Ascot Quotes

We've searched our database for all the quotes and captions related to Ascot. Here they are! All 33 of them:

Im sure he was wearing it ironically. Besides, wearing an ascot doesn't make someone gay."I give him a look like 'Wow, so homophobic'.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
I can imagine few things more delightful than to be invited there for Ascot. One sees the racing in the most comfortable way, meets all one’s friends (and enemies), makes – or loses – a little money, and all without fatigue or bother.” --Princess Daisy Ples
D.E. Ireland
If I am asked to give advice to those who are inclined to spend their time and their money on the Turf I should give them the advice 'Punch' gave to those about to marry – don’t.” --5th Earl of Roseberry The Fast Set: The World of Edwardian Racing by George Plumptre, 1985.
D.E. Ireland
I say is someone in there?’ The voice is the young post-New formalist from Pittsburgh who affects Continental and wears an ascot that won’t stay tight, with that hesitant knocking of when you know perfectly well someone’s in there, the bathroom door composed of thirty-six that’s three times a lengthwise twelve recessed two-bevelled squares in a warped rectangle of steam-softened wood, not quite white, the bottom outside corner right here raw wood and mangled from hitting the cabinets’ bottom drawer’s wicked metal knob, through the door and offset ‘Red’ and glowering actors and calendar and very crowded scene and pubic spirals of pale blue smoke from the elephant-colored rubble of ash and little blackened chunks in the foil funnel’s cone, the smoke’s baby-blanket blue that’s sent her sliding down along the wall past knotted washcloth, towel rack, blood-flower wallpaper and intricately grimed electrical outlet, the light sharp bitter tint of a heated sky’s blue that’s left her uprightly fetal with chin on knees in yet another North American bathroom, deveiled, too pretty for words, maybe the Prettiest Girl Of All Time (Prettiest G.O.A.T.), knees to chest, slew-footed by the radiant chill of the claw-footed tub’s porcelain, Molly’s had somebody lacquer the tub in blue, lacquer, she’s holding the bottle, recalling vividly its slogan for the past generation was The Choice of a Nude Generation, when she was of back-pocket height and prettier by far than any of the peach-colored titans they’d gazed up at, his hand in her lap her hand in the box and rooting down past candy for the Prize, more fun way too much fun inside her veil on the counter above her, the stuff in the funnel exhausted though it’s still smoking thinly, its graph reaching its highest spiked prick, peak, the arrow’s best descent, so good she can’t stand it and reaches out for the cold tub’s rim’s cold edge to pull herself up as the white- party-noise reaches, for her, the sort of stereophonic precipice of volume to teeter on just before the speaker’s blow, people barely twitching and conversations strettoing against a ghastly old pre-Carter thing saying ‘We’ve Only Just Begun,’ Joelle’s limbs have been removed to a distance where their acknowledgement of her commands seems like magic, both clogs simply gone, nowhere in sight, and socks oddly wet, pulls her face up to face the unclean medicine-cabinet mirror, twin roses of flame still hanging in the glass’s corner, hair of the flame she’s eaten now trailing like the legs of wasps through the air of the glass she uses to locate the de-faced veil and what’s inside it, loading up the cone again, the ashes from the last load make the world's best filter: this is a fact. Breathes in and out like a savvy diver… –and is knelt vomiting over the lip of the cool blue tub, gouges on the tub’s lip revealing sandy white gritty stuff below the lacquer and porcelain, vomiting muddy juice and blue smoke and dots of mercuric red into the claw-footed trough, and can hear again and seems to see, against the fire of her closed lids’ blood, bladed vessels aloft in the night to monitor flow, searchlit helicopters, fat fingers of blue light from one sky, searching.
