“
I don't want to be a man," said Jace. "I want to be an angst-ridden teenager who can't confront his own inner demons and takes it out verbally on other people instead."
"Well," said Luke, "you're doing a fantastic job.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
I would rather be ashes than dust!
I would rather that my spark should burn out in a brilliant blaze than it should be stifled by dry-rot.
I would rather be a superb meteor, every atom of me in magnificent glow, than a sleepy and permanent planet.
The function of man is to live, not to exist.
I shall not waste my days trying to prolong them.
I shall use my time.
”
”
Jack London
“
There's nothing wild about me. I'm a solid middle-aged man."
"Except that once a month you turn into a wolf and go tearing around slaughtering things," Clary said.
"It could be worse," Luke said. "Men my age have been known to purchase expensive sports cars and sleep with supermodels.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
Then out spake brave Horatius,
The Captain of the gate:
‘To every man upon this earth
Death cometh soon or late.
And how can man die better
Than facing fearful odds,
For the ashes of his fathers,
And the temples of his Gods,
‘And for the tender mother
Who dandled him to rest,
And for the wife who nurses
His baby at her breast,
And for the holy maidens
Who feed the eternal flame,
To save them from false Sextus
That wrought the deed of shame?
‘Hew down the bridge, Sir Consul,
With all the speed ye may;
I, with two more to help me,
Will hold the foe in play.
In yon strait path a thousand
May well be stopped by three.
Now who will stand on either hand,
And keep the bridge with me?
Then out spake Spurius Lartius;
A Ramnian proud was he:
‘Lo, I will stand at thy right hand,
And keep the bridge with thee.’
And out spake strong Herminius;
Of Titian blood was he:
‘I will abide on thy left side,
And keep the bridge with thee.’
‘Horatius,’ quoth the Consul,
‘As thou sayest, so let it be.’
And straight against that great array
Forth went the dauntless Three.
For Romans in Rome’s quarrel
Spared neither land nor gold,
Nor son nor wife, nor limb nor life,
In the brave days of old.
Then none was for a party;
Then all were for the state;
Then the great man helped the poor,
And the poor man loved the great:
Then lands were fairly portioned;
Then spoils were fairly sold:
The Romans were like brothers
In the brave days of old.
Now Roman is to Roman
More hateful than a foe,
And the Tribunes beard the high,
And the Fathers grind the low.
As we wax hot in faction,
In battle we wax cold:
Wherefore men fight not as they fought
In the brave days of old.
”
”
Thomas Babington Macaulay (Horatius)
“
Maybe I'll be like the man in the Hanging Tree still waiting for an answer.' Gale who I have never seen cry has tears in his eyes. To keep them from spilling over. I reach forward and press my lips against his. We taste of heat, ashes and misery.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
Leonardo da Vinci wrote in his Notebooks: “It should not be hard for you to stop sometimes and look into the stains of walls, or ashes of a fire, or clouds, or mud or like places in which … you may find really marvelous ideas.
”
”
C.G. Jung (Man and His Symbols)
“
Oh, come on, Jace," Clary said. "You can't wait for perfect behavior from everyone. Adults screw up too. Go back to the Institute and talk to her rationally. Be a man."
"I don't want to be a man," said Jace. "I want to be an angst-ridden teenager who can't confront his own inner demons and takes it out verbally on other people instead."
"Well," said Luke, "you're doing a fantastic job.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
It may be a man's world, but men are easily controlled by women.
”
”
Ashly Lorenzana
“
You are beautiful like demolition. Just the thought of you draws my knuckles white. I don’t need a god. I have you and your beautiful mouth, your hands holding onto me, the nails leaving unfelt wounds, your hot breath on my neck. The taste of your saliva. The darkness is ours. The nights belong to us. Everything we do is secret. Nothing we do will ever be understood; we will be feared and kept well away from. It will be the stuff of legend, endless discussion and limitless inspiration for the brave of heart. It’s you and me in this room, on this floor. Beyond life, beyond morality. We are gleaming animals painted in moonlit sweat glow. Our eyes turn to jewels and everything we do is an example of spontaneous perfection. I have been waiting all my life to be with you. My heart slams against my ribs when I think of the slaughtered nights I spent all over the world waiting to feel your touch. The time I annihilated while I waited like a man doing a life sentence. Now you’re here and everything we touch explodes, bursts into bloom or burns to ash. History atomizes and negates itself with our every shared breath. I need you like life needs life. I want you bad like a natural disaster. You are all I see. You are the only one I want to know.
”
”
Henry Rollins
“
Time is a lot of the things people say that God is. There's always preexisting, and having no end. There's the notion of being all powerful-because nothing can stand against time, can it? Not mountains, not armies. And time is, of course, all-healing. Give anything enough time, and everything is taken care of: all pain encompassed, all hardship erased, all loss subsumed. Ashes to ashes, dust to dust. Remember, man, that thou art dust; and unto dust thou shalt return.
And if time is anything akin to God, I suppose that memory must be the devil.
”
”
Diana Gabaldon (A Breath of Snow and Ashes (Outlander, #6))
“
There was a silly damn bird called a phoenix back before Christ, every few hundred years he built a pyre and burnt himself up. He must have been the first cousin to Man. But every time he burnt himself up he sprang out of the ashes, he got himself born all over again. And it looks like we're doing the same thing, over and over, but we're got on damn thing the phoenix never had. We know the damn silly thing we just did. We know all the damn silly things we've done for a thousand years and as long as we know that and always have it around where we can see it, someday we'll stop making the goddamn funeral pyres and jumping in the middle of them. We pick up a few more people that remember every generation.
”
”
Ray Bradbury (Fahrenheit 451)
“
Oh, good grief! I’ve never had a man pick me up before and not grunt like he’s dying. I’m in heaven. Marry me, Ash, please! (Pam)
I would say yes, but I come with more baggage than even Samsonite can cover. (Acheron)
”
”
Sherrilyn Kenyon (Acheron (Dark-Hunter, #14))
“
You may have me trapped in this.” I tug him off me. “But you aren’t the first man to underestimate me, so may I advise you to start treating me with a little more respect…
”
”
Sara Raasch (Snow Like Ashes (Snow Like Ashes, #1))
“
Oh, man,” Delano murmured under his breath as the rest of the room went dead silent. “Someone is getting stabbed again.
”
”
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
“
Today Lord I am going to do my best with Your help and for Your glory. I realize that there are many different people in the world with a variety of opinions and expectations. I will concentrate on being a God-pleaser and not a self-pleaser or man-pleaser. The rest I leave in Your hands lord. Grant me favor with You and with men and continue transforming me into the image of Your dear Son. Thank You Lord.
”
”
Joyce Meyer (Beauty for Ashes: Receiving Emotional Healing)
“
I knew from the Count of Monte Cristo that prisoners’ minds could deteriorate. Years of confinement could send a man insane.
”
”
Murray Bailey (The Prisoner of Acre (Ash Carter Near East Crime, #4))
“
Maple. Maypole
Catch and carry.
Ash and Ember.
Elderberry.
Woolen. Woman.
Moon at night.
Willow. Window.
Candlelight.
Fallow farrow.
Ash and oak.
Bide and borrow.
Chimney smoke.
Barrel. Barley.
Stone and stave.
Wind and water.
Misbehave.
”
”
Patrick Rothfuss (The Wise Man's Fear (The Kingkiller Chronicle, #2))
“
Remember?" he asks. "This is where you kissed me."
So the heavy dose of morphling administered after the whipping wasn't enough to erase that from his consciousness. "I didn't think you'd remember that," I say.
"Have to be dead to forget. Maybe even not then," he tells me. "Maybe I'll be like that man in 'The Hanging Tree'. Still waiting for an answer." Gale, who I have never seen cry, has tears in his eyes. To keep them from spilling over, I reach forward and press my lips against his. We taste of heat, ashes, and misery. It's a surprising flavour for such a gentle kiss. He pulls away first and gives me a wry smile. "I knew you'd kiss me."
"How?" I say. Because I didn't know myself.
"Because I'm in pain," he says. "That's the only way I get your attention." He picks up the box. "Don't worry, Katniss. It'll pass." He leaves me before I can answer.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
Near this spot are deposited the remains of one who possessed beauty without vanity, strength without insolence, courage without ferocity, and all the virtues of man, without his vices. This praise, which would be unmeaning flattery if inscribed over human ashes, is but a just tribute to the memory of Botswain, a dog.
”
”
Lord Byron
“
And perhaps beyond those shrouded swells another man did walk with another child on the dead gray sands. Slept but a sea apart on another beach among the bitter ashes of the world or stood in their rags lost to the same indifferent sun.
”
”
Cormac McCarthy (The Road)
“
Oh man. I hate that poofing shit. You scared me so bad, Ash, you made me eat this crappy cheese. What is this stuff anyway? (Nick)
Soy cheese. (Talon)
So much for my dinner. Now his whole system is polluted. Be at least a week before it leaves his cell tissue and he’s edible again. (Fang)
”
”
Sherrilyn Kenyon (Night Embrace (Dark-Hunter, #2))
“
In the morning they came up out of the ravine and took to the road again. He'd carved the boy a flute from a piece of roadside cane and he took it from his coat and gave it to him. The boy took it wordlessly. After a while he fell back and after a while the man could hear him playing. A formless music for the age to come. Or perhaps the last music on earth called up from out of the ashes of its ruin. The man turned and looked back at him. He was lost in concentration. The man thought he seemed some sad and solitary changeling child announcing the arrival of a traveling spectacle in shire and village who does not know that behind him the players have all been carried off by wolves.
”
”
Cormac McCarthy (The Road)
“
People always say it's harder to heal a wounded heart than a wounded body. Bullshit. It's exactly the opposite—a wounded body takes much longer to heal. A wounded heart is nothing but ashes of memories. But the body is everything. The body is blood and veins and cells and nerves. A wounded body is when, after leaving a man you’ve lived with for three years, you curl up on your side of the bed as if there’s still somebody beside you. That is a wounded body: a body that feels connected to someone who is no longer there.
”
”
Xiaolu Guo (Twenty Fragments of a Ravenous Youth)
“
Conditioned to ecstasy, the poet is like a gorgeous unknown bird mired in the ashes of thought. If he succeeds in freeing himself, it is to make a sacrificial flight to the sun. His dreams of a regenerate world are but the reverberations of his own fevered pulse beats. He imagines the world will follow him, but in the blue he finds himself alone. Alone but surrounded by his creations; sustained, therefore, to meet the supreme sacrifice. The impossible has been achieved; the duologue of author with Author is consummated. And now forever through the ages the song expands, warming all hearts, penetrating all minds. At the periphery the world is dying away; at the center it glows like a live coal. In the great solar heart of the universe the golden birds are gathered in unison. There it is forever dawn, forever peace, harmony and communion. Man does not look to the sun in vain; he demands light and warmth not for the corpse which he will one day discard but for his inner being. His greatest desire is to burn with ecstasy, to commerge his little flame with the central fire of the universe. If he accords the angels wings so that they may come to him with messages of peace, harmony and radiance from worlds beyond, it is only to nourish his own dreams of flight, to sustain his own belief that he will one day reach beyond himself, and on wings of gold. One creation matches another; in essence they are all alike. The brotherhood of man consists not in thinking alike, nor in acting alike, but in aspiring to praise creation. The song of creation springs from the ruins of earthly endeavor. The outer man dies away in order to reveal the golden bird which is winging its way toward divinity.
”
”
Henry Miller (The Time of the Assassins: A Study of Rimbaud)
“
It's said that science will dehumanize people and turn them into numbers. That's false, tragically false. Look for yourself. This is the concentration camp and crematorium at Auschwitz. This is where people were turned into numbers. Into this pond were flushed the ashes of some four million people. And that was not done by gas. It was done by arrogance, it was done by dogma, it was done by ignorance. When people believe that they have absolute knowledge, with no test in reality, this is how they behave. This is what men do when they aspire to the knowledge of gods.
Science is a very human form of knowledge. We are always at the brink of the known; we always feel forward for what is to be hoped. Every judgment in science stands on the edge of error and is personal. Science is a tribute to what we can know although we are fallible. In the end, the words were said by Oliver Cromwell: "I beseech you in the bowels of Christ: Think it possible you may be mistaken."
I owe it as a scientist to my friend Leo Szilard, I owe it as a human being to the many members of my family who died here, to stand here as a survivor and a witness. We have to cure ourselves of the itch for absolute knowledge and power. We have to close the distance between the push-button order and the human act. We have to touch people.
”
”
Jacob Bronowski
“
Our works in stone, in paint, in print, are spared, some of them, for a few decades or a millennium or two, but everything must finally fall in war, or wear away into the ultimate and universal ash - the triumphs, the frauds, the treasures and the fakes. A fact of life: we're going to die. "Be of good heart," cry the dead artists out of the living past. "Our songs will all be silenced, but what of it? Go on singing." Maybe a man's name doesn't matter all that much.
”
”
Orson Welles
“
If you were mine,” he murmured low under his breath, “I would walk through the fires of hell itself to keep you away from a man like me.
”
”
Lara Adrian (Ashes of Midnight (Midnight Breed, #6))
“
I am a man raking through ashes, a man struggling to find the embers of life in the bottom of a fireplace.
”
”
Antoine de Saint-Exupéry (Wind, Sand and Stars)
“
Because I do not hope to turn again
Because I do not hope
Because I do not hope to turn
Desiring this man's gift and that man's scope
I no longer strive to strive towards such things
(Why should the aged eagle stretch its wings?)
Why should I mourn
The vanished power of the usual reign?
”
”
T.S. Eliot (Ash Wednesday)
“
Me? Robin Goodfellow, a family man? He, not likely, ice-boy. I mean, think of what that would do to my reputation." Glamour shimmered around him, and he gave us a wink. "Later, lovebirds. Gimme a heads up when the kid arrives. 'Uncle Puck' will be waiting.
”
”
Julie Kagawa (Iron's Prophecy (The Iron Fey, #4.5))
“
I don't believe in God. Can you understand that? Look around you man. Cant you see? The clamor and din of those in torment has to be the sound most pleasing to his ear. And I loathe these discussions. The argument of the village atheist whose single passion is to revile endlessly that which he denies the existence of in the first place. Your fellowship is a fellowship of pain and nothing more. And if that pain were actually collective instead of simply reiterative then the sheer weight of it would drag the world from the walls of the universe and send it crashing and burning through whatever night it might yet be capable of engendering until it was not even ash. And justice? Brotherhood? Eternal life? Good god, man. Show me a religion that prepares one for death. For nothingness. There's a church I might enter. Yours prepares one only for more life. For dreams and illusions and lies. If you could banish the fear of death from men's hearts they wouldnt live a day. Who would want this nightmare if not for fear of the next? The shadow of the axe hangs over every joy. Every road ends in death. Or worse. Every friendship. Every love. Torment, betrayal, loss, suffering, pain, age, indignity, and hideous lingering illness. All with a single conclusion. For you and for every one and everything that you have chosen to care for. There's the true brotherhood. The true fellowship. And everyone is a member for life. You tell me that my brother is my salvation? My salvation? Well then damn him. Damn him in every shape and form and guise. Do I see myself in him? Yes. I do. And what I see sickens me. Do you understand me? Can you understand me?
”
”
Cormac McCarthy (The Sunset Limited)
“
This is the concentration camp and crematorium at Auschwitz. This is where people were turned into numbers. Into this pond were flushed the ashes of some four million people. And that was not done by gas. It was done by arrogance. It was done by dogma. It was done by ignorance. When people believe that they have absolute knowledge, with no test in reality, this is how they behave.
”
”
Jacob Bronowski (The Ascent of Man)
“
The ocean waves thunder on, and it is man who must swim amongst them. The wind blows, cold and brittle, and it is man who must protect against it. The earth shakes and cracks, swallows and destroys, but it is man who must walk upon it. So it is with death. I cannot surrender.
