Asian American Quotes

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But I think the first real change in women’s body image came when JLo turned it butt-style. That was the first time that having a large-scale situation in the back was part of mainstream American beauty. Girls wanted butts now. Men were free to admit that they had always enjoyed them. And then, what felt like moments later, boom—Beyoncé brought the leg meat. A back porch and thick muscular legs were now widely admired. And from that day forward, women embraced their diversity and realized that all shapes and sizes are beautiful. Ah ha ha. No. I’m totally messing with you. All Beyonce and JLo have done is add to the laundry list of attributes women must have to qualify as beautiful. Now every girl is expected to have Caucasian blue eyes, full Spanish lips, a classic button nose, hairless Asian skin with a California tan, a Jamaican dance hall ass, long Swedish legs, small Japanese feet, the abs of a lesbian gym owner, the hips of a nine-year-old boy, the arms of Michelle Obama, and doll tits. The person closest to actually achieving this look is Kim Kardashian, who, as we know, was made by Russian scientists to sabotage our athletes.
Tina Fey (Bossypants)
Patiently educating a clueless white person about race is draining. It takes all your powers of persuasion. Because it’s more than a chat about race. It’s ontological. It’s like explaining to a person why you exist, or why you feel pain, or why your reality is distinct from their reality. Except it’s even trickier than that. Because the person has all of Western history, politics, literature, and mass culture on their side, proving that you don’t exist.
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
Innocence is both a privilege and a cognitive handicap, a sheltered unknowingness that, once protracted into adulthood, hardens into entitlement.
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
You’re here, supposedly, in a new land full of opportunity, but somehow have gotten trapped in a pretend version of the old country.
Charles Yu (Interior Chinatown)
Oppression Olympics is what smart liberal Americans say to make you feel stupid and to make you shut up. But there IS an oppression olympics going on. American racial minorities - blacks, Hispanics, Asians and Jews - all get shit from white folks, different kinds of shit but shit still. Each secretly believes that it gets the worst shit. So, no, there is no United League of the Oppressed. However, all the others think they're better than blacks because, well, they're not black.
Chimamanda Ngozi Adichie (Americanah)
After March in 1945, the Japanese felt threatened by possibility of the people of Indochina rising against them. Therefore, they stated: “We of the Imperial Japanese Army have only invaded other Asian countries in order to remove the European and American white man from Asia! Stick with us Japanese and together we shall make Asians great while we kick the whites out of the entire region!” (A Gracious Enemy & After the War Volume Two)
Michael G. Kramer
The struggle is inner: Chicano, indio, American Indian, mojado, mexicano, immigrant Latino, Anglo in power, working class Anglo, Black, Asian--our psyches resemble the bordertowns and are populated by the same people. The struggle has always been inner, and is played out in outer terrains. Awareness of our situation must come before inner changes, which in turn come before changes in society. Nothing happens in the "real" world unless it first happens in the images in our heads.
Gloria E. Anzaldúa
All of these things, however, were but like methadone to a heroin addict. They only masked the withdrawal pains without satisfying the addiction. So even as they tried truly to break up many times, they always found their way back to each other.
L.M. Weeks (Bottled Lightning)
One characteristic of racism is that children are treated like adults and adults are treated like children. Watching a parent being debased like a child is the deepest shame. I cannot count the number of times I have seen my parents condescended to or mocked by white adults. This was so customary that when my mother had any encounter with a white adult, I was always hypervigilant, ready to mediate or pull her away. To grow up Asian in America is to witness the humiliation of authority figures like your parents and to learn not to depend on them: they cannot protect you.
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
Asian Americans inhabit a purgatorial status: neither white enough nor black enough, unmentioned in most conversations about racial identity. In the popular imagination, Asian Americans are all high-achieving professionals. But in reality, this is the most economically divided group in the country, a tenuous alliance of people with roots from South Asia to East Asia to the Pacific Islands, from tech millionaires to service industry laborers. How do we speak honestly about the Asian American condition—if such a thing exists?
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
The most damaging legacy of the West has been its power to decide who our enemies are, turning us not only against our own people, like North and South Korea, but turning me against myself.
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
But where does the silence that neglects her end, and where does the silence that respects her begin? The problem with silence is that it can’t speak up and say why it’s silent. And so silence collects, becomes amplified, takes on a life outside our intentions, in that silence can get misread as indifference, or avoidance, or even shame, and eventually this silence passes over into forgetting.
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
We’re at the crematorium having lunch,”—which struck Torn as a darkly funny thing to say—“but I’m glad you called.
L.M. Weeks (Bottled Lightning)
Do not diminish who you are. Your gender, your heritage, your identity. That's what makes you unique. - Strong by Kailin Gow
Kailin Gow
How many languages do you speak, you barely monolingual prick?
L.M. Weeks (Bottled Lightning)
That must be Bogrov,” Alexei said as he put on a black ski mask. Laughing, he tossed one to Torn. “Don’t worry, it’s clean. Let me do the talking. This is how we take depositions in the Wild Wild East!
L.M. Weeks (Bottled Lightning)
Try being an indie author, a minority author, a woman, and a person with health issues in the world of traditional - that's where you are clearly 'different' and marginalized. I am all of that, yet I am still here and smiling. Life is good!
Kailin Gow
The alternative to appropriation is a world in which artists only reference their own cultures." "That's an oversimplification of the issue." "The alternative to appropriation is a world where white European people make art about white European people with only white European references in it. Swap African or Asian or Latin or whatever culture you want for European. A world where everyone is blind and deaf to any culture or experience that is not their own. I hate that world don't you? I'm terrified of that world and I don't want to live in a that world, and as a mixed race person, I literally don't exist in it. My dad, who I barely knew, was Jewish. My mom was an American-born Korean. I was raised by Korean immigrant grandparents in Korea Town Los Angeles and as any mixed race person will tell you-- to be half of two things is to be whole of nothing.
