Artsy Quotes

We've searched our database for all the quotes and captions related to Artsy. Here they are! All 88 of them:

I am an artist you know ... it is my right to be odd.
E.A. Bucchianeri (Brushstrokes of a Gadfly (Gadfly Saga, #1))
Weirdism is definitely the cornerstone of many an artist's career.
E.A. Bucchianeri (Brushstrokes of a Gadfly (Gadfly Saga, #1))
recant, v. I want to take back at least half of the “I love you”s, because I didn’t mean them as much as the other ones. I want to take back the book of artsy photos I gave you, because you didn’t get it and said it was hipster trash. I want to take back what I said about you being an emotional zombie. I want to take back the time I called you “honey” in front of your sister and you looked like I had just shown her pictures of us having sex. I want to take back the wineglass I broke when I was mad, because it was a nice wineglass and the argument would have ended anyway. I want to take back the time we had sex in a rent-a-car, not because I feel bad about the people who got in the car after us, but because it was massively uncomfortable. I want to take back the trust I had while you were away in Austin. I want to take back the time I said you were a genius, because I was being sarcastic and I should have just said you’d hurt my feelings. I want to take back the secrets I told you so I can decide now whether to tell them to you again. I want to take back the piece of me that lies in you, to see if I truly miss it. I want to take back at least half the “I love you”s, because it feels safer that way.
David Levithan (The Lover's Dictionary)
Art is in the eye of the beholder, and everyone will have their own interpretation.
E.A. Bucchianeri (Brushstrokes of a Gadfly (Gadfly Saga, #1))
More bungalow-type setups. Rent by the week. Artsy places,” Zane explained. “It’s different.” “Do I look like an artsy type to you?” Ty asked, bristling on principle. It didn’t even faze Zane. “You look like sex on legs to me. You’ll blend in, no problem.
Madeleine Urban (Cut & Run (Cut & Run, #1))
You're going to be a famous artist." His voice is deep velvet - soothing and sure. "You'll live in one of those artsy, upscale apartments in Paris with your rich husband. Oh, who just happens to be a world-renowned exterminator. How's that for a twist of fate? You won't even have to catch your own bugs anymore. That'll give you more time to spend with your five brilliant kids. And I'll come visit every summer. Show up on the doorstep with a bottle of Texas BBQ sauce and a French baguette. I'll be weird Uncle Jeb.
A.G. Howard (Splintered (Splintered, #1))
Since art is considered a noble field, art should be used to promote all that is good and noble, and in a noble fashion.
E.A. Bucchianeri (Brushstrokes of a Gadfly (Gadfly Saga, #1))
If people don't want to listen to you, what makes you think they want to hear from your sweater?
Fran Lebowitz (The Fran Lebowitz Reader)
I called her a sentimentalist and artsy-craftsy. She called me Homo Faber.
Max Frisch (Homo Faber)
Let's always try to paint the truth ... our art must be made to mean something.
E.A. Bucchianeri (Brushstrokes of a Gadfly (Gadfly Saga, #1))
My breath caught in my chest. Misunderstood artsy types weren't supposed to smile like that. They were supposed to glance at others condescendingly and ooze sarcastic witticisms. I felt like this guy was going to wiggle his eyebrows and ask me to "wrassle
Katherine Pine (After Eden (Fallen Angels, #1))
Furthermore, what profit was it to me that I, rascally slave of selfish ambitions that I was, read and understood by myself as many books as I could get concerning the so-called liberal arts?...I had turned my back to the light and my face to the things it illuminated, and so no light played upon my own face, or on the eyes that perceived them.
Augustine of Hippo (Confessions)
I mean really, how could an artistic individual stay grounded in the nitty-gritty of how many minutes per pound meat has to stay in the oven when trying to fathom the creative philosophy behind the greatest artistic minds of the world?
E.A. Bucchianeri (Brushstrokes of a Gadfly (Gadfly Saga, #1))
I've never thought Mr. Nelson had much use for me since I wasn't an athlete. He probably considered me a failure to the male species, and I'm sure he harbored questions about my sexuality. To him, I was some artsy-fatsy guitar playing fairy. Like I said, the man was an asshole.