”
”
Sabaa Tahir (A Reaper at the Gates (An Ember in the Ashes, #3))
“
Life is a strange thing. Why this longing for life? It is a game which no man wins. To live is to toil hard and to suffer sore, till old age creeps heavily upon us and we throw down our hands on the cold ashes of dead fires. It is hard to live. In pain the babe sucks his first breath, in pain the old man gasps his last, and all his days are full of trouble and sorrow; yet he goes down to the open arms of death, stumbling, falling, with head turned backward, fighting to the last. And death is kind. It is only life and the things of life that hurt. Yet we love life and we hate death. It is very strange.
”
”
Jack London
“
She feels out the melody the way a blind man feels his way forward in an unfamiliar room.
”
”
Sabaa Tahir (An Ember in the Ashes (An Ember in the Ashes, #1))
“
This is why fairy tales are dangerous: their words sneak into your veins and travel into the chambers of your heart, where they whisper of your exceptionalism. They say: Ah, but remember the boy who walked into the woods and came out a king? Oh, but what of the girl who was kicked and slept in ashes? Remember the man who was only kind and so life bent around the shape of his smile? But we are not exceptional.
”
”
Roshani Chokshi (The Last Tale of the Flower Bride)
“
Sometimes the man wearing the crown ain’t the man that’s supposed to be the king.
”
”
S.A. Cosby (King of Ashes)
“
She'd cried loudly enough that the man sitting across from her had offered her a tissue, and she'd screamed, what do you think you're looking at jerk? At him, because that was what you did in New York. After that she felt a little better.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
I have defied him and survived him again and again. He has tried to hurt me. But I will not allow myself to be hurt. He has tried to break me but I will not be dictated to by a man so afraid to fight the jinn that he must criticise a woman to make himself feel bigger.
”
”
Sabaa Tahir (A Sky Beyond the Storm (An Ember in the Ashes, #4))
“
The next time you wish you could find the right words to say to someone who is hurting, just remember that dogs are a man's best friend without ever speaking a word to them. Simply be present and have sympathy.
”
”
Ashly Lorenzana
“
I need dating advice. Fast.”
Ash arched a single brow at that. “I’m useless. I’ve never been on one.”
The three human men turned to gape at him.
“What?” Ash asked them defensively.
Nick started laughing. “Oh man, this is priceless. Don’t tell me the great Acheron is a virgin?”
Ash gave him a droll look. “Yeah, Nick. I’m lily-white.
”
”
Sherrilyn Kenyon (Night Play (Dark-Hunter, #5; Were-Hunter, #1))
“
One cannot step in the same river twice, and home is not home when you return, for you are not yourself. The man you were yesterday died yesterday, and is only a piece of the man of today, as you will be tomorrow.
”
”
Christopher Ruocchio (Ashes of Man (The Sun Eater, #5))
“
there’s nothing stronger than a woman who’s risen from the ashes of some fire a man set.
”
”
Tess Sharpe (Barbed Wire Heart)
“
It’s been a long time since I’ve loved someone, but I know what it feels like. When you turn from me, it hurts. When you think badly of me, I think badly of myself. When you do stupid, suicidal things, I want to slap you upside the head and demand to know how you can be so brilliant and so blind at the same time.” Tybalt’s expression was calm. “If that’s not love, what is it?”
“Why are you telling me this?” I whispered.
“Because we’re probably going to die today.” He waved his free hand toward the street. “I’ve always tried not to lie to you; I’ve seen how you react when others do. Dying without telling you how I felt would be lying. I’ve been patient. I’ve given you time to recognize my feelings, and I’ve seen you choose a man who loved the girl you were, not the woman you are. Now he’s gone, and I can’t be patient anymore. I love you, October. I’ll be sorry if we die here, but I won’t be sorry I helped you… and I won’t be sorry I finally told you.”
“Tybalt…”
“Cats never regret anything,” he said, and he turned and kissed me.
”
”
Seanan McGuire (Ashes of Honor (October Daye, #6))
“
Don’t let yourself forget how many doctors have died, furrowing their brows over how many deathbeds. How many astrologers, after pompous forecasts about others’ ends. How many philosophers, after endless disquisitions on death and immortality. How many warriors, after inflicting thousands of casualties themselves. How many tyrants, after abusing the power of life and death atrociously, as if they were themselves immortal.
How many whole cities have met their end: Helike, Pompeii, Herculaneum, and countless others.
And all the ones you know yourself, one after another. One who laid out another for burial, and was buried himself, and then the man who buried him - all in the same short space of time.
In short, know this: Human lives are brief and trivial. Yesterday a blob of semen; tomorrow embalming fluid, ash.
To pass through this brief life as nature demands. To give it up without complaint.
Like an olive that ripens and falls.
Praising its mother, thanking the tree it grew on.
”
”
Marcus Aurelius (Meditations)
“
We cry in our own rooms, remembering a man who will never be here again.The house creaks. Maybe it feels the weight of our grief, maybe the floorboards are buckling because the burden is too heavy.
”
”
Rochelle Maya Callen (Ashes and Ice (Ashes and Ice, #1))
“
It was one of those golden autumn afternoons and there were blackberries and splashes of old man's beard in the hedges, and the hawthorn berries were ripening scarlet for the birds when the cold winter came along. There were tall trees here and there on either side, oak and sycamore and ash and occasionally a sweet chestnut.
”
”
Roald Dahl (Matilda)
“
One thing is certain: When the time has come, nothing which is man made will subsist. One day, all human accomplishments will be reduced to a pile of ashes. But every single child to whom a woman has given birth will live forever, for he has been given an immortal soul made to God's image and likeness. In this light, the assertion of de Beauvoir that 'women produce nothing' becomes particularly ludicrous.
”
”
Alice von Hildebrand (The Privilege of Being a Woman)
“
What is my true substance?
What will remain of me after my death?
Our life is as short as a raging fire:
flames the passer-by soon forgets,
ashes the wind blows away.
A man's life.
”
”
Omar Khayyám (Edward Fitzgerald's The Rubaiyat of Omar Khayyam (Bloom's Modern Critical Interpretations))
“
The man could hear him playing. A formless music for the age to come. Or perhaps the last music on earth called up from out of the ashes of its ruin.
”
”
Cormac McCarthy (The Road)
“
Aelin willed the blood in her veins into black fire. Aedion - her focus was on Aedion, not on the tyrant seated at the front of the room, the man who had murdered her family, murdered Marion, murdered her people. If these were her last moments, then at least she would go down fighting, to the sound of exquisite music.
It was time.
One breath - another.
She was the heir of fire.
She was fire, and light, and ash, and embers. She was Aelin Fireheart, and she bowed to no one and nothing, save the crown that was hers by blood and survival and triumph.
”
”
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
“
This book is written in blood.
Is it written entirely in blood?
No, some of it is written in tears.
Are the blood and tears all mine?
Yes, they have been in the past, but the future is a different matter.
As the bear swore in Pogo after having endured a pot shoved on her head, being turned upside down while still in the pot, a discussion about her edibility, the lawnmowering of her behind, and a fistful of ground pepper in the snoot, she then swore a mighty oath on the ashes of her mothers (i.e. her forebears) grimly but quietly while the apples from the shaken apple tree above her dropped bang thud on her head:
OH, SOMEBODY ASIDES ME IS GONNA RUE THIS HERE PARTICULAR DAY.
”
”
Joanna Russ (The Female Man)
“
I’m your fucking man, baby. That’s all there is to it, I’m your fucking man. That is never going to change.
”
”
Karina Halle (Ashes to Ashes (Experiment in Terror, #8))
“
Life is like a fire. Flames which the passer-by forgets. Ashes which the wind scatters. A man lived.
”
”
Amin Maalouf (Samarkand)
“
Zoey didn’t want to be paranoid, but there was something about the man in the loincloth made of charred doll heads that made her nervous.
”
”
David Wong (Futuristic Violence and Fancy Suits (Zoey Ashe, #1))
“
But there are women and women, commander. Some ask nothing of us, and so we are nothing to them. But there are those women who ask all of us. Those are the ones worth giving all for.
”
”
Christopher Ruocchio (Ashes of Man (The Sun Eater, #5))
“
The mountains had their own time, and a wise man did not try to hurry them.
”
”
Diana Gabaldon (A Breath of Snow and Ashes (Outlander, #6))
“
Maple. Maypole
Catch and carry.
Ash and Ember.
Elderberry.
Woolen. Woman.
Moon at night.
Willow. Window.
Candlelight.
Fallow farrow.
Ash and oak.
Bide and borrow.
Chimney smoke.
Barrel. Barley.
Stone and stave.
Wind and water.
Misbehave.Maple. Maypole
Catch and carry.
Ash and Ember.
Elderberry.
Woolen. Woman.
Moon at night.
Willow. Window.
Candlelight.
Fallow farrow.
Ash and oak.
Bide and borrow.
Chimney smoke.
Barrel. Barley.
Stone and stave.
Wind and water.
Misbehave.
”
”
Patrick Rothfuss (The Wise Man's Fear (The Kingkiller Chronicle, #2))
“
Two phoenixes, born of fire, rising from the ashes of the past. The wheel of fate is turning and the Dragon is poised to strike. But blood of the deceiver may change the course of destiny. Beware the man with the painted smile who lingers close to your side. Turn the scorned. Free the enslaved. Fear the bonded men. Many will fall for one to ascend. Suffer the curse. The hunter will pay the price. Do not repeat the mistakes of the past. Keep the broken promise. Mend the rift. All that hides in the shadows is not dark. Blood will out. Seal your fate. Choose your destiny.
”
”
Caroline Peckham (Fated Throne (Zodiac Academy, #6))
“
Ash on an old man's sleeve,
Is all the ash the burnt roses leave.
Dust in the air suspended
Marks the place where a story ended,
Dust in breathed was a house-
The wall, the wainscot and the mouse.
The death of hope and despair,
This is the death of air.
”
”
T.S. Eliot (Four Quartets)
“
First of all, it was October, a rare month for boys. Not that all months aren’t rare. But there be bad and good, as the pirates say. Take September, a bad month: school begins. Consider August, a good month: school hasn’t begun yet. July, well, July’s really fine: there’s no chance in the world for school. June, no doubting it, June’s best of all, for the school doors spring wide and September’s a billion years away.
But you take October, now. School’s been on a month and you’re riding easier in the reins, jogging along. You got time to think of the garbage you’ll dump on old man Prickett’s porch, or the hairy-ape costume you’ll wear to the YMCA the last night of the month. And if it’s around October twentieth and everything smoky-smelling and the sky orange and ash gray at twilight, it seems Halloween will never come in a fall of broomsticks and a soft flap of bedsheets around corners.
”
”
Ray Bradbury (Something Wicked This Way Comes)
“
It is you!" the man exclaimed. "We thought you weren't coming for another
week!"
"Ashe," Sarene mumbled, "who is this lunatic and what does he want with me?
”
”
Brandon Sanderson (Elantris (Elantris, #1))
“
Lost ye way in the dark, said the old man. He stirred the fire, standing slender tusks of bone up out of the ashes.
The kid didn’t answer.
The old man swung his head back and forth. The way of the transgressor is hard. God made this world, but he didnt make it to suit everbody, did he?
I don’t believe he much had me in mind.
”
”
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
“
Ahhh, you two are special friends." Nick
"How do you mean?" Kyrian
"He thinks we're a couple" Ash
"No No No Definitely not. Not that Acheron is not an attractive man, not that I've ever really noticed whether or not he's attractive, but male is not my type." Kyrian
”
”
Sherrilyn Kenyon (Infinity (Chronicles of Nick, #1))
“
Now I have a theory that if a woman wants to keep a man she only needs to say two things: She believes in him and he's got a big a cock. That's all it takes. It doesn't even have to be true.
”
”
Ethan Hawke (Ash Wednesday)
“
Humanity is identity. All men are the same clay. No difference, here below at least, in predestination. The same darkness before, the same flesh during, the same ashes after life. But ignorance, mixed with the human composition, blackens it. This incurable ignorance possesses the heart of man, and there becomes evil.
”
”
Victor Hugo (Les Misérables)
“
Alright! You sir, you sir, how about a shave?
Come and visit your good friend Sweeney.
You sir, too sir? Welcome to the grave.
I will have vengenance.
I will have salvation.
Who sir, you sir?
No ones in the chair, Come on! Come on!
Sweeney's. waiting. I want you bleeders.
You sir! Anybody!
Gentlemen now don't be shy!
Not one man, no, nor ten men.
Nor a hundred can assuage me.
I will have you!
And I will get him back even as he gloats
In the meantime I'll practice on less honorable throats.
And my Lucy lies in ashes
And I'll never see my girl again.
But the work waits!
I'm alive at last!
And I'm full of joy!
”
”
Stephen Sondheim (Sweeney Todd: The Demon Barber of Fleet Street)
“
Feelings are just a fire in a field of stubble: it burns for a moment, and then all that’s left is soot and ashes. Do you know what the main thing is—the thing a woman should look for in her man? She should look for a quality that’s not at all exciting but that’s rarer than gold: decency.
”
”
Amos Oz (A Tale of Love and Darkness)
“
Men seek retreats for themselves, houses in the country, sea-shores, and mountains; and thou too art wont to desire such things very much. But this is altogether a mark of the most common sort of men, for it is in thy power whenever thou shalt choose to retire into thyself. For nowhere either with more quiet or more freedom from trouble does a man retire than into his own soul, particularly when he has within him such thoughts that by looking into them he is immediately in perfect tranquility; and I affirm that tranquility is nothing else than the good ordering of the mind. Constantly then give to thyself this retreat, and renew thyself; and let thy principles be brief and fundamental, which, as soon as thou shalt recur to them, will be sufficient to cleanse the soul completely, and to send thee back free from all discontent with the things to which thou returnest. For with what art thou discontented? With the badness of men? Recall to thy mind this conclusion, that rational animals exist for one another, and that to endure is a part of justice, and that men do wrong involuntarily; and consider how many already, after mutual enmity, suspicion, hatred, and fighting, have been stretched dead, reduced to ashes; and be quiet at last.- But perhaps thou art dissatisfied with that which is assigned to thee out of the universe.- Recall to thy recollection this alternative; either there is providence or atoms, fortuitous concurrence of things; or remember the arguments by which it has been proved that the world is a kind of political community, and be quiet at last.- But perhaps corporeal things will still fasten upon thee.- Consider then further that the mind mingles not with the breath, whether moving gently or violently, when it has once drawn itself apart and discovered its own power, and think also of all that thou hast heard and assented to about pain and pleasure, and be quiet at last.- But perhaps the desire of the thing called fame will torment thee.- See how soon everything is forgotten, and look at the chaos of infinite time on each side of the present, and the emptiness of applause, and the changeableness and want of judgement in those who pretend to give praise, and the narrowness of the space within which it is circumscribed, and be quiet at last. For the whole earth is a point, and how small a nook in it is this thy dwelling, and how few are there in it, and what kind of people are they who will praise thee.
”
”
Marcus Aurelius (The Meditations of Marcus Aurelius)
“
a Man’s sense of Morality tends to decrease as his Power increases,
”
”
Diana Gabaldon (A Breath of Snow and Ashes (Outlander, #6))
“
Who is my brother now? When did he transform from the boy who made me too-sweet tea to a man with secrets too heavy to share with his little sister?
”
”
Sabaa Tahir (A Torch Against the Night (An Ember in the Ashes, #2))
“
Quotations "Oh man, I hate that poofing shit. You scared me so bad, Ash, you made me eat this crappy cheese." (Nick in Night Embrace).
”
”
Sherrilyn Kenyon (Night Embrace (Dark-Hunter, #2))
“
I wanted to be a good man who would walk away from what he knew he wasn’t worthy or deserving of. The kind Kieran believed I was. The type I had been raised to be. But I wasn’t a good man.
I was just hers.
