“
Watching Jace hug Isabelle, she tried to school her features into a happy and loving expression.
"Are you all right?" Simon asked, with some concern. "Your eyes are crossing.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
Once upon a time, in a land long since burned to ash, there lived a young princess who loved her kingdom …
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
You think she’ll be able to talk sense into him?” she asked. “His sister?”
"If he listens to anyone, it would be her.”
“That’s sweet,” said Maia. “That he loves his sister like that.”
“Yeah,” Simon said. “It’s precious
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
She is all the great heroines of the world in one. She is more than an individual. I love her, and I must make her love me. I want to make Romeo jealous. I want the dead lovers of the world to hear our laughter, and grow sad. I want a breath of our passion to stir dust into consciousness, to wake their ashes into pain.
”
”
Oscar Wilde (The Picture of Dorian Gray)
“
She leaned forward and caught at his hand, pressing it between her own. The touch was like white fire through his veins. He could not feel her skin only the cloth of her gloves, and yet it did not matter. You kindled me, heap of ashes that I am, into fire. He had wondered once why love was always phrased in terms of burning. The conflagration in his own veins, now, gave the answer.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
Aelin looked at Chaol and Dorian and sobbed. Opened her arms to them, and wept as they held each other. “I love you both,” she whispered. “And no matter what may happen, no matter how far we may be, that will never change.
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
Her desires are mine. Her wishes are mine. Should even the world stand against her, my blade will be at her side. And should it fail to protect her, let my own existence be forfeit." - Ash
”
”
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
“
I will be with her again, or I will die. There aren’t any other options
”
”
Julie Kagawa (The Iron Knight (The Iron Fey, #4))
“
Once upon a time,” she said to him, to the world, to herself, “in a land long since burned to ash, there lived a young princess who loved her kingdom . . . very much.”
And then she told him of the princess whose heart had burned with wildfire, of the mighty kingdom in the north, of its downfall and of the sacrifice of Lady Marion. It was a long story, and sometimes she grew quiet and cried—-and during those times he leaned over to wipe away her tears.
”
”
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
“
Maybe I could love you someday."
If you ever do," he said, "come and let me know. You know where to find me."
Her teeth were chattering harder. "I can't lose you, Simon. I can't."
You never will. I'm not leaving you. But I'd rather have what we have, which is real and true and important, than have you pretend anything else. When I'm with you, I want to know I'm with the real you, the real Clary."
She leaned her head against his, closing her eyes. He still felt like Simon, despite everything; still smelled like him, like his laundry soap. "Maybe I don't know who that is."
But I do.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
Love her as in childhood
Through feeble, old and grey.
For you’ll never miss a mother’s love
Till she’s buried beneath the clay.
”
”
Frank McCourt (Angela’s Ashes (Frank McCourt, #1))
“
He clung to her more tightly, knotting his hands in her hair, trying to tell her, with the press of his mouth on hers, all the things he could never say out loud: I love you; I love you and I don’t care that you’re my sister; don’t be with him, don’t want him, don’t go with him. Be with me. Want me. Stay with me.
I don’t know how to be without you.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
I was even a little glad that if it wasn’t going to be me she wanted, it was going to be someone who really deserved her.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
I love her for what she has dared to be, for her hardness, her cruelty, her egoism, her perverseness, her demoniac destructiveness. She would crush me to ashes without hesitation. She is a personality created to the limit. I worship her courage to hurt, and I am willing to be sacrificed to it. She will add the sum of me to her. She will be June plus all that I contain.
”
”
Anaïs Nin (Henry and June: The Unexpurgated Diary of Anaïs Nin, 1931-1932)
“
Manon rose in the saddle, sliding a leg under her, body tensing to make the jump ahead. And she said to Abraxos, touching his spin, "I love you."
It was the only thing that mattered in the end. The only thing that mattered now.
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
Ash,” Mab crooned as he drew near. “My poor boy. Rowan told me what happened between the two of you, but I know you had your reasons. Why would you betray me?”
“I love her.
”
”
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
“
Does a crow become a salmon simply because it wished to? You do not know the first thing about mortality, prince-who-is-not. Why would you want to become like them?"
"Because," Grimalkin answered before I could say anything, "he is in love."
"Ahhh." The Witch looked at me and shook her head. "I see. Poor creature. Then you will not hear a word I have to say"
I was in love. With a human.
I smiled bitterly at the thought. The old Ash, if faced with such a suggestion, would've either laughed scornfully or removed the offender's head from his neck.
”
”
Julie Kagawa (The Iron Knight (The Iron Fey, #4))
“
Then out spake brave Horatius,
The Captain of the gate:
‘To every man upon this earth
Death cometh soon or late.
And how can man die better
Than facing fearful odds,
For the ashes of his fathers,
And the temples of his Gods,
‘And for the tender mother
Who dandled him to rest,
And for the wife who nurses
His baby at her breast,
And for the holy maidens
Who feed the eternal flame,
To save them from false Sextus
That wrought the deed of shame?
‘Hew down the bridge, Sir Consul,
With all the speed ye may;
I, with two more to help me,
Will hold the foe in play.
In yon strait path a thousand
May well be stopped by three.
Now who will stand on either hand,
And keep the bridge with me?
Then out spake Spurius Lartius;
A Ramnian proud was he:
‘Lo, I will stand at thy right hand,
And keep the bridge with thee.’
And out spake strong Herminius;
Of Titian blood was he:
‘I will abide on thy left side,
And keep the bridge with thee.’
‘Horatius,’ quoth the Consul,
‘As thou sayest, so let it be.’
And straight against that great array
Forth went the dauntless Three.
For Romans in Rome’s quarrel
Spared neither land nor gold,
Nor son nor wife, nor limb nor life,
In the brave days of old.
Then none was for a party;
Then all were for the state;
Then the great man helped the poor,
And the poor man loved the great:
Then lands were fairly portioned;
Then spoils were fairly sold:
The Romans were like brothers
In the brave days of old.
Now Roman is to Roman
More hateful than a foe,
And the Tribunes beard the high,
And the Fathers grind the low.
As we wax hot in faction,
In battle we wax cold:
Wherefore men fight not as they fought
In the brave days of old.
”
”
Thomas Babington Macaulay (Horatius)
“
A mother's love is a blessing
No matter where you roam.
Keep her while you have her,
You'll miss her when she's gone.
”
”
Frank McCourt (Angela’s Ashes (Frank McCourt, #1))
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
“
I swear, I almost died back there on that ship, you know."
He let her hand go, but he was staring at her, almost as if he meant to memorize her face. " I know," he said. "everytime you almost die, I almost die myself.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
Ari...I will always love you. I always have.Nothing will change that." I squeezed her hand, then gently released it. "You'll always be a part of me. But...I'm not in love with you...anymore.And despite my promise,despite seeing you again, I do this because I want to be with Meghan, nothing else" Ariella's eyes glazed over, and I eased back, speaking as gently as I could "I can't be yours, Ariella. I'm sorry.
”
”
Julie Kagawa (The Iron Knight (The Iron Fey, #4))
“
So what are you gonna say at my funeral, now that you've killed me? Here lies the body of the love of my life, whose heart I broke without a gun to my head. Here lies the mother of my children, both living and dead. Rest in peace, my true love, who I took for granted. Most bomb p*ssy who, because of me, sleep evaded. Her god listening. Her heaven will be a love without betrayal. Ashes to ashes, dust to side chicks.
