Artwork Canvas Quotes

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Yoga is the art work of awareness on the canvas of body, mind, and soul.
Amit Ray (Yoga and Vipassana: An Integrated Life Style)
Your life is your artwork and you are to paint life as a beautiful struggle. With your brush, paint the colors of joy in vibrant shades of red. Color the sky a baby blue, a color as free as your heart. With rich, earthy tones shade the valleys that run deep into the ground where heaven meets hell. Life is as chaotic as the color black, a blend of all colors, and this makes life a beautiful struggle. Be grateful for the green that makes up the beautiful canvas, for nature has given you everything that you need to be happy. Most of all, don’t ever feel the need to fill the entire canvas with paint, for the places left blank are the most honest expressions of who you are.
Forrest Curran (Purple Buddha Project: Purple Book of Self-Love)
The reason people are so moved by art and why artists tend to take it all so seriously is that if they are real and true they come to the painting with everything they know and feel and live, and all the things they don't know, and some of the things they hope, and they are honest about them all and put them on the canvas. What can be more serious?
Peter Heller (The Painter)
Never look back. The past is done. The future is a blank canvas. Work on creating a masterpiece. Only you have the power to make your painting beautiful.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
The function of the overwhelming majority of your artwork is simply to teach you how to make the small fraction of your artwork that soars. One of the basic and difficult lessons every artist must learn is that even the failed pieces are essential. X-rays of famous paintings reveal that even master artists sometimes made basic mid-course corrections (or deleted really dumb mistakes) by overpainting the still-wet canvas. The point is that you learn how to make your work by making your work, and a great many of the pieces you make along the way will never stand out as finished art. The best you can do is make art you care about — and lots of it!
David Bayles (Art & Fear: Observations on the Perils (and Rewards) of Artmaking)
Every dream, every vision is a masterpiece canvas on the wall of our minds. So as artists we should make an effort to bring the artwork to the the exhibition.
Euginia Herlihy
The memory of human blood manifests now as a kind of visceral reaction to seeing people's veins and their necks. The skin on a neck appears to me as different from the skin anywhere else on a body. It seems as thin and consumable as rice paper wrapped around a sweet. It is too blank compared with skin everywhere else, as though it is asking to have marks made on it, like very expensive calligraphy paper, or cold-pressed Fabriano. Often, I wonder whether the urge I have to make art is the same as the urge to consume and destroy the blankness of a human neck. While at art college, I read that the best paper used by artists in the seventeenth century was made from the skins of lamb fetuses. This skin was soft and absorbent, and had an even texture right across its surface. For a long time, the process of creating art has been linked to the killing of living things. My dad, even, used fine silk stretched across wooden frames in his own work as a painter. Once, when we still had some of his pieces, I looked at the odd geometric shapes he created on a huge sheet and thought about all the silkworms who had had their cocoons torn open before they were able to become moths.
Claire Kohda (Woman, Eating)
Oh Maker, what did they really say about your black creation? I think you made a beautiful work of art on a canvass of rebellion. Hey, Maker! We are still selling out!
Chinonye J. Chidolue
I am an art work in constant progress; I am my own canvas, my own colors, my own brushes and my own inspiration.