”
”
Jennifer L. Armentrout (A Soul of Ash and Blood (Blood and Ash, #5))
“
Let me twine
Mine arms about that body, where against
My grained ash an hundred times hath broke
And scarr'd the moon with splinters: here I clip
The anvil of my sword, and do contest
As hotly and as nobly with thy love
As ever in ambitious strength I did
Contend against thy valour. Know thou first,
I loved the maid I married; never man
Sigh'd truer breath; but that I see thee here,
Thou noble thing! more dances my rapt heart
Than when I first my wedded mistress saw
Bestride my threshold.
”
”
William Shakespeare (Coriolanus)
“
If Zoey Ashe had known she was being stalked by a man who intended to kill her and then slowly eat her bones, she would have worried more about that and less about getting her cat off the roof.
”
”
David Wong (Futuristic Violence and Fancy Suits (Zoey Ashe, #1))
“
The most detestable wickedness, the most horrid cruelties, and the greatest miseries, that have afflicted the human race have had their origin in this thing called revelation, or revealed religion. It has been the most dishonourable belief against the character of the divinity, the most destructive to morality, and the peace and happiness of man, that ever was propagated since man began to exist. It is better, far better, that we admitted, if it were possible, a thousand devils to roam at large, and to preach publicly the doctrine of devils, if there were any such, than that we permitted one such impostor and monster as Moses, Joshua, Samuel, and the Bible prophets, to come with the pretended word of God in his mouth, and have credit among us.
Whence arose all the horrid assassinations of whole nations of men, women, and infants, with which the Bible is filled; and the bloody persecutions, and tortures unto death and religious wars, that since that time have laid Europe in blood and ashes; whence arose they, but from this impious thing called revealed religion, and this monstrous belief that God has spoken to man? The lies of the Bible have been the cause of the one, and the lies of the Testament of the other.
”
”
Thomas Paine (The Age of Reason)
“
You are my heart,” he said unexpectedly. The amount of care in his voice settled over my chest like a warm cloak. “I do not easily confess emotions in the way you do, but know I feel the same. The words I once spoke to you hold true: I will kill any man and turn the whole world to ash for you, my warrior. I fear neither battle nor death, but I fear the day you are not by my side. Never question where my heart lies, because it is forever yours. In this life and the next.
”
”
Jaclyn Osborn (Axios: A Spartan Tale (Axios Series))
“
A man should never tell a woman he loves her unless he’s willing to burn the world for her.” “I do love you.” “Then where are the ashes?
”
”
Penelope Barsetti (Bite the Woman That Feeds (Dirty Blood, #1))
“
Perhaps his gloom was due to his profession, that he lived among fallen empires, and in reading these languages that had not been spoken by the common man in centuries, he had all about him the ruin of language, evidence of toppled suburbs, grass growing among the mosaics, and voices that had been choked with poison, iron, age, or ash.
”
”
M.T. Anderson (The Pox Party (The Astonishing Life of Octavian Nothing, Traitor to the Nation, #1))
“
Fuck off, Daley. You’re not my nursemaid."
“No, he’s my nursemaid,” Sloane grumbled, giving Ash a weak push before taking hold of Dex’s wrist and pulling him over to stand in between his legs. He wrapped his arms around Dex’s waist and held him close. “Get your own.”
Ash shook his head in shame. “You’re so whipped, man.
”
”
Charlie Cochet (Rise & Fall (THIRDS, #4))
“
Julia closed her eyes and concentrated on the words to Lacrimosa, sung loudly and hauntingly by the multi-voice choir in Latin…
Day of Weeping,on which will rise from ashes guilty man for judgment. So have mercy, O Lord, on this man. Compassionate Lord Jesus, grant them rest. Amen.
What is wrong with Gabriel that he listens to this over and over again? And what does it say about me that I can’t help but feel close to him when I listen to it? All I’ve done is replace his photograph with his cd — I’m just not sleeping with it under my pillow.
I am one sick puppy.
”
”
Sylvain Reynard (Gabriel's Inferno (Gabriel's Inferno, #1))
“
Rage.
Sing, O Muse, of the rage of Achilles, of Peleus’ son, murderous, man-killer, fated to die, sing of the rage that cost the Achaeans so many good men and sent so many vital, hearty souls down to the dreary House of Death. And while you’re at it, Muse, sing of the rage of the gods themselves, so petulant and so powerful here on their new Olympos, and of the rage of the post-humans, dead and gone though they might be, and of the rage of those few true humans left, self-absorbed and useless though they have become. While you are singing, O Muse, sing also of the rage of those thoughtful, sentient, serious but not-so-close-to-human beings out there dreaming under the ice of Europa, dying in the sulfur ash of Io, and being born in the cold folds of Ganymede.
Oh, and sing of me, O Muse, poor born-against-his-will Hockenberry, dead Thomas Hockenberry, Ph.D., Hockenbush to his friends, to friends long since turned to dust on a world long since left behind. Sing of my rage, yes, of my rage, O Muse, small and insignificant though that rage might be when measured against the anger of the immortal gods, or when compared to the wrath of the god-killer Achilles.
On second though, O Muse, sing nothing of me. I know you. I have been bound and servant to you, O Muse, you incomparable bitch. And I do not trust you, O Muse. Not one little bit.
”
”
Dan Simmons (Ilium (Ilium, #1))
“
I'm an alien in my own world, a writer without words, a musician without a piano, a magician without a wand. I am fooled by infinite words that rush in my blood, yet imprisoned by the very thoughts of silence. I'm a gray green fallow leaf on trees and abandoned on the streets, a never-ending spring season and an eternal autumn. I'm the golden of the sun and the silver of the moon, the fog of dawn and the amber of dusk. I'm the white and the red flag , the obedient and the rebel. I am the coward in the brave, and the child in the man. I am, but a writer.
”
”
Nema Al-Araby (Remnants and Ashes)
“
One person cannot change the world. But one person can strike terror into multitudes.
—Robert Evans
Any demon is capable of cruelty, but only an angel is majestic enough to rain down vengeance for the innocent.
—Marcus Evans
Little eyes see. Little eyes learn. Be a good example for all the little eyes watching you. They’re everywhere.
—Jasmine Evans
The wicked can fake nobility, just as the damned can fake innocence. But only the truth will rise from the ashes when we all start to burn.
—Victoria Evans
A wise man knows when the war is lost, and will understand retreat is the
only way to save lives. A foolish man will condemn all his followers to death because of his pride.
—Robert Evans
If hatred didn’t exist, love wouldn’t either, for one is formed by the other. I love and hate this town.
—Marcus Evans
I believe the souls of the wrongfully persecuted often haunt our world, bringing the same grief they feel from beyond the grave.
—Jasmine Evans
Never mock or harm the passionate, for they are the fiercest with their wrath.
—Victoria Evans
”
”
S.T. Abby (Mindf*ck Series (Mindf*ck, #1-5))
“
The message of Christ’s love is found in Isaiah, chapter sixty-one,” the man was saying. “God himself will restore the crumbling foundations of your life. He will give you beauty for ashes. He’ll provide redemption, no matter who you are, where you are. . . .
”
”
Karen Kingsbury (Redemption (Redemption, #1))
“
But to know a thing and to see it, to experience it, are as different as the moon and the finger pointing to it. Knowledge is not truth, only the apprehension of it. Experience is something else entirely.
”
”
Christopher Ruocchio (Ashes of Man (The Sun Eater, #5))
“
Yes. Just now, I was actually trying to rank 'I love you, I like you, I worship you, I have to have my cock inside you,' in terms of relative sincerity.
Did I day that? he said sounding slightly startled.
Yes. Weren't you listening?
No, he admitted. I meant every word of it though. His hand cupped one buttock, weighing it appreciatively. Still do come to that.
What, even that last one? I laughed and rubbed my forehead gently against his chest, feeling his jaw rest snugly on top of my head.
Oh, aye, he said gathering me firmly against him with a sigh. I will say the flesh requires a bit of supper and a wee rest before I think of doin' it again, but the spirit is always willing. God, ye have the sweetest fat wee bum. Only seeing it makes me want to give it yea again directly. It's lucky ye're wed to a decrepit auld man, Sessenach, or ye'd be on your knees with your arse in the air this minute.
”
”
Diana Gabaldon (A Breath of Snow and Ashes (Outlander, #6))
“
They say a witch used to live in these woods, a long long time ago,” she began. And this is what the little girl would tell her children and what they would tell their children long after the ones who came before were gone. “They say an old witch lived in the east, in Iron Wood. And there, she bore the wolves who chase the sun and moon. They say she went to Asgard and was burned three times upon a pyre and three times she was reborn before she fled. They say she loved a man with scarred lips and a sharp tongue; a man who gave her back her heart and more. They say she loved a woman too, a sword-wielding bride of the Gods; as bold as any man and fiercer still. They say she wandered, giving aid to those who needed it most, healing them with potions and spells. They say she stood her ground against the fires of Ragnarok, until the very end, until she was burned a final time. All but her heart reduce to ashes once more. But others say she lives yet.
”
”
Genevieve Gornichec (The Witch's Heart)
“
Any book that spreads weakness in the heart of one gender, and authoritarianism in the other, must be burnt to ashes.
”
”
Abhijit Naskar (The Bengal Tigress: A Treatise on Gender Equality (Humanism Series))
“
As a young man, I used to think that bravery was the absence of fear. No. I’d learned since then that the absence of fear was only stupidity.
”
”
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
“
I read,” I said, and shrugged. “People always accuse me of wasting my time, but they don’t complain when I have their answers.
”
”
Christopher Ruocchio (Ashes of Man (The Sun Eater, #5))
“
The theologians dead, knew no more than the theologians now living. More than this cannot be said. About this world little is known,—about another world, nothing.
Our fathers were intellectual serfs, and their fathers were slaves. The makers of our creeds were ignorant and brutal. Every dogma that we have, has upon it the mark of whip, the rust of chain, and the ashes of fagot.
Our fathers reasoned with instruments of torture. They believed in the logic of fire and sword. They hated reason. They despised thought. They abhorred liberty.
”
”
Robert G. Ingersoll (The Liberty of Man, Woman and Child)
“
You walked into my life when I was nineteen years old. You were the only man I ever loved - the only man I ever hope to love. You took everything we did together, everything we were to each other, and scorched it to nothing: left it a cloud of ash.
”
”
Laura Barnett (The Versions of Us)
“
Max replies, "Why the fuck n- Oh man, are you gettin' lucky?"
I quickly do up Asher's jeans and stand. Max bursts into laughter when he sees my head ascend and chuckles, "Shit, guys. Warn a brother. Did you at least finish?"
Ash smiles big fluffling my hair, I tell Max, "I never start something I don't plan to finish."
Ash wraps his arm around me and Max shakes his head. He says, "Well if you two don't mind, I think I'm gonna make this a blowjob free zone from now on.
”
”
Belle Aurora (Love Thy Neighbour (Friend-Zoned, #2))
“
But man is a Noble Animal, splendid in ashes, and pompous in the grave, solemnizing Nativities and Deaths with equal lustre, nor omitting Ceremonies of bravery, in the infamy of his nature. Life is a pure flame, and we live by an invisible Sun within us.
”
”
Thomas Browne (Urne Burial)
“
I walked towards her. Jean-Claude grabbed my arm. "Do not harm her, Anita. She is under our protection."
"I swear to you that I will not lay a finger on her tonight. I just want to tell her something."
He released my arm, slowly, like he wasn't sure it was a good idea. I stepped next to Monica, until our bodies almost touched. I whispered into her face, "If anything happens to Catherine, I will see you dead."
She smirked at me, confident in her protectors. "They will bring me back as one of them."
I felt my head shake, a little to the right, a little to the left, a slow precise movement. "I will cut out your heart." I was still smiling, I couldn'tseem to stop. "Then I will burn it and scatter the ashes in the river. Do you understand me?"
She swallowed audibly. Her health-club tan looked a little green. She nodded, staring at me like I was the bogey man.
I think she believed I'd do it. Peachy keen. I hate to waste a really good threat
”
”
Laurell K. Hamilton (Guilty Pleasures (Anita Blake, Vampire Hunter, #1))
“
And it shall come to pass that what man made shall be shattered, and the Shadow shall lie across the Pattern of Age, and the Dark One shall once more lay his hand upon the world of man. Women shall weep and men quail as the nations of the earth are rent like rotting cloth. Neither shall anything stand nor abide...
Yet one shall be born to face the Shadow, born once more as he was born before and shall be born again, time without end. The Dragon shall be Reborn, and there shall be wailing and gnashing of teeth at his rebirth. In sackcloth and ashes shall he clothe the people, and he shall break the world again by his coming, tearing apart all ties that bind. Like the unfettered dawn shall he blind us, and burns us, yet shall the Dragon Reborn confront the Shadow at the Last battle, and his blood shall give us the Light. Let tears flow, O ye people of the world. Weep for your salvation.
-from The Karaethon Cycle: The Prophecies of the Dragon, as translated by Ellaine Marise'idin Alshinn, Chief Librarian at the Court of Arafel, in the Year of Grace 231 of the New Era, the Third Age
”
”
Robert Jordan (The Great Hunt (The Wheel of Time, #2))
“
What’s rare is to have a good, strong man, as opposed to a good, weak man. Those are the ones who ruin the world. Men who mean well, but buckle under others’ opinions until their good intentions destroy an untold number of lives.” My
”
”
Sara Raasch (Ice Like Fire (Snow Like Ashes, #2))
“
Wait, wait, wait. Are you telling me they stick you out here where there are no Daimons and you don’t have a weak spot? What kind of shit is that? I live in Daimon Central with one hell of an Achilles’ heel that no one ever bothered to mention, and you live where there’s no danger to you and yet you don’t have one? What’s not fair with this picture? And then Ash asks me to come up here to save your ass and here we are dropping like flies while you’re Teflon. No, I have a problem with this. I love you, man, but dayam. This just ain’t right. I’m up here freezing my balls off, and you, you don’t need protection. Meanwhile I have a bull’s-eye on my arm that says, ‘Hey, Daimon on steroids, kill me right here.’ Do you realize, I put my keys in my mouth to pull out my wallet to pay for gas and they froze there? The last thing I want to do is die up here in this godforsaken place at the hands of some freaked-out something no one has ever heard of before except for Guido the Killer Squire from Jersey? I swear I want someone’s ass for this. (Jess)
”
”
Sherrilyn Kenyon (Dance with the Devil (Dark-Hunter, #3))
“
In my beginning is my end. In succession
Houses rise and fall, crumble, are extended,
Are removed, destroyed, restored, or in their place
Is an open field, or a factory, or a by-pass.
Old stone to new building, old timber to new fires,
Old fires to ashes, and ashes to the earth
Which is already flesh, fur and faeces,
Bone of man and beast, cornstalk and leaf.
from "East Coker
”
”
T.S. Eliot (Four Quartets)
“
I told you once that the universe has no center, and thus every point is its center, and it is so. If I have strained you, reader, by my repeated insistence that every action matters, that every moment of every life is the moment, the axis about which all things turn, understand that I say these things because they are true. Every step, every turn, every refusal to step. Everything matters. The cosmos is not cold or indifferent because we are not indifferent, and we are a part of that cosmos, of that grand order which has dropped from the hand of He who created it. Every decision creates its ripples, every moment burns its mark on time, every action leads us ever nearer to that last day, that final last battle and the answer to that last question: Darkness? Or light?
”
”
Christopher Ruocchio (Ashes of Man (The Sun Eater, #5))
“
If a man spreads his secret with his own tongue and blames another... then he is a fool. If his own breast is too narrow to conceal his own secret, then the breast of the one in whom he places it is even narrower.
”
”
Imam ash-Shafi`i
“
All of us who fight here today do so with someone standing invisible behind us.” Asterin’s gold-flecked black eyes softened a bit. “Yes,” was all Manon’s Second said as her hand drifted to her abdomen. Not in memory of the hateful word branded there, of what had been done to her. In memory of the stillborn witchling who had been thrown by Manon’s grandmother into the fire before Asterin had a chance to hold her. In memory of the hunter whom Asterin had loved, as no Ironteeth ever had loved a man, and had never gone back to, for shame and fear. The hunter who had never stopped waiting for her to return, even when he was an old man. For them, for the family she had lost, Manon knew her Second would fight today. So it might never happen again.