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
The young officer, looking like a deer caught in the headlights, stopped for a moment and then said, a bit shakily, “You’re under arrest.
L.M. Weeks (Bottled Lightning)
I have struggled to prove myself into existence.
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
After purifying himself he walked through a small red gate to the shrine, dropped a goen, or five yen coin, the Japanese word for which also means good luck, into the wooden collection box in front of the shrine.
L.M. Weeks (Bottled Lightning)
The problem with living so long is that you see too many people pass before you.
Lisa See (Snow Flower and the Secret Fan)
In many Asian American novels, writers set trauma in a distant mother country or within an insular Asian family to ensure that their pain is not a reproof against American imperial geopolitics or domestic racism; the outlying forces that cause their pain—Asian Patriarchal Fathers, White People Back Then—are remote enough to allow everyone, including the reader, off the hook.
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
If indeed all lives mattered, we would not need to emphatically proclaim that "Black Lives Matter." Or, as we discover on the BLM website: Black Women Matter, Black Girls Matter, Black Gay Lives Matter, Black Bi Lives Matter, Black Boys Matter, Black Queer Lives Matter, Black Men Matter, Black Lesbians Matter, Black Trans Lives Matter, Black Immigrants Matter, Black Incarcerated Lives Matter. Black Differently Abled Lives Matter. Yes, Black Lives Matter, Latino/Asian American/Native American/Muslim/Poor and Working-Class White Peoples Lives matter. There are many more specific instances we would have to nane before we can ethically and comfortably claim that All Lives Matter.
Angela Y. Davis (Freedom is a Constant Struggle)
Your uniqueness is your greatest strength, not how well you emulate others.
Simon S. Tam
Those of us in the first American generations have had to figure out how the invisible world the emigrants built around our childhoods fits in solid America.
Maxine Hong Kingston (The Woman Warrior)
I’d rather be indebted than be the kind of white man who thinks the world owes him, because to live an ethical life is to be held accountable to history.
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
By transporting Asian species to North America, and North American species to Australia, and Australian species to Africa, and European species to Antarctica, we are, in effect, reassembling the world into one enormous supercontinent—what biologists sometimes refer to as the New Pangaea.
Elizabeth Kolbert (The Sixth Extinction: An Unnatural History)
Racial self-hatred is seeing yourself the way the whites see you, which turns you into your own worst
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
You came here, your parents and their parents and their parents, and you always seem to have just arrived and yet never seem to have actually arrived.
Charles Yu (Interior Chinatown)
My family and I have always supported Asian and Asian Americans, especially our fellow authors and artists. I just found out my Crazy Rich Asian cousin bought out some theaters to support the Crazy Rich Asians film. Talk about crazy! - The Asian American Experience Anthology by Kailin Gow
Kailin Gow
As the poet Prageeta Sharma said, Americans have an expiration date on race the way they do for grief. At some point, they expect you to get over it.
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
I was certain t find the familiar sting of salt, but what I needed to know was what kind: kitchen, sweat, tears or the sea.
Monique Truong (The Book of Salt)
To recite my poems to an audience is to be slapped awake by my limitations. I confront the infinite chasm between the audience’s conception of Poet and the underwhelming evidence of me as that poet. I just don’t look the part. Asians lack presence. Asians take up apologetic space. We don’t even have enough presence to be considered real minorities. We’re not racial enough to be token. We’re so post-racial we’re silicon.
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
We keep our heads down and work hard, believing that our diligence will reward us with our dignity, but our diligence will only make us disappear. By not speaking up, we perpetuate the myth that our shame is caused by our repressive culture and the country we fled, whereas America has given us nothing but opportunity. The lie that Asians have it good is so insidious that even now as I write, I’m shadowed by doubt that I didn’t have it bad compared to others. but racial trauma is not a competitive sport. The problem is not that my childhood was exceptionally traumatic but that it was in fact rather typical. Most white Americans can only understand racial trauma as a spectacle.
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
The growing number of gated communities in our nation is but one example of the obsession with safety. With guards at the gate, individuals still have bars and elaborate internal security systems. Americans spend more than thirty billion dollars a year on security. When I have stayed with friends in these communities and inquired as to whether all the security is in response to an actual danger I am told “not really," that it is the fear of threat rather than a real threat that is the catalyst for an obsession with safety that borders on madness. Culturally we bear witness to this madness every day. We can all tell endless stories of how it makes itself known in everyday life. For example, an adult white male answers the door when a young Asian male rings the bell. We live in a culture where without responding to any gesture of aggression or hostility on the part of the stranger, who is simply lost and trying to find the correct address, the white male shoots him, believing he is protecting his life and his property. This is an everyday example of madness. The person who is really the threat here is the home owner who has been so well socialized by the thinking of white supremacy, of capitalism, of patriarchy that he can no longer respond rationally. White supremacy has taught him that all people of color are threats irrespective of their behavior. Capitalism has taught him that, at all costs, his property can and must be protected. Patriarchy has taught him that his masculinity has to be proved by the willingness to conquer fear through aggression; that it would be unmanly to ask questions before taking action. Mass media then brings us the news of this in a newspeak manner that sounds almost jocular and celebratory, as though no tragedy has happened, as though the sacrifice of a young life was necessary to uphold property values and white patriarchal honor. Viewers are encouraged feel sympathy for the white male home owner who made a mistake. The fact that this mistake led to the violent death of an innocent young man does not register; the narrative is worded in a manner that encourages viewers to identify with the one who made the mistake by doing what we are led to feel we might all do to “protect our property at all costs from any sense of perceived threat. " This is what the worship of death looks like.
bell hooks (All About Love: New Visions)
I met a woman who told me that she wasn't attracted to Asians. "No worries," I said. "I'm not attracted to racists
Simon Tam
My term “minor feelings” is deeply indebted to theorist Sianne Ngai, who wrote extensively on the affective qualities of ugly feelings, negative emotions—like envy, irritation, and boredom—symptomatic of today’s late-capitalist gig economy. Like ugly feelings, minor feelings are “non-cathartic states of emotion” with “a remarkable capacity for duration.