David Foster Wallace (Infinite Jest)
Disco bowling? Seriously? Is there such a thing?" He laughed. "I've never been,but you mentioned bowling a few weeks ago,and I figured tonight of all nights I could go ahead and impress you with my mad lack of bowling skills.Besides which, you look way too hot to waste on trick-or-treaters.They have a costume competition-you're a shoo-in." I laughed,giddy,and grabbed his hand to kiss his knuckles.I knew he'd rather stay at home,but he planned tonight around making me happy. And he wanted to show me off,which appealed to my vanity more than I cared to admit. Best. Boyfriend. Ever. "Pictures,please?And if we're going disco bowling,you have to dress up." He pretended to sigh,but his glamour hair grew out into a massive 'fro and I squealed with delight. Then it shifted into shorter hair with a yellow-blond side part. "I figure with an ascot and blue pants I can do a mean Fred to your Daphne,right?" Tonight was perfect.
Kiersten White (Supernaturally (Paranormalcy, #2))
Come on, you deucies!" a relatively young man snarled. He wore his blue scarf around his throat like a rally-racer's ascot. He was bald except for two fluffs of frizzy red hair, one on each side of his head. To Susannah, this fellow looked like Clarabell the Clown; to Eddie he looked like Ronald McDonald; to both of them he looked like trouble.
Stephen King (The Waste Lands (The Dark Tower, #3))
Our conventions humiliate the ass, inflicting on him beatings in real life and insults in our daily vocabulary. The ass pulls the cart, bears the burden, carries the weight of life; and life, we well know, is ungrateful and unjust towards those who come to its aid. Life allows itself to be carried away by rose-tinted novelettes and technicolor movies, and prefers radiant destinies to the plain prose of reality, so it is more taken with racehorses at Ascot than with humble donkeys on country roads.
Claudio Magris (Danube: A Sentimental Journey from the Source to the Black Sea)
He won't tell me very much about his war. None of us do. It isn't something to share, you see. What we've seen, what we've done, ought to stay in France. But it didn't, it came home in our memories. They aren't memories we want you to know. You are the world we fought for. Safe and sane and not ugly. Better to keep it that way.
Charles Todd (The Black Ascot (Inspector Ian Rutledge, #21))
These examinations and certificates and so on--what did they matter? And all this efficiency and up-to-dateness--what did that matter, either? Ralston was trying to run Brookfield like a factory--a factory for turning out a snob culture based on money and machines. The old gentlemanly traditions of family and broad acres were changing, as doubtless they were bound to; but instead of widening them to form a genuine inclusive democracy of duke and dustman, Ralston was narrowing them upon the single issue of a fat banking account. There never had been so many rich men's sons at Brookfield. The Speech Day Garden Party was like Ascot. Ralston met these wealthy fellows in London clubs and persuaded them that Brookfield was the coming school, and, since they couldn't buy their way into Eton or Harrow, they greedily swallowed the bait. Awful fellows, some of them--though others were decent enough. Financiers, company promoters, pill manufacturers. One of them gave his son five pounds a week pocket money. Vulgar . . . ostentatious . . . all the hectic rotten-ripeness of the age. . . . And once Chips had got into trouble because of some joke he had made about the name and ancestry of a boy named Isaacstein. The boy wrote home about it, and Isaacstein père sent an angry letter to Ralston. Touchy, no sense of humor, no sense of proportion--that was the matter with them, these new fellows. . . . No sense of proportion. And it was a sense of proportion, above all things, that Brookfield ought to teach--not so much Latin or Greek or Chemistry or Mechanics. And you couldn't expect to test that sense of proportion by setting papers and granting certificates...