”
”
Beyoncé Knowles
“
Fireheart. The whispered word floated through the eternal night, a glimmer of sound, of light. Fireheart. The woman’s voice was soft, loving. Her mother’s voice. Aelin turned her face away. Even that movement was more than she could bear. Fireheart, why do you cry? Aelin could not answer. Fireheart. The words were a gentle brush down her cheek. Fireheart, why do you cry? And from far away, deep within her, Aelin whispered toward that ray of memory, Because I am lost. And I do not know the way.
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
She remembered how her heart, so tight, like a scroll, had opened when Arin kissed her.
It had unfurled.
If her heart were truly a scroll, she could burn it.
It would become a tunnel of flame, a handful of ash.
The secrets she had written inside herself would be gone. No one would know
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
So Aedion leaned in, and kissed Lysandra, kissed the woman who should have been his wife, his mate, one last time. “I love you.” Sorrow filled her beautiful face. “And I you.” She gestured to the western gate, to the soldiers waiting for its final cleaving. “Until the end?” Aedion hefted his shield, flipping the Sword of Orynth in his hand, freeing the stiffness that had seized his fingers. “I will find you again,” he promised her. “In whatever life comes after this.” Lysandra nodded. “In every lifetime.” Together, they turned toward the stairs that would take them down to the gates.
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
You think I don’t know pain?” Puck shook his head at me. “Or loss? I’ve been around a lot longer than you, prince! I know what love is, and I’ve lost
my fair share, too. Just because we have a different way of handling it, doesn’t mean I don’t have scars of my own.”
“Name one,” I scoffed. “Give me one instance where you haven’t—”
“Meghan Chase!” Puck roared, startling me into silence. I blinked, and he sneered at me. “Yeah, your highness. I know what loss is. I’ve loved that
girl since before she knew me. But I waited. I waited because I didn’t want to lie about who I was. I wanted her to know the truth before anything else.
So I waited, and I did my job. For years, I protected her, biding my time, until the day she went into the Nevernever after her brother. And then you
came along. And I saw how she looked at you. And for the first time, I wanted to kill you as much as you wanted to kill me.
”
”
Julie Kagawa
“
There is a better world out there. And I have seen it.” Even the Thirteen looked toward her now. “I have seen witch and human and Fae dwell together in peace. And it is not a weakness to do so, but a strength. I have met kings and queens whose love for their kingdoms, their peoples, is so great that the self is secondary. Whose love for their people is so strong that even in the face of unthinkable odds, they do the impossible.
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
Whether she ruled over all the lands and seas or was the Queen of nothing but a pile of ashes and bones she would - will - always be my Queen. Love is too weak an emotion to describe how she consumes me and what I feel for her. She is my everything.
”
”
Jennifer L. Armentrout (The War of Two Queens (Blood and Ash, #4))
“
Izzy," said Jace, as they neared the pond, and she jumped up and spun around. Her smile was dazzling.
"Jace!" She flew at him and hugged him. Now that was the way sisters were supposed to act, Clary thought. Not all stiff and weird and peculiar, but happy and loving. Watching Jace hug Isabelle, she tried to school her features into a happy and loving expression.
"Are you all right?" Simon asked, with some concern. "Your eyes are crossing."
"I'm fine." Clary abandoned the attempt.
"Are you sure? You looked sort of… contorted.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
Here the whole world (stars, water, air,
And field, and forest, as they were
Reflected in a single mind)
Like cast off clothes was left behind
In ashes, yet with hopes that she,
Re-born from holy poverty,
In lenten lands, hereafter may
Resume them on her Easter Day."
(Epitaph for Joy Davidman)
”
”
C.S. Lewis
“
I love you,” he whispered in Elide’s ear. “I have loved you from the moment you picked up that axe to slay the ilken.” Her tears flowed past him in the wind. “And I will be with you …” His voice broke, but he made himself say the words, the truth in his heart. “I will be with you
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
Katniss isn't the kind of hero we're used to seeing in fiction. She reacts more than she acts, she doesn't want to be a leader, and by the end of Mockingjay, she hasn't come into her own or risen like a phoenix from the ashes for some triumphant moment that gives us a sense of satisfaction with how far our protagonist has come.
She's not a Buffy. She's not a Bella. She limps across the finish line when we're used to seeing heroes racing; she eases into a quiet, steady love instead of falling fast and hard.
”
”
Jennifer Lynn Barnes (The Girl Who Was on Fire: Your Favorite Authors on Suzanne Collins' Hunger Games Trilogy)
“
She wraps her arms around me and speaks in my ear. Words just for me--the poetry of I love you--to keep me warm in the cold. With them she turns me back from ash and nothing into flesh and blood.
”
”
Ally Condie
“
You, who know all the secrets of life, tell me how to charm Sibyl Vane to love me! I want to make Romeo jealous, I want the dead lovers of the world to hear our laughter, and grow sad. I want a breath of our passion to stir their dust into consciousness, to wake their ashes into pain. My God, Harry, how I worship her!
”
”
Oscar Wilde (The Picture of Dorian Gray)
“
You don't understand,' she said, and there was a puzzling trace of resentment in her voice. 'Children never do. The love a parent has for a child, there's nothing else like it. No other love so consuming.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
But sleep didn't come. She could hear Jace's soft piano playing through the walls, but that wasn't what was keeping her awake. She was thinking of Simon, leaving for a house that no longer felt like home to him, of the despair in Jace's voice as he said 'I want to hate you', and of Magnus, not telling Jace the truth: that Alec did not want Jace to know about his relationship because he was still in love with him. She thought of the satisfaction it would have brought Magnus to say the words out loud, to acknowledge what the truth was, and the fact that he hadn't said them - had let Alec go on lying and pretending - because that was what Alec wanted, and Magnus cared about Alec enough to give him that. Maybe it was true what the Seelie Queen had said, after all: Love made you a liar.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
Lorcan rolled his eyes, and Aelin deemed that acceptance enough as she asked them all, “Did anyone bother to sleep?” Only Fenrys lifted his hand. Aedion frowned at the dark stain on the stones. “We’re putting a rug over it,” Aelin told him. Lysandra laughed. “Something tacky, I hope.” “I’m thinking pink and purple. Embroidered with flowers. Just what Erawan would have loved.” The Fae males gaped at them, Ren blinking. Elide ducked her head as she chuckled. Rowan snorted again. “At least this court won’t be boring.” Aelin put a hand on her chest, the portrait of outrage. “You were honestly worried it would be?” “Gods help us,” Lorcan grumbled.
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
I'm trying to understand. How you could come to love a monster.”
“Why?”
Her eyes were blazing as she hissed, “Because it will help me understand how I did the same. Is it a sickness?” she demanded, “Is it something broken within you?
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
Can I tell you a boring science fact?" she whispered. "I bet you didn't learn it in Shadowhunter history class."
"If you're trying to distract me from talking about my feelings, you're not being very subtle about it." He touched her face. "You know I make speeches. It's okay. You don't have to make them back. Just tell me you love me,"
"I'm not trying to distract you." She held up her hand and wiggles the fingers. "There are a hundred trillion cells in the human body," she said. "And every single one of the cells of my body loves you. We shed cells, and grow new ones, and my new cells love you more than the old ones, which is why I love you more every day than I did before. It's science. And when I die and they burn my body and I become ashes that mix with the air, and part of the ground and the trees and the stars, everyone who breathes air of sees the flowers that grow out of the ground or looks up at the stars will remember you and love you, because I love you that much," She smiled. "How was that for a speech?
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
Maybe the king always knew that his greatest love would be his ruination. Maybe he knew it the moment he met her. He’d know it the second time he died, too.