Efrat Cybulkiewicz
The way you philosophize life, With those beer tins in your hand, Lady, such a poetry you are when you are drunk, And those cigarettes in between your pretty fingers, You look so very graceful when you are smoking, So very beautiful in the haze, Like some medieval artwork, So worthy to be on canvas… I just love to watch you struggle in bed, Fighting the sunlight with your pillow, And in all the glory of your Sunday morning hangover, Innocence oozes out of your drunken face, And Oh my Godless lady it’s time for your, Lemonades, Novocain and hour long shower in silence. I know it’s crazy to believe in silly things, But you look so very pure when you suffer from your addictions… --- Her Cigarettes And Beers
Piyush Rohankar (Narcissistic Romanticism)
The enemy of my soul didn't want me painting that day. To create meant that I would look a little bit like my Creator. To overcome the terrifying angst of the blank canvas meant I would forever have more compassion for other artists. You better believe as I placed the first blue and gray strokes onto the white emptiness before me, the "not good enough" statement was pulsing through my head in almost deafening tones... This parlaying lie is one of his favorite tactics to keep you disillusioned by disappointments. Walls go up, emotions run high, we get guarded, defensive, demotivated, and paralyzed by the endless ways we feel doomed to fail. This is when we quit. This is when we settle for the ease of facebook.... This is when we get a job to simply make money instead of pursuing our calling to make a difference. This is when we put the paintbrush down and don't even try. So there I was. Standing before my painted blue boat, making a choice of which voice to listen to. I'm convinced God was smiling. Pleased. Asking me to find delight in what is right. Wanting me to have compassion for myself by focusing on that part of my painting that expressed something beautiful. To just be eager to give that beauty to whoever dared to look at my boat. To create to love others. Not to beg them for validation. But the enemy was perverting all that. Perfection mocked my boat. The bow was too high, the details too elementary, the reflection on the water too abrupt, and the back of the boat too off-center. Disappointment demanded I hyper-focused on what didn't look quite right. It was my choice which narrative to hold on to: "Not good enough" or "Find delight in what is right." Each perspective swirled, begging me to declare it as truth. I was struggling to make peace with my painting creation, because I was struggling to make make peace with myself as God's creation. Anytime we feel not good enough we deny the powerful truth that we are a glorious work of God in progress. We are imperfect because we are unfinished. So, as unfinished creations, of course everything we attempt will have imperfections. Everything we accomplish will have imperfections. And that's when it hit me: I expect a perfection in me and in others that not even God Himself expects. If God is patient with the process, why can't I be? How many times have I let imperfections cause me to be too hard on myself and too harsh with others? I force myself to send a picture of my boat to at least 20 friends. I was determined to not not be held back by the enemy's accusations that my artwork wasn't good enough to be considered "real art". This wasn't for validation but rather confirmation that I could see the imperfections in my painting but not deem it worthless. I could see the imperfections in me and not deem myself worthless. It was an act of self-compassion. I now knew to stand before each painting with nothing but love, amazement, and delight. I refused to demand anything more from the artist. I just wanted to show up for every single piece she was so brave to put on display.. Might I just be courageous enough to stand before her work and require myself to find everything about it I love? Release my clenched fist and pouty disappointments, and trade my "live up" mentality for a "show up" one? It is so much more freeing to simply show up and be a finder of the good. Break from the secret disappointments. Let my brain venture down the tiny little opening of love.. And I realized what makes paintings so delightful. It's there imperfections. That's what makes it art. It's been touched by a human. It's been created by someone whose hands sweat and who can't possibly transfer divine perfection from what her eyes see to what her fingertips can create. It will be flawed.
Lysa TerKeurst (It's Not Supposed to Be This Way: Finding Unexpected Strength When Disappointments Leave You Shattered)
I was Olivia, and I sat in a rowboat oared by Sage along the Tiber River. “If you think the Society is so ridiculous, tell your father you refuse to go!” I said. “Really? And lose my share of the family fortune? I’d be destitute. You’d have to leave me for a Medici-a fiancé who could keep you in the style to which you’re accustomed.” “Paints, canvas, and you. That’s all I need. Maybe a little extra artistic talent.” Sage gave me a pointed look. He loved my artwork and always gave me a hard time for doubting my own ability. I liked to remind him he was biased. “How about food?” he asked. “You’d need food.” “Wild fruits and vegetables.” “Roof over your head?” “We’ll build a hut.” “Clothing?” I gave Sage a knowing smile, and he almost tipped the boat. “Sage!” I cried, holding the sides for dear life. “I can’t swim!” “I’m sorry, but that was an absolutely valid response. Any man would tell you the same.” I laughed. “So what do you do in the Society meetings?” “I can’t tell you. I’m sworn to absolute secrecy.” He said it with a haughty affectation that I mimicked as I pretended to zip closed my lips and throw away the key. “My lips are sealed,” I intoned. “Really? Because mine are not.
Hilary Duff (Elixir (Elixir, #1))
Matthias was in the dark. And it wasn’t the kind of dark that came with a room that didn’t have any lights on or when you were walking around at night in the country. This was not even the kind you got when you shut your eyes and wrapped your head in a blanket. This was the one that seeped in through your skin and filled the spaces between your molecules, the one that polluted your flesh into a permanent state of rotting, the one that wiped clean your past and your future, suspending you in a choking, adhesive solution of sorrow and despair. He was not alone in this horrible prison. As he writhed in the weightless void, others did the same, their voices mixing with his own as pleas escaped from cracked lips and the endless begging for mercy rose and fell like the breathing of a great beast. From time to time, he was chosen for special attention, clawed monsters with fanged maws latching on, yanking and pulling. The wounds they imparted always healed as quickly as they were wrought, providing an ever-fresh canvas for their masticating artwork. Time had no meaning; nor did age. And he knew he was never getting out. This was his due. This was his eternal payment for the way he had lived his life: He had earned this place in Hell through his sins upon the earth, and yet still, he argued the unfairness to the others he was trapped with. Tough debate, though. There was little on the good side to support his bid for freedom; more to the point, nobody was listening.