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
When I hear the phrase “Asians are next in line to be white,” I replace the word “white” with “disappear.” Asians are next in line to disappear. We are reputed to be so accomplished, and so law-abiding, we will disappear into this country’s amnesiac fog. We will not be the power but become absorbed by power, not share the power of whites but be stooges to a white ideology that exploited our ancestors. This country insists that our racial identity is beside the point, that it has nothing to do with being bullied, or passed over for promotion, or cut off every time we talk. Our race has nothing to do with this country, even, which is why we’re often listed as “Other” in polls and why we’re hard to find in racial breakdowns on reported rape or workplace discrimination or domestic abuse. It’s like being ghosted, I suppose, where, deprived of all social cues, I have no relational gauge for my own behavior. I ransack my mind for what I could have done, could have said. I stop trusting what I see, what I hear. My ego is in free fall while my superego is boundless, railing that my existence is not enough, never enough, so I become compulsive in my efforts to do better, be better, blindly following this country’s gospel of self-interest, proving my individual worth by expanding my net worth, until I vanish.
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
For example, when asked to write twenty statements beginning with the words “I am …,” Americans are likely to list their own internal psychological characteristics (happy, outgoing, interested in jazz), whereas East Asians are more likely to list their roles and relationships (a son, a husband, an employee of Fujitsu).
Jonathan Haidt (The Righteous Mind: Why Good People are Divided by Politics and Religion)
Minor feelings occur when American optimism is enforced upon you, which contradicts your own racialized reality, thereby creating a static of cognitive dissonance.
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
To other English is to make audible the imperial power sewn into the language, to slit English open so its dark histories slide out.
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
Whiteness has already recruited us to become their junior partners in genocidal wars; conscripted us to be antiblack and colorist; to work for, and even head, corporations that scythe off immigrant jobs like heads of wheat. Conscription is every day and unconscious. It is the default way of life among those of us who live in relative comfort, unless we make an effort to choose otherwise.
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
She'd be split apart, never certain if the submissive and docile figure in the mirror was a reflection of who she really was, or the ghostly effect of someone telling her her entire life: this is who you are, this is all you can ever be.
Elaine Hsieh Chou (Disorientation)
Back then, only select professionals from Asia were granted visas to the United States: doctors, engineers, and mechanics. This screening process, by the way, is how the whole model minority quackery began: the U.S. government only allowed the most educated and highly trained Asians in and then took all the credit for their success. See! Anyone can live the American Dream! they’d say about a doctor who came into the country already a doctor.
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
He is asking to be treated like an American. A real american. Cuz honestly, when you think about American, what color do you see? white? black? We (the Chinese) have been here 200 years....the German, the Dutch, the Italian, they came here in the turn of century; they are Americans. Why doesn't this face ("yellow") register as American? Is it because we make the story too complicated?
Charles Yu (Interior Chinatown)
There is so much diversity in Indie films and books already. Saying there is a lack of Asians in films or in television is not accurate. It is out there, but not so much on the big screen. Rather than saying let's make more big studio Asian American films, let's say, let's bring more and highlight more Asian American films - indie or big studio out prominently in the press and media so there are more different Asian voices heard. - The Asian American Experience Anthology By Kailin Gow
Kailin Gow
We play into the definitions and stereotypes others impose on us and accept the model-minority myth, thinking it's positive, but it's a trap just like any stereotype. They put a piece of model-minority cheese between the metal jaws of their mousetrap, but we're lactose intolerant anyway! We can't even eat the cheese.
Eddie Huang (Fresh Off the Boat)
Asian men could be socially inept and incompetent and ridiculous, like a Long Duk Dong, or at best unthreatening and slightly buffoonish, like a Jackie Chan. They were not allowed to be angry and articulate and powerful. And possibly right, Mr. Richardson thought uneasily.
Celeste Ng (Little Fires Everywhere)
As a child of immigrant parents, as a woman of color in a white society and as a woman in a patriarchal society, what is personal to me IS political.
Mitsuye Yamada
I am forced to admit that I am, to them, nothing but a series of destinations with no meaningful expanses in between.
Monique Truong (The Book of Salt)
You have taken advantage of my silence in every way, robbed me of my dignity and my pride. You have used me for your own gain. Now, in your hour of greatest need, you will use me again. And yet, I will still risk my life to save yours. I swore and oath to this country on the day I donned this coat, to protect you and every other citizen from harm so long as there is breath in my body.
Marie Lu (Skyhunter (Skyhunter, #1))
The privilege of assimilation is that you are left alone. But assimilation must not be mistaken for power, because once you have acquired power, you are exposed, and your model minority qualifications that helped you in the past can be used against you, since you are no longer invisible.
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
Alcohol, I had learned, was an eloquent if somewhat inaccurate interpreter. I had placed my trust that December night in glass after glass of it, eager not for drink but for a bit of talk.
Monique Truong (The Book of Salt)
Our gathering was not as strange a thing as it might have appeared. A xenophobe would see a company of foreigners in camouflage uniforms, carrying out military drills and calisthenics, and might imagine us to be the lead element of some nefarious Asian invasion of the American homeland, a Yellow Peril in the Golden State, a diabolical dream of Ming the Merciless sprung to life. Far from it. The General's men, by preparing themselves to invade our now communist homeland, were in fact turning themselves into new Americans. After all, nothing was more American than wielding a gun and committing oneself to die for freedom and independence, unless it was wielding that gun to take away someone else’s freedom and independence.
Viet Thanh Nguyen (The Sympathizer (The Sympathizer #1))
Life's always a big fucking compromise. You don't always get what you want, no matter how smart you are, how hard you work, how good you are. That's a myth. We're all hanging in the best way we can.