James Hilton (Good-Bye, Mr. Chips)
So who else?” “Who else what?” With his mouth full, he says, “Who else got letters?” “Um, that’s really private.” I shake my head at him, like Wow, how rude. “What? I’m just curious.” Peter dips another fry into my little ramekin of ketchup. Smirking, he says, “Come on, don’t be shy. You can tell me. I know I’m number one, obviously. But I want to hear who else made the cut.” He’s practically flexing, he’s so sure of himself. Fine, if he wants to know so bad, I’ll tell him. “Josh, you--” “Obviously.” “Kenny.” Peter snorts. “Kenny? Who’s he?” I prop my elbows up on the table and rest my chin on my hands. “A boy I met at church camp. He was the best swimmer of the whole boys’ side. He saved a drowning kid once. He swam out to the middle of the lake before the lifeguards even noticed anything was wrong.” “So what’d he say when he got the letter?” “Nothing. It was sent back return to sender.” “Okay, who’s next?” I take a bite of sandwich. “Lucas Krapf.” “He’s gay,” Peter says. “He’s not gay!” “Dude, quit dreaming. The kid is gay. He wore an ascot to school yesterday.” “I’m sure he was wearing it ironically. Besides, wearing an ascot doesn’t make someone gay.” I give him a look like Wow, so homophobic. “Hey, don’t give me that look,” he objects. “My favorite uncle’s gay as hell. I bet you fifty bucks that if I showed my uncle Eddie a picture of Lucas, he’d confirm it in half a second.” “Just because Lucas appreciates fashion, that doesn’t make him gay.” Peter opens his mouth to argue but I lift up a hand to quiet him. “All it means is he’s more of a city guy in the midst of all this…this boring suburbia. I bet you he ends up going to NYU or some other place in New York. He could be a TV actor. He’s got that look, you know. Svelte with fine-boned features. Very sensitive features. He looks like…like an angel.” “So what did Angel Boy say about the letter, then?” “Nothing…I’m sure because he’s a gentleman and didn’t want to embarrass me by bringing it up.” I give him a meaningful look. Unlike some people is what I’m saying with my eyes. Peter rolls his eyes. “All right, all right. Whatever, I don’t care.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
The vibrations of an addict are of a very specific sort—they ricochet, out of control, mostly out of reach. The energy called up by the drug quickly disperses, leaving a void, a nothingness. Nature abhors a vacuum, so negative forces rush in, take up residence. The only immediate relief is more narcotics. It must be horrific. “Come in, come in. I’m Senator Jonathan Huffman. You’re welcome here,” said a man in his late sixties, with a booming, commanding voice. He was hale and hearty, a ruddy glow under an expensive haircut. Dressed in a navy blue jacket over khaki pants, he wore an honest-to-gosh ascot at his throat. He exuded wealth and privilege, innate confidence. And an overanxious need to be liked. He had one arm wrapped around a woman similar in age, who was fragile and birdlike, almost lost in her Nancy Reagan–style bright red ensemble. She nodded at us and smiled. “You’re friends of Oliver’s, I presume?” asked the senator. “Oh, hey, Gregory,” said Oliver with a
Juliet Blackwell (Hexes and Hemlines (A Witchcraft Mystery, #3))
during Royal Ascot. When
Chris Hutchins (Diana's Nightmare - The Family)
The Princess was anxious that her sons should also see something of the real world beyond boarding schools and palaces. As she said in a speech on Aids: ‘I am only too aware of the temptation of avoiding harsh reality; not just for myself but for my own children too. Am I doing them a favour if I hide suffering and unpleasantness from them until the last possible minute? The last minutes which I choose for them may be too late. I can only face them with a choice based on what I know. The rest is up to them.’ She felt this was especially important for William, the future King. As she once said: ‘Through learning what I do, and his father to a certain extent, he has got an insight into what’s coming his way. He’s not hidden upstairs with the governess.’ Over the years she has taken both boys on visits to hostels for the homeless and to see seriously ill people in hospital. When she took William on a secret visit to the Passage day centre for the homeless in Central London, accompanied by Cardinal Basil Hume, her pride was evident as she introduced him to what many would consider the flotsam and jetsam of society. ‘He loves it and that really rattles people,’ she proudly told friends. The Catholic Primate of All England was equally effusive. ‘What an extraordinary child,’ he told her. ‘He has such dignity at such a young age.’ This upbringing helped William cope when a group of mentally handicapped children joined fellow school pupils for a Christmas party. Diana watched with delight as the future King gallantly helped these deprived youngsters join in the fun. ‘I was so thrilled and proud. A lot of adults couldn’t handle it,’ she told friends. Again during one Ascot week, a time of Champagne, smoked salmon and fashionable frivolity for High society, the Princess took her boys to the Refuge night shelter for down-and-outs. William played chess while Harry joined in a card school. Two hours later the boys were on their way back to Kensington Palace, a little older and a little wiser. ‘They have a knowledge,’ she once said. ‘They may never use it, but the seed is there, and I hope it will grow because knowledge is power. I want them to have an understanding of people’s emotions, people’s insecurities, people’s distress and people’s hopes and dreams.’ Her quiet endeavors gradually won back many of the doubters who had come to see her as a threat to the monarchy, or as a talentless and embittered woman seeking to make trouble, especially by upstaging or embarrassing her husband and his family. The sight of the woman who was still then technically the future Queen, unadorned and virtually unaccompanied, mixing with society’s poorest and most distressed or most threatened, confounded many of her critics.