J.R. Ward (Rapture (Fallen Angels, #4))
So, you want to improve your home like you have some knowledge and respect for the endeavor, yes? Very well. First, you need to know the basics associated with it to showcase what type of knowledge you actually have about it. If that is not enough, try reviewing the article listed below to assist you. Home improvement is often a daunting task. This is because of the time and the amounts of money required. However, it doesn't have to be so bad. If you have several projects in your house, divide them up into several smaller DIY projects. For example you may want to redo the entire living room. Start simple, by just replacing the carpet, and before you know it, your living room will be like new. One great way to make the inside of your home sparkle is to put new molding in. New molding helps create a fresh sense in your living space. You can purchase special molding with beautiful carvings on them to add a unique touch of elegance and style to your home. When it comes to home improvement, consider replacing your windows and doors. This not only has a chance of greatly improving the value of the home, but may also severely decrease the amount of money required to keep your house warm and dry. You can also add extra security with new doors and windows. Change your shower curtain once a month. Showering produces excessive humidity in a bathroom that in turn causes shower curtains to develop mold and mildew. To keep your space fresh and healthy, replace your curtains. Don't buy expensive plastic curtains with hard to find designs, and you won't feel bad about replacing it. Sprucing up your walls with art is a great improvement idea, but it doesn't have to be a painting. You can use practically anything for artwork. For instance, a three-dimensional tile works great if you contrast the colors. You can even buy some canvas and a frame and paint colored squares. Anything colorful can work as art. If you are renovating your kitchen but need to spend less money, consider using laminate flooring and countertops. These synthetic options are generally much less expensive than wood, tile, or stone. They are also easier to care for. Many of these products are designed to closely mimic the natural products, so that the difference is only visible on close inspection. New wallpaper can transform a room. Before you add wallpaper, you need to find out what type of wall is under the existing wallpaper. Usually walls are either drywall or plaster smoothed over lath. You can figure out what kind of wall you are dealing with by feeling the wall, plaster is harder, smoother, and colder than drywall. You can also try tapping the wall, drywall sounds hollow while plaster does not. Ah, you have read the aforementioned article, or you wouldn't be down here reading through the conclusion. Well done! That article should have provided you with a proper foundation of what it takes to properly and safely improve your home. If any questions still remain, try reviewing the article again.
GutterInstallation
All of this—lost artwork and looting and the kind of sweetly obscene sex no one wrote poetry about because when it was that fucking good, you didn't want to share it. They'd
Kit Rocha (Beyond Happily Ever After: Blank Canvas (Beyond, #6.6))
Let’s say there’s a situation that I am dealing with that I don’t like. Life hasn’t gone my way. The van broke down for the eighth time this year. I got laid off and haven’t had any work for ninety days. I’m suffering. If I don’t know the Artist or respect Him as a starting point, I will be free to consider this difficult time a total waste of canvas—a total waste of ninety measures of music—a waste of artistic energy. It’s trash. I will think it’s not beautiful and that nothing beautiful will ever come of it. I will think that it is bad and He is bad. I will be free to doubt the goodness, wisdom, and beauty of the Artist and His art. If, on the other hand, I know the Artist—if I deeply respect Him and His artistry as a starting point—even if I dislike the situation, I will show a kind of respect for it. A patience in it. Indeed, I might curse the artwork, but I will not curse Him. I might hate the music, but I will know that it has a beautiful purpose and aim. It is a work of the Artist! I will study it. I will linger until I learn what I should learn. Why? Because my favorite Artist made it. I know Him. He is good. He is wise. He loves to shed brilliant colors on dark blotches. I will endure, nay, embrace the ninety measures of musical pain, because I know that when measure ninety-one soars into blissful resolution, it will be all the sweeter for it.