”
”
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
“
He lay with yellow hair and closed eyes, and the book thief ran toward him and fell down. She dropped the black book. "Rudy," she sobbed, "wake up...." She grabbed him by his shirt and gave him just the slightest disbelieving shake. "Wake up, Rudy," and now, as the sky went on heating and showering ash, Liesel was holding Rudy Steiner's shirt by the front. "Rudy, please." THe tears grappled with her face. "Rudy, please, wake up, Goddamn it, wake up, I love you. Come on, Rudy, come on, Jesse Owens, don't you know I love you, wake up, wake up, wake up....
”
”
Markus Zusak (The Book Thief)
“
you're @ home?"She could hear him moving around..."I'll let you go then."
"What if I dont want you to?"he said.
She heard the music as he walked toward his room, some sort of jazz.her heart sped up, thinking of him stretched out on his bed too, "Good night, Seth."
"So ur running again, then? One of his boots thudded on the floor."I'm not running."..
"Really?"
"Really.Its just--"She stopped.
"Maybe you should slow down, so i can catch you."He paused, waiting.He seemed to do that more & more lately, make statements that invited her to admit something dangerous to their friendship.When she didnt answer he added, "Sweet dreams, Ash.
”
”
Melissa Marr (Wicked Lovely (Wicked Lovely, #1))
“
She had been willing to yield everything to save Terrasen, to save all of them. He could do nothing less. Aelin certainly had more to lose. A mate and husband who loved her. A court who’d follow her into hell. A kingdom long awaiting her return.
All he had was an unmarked grave for a healer no one would remember, a broken empire, and a shattered castle.
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
The curse was broken. Manon just stared at them, her breathing turning jagged. Then she roused Abraxos, and was in the saddle within heartbeats. She did not offer them any explanation, any farewell, as they leaped into the thinning night. As she guided her wyvern to the bit of blasted earth on the battlefield. Right to its heart. And smiling through her tears, laughing in joy and sorrow, Manon laid that precious flower from the Wastes upon the ground. In thanks and in love. So they would know, so Asterin would know, in the realm where she and her hunter and child walked hand in hand, that they had made it. That they were going home.
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
...stooping very low, He engraves with care
His Name, indelible, upon our dust;
And from the ashes of our self-despair,
Kindles a flame of hope and humble trust.
He seeks no second site on which to build,
But on the old foundation, stone by stone,
Cementing sad experience with grace,
Fashions a stronger temple of His own.
”
”
Patricia St. John (Patricia St. John Tells Her Own Story)
“
All night long Alec sat in his chair in his pyjamas and dressing gown, socks on his feet to keep out the cold, a cigarette in his fingers with a long ash hovering over a half-full ashtray. He attempted to go to bed but the incident with Father Joe kept his mind in turmoil. This girl, well, woman now – she would be around thirty – was a mystery during the war. She was kidnapped, it was thought, from her school, the day the Germans entered Paris. Her uncle, Sir Jason Barrett MP, was in England; her step-parents were somewhere else in France, on holiday, and found they could not get back; and Charlotte was being cared for by a Swedish couple, a nanny or housekeeper and her chauffeur husband.
Was Charlotte actually Freya? What had this baron fellow to do with Freya, apart from marrying her? Had she been a prostitute? And what was the old cleric babbling on about “finding her and protecting her”? From whom?
”
”
Hugo Woolley (The Wasp Trap (The Charlotte's War Trilogy Book 3))
“
He and Nina had never exchanged gifts or rings; they’d had no possessions they shared. They had been wanderers and soldiers. Even so, she could not leave him with nothing. From her pocket, she drew a slender sprig of ash and let it drift down into the grave, followed by a smattering of withered red petals from the tulips their compatriots had placed on his chest when they bid him goodbye in Ketterdam.
“I know you never cared for sweets.” Her voice wobbled as she let a handful of toffees fall from her hand. They made a hollow patter. “But this way I’m with you, and you can keep them for me when I see you next. I know you won’t eat them yourself.
”
”
Leigh Bardugo (King of Scars (King of Scars, #1))
“
She nodded against me. “Do you need me to do anything?”
I didn’t need a thing from her, but I wanted everything. I wanted her to leave Tyler, to love me, to want to live here with me for the rest of our lives. I wanted so damn much.
”Just go back to sleep, then enjoy the rest of the day with the girls. I’ll be back tonight.”
”I’ll be waiting her for you.”
Closing my eyes, I took a deep breath in and held it. if only she knew what she did to me.
”
”
Molly McAdams (From Ashes (From Ashes, #1))
“
One minute she acts like she wants to be with me and I'm the one rejecting her. The next, she's got this barbed wire fence and barking dogs around her, like I can't even ask her the simplest questions."
"And here I was assuming you didn't care about her."
Stabbing his fingers through his hair, he groaned, "I don't!"
"And you make it perfectly clear." Men. Idiots.
”
”
Jenny Trout (Ashes to Ashes (Blood Ties, #3))
“
Her father said the death of a loved one was like a house on fire. Even with everything intact, it still felt like mere ashes.
”
”
Patricia Engel (Infinite Country)
“
It would be dreadfully
ironic, I mused, if once I earned a soul, I forgot everything about being fey, including all my memories of her. That sort of ending seemed
appropriately tragic; the smitten fey creature becomes human but forgets why he wanted to in the first place. Old fairy tales loved that sort of irony.
”
”
Julie Kagawa
“
No, Hanson, this is not the scene where the girl puts on a skirt and some paint and her schoolmate, who’s a little thick, suddenly realizes that she is his true love.”
“Oh,” Ash said. “Good to know.
”
”
Cinda Williams Chima (Flamecaster (Shattered Realms, #1))
“
I lay down in the mother ash dirt among the crocuses and told her it was okay. That I'd surrendered. That since she died, everything had changed. Things she couldn't have imagined and wouldn't have guessed. My words came out low and steadfast. I was so sad it felt as if someone were choking me, and yet it seemed my whole life depended on my getting those words out. She would always be my mother, I told her, but I had to go. She wasn't there for me in that flowerbed anymore anyway, I explained. I'd put her somewhere else. The only place I could reach her. In me.
”
”
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
“
So she steeled herself. “I have never told anyone this story. No one in the world knows it. But it's mine,” she said, blinking past the burning in her eyes, “and it's time for me to tell it.”
Rowan leaned back on the rock, bracing his palms behind him.
“Once upon a time,” she said to him, to the world, to herself, “in a land long since burned to ash, there lived a young princess who loved her kingdom . . . very much.”
And then she told him of the princess whose heart had burned with wildfire, of the mighty kingdom in the north, of its downfall and of the sacrifice of Lady Marion.
”
”
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
“
Once upon a time, in a land long since burned to ash, there lived a young princess who loved her kingdom
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
She turned suddenly, and before I could react, framed my face with her hands and pressed her lips to mine.
I froze, mostly in shock, but after a moment my body uncoiled and I closed my eyes, relaxing into her. I remembered this; the feel of her lips on mine,
cool and soft, the touch of her fingers on my skin. I remembered her scent, those long nights when we would lie under the cold, frozen stars,
dreaming in each other’s arms.
For a second, my body reacted instinctively. I started to pull us closer, to wrap my arms around her and return the kiss with equal passion…but, then
I stopped.
I remembered this perfectly; every shining moment with Ariella was forever etched into my mind. What we’d had, what we’d shared, everything. I’d
built a shrine to her in my memories, carefully tended with grief and anger and regret. I knew every inch of our relationship, the passion, the feeling
of emptiness when we weren’t together, the longing and, yes, the love. I had been in love with Ariella. I remembered what she’d meant to me once,
what I’d felt for her then…
…and what I didn’t feel for her now.