Andrew Morton (Diana: Her True Story in Her Own Words)
On one trip in January this year she and Cardinal Hume spent nearly two hours with homeless youngsters at a hostel on the south bank of the Thames. Some teenagers, many with drink and drug problems, greeted her presence with aggressively hostile questions, others were simply surprised that she had bothered to see them on a cold Saturday night. As she was talking, a drunken Scotsman lurched into the room. “Hey, you’re gorgeous,” he slurred, totally oblivious of whom he was talking to. When he was told about the identity of the Princess, he was unconcerned. “I don’t care who she is, she’s gorgeous.” While Cardinal Hume was deeply embarrassed, Diana found the incident amusing, perfectly at ease among these young people. In spite of these lapses in manners, she feels very comfortable on these occasions, far more so than when she mixes with the royal family and their courtiers. At Royal Ascot last year she attended the race meeting for just two days out of five before undertaking other engagements. In the past she enjoyed Ascot’s annual parade of fashion and horseflesh, but she now finds it frivolous. As she says to friends: “I don’t like the glamorous occasions any more.I feel uncomfortable with them. I would much rather be doing something useful.
Andrew Morton (Diana: Her True Story in Her Own Words)
So your family has been waiting since 1510 for this La Senza chap to come back then?’ Ascot offered hopefully. Van Loop looked at him sternly. ‘Cardinal La Senza, Mr McCauley, please. You must call our leader by his correct name. Anything else is disrespectful.’ ‘Cardinal, your worship, whatever,’ said Ascot, sneering dismissively. ‘Well, is he what you thought he’d be like?’ ‘I have to confess he’s more annoying than I was expecting. I was prepared for him to be gloriously evil, but he seems a bit more adolescent than that, I fear.’ ‘He certainly has his moments,’ said Ascot. ‘More Dick Dasterdly than Darth Vader.’ ‘I
T.J. Brown (The Unhappy Medium (The Unhappy Medium, #1))
Taylor was lying on a warm, sunny beach, her long legs spread in front of her on a plastic chaise lounge. She shielded her eyes against the sun, watching the waves crest and break, tranquillity permeating her bones. There was no more to worry about. She was on a bona fide vacation with Baldwin at her side. She turned her head to take in his form, and instead was greeted by a sight that made her jump. Identical-twin midgets, both in blue double-breasted blazers and snowy-white ascots, stood at her right hand, leering. One held a silver tray with an old-fashioned rotary telephone. The phone rang, and Taylor shooed them away. “I’m
J.T. Ellison (All The Pretty Girls (Taylor Jackson, #1))
Subconsciously, or maybe not, they picked up the pace. A few seconds later, Lindsey said, “Bobby?” Bobby Dodd rose from the card table. The first word that came to mind: Dapper. He looked sprightly and fresh. He had dark black skin, thick wrinkles like something you might see on an alligator. He was a snappy dresser in a tweed jacket, two-tone loafers, red ascot with matching hanky. His gray hair was cropped close and slicked down. His
Harlan Coben (Just One Look)
You could wither away waiting for gin here,” the woman just in front of me warned. She spoke with a clipped English accent and was tall and slim, wearing a deep-green Ascot gown and a matching ostrich-feather hat. “Thank God I planned ahead.” She reached into a small jet-bead handbag and pulled out a silver flask, handing it to me. I
Paula McLain (Circling the Sun)
The Fiddler’s Roost Inn: the taproom and yard. Sometimes it was not in a lady’s best interests to follow any dictates but those of her own heart. Because Lady Charlotte Ascot, daughter of the Earl of Ware, had discovered this at a young age—eight, to be precise, during a footrace against boys with considerably longer legs than she—when faced with a challenge to her courage at the age of twenty-one, she did
Caroline Linden (At the Christmas Wedding)
On May 26—just five days after Ram was released—John brought ‘How Do You Sleep?’ into Ascot Sound, the new recording studio built for him at Tittenhurst Park. Although