Amy Tan (The Hundred Secret Senses)
[Willis is] asking to be treated like an American. A real American. Because, honestly, when you think American, what color do you see? White? Black? We’ve been here two hundred years. Why doesn’t this face register as American?
Charles Yu (Interior Chinatown)
Blade Runner 2049 is an example of science fiction as magical thinking: whites fear that all the sins they committed against black and brown people will come back to them tenfold, so they fantasize their own fall as a preventative measure to ensure that the white race will never fall.
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
The problem with silence is that it can’t speak up and say why it’s silent. And so silence collects, becomes amplified, takes on a life outside our intentions, in that silence can get misread as indifference, or avoidance, or even shame, and eventually this silence passes over into forgetting.
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
Who you are goes far beyond what you look like. My hope is that Ray’s story will inspire all of you—white or Black, Asian or Native American, straight or gay, transgender or cisgender, blond or dark haired, tall or short, big feet or small—to do what you love. Inspire those around you to do what they love, too. It might just pay off. Alone, we are a solitary violin, a lonely flute, a trumpet singing in the dark. Together, we are a symphony.
Brendan Slocumb (The Violin Conspiracy)
it doesn't matter who you are or where you come from or what you look like or where you love. It doesn't matter whether you're black or white or Hispanic or Asian or Native American or young or old or rich or poor, able, disabled, gay or straight!
Barack Obama
ability of Asian regimes to resist Western human rights pressures was reinforced by several factors. American and European businesses were desperately anxious to expand their trade with and their investment in these rapidly
Samuel P. Huntington (The Clash of Civilizations and the Remaking of World Order)
I believe that reappropriation can be a powerful tool for creating social change. Sometimes, things like irony, satire, or humor are more effective in getting at difficult truths or concepts like white privilege, orientalism, and the exoticization of culture.
Simon S. Tam
[Two respondents] minimized the assimilationist implications of the dominant account; Russ Silver rejects the idea entirely. 'I have no interest in being accepted. I consider this system corrupt, and I don't want to be accepted by it. We're in this together. Faggots, junkies, women, blacks, Hispanics, Native Americans, Asians, don't you see it? Don't you see that our white male government doesn't care about us? When I say this it shocks coat-and-tie lesbians and gay men everywhere. Well, I'm sorry, folks; if you had AIDS you would know what I know: The government doesn't give a goddamn cent for a faggot's life.
Vera Whisman (Queer By Choice)
The struggle is inner: Chicano, indio, American Indian, mojado, mexicano, immigrant Latino, Anglo in power, working class Anglo, Black, Asian--our psyches resemble the bordertowns and are populated by the same people. The struggle has always been inner, and is played out in outer terrains. Awareness of our situation must come before inner changes, which in turn come before changes in society. Nothing happens in the "real" world unless it first happens in the images in our heads. (G. Anzaldua Tejana Chicana poet, 1942- )
Gloria E. Anzaldúa
minor feelings: the racialized range of emotions that are negative, dysphoric, and therefore untelegenic, built from the sediments of everyday racial experience and the irritant of having one’s perception of reality constantly questioned or dismissed.
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
If you write about the Asian culture, be accurate between what is the difference between Chinese, Japanese, Korean, Malaysian, Thai, Taiwanese, Indonesian, and many individual Asian countries' cultures. While there are many similarities, the differences in cultures will set your novel apart from what is an authentic portrayal to what is a westernized version. - Kailin Gow on Asian Portrayals through Literature and Media
Kailin Gow
Success in life is not just about professional success. It is personal success too. There is a trend in Asia and Asian American society for young women to not get married or not have children to get ahead professionally. That was the trend 10 years ago in the US. This is bad for society and a country's population growth. Women need to encouraged and supported for being able to have both a successful career and a successful personal and family life. That is why we need to see Asian American women who are both successful professionally and personally in the media and on screen. That is why I am out there in public as a wife and mother who is a self-made million-selling author and director who is in touch with my Asian heritage. Not because I crave the limelight, but because I want my daughter and nieces to see they can do it too. - Strong by Kailin Gow
Kailin Gow
Suddenly Americans feel self-conscious of their white identity and this self-consciousness misleads them into thinking their identity is under threat. In feeling wrong, they feel wronged. In being asked to be made aware of racial oppression, they feel oppressed. While we laugh at white tears, white tears can turn dangerous. White tears, as Damon Young explains in The Root, are why defeated Southerners refused to accept the freedom of black slaves and formed the Ku Klux Klan. And white tears are why 63 percent of white men and 53 percent of white women elected a malignant man-child as their leader.
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
Authenticity in casting is when you cast someone into a role that is authentic to that role's race and ethnicity. When you are casting a role for an American Indian, cast an American Indian actor. When casting a role for a Chinese, cast a Chinese heritage or Chinese actor, not another Asian ethnicity. That is true authenticity in casting, and does not perpetuate the stereotype that 'All Asians look alike' which is very offensive and not true.
Kailin Gow (Bitter Frost (Frost, #1))
The decline of geography in academia is easy to understand: we live in an age of ever-increasing specialization, and geography is a generalist's discipline. Imagine the poor geographer trying to explain to someone at a campus cocktail party (or even to an unsympathetic adminitrator) exactly what it is he or she studies. "Geography is Greek for 'writing about the earth.' We study the Earth." "Right, like geologists." "Well, yes, but we're interested in the whole world, not just the rocky bits. Geographers also study oceans, lakes, the water cycle..." "So, it's like oceanography or hydrology." "And the atmosphere." "Meteorology, climatology..." "It's broader than just physical geography. We're also interested in how humans relate to their planet." "How is that different from ecology or environmental science?" "Well, it encompasses them. Aspects of them. But we also study the social and economic and cultural and geopolitical sides of--" "Sociology, economics, cultural studies, poli sci." "Some geographers specialize in different world regions." "Ah, right, we have Asian and African and Latin American studies programs here. But I didn't know they were part of the geography department." "They're not." (Long pause.) "So, uh, what is it that do study then?