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
A strong man sails by ash breeze!
”
”
Jean Lee Latham (Carry On, Mr. Bowditch)
“
Our life is as short as a raging fire:
flames the passer-by soon forgets,
ashes the wind blows away.
A man's life.
”
”
Omar Khayyám (Rubaiyat Of Omar Khayyam: English, French And German Translations Comparatively Arranged V2)
“
You don't love me," I say.
He sighs ruefully. "Maybe not. I can't help seeing you the way a starving man sees bread.
”
”
Rosamund Hodge (Gilded Ashes)
“
That thought was so much better. It was the difference between regret and relief, between a cold hearth full of dead, gray ash and a fire that was still alight.
”
”
Alex North (The Whisper Man)
“
I would not keep wounding my heart for a man who would not take it for his own.
”
”
L.J. Andrews (Court of Ice and Ash (The Broken Kingdoms, #2))
“
Against such demons as these, all men are brothers.
”
”
Christopher Ruocchio (Ashes of Man (The Sun Eater, #5))
“
We have need of heroes, however broken, however terrible, however insufficient they may be. And we have need of more than one hero, for heroes do break, you know.
”
”
Christopher Ruocchio (Ashes of Man (The Sun Eater, #5))
“
A man doesn’t have to agree with his government to be a patriot, does he? It takes a true patriot to dissent, to say he loves his country more than he cares for his own place in the social order.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
Degeneracy, lust, and passion, hates and fears, crept into the souls of Greece and Rome, and Black Magic overshadowed Egypt; the light upon the altar grew weaker and weaker. The priests lost the Word, the name of the Flame. Little by little the Flame flickered out, and as the last spark grew cold, a mighty nation died, buried beneath the dead ashes of its own spiritual fire. But the Flame did not die. Like spirit of which it is the essence, it cannot die, because it is life, and life cannot cease to be. In some wilderness of land or sea it rested once again, and there rose a mighty nation around that flame. So history goes on through the ages. As long as a people are true to the Flame, it remains, but when they cease to nourish it with their lives, it goes on to other lands and other worlds.
”
”
Manly P. Hall (The Initiates of the Flame (Fully Illustrated))
“
The grime was no man’s grime but death and human locomotives,
all that dress of dust, that veil of darkened railroad skin, that smog of cheek, that eyelid of black mis’ry, that sooty hand or phallus or protuberance of artificial worse-than-dirt—industrial—modern—all that civilization spotting your crazy golden crown—
and those blear thoughts of death and dusty loveless eyes and ends and withered roots below, in the home-pile of sand and sawdust, rubber dollar bills, skin of machinery, the guts and innards of the weeping coughing car, the empty lonely tincans with their rusty tongues alack, what more could I name, the smoked ashes of some cock cigar, the cunts of wheelbarrows and the milky breasts of cars, wornout asses out of chairs & sphincters of dynamos—all these
entangled in your mummied roots—and you there standing before me in the sunset, all your glory in your form!
”
”
Allen Ginsberg (Howl, Kaddish and Other Poems)
“
The dead become ever closer companions as we grow old ourselves and nearer eternity. And afterlife or no, they live on in us. Perhaps that is why it seems we have ghosts. Because we carry them in ourselves.
”
”
Christopher Ruocchio (Ashes of Man (The Sun Eater, #5))
“
I know how it feels, dear one. As if your heart were torn in two. I feel your pain.”
I took a deep breath. Another.
“Finbar?”
“I know how it feels. As if you will never be whole again.”
I reached inside my dress, where I wore two cords about my neck. One held my wedding ring; the other the amulet that had once been my mother’s. I left the one, and took off the other. “This is yours. Take it back. Take it back, it was to you she gave it.”
I slipped the cord over his head, and the little carven stone with its ash tree sign lay on his breast. He had grown painfully thin.
“Show me the other. The other talisman you wear.”
Slowly I took out the carven ring, and lifted it on my palm for my brother to see.
“He made this for you? Him with the golden hair, and the eyes that devour”?
“Not him. Another.” Images were strong in my mind; Red with his arm around me like a shield; Red cutting up and apple; Red kicking a sword from a man’s hand, and catching it in his own; Red barefoot on the sand with the sea around his ankles.
“You risked much, to give your love to such a one.”
I stared at him. “Love?”
“Did you not know, until now, when you must say goodbye?
”
”
Juliet Marillier (Daughter of the Forest (Sevenwaters, #1))
“
Who was the real Adrian? The oddly charming man who’d asked me for a date right after he kidnapped me? The heroic one who’d saved my life two times in four days? Or the surly one who acted like I was a venereal disease he couldn’t wait to be cured of?
”
”
Jeaniene Frost (The Beautiful Ashes (Broken Destiny #1))
“
Even if it would leave Hollin with the right to the throne. Hollin, who had been sired by a Valg-infested man as well. Had the demon passed any traits to his brother? The boy had been beastly—but had he been human?
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
I have lost people, though.
It's strange when it happens. I don't actually lose them. Not in the way one loses one's parents, either as a small child, when you think you are holding your mother's hand in a crowd and then you look up, and it's not your mother... or later. When you have to find the words to describe them at a funeral service or a memorial, or when you are scattering ashes on a garden of flowers or into the sea.
”
”
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
“
1
Cain lifts Crow, that heavy black bird
and strikes down Abel.
Damn, says Crow, I guess
this is just the beginning.
2
The white man, disguised
as a falcon, swoops in
and yet again steals a salmon
from Crow's talons.
Damn, says Crow, if I could swim
I would have fled this country years ago.
3
The Crow God as depicted
in all of the reliable Crow bibles
looks exactly like a Crow.
Damn, says Crow, this makes it
so much easier to worship myself.
4
Among the ashes of Jericho,
Crow sacrifices his firstborn son.
Damn, says Crow, a million nests
are soaked with blood.
5
When Crows fight Crows
the sky fills with beaks and talons.
Damn, says Crow, it's raining feathers.
6
Crow flies around the reservation
and collects empty beer bottles
but they are so heavy
he can only carry one at a time.
So, one by one, he returns them
but gets only five cents a bottle.
Damn, says Crow, redemption
is not easy.
7
Crow rides a pale horse
into a crowded powwow
but none of the Indian panic.
Damn, says Crow, I guess
they already live near the end of the world.
”
”
Sherman Alexie
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
Those who would later lament Seif and his father's (Qaddafi) regime are like a man who looks at the ashes and says, "I much prefer the fire
”
”
Hisham Matar (The Return)
“
A beautiful woman needs no embellishments. But a prideful man may give them to her nevertheless.
”
”
Katharine Ashe (I Married the Duke (The Prince Catchers, #1))
“
A little while ago, I stood by the grave of the old Napoleon—a magnificent tomb of gilt and gold, fit almost for a dead deity—and gazed upon the sarcophagus of rare and nameless marble, where rest at last the ashes of that restless man. I leaned over the balustrade and thought about the career of the greatest soldier of the modern world.
I saw him walking upon the banks of the Seine, contemplating suicide. I saw him at Toulon—I saw him putting down the mob in the streets of Paris—I saw him at the head of the army of Italy—I saw him crossing the bridge of Lodi with the tri-color in his hand—I saw him in Egypt in the shadows of the pyramids—I saw him conquer the Alps and mingle the eagles of France with the eagles of the crags. I saw him at Marengo—at Ulm and Austerlitz. I saw him in Russia, where the infantry of the snow and the cavalry of the wild blast scattered his legions like winter's withered leaves. I saw him at Leipsic in defeat and disaster—driven by a million bayonets back upon Paris—clutched like a wild beast—banished to Elba. I saw him escape and retake an empire by the force of his genius. I saw him upon the frightful field of Waterloo, where Chance and Fate combined to wreck the fortunes of their former king. And I saw him at St. Helena, with his hands crossed behind him, gazing out upon the sad and solemn sea.
I thought of the orphans and widows he had made—of the tears that had been shed for his glory, and of the only woman who ever loved him, pushed from his heart by the cold hand of ambition. And I said I would rather have been a French peasant and worn wooden shoes. I would rather have lived in a hut with a vine growing over the door, and the grapes growing purple in the kisses of the autumn sun. I would rather have been that poor peasant with my loving wife by my side, knitting as the day died out of the sky—with my children upon my knees and their arms about me—I would rather have been that man and gone down to the tongueless silence of the dreamless dust, than to have been that imperial impersonation of force and murder, known as 'Napoleon the Great.
”
”
Robert G. Ingersoll (The Liberty of Man, Woman and Child)
“
His dark eyes met mine, just the same. A lean, saturnine face, his cheekbones balanced, his mouth a straight unforgiving line. The demon Tierce Japhrimel touched my cheek, his knuckles brushing my skin. The contact sent a shudder through me, my body recognizing him before the rest of me could dare to. "You burned," I managed, before another fit of retching and gagging shook me. "You burned—you were
ash —"
"While you live, I live." The corners of his mouth turned down, an expressive movement that managed to give the impression of a grim smile. "I suppose nobody told you." I shook my head weakly.
”
”
Lilith Saintcrow (Dead Man Rising (Dante Valentine, #2))
“
The family is the simplest and smallest unit of society and the real fountain of culture. If this fountain remains pure, man's culture has promise. But if it becomes polluted, all the rest will turn to dust and ashes, since the home is the foundation of the entire social structure.
”
”
Henry R. Van Til (The Calvinistic Concept of Culture)
“
It is night in your Seven Kingdoms now,' the red woman went on, 'but soon the sun will rise again. The war continues, Davos Seaworth, and some will soon learn that even an ember in the ashes can still ignite a great blaze. The old maester looked at Stannis and saw only a man. You see a king. You are both wrong. He is the Lord's chosen, the warrior of fire. I have seen him leading the fight against the dark, I have seen it in the flames. The flames do not lie, else you would not be here. It is written in prophecy as well. When the red star bleeds and the darkness gathers, Azor Ahai shall be born again amidst smoke and salt to wake dragons out of stone.
”
”
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
“
I dont believe in God. Can you understand that? Look around you man. Cant you see? The clamour and din of those in torment has to be the sound most pleasing to his ear. And I loathe these discussions. The argument of the village atheist whose single passion is to revile endlessly that which he denies the existence of in the first place. Your fellowship is a fellowship of pain and nothing more. And if that pain were actually collective instead of simply reiterative then the sheer weight of it would drag the world from the walls of the universe and send it crashing and burning through whatever night it might yet be capable of engendering until it was not even ash. And justice? Brotherhood? Eternal life? Good god, man. Show me a religion that prepares one for death. For nothingness. There's a church I might enter. Yours prepares one only for more life. For dreams and illusions and lies. If you could banish the fear of death from men's hearts they wouldnt live a day. Who would want this nightmare if not for fear of the next? The shadow of the axe hangs over every joy. Every road ends in death. Or worse. Every friendship. Every love. Torment, betrayal, loss, suffering, pain, age, indignity, and hideous lingering illness. All with a single conclusion. For you and for every one and every thing that you have chosen to care for. There's the true brotherhood. The true fellowship. And everyone is a member for life. You tell me that my brother is my salvation? My salvation? Well then damn him. Damn him in every shape and form and guise. Do I see myself in him? Yes, I do. And what I see sickens me. Do you understand me? Can you understand me?
”
”
Cormac McCarthy (The Sunset Limited)
“
Evil occurs because we are insufficient to challenge it. Too weak to stop it at the gates, too blind to see it bubbling within. Were we all angels in our virtue and heroes in our capacity, we might hold all chaos at bay, might stop even the unkindling of the stars. Yet we are but men.
”
”
Christopher Ruocchio (Ashes of Man (The Sun Eater, #5))
“
Because, Sassenach,” he said, very dryly indeed, “when ye’re a man, a good bit of what ye have to do is to draw up lines and fight other folk who come over them. Your enemies, your tenants, your children—your wife. Ye canna always just strike them or take a strap to them, but when ye can, at least it’s clear to everyone who’s in charge.
”
”
Diana Gabaldon (A Breath of Snow and Ashes (Outlander, #6))
“
If the people of Europe had known as much of astronomy and geology when the bible was introduced among them, as they do now, there never could have been one believer in the doctrine of inspiration. If the writers of the various parts of the bible had known as much about the sciences as is now known by every intelligent man, the book never could have been written. It was produced by ignorance, and has been believed and defended by its author. It has lost power in the proportion that man has gained knowledge. A few years ago, this book was appealed to in the settlement of all scientific questions; but now, even the clergy confess that in such matters, it has ceased to speak with the voice of authority. For the establishment of facts, the word of man is now considered far better than the word of God. In the world of science, Jehovah was superseded by Copernicus, Galileo, and Kepler. All that God told Moses, admitting the entire account to be true, is dust and ashes compared to the discoveries of Descartes, Laplace, and Humboldt. In matters of fact, the bible has ceased to be regarded as a standard. Science has succeeded in breaking the chains of theology. A few years ago, Science endeavored to show that it was not inconsistent with the bible. The tables have been turned, and now, Religion is endeavoring to prove that the bible is not inconsistent with Science. The standard has been changed.
”
”
Robert G. Ingersoll (Some Mistakes of Moses)
“
Tree
I dreamt you invisible majesty
hovering above the face of all things.
Rooted in the pain of ash,
mere man, I bore you, sepulchre,
dead father, silently, within,
called out to you the windswept words
of lost millennia, words that kindle rage.
You never answered me. You left me
fearing night, hidden fire, leaping flame,
tree God in the night.
”
”
Salvador Espriu (Selected Poems of Salvador Espriu (English and Catalan Edition))
“
He also knew that this woman was different from all the women who'd come before her. That part scared the shit out of him and excited him all at the same time. What if she was the one? That woman who, when a man saw her, he was instantly struck with the knowledge that he was done for. Like Mia was for Gabe. Like Bethany was for Jace. The one.' -- Ash
”
”
Maya Banks (Burn (Breathless, #3))
“
Letter 90
When I used to sit up late at night writing in our bed, I was calmed by the sound of your breathing. I would hold my breath and watch your chest rise and fall. I felt like a blind man soothed by the scents and sounds of a garden.
As I lie here in bed writing this letter, there is only the sound of my own breathing.
When I hold my breath, there is only silence.
Tonight I feel like a miner being lowered farther and farther into a dark mine shaft, longing for the scents and the sounds of a garden.
”
”
Gregory Colbert (Ashes and Snow: A Novel in Letters)
“
I keep finding the ashes of the man I unequivocally loved, everywhere.
Everytime, I go to bed, they are displaced about my covers when memories flood back in my mind.
When I glance at my skin, the ashes are smeared on my skin like hand prints from a tragic crime scene.
When you cross my mind, the ashes of moments of intimacy fall to my heart, my body forcefully expell them through my lungs and tear ducts.
The ashes spew out in an eruption of utter chaos. The ashes block out my perception of love and self value. My sight is distorted to truth and trust. The particles of ashe prevent me from forgetting.
ANONYMOUS
”
”
Starr.
“
I took his name, Erawan spat, writhing as the words flowed from his tongue
under Damaris’s power. I wiped it away from existence. Yet he only remembered
it once. Only once. The first time he beheld you.
Tears slid down Dorian’s face at that unbearable truth.
Perhaps his father had unknowingly hidden his name within him, a final
kernel of defiance against Erawan. And had named his son for that defiance, a
secret marker that the man within still fought. Had never stopped fighting.
Dorian. His father’s name.
Dorian let go of Damaris’s hilt.
Yrene’s breathing turned ragged. Now—it had to be now.
Even with the Valg king before him, something in Dorian’s chest eased.
Healed over.
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
Before my first battle,” Aedion said to the girl, “I spent the entire night in
the privy.”
