhhhhttttttt. 'Mother of God, no!' Total cried, doing a fast belly-crawl to the pool and throwing himself in. 'You said it wasn't your digestive system!' 'What was that?' Dylan asked. He winced and threw an arm oer his nose and mouth. ... 'Sorry,' Gazzy said miserably, but he couldn't help a tiny grin. Nudge was clawing at a stack of towels to cover her face. 'Nice one, Gaz,' said Iggy. ... 'Wait-that was Gazzy? Is that why you call him...Oh, crap,' Dylan said weakly.
James Patterson (Fang (Maximum Ride, #6))
Puck threw Ash a mocking smile. “You look like crap, Prince. Did you miss me?” Ash frowned, stabbing a faery that was clawing at his feet. “What are you doing here, Goodfellow?” he asked coldly, which only caused Puck’s grin to widen. “Rescuing the princess from the Winter Court, of course.” Puck looked down as the wire-fey piled on the squealing boar, ripping and slicing. It exploded into a pile of leaves, and they skittered back in confusion. “Though it appears I’m saving your sorry ass, as well.” “I could’ve handled it.” “Oh, I’m sure.” Puck brandished a pair of curved daggers, the blades clear as glass. His grin turned predatory. “Well, then, shall we get on with it? Try to keep up, Your Highness.” “Just stay out of my way.
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
Why are you drinking? - the little prince asked. - In order to forget - replied the drunkard. - To forget what? - inquired the little prince, who was already feeling sorry for him. - To forget that I am ashamed - the drunkard confessed, hanging his head. - Ashamed of what? - asked the little prince who wanted to help him. - Ashamed of drinking! - concluded the drunkard, withdrawing into total silence. And the little prince went away, puzzled. 'Grown-ups really are very, very odd', he said to himself as he continued his journey.
Antoine de Saint-Exupéry (The Little Prince)
I can see that I imagine all kinds of rejection that never happens. I can see that I beg and plead for love that is freely offered because I somehow believe that if I don't ask for it, everyone will forget about me: I will be a little kid sent off to sleep-away camp whose parents forget to meet her at the bus when she comes back in August. Or else I think people are nice to me only to be nice to me, that they feel sorry for me because I am such a loser- as if anyone could possibly be that generous.
Elizabeth Wurtzel (More, Now, Again: A Memoir of Addiction)
I’m sorry I ever asked you guys to be friends. You don’t have to be friends. You don’t even have to like each other. Forget I said anything.” Warner drops his crossed arms. Kenji raises his eyebrows. “I promise,” I say. “No more forced hangout sessions. No more spending time alone without me. Okay?” “You swear?” Kenji says. “I swear.” “Thank God,” Warner says. “Same, bro. Same.” And I roll my eyes, irritated. This is the first thing they’ve managed to agree on in over a week: their mutual hatred of my hopes for their friendship.
Tahereh Mafi (Restore Me (Shatter Me, #4))
The past doesn't exist. There is nothing to be sorry for. Today is when we start to live. Look... look at the sea. The sea has no past. It is just there. It will never ask us to explain. The stars, the moon are there to light our way, to shine for us. What do they care what might have happened in the past? They are accompanying us, and are happy with that; can you see them shine? The stars are twinkling in the sky; would they do that if the past mattered? Wouldn't there be a huge storm if God wanted to punish us? We are alone, you and I, with no past, no memories, no guilt, nothing that can stand in the way of... our love.