”
”
Julie Kagawa (The Iron Knight (The Iron Fey, #4))
“
Loving her was easy, a skill he had picked up methodically until one day he did it without thought.
”
”
Sara Raasch (Ice Like Fire (Snow Like Ashes, #2))
“
Goodnight, Sony,' he whispers. 'I hope you find your everything.' Her ashes spring free in the shape of wings.
”
”
Lancali (I Fell in Love With Hope)
“
If I tell you he's a prick and a miserable bastard to be around, will it change your mind?"
Lorcan snarled, but Aelin snorted. "Isn't that why we love Lorcan, though?" She gave him a smile that told Lorcan she remembered every detail of their initial encounters in Rifthold—when he'd shoved her face-first into a brick wall. Aelin said to Fenrys, "We'll only invite him to Orynth on holidays.
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
In silence, they stared. Bells began pealing; people shouted. Not with fear. But in wonder. A hand rising to her mouth, Aelin scanned the broad sweep of the world. The mountain wind brushed away her tears, carrying with it a song, ancient and lovely. From the very heart of Oakwald. The very heart of the earth. Rowan twined his fingers in hers and whispered, awe in every word, “For you, Fireheart. All of it is for you.” Aelin wept then. Wept in joy that lit her heart, brighter than any magic could ever be. For across every mountain, spread beneath the green canopy of Oakwald, carpeting the entire Plain of Theralis, the kingsflame was blooming.
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
She felt as if she had been crying without end for minutes now.
Yet this parting, this final farewell ...
Aelin looked at Chaol and Dorian and sobbed. Opened her arms to them, and wept as they held each other.
“I love you both,” she whispered. “And no matter what may happen, no matter how far we may be, that will never change.”
“We will see you again,” Chaol said, but even his voice was thick with tears.
“Together,” Dorian breathed, shaking. “We’ll rebuild this world together.”
She couldn’t stand it, this ache in her chest. But she made herself pull away and smile at their tear-streaked faces, a hand on her heart. “Thank you for all you
have done for me.”
Dorian bowed his head. “Those are words I’d never thought I’d hear from you.”
She barked a rasping laugh, and gave him a shove. “You’re a king now. Such
insults are beneath you.”
He grinned, wiping at his face.
Aelin smiled at Chaol, at his wife waiting beyond him. “I wish you every happiness,” she said to him. To them both.
Such light shone in Chaol’s bronze eyes—that she had never seen before.
“We will see each other again,” he repeated.
Then he and Dorian turned toward their horses, toward the bright day beyond the castle gates. Toward their kingdom to the south. Shattered now, but not forever.
Not forever.
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
Feelings are just a fire in a field of stubble: it burns for a moment, and then all that’s left is soot and ashes. Do you know what the main thing is—the thing a woman should look for in her man? She should look for a quality that’s not at all exciting but that’s rarer than gold: decency.
”
”
Amos Oz (A Tale of Love and Darkness)
“
Whether she ruled over all the lands and seas or was the Queen of nothing but a pile of ashes and bones, she would—will—always be my Queen. Love is too weak an emotion to describe how she consumes me and what I feel for her. She is my everything.
”
”
Jennifer L. Armentrout (The War of Two Queens (Blood And Ash, #4))
“
He loves pieces of her -- the thunder-blue of her eyes, the full moon-glow of her breasts in the dark -- but he never even met most of her. If he peeled back her pretty skin he'd find nothing soft or sweet at all, just busted glass and ashes and the desperate, animal will to stay alive.
”
”
Alix E. Harrow (The Once and Future Witches)
“
I see ashes under the skin of her face. Disintegration. What terrible anxiety I feel. I want to put my arms around her. I feel her receding into death and I am willing to enter death to follow her, to embrace her. She is dying before my eyes. Her tantalizing, somber beauty is dying. Her strange, manlike strength.
”
”
Anaïs Nin (Henry and June: The Unexpurgated Diary of Anaïs Nin, 1931-1932)
“
I’m bonded to her, Lucan. I love her. If you want to keep me out of this, you’re going to have to kill me right here and now.
”
”
Lara Adrian (Ashes of Midnight (Midnight Breed, #6))
“
Jade is my everything: my wings, my roots, my sky. I am in love with her.
And she tried to kill me.
Now that is some messed up shit right now.
”
”
Rochelle Maya Callen (Ashes and Ice (Ashes and Ice, #1))
“
They say a witch used to live in these woods, a long long time ago,” she began. And this is what the little girl would tell her children and what they would tell their children long after the ones who came before were gone. “They say an old witch lived in the east, in Iron Wood. And there, she bore the wolves who chase the sun and moon. They say she went to Asgard and was burned three times upon a pyre and three times she was reborn before she fled. They say she loved a man with scarred lips and a sharp tongue; a man who gave her back her heart and more. They say she loved a woman too, a sword-wielding bride of the Gods; as bold as any man and fiercer still. They say she wandered, giving aid to those who needed it most, healing them with potions and spells. They say she stood her ground against the fires of Ragnarok, until the very end, until she was burned a final time. All but her heart reduce to ashes once more. But others say she lives yet.
”
”
Genevieve Gornichec (The Witch's Heart)
“
The process of falling in love with Poppy had started in Masadonia. It had just taken me that time to realize I could be worthy of such an emotion after betraying her – after all I’d done. That I could allow myself to love and be loved without hesitation or conditions.
”
”
Jennifer L. Armentrout (A Soul of Ash and Blood (Blood and Ash, #5))
“
See you soon?” I say to our reflection. She’d give me a small smile, and I think she’d be a bit sad because I know how much she loves me. “Not too soon, please,” she’d say, because that’s not what she’d want for me. “Not too soon,” I say, nodding. “But one day again.” And then I close my little mirror, lay it down next to her ashes and let her go.
”
”
Jessa Hastings (Magnolia Parks: Into the Dark (Magnolia Parks Universe, #5))
“
I wished I had told her what I was doing. I wished I had said more, argued more. Maybe then I wouldn't have this hollow ache in my chest whenever I thought of our parting words. Had she already moved on, forgotten me? In her position, what she said made sense, but the thought of her with someone else made me wish I had something to fight, to kill, just so I could forget.
”
”
Julie Kagawa (The Iron Knight (The Iron Fey, #4))
“
All of us who fight here today do so with someone standing invisible behind us.” Asterin’s gold-flecked black eyes softened a bit. “Yes,” was all Manon’s Second said as her hand drifted to her abdomen. Not in memory of the hateful word branded there, of what had been done to her. In memory of the stillborn witchling who had been thrown by Manon’s grandmother into the fire before Asterin had a chance to hold her. In memory of the hunter whom Asterin had loved, as no Ironteeth ever had loved a man, and had never gone back to, for shame and fear. The hunter who had never stopped waiting for her to return, even when he was an old man. For them, for the family she had lost, Manon knew her Second would fight today. So it might never happen again.
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
He leaned down, far enough that the dark ends of his hair brushed feather-light against her face, caught in her lashes, She had just enough time to take in a breath, to blink, to part her lips before he took them with his own.
Time froze. Her heart ceased to beat. Her eyes fluttered shut.
The cool slip of the small metal loop pressed into her skin as he kissed her.
Urgent.
Gentle.
So slow.
Sweet, soft demolition.
He tasted of cloves and coffee. And of something else. A farawat essence, familiar and yet somehow foreign, too. Something sere and arid.