Evangeline squeaked, “You?”
Aedion smirked. “Oh yes. Quinn, the old Captain of the Guard, said it was a
wonder I had anything left inside me by the time dawn broke.” An old ache
filled Aedion’s chest at the mention of his mentor and friend, the man he’d
admired so greatly. Who had made his final stand, as Aedion would, on the plain
beyond this city.
Evangeline let out a little laugh. “That’s disgusting.”
“It certainly was,” Aedion said, and could have sworn Lysandra was smiling a
bit. “So you’re already much braver than I ever was.”
“I threw up earlier,” Evangeline whispered.
Aedion said in a conspiratorial whisper, “Better than shitting your pants,
sweetheart.
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
And you and I know you’re the best thing that ever happened to me, and, yes, that’s an expression, something people say, that has no meaning, but what I mean is there isn’t anybody in the whole world who has loved me the way you have, not my mother, not my old man, not my friends.
There’s nothing preventing me and you from loving each other and being some kinda world-class shining beacon of love except how bad do we want it and what are we willing to do for it?
Now, I know I did you wrong, and I was freaking out and being stupid and I was mean to you. You know sometimes I get all fucking confused and I can’t see outside of my own asshole. I’m unhappy. Why am I unhappy? It’s gotta be somebody’s fault, right? It couldn’t just be that I’m a self-centered fuck spinning around inside my own dank cloud of concerns.
There isn’t anything I can think of that I really want or that the best part of me wants, that loving you won’t start doing. I love you.
”
”
Ethan Hawke (Ash Wednesday)
“
But I also saw her. I saw them. A Chosen and a descendant of the First.”
The eather burned brightly in Penellaphe’s eyes as they met mine.
“A Queen of Flesh and Fire. And him, a King risen from Blood and Ash, who ruled side by side with man. And they…they felt right. They felt like hope.
”
”
Jennifer L. Armentrout (A Shadow in the Ember (Flesh and Fire, #1))
“
He’d been a broken man, an addict who was hopelessly lost in the past, drifting through life alone with little purpose and even less faith that it could get better. Anyone with any sense would have steered clear. But from the first moment Ty had really looked into Zane’s eyes, he’d seen behind them, into the man Zane was capable of being. He’d seen a phoenix waiting to rise from the ashes, and he still did. Every time he looked into Zane, he saw something extraordinary.
”
”
Abigail Roux (Armed & Dangerous (Cut & Run, #5))
“
He thought there could be deathships out there yet, drifting with their lolling rags of sail. Or life in the deep. Great squid propelling themselves over the floor of the sea in the cold darkness. Shuttling past like trains, eyes the size of saucers. And perhaps beyond those shrouded wells another man did walk with another child on the dead gray sands. Slept but a sea apart on another beach among the bitter ashes of the world or stood in their rags lost to the same indifferent sun.
”
”
Cormac McCarthy (The Road)
“
He’s a good horse,” Bellamy said, a bit defensively. “He was always willing if you knew how to manage him. Oh, you know, like most horses, he’d get away with whatever he could, but he was never mean-tempered. Not like this.”
Ash liked the fact that Bellamy stood up for his horse. “How long has he been off his feed?”
“Couple weeks.”
“What’s his name?”
“Crusher.”
Ash raised an eyebrow. “Crusher?” At the sound of his name, the gelding’s ears pricked forward.
Bellamy grimaced. “He’s a warhorse, all right? Man doesn’t want to ride into battle on a horse named Daisy.
”
”
Cinda Williams Chima (Flamecaster (Shattered Realms, #1))
“
I have many names, and none of them matter. Names are not important. To speak is to name names, but to speak is not important. A thing happens once that has never happened before. Seeing it, a man looks upon reality. He cannot tell others what he has seen. Others wish to know, however, so the question him saying, 'What is it like, this thing you have seen?' So he tries to tell them. Perhaps he has seen the very first fire in the world. He tells them, 'It is red, like a poppy, but through it dance other colors. It has no form, like water, flowing everywhere. It is warm, like the sun of summer, only warmer. It exists for a time upon a piece of wood, and then the wood is gone, as though it were eaten, leaving behind that which is black and can be sifted like sand. When the wood is gone, it too is gone.' Therefore, the hearers must think reality is like a poppy, like water, like the sun, like that which eats and excretes. They think it is like to anything that they are told it is like by the man who has known it. But they have not looked upon fire. They cannot really know it. They can only know of it. But fire comes again into the world, many times. More men look upon fire. After a time, fire is as common as grass and clouds and the air they breathe. They see that, while it is like a poppy, it is not a poppy, while it is like water, it is not water, while it is like the sun, it is not the sun, and while it is like that which eats and passes wastes, it is not that which eats and passes wastes, but something different from each of these apart or all of these together. So they look upon this new thing and they make a new word to call it. They call it 'fire.'
If they come upon one who still has not seen it and they speak to him of fire, he does not know what they mean. So they, in turn, fall back upon telling him what fire is like. As they do so, they know from their own experience that what they are telling him is not the truth, but only part of it. They know that this man will never know reality from their words, though all the words in the world are theirs to use. He must look upon the fire, smell of it, warm his hands by it, stare into its heart, or remain forever ignorant. Therefore, 'fire' does not matter, 'earth' and 'air' and 'water' do not matter. 'I' do not matter. No word matter. But man forgets reality and remembers words. The more words he remembers, the cleverer do his fellows esteem him. He looks upon the great transformations of the world, but he does not see them as they were seen when man looked upon reality for the first time. Their names come to his lips and he smiles as he tastes them, thinking he knows them in the naming. The thing that has never happened before is still happening. It is still a miracle. The great burning blossom squats, flowing, upon the limb of the world, excreting the ash of the world, and being none of these things I have named and at the same time all of them, and this is reality-the Nameless.
”
”
Roger Zelazny (Lord of Light)
“
He didn’t have to be immortal. He didn’t need to be a hero. He didn’t even want to be a saint. He simply wanted to be a good man worthy of Eva Rosselli. He just wanted Eva. He wanted her kisses and her eyes, her smiles and her laughter. He wanted his children in her womb and his mouth on her breasts. He wanted her legs wrapped around his hips and her arms cradling his head as he made love to her. He wanted her promises, her affection and her trust, her years and her secrets. He wanted her prayers and her pride, her tears and her troubles. He wanted Eva. And that was all
”
”
Amy Harmon (From Sand and Ash)
“
You are the fire that burns stagnant, the coals and ash yearning for the chance to ignite, ready to burn cities to the ground in your fierceness. A force more powerful than any man that came before you. You are my fucking existence, Briony. I live and breathe for you alone. I am yours eternally, entirely at your mercy.
”
”
Jescie Hall (That Sik Luv)
“
Vulcan, the god who had forged his armour,
had fired his body to ashes; all that remained of Achilles
the great was a small amount of material, barely sufficient
to fill an urn. But his fame lives on to fill the expanse
of the whole wide world. His glory measures up to the man;
it matches his noble self, untouched by shadowy Hades.
”
”
Ovid (Metamorphoses)
“
Same tall build, same golden hair, same dark-brown eyes. But this man isn’t old enough to have gray in his hair; he’s only a few years older than me, and his skin is smooth, sporting just a patch of stubble on his chin. He’s much more handsome than Noam too, not quite as harsh, like he’s more apt to sing a ballad than lead a kingdom.
”
”
Sara Raasch (Snow Like Ashes (Snow Like Ashes, #1))
“
In the hall, Tina whisper hisses, "Retreat! Retreat!" The sounds of heels clip clopping follows before...
stumble crash bang
Mimi laughs her ass off and says, "We have a man down! I repeat. We are a man down!"
Lola laughs hard and yells out, "We're so bad at this! Best mission ever!
The sound of giggles and heels approach my room. I put an arm under my head to elevate it. I want to see what these goofballs are doing. Tina's first through the door and looks sheepish while rubbing her elbow. That is until she see Nat, Helena and Nina all sitting on my bed. Then she yells out, "Pajama party!" And literally throws herself on to my bed, hurt elbow forgotten. She belly flops onto my stomach, My body jolts upwards, the wind is knocked out of me and I groan. Tina looks up at me with wide eyes. She rushed out, "Ash, honey! I'm so sorry!" Then she rubs what she thinks is my stomach. Only its my cock.
Removing her hands from me, I tell her,
"Tina, I don't think Nik would like you in my bed rubbing my junk.
”
”
Belle Aurora (Love Thy Neighbour (Friend-Zoned, #2))
“
Who was it said you could move planets with a big enough lever? Shakespeare?” “Archimedes,” I said, leaning against the rail. “You always know,” Lin said, a small laugh escaping him. “How is it you always know?” “I read,” I said, and shrugged. “People always accuse me of wasting my time, but they don’t complain when I have their answers.
”
”
Christopher Ruocchio (Ashes of Man (The Sun Eater, #5))
“
It is not her love coming to an end;
she will always have love tucked underneath her rib cage.
This is another failed love attempt reaching its last page,
a relationship fading into the image of a memory,
and a woman understanding that it is not her job to plant, water, and harvest love in a man all at once,
especially one who doesn't want to taste the goodness of her love.
All that matters now is that she gave it her best shot,
another bullet wound from someone she handed the gun to.
”
”
Pierre Alex Jeanty (Ashes of Her Love)
“
Everything was all right. That which had been and that which was still to come. It was enough. If it were the end, it was all right so. He had loved somebody and lost her. He had hated another and killed him. Both had freed him. One had brought his feelings to life again; the other had eradicated his past. Nothing remained behind unfulfilled. No desire was left; no hatred, nor any lament. If this were a new beginning, then that was what it was. One would start without expectation, prepared for many things, with the simple strength of experience which had strengthened and not torn asunder. The ashes had been cleared away. Paralyzed places were alive again. Cynicism had turned into strength. It was all right.
”
”
Erich Maria Remarque (Arch of Triumph: A Novel of a Man Without a Country)
“
They hit you if you can’t say your name in Irish, if you can’t say the Hail Mary in Irish, if you can’t ask for the lavatory pass in Irish. It helps to listen to the big boys ahead of you. They can tell you about the master you have now, what he likes and what he hates. One master will hit you if you don’t know that Eamon De Valera is the greatest man that ever lived. Another master will hit you if you don’t know that Michael Collins was the greatest man that ever lived. Mr. Benson hates America and you have to remember to hate America or he’ll hit you. Mr. O’Dea hates England and you have to remember to hate England or he’ll hit you. If you ever say anything good about Oliver Cromwell they’ll all hit you. •
”
”
Frank McCourt (Angela's Ashes)
“
He had strong, steady hands, and I could tell from looking at them there was little he couldn't do. Mossy always said you could tell everything you needed to know about a man from his hands. Some hands, she told me, were leaving hands. They were the wandering sort that slipped into places they shouldn't, and they would wander right off again because those hands just couldn't stay still. Some hands were worthless hands, fit only to hold a drink or flick ash from a cigar, and some were punishing hands that hit hard and didn't leave a mark and those were the ones you never stayed to see twice.
But the best hands were knowing hands, Mossy told me with a slow smile. Knowing hands were capable; they could soothe a horse or woman. They could take things apart -- including your heart -- and put them back together better than before. Knowing hands were rare, but if you found them, they were worth holding, at least for a little while.
”
”
Deanna Raybourn (A Spear of Summer Grass)
“
Humanity is identity. All men are made of the same clay. There is no difference, here below, at least, in predestination. The same shadow in front, the same flesh in the present, the same ashes afterwards. But ignorance, mingled with the human paste, blackens it. This incurable blackness takes possession of the interior of a man and is there converted into evil.
”
”
Victor Hugo (Les Misérables)
“
The gospel can lift this destroying burden from the mind, give beauty for ashes, and the garment of praise for the spirit of heaviness. But unless the weight of the burden is felt the gospel can mean nothing to the man; and until he sees a vision of God high and lifted up, there will be no woe and no burden. Low views of God destroy the gospel for all who hold them.
”
”
A.W. Tozer (The Knowledge of the Holy)
“
Rares claps his hands. “When you’re finished, dear heart, feel free to leave the books on the table, as disorganized as you possibly can.” He motions to a table behind me, situated in a break in the rows of books. “The librarian in residence in charge of the Library of Clarisse is an offensively irritable man, and I would like nothing better than to make unnecessary work for him.
”
”
Sara Raasch (Ice Like Fire (Snow Like Ashes, #2))
“
Humanity is identity. All men are made of the same clay. No difference, here below at least, in predestination. The same darkness before, the same flesh during, the same ashes after. But when ignorance is mixed with human dough, it blackens it. This incurable blackness takes over man’s insides and there turns into evil… Destroy the dark hold, Ignorance, and you destroy the mole, Crime.
”
”
Victor Hugo (Les Misérables)
“
But now, I no longer pleaded for anything. I was no longer able to lament. On the contrary, I felt very strong. I was the accuser, God the accused. My eyes had opened and I was alone, terribly alone in a world without God, without man. Without love or mercy. I was nothing but ashes now, but I felt myself to be stronger than this Almighty to whom my life had been bound for so long. In the midst of these men assembled for prayer, I felt like an observer, a stranger.
”
”
Elie Wiesel
“
I cried then, holding nothing back. For empty years, yearning for the touch of a hand. Hollow years, lying beside a man I had betrayed, for whom I had no tenderness. For the terrors and doubts and griefs of the day. Cried for him and me and for Mary MacNab, who knew what loneliness was—and what love was, as well.
”
”
Diana Gabaldon (A Breath of Snow and Ashes (Outlander, #6))
“
You are beautiful like demolition. Just the thought of you draws my knuckles white. I don’t need a god. I have you and your beautiful mouth, your hands holding onto me, the nails leaving unfelt wounds, your hot breath on my neck. The taste of your saliva. The darkness is ours. The nights belong to us. Everything we do is secret. Nothing we do will ever be understood; we will be feared and kept well away from. ..It’s you and me in this room, on this floor. Beyond life, beyond morality. We are gleaming animals painted in moonlit sweat glow. Our eyes turn to jewels and everything we do is an example of spontaneous perfection. I have been waiting all my life to be with you. My heart slams against my ribs when I think of the slaughtered nights I spent all over the world waiting to feel your touch. The time I annihilated while I waited like a man doing a life sentence. Now you’re here and everything we touch explodes, bursts into bloom or burns to ash. History atomizes and negates itself with our every shared breath. I need you like life needs life. I want you bad like a natural disaster. You are all I see. You are the only one I want to know.
”
”
Henry Rollins
“
You don’t think me a handsome man?” She shrugged. “I’ve only seen your hands and eyes. For all I know, you’re hiding the face of a sun spirit in that hood.” Brishen scoffed at the idea. “Hardly.” He’d never lacked female company, and his people thought him well-favored. Certainly nothing as wretched as a sun spirit. He slid the hood back to his shoulders. The woman’s eyes rounded. She inhaled a harsh breath and clasped one hand to her chest. Her mollusk skin went a far more attractive shade of ash. She remained silent and stared at him until he raised a hand in question. “Well?” She exhaled slowly. The space between her eyebrows stitched into a single vertical frown line. “Had you crawled out from under my bed when I was a child, I would have bludgeoned you to death with my father’s mace.
”
”
Grace Draven (Radiance (Wraith Kings, #1))
“
I've seen men who thought they were brave turn out to be shameful cowards. Other people, who thought they were capable of the utmost self-sacrifice, proved to be hardened egotists. And the opposite, too - cowards doing things which needed toughness and unusual courage..... What does it all boil down to in the end? One must judge a man by what he does, and not by what he thinks he would do. Until a man faces the test, he can deceive himself endlessly.
”
”
Jerzy Andrzejewski (Ashes and Diamonds (European Classics))
“
Be the man who has the spirit of a ruthless tiger, ravaging every dusty corner of my soul.
Be the man for whom I will tame myself voluntarily..
Be the man who can make me forget my birth date in moments of utter dellusion.