Ken Jennings
In the popular imagination, Asian Americans inhabit a vague purgatorial status: not white enough nor black enough; distrusted by African Americans, ignored by whites, unless we’re being used by whites to keep the black man down. We are the carpenter ants of the service industry, the apparatchiks of the corporate world, we are math-crunching middle managers who keep the corporate wheels greased but who never get promoted since we don’t have the right ‘face’ for leadership. We have a content problem. They think we have no inner resources. But while I may look impassive, I'm frantically paddling my feet underwater, always overcompensating to hide my devouring feelings of inadequacy. There's a ton of literature on the self-hating Jew and the self-hating African American, but not enough has been said about the self-hating Asian. Racial self hatred is seeing yourself whites see you, which turns you into your own worst enemy. Your only defence is to be hard on yourself, which becomes compulsive, and therefore a comfort: to peck yourself to death.
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
Artistic othering has to do with innovation, invention, and change, upon which cultural health and diversity depend and thrive. Social othering has to do with power, exclusion, and privilege, the centralizing of a noun against which otherness is measured, meted out, marginalized. My focus is the practice of the former by people subjected to the latter.
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
The sun began to set behind Bethlehem and the beams were breaking through some white and gray clouds. There was a slight and beautiful chill from the autumn air. I gave thanks for that beautiful day and for the fact that the sun does not know Palestinian from Israeli, Christian from Muslim or Jew, and Asian from American or African, and I asked myself: If the sun shines on all of us as one, how much more does the sun's Creator see and love us all as one?
Ted Dekker (Tea with Hezbollah: Sitting at the Enemies' Table Our Journey Through the Middle East)
What remains of the dying population of Cambodia? One large photograph of an American actress holding an Asian child in her arms. What remains of Tomas? An inscription reading: "He wanted the Kingdom of God on Earth." What remains of Beethoven? A frown, an improbable mane, and a somber voice intoning "Es muss sein!" What remains of Franz? An inscription reading: "A return after long wanderings." And so on and so forth. Before we are forgotten, we will be turned into kitsch. Kitsch is the stopover between being and oblivion.
Milan Kundera (The Unbearable Lightness of Being)
A Rock, A River, A Tree Hosts to species long since departed, Mark the mastodon. The dinosaur, who left dry tokens Of their sojourn here On our planet floor, Any broad alarm of their of their hastening doom Is lost in the gloom of dust and ages. But today, the Rock cries out to us, clearly, forcefully, Come, you may stand upon my Back and face your distant destiny, But seek no haven in my shadow. I will give you no hiding place down here. You, created only a little lower than The angels, have crouched too long in The bruising darkness, Have lain too long Face down in ignorance. Your mouths spelling words Armed for slaughter. The rock cries out today, you may stand on me, But do not hide your face. Across the wall of the world, A river sings a beautiful song, Come rest here by my side. Each of you a bordered country, Delicate and strangely made proud, Yet thrusting perpetually under siege. Your armed struggles for profit Have left collars of waste upon My shore, currents of debris upon my breast. Yet, today I call you to my riverside, If you will study war no more. Come, clad in peace and I will sing the songs The Creator gave to me when I And the tree and stone were one. Before cynicism was a bloody sear across your brow And when you yet knew you still knew nothing. The river sings and sings on. There is a true yearning to respond to The singing river and the wise rock. So say the Asian, the Hispanic, the Jew, The African and Native American, the Sioux, The Catholic, the Muslim, the French, the Greek, The Irish, the Rabbi, the Priest, the Sheikh, The Gay, the Straight, the Preacher, The privileged, the homeless, the teacher. They hear. They all hear The speaking of the tree. Today, the first and last of every tree Speaks to humankind. Come to me, here beside the river. Plant yourself beside me, here beside the river. Each of you, descendant of some passed on Traveller, has been paid for. You, who gave me my first name, You Pawnee, Apache and Seneca, You Cherokee Nation, who rested with me, Then forced on bloody feet, Left me to the employment of other seekers-- Desperate for gain, starving for gold. You, the Turk, the Swede, the German, the Scot... You the Ashanti, the Yoruba, the Kru, Bought, sold, stolen, arriving on a nightmare Praying for a dream. Here, root yourselves beside me. I am the tree planted by the river, Which will not be moved. I, the rock, I the river, I the tree I am yours--your passages have been paid. Lift up your faces, you have a piercing need For this bright morning dawning for you. History, despite its wrenching pain, Cannot be unlived, and if faced with courage, Need not be lived again. Lift up your eyes upon The day breaking for you. Give birth again To the dream. Women, children, men, Take it into the palms of your hands. Mold it into the shape of your most Private need. Sculpt it into The image of your most public self. Lift up your hearts. Each new hour holds new chances For new beginnings. Do not be wedded forever To fear, yoked eternally To brutishness. The horizon leans forward, Offering you space to place new steps of change. Here, on the pulse of this fine day You may have the courage To look up and out upon me, The rock, the river, the tree, your country. No less to Midas than the mendicant. No less to you now than the mastodon then. Here on the pulse of this new day You may have the grace to look up and out And into your sister's eyes, Into your brother's face, your country And say simply Very simply With hope Good morning.
Maya Angelou
The races are like America's children. White people are the firstborn, so they were Dad's favorite. Black people are the second kids, the abused ones, so they still hate Dad. Latinos are the third, caught in the middle and always trying to make peace between the other siblings. Asians are the youngest, and get good marks in school, but basically are just trying to keep their heads down and not get involved. And Native Americans are the old uncle who owns a house and everyone else in the family was like, "He's not using that! Let's move in!