A little like some.
A little like decay
Ash.
”
”
Kelly Creagh
“
he settled back on the bed with her and wrapped her in his protective embrace, giving her a hundred solemn promises that he was very eager to keep, and loving her with all the reverence and worship of a blood-bonded male who had stared hell in the face and now understood that he was holding heaven in his arms.
”
”
Lara Adrian (Ashes of Midnight (Midnight Breed, #6))
“
Creatures of the Darkness
BY VICKI JORDAN
It was world of vampires and demons, where innocence
was rare and so were the living. It was a world of darkness,
where light had been outlawed and nightfall had swallowed
us whole.
An epic war had been fought, and the creatures of the dark
had finally prevailed over the promoters of the light. Finally,
for the first time in existence, the people of the shadows could
come out and freely walk among one another in the rays of the
dying sun, which had once been used to shun them away.
A little girl, a child of the light, had survived the battle and
crawled out from under the ashes of the destruction. She looked
around at her altered world in dismay and confronted a vampire
about the changes, of which she did not approve.
“Why did you turn my world into a world of night, and make
wrong into a new form of right? How could you make all the light
disappear, and with it everyone I once loved so dear? Why are the
shadows now the new sun, and why is everything lost what you have
won?”
The vampire looked down at the little girl with amusement
and delight.
“Because, little girl, this is the real world you see, where there’s no
light to shine on false identities. We didn’t destroy the world just to scare;
we simply uncovered what was already there. What has come out was all the
darkness that was once hidden within, and you’ll soon meet the darkness
in you once my fangs pierce your skin.”
We are our own greatest fears…..
”
”
Chris Colfer (Struck By Lightning: The Carson Phillips Journal (The Land of Stories))
“
I am afraid for you!” His voice was vicious. His pulse burned beneath her hand. “If anything happens to you here and I live, I will read every book, every tome, I will trick death itself to bring you back. I will become something terrible, not for your sake, but mine, because I cannot live in a world without you in it.
”
”
Tasha Suri (Realm of Ash (The Books of Ambha, #2))
“
Oh, Penny. He must truly love you," Emma said. "Ash and Chase ate the sham. Gabriel made more."
Penny couldn't believe it. He must have arranged the menu. Of course, he would have done so days ago, well before their argument today. Nevertheless, she was touched by the gesture. He truly had planned this evening for her, down to the last detail.
”
”
Tessa Dare (The Wallflower Wager (Girl Meets Duke, #3))
“
But the flames did die down, perhaps from lack, perhaps from excess of fuel. Little by little, love was quenched by absence, and longing smothered by routine; and that fiery glow which tinged her pale sky scarlet grew more clouded, then gradually faded away. Her benumbed consciousness even led her to mistake aversion toward her husband for desire for her loved, the searing touch of hatred for the rekindling of love; but, as the storm still raged on and her passion burnt itself to ashes, no help came and no sun rose, the darkness of night closed in on every side, and she was left to drift in a bitter icy void.
So the bad days of Tostes began again. She believed herself much more unhappy, now, because she had experienced sorrow, and knew for certain that ti would ever end.
”
”
Gustave Flaubert (Madame Bovary)
“
didn’t love her.” “You certainly acted like you did.” Lorcan snarled, “Why is that the point you keep returning to, Elide? Why is it the one thing you cannot let go of?” “Because I’m trying to understand. How you could come to love a monster.” “Why?” He pushed into her space. She didn’t balk one step. Indeed, her eyes were blazing as she hissed, “Because it will help me understand how I did the same.
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
You came." His gaze held hers. "And I knew that you are not useful to me, Ash. Not anymore. Except as a reason to get up in the morning --"
"You don't sleep anymore," she reminded him, smiling.
"Except as a reason to keep breathing --"
"You don't need air."
He narrowed his eyes at her. "I'm still new at this Guardian thing. So just shut up, and let me tell you that I love you.
”
”
Meljean Brook (Demon Marked (The Guardians, #7))
“
That first loving kiss, the one that comes out of you from the source of your personal river, and the one that comes from her that is the same, there's never another moment like it; never another flame that burns so hot. It can never be that good again, ever. All manner of goodness can come after, but it's different. And that's a good thing, because if we burned that hot for too long, we'd be nothing but ash.
”
”
Joe R. Lansdale (Paradise Sky)
“
Yet Chaol dropped his sword and shield to the bloody stones, and gripped Yrene’s face between his hands. “You can’t,” he said again, voice breaking. “You can’t.” Yrene put her hands atop Chaol’s and brought them brow to brow. “You are my joy,” was all she said to him. Her husband, her dearest friend, closed his eyes. The reek of Valg blood and metal clung to him, and yet beneath it—beneath it, that was his scent. The smell of home. Chaol at last opened his eyes, the bronze of them so vivid. Alive. Utterly alive. Full of trust, and understanding, and pride. “Go save the world, Yrene,” he whispered, and kissed her brow. Yrene let that kiss sink into her skin, a mark of protection, of love that she’d carry with her into hell and beyond it.
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
I watched her dance, arms curving like wings, her strong young legs in love with their motion. This was how mortals found fame, I thought. Through patience and diligence, tending their skills like gardens until they glowed beneath the sun. But gods are born of ichor and nectar, their excellences already bursting from their fingertips. So they find their fame by proving what they can mar: destroying cities, starting wars, breeding plagues and monsters. All that smoke and savor rising so delicately from our altars. It leaves only ash behind.
”
”
Madeline Miller (Circe)
“
Staring out to sea, I finally forced myself to stop thinking of her as someone still somewhere, if only in memory, still obscurely alive, breathing, doing, moving, but as a shovelful of ashes already scattered; as a broken link, a biological dead end, an eternal withdrawal from reality, a once complex object that now dwindled, dwindled, left nothing behind except a l like a fallen speck of soot on a blank sheet of paper.
”
”
John Fowles (The Magus)
“
He didn’t have to be immortal. He didn’t need to be a hero. He didn’t even want to be a saint. He simply wanted to be a good man worthy of Eva Rosselli. He just wanted Eva. He wanted her kisses and her eyes, her smiles and her laughter. He wanted his children in her womb and his mouth on her breasts. He wanted her legs wrapped around his hips and her arms cradling his head as he made love to her. He wanted her promises, her affection and her trust, her years and her secrets. He wanted her prayers and her pride, her tears and her troubles. He wanted Eva. And that was all
”
”
Amy Harmon (From Sand and Ash)
“
In the hall, Tina whisper hisses, "Retreat! Retreat!" The sounds of heels clip clopping follows before...
stumble crash bang
Mimi laughs her ass off and says, "We have a man down! I repeat. We are a man down!"
Lola laughs hard and yells out, "We're so bad at this! Best mission ever!
The sound of giggles and heels approach my room. I put an arm under my head to elevate it. I want to see what these goofballs are doing. Tina's first through the door and looks sheepish while rubbing her elbow. That is until she see Nat, Helena and Nina all sitting on my bed. Then she yells out, "Pajama party!" And literally throws herself on to my bed, hurt elbow forgotten. She belly flops onto my stomach, My body jolts upwards, the wind is knocked out of me and I groan. Tina looks up at me with wide eyes. She rushed out, "Ash, honey! I'm so sorry!" Then she rubs what she thinks is my stomach. Only its my cock.
Removing her hands from me, I tell her,
"Tina, I don't think Nik would like you in my bed rubbing my junk.