Be the man whose arms are my harbor, whose lips are my shore, and whose name is my only salvation.
Be the man who erases my past and draws my future with trails of roses and kisses.
Be the man who makes me sigh behind the windows of Poetry, longing to be written.
Be the man whose cigarette's ashes are confounded with mine.
Be the man whose voice moves mountains inside me.
Be the man whose eyes devour the innocence within me with every piercing glance.
Be the man for whom I will transform exceptions into rules.
Be the man who will dare to tear this poem from my hands.
The man who will rewrite with the uncertainty of the futur every single one of my verses.
”
”
Malak El Halabi
“
The Lawyers Know Too Much
THE LAWYERS, Bob, know too much.
They are chums of the books of old John Marshall.
They know it all, what a dead hand wrote,
A stiff dead hand and its knuckles crumbling,
The bones of the fingers a thin white ash.
The lawyers know
a dead man’s thoughts too well.
In the heels of the higgling lawyers, Bob,
Too many slippery ifs and buts and howevers,
Too much hereinbefore provided whereas,
Too many doors to go in and out of.
When the lawyers are through
What is there left, Bob?
Can a mouse nibble at it
And find enough to fasten a tooth in?
Why is there always a secret singing
When a lawyer cashes in?
Why does a hearse horse snicker
Hauling a lawyer away?
The work of a bricklayer goes to the blue.
The knack of a mason outlasts a moon.
The hands of a plasterer hold a room together.
The land of a farmer wishes him back again.
Singers of songs and dreamers of plays
Build a house no wind blows over.
The lawyers—tell me why a hearse horse snickers hauling a lawyer’s bones.
”
”
Carl Sandburg (Anthology of magazine verse for 1920)
“
The things the man did with his tongue and his fingers had only been surpassed by his shockingly large, decadently pulsing and wickedly throbbing—” Hawke chuckled. “This woman has a knack for adverbs, doesn’t she?”
“You can stop now.”
“Manhood.
“What?” I gasped.
“That’s the end of the sentence,” he explained, and when I glanced up, I immediately knew that whatever was about to come out of his mouth was going to burn me alive. “Oh, you may not know what she means by manhood. I do believe she’s talking about his cock. Prick. Dick. His—”
“Oh my gods,” I whispered.
“His—apparently—extremely large, throbbing and pulsing—”
“I hate you.”
“No, you don’t.”
“And I’m about to stab you,” I warned. “In a very violent manner.
”
”
Jennifer L. Armentrout (From Blood and Ash (Blood and Ash, #1))
“
Have you ever plunged into the immensity of space and time by reading the geological treatises of Cuvier? Borne away on the wings of his genius, have you hovered over the illimitable abyss of the past as if a magician's hand were holding you aloft? As one penetrates from seam to seam, from stratum to stratum and discovers, under the quarries of Montmartre or in the schists of the Urals, those animals whose fossilized remains belong to antediluvian civilizations, the mind is startled to catch a vista of the milliards of years and the millions of peoples which the feeble memory of man and an indestructible divine tradition have forgotten and whose ashes heaped on the surface of our globe, form the two feet of earth which furnish us with bread and flowers. Is not Cuvier the greatest poet of our century? Certainly Lord Byron has expressed in words some aspects of spiritual turmoil; but our immortal natural historian has reconstructed worlds from bleached bones.
”
”
Honoré de Balzac (The Wild Ass's Skin)
“
He, the man of violent energy and passionate ambition, the man of achievement, lighted by the flame of his success and flung into the midst of those pretentious ashes who called themselves an intellectual elite, the burned-out remnants of undigested culture, feeding on the afterglow of the minds of others, offering their denial of the mind as their only claim to distinction, and a craving to control the world as their only lust...
”
”
Ayn Rand (Atlas Shrugged)
“
Time is a lot of the things people say that God is. There’s the always preexisting, and having no end. There’s the notion of being all powerful—because nothing can stand against time, can it? Not mountains, not armies. And time is, of course, all-healing. Give anything enough time, and everything is taken care of: all pain encompassed, all hardship erased, all loss subsumed. Ashes to ashes, dust to dust. Remember, man, that thou art dust; and unto dust thou shalt return. And if Time is anything akin to God, I suppose that Memory must be the Devil.
”
”
Diana Gabaldon (A Breath of Snow and Ashes (Outlander, #6))
“
Chicks appreciate a nice cock shot. Trust me.”
Hollis presses his lips together like he’s trying not to laugh. “Uh-huh. Sure.”
I flick my ash on the grass and take another drag. “Just out of curiosity, what constitutes a ‘nice cock shot’? I mean, is it the lighting? The pose?”
I’m being sarcastic, but Dean responds in a solemn voice. “Well, the trick is, you’ve gotta keep the balls out of it.”
That gets a loud hoot out of Tucker, who chokes mid-sip on his beer.
“Seriously,” Dean insists. “Balls aren’t photogenic. Women don’t want to see them.”
Hollis’s laughter spills over, his breaths coming out in white puffs that float away in the night air. “You’ve put a lot of thought into this, man. It’s kinda sad.”
I laugh too. “Wait, is that what you do when you’re in your room with the door locked? Take photos of your cock?”
“Oh, come on, like I’m the only one who’s ever taken a dick pic.”
“You’re the only one,” Hollis and I say in unison.
“Bullshit. You guys are liars.” Dean suddenly realizes that Tucker hadn’t voiced a denial, and wastes no time pouncing on our teammate’s silence. “Ha. I knew it!
”
”
Elle Kennedy (The Mistake (Off-Campus, #2))
“
I’m going to have to start you off easy. Can’t pull out the big guns on the first night. I’d just set myself up for failure on the second date.”
Putting her hands on her hips, she tilted her head. “Is that what you did last night in bed? I thought you were holding out on me.”
“What the hell, Ash!”
She burst out laughing.
“That is not what you are supposed to tell a man! Repeat after me: I ruined you for all men, all the while fulfilling your every fantasy.
”
”
Aly Martinez (Fighting Shadows (On the Ropes, #2))
“
There was a damn silly bird called a Phoenix back before Christ: every few hundred years he built a pyre and burned himself up. He must have been first cousin to Man. But every time he burnt himself up he sprang out of the ashes, he got himself born all over again. And it looks like we’re doing the same thing, over and over, but we’ve got one damn thing the Phoenix never had. We know the damn silly thing we just did. We know all the damn silly things we’ve done for a thousand years, and as long as we know that and always have it around where we can see it, some day we’ll stop making the goddam funeral pyres and jumping into the middle of them. We pick up a few more people that remember, every generation.
”
”
Ray Bradbury (Fahrenheit 451)
“
Dreary beloved, we are gathered here in the sight of God and in the fate of this complication, to join together this man, Saint Anthony’ –she tapped the top of his urn –‘and this woman, The Lady of the Flowers’ –gesturing towards the photograph with an upturned palm –‘in holy macaroni which is the honourable estate. Saint Anthony takes The Lady of the Flowers to be the lawful wedding wife, to have and to hold from this day forward, for better for worse, richer or poorer, to love and to perish with death now you start. And it still rhymes,’ she added proudly to herself. She paused again, long enough this time for it to be almost uncomfortable, but no doubt with the intention of underscoring the sanctity of the occasion. ‘Earth to earth, ashes to ashes, funky to punky. We know Major Tom’s a monkey. We can be heroes just for today.
”
”
Ruth Hogan (The Keeper of Lost Things)
“
What he had felt for Mo Ran before was only love, which could be kept hidden. But right now, this man felt like nothing short of a fire to him, a fire that could too easily set him ablaze like he was mere kindling, sending flames soaring up to scorch the skies. Magma that had lain dormant all this time stirred awake and stretched its limbs in the abyss deep within himself, ready to burst in a violent eruption at any time. It threatened to burn through all the reservations, dignity, and restraint on which he had always prided himself… Threatened to burn it all to ash, until there was nothing left.
”
”
Rou Bao Bu Chi Rou (The Husky and His White Cat Shizun: Erha He Ta De Bai Mao Shizun (Novel) Vol. 4)
“
At night I sometimes see the figure of a man, on an empty road in a deserted landscape, walking behind a hearse. I am that man. It's you the hearse is taking away. I don't want to be there for your cremation; I don't want to be given an urn with your ashes in it. I hear the voice of Kathleen Ferrier singing, 'Die Welt ist leer, Ich will nicht leben mehr'* and I wake up. I check your breathing, my hand brushed over you. Neither of us wants to outlive the other. We've often said to ourselves that if, by some miracle, we were to have a second life, we'd like to spend it together."
*The world is empty. I don't want to go on living.
”
”
André Gorz (Letter to D: A Love Story)
“
No!” Kell shouted, reaching toward his brother, uselessly, desperately, but as his hand brushed the nearest person, the darkness leaped like fire from his fingers to the man’s chest. He shuddered, and then collapsed, crumbling to ash as his body struck the street stones. Before he hit the ground, the people on either side of him began to fall as well, death rippling in a wave through the crowd, silently consuming everyone. Beyond them, the buildings began to crumble too, and the bridges, and the palace, until Kell was standing alone in an empty world. And then in the silence, he heard a sound: not a sob, or a scream, but a laugh. And it took him a moment to recognize the voice.
It was his.
”
”
Victoria Schwab (A Gathering of Shadows (Shades of Magic, #2))
“
Todd:I had him!
His throat was there beneath my hand.
No, I had him!
His throat was there and now he'll never come again.
Mrs. Lovett: Easy now, hush love hush
I keep telling you, Whats your rush?
Todd: When? Why did I wait?
You told me to wait -
Now he'll never come again.
There's a hole in the world like a great black pit
And it's filled with people who are filled with shit
And the vermin of the world inhabit it.
But not for long...
They all deserve to die.
Tell you why, Mrs. Lovett, tell you why.
Because in all of the whole human race
Mrs. Lovett, there are two kinds of men and only two
There's the one staying put in his proper place
And the one with his foot in the other one's face
Look at me, Mrs Lovett, look at you.
No, we all deserve to die
Even you, Mrs Lovett, even I!
Because the lives of the wicked should be made brief
For the rest of us death will be a relief
We all deserve to die.
And I'll never see Johanna
No I'll never hug my girl to me - finished!
Alright! You sir, how about a shave?
Come and visit your good friend Sweeney.
You sir, too sir? Welcome to the grave.
I will have vengenance.
I will have salvation.
Who sir, you sir?
No ones in the chair, Come on! Come on!
Sweeney's. waiting. I want you bleeders.
You sir! Anybody!
Gentlemen now don't be shy!
Not one man, no, nor ten men.
Nor a hundred can assuage me.
I will have you!
And I will get him back even as he gloats
In the meantime I'll practice on less honorable throats.
And my Lucy lies in ashes
And I'll never see my girl again.
But the work waits!
I'm alive at last!
And I'm full of joy!
ps. love the movie the performance that Johnny Depp did was amazing and he sang amazing.
”
”
Stephen Sondheim (Sweeney Todd: The Demon Barber of Fleet Street)
“
As she moved toward the water closet, I asked her a question. A very old question. “Valka,” I said, and cleared my throat. “Am I a good man?” She turned then—hands on the door frame—and surveyed me a long time. What did she see with those inhuman eyes? Those eyes that saw everything without exception, without distortion? A smile split her face. A true smile, brighter even than her pity had been bright. “You’re still asking that question?” she managed to say, laughter cracking her words. “After all this time?” I could only blink at her. “Do you not have your answer a hundred times over?” A brief tremor shook her arm, but she hid it behind her back and shook her head again. “Monsters don’t have doubts.
”
”
Christopher Ruocchio (Ashes of Man (The Sun Eater, #5))
“
When John took those naked pictures, the most popular singer was a girl with a tiny stick body and a large deferential head, who sang in a delicious lilt of white lace and promises and longing to be close. When she shut herself up in her closet and starved herself to death, people were shocked. But starvation was in her voice all along. That was the poignancy of it. A sweet voice locked in a dark place, but focused entirely on the tiny strip of light coming under the door.
I drop the rag in the bucket and smoke some more, ashing into the sink,. A tiny piece of the movie from the naked time plays on my eyeball: A psychotic killer is blowing up amusement parks. At the head of the crowd clamoring to ride the roller coaster is a slim, lovely man with long blond hair and floppy clothes and big, beautiful eyes fixed on a tiny strip of light that only he can see.
”
”
Mary Gaitskill
“
For life is a fire burning along a piece of string--or is it a fuse to a powder keg which we call God?--and the string is what we don't know, our Ignorance, and the trail of ash, which, if a gust of wind does not come, keeps the structure of the string, is History, man's Knowledge, but it is dead, and when the fire has burned up all the string, then man's Knowledge will be equal to God's Knowledge and there won't be any fire, which is Life. Or if the string leads to a powder keg, then there will be a terrific blast of fire, and even the trail of ash will be blown completely away.
”
”
Robert Penn Warren (All the King's Men)
“
…I relied on an unpublished report by Jose Fernandez-Partagas, a late-twentieth-century meteorologist who recreated for the National Hurricane Center the tracks of many historical hurricanes, among them the Galveston Hurricane. He was a meticulous researcher given to long hours in the library of the University of Miami, where he died on August 25, 1997, in his favorite couch. He had no money, no family, no friends--only hurricanes. The hurricane center claimed his body, had him cremated, and on August 31, 1998, launched his ashes through the drop-port of a P-3 Orion hurricane hunter into the heart of Hurricane Danielle. His remains entered the atmosphere at 28 N., 74.2 W., about three hundred miles due east of Daytona Beach.
”
”
Erik Larson (Isaac's Storm: A Man, a Time, and the Deadliest Hurricane in History)
“
Chicken began to cry then or seemed to cry, to weep or seemed to weep, until they heard the sound of a grown man weeping, an old man who slept on a charred mattress, whose life savings in tattoos had faded to a tracery of ash, whose crotch hair was sparse and gray, whose flesh hung slack on his bones, whose only trespass on life was a flat guitar and a remembered and pitiful air of "I don't know where it is, sir, but I'll find it, sir," and whose name was known nowhere, nowhere in the far reaches of the earth or in the far reaches of his memory, where, when he talked to himself, he talked to himself as Chicken Number Two.
”
”
John Cheever (Falconer)
“
Reading two pages apiece of seven books every night, eh? I was young. You bowed to yourself in the mirror, stepping forward to applause earnestly, striking face. Hurray for the Goddamned idiot! Hray! No-one saw: tell no-one. Books you were going to write with letters for titles. Have you read his F? O yes, but I prefer Q. Yes, but W is wonderful. O yes, W. Remember your epiphanies written on green oval leaves, deeply deep, copies to be sent if you died to all the great libraries of the world, including Alexandria? Someone was to read them there after a few thousand years, a mahamanvantara. Pico della Mirandola like. Ay, very like a whale. When one reads these strange pages of one long gone one feels that one is at one with one who once ...
The grainy sand had gone from under his feet. His boots trod again a damp crackling mast, razorshells, squeaking pebbles, that on the unnumbered pebbles beats, wood sieved by the shipworm, lost Armada. Unwholesome sandflats waited to suck his treading soles, breathing upward sewage breath, a pocket of seaweed smouldered in seafire under a midden of man's ashes. He coasted them, walking warily. A porterbottle stood up, stogged to its waist, in the cakey sand dough. A sentinel: isle of dreadful thirst. Broken hoops on the shore; at the land a maze of dark cunning nets; farther away chalkscrawled backdoors and on the higher beach a dryingline with two crucified shirts. Ringsend: wigwams of brown steersmen and master mariners. Human shells.
He halted. I have passed the way to aunt Sara's. Am I not going there? Seems not.