Colin Quinn (The Coloring Book: A Comedian Solves Race Relations in America)
From invisible girlhood, the Asian American woman will blossom into a fetish object. When she is at last visible—at last desired—she realizes much to her chagrin that this desire for her is treated like a perversion. This is most obvious in porn, where our murky desires are coldly isolated into categories in which white is the default and every other race is a sexual aberration. But the Asian woman is reminded every day that her attractiveness is a perversion, in instances ranging from skin-crawling Tinder messages (“I’d like to try my first Asian woman”) to microaggressions from white friends. I recall a white friend pointing out to me that Jewish men only dated Asian women because they wanted to find women who were the opposite of their pushy mothers. Implied in this tone-deaf complaint was her assumption that Asian women are docile and compliant. Well-meaning friends never failed to warn me, if a white guy was attracted to me, that he probably had an Asian fetish. The result: I distrusted my desirousness. My sexuality was a pathology. If anyone non-Asian liked me, there was something wrong with him.
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
My mother’s English has remained rudimentary during her forty-plus years living in the United States. When she speaks Korean, my mother speaks her mind. She is sharp, witty, and judgmental, if rather self-preening. But her English is a crush of piano keys that used to make me cringe whenever she spoke to a white person. As my mother spoke, I watched the white person, oftentimes a woman, put on a fright mask of strained tolerance: wide eyes frozen in trapped patience, smile widened in condescension. As she began responding to my mother in a voice reserved for toddlers, I stepped in. From a young age, I learned to speak for my mother as authoritatively as I could. Not only did I want to dispel the derision I saw behind that woman’s eyes, I wanted to shame her with my sobering fluency for thinking what she was thinking. I have been partly drawn to writing, I realize, to judge those who have unfairly judged my family; to prove that I’ve been watching this whole time.
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
Minor feelings are also the emotions we are accused of having when we decide to be difficult—in other words, when we decide to be honest. When minor feelings are finally externalized, they are interpreted as hostile, ungrateful, jealous, depressing, and belligerent, affects ascribed to racialized behavior that whites consider out of line. Our feelings are overreactions because our lived experiences of structural inequity are not commensurate with their deluded reality. —
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
As citizens in this democracy, we—all of us, white, black, Hispanic, Asian, Native American, and others—bear a collective responsibility to enforce our Constitution and to rectify past violations whose effects endure. Few of us may be the direct descendants of those who perpetuated a segregated system or those who were its most exploited victims. African Americans cannot await rectification of past wrongs as a gift, and white Americans collectively do not owe it to African Americans to rectify them. We, all of us, owe this to ourselves. As American citizens, whatever routes we or our particular ancestors took to get to this point, we’re all in this together now.
Richard Rothstein (The Color of Law: A Forgotten History of How Our Government Segregated America)
We ate, did our homework, got good grades, kissed our parents goodnight and always had the secret door and shared experiences to go to. It was truly remarkable, and doing it as a group made us feel invulnerable. As soon as the drums and amps were set up and Jean and Kathie hit it, I tell you there was nothing more to say. Conversation stopped, and the magic carpet ride took off. I’ve never felt anything more powerful in my life.
June Millington (Land of a Thousand Bridges: Island Girl in a Rock & Roll World)
Whether our families come from Guatemala, Afghanistan, or South Korea, the immigrants since 1965 have shared histories that extend beyond this nation, to our countries of origin, where our lineage has been decimated by Western imperialism, war, and dictatorships orchestrated or supported by the United States. In our efforts to belong in America, we act grateful, as if we’ve been given a second chance at life. But our shared root is not the opportunity this nation has given us but how the capitalist accumulation of white supremacy has enriched itself off the blood of our countries. We cannot forget this.
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
Why I am Passionate and Dedicated 1000% to producing and bringing my books Loving Summer, Bitter Frost, and other book series to the Screen is because these are the very books that I was cyber-bullied on. When confronted by bullies, you don't shy away, but you Fight Back. Many people have not read the books, but believe fake news and damaging slanders against them and me as a person because it was a marketing strategy used to sell my books' rival books. By bringing these very books to the screen, people can see how different my books are to theirs. Also, most of all, it is pretty darn fun and fierce for me, as a female Asian writer, director, and producer to bring these fan favorite books to screen.
Kailin Gow (Loving Summer (Loving Summer, #1))
The chowdry, or burqa -- the Saudi, North African, and Central Asian version of the head, face, and body shroud -- is a sensory deprivation isolation chamber. It is claustrophobic, may lead to anxiety and depression, and reinforces a woman's already low self-esteem. It may also lead to vitamin D deficiency diseases such as osteoporosis and heart disease. Sensory deprivation officially constitutes torture and is practiced as such in the world's prisons.
Phyllis Chesler (An American Bride in Kabul)
Checking a box on a form for race—"Caucasian," "Hispanic," "African-American," "Native American," or "Asian-American"—is untenable and ridiculous. For one thing, "American" is not a race, so labels such as "Asian-American" and "African-American" are still exhibits of our confusion of culture and race. For another thing, how far back does one go in history? Native Americans are really Asians, if you go back more than twenty or thirty thousand years to before they crossed the Bering land bridge between Asia and America. And Asians, several hundred thousand years ago probably came out of Africa, so we should really replace "Native American" with "African-Asian-Native American." Finally, if the Out of Africa (single racial origin) theory holds true, then all modern humans are from Africa. (Cavalli-Sforza now thinks this may have been as recently as seventy thousand years ago.) Even if that theory gives way to the Candelabra (multiple racial origins) theory, ultimately all hominids came from Africa, and therefore everyone in America should simply check the box next to "African-American.