Katie Ashley (Don't Hate the Player...Hate the Game)
Writers are encouraged to believe they are dispositionally opposed to careers in finance, transactions, or law. They are encouraged to self-mythologize as artsy and/or loner and/or incompetent folk.
Manjula Martin (Scratch: Writers, Money, and the Art of Making a Living)
They went to loft downtown. V. cool, artsy, mostly artists, kind of boho wild. There was even a naked guy walking around. I asked why. She didn't know but probably he just needed attention disguised as being artsy.
Nicole Schubert (Saoirse Berger's Bookish Lens In La La Land)
But if the girls hadn’t got their knickers in a knot, and that might sound sexist but it’s not, it’s just a fact of life, ask any man, not some new age, artsy-fartsy, I-wear-moisturiser type, I mean a real man, ask a real man, then he’ll tell you that women are like the Olympic athletes of grudges.
Liane Moriarty (Big Little Lies)
Even a nation brainwashed to equate artsiness with art knows when its eyelids are drooping.
B.R. Myers (A Reader's Manifesto: An Attack on the Growing Pretentiousness in American Literary Prose)
Among artsy people, it can lead to the feeling—false almost by definition, and ubiquitous among white, relatively-not-poor Midwestern artsy kids—that nothing has ever happened to you.
Phil Christman (Midwest Futures)
I’m typing away, wondering why I had that Pepsi Throwback at such a late hour. Caffeine is a compulsion. Art is an obsession. Writing is both. It weaves in and out, this obsession, forming a basket, a basket I can hide in while pulling its lid over top; it shuts out the noise and normalcy of living. It shuts out the people and caffeinated relationships I love so well. Can you live with an artsy hermit? A sketchy-betchy, meditative, BabyBoomingPseudoHippie? Then short-term visits are in order.
Chila Woychik (On Being a Rat and Other Observations)
The most easily manipulated? Social media. The extrovert colleague having a meal with her ‘squad’ could in fact be eating alone, reading a book. The artsy shot of the prize-winning book? Discarded after the first page.
Sarah Pearse (The Sanatorium (Detective Elin Warner, #1))
Great art is like that. You can think you're a real hard-ass, with no use for artsy-fartsy jazz and then one of the greats hits you like a bullet though the heart. People talk about Tiger Woods, or Michael Jordan but if you really want to see a dude playing above the rim, spend half an hour looking at Picasso's from between the wars. The greats don't just want to score they want to dunk in your face.
Jordan K. Weisman (Cathy's Book (Cathy Vickers Trilogy, #1))
He gave her his hand, sensing the thin strong rod of obdurate competence that was the armature of her artsy Village style.
Michael Chabon (The Amazing Adventures of Kavalier & Clay)
Cause I'm just a Artsy Loving Person!
Sienna Noel
An Artist has his Imagination never dies,but it Grows you a Mystery, about its True Origin.
Nithin Purple
Reaching an agreement can be quite difficult, because while you like science-fiction thrillers, Jack prefers romantic comedies, and Jill votes for artsy French films.
Yuval Noah Harari (21 Lessons for the 21st Century)
I was talking out of my arse at this point. My explanation sounded artsy-fartsy at best and delusional mumbo jumbo at worst, but that was the beauty of being a musician. No one could dispute your process, even if it essentially involved sitting on a Chinese takeout joint’s rooftop, stark naked, balancing a fruit bowl on your head while singing “We Are the World”—
L.J. Shen (Midnight Blue)
Larry better get a mason to take care of the wall, Bruce thought. Then again, they’ll probably have to bring in one of those artsy-types from Mystic since this is a ‘historic’ building.
Ron Ripley (The Academy (Moving In, #6))
But even just out there in the world, people – they- they stare. They look at two guys, when they hold hands. Or when they kiss. Gay guys are all – big and they're loud. And artsy and – I don't want any of that. I want a normal life that I built on my own. Not because of my dad. Not because of my .. heart. I just want to be left alone. (Wipes a tear away.) I wish there was a way to be with a guy, but... be straight.