”
”
James Joyce
“
The Wild Man can only come to full life inside when the man has gone through the serious disciplines suggested by taking the first wound, doing kitchen and ashes work, creating a garden, bringing wild flowers to the Holy Woman, experiencing the warrior, riding the red, the white, and the black horses, learning to create art, and receiving the second heart. The Wild Man doesn’t come to full life through being “natural,” going with the flow, smoking weed, reading nothing, and being generally groovy. Ecstasy amounts to living within reach of the high voltage of the golden gifts. The ecstasy comes after thought, after discipline imposed on ourselves, after grief.
”
”
Robert Bly (Iron John: A Book about Men)
“
Several pallets had been pulled to the middle of the open space and stacked two high with a large blanket over them. The implication stunned her – it was so unexpected, so unlike what she believed about him – her mind only registered denial.
She heard Ash bolt the door and remove his leather jacket, felt his hands on her shoulders as he turned her around to face him. He stroked her cheek with one hand while the other reached for his belt. “My sweet, innocent Sage,” he whispered, and still her thoughts could gain no traction.
There was the snap of a release from his belt, and though she continued to meet his eyes, she saw a sheathed dagger in the hand he raised between them.
“Tonight I must teach you how to kill a man.
”
”
Erin Beaty (The Traitor's Kiss (The Traitor's Circle, #1))
“
Fame requires every kind of excess. I mean true fame, a devouring neon, not the somber renown of waning statesmen or chinless kings. I mean long journeys across gray space. I mean danger, the edge of every void, the circumstance of one man imparting an erotic terror to the dreams of the republic. Understand the man who must inhabit these extreme regions, monstrous and vulval, damp with memories of violation. Even if half-mad he is absorbed into the public's total madness; even if fully rational, a bureaucrat in hell, a secret genius of survival, he is sure to be destroyed by the public's contempt for survivors. Fame, this special kind, feeds itself on outrage, on what the counselors of lesser men would consider bad publicity-hysteria in limousines, knife fights in the audience, bizarre litigation, treachery, pandemonium and drugs. Perhaps the only natural law attaching to true fame is that the famous man is compelled, eventually, to commit suicide.
(Is it clear I was a hero of rock'n'roll?)
Toward the end of the final tour it became apparent that our audience wanted more than music, more even than its own reduplicated noise. It's possible the culture had reached its limit, a point of severe tension. There was less sense of simple visceral abandon at our concerts during these last weeks. Few cases of arson and vandalism. Fewer still of rape. No smoke bombs or threats of worse explosives. Our followers, in their isolation, were not concerned with precedent now. They were free of old saints and martyrs, but fearfully so, left with their own unlabeled flesh. Those without tickets didn't storm the barricades, and during a performance the boys and girls directly below us, scratching at the stage, were less murderous in their love of me, as if realizing finally that my death, to be authentic, must be self-willed- a succesful piece of instruction only if it occured by my own hand, preferrably ina foreign city. I began to think their education would not be complete until they outdid me as a teacher, until one day they merely pantomimed the kind of massive response the group was used to getting. As we performed they would dance, collapse, clutch each other, wave their arms, all the while making absolutely no sound. We would stand in the incandescent pit of a huge stadium filled with wildly rippling bodies, all totally silent. Our recent music, deprived of people's screams, was next to meaningless, and there would have been no choice but to stop playing. A profound joke it would have been. A lesson in something or other.
In Houston I left the group, saying nothing, and boarded a plane for New York City, that contaminated shrine, place of my birth. I knew Azarian would assume leadership of the band, his body being prettiest. As to the rest, I left them to their respective uproars- news media, promotion people, agents, accountants, various members of the managerial peerage. The public would come closer to understanding my disappearance than anyone else. It was not quite as total as the act they needed and nobody could be sure whether I was gone for good. For my closest followers, it foreshadowed a period of waiting. Either I'd return with a new language for them to speak or they'd seek a divine silence attendant to my own.
I took a taxi past the cemetaries toward Manhattan, tides of ash-light breaking across the spires. new York seemed older than the cities of Europe, a sadistic gift of the sixteenth century, ever on the verge of plague. The cab driver was young, however, a freckled kid with a moderate orange Afro. I told him to take the tunnel.
Is there a tunnel?" he said.
”
”
Don DeLillo
“
In the ashes on the hearth Saigyo traced and retraced the word, "pity." He had yet to learn to accept life with all its good and evils, to love life in all its manifestations by becoming one with nature. And for this he had abandoned home, wife, and child in that city of conflict. He had fled to save his own life, not for any grandiose dream of redeeming mankind; neither had he taken vows with the thoughts of chanting sutras to Buddha; nor did he aspire to brocaded ranks of the high prelates. Only by surrendering to nature could he best cherish his own life, learn how man should live, and therein find peace. And if any priest accused him of taking the vows out of self-love, not to purify the world and bring salvation to men, Saigyo was ready to admit that these charges were true and that he deserved to be reviled and spat upon as a false priest. Yet, if driven to answer for himself, he was prepared to declare that he who had not learned to love his own life could not love mankind, and that what he sought now was to love that life which was his. Gifts he had none to preach salvation or the precepts of Buddha; all that he asked was to be left to exist as humbly as the butterflies and the birds.
”
”
Eiji Yoshikawa (The Heike Story: A Modern Translation of the Classic Tale of Love and War)
“
It so happens I am sick of being a man.
And it happens that I walk into tailorshops and movie houses
dried up, waterproof, like a swan made of felt
steering my way in a water of wombs and ashes.
The smell of barbershops makes me break into hoarse sobs.
The only thing I want is to lie still like stones or wool.
The only thing I want is to see no more stores, no gardens,
no more goods, no spectacles, no elevators.
It so happens that I am sick of my feet and my nails
and my hair and my shadow.
It so happens I am sick of being a man.
Still it would be marvelous
to terrify a law clerk with a cut lily,
or kill a nun with a blow on the ear.
It would be great
to go through the streets with a green knife
letting out yells until I died of the cold.
I don't want to go on being a root in the dark,
insecure, stretched out, shivering with sleep,
going on down, into the moist guts of the earth,
taking in and thinking, eating every day.
I don't want so much misery.
I don't want to go on as a root and a tomb,
alone under the ground, a warehouse with corpses,
half frozen, dying of grief.
That's why Monday, when it sees me coming
with my convict face, blazes up like gasoline,
and it howls on its way like a wounded wheel,
and leaves tracks full of warm blood leading toward the night.
And it pushes me into certain corners, into some moist houses,
into hospitals where the bones fly out the window,
into shoeshops that smell like vinegar,
and certain streets hideous as cracks in the skin.
There are sulphur-colored birds, and hideous intestines
hanging over the doors of houses that I hate,
and there are false teeth forgotten in a coffeepot,
there are mirrors
that ought to have wept from shame and terror,
there are umbrellas everywhere, and venoms, and umbilical cords.
I stroll along serenely, with my eyes, my shoes,
my rage, forgetting everything,
I walk by, going through office buildings and orthopedic shops,
and courtyards with washing hanging from the line:
underwear, towels and shirts from which slow
dirty tears are falling
”
”
Pablo Neruda
“
She saw it in her mind's eye like a movie playing, the haunting memories from her childhood she couldn't seem to shake blending together into one raw, aching image. Her mother lying in a darkened room for days, her face swollen with tears. The inevitable ashtray overrun with ashes, the acrid scent of pot smoke in the air. The bed or couch or futon may have been different from year to year as Evie moved them around from apartment to commune to funky cottage, but her mother was always the same. Falling hard for some man, immersing herself in romantic fantasies that were crushed when the guy left. And the guy always left. Her mother's inability to get a grasp on reality had too often left Mischa to care for her younger sister, to care for her mother, from too young an age. She remembered shaking Evie awake, trying to get her to eat. To get up and take a shower, take her and Raine to school. No kid should have to do that. No kid should have to witness the way Evie had allowed herself to be ravaged by love. No woman should allow that to happen.
”
”
Eve Berlin (Temptation's Edge (Edge, #3))
“
Oh, Starbuck! it is a mild, mild wind, and a mild looking sky. On such a day - very much such a sweetness as this - I struck my first whale - a boy-harpooneer of eighteen! Forty - forty - forty years ago! - ago! Forty years of continual whaling! forty years of privation, and peril, and storm-time! forty years on the pitiless sea! for forty years has Ahab forsaken the peaceful land, for forty years to make war on the horrors of the deep! Aye and yes, Starbuck, out of those forty years I have not spent three ashore. When I think of this life I have led; the desolation of solitude it has been; the masoned, walled-town of a Captain's exclusiveness, which admits but small entrance to any sympathy from the green country without - oh, weariness! heaviness! Guinea-coast slavery of solitary command! - when I think of all this; only half-suspected, not so keenly known to me before - and how for forty years I have fed upon dry salted fare - fit emblem of the dry nourishment of my soul - when the poorest landsman has had fresh fruit to his daily hand, and broken the world's fresh bread to my mouldy crusts - away, whole oceans away, from that young girl-wife I wedded past fifty, and sailed for Cape Horn the next day, leaving but one dent in my marriage pillow - wife? wife? - rather a widow with her husband alive! Aye, I widowed that poor girl when I married her, Starbuck; and then, the madness, the frenzy, the boiling blood and the smoking brow, with which, for a thousand lowerings old Ahab has furiously, foamingly chased his prey - more a demon than a man! - aye, aye! what a forty years' fool - fool - old fool, has old Ahab been! Why this strife of the chase? why weary, and palsy the arm at the oar, and the iron, and the lance? how the richer or better is Ahab now? Behold. Oh, Starbuck! is it not hard, that with this weary load I bear, one poor leg should have been snatched from under me? Here, brush this old hair aside; it blinds me, that I seem to weep. Locks so grey did never grow but from out some ashes! But do I look very old, so very, very old, Starbuck? I feel deadly faint, bowed, and humped, as though I were Adam, staggering beneath the piled centuries since Paradise. God! God! God! - crack my heart! - stave my brain! - mockery! mockery! bitter, biting mockery of grey hairs, have I lived enough joy to wear ye; and seem and feel thus intolerably old? Close! stand close to me, Starbuck; let me look into a human eye; it is better than to gaze into sea or sky; better than to gaze upon God. By the green land; by the bright hearth-stone! this is the magic glass, man; I see my wife and my child in thine eye. No, no; stay on board, on board! - lower not when I do; when branded Ahab gives chase to Moby Dick. That hazard shall not be thine. No, no! not with the far away home I see in that eye!
”
”
Herman Melville
“
PRONUNCIATION GUIDE:
Ailith: A-lith ("noble war"; "ascending, rising")
Andriana: An-dree-ana, or Dree, for "Dri" ("warrior")
Asher: Ash-er ("happy one")
Azarel: Ah-zah-rell ("helper")
Bellona: Bell-oh-na ("warlike")
Chaza'el: Chazah-ell ("one who sees")
Kapriel: Kah-pree-ell (variant of "warrior")
Keallach: Key-lock ("battle")
Killian: Kill-ee-un ("little warrior"--though he's not so little in my novel!)
Raniero: Rah-near-oh ("wise warrior")
Ronan: Row-nun ("little seal"; I know. Not as cool, right? But he was named Duncan at first draft and I had to change it due to publisher request, and "Ronan" sounded like a medieval, cool warrior name to me. I overlooked the real translation in favor of the man he became in my story. And that guy, to my mind, is more like a warrior, with the spray of the sea upon his face as he takes on the storm--which is like a seal!)
Tressa: Tre-sah ("late summer")
Vidar: Vee-dar ("forest warrior")
”
”
Lisa Tawn Bergren (Season of Wonder (The Remnants, #1))
“
Family life, which is the Ashrama of the householder, can also take you in His direction, provided it is accepted as an asrama. Lived in this spirit, it helps man to progress towards Self-realization.
Nevertheless, if you hanker after anything such as name, fame or position, God will bestow it on you, but you will not feel satisfied.
The Kingdom of God is a whole, and unless you are admitted to the whole of it you cannot remain content. He grants you just a little, only to keep Your discontent alive, for without discontent there can be no progress. You, a scion of the Immortal, can never become reconciled to the realm of death, neither does God allow you to remain in it.
He Himself kindles the sense of want in you by granting you a small thing, only to whet your appetite for a greater one. This is His method by which He urges you on. The traveller on this path finds it difficult and feels troubled, but one who has eyes to see can clearly perceive that the pilgrim is advancing.
The distress that is experienced burns to ashes all pleasure derived from worldly things. This is what is called ‘tapasya’. What obstructs one on the spiritual path bears within itself seeds of future suffering. Yet the heartache, the anguish over the effects of these obstructions, are the beginning of an awakening to Consciousness.
”
”
Anandamayi Ma
“
Nights with bright pivots, departure, matter, uniquely voice, uniquely naked each day. Upon your breasts of still current, upon your legs ofharshness and water, upon the permanence and pride of your naked hair, I want to lie, my love, the tears now cast into the raucous basket where they gather, I want to lie, my love, alone with a syllable of destroyed silver, alone with a tip of your snowy breast. It is not now possible, at times, to win except by falling, it is not now possible, between two people, to tremble, to touch the river’s flower: man fibers come like needles, transactions, fragments, families of repulsive coral, tempests and hard passages through carpets of winter. Between lips and lips there are cities of great ash and moist crest, drops of when and how, indefinite traffic: between lips and lips, as if along a coast of sand and glass, the wind passes. That is why you are endless, gather me up as if you were all solemnity, all nocturnal like a zone, until you merge with the lines of time. Advance in sweetness, come to my side until the digital leaves of the violins have become silent, until the moss takes root in the thunder, until from the throbbing of hand and hand the roots come down.
”
”
Pablo Neruda (Residence on Earth (Spanish Edition))
“
In my beginning is my end. In succession
Houses rise and fall, crumble, are extended,
Are removed, destroyed, restored, or in their place
Is an open field, or a factory, or a by-pass.
Old stone to new building, old timber to new fires,
Old fires to ashes, and ashes to the earth
Which is already flesh, fur and faeces,
Bone of man and beast, cornstalk and leaf.
Houses live and die: there is a time for building
And a time for living and for generation
And a time for the wind to break the loosened pane
And to shake the wainscot where the field-mouse trots
And to shake the tattered arras woven with a silent motto.
In my beginning is my end. Now the light falls
Across the open field, leaving the deep lane
Shuttered with branches, dark in the afternoon,
Where you lean against a bank while a van passes,
And the deep lane insists on the direction
Into the village, in the electric heat
Hypnotised. In a warm haze the sultry light
Is absorbed, not refracted, by grey stone.
The dahlias sleep in the empty silence.
Wait for the early owl.
In that open field
If you do not come too close, if you do not come too close,
On a summer midnight, you can hear the music
Of the weak pipe and the little drum
And see them dancing around the bonfire
The association of man and woman
In daunsinge, signifying matrimonie—
A dignified and commodiois sacrament.
Two and two, necessarye coniunction,
Holding eche other by the hand or the arm
Whiche betokeneth concorde. Round and round the fire
Leaping through the flames, or joined in circles,
Rustically solemn or in rustic laughter
Lifting heavy feet in clumsy shoes,
Earth feet, loam feet, lifted in country mirth
Mirth of those long since under earth
Nourishing the corn. Keeping time,
Keeping the rhythm in their dancing
As in their living in the living seasons
The time of the seasons and the constellations
The time of milking and the time of harvest
The time of the coupling of man and woman
And that of beasts. Feet rising and falling.
Eating and drinking. Dung and death.
Dawn points, and another day
Prepares for heat and silence. Out at sea the dawn wind
Wrinkles and slides. I am here
Or there, or elsewhere. In my beginning.