Michael Shermer (Why People Believe Weird Things: Pseudoscience, Superstition, and Other Confusions of Our Time)
The avant-garde genealogy could be tracked through stories of bad-boy white artists who “got away with it,” beginning with Duchamp signing a urinal and calling it art. It’s about defying standards and initiating a precedent that ultimately liberates art from itself. The artist liberates the art object from the rules of mastery, then from content, then frees the art object from what Martin Heidegger calls its very thingliness, until it becomes enfolded into life itself. Stripped of the artwork, all we are left with is the artist’s activities. The problem is that history has to recognize the artist’s transgressions as “art,” which is then dependent on the artist’s access to power. A female artist rarely “gets away with it.” A black artist rarely “gets away with it.
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
Bruce Lee was proof: not all Asian Men were doomed to a life of being Generic. If there was even one guy who had made it, it was at least theoretically possible for the rest. But easy cases make bad law, and Bruce Lee proved too much. He was a living, breathing video game boss-level, a human cheat code, an idealized avatar of Asian-ness and awesomeness permanently set on Expert difficulty. Not a man so much as a personification, not a mortal so much as a deity on loan to you and your kind for a fixed period of time. A flame that burned for all yellow to understand, however briefly, what perfection was like.
Charles Yu (Interior Chinatown)
If you currently travel abroad or plan to in the future, make sure you understand the cultural convention of the country that you are visiting. Particularly with regard to greetings. If someone gives you a weak hand-shake, don't grimace. If anyone takes your arm, don't wince. If you are in the Middle East and a person wants to hold your hand, hold it. If you are a man visiting Russia, don't be surprised when your male host kisses your cheek, rather than hand. All of these greetings are as natural as way to express genuine sentiments as an American handshake. I am honored when an Arab or Asian man offers to take my hand because I know that it is a sign of high respect and trust. Accepting these cultural differences is the first step to better understanding and embracing diversity.
Joe Navarro (What Every Body is Saying: An Ex-FBI Agent's Guide to Speed-Reading People)
Mr. Wu, is it true that you have an internalized sense of inferiority? That because on the one hand you, for obvious reasons, have not been and can never be fully assimilated into mainstream, i.e., White America— And on the other hand neither do you feel fully justified in claiming solidarity with other historically and currently oppressed groups. That while your community’s experience in the United States has included racism on the personal and the institutional levels, including but not limited to: immigration quotas, actual federal legislation expressly excluding people who look like you from entering the country. Legislation that was in effect for almost a century. Antimiscegenation laws. Discriminatory housing policies. Alien land laws and restrictive covenants. Violation of civil liberties including internment. That despite all of that, you somehow feel that your oppression, because it does not include the original American sin—of slavery—that it will never add up to something equivalent. That the wrongs committed against your ancestors are incommensurate in magnitude with those committed against Black people in America. And whether or not that quantification, whether accurate or not, because of all of this you feel on some level that you maybe can’t even quite verbalize, out of shame or embarrassment, that the validity and volume of your complaints must be calibrated appropriately, must be in proportion to the aggregate suffering of your people. Your oppression is second-class.
Charles Yu (Interior Chinatown)
There was a transparency to comedy that I wasn’t finding in poetry. Comedians can’t pretend they don’t have identities. They’re up there, onstage, with their bodies against a brick wall like they’re facing a firing squad. There’s nowhere to hide, so they have no choice but to acknowledge their identities (“So you might have noticed I’m black”) before they move on or drill down. It’s also harder to bullshit one’s way through comedy, because the audience cannot be convinced into laughter. Real laughter is an involuntary contraction that bursts out of you like an orgasm. You laugh from surprise but you’re only surprised once, which is why comedy ruthlessly lives in the present. Nothing gets dated faster than a joke.
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
I take pride in playing immigrant characters. I've come across people who had a negative opinion about playing Asian characters that have an accent. I've even met Asian actors who won't audition for a role that has an Asian accent. They believe these accented characters reinforce the stereotype of an Asian being the constant foreigner. Frankly, I can't relate. I was an immigrant. And no matter how Americanized I become, no matter how much Jay-Z I listen to, I'll always be an immigrant. Just because I don't speak English with an accent anymore doesn't mean that I'm better than the people who do. My job as an actor is not to judge anyone and to portray a character with humanity. There are real people with real Asian accents in the real world. I used to be one of them. And I'm damn proud of it.
Jimmy O. Yang (How to American: An Immigrant's Guide to Disappointing Your Parents)
From the standpoint of the world’s biota, global travel represents a radically new phenomenon and, at the same time, a replay of the very old. The drifting apart of the continents that Wegener deduced from the fossil record is now being reversed—another way in which humans are running geologic history backward and at high speed. Think of it as a souped-up version of plate tectonics, minus the plates. By transporting Asian species to North America, and North American species to Australia, and Australian species to Africa, and European species to Antarctica, we are, in effect, reassembling the world into one enormous supercontinent—what biologists sometimes refer to as the New Pangaea.
Elizabeth Kolbert (The Sixth Extinction: An Unnatural History)
Whether white, black, Asian, or Latino, American students rarely arrive at college as habitual readers, which means that few of them have more than a nominal connection to the past. It is absurd to speak, as does the academic left, of classic Western texts dominating and silencing everyone but a ruling elite or white males. The vast majority of white students do not know the intellectual tradition that is allegedly theirs any better than black or brown ones do. They have not read its books, and when they do read them, they may respond well, but they will not respond in the way that the academic left supposes. For there is only one ‘hegemonic discourse’ in the lives of American undergraduates, and that is the mass media. Most high schools can't begin to compete against a torrent of imagery and sound that makes every moment but the present seem quaint, bloodless, or dead.