Ildefonso Falcones (La catedral del mar (La catedral del mar, #1))
Every morning the maple leaves. Every morning another chapter where the hero shifts from one foot to the other. Every morning the same big and little words all spelling out desire, all spelling out You will be alone always and then you will die. So maybe I wanted to give you something more than a catalog of non-definitive acts, something other than the desperation. Dear So-and-So, I’m sorry I couldn’t come to your party. Dear So-and-So, I’m sorry I came to your party and seduced you and left you bruised and ruined, you poor sad thing. You want a better story. Who wouldn’t? A forest, then. Beautiful trees. And a lady singing. Love on the water, love underwater, love, love and so on. What a sweet lady. Sing lady, sing! Of course, she wakes the dragon. Love always wakes the dragon and suddenly flames everywhere. I can tell already you think I’m the dragon, that would be so like me, but I’m not. I’m not the dragon. I’m not the princess either. Who am I? I’m just a writer. I write things down. I walk through your dreams and invent the future. Sure, I sink the boat of love, but that comes later. And yes, I swallow glass, but that comes later. Let me do it right for once, for the record, let me make a thing of cream and stars that becomes, you know the story, simply heaven. Inside your head you hear a phone ringing and when you open your eyes only a clearing with deer in it. Hello deer. Inside your head the sound of glass, a car crash sound as the trucks roll over and explode in slow motion. Hello darling, sorry about that. Sorry about the bony elbows, sorry we lived here, sorry about the scene at the bottom of the stairwell and how I ruined everything by saying it out loud. Especially that, but I should have known. Inside your head you hear a phone ringing, and when you open your eyes you’re washing up in a stranger’s bathroom, standing by the window in a yellow towel, only twenty minutes away from the dirtiest thing you know. All the rooms of the castle except this one, says someone, and suddenly darkness, suddenly only darkness. In the living room, in the broken yard, in the back of the car as the lights go by. In the airport bathroom’s gurgle and flush, bathed in a pharmacy of unnatural light, my hands looking weird, my face weird, my feet too far away. I arrived in the city and you met me at the station, smiling in a way that made me frightened. Down the alley, around the arcade, up the stairs of the building to the little room with the broken faucets, your drawings, all your things, I looked out the window and said This doesn’t look that much different from home, because it didn’t, but then I noticed the black sky and all those lights. We were inside the train car when I started to cry. You were crying too, smiling and crying in a way that made me even more hysterical. You said I could have anything I wanted, but I just couldn’t say it out loud. Actually, you said Love, for you, is larger than the usual romantic love. It’s like a religion. It’s terrifying. No one will ever want to sleep with you. Okay, if you’re so great, you do it— here’s the pencil, make it work … If the window is on your right, you are in your own bed. If the window is over your heart, and it is painted shut, then we are breathing river water. Dear Forgiveness, you know that recently we have had our difficulties and there are many things I want to ask you. I tried that one time, high school, second lunch, and then again, years later, in the chlorinated pool. I am still talking to you about help. I still do not have these luxuries. I have told you where I’m coming from, so put it together. I want more applesauce. I want more seats reserved for heroes. Dear Forgiveness, I saved a plate for you. Quit milling around the yard and come inside.
Richard Siken
Are you not thirsty?" said the Lion. "I am dying of thirst," said Jill. "Then drink," said the Lion. "May I — could I — would you mind going away while I do?" said Jill. The Lion answered this only by a look and a very low growl. And as Jill gazed at its motionless bulk, she realized that she might as well have asked the whole mountain to move aside for her convenience. The delicious rippling noise of the stream was driving her nearly frantic. "Will you promise not to — do anything to me, if I do come?" said Jill. "I make no promise," said the Lion. Jill was so thirsty now that, without noticing it, she had come a step nearer. "Do you eat girls?" she said. "I have swallowed up girls and boys, women and men, kings and emperors, cities and realms," said the Lion. It didn't say this as if it were boasting, nor as if it were sorry, nor as if it were angry. It just said it. "I daren't come and drink," said Jill. "Then you will die of thirst," said the Lion. "Oh dear!" said Jill, coming another step nearer. "I suppose I must go and look for another stream then." "There is no other stream," said the Lion.
C.S. Lewis (The Silver Chair (Chronicles of Narnia, #4))
I do like him. I'm sick of just liking people. I wish to God I could meet somebody I could respect.... .... Listen, don't hate me because I can't remember some person immediately. Especially when they look like everybody else, and talk and dress and act like everybody else." Franny made her voice stop. It sounded to her caviling and bitchy, and she felt a wave of self-hatred that, quite literally, made her forehead begin to perspire again. But her voice picked up again, in spite of herself. "I don't mean there's anything horrible about him or anything like that. It's just that for four solid years I've kept seeing Wally Campbells wherever I go. I know when they're going to be charming, I know when they're going to start telling you some really nasty gossip about some girl that lives in your dorm, I know when they're going to ask me what I did over the summer, I know when they're going to pull up a chair and straddle it backward and start bragging in a terribly, terribly quiet voice--or name-dropping in a terribly quiet, casual voice. There's an unwritten law that people in a certain social or financial bracket can name-drop as much as they like just as long as they say something terribly disparaging about the person as soon as they've dropped his name—that he's a bastard or a nymphomaniac or takes dope all the time, or something horrible." She broke off again. She was quiet for a moment, turning the ashtray in her fingers. Franny quickly tipped her cigarette ash, then brought the ashtray an inch closer to her side of the table. "I'm sorry. I'm awful," she said. "I've just felt so destructive all week. It's awful, I'm horrible.