Allan Kozinn (The McCartney Legacy: Volume 1: 1969 – 73)
After their engagement in February 1981, Diana was given a desk in Colborne’s office. Naive, and a little bit lost, she was often left to her own devices for lengthy periods and would spend hours on end talking to Colborne. After an unfortunate incident in which Diana went for a walk in Windsor Great Park without telling anyone, thus throwing her security detail into a panic, Colborne told her about the realities of the existence she faced. She would, he said, never be on her own again, and her life would be dictated by the staples of the royal diary, from Royal Ascot to the Cenotaph service. ‘You’re going to change,’ he told her. ‘In four to five years you’re going to be an absolute bitch, not through any fault of your own, but because of the circumstances in which you live. If you want four boiled eggs for breakfast, you’ll have them. If you want the car brought round to the front door a minute ago, you’ll have it.
Valentine Low (Courtiers: Intrigue, Ambition, and the Power Players Behind the House of Windsor)
These examinations and certificates and so on —what did they matter? And all this efficiency and up-to-dateness —what did THAT matter, either? Ralston was trying to run Brookfield like a factory—a factory for turning out a snob culture based on money and machines. The old gentlemanly traditions of family and broad acres were changing, as doubtless they were bound to; but instead of widening them to form a genuine inclusive democracy of duke and dustman, Ralston was narrowing them upon the single issue of a fat banking account. There never had been so many rich men's sons at Brookfield. The Speech Day Garden Party was like Ascot.
James Hilton (Goodbye, Mr. Chips!)
I stood up and... there he was. My new roommate, standing right in front of me. He looked like he'd just stepped out from a magazine photo shoot, his hair artfully tousled and falling perfectly over his forehead. He was standing much closer to me than he had when I'd toured his apartment, and he seemed to notice that, too, his eyes widening and nostrils flaring a little as though he was breathing me in. He was dressed even more formally than he'd been the night I'd met him, adding a red silk ascot and black top hat to the charcoal-gray three-piece suit that fit like the gods had made it specifically for him. It was an odd look, to be sure. But--- god help me--- it worked. My mouth watered for reasons having nothing to do with hunger. If he noticed how overwhelmed I was by his appearance, he showed no sign of it. He simply frowned, brow furrowed in concern. He stepped a little closer. He smelled like fabric softener, the citrus fruit he'd put in my bedroom, and something deep and mysterious I had no name for.
Jenna Levine (My Roommate Is a Vampire)
Yes.” It was a silky, utterly urbane “yes,” as if they were discussing the weather, or perhaps the likelihood of Bucket of Roses winning the Ascot Cup on Ladies’ Day.
Julia Quinn (What Happens in London (Bevelstoke, #2))
happened so frequently on our car journeys, that we have finally decided that children know nothing about anything, (and especially their bathroom requirements), and that we should just stop if we think we need to ask them for advice.
James B. Wood (Ascot to Argelès: Drive on the right, with kids in tow...)
only so many baby-wipes you can carry in a car and one small child with one small chocolate biscuit equals half a box of baby wipes.
James B. Wood (Ascot to Argelès: Drive on the right, with kids in tow...)
The other dog, however, was now snuffling at the trunk of the Sierra. Gordievsky could hear muffled Russian voices overhead. As the dog circled the car, Caroline Ascot reached for a weapon that had never been deployed before in the Cold War or any other. She placed Florence [her baby] on the trunk directly over the hidden spy and began changing her nappy, which the baby, with immaculate timing, had just filled. She then dropped the soiled and smelly diaper next to the inquisitive Alsatian. The dog duly slunk off, offended. Olfactory diversion was never part of the plan. The nappy ruse had been completely spontaneous and highly effective.