Peter Fenton (Abandon All Hope)
That’s the common thread running through all the diverse hordes of nerds and geeks who turned up to the conventions and gatherings, who queued outside Games Workshop for the latest rulebook. We were all of us consumed by our own imagination, victims of it, haunted by impossibles, set alight by our own visions, and by other people’s. We weren’t the flamboyant artsy creatives, the darlings who would walk the boards beneath the hot eye of the spotlight, or dance, or paint, or even write novels. We were a tribe who had always felt as if we were locked into a box that we couldn’t see. And when D&D came along, suddenly we saw both the box and the key.
Mark Lawrence (One Word Kill (Impossible Times, #1))
Crafternoon is about making what you want, how you want it, to the best of your ability. And even if you may not think of yourself as a rock star of creativity, it's there inside you. At Crafternoon, you are a CraftStar.
Maura Madden (Crafternoon: A Guide to Getting Artsy and Crafty with Your Friends All Year Long)
He looks like a Picasso,” she continues as she nods toward Francis’s destroyed face. Her hand flows in his direction with bird-like grace. “Eyes over here, nose over there. Very artsy, Butcher. Embracing your Cubism era. Cool.
Brynne Weaver (Butcher & Blackbird (The Ruinous Love Trilogy, #1))
It was the most beautiful house I’d ever been in. At that age, you’ve only ever been in family homes or student houses. The home of two artsy professionals in their thirties is a magnificent thing to behold, more enchanting than an old Russian palace
Caroline O'Donoghue (The Rachel Incident)
Then on the opposite page a different ad, for digital cameras, scrawled in artsy letters and signed Joan Miró: You can look at a picture for a week and never think of it again. You can also look at a picture for a second and think of it all your life
Donna Tartt (The Goldfinch)
Craft can be practiced by anyone, regardless of the skill or artistry that has come to be demanded by those who preach craft. Like a good meal, a good Crafternoon shouldn't need much - a few quality ingredients, a couple of good friends, and a little bit of creativity.
Maura Madden (Crafternoon: A Guide to Getting Artsy and Crafty with Your Friends All Year Long)
Now give me some advice about how to take full advantage of this city. I’m always looking to improve my odds.” “Just what I’d expect from a horny actuary.” “I’m serious.” Carlos reflected for a moment on the problem at hand. He actually had never needed or tried to take full advantage of the city in order to meet women, but he thought about all of his friends who regularly did. His face lit up as he thought of some helpful advice: “Get into the arts.” “The arts?” “Yeah.” “But I’m not artistic.” “It doesn’t matter. Many women are into the arts. Theater. Painting. Dance. They love that stuff.” “You want me to get into dance? Earthquakes have better rhythm than me…And can you really picture me in those tights?” “Take an art history class. Learn photography. Get involved in a play or an independent film production. Get artsy, Sammy. I’m telling you, the senoritas dig that stuff.” “Really?” “Yeah. You need to sign up for a bunch of artistic activities. But you can’t let on that it’s all just a pretext to meet women. You have to take a real interest in the subject or they’ll quickly sniff out your game.” “I don’t know…It’s all so foreign to me…I don’t know the first thing about being artistic.” “Heeb, this is the time to expand your horizons. And you’re in the perfect city to do it. New York is all about reinventing yourself. Get out of your comfort zones. Become more of a Renaissance man. That’s much more interesting to women.
Zack Love (Sex in the Title: A Comedy about Dating, Sex, and Romance in NYC (Back When Phones Weren't So Smart))
I was living and working at a bar in Williamsburg, a young, artsy, vibrant neighbourhood, and nobody had any preconceptions about who I was. I could be myself, in all my flawed glory, and it was liberating. Taking charge of my own life. Figuring out what truly made me happy and surrounding myself with people I liked hanging out with.
Emery Rose Andrews (Beneath Your Beautiful (Beautiful, #1))
O' melancholy,hectic chill for human soul,herewith dismal presence,any spirit does descent.