J.D. Salinger (Franny and Zooey)
I...I'm sorry," Kylie mumbled. "Don't you even try to talk your way out of me being pissed!" Burnett growled. "Not a word!" "I just..." "That's two words and I said not one!" he snapped, and he swiped his hand through the air for emphasis. Kylie bit down on her lip, and wouldn't you know it that's when the tears started flowing. Big, fat, and fast tears. She sniffled and wiped her cheeks with the back of her hand. Her breath caught in her chest. But damn it. Why couldn't this have happened when she was alone? "Those tears do not affect me, young lady!" He pointed a finger at her. While she couldn't hear his heart beat to the rhythm of a lie, she heard it in his voice. *** "I just..." "Did I say you could talk?" he asked. He did three more pacing laps, as if working off steam, before he looked at her again. "Where were you going, Kylie?" When she just looked at him, he bit out, "Answer me." "You said I couldn't talk.
C.C. Hunter (Chosen at Nightfall (Shadow Falls, #5))
God preserve you, my dear boy, from ever asking forgiveness for a fault from a woman you love. From one you love especially, however greatly you may have been in fault. For a woman--devil only knows what to make of a woman: I know something about them, anyway. But try acknowledging you are in fault to a woman. Say, "I am sorry, forgive me," and a shower of reproaches will follow! Nothing will make her forgive you simply and directly, she'll humble you to the dust, bring forward things that have never happened, recall everything, forget nothing, add something of her own, and only then forgive you. And even the best, the best of them do it. She'll scrape up all the scrapings and load them on your head. They are ready to flay you alive, I tell you, every one of them, all these angels without whom we cannot live! I tell you plainly and openly, dear boy, every decent man ought to be under some woman's thumb. That's my conviction--not conviction, but feeling. A man ought to be magnanimous, and it's no disgrace to a man! No disgrace to a hero, not even a Caesar! But don't ever beg her pardon all the same for anything...
Fyodor Dostoevsky (The Brothers Karamazov)
For you she learned to wear a short black slip and red lipstick, how to order a glass of red wine and finish it. She learned to reach out as if to touch your arm and then not touch it, changing the subject. Didn't you think, she'd begin, or Weren't you sorry. . . . To call your best friends by their schoolboy names and give them kisses good-bye, to look away when they say Your wife! So your confidence grows. She doesn't ask what you want because she knows. Isn't that what you think? When actually she was only waiting to be told Take off your dress--- to be stunned, and then do this, never rehearsed, but perfectly obvious: in one motion up, over, and gone, the X of her arms crossing and uncrossing, her face flashing away from you in the fabric so that you couldn't say if she was appearing or disappearing.
Deborah Garrison (A Working Girl Can't Win)
Can I borrow your phone?" she asked. I frowned, unsure what she would do. "Sure." I pulled my phone from my pocket, handing it to her. She fingered the buttons for a moment, and then dialed, closing her eyes as she waited. "I'm sorry for calling you so early," she stammered, "but this couldn't wait. I . . . can't go to dinner with you on Wednesday." She had called Parker. My hands trembled with apprehension, wondering if she was going to ask him to pick her up - to save her - or something else. She continue, "I can't see you at all, actually. I'm . . . pretty sure I'm in love with Travis." My whole world stopped. I tried to replay her words over. Had I heard them correctly? Did she really just say what I thought she had, or was it just wishful thinking? Abby handed the phone back to me, and then reluctantly peered up into my eyes. "He hung up," she said with a frown. "You love me?" "It's the tattoos," she said, flippant and shrugging, as if she hadn't just said the one thing I'd ever wanted to hear. Pigeon loved me.