”
”
Belle Aurora (Love Thy Neighbour (Friend-Zoned, #2))
“
Everything was all right. That which had been and that which was still to come. It was enough. If it were the end, it was all right so. He had loved somebody and lost her. He had hated another and killed him. Both had freed him. One had brought his feelings to life again; the other had eradicated his past. Nothing remained behind unfulfilled. No desire was left; no hatred, nor any lament. If this were a new beginning, then that was what it was. One would start without expectation, prepared for many things, with the simple strength of experience which had strengthened and not torn asunder. The ashes had been cleared away. Paralyzed places were alive again. Cynicism had turned into strength. It was all right.
”
”
Erich Maria Remarque (Arch of Triumph: A Novel of a Man Without a Country)
“
Before she left She was gone before she left. Her heart started walking away long before
she physically made her way out. She started leaving when you began to put her
in the shadows, when you found more important things to
invest your time in than being in her presence, when the things that made her smile became a
burden you once carried for the sake of
winning her heart, when her ears became a well that you
dropped your promises in with no intention of
picking them up and fulfilling them. She was gone mentally and emotionally. Her physically leaving was just a delayed
response.
”
”
Pierre Jeanty (Ashes of Her Love)
“
A Faint Music by Robert Hass
Maybe you need to write a poem about grace.
When everything broken is broken,
and everything dead is dead,
and the hero has looked into the mirror with complete contempt,
and the heroine has studied her face and its defects
remorselessly, and the pain they thought might,
as a token of their earnestness, release them from themselves
has lost its novelty and not released them,
and they have begun to think, kindly and distantly,
watching the others go about their days—
likes and dislikes, reasons, habits, fears—
that self-love is the one weedy stalk
of every human blossoming, and understood,
therefore, why they had been, all their lives,
in such a fury to defend it, and that no one—
except some almost inconceivable saint in his pool
of poverty and silence—can escape this violent, automatic
life’s companion ever, maybe then, ordinary light,
faint music under things, a hovering like grace appears.
As in the story a friend told once about the time
he tried to kill himself. His girl had left him.
Bees in the heart, then scorpions, maggots, and then ash.
He climbed onto the jumping girder of the bridge,
the bay side, a blue, lucid afternoon.
And in the salt air he thought about the word “seafood,”
that there was something faintly ridiculous about it.
No one said “landfood.” He thought it was degrading to the rainbow perch
he’d reeled in gleaming from the cliffs, the black rockbass,
scales like polished carbon, in beds of kelp
along the coast—and he realized that the reason for the word
was crabs, or mussels, clams. Otherwise
the restaurants could just put “fish” up on their signs,
and when he woke—he’d slept for hours, curled up
on the girder like a child—the sun was going down
and he felt a little better, and afraid. He put on the jacket
he’d used for a pillow, climbed over the railing
carefully, and drove home to an empty house.
There was a pair of her lemon yellow panties
hanging on a doorknob. He studied them. Much-washed.
A faint russet in the crotch that made him sick
with rage and grief. He knew more or less
where she was. A flat somewhere on Russian Hill.
They’d have just finished making love. She’d have tears
in her eyes and touch his jawbone gratefully. “God,”
she’d say, “you are so good for me.” Winking lights,
a foggy view downhill toward the harbor and the bay.
“You’re sad,” he’d say. “Yes.” “Thinking about Nick?”
“Yes,” she’d say and cry. “I tried so hard,” sobbing now,
“I really tried so hard.” And then he’d hold her for a while—
Guatemalan weavings from his fieldwork on the wall—
and then they’d fuck again, and she would cry some more,
and go to sleep.
And he, he would play that scene
once only, once and a half, and tell himself
that he was going to carry it for a very long time
and that there was nothing he could do
but carry it. He went out onto the porch, and listened
to the forest in the summer dark, madrone bark
cracking and curling as the cold came up.
It’s not the story though, not the friend
leaning toward you, saying “And then I realized—,”
which is the part of stories one never quite believes.
I had the idea that the world’s so full of pain
it must sometimes make a kind of singing.
And that the sequence helps, as much as order helps—
First an ego, and then pain, and then the singing
”
”
Robert Hass (Sun under Wood)
“
[Lena] “This is crazy, you know. How can you know me well enough to love me?”
“Lena.” He pressed a kiss to her temple. “I know what I need to know. I know that your laugh makes me want to smile, and I know that when you’re sad, it bothers me. I know I love to watch you, I know you blush when you realize I’ve been staring at you, even though it makes you smile, too.”
He combed a hand through her hair, angled her head, and brushed her mouth with his. “I may not know everything there is to know about you, Lena, but I do know I’d like to spend my life learning the things I don’t know.
”
”
Shiloh Walker (If You Hear Her (The Ash Trilogy, #1))
“
Cauldron save me," she began whispering, her voice lovely and even-like music. "Mother hold me," she went on, reciting a prayer similar to one I'd heard once before, when Tamlin eased the passing of that lesser faerie who'd died in the foyer. Another of Amarantha's victims. "Guide me to you." I was unable to raise my dagger, unable to take the step that would close the distance between us. "Let me pass through the gates; let me smell that immortal land of milk and honey."
Silent tears slide down my face and neck, where they dampened the filthy collar of my tunic. As she spoke, I knew I would be forever barred from that immortal land. I knew that whatever Mother she meant would never embrace me. In saving Tamlin, I was to damn myself.
I couldn't do this-couldn't lift that dagger again.
"Let me fear no evil," she breathed, staring at me-into me, into the soul that was cleaving itself apart."Let me feel no pain."
A sob broke from my lips. "I'm sorry," I moaned.
"Let me enter eternity," She breathed.
I wept as I understood. Kill me now, she was saying. Do it fast. Don't make it hurt. Kill me now. Her bronze eyes were steady, if not sorrowful. Infinitely, infinitely worse than the pleading of the dead faerie beside her.
I couldn't do it.
But she held my gaze-held my gaze and nodded.
As I lifted the ash dagger, something inside me fractured so completely that there would be no hope of ever repairing it. No matter how many years passed, no matter how many times I might try to paint her face.” As I lifted the ash dagger, something inside me fractured so completely that there would be no hope of ever repairing it. No matter how many years passed, no matter how many times I might try to paint her face.
More faeries wailed now-her kinsmen and friends. The dagger was a weight in my hand-my hand, shining and coated with the blood of the first faerie.
It would be more honorable to refuse-to die, rather than murder innocents. But... but...
"Let me enter eternity," she repeated, lifting her chin. "Fear no evil," she whispered-just for me. "Feel no pain."
I gripped her delicate, bony shoulder and drove the dagger into her heart.
She gasped, and blood spilled onto the ground like a splattering of rain. Her eyes were closed when I looked at her face again. She slumped to the floor and didn't move.
I went somewhere far, far away from myself.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
Hi there, cutie."
Ash turned his head to find an extremely attractive college student by his side. With black curly hair, she was dressed in jeans and a tight green top that displayed her curves to perfection. "Hi."
"You want to go inside for a drink? It's on me."
Ash paused as he saw her past, present, and future simultaneously in his mind. Her name was Tracy Phillips. A political science major, she was going to end up at Harvard Med School and then be one of the leading researchers to help isolate a mutated genome that the human race didn't even know existed yet.
The discovery of that genome would save the life of her youngest daughter and cause her daughter to go on to medical school herself. That daughter, with the help and guidance of her mother, would one day lobby for medical reforms that would change the way the medical world and governments treated health care. The two of them would shape generations of doctors and save thousands of lives by allowing people to have groundbreaking medical treatments that they wouldn't have otherwise been able to afford.