”
”
T.S. Eliot (Four Quartets)
“
This is the heart of it, the scared woman who does not want to go alone to the man any longer, because when she does, when she takes of her baggy dress, displaying to him rancid breasts each almost as big as his own head, or no breasts, or mammectomized scar tissues taped over with old tennis balls to give her the right curves; when, vending her flesh, she stands or squats waiting, congealing the air firstly with her greasy cheesey stench of unwashed feet confined in week-old socks, secondly with her perfume of leotards and panties also a week old, crusted with semen and urine, brown-greased with the filth of alleys; thirdly with the odor of her dress also worn for a week, emblazoned with beer-spills and cigarette-ash and salted with the smelly sweat of sex, dread, fever, addiction—when she goes to the man, and is accepted by him, when all these stinking skins of hers have come off (either quickly, to get it over with, or slowly like a big truck pulling into a weigh station because she is tired), when she nakedly presents her soul’s ageing soul, exhaling from every pore physical and ectoplasmic her fourth and supreme smell which makes eyes water more than any queen of red onions—rotten waxy smell from between her breasts, I said, bloody pissy shitty smell from between her legs, sweat-smell and underarm-smell, all blended into her halo, generalized sweetish smell of unwashed flesh; when she hunkers painfully down with her customer on bed or a floor or in an alley, then she expects her own death. Her smell is enough to keep him from knowing the heart of her, and the heart of her is not the heart of it. The heart of it is that she is scared.
”
”
William T. Vollmann (The Royal Family)
“
No, he would never know his father, who would continue to sleep over there, his face for ever lost in the ashes. There was a mystery about that man, a mystery he had wanted to penetrate. But after all there was only the mystery of poverty that creates beings without names and without a past, that sends them into the vast throng of the nameless dead who made the world while they themselves were destroyed for ever. For it was just that that his father had in common with the men of the Labrador. The Mahon people of the Sahel, the Alsatians on the high plateaus, with this immense island between sand and sea, which the enormous silence was now beginning to envelop: the silence of anonymity; it enveloped blood and courage and work and instinct, it was at once cruel and compassionate. And he who had wanted to escape from the country without name, from the crowd and from a family without a name, but in whom something had gone on craving darkness and anonymity - he too was a member of the tribe, marching blindly into the night near the old doctor who was panting at his right, listening to the gusts of music coming from the square, seeing once more the hard inscrutable faces of the Arabs around the bandstands, Veillard's laughter and his stubborn face - also seeing with a sweetness and a sorrow that wrung his heart the deathly look on his mother's face at the time of the bombing - wandering though the night of the years in the land of oblivion where each one is the first man, where he had to bring himself up, without a father, having never known those moments when a father would call his son, after waiting for him to reach the age of listening, to tell him the family's secret, or a sorrow of long ago, or the experience of his life, those moments when even the ridiculous and hateful Polonius all of a sudden becomes great when he is speaking to Laertes; and he was sixteen, then he was twenty, and no one had spoken to him, and he had to learn by himself, to grow alone, in fortitude, in strength, find his own morality and truth, at last to be born as a man and then to be born in a harder childbirth, which consists of being born in relation to others, to women, like all the men born in this country who, one by one, try to learn without roots and without faith, and today all of them are threatened with eternal anonymity and the loss of the only consecrated traces of their passage on this earth, the illegible slabs in the cemetery that the night has now covered over; they had to learn how to live in relation to others, to the immense host of the conquerors, now dispossessed, who had preceded them on this land and in whom they now had to recognise the brotherhood of race and destiny.
”
”
Albert Camus (The First Man)
“
This is what I am, I'll say, to leave this written
excuse. This is my life.
Now it is clear this couldn't be done-
that in this net it's not just the strings that count
but the air that escapes through the meshes.
Everything else stayed out of reach-
time running like a hare
across the February dew,
and love, best not to talk of love
which moved, a swaying of hips,
leaving no more trace of all its fire
than a spoonful of ash.
That's how it is with so many passing things:
the man who waited, believing, of course,
the woman who was alive and will not be.
All of them believed that, having teeth,
feet, hands, and language,
life was only a matter of honor.
This one took a look at history,
took in all the victories of the past,
assumed an everlasting existence,
and the only thing life gave him was
his death, time not to be alive,
and earth to bury him in the end.
But all that was born with as many eyes
as there are planets in the firmament,
and all her devouring fire
ruthlessly devoured her until the end.
If I remember anything in my life,
it was an afternoon in India, on the banks of a river.
They were burning a woman of flesh and bone
and I didn't know if what came from the sarcophagus
was soul or smoke,
until there was neither woman nor fire
nor coffin nor ash. It was late,
and only the night, the water, the river, the darkness
lived on in that death.
”
”
Pablo Neruda
“
When a volcano lets fly or an earthquake brings down a mountainside, people look upon the event with surprise and report it to each other as news. People, in their whole history, have seen comparatively few such events; and only in the past couple of hundred years have they begun to sense the patterns the events represent. Human time, regarded in the perspective of geologic time, is much too thin to be discerned—the mark invisible at the end of a ruler. If geologic time could somehow be seen in the perspective of human time, on the other hand, sea level would be rising and falling hundreds of feet, ice would come pouring over continents and as quickly go away. Yucatáns and Floridas would be under the sun one moment and underwater the next, oceans would swing open like doors, mountains would grow like clouds and come down like melting sherbet, continents would crawl like amoebae, rivers would arrive and disappear like rainstreaks down an umbrella, lakes would go away like puddles after rain, and volcanoes would light the earth as if it were a garden full of fireflies. At the end of the program, man shows up—his ticket in his hand. Almost at once, he conceives of private property, dimension stone, and life insurance. When a Mt. St. Helens assaults his sensibilities with an ash cloud eleven miles high, he writes a letter to the New York Times recommending that the mountain be bombed.
”
”
John McPhee (In Suspect Terrain (Annals of the Former World Book 2))
“
On reflection, looking at shows like this and considering my own experiences, what fascinated me was that we have so many stories like this that help us empathize with monstrous men. “Yes, these men are flawed, but they are not as evil as this man.” Even more chilling, they tend to be stories that paint women as roadblocks, aggressors, antagonists, complications—but only in the context of them being a bitch, a whore, a Madonna. The women are never people.
Stories about monstrous men are not meant to teach us how to empathize with the women and children murdered, but with the men fighting over their bodies.
As a woman menaced by monsters, I find this particularly interesting, this erasure of me from a narrative meant to, if not justify, then explain the brokenness of men. There are shows much better at this, of course, which don’t paint women out of the story—Mad Men is the first to come to mind, and Game of Thrones—but True Detective doubled down.
The women terrorized by monsters in real life are active agents. They are monster-slayers, monster-pacifiers, monster-nurturers, monster-wranglers—and some of them are monsters, too. In truth, if we are telling a tale of those who fight monsters, it fascinates me that we are not telling more women’s stories, as we’ve spun so many narratives like True Detective that so blatantly illustrate the sexist masculinity trap that turns so many human men into the very things they despise.
Where are the women who fight them? Who partner with them? Who overcome them? Who battle their own monsters to fight greater ones?
Because I have and continue to be one of those women, navigating a horror show world of monsters and madmen. We are women who write books and win awards and fight battles and carve out extraordinary lives from ruin and ash. We are not background scenery, our voices silenced, our motives and methods constrained to sex.
I cannot fault the show’s men for forgetting that; they’ve created the world as they see it. But I can prod the show’s exceptional writers, because in erasing the narrative of those whose very existence is constantly threatened by these monsters, including trusted monsters whose natures vacillate wildly, they sided with the monsters.
I’m not a bit player in a monster’s story. But with narratives like this perpetuated across our media, it wouldn’t surprise me if that’s how my obituary read: a catalogue of the men who sired me, and fucked me, and courted me.
Stories that are not my own.
Funny, isn’t it? The power of story.
It’s why I picked up a pen.
I slay monsters, too.
”
”
Kameron Hurley (The Geek Feminist Revolution)
“
Young man,” he went on, raising his head again, “in your face I seem to read some trouble of mind. When you came in I read it, and that was why I addressed you at once. For in unfolding to you the story of my life, I do not wish to make myself a laughing-stock before these idle listeners, who indeed know all about it already, but I am looking for a man of feeling and education. Know then that my wife was educated in a high-class school for the daughters of noblemen, and on leaving, she danced the shawl dance before the governor and other personages for which she was presented with a gold medal and a certificate of merit. The medal … well, the medal of course was sold—long ago, hm … but the certificate of merit is in her trunk still and not long ago she showed it to our landlady. And although she is most continually on bad terms with the landlady, yet she wanted to tell some one or other of her past honours and of the happy days that are gone. I don’t condemn her for it. I don’t blame her, for the one thing left her is recollection of the past, and all the rest is dust and ashes. Yes, yes, she is a lady of spirit, proud and determined. She scrubs the floors herself and has nothing but black bread to eat, but won’t allow herself to be treated with disrespect. That’s why she would not overlook Mr. Lebeziatnikov’s rudeness to her, and so when he gave her a beating for it, she took to her bed more from the hurt to her feelings than from the blows. She was a widow when I married her, with three children, one smaller than the other. She married her first husband, an infantry officer, for love, and ran away with him from her father’s house. She was exceedingly fond of her husband; but he gave way to cards, got into trouble and with that he died. He used to beat her at the end: and although she paid him back, of which I have authentic documentary evidence, to this day she speaks of him with tears and she throws him up at me; and I am glad, I am glad that, though only in imagination, she should think of herself as having once been happy.… And she was left at his death with three children in a wild and remote district where I happened to be at the time; and she was left in such hopeless poverty that, although I have seen many ups and downs of all sorts, I don’t feel equal to describing it even. Her relations had all thrown her off. And she was proud, too, excessively proud.… And then, honoured sir, and then, I, being at the time a widower, with a daughter of fourteen left me by my first wife, offered her my hand, for I could not bear the sight of such suffering. You can judge the extremity of her calamities, that she, a woman of education and culture and distinguished family, should have consented to be my wife. But she did! Weeping and sobbing and wringing her hands, she married me! For she had nowhere to turn! Do you understand, sir, do you understand what it means when you have absolutely nowhere to turn? No, that you don’t understand yet…
”
”
Fyodor Dostoevsky (Crime and Punishment)
“
His booted feet pounded out an insane, frantic rhythm underneath him as he raced into the cavern across from Baba Yaga’s den at a dead sprint. Pieces of dragon dung flew off him and hit the ground behind him in miniature chunks. He didn’t dare look behind him to see if the dragon had risen from the ground yet, but the deafening hiss that assaulted his ears meant she’d woken up. Icy claws of fear squeezed his heart with every breath as he ran, relying on the night vision goggles, the glimpse he’d gotten of the map, and his own instincts to figure out where to go.
Jack raced around one corner too sharply and slipped on a piece of dung, crashing hard on his right side. He gasped as it knocked the wind out of him and gritted his teeth, his mind screaming at him to get up and run, run, run. He pushed onto his knees, nursing what felt like bruised ribs and a sprained wrist, and then paled as an unmistakable sensation traveled up the arm he’d used to push himself up.
Impact tremors.
Boom.
Boom.
Boom, boom, boom.
Baba Yaga was coming.
Baba Yaga was hunting him.
Jack forced himself up onto his feet again, stumbling backwards and fumbling for the tracker. He got it switched on to see an ominous blob approaching from the right. He’d gotten a good lead on her—maybe a few hundred yards—but he had no way of knowing if he’d eventually run into a dead end. He couldn’t hide down here forever. He needed to get topside to join the others so they could take her down.
Jack blocked out the rising crescendo of Baba Yaga’s hissing and pictured the map again. A mile up to the right had a man-made exit that spilled back up to the forest. The only problem was that it was a long passage. If Baba Yaga followed, there was a good chance she could catch up and roast him like a marshmallow. He could try to lose her in the twists and turns of the cave system, but there was a good chance he’d get lost, and Baba Yaga’s superior senses meant it would only be a matter of time before she found him. It came back to the most basic survival tactics: run or hide.
Jack switched off the tracker and stuck it in his pocket, his voice ragged and shaking, but solid. “You aren’t about to die in this forest, Jackson. Move your ass.”
He barreled forward into the passageway to the right in the wake of Baba Yaga’s ominous, bubbling warning, barely suppressing a groan as a spike of pain lanced through his chest from his bruised ribs. The adrenaline would only hold for so long. He could make it about halfway there before it ran out. Cold sweat plastered the mask to his face and ran down into his eyes. The tunnel stretched onward forever before him. No sunlight in sight. Had he been wrong?
Jack ripped off the hood and cold air slapped his face, making his eyes water. He held his hands out to make sure he wouldn’t bounce off one of the cavern walls and squinted up ahead as he turned the corner into the straightaway. There, faintly, he could see the pale glow of the exit.
Gasping for air, he collapsed against one wall and tried to catch his breath before the final marathon. He had to have put some amount of distance between himself and the dragon by now.
“Who knows?” Jack panted. “Maybe she got annoyed and turned around.”
An earth-shattering roar rocked the very walls of the cavern.
Jack paled.
Boom, boom, boom, boom!
Boom, boom, boom, boomboomboomboom—
Mother of God.
The dragon had broken into a run.
Jack shoved himself away from the wall, lowered his head, and ran as fast as his legs would carry him.
”
”
Kyoko M. (Of Blood & Ashes (Of Cinder & Bone, #2))
“
III. They seek for themselves private retiring places, as country villages, the sea-shore, mountains; yea thou thyself art wont to long much after such places. But all this thou must know proceeds from simplicity in the highest degree. At what time soever thou wilt, it is in thy power to retire into thyself, and to be at rest, and free from all businesses. A man cannot any whither retire better than to his own soul; he especially who is beforehand provided of such things within, which whensoever he doth withdraw himself to look in, may presently afford unto him perfect ease and tranquillity. By tranquillity I understand a decent orderly disposition and carriage, free from all confusion and tumultuousness. Afford then thyself this retiring continually, and thereby refresh and renew thyself. Let these precepts be brief and fundamental, which as soon as thou dost call them to mind, may suffice thee to purge thy soul throughly, and to send thee away well pleased with those things whatsoever they be, which now again after this short withdrawing of thy soul into herself thou dost return unto. For what is it that thou art offended at? Can it be at the wickedness of men, when thou dost call to mind this conclusion, that all reasonable creatures are made one for another? and that it is part of justice to bear with them? and that it is against their wills that they offend? and how many already, who once likewise prosecuted their enmities, suspected, hated, and fiercely contended, are now long ago stretched out, and reduced unto ashes? It is time for thee to make an end. As for those things which among the common chances of the world happen unto thee as thy particular lot and portion, canst thou be displeased with any of them, when thou dost call that our ordinary dilemma to mind, either a providence, or Democritus his atoms; and with it, whatsoever we brought to prove that the whole world is as it were one city? And as for thy body, what canst thou fear, if thou dost consider that thy mind and understanding, when once it hath recollected itself, and knows its own power, hath in this life and breath (whether it run smoothly and gently, or whether harshly and rudely), no interest at all, but is altogether indifferent: and whatsoever else thou hast heard and assented unto concerning either pain or pleasure? But the care of thine honour and reputation will perchance distract thee? How can that be, if thou dost look back, and consider both how quickly all things that are, are forgotten, and what an immense chaos of eternity was before, and will follow after all things: and the vanity of praise, and the inconstancy and variableness of human judgments and opinions, and the narrowness of the place, wherein it is limited and circumscribed? For the whole earth is but as one point; and of it, this inhabited part of it, is but a very little part; and of this part, how many in number, and what manner of men are they, that will commend thee? What remains then, but that thou often put in practice this kind of retiring of thyself, to this little part of thyself; and above all things, keep thyself from distraction, and intend not anything vehemently, but be free and consider all things, as a man whose proper object is Virtue, as a man whose true nature is to be kind and sociable, as a citizen, as a mortal creature. Among other things, which to consider, and look into thou must use to withdraw thyself, let those two be among the most obvious and at hand. One, that the things or objects themselves reach not unto the soul, but stand without still and quiet, and that it is from the opinion only which is within, that all the tumult and all the trouble doth proceed. The next, that all these things, which now thou seest, shall within a very little while be changed, and be no more: and ever call to mind, how many changes and alterations in the world thou thyself hast already been an eyewitness of in thy time. This world is mere change, and this life, opinion.
”
”
Marcus Aurelius (Meditations)