Ben Macintyre (The Spy and the Traitor: The Greatest Espionage Story of the Cold War)
Fred?” The confusion in his voice makes me laugh. “Out of all the gang, you’d definitely be the one to wear an ascot, so yeah, Fred.” Scottie scoffs. “I’m tempted to say you’d be Shaggy but you’re more the Daphne of the group.” “Fred had the hots for Daphne,” I point out. “This conversation has taken a strange turn and is making my head hurt.
Kristen Callihan (Fall (VIP, #3))
Ego autem sum quasi vas inane,’ he began awkwardly, stuttering along the lines of meaningless prose like a small child. ‘Ego donavit corpus meum ad dominum meum in exercitu magno Cardinalis Balthazar De La Senza,’ he continued, quickly becoming surprisingly fluent despite his vaguely cockney tone. ‘Tempore domini Inquisitoris magni voluntatis esse, aequo animo et scissa animam meam a fundamentis et suspensi in abyssum quasi stercora, nihil prorsus in aeternum damnatus egisse,’ he went on, oblivious to something stirring in the small box behind him. Wisps of purple drifted from it like steam from a cooling kettle. ‘Ego Christophorus Baxtere accipe usitata res est, uti et magnis La Senza caput meum corium et nervorum et magnifici primum genus dentium,’ Baxter continued, strangely enjoying himself. Far away in another place, the bound and trapped Cardinal La Senza had begun to whisper the words in unison beneath the folds of his hooded cloak. Oblivious, Baxter was flying now, quite unaware of the sinister coaching he was receiving. ‘O magnum La Senza, cum venerit, et ad hoc bonum esse propter tempus, quia ego miser!’ Baxter read on. A coiling snake-like tendril of purple had fingered its way through the lock of the cabinet and was creeping menacingly towards its target. It advanced up Baxter’s legs, body and neck until finally, it crept imperceptibly into his ears. ‘Ego Christophorus Baxtere immolare volens alumnam cerebrum meum et animam, ut vos mos postulo ut enable uariat possessione tua ...’ Pleased beyond measure by what he had fondled and explored, La Senza went still. Content for now, he drew back his sensing vines and they fell away from Baxter, unnoticed. His jailors had seen nothing. La Senza now had the chance he’d been craving for centuries, so many lifetimes of plotting and scheming. He knew nothing of the young man he had inspected so intimately – frankly, he didn’t care. It was the body, oh his body, so young and fit; teeth clean like white mice, no trace of Popery, no hint of Lutheran, Baptist, Jew, Muslim or Buddhist within his empty soul, nothing to restrain or inhibit the Inquisitor’s foul purposes. La Senza knew that his escape was mere days away. Immobile, he marshalled dark reserves for the events to come. ‘Nunc me vacua est anima mea praeparata et redditur supersunt, La Senza venit, et possident me! Sincere vestrum, Christopher Baxter,’ finished Chris, with a flourish. ‘Bravo Mr Baxter,’ said Ascot McCauley, standing as he clapped enthusiastically. ‘Bravo!