And right now, all Tracy could think about was how cute his ass was in leather pants, and how much she'd like to peel them off him.
In a few seconds, she'd head into the coffee shop and meet a waitress named Gina Torres. Gina's dream was to go to college herself to be a doctor and save the lives of the working poor who couldn't afford health care, but because of family problems she wasn't able to take classes this year. Still Gina would tell Tracy how she planned to go next year on a scholarship.
Late tonight, after most of the college students were headed off, the two of them would be chatting about Gina's plans and dreams.
And a month from now, Gina would be dead from a freak car accident that Tracy would see on the news. That one tragic event combined with the happenstance meeting tonight would lead Tracy to her destiny. In one instant, she'd realize how shallow her life had been, and she'd seek to change that and be more aware of the people around her and of their needs. Her youngest daughter would be named Gina Tory in honor of the Gina who was currently busy wiping down tables while she imagined a better life for everyone.
So in effect, Gina would achieve her dream. By dying she'd save thousands of lives and she'd bring health care to those who couldn't afford it...
The human race was an amazing thing. So few people ever realized just how many lives they inadvertently touched. How the right or wrong word spoken casually could empower or destroy another's life.
If Ash were to accept Tracy's invitation for coffee, her destiny would be changed and she would end up working as a well-paid bank officer. She'd decide that marriage wasn't for her and go on to live her life with a partner and never have children.
Everything would change. All the lives that would have been saved would be lost.
And knowing the nuance of every word spoken and every gesture made was the heaviest of all the burdens Ash carried.
Smiling gently, he shook his head. "Thanks for asking, but I have to head off. You have a good night."
She gave him a hot once-over. "Okay, but if you change your mind, I'll be in here studying for the next few hours."
Ash watched as she left him and entered the shop. She set her backpack down at a table and started unpacking her books. Sighing from exhaustion, Gina grabbed a glass of water and made her way over to her...
And as he observed them through the painted glass, the two women struck up a conversation and set their destined futures into motion.
His heart heavy, he glanced in the direction Cael had vanished and hated the future that awaited his friend. But it was Cael's destiny.
His fate...
"Imora thea mi savur," Ash whispered under his breath in Atlantean. God save me from love.
”
”
Sherrilyn Kenyon (Dark Side of the Moon (Dark-Hunter, #9; Were-Hunter, #3))
“
Aedion grinned, and ruffled her red-gold hair. “The battle won’t be pretty,” he
said as Evangeline sipped her milk. “And you will likely throw up again. But
just remember that this fear of yours? It means you have something worth
fighting for—something you care so greatly for that losing it is the worst thing
you can imagine.” He pointed to the frost-covered windows. “Those bastards out
there on the plain? They have none of that.” He laid his hand on hers and
squeezed gently. “They have nothing to fight for. And while we might not have
their numbers, we do have something worth defending. And because of that, we
can overcome our fear. We can fight against them, to the very end. For our
friends, for our family ...” He squeezed her hand again at that. “For those we
love ...” He dared to look up at Lysandra, whose green eyes were lined with
silver. “For those we love, we can rise above that fear. Remember that tomorrow.
Even if you throw up, even if you spend the whole night in the privy. Remember
that we have something to fight for, and it will always triumph.
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
Along the wall, Valg soldiers surged and surged and surged over the battlements. So Aedion leaned in, and kissed Lysandra, kissed the woman who should have been his wife, his mate, one last time. “I love you.” Sorrow filled her beautiful face. “And I you.” She gestured to the western gate, to the soldiers waiting for its final cleaving. “Until the end?” Aedion hefted his shield, flipping the Sword of Orynth in his hand, freeing the stiffness that had seized his fingers. “I will find you again,” he promised her. “In whatever life comes after this.” Lysandra nodded. “In every lifetime.” Together, they turned toward the stairs that would take them down to the gates. To death’s awaiting embrace.
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
Bob,” she said, “offerings burned in the mortal world appear on this altar, right?” Bob frowned uncomfortably, like he wasn’t ready for a pop quiz. “Yes?” “So what happens if I burn something on the altar here?” “Uh…” “That’s all right,” Annabeth said. “You don’t know. Nobody knows, because it’s never been done.” There was a chance, she thought, just the slimmest chance that an offering burned on this altar might appear at Camp Half-Blood. Doubtful, but if it did work… “Annabeth?” Percy said again. “You’re planning something. You’ve got that I’m-planning-something look.” “I don’t have an I’m-planning-something look.” “Yeah, you totally do. Your eyebrows knit and your lips press together and—” “Do you have a pen?” she asked him. “You’re kidding, right?” He brought out Riptide. “Yes, but can you actually write with it?” “I—I don’t know,” he admitted. “Never tried.” He uncapped the pen. As usual, it sprang into a full-sized sword. Annabeth had watched him do this hundreds of times. Normally when he fought, Percy simply discarded the cap. It always appeared in his pocket later, as needed. When he touched the cap to the point of the sword, it would turn back into a ballpoint pen. “What if you touch the cap to the other end of the sword?” Annabeth said. “Like where you’d put the cap if you were actually going to write with the pen.” “Uh…” Percy looked doubtful, but he touched the cap to the hilt of the sword. Riptide shrank back into a ballpoint pen, but now the writing point was exposed. “May I?” Annabeth plucked it from his hand. She flattened the napkin against the altar and began to write. Riptide’s ink glowed Celestial bronze. “What are you doing?” Percy asked. “Sending a message,” Annabeth said. “I just hope Rachel gets it.” “Rachel?” Percy asked. “You mean our Rachel? Oracle of Delphi Rachel?” “That’s the one.” Annabeth suppressed a smile. Whenever she brought up Rachel’s name, Percy got nervous. At one point, Rachel had been interested in dating Percy. That was ancient history. Rachel and Annabeth were good friends now. But Annabeth didn’t mind making Percy a little uneasy. You had to keep your boyfriend on his toes. Annabeth finished her note and folded the napkin. On the outside, she wrote: Connor, Give this to Rachel. Not a prank. Don’t be a moron. Love, Annabeth She took a deep breath. She was asking Rachel Dare to do something ridiculously dangerous, but it was the only way she could think of to communicate with the Romans—the only way that might avoid bloodshed. “Now I just need to burn it,” she said. “Anybody got a match?” The point of Bob’s spear shot from his broom handle. It sparked against the altar and erupted in silvery fire. “Uh, thanks.” Annabeth lit the napkin and set it on the altar. She watched it crumble to ash and wondered if she was crazy. Could the smoke really make it out of Tartarus? “We should go now,” Bob advised. “Really, really go. Before we are killed.” Annabeth stared at the wall of blackness in front of them. Somewhere in there was a lady who dispensed a Death Mist that might hide them from monsters—a plan recommended by a Titan, one of their bitterest enemies. Another dose of weirdness to explode her brain. “Right,” she said. “I’m ready.” ANNABETH LITERALLY STUMBLED over the second Titan.
”
”
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
“
THIS IS WHY
He will never be given to wonder much
if he was the mouth for some cruel force
that said it. But if he were
(this will comfort her) less than one moment
out of millions had he meant it.
So many years and so many turns
they had swerved around the subject.
And he will swear for many more
the kitchen and everything in it vanished --
the oak table, their guests, the refrigerator door
he had been surely propped against--
all changed to rusted ironwork and ash
except in the center in her linen caftan:
she was not touched.
He remembers the silence before he spoke
and her nodding a little,
as if in the meat of this gray waste
here was the signal
for him to speak what they had long agreed,
what somewhere they had prepared together.
And this one moment in the desert of ash
stretches into forever.