Jamie McGuire (Walking Disaster (Beautiful, #2))
Brad (Lauren's ex) ignored Hayley (she's Brad's ex girlfriend) and looked at me, he did a top to toe and back again then his gaze moved to Tate. "I'm here to tell you I'm suing you," he announced. Jim-Billy, Nadine, Steg, Wing and my eyes moved to Tate. Tate stared at Brad then he said, "Come again?" "I'm suing you," Brad repeated. "For what?" Tate asked. "Alienation of affection," Brad answered. Without hesitation, Tate threw his head back and burst out laughing. Then he looked at me and remarked, "You're right, babe, this is fun." Ignoring Tate's comment, Brad declared, "You stole my wife." Tate looked back at Brad. "Yeah, bud, I did." Brad pointed at Tate and his voice was raised when he proclaimed, "See? You admit it." He threw his arm out. "I have witnesses." "Not that any judge'll hear your case, seein' as Lauren divorced your ass before I alienated her affection, but you manage it, I'll pay the fine. In the meantime, I'll keep alienating her affection. You should know, and feel free to share it with your lawyers," Tate continued magnanimously, "schedule's comin' out mornin' and night. Usually, in the mornin', she sucks me off or I make her come in the shower. Night, man…shit, that's even better. Definitely worth the fine." Sorry, it's just too long; I have to cut it off. But it continues…like that: "This is the good life?" (Brad) "Part of it," Tate replied instantly, taking his fists from the bar, leaning into his forearms and asking softly, in a tone meant both to challenge and provoke, "She ever ignite, lose so much control she'd attack you? Climb on top and fuck you so hard she can't breathe?" I watched Brad suffer that blow because I hadn't, not even close. We'd had good sex but not that good and Brad was extremely proud of his sexual prowess. He was convinced he was the best. And he knew, with Tate's words, he was wrong. "Jesus, you're disgusting," Brad muttered, calling up revulsion to save face. "She does that to me," Tate continued. "Fuck off," Brad snapped. "All the fuckin' time," Tate pushed. "Fuck off," Brad repeated. "It's fuckin' magnificent," Tate declared. "Thanks, honey," I whispered and grinned at him when his eyes came to me. I was actually expressing gratitude, although embarrassed by his conversation, but I was also kind of joking to get in Brad's face. Tate wasn't. His expression was serious when he said, "You are, Ace. Fuckin' magnificent.
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
I am, and always have been - first, last, and always - a child of America. You raised me. I grew up in the pastures and hills of Texas, but I had been to thirty-four states before I learned how to drive. When I caught the stomach flu in the fifth grade, my mother sent a note to school written on the back of a holiday memo from Vice President Biden. Sorry, sir—we were in a rush, and it was the only paper she had on hand. I spoke to you for the first time when I was eighteen, on the stage of the Democratic National Convention in Philadelphia, when I introduced my mother as the nominee for president. You cheered for me. I was young and full of hope, and you let me embody the American dream: that a boy who grew up speaking two languages, whose family was blended and beautiful and enduring, could make a home for himself in the White House. You pinned the flag to my lapel and said, “We’re rooting for you.” As I stand before you today, my hope is that I have not let you down. Years ago, I met a prince. And though I didn’t realize it at the time, his country had raised him too. The truth is, Henry and I have been together since the beginning of this year. The truth is, as many of you have read, we have both struggled every day with what this means for our families, our countries, and our futures. The truth is, we have both had to make compromises that cost us sleep at night in order to afford us enough time to share our relationship with the world on our own terms. We were not afforded that liberty. But the truth is, also, simply this: love is indomitable. America has always believed this. And so, I am not ashamed to stand here today where presidents have stood and say that I love him, the same as Jack loved Jackie, the same as Lyndon loved Lady Bird. Every person who bears a legacy makes the choice of a partner with whom they will share it, whom the American people will “hold beside them in hearts and memories and history books. America: He is my choice. Like countless other Americans, I was afraid to say this out loud because of what the consequences might be. To you, specifically, I say: I see you. I am one of you. As long as I have a place in this White House, so will you. I am the First Son of the United States, and I’m bisexual. History will remember us. If I can ask only one thing of the American people, it’s this: Please, do not let my actions influence your decision in November. The decision you will make this year is so much bigger than anything I could ever say or do, and it will determine the fate of this country for years to come. My mother, your president, is the warrior and the champion that each and every American deserves for four more years of growth, progress, and prosperity. Please, don’t let my actions send us backward. I ask the media not to focus on me or on Henry, but on the campaign, on policy, on the lives and livelihoods of millions of Americans at stake in this election. And finally, I hope America will remember that I am still the son you raised. My blood still runs from Lometa, Texas, and San Diego, California, and Mexico City. I still remember the sound of your voices from that stage in Philadelphia. I wake up every morning thinking of your hometowns, of the families I’ve met at rallies in Idaho and Oregon and South Carolina. I have never hoped to be anything other than what I was to you then, and what I am to you now—the First Son, yours in actions and words. And I hope when Inauguration Day comes again in January, I will continue to be.