T.J. Brown (The Unhappy Medium (The Unhappy Medium, #1))
Zandra Rhodes Zandra Rhodes is a British fashion designer who specializes in innovative textile design. Internationally recognized for her glamorous and dramatic style, she was honored by Queen Elizabeth II in 1997 and made a Commander of the British Empire. Currently in high demand by the rich and famous worldwide, Zandra designed many garments for Diana during the nineties. Princess Diana married very young. She was a perfect, unspoiled flower with a strong, generous inner spirit, which she was probably unaware of when she married Prince Charles. She was thrust unprepared into the position of future queen of England. She had to grow up and mature in front of the public eye. That public eye was hard, judgmental, and unforgiving. Her strong inner spirit guided her to do things that normally someone in her position would not do--it would have been suppressed. Diana acted in a very genuine, caring, and natural way. I was bicycling to work in London along the leafy Bayswater Road in very casual working clothes when a huge official limousine passed me. Against the rear window were two beautiful hats; the car was obviously going to Ascot. The two young girls in the car were waving at me (very enthusiastically), one with golden corn-colored hair and the other one blond. They looked exactly like Princess Diana and Sarah Ferguson, the Duchess of York. I thought, “It cannot be them, they would not be so friendly, casual, and outgoing, and anyway, it’s the wrong side of Kensington Palace, and cars going to Ascot do not come along this road.” I pretended I had not seen them and carried on cycling. A few weeks later, I was fitting the Princess in Kensington Palace and she said to me, “Are you still riding your bike?” “Yes,” I replied. It was not until I left and drove my car out of the palace grounds that I realized the route took me exactly to the Bayswater Road, where I had seen the two waving girls! Princess Diana always tried to make me feel at home when I was fitting her. She would talk about the problems of being recognized: how she came out of her gym in Kensington High Street in the pouring rain and bumped into a famous actor. As he entered the street, he hunched his shoulders and put on dark glasses. Princess Diana said to him, “I hope they disguise you more than they do me!
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
The front door was open. Mrs. Seiden was standing there. And next to her, with his fingers digging into her upper arm, was the other man who’d chased him from the car. This guy was a few years older than Art Teacher and wore an ascot. An ascot, for crying out loud. He looked like Roger Healey from the old I Dream of Jeannie show. No
Harlan Coben (Promise Me (Myron Bolitar, #8))
No time. Art Teacher was behind him. Myron slid to the side and threw a roundhouse right. Art Teacher ducked it, but Myron was ready. He stopped mid-punch and looped his arm around the man’s neck. Myron had him in a headlock. But now, with a grotesque rebel yell, Ascot leapt toward Myron. Tightening his grip on the neck, Myron aimed a mule kick. Ascot let it land on his chest. He made his body soft and rolled with the blow, holding on to Myron’s leg. Myron lost his balance. Art Teacher managed to free himself then. He threw a knife hand, aiming for Myron’s throat. Myron tucked so that the blow hit his chin. It rattled his teeth. Ascot held on to Myron’s leg. Myron tried to kick him off. Art Teacher was laughing now. The front door burst open again. Myron prayed it was Win. It wasn’t. Dominick Rochester arrived. He was out of breath. Myron wanted to call out a warning to Mrs. Seiden, but that was when a pain unlike any other he had felt ripped through him. Myron let loose a blood-curdling howl. He looked down at his leg. Ascot had his head lowered. He was biting Myron’s leg. Myron screamed again, the sound mixing in with the laughter and cheers coming from Art Teacher. “Go, Jeb! Woo-hoo!” Myron kept kicking, but Ascot dug in deeper, holding on, growling like a terrier. The pain was excruciating, all-encompassing. Panic filled Myron. He stamped down with his free leg. Ascot held on with his teeth. Myron kicked harder, finally landing a kick on top of the man’s head. He pushed hard. His flesh ripped off as he finally pried himself free. Ascot sat up and spit something out of his mouth. Myron realized with horror that it was a meaty chunk of leg. Then they were on him. All three. Piled on. Myron ducked his head and started swinging. He connected with somebody’s chin. There was a grunt and a curse. But someone else hit him in the stomach. He felt the teeth on his leg again, the same spot, opening up the wound. Win. Where the hell was Win . . . ?
Harlan Coben (Promise Me (Myron Bolitar, #8))
You want me to stay around?” Win said. “I’m fine.” The car accelerated down Livingston Avenue. “Are those two guys taken care of?” “Gone forever.” Myron nodded. Win watched his face. “They’re called the Twins,” Win said. “The older one with the ascot, he would have bitten off your nipples first. That’s how they warm up. One nipple, then the other.” “I understand.” “No lecture on overreacting?” Myron’s fingers touched down on his chest. “I really like my nipples.” It
Harlan Coben (Promise Me (Myron Bolitar, #8))