Matt Papa (Look and Live: Behold the Soul-Thrilling, Sin-Destroying Glory of Christ)
In 1972, Bayber's work underwent another metamorphosis, yet refused to be defined by or adhere to any specific style. Elements of abstract expressionism, modernism, surrealism, and neo-expressionism combine with figurative art to create works which remain wholly original and highly complex, both delighting and terrifying at a subconscious level. There is nothing fragile here, nothing dreamlike. No protections are offered, not for the artist himself and not for those viewing his work. All is called forth in a raw state, human values finessed on the canvas, softened and sharpened, separated and made aggregate. While there are certain motifs in these works- often a suggestion of water, the figure of a bird- and various elements are repeated, aside from an introverted complexity, the context in which they appear is never the same from one piece to the next. What ties these works together is the suggestion of loss, of disappearance, and of longing ( see figs. 87-95)" The figure of a bird. He had forgotten his own writing. Finch took the book back to his desk and pulled a magnifying glass from the top drawer to study the color plates. Thomas had completed six paintings in 1972, four of them after July. In each of those four, Finch managed to find what he had seen long ago, the figure of a bird. Was it Alice, flown away from him?
Tracy Guzeman (The Gravity of Birds)
All of your artwork — in your home and work, on the canvas of your skin, and on the clothing you wear — is part of your living vision board. It sends profound energy and information to the Universe that reveals your strengths, your weaknesses, your victories, and your pain. Rather than simply tell a story of your past that will be recreated, you can energetically design your art as a tool for attracting what you want. In doing so, you begin to attract your heartfelt dreams and goals with far greater ease.
Cary G. Weldy (The Power of Tattoos: Twelve Hidden Energy Secrets of Body Art Every Tattoo Enthusiast Should Know)
They were made for each other, like an art brush flawlessly made to paint the most beautiful artworks on a canvas.
Celia Östergaard (The Romanov Diary)
I had a fast thought of I am just going to be posted here spread eagle for some poor person to find me. Surely, after, I am roadkill; yes, I felt as if I was going to be his canvas for his twisted artwork! I was running for my life barefoot. I could feel the stones cut me up as I was trying to outrun his car over and over, he was teasing me by speeding up and slowing down for miles, it was a sick game to him! Just flat-out terrifying to me! I even tried running into a wheat field, and he chased me with his car until I was trapped, and I got pinned up against a barbwire fence and he then floored it, and the wires ripped into my back and my butt, and legs. Oh, how it was a wonder I was not cut completely in half, or decapitated! I do not know why he stopped, he could have killed me then and there, no he wanted me to feel more pain. Oh, what he called his love! I ran! I dashed! I jogged! I sprinted until I could not run anymore and he was behind the wheel laughing his head off at me falling tripping to the concrete, and gravel, and then I had to get back up and run some more. He would run that reddish-orange Dodge Challenger with the black racing stripes; bumper right up on me until it touched my nude petite butt, as I was running, and I know there was nowhere to run but forwards down the road, all day until late evening and the nightfall. Besides, after I collapsed from exhaustion, he would scoop me up and throw me back into the car, and get his way once more, and I would be too tired to fight him off me.
Marcel Ray Duriez (Nevaeh Struggle with Affections)
*IF YOUR LIFE IS A BIG ARTWORK, THE CANVAS OF YOUR LIFE IS THE TRUST AND RESPECT YOU HAVE UPON YOURSELF. DON'T LOSE THAT.
BHAGAVAN NITHYANANDA PARAMASHIVAM.
I'd insist that we all out same canvases and paint together. You might not want to, but I'd assure you that we needn't be so worried about painting masterpieces. People are the masterpieces, and you are creative because you are God's best creation and HI fingerprints and brush strokes dance all inside of you. Then I'd hold up my written rules for paintbrush holders. Everyone must try. Give yourself permission to not be perfect. Refuse to be intimidated by the process. The most beauty will emerge from the paintbrushes held by those who are most free from fear. Smile. I already love what will soon come to life on your canvas. Then we'd paint. And you'd discover you actually like it. Your piece would turn out amazing, and together we'd think through the perfect place for you to hang it up in your house... We are slowly coming out of hiding. It feels good to be vulnerable with artwork and with each other.
Lysa TerKeurst (It's Not Supposed to Be This Way: Finding Unexpected Strength When Disappointments Leave You Shattered)