Casey McQuiston (Red, White & Royal Blue)
They're both convinced that a sudden passion joined them. Such certainty is beautiful, but uncertainty is more beautiful still. Since they'd never met before, they're sure that there'd been nothing between them. But what's the word from the streets, staircases, hallways-- perhaps they've passed by each other a million times? I want to ask them if they don't remember-- a moment face to face in some revolving door? perhaps a "sorry" muttered in a crowd? a curt "wrong number" caught in the receiver? but I know the answer. No, they don't remember. They'd be amazed to hear that Chance has been toying with them now for years. Not quite ready yet to become their Destiny, it pushed them close, drove them apart, it barred their path, stifling a laugh, and then leaped aside. There were signs and signals, even if they couldn't read them yet. Perhaps three years ago or just last Tuesday a certain leaf fluttered from one shoulder to another? Something was dropped and then picked up. Who knows, maybe the ball that vanished into childhood's thicket? There were doorknobs and doorbells where one touch had covered another beforehand. Suitcases checked and standing side by side. One night, perhaps, the same dream, grown hazy by morning. Every beginning is only a sequel, after all, and the book of events is always open halfway through.
Wisława Szymborska (View with a Grain of Sand: Selected Poems)
Maxon, I hope you find someone you can't love without. I really do. And I hope you never have to know what it's like to have to try and live without them." Maxon's face was a shallow echo of my own pain. He looked absolutely brokenhearted for me. More than that, he looked angry. "I'm sorry, America. I don't..." His face shifted a little. "Is this a good time to pat your shoulder?" His uncertainty made me smile. "Yes. Now would be a great time." He seemed as skeptically as he'd been the other day, but instead of just patting my shoulder, he leaned in and tentatively wrapped his arms around me. "I only really ever hug my mother. Is this okay?" he asked. I laughed. "It's hard to get a hug wrong." After a minute, I spoke again. "I know what you mean, though. I don't really hug anyone besides my family." I felt so drained after the long day of dressing and the Report and dinner and talking. It was nice to have Maxon just hold me, sometimes even patting my hair. He wasn't as lost as he seemed. He patiently waited for my breathing to slow, and when it did, he pulled back to look at me. "America, I promise you I'll keep you here until the last possible moment. I understand that they want me to narrow the Elite down to three and then choose. But I swear to you, I'll make it to two and keep you here until then. I won't make you leave a moment before I have to. Or the moment you're ready. Whichever comes first." I nodded. "I know we just met, but I think you're wonderful. And it bothers me to see you hurt. If he were here, I'd...I'd..." Maxon shook with frustration, then sighed. "I'm so sorry, America." He pulled me back in, and I rested my head on his broad shoulder. I knew Maxon would keep his promises. So I settled into perhaps the last place I ever thought I'd find genuine comfort.
Kiera Cass (The Selection (The Selection, #1))
Where's your car? Miles asks, glancing at him as he slams his door shut and slings his backpack over his shoulder. "And whats up with your hand?" "I got rid of it," Damen says, gaze fixed on mine. Then glancing at Miles and seeing his expression he adds, "The car, not the hand." "Did you trade it in?" I ask, but only because Miles is listening. [...] He shakes his head and walks me to the gate, smiling as he says, "No, I just dropped off on the side of the road, key in the ignition, engine running." "Excuse me?!" Miles yelps. "You mean to tell me that you left your shiny, black, BMW M6 Coupe—by the side of the road?" Damen nods. But thats a hundred-thousand-dollar car!" Miles gasps as his face turns bright red. "A hundreds and ten." Damen laughs. "Don't forget, it was fully customized and loaded with options." Miles stares at him, eyes practically bugging out of his head, unable to comprehend how anyone could do such a thing—why anyone would do such a thing. "Um, okay, so let me get this straight—you just woke up and decided—Hey, what the hell? I think I'll just dump my ridiculously expensive luxury car by the side of the road—WHERE JUST ANYONE CAN TAKE IT?" Damen shrugs. "Pretty much." "Because in case you haven't noticed," Miles says, practically hyperventilating now. "Some of us are a little car deprived. Some of us were born with parents so cruel and unusual they're forced to rely on the kindness of friends for the rest of their lives!" "Sorry." Damen shrugs. "Guess I hadn't thought about that. Though if it makes you feel any better, it was all for a very good cause.