David Denby (Great Books: My Adventures with Homer, Rousseau, Woolf, and Other Indestructible Writers of the Western World)
Southerners. Such literate, civilized folk, such charm and cleverness and passion for living, such genuine interest in people, all people, high and low, white and black, and yet how often it had come to, came to, was still coming to vicious incomprehension, usually over race but other things too - religion, class, money. How often the lowest elements had burst out of the shadows and hollers, guns and torches blazing, galloping past the educated and tolerant as nightriders, how often the despicable had run riot over the better Christian ideals... how often cities had burned, people had been strung up in trees, atrocities had been permitted to occur and then, in the seeking of justice for those outrages, how slippery justice had proven, how delayed its triumph. Oh you expect such easily obtained violence in the Balkans or among Asian or African tribal peoples centuries-deep in blood feuds, but how was there such brutality and wickedness in this place of church and good intention, a place of immense friendliness and charity and fondness for the rituals of family and socializing, amid the nation's best cooking and best music... how could one place contain the other place?
Wilton Barnhardt (Lookaway, Lookaway)
The Tustin police seemed reluctant to publicise the racial implication of the crime. For instance, the Tustian Weekly omitted the words- I killed a jap- in their rendition of Lindberg's letter.' Wait, they did edit it. I don't get it. Why the hell would they do that?" "I am sorry" Junes looked up from the article. Margaret hold out a hand and placed it on top of his. He couldn't tell if it was trembling because his own hand was shaking pretty badly now. "Why are you sorry?" "Because you're Korean" "So?" "He was one of your people" Junseok snatched his hand away from her. Hequicklc shoved it under the table. "I'm Korean-American," he said. "But still" "Still what? This guy was Vietnamese. How is he one of my people?" "Well, both of you are Asians" Junseok stared back at her sincere eyes, then at his hand under the table. He wanted desperately to explain how non-sensical her comment was, but instead, he folded up the paper slowly and carefully. Tucking it under his arm, he got up , and whiteout saying anything to her, walked towards the exit. She called from behind, but he walked on, feeling the dirties expand inside him like a large flower. Each step quickened until he was running, running out the door and into the street, running past people and cars, running without the finest idea of what he was running from, to a place that he couldn't possibly picture in his mind.
Tablo (Pieces of You)
I still identify as Black. Not because I believe Blackness, or race, is a meaningful scientific category but because our societies, our policies, our ideas, our histories, and our cultures have rendered race and made it matter. I am among those who have been degraded by racist ideas, suffered under racist policies, and who have nevertheless endured and built movements and cultures to resist or at least persist through this madness. I see myself culturally and historically and politically in Blackness, in being an African American, an African, a member of the forced and unforced African diaspora. I see myself historically and politically as a person of color, as a member of the global south, as a close ally of Latinx, East Asian, Middle Eastern, and Native peoples and all the world’s degraded peoples, from the Roma and Jews of Europe to the aboriginals of Australia to the White people battered for their religion, class, gender, transgender identity, ethnicity, sexuality, body size, age, and disability. The gift of seeing myself as Black instead of being color-blind is that it allows me to clearly see myself historically and politically as being an antiracist, as a member of the interracial body striving to accept and equate and empower racial difference of all kinds.
Ibram X. Kendi (How to Be an Antiracist)
We have permitted cynical political reactionaries and the spokesmen of large corporations to pre-empt these basic libertarian American ideals. We have permitted them not only to become the specious "voice" of these ideals such that individualism has been used to justify egotism; the "pursuit of happiness" to justify greed, and even our emphasis on local and regional autonomy has been used to justify parochialism, insularism, and exclusivity -- often against ethnic minorities and so-called "deviant" individuals. We have even permitted these reactionaries to stake out a claim to the word "libertarian," a word, in fact, that was literally devised in the 1890s in France by Elisée Reclus as a substitute for the word "anarchist," which the government had rendered an illegal expression for identifying one's views. The propertarians, in effect -- acolytes of Ayn Rand, the "earth mother" of greed, egotism, and the virtues of property -- have appropriated expressions and traditions that should have been expressed by radicals but were willfully neglected because of the lure of European and Asian traditions of "socialism," "socialisms" that are now entering into decline in the very countries in which they originated.
Murray Bookchin
The many Asian-American success stories have forced developmental psychologists to revise their theories about proper parenting. They used to warn against the “authoritarian” style, in which parents set rigid goals and enforced strict rules without much overt concern for the child’s feelings. Parents were advised to adopt a different style, called “authoritative,” in which they still set limits but gave more autonomy and paid more attention to the child’s desires. This warmer, more nurturing style was supposed to produce well-adjusted, selfconfident children who would do better academically and socially than those from authoritarian homes. But then, as Ruth Chao and other psychologists studied Asian-American families, they noticed that many of the parents set quite strict rules and goals. These immigrants, and often their children, too, considered their style of parenting to be a form of devotion, not oppression. Chinese-American parents were determined to instill self-control by following the Confucian concepts of chiao shun, which means “to train,” and guan, which means both “to govern” and “to love.” These parents might have seemed cold and rigid by American standards, but their children were flourishing both in and out of school. The
Roy F. Baumeister (Willpower: Rediscovering the Greatest Human Strength)
EXPECTATIONS ALSO SHAPE stereotypes. A stereotype, after all, is a way of categorizing information, in the hope of predicting experiences. The brain cannot start from scratch at every new situation. It must build on what it has seen before. For that reason, stereotypes are not intrinsically malevolent. They provide shortcuts in our never-ending attempt to make sense of complicated surroundings. This is why we have the expectation that an elderly person will need help using a computer or that a student at Harvard will be intelligent.* But because a stereotype provides us with specific expectations about members of a group, it can also unfavorably influence both our perceptions and our behavior. Research on stereotypes shows not only that we react differently when we have a stereotype of a certain group of people, but also that stereotyped people themselves react differently when they are aware of the label that they are forced to wear (in psychological parlance, they are “primed” with this label). One stereotype of Asian-Americans, for instance, is that they are especially gifted in mathematics and science. A common stereotype of females is that they are weak in mathematics. This means that Asian-American women could be influenced by both notions.
Dan Ariely (Predictably Irrational: The Hidden Forces That Shape Our Decisions)