They had been having a dinner party.
She had been lonely.
A friend asked her almost joking
if she had ever felt really crazy,
and when she started to unwind her answer
in long, lovely sentences like scarves within her
he saw this was the way
they could no longer talk together.
And that is when he said it,
in front of the guests,
because he couldn't bear to hear her.
And this is why the guests have left
and she screams as he comes near her.
”
”
Michael Ryan (God Hunger (Poets, Penguin))
“
She took a puff, put the cigarette in the ashtray and stared at it. Without looking up, she said, But do you believe in love, Mr Evans? She rolled the cigarette end around in the ash tray. Do you? Outside, he thought, beyond this mountain and its snow, there was a world of countless millions of people. He could see them in their cities, in the heat and the light. And he could see this house, so remote and isolated, so far away, and he had a feeling that it once must have seemed to her and Jack, if only for a short time, like the universe with the two of them at its centre. And for a moment he was at the King of Cornwall with Amy in the room they thought of as theirs—with the sea and the sun and the shadows, with the white paint flaking off the French doors and with their rusty lock, with the breezes late of an afternoon and of a night the sound of the waves breaking—and he remembered how that too had once seemed the centre of the universe. I don’t, she said. No, I don’t. It’s too small a word, don’t you think, Mr Evans? I have a friend in Fern Tree who teaches piano. Very musical, she is. I’m tone-deaf myself. But one day she was telling me how every room has a note. You just have to find it. She started warbling away, up and down. And suddenly one note came back to us, just bounced back off the walls and rose from the floor and filled the place with this perfect hum. This beautiful sound. Like you’ve thrown a plum and an orchard comes back at you. You wouldn’t believe it, Mr Evans. These two completely different things, a note and a room, finding each other. It sounded … right. Am I being ridiculous? Do you think that’s what we mean by love, Mr Evans? The note that comes back to you? That finds you even when you don’t want to be found? That one day you find someone, and everything they are comes back to you in a strange way that hums? That fits. That’s beautiful. I’m not explaining myself at all well, am I? she said. I’m not very good with words. But that’s what we were. Jack and me. We didn’t really know each other. I’m not sure if I liked everything about him. I suppose some things about me annoyed him. But I was that room and he was that note and now he’s gone. And everything is silent.
”
”
Richard Flanagan (The Narrow Road to the Deep North)
“
Where are you?” she shouted. “Don’t you see us?” taunted the woman’s voice. “I thought Hecate chose you for your skill.” Another bout of queasiness churned through Hazel’s gut. On her shoulder, Gale barked and passed gas, which didn’t help. Dark spots floated in Hazel’s eyes. She tried to blink them away, but they only turned darker. The spots consolidated into a twenty-foot-tall shadowy figure looming next to the Doors. The giant Clytius was shrouded in the black smoke, just as she’d seen in her vision at the crossroads, but now Hazel could dimly make out his form—dragon-like legs with ash-colored scales; a massive humanoid upper body encased in Stygian armor; long, braided hair that seemed to be made from smoke. His complexion was as dark as Death’s (Hazel should know, since she had met Death personally). His eyes glinted cold as diamonds. He carried no weapon, but that didn’t make him any less terrifying. Leo whistled. “You know, Clytius…for such a big dude, you’ve got a beautiful voice.” “Idiot,” hissed the woman. Halfway between Hazel and the giant, the air shimmered. The sorceress appeared. She wore an elegant sleeveless dress of woven gold, her dark hair piled into a cone, encircled with diamonds and emeralds. Around her neck hung a pendant like a miniature maze, on a cord set with rubies that made Hazel think of crystallized blood drops. The woman was beautiful in a timeless, regal way—like a statue you might admire but could never love. Her eyes sparkled with malice. “Pasiphaë,” Hazel said. The woman inclined her head. “My dear Hazel Levesque.” Leo coughed. “You two know each other? Like Underworld chums, or—” “Silence, fool.” Pasiphaë’s voice was soft, but full of venom. “I have no use for demigod boys—always so full of themselves, so brash and destructive.” “Hey, lady,” Leo protested. “I don’t destroy things much. I’m a son of Hephaestus.” “A tinkerer,” snapped Pasiphaë. “Even worse. I knew Daedalus. His inventions brought me nothing but trouble.” Leo blinked. “Daedalus…like, the Daedalus? Well, then, you should know all about us tinkerers. We’re more into fixing, building, occasionally sticking wads of oilcloth in the mouths of rude ladies—” “Leo.” Hazel put her arm across his chest. She had a feeling the sorceress was about to turn him into something unpleasant if he didn’t shut up. “Let me take this, okay?
”
”
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
“
In the course of my life I have had pre-pubescent ballerinas; emaciated duchesses, dolorous and forever tired, melomaniac and morphine-sodden; bankers' wives with eyes hollower than those of suburban streetwalkers; music-hall chorus girls who tip creosote into their Roederer when getting drunk...
I have even had the awkward androgynes, the unsexed dishes of the day of the *tables d'hote* of Montmartre. Like any vulgar follower of fashion, like any member of the herd, I have made love to bony and improbably slender little girls, frightened and macabre, spiced with carbolic and peppered with chlorotic make-up.
Like an imbecile, I have believed in the mouths of prey and sacrificial victims. Like a simpleton, I have believed in the large lewd eyes of a ragged heap of sickly little creatures: alcoholic and cynical shop girls and whores. The profundity of their eyes and the mystery of their mouths... the jewellers of some and the manicurists of others furnish them with *eaux de toilette*, with soaps and rouges. And Fanny the etheromaniac, rising every morning for a measured dose of cola and coca, does not put ether only on her handkerchief.
It is all fakery and self-advertisement - *truquage and battage*, as their vile argot has it. Their phosphorescent rottenness, their emaciated fervour, their Lesbian blight, their shop-sign vices set up to arouse their clients, to excite the perversity of young and old men alike in the sickness of perverse tastes! All of it can sparkle and catch fire only at the hour when the gas is lit in the corridors of the music-halls and the crude nickel-plated decor of the bars. Beneath the cerise three-ply collars of the night-prowlers, as beneath the bulging silks of the cyclist, the whole seductive display of passionate pallor, of knowing depravity, of exhausted and sensual anaemia - all the charm of spicy flowers celebrated in the writings of Paul Bourget and Maurice Barres - is nothing but a role carefully learned and rehearsed a hundred times over. It is a chapter of the MANCHON DE FRANCINE read over and over again, swotted up and acted out by ingenious barnstormers, fully conscious of the squalid salacity of the male of the species, and knowledgeable in the means of starting up the broken-down engines of their customers.
To think that I also have loved these maleficent and sick little beasts, these fake Primaveras, these discounted Jocondes, the whole hundred-franc stock-in-trade of Leonardos and Botticellis from the workshops of painters and the drinking-dens of aesthetes, these flowers mounted on a brass thread in Montparnasse and Levallois-Perret!
And the odious and tiresome travesty - the corsetted torso slapped on top of heron's legs, painful to behold, the ugly features primed by boulevard boxes, the fake Dresden of Nina Grandiere retouched from a medicine bottle, complaining and spectral at the same time - of Mademoiselle Guilbert and her long black gloves!...
Have I now had enough of the horror of this nightmare! How have I been able to tolerate it for so long?
The fact is that I was then ignorant even of the nature of my sickness. It was latent in me, like a fire smouldering beneath the ashes. I have cherished it since... perhaps since early childhood, for it must always have been in me, although I did not know it!
”
”
Jean Lorrain (Monsieur de Phocas)