Alyson Noel (Shadowland (The Immortals, #3))
Clay, did you ever love me?" I'm studying a billboard and say that I didn't hear what she said. "I asked if you ever loved me?" On the terrace the sun bursts into my eyes and for one blinding moment I see myself clearly. I remember the first time we made love, in the house in Palm Springs, her body tan and wet, lying against cool, white sheets. "Don't do this, Blair," I tell her. "Just tell me." I don't say anything. "Is it such a hard question to answer?" I look at her straight on. "Yes or no?" "Why?" "Damnit, Clay," she sighs. "Yeah, sure, I guess." "Don't lie to me." "What in the fuck do you want to hear?" "Just tell me," she says, her voice rising. "No," I almost shout. "I never did." I almost start to laugh. She draws in a breath and says, "Thank you. That's all I wanted to know." She sips her wine. "Did you ever love me?" I ask her back, though by now I can't even care. She pauses. "I thought about it and yeah, I did once. I mean I really did. Everything was all right for a while. You were kind." She looks down and then goes on. "But it was like you weren't there. Oh shit, this isn't going to make any sense." She stops. I look at her, waiting for her to go on, looking up at the billboard. Disappear Here. "I don't know if any other person I've been with has been really there, either ... but at least they tried." I finger the menu; put the cigarette out. "You never did. Other people made an effort and you just ... It was just beyond you." She takes another sip of her wine. "You were never there. I felt sorry for you for a little while, but then I found it hard to. You're a beautiful boy, Clay, but that's about it." I watch the cars pass by on Sunset. "It's hard to feel sorry for someone who doesn't care." "Yeah?" I ask. "What do you care about? What makes you happy?" "Nothing. Nothing makes me happy. I like nothing," I tell her. "Did you ever care about me, Clay?" I don't say anything, look back at the menu. "Did you ever care about me?" she asks again. "I don't want to care. If I care about things, it'll just be worse, it'll just be another thing to worry about. It's less painful if I don't care." "I cared about you for a little while." I don't say anything. She takes off her sunglasses and finally says, "I'll see you later, Clay." She gets up. "Where are you going?" I suddenly don't want to leave Blair here. I almost want to take her back with me. "Have to meet someone for lunch." "But what about us?" "What about us?" She stands there for a moment, waiting. I keep staring at the billboard until it begins to blur and when my vision becomes clearer I watch as Blair's car glides out of the parking lot and becomes lost in the haze of traffic on Sunset. The waiter comes over and asks, "Is everything okay, sir?" I look up and put my sunglasses on and try to smile. "Yeah.
Bret Easton Ellis (Less Than Zero)
Hmm…’ Ciri bit her lower lip, then leaned over and put her eye closer to the hole. ‘Madam Yennefer is standing by a willow… She’s plucking leaves and playing with her star. She isn’t saying anything and isn’t even looking at Geralt… And Geralt’s standing beside her. He’s looking down and he’s saying something. No, he isn’t. Oh, he’s pulling a face… What a strange expression…’ ‘Childishly simple,’ said Dandelion, finding an apple in the grass, wiping it on his trousers and examining it critically. ‘He’s asking her to forgive him for his various foolish words and deeds. He’s apologising to her for his impatience, for his lack of faith and hope, for his obstinacy, doggedness. For his sulking and posing; which are unworthy of a man. He’s apologising to her for things he didn’t understand and for things he hadn’t wanted to understand—’ ‘That’s the falsest lie!’ said Ciri, straightening up and tossing the fringe away from her forehead with a sudden movement. ‘You’re making it all up!’ ‘He’s apologising for things he’s only now understood,’ said Dandelion, staring at the sky, and he began to speak with the rhythm of a balladeer. ‘For what he’d like to understand, but is afraid he won’t have time for… And for what he will never understand. He’s apologising and asking for forgiveness… Hmm, hmm… Meaning, conscience, destiny? Everything’s so bloody banal…’ ‘That’s not true!’ Ciri stamped. ‘Geralt isn’t saying anything like that! He’s not even speaking. I saw for myself. He’s standing with her and saying nothing…’ ‘That’s the role of poetry, Ciri. To say what others cannot utter.’ ‘It’s a stupid role. And you’re making everything up!’ ‘That is also the role of poetry. Hey, I hear some raised voices coming from the pond. Have a quick look, and see what’s happening there.’ ‘Geralt,’ said Ciri, putting her eye once more to the hole in the wall, ‘is standing with his head bowed. And Yennefer’s yelling at him. She’s screaming and waving her arms. Oh dear… What can it mean?’ ‘It’s childishly simple.’ Dandelion stared at the clouds scudding across the sky. ‘Now she’s saying sorry to him.
Andrzej Sapkowski (The Time of Contempt (The Witcher, #2))
I circled the site before I came in. If there's anyone within five kilometers, I'll eat my quiver." Halt regarded him, eyebrow arched once more. "Anyone?" "Anyone other than Crowley," Will amended, making a dismissive gesture. "I saw him watching me from that hide he always uses about two kilometers out. I assumed he'd be back in here by now." Halt cleared his throat loudly. "Oh, you saw him, did you?" he said. "I imagine he'll be overjoyed to hear that." Secretly, he was pleased with his former pupil. In spite of his curiosity and obvious excitement, he hadn't forgotten to take the precautions that had been drilled into him. THat augured well for what lay ahead, Halt thought, a sudden grimness settling onto his manner. Will didn't notice the momentary change of mood. He was loosening Tug saddle girth. As he spoke, his voice was muffled against the horses's flank. "he's becoming too much a creature of habit," he said. "he's used that hide for the last three Gatherings. It's time he tried something new. Everyone must be onto it by now." Rangers constantly competed with each other to see before being seen and each year's Gathering was a time of heightened competition. Halt nodded thoughtfully. Crowley had constructed teh virtually invisible observation post some four years previously. Alone among the younger Rangers, Will had tumbled to it after one year. Halt had never mentioned to him that he was the only one who knew of Crowley's hide. The concealed post was the Ranger Commandant's pride and joy. "Well, perhaps not everyone," he said. Will emerged from behind his horse, grinning at the thought of the head of the Ranger Corps thinking he had remained hidden from sight as he watched Will's approach. "All the same, perhaps he's getting a bit long in the tooth to be skulking around hiding in the bushes, don't you think?" he said cheerfully. Halt considered the question for a moment. "Long in the tooth? Well, that's one opinion. Mind you, his silent movement skills are still as good as ever," he said meaningfully. The grin on Will's face slowly faded. He resisted the temptation to look over his shoulder. "He's standing behind me, isn't he?" he asked Halt. THe older Ranger nodded. "He's standing behind me, isn't he?" Will continued and Halt nodded once more. "Is he...close enough to have heard what I said?" Will finally managed to ask, fearin teh worst. This time, Halt didn't have to answer. "Oh, good grief no," came a familiar voice from behind him. "he's so old and decrepit these days he's as deaf as a post." Will's shoulders sagged and he turned to see the sandy-haired Commandant standing a few meters away. The younger man's eyes dropped. "Hullo, Crowley," he said, then mumbled, "Ahhh...I'm sorry about that." Crowley glared at teh young Ranger for a few more seconds, then he couldn't help teh grin breaking out on his face. "No harm done," he said, adding with a small note of triumph, "It's not often these days I amange to get the better of one of you young ones." Secretly, he was impressed at teh news that Will had spotted his hiding place. Only the sarpest eyes could have picked it. Crowley had been in the business of seeing without being seen for thirty years or more, and despite what Will believed, he was still an absolute master of camouflage and unseen movement.
John Flanagan (The Sorcerer in the North (Ranger's Apprentice, #5))