Nithin Purple (Halcyon Wings: 'These passions feathers are gathering on a winged vision')
mine—not many people were. I knew who she was; I’d seen her around. She was one of the Green clique, an annoying group of tree-huggers who constantly complained about how the school, and the school district, could be more environmentally friendly. But I had as much in common with them as I had with any of the other cliques at school. Tree-huggers, jocks, nerds, artsy-fartsy types—
Tom Upton (Vanished (Freaky Jules #1))
Imagination, as Napoleon once remarked, rules the world. One of our great problems is that we have relegated imagination to various artsy ghettos, there to let it play. But imagination, including—especially including—artistic imagination, has to be understood as a practical science. It must govern everything, and if it is detached from the praxis of life and then uprooted, it goes off to the art museums to die. For
Douglas Wilson (Writers to Read: Nine Names That Belong on Your Bookshelf)
My roommate Allie also knows, but my other friends? Hell no. Most of them are music or drama majors, so I guess that makes us the artsy crowd. Or maybe emo. Aside from Allie, who’s had an on-again/off-again relationship with a frat boy since freshman year, my friends get a kick out of trashing Briar’s elite. I don’t usually join in (I like to think gossiping is beneath me) but…let’s face it. Most of the popular kids are total douchebags.
Elle Kennedy (The Deal (Off-Campus, #1))
Minutes later, the door flung wide and Ben drew in a ragged breath with a decent attempt to control his lungs. “All done? You cough for the nice lady?” “Yeah, it was everything I hoped for and more. Where have you been?” Ben hacked and then cleared his throat. “Art building.” Art…? Ben really wasn’t the artsy type. “Why?” “Isn’t it obvious?” Cam leaned toward me and whisper-hissed, “It’s the gayness.” Ben scowled at his brother. “Yes, all gays have an affinity for art. We lose control of our bodies and are pulled toward it like a tractor beam.” Eyes of warm whiskey glittered up at me as Cam kicked his legs out, landing on the carpet. “Told ya.
Ashlan Thomas (The Silent Cries of a Magpie (Cove, #1))
When I got to the gig I was told I would be singing for a male vocalist. In walked this sexy, serene, toasted-almond-colored artsy young man—he just looked like the definition of an artist. His thick, dark hair was just in the beginning phases of dreadlocks. He had a perfect five o’clock shadow, with a thick stripe of goatee down the center of his chin. He was dressed rock star casual: heavy black leather vintage motorcycle jacket, black jeans, black T-shirt. He had a thin ring in his nose and smelled how I imagined ancient Egyptian oils would smell. His face was kind and fine, with a boyish smile. He went by the name of Romeo Blue. His friends called him Lenny. And about a year later, the world would know him as Lenny Kravitz.
Mariah Carey (The Meaning of Mariah Carey)
Do you like Phil Collins? I've been a big Genesis fan ever since the release of their 1980 album, Duke. Before that, I really didn't understand any of their work. Too artsy, too intellectual. It was on Duke where Phil Collins' presence became more apparent. I think Invisible Touch was the group's undisputed masterpiece. It's an epic meditation on intangibility. At the same time, it deepens and enriches the meaning of the preceding three albums. Christy, take off your robe. Listen to the brilliant ensemble playing of Banks, Collins and Rutherford. You can practically hear every nuance of every instrument. Sabrina, remove your dress. In terms of lyrical craftsmanship, the sheer songwriting, this album hits a new peak of professionalism. Sabrina, why don't you, uh, dance a little. Take the lyrics to Land of Confusion. In this song, Phil Collins addresses the problems of abusive political authority. In Too Deep is the most moving pop song of the 1980s, about monogamy and commitment. The song is extremely uplifting. Their lyrics are as positive and affirmative as anything I've heard in rock. Christy, get down on your knees so Sabrina can see your asshole. Phil Collins' solo career seems to be more commercial and therefore more satisfying, in a narrower way. Especially songs like In the Air Tonight and Against All Odds. Sabrina, don't just stare at it, eat it. But I also think Phil Collins works best within the confines of the group, than as a solo artist, and I stress the word artist. This is Sussudio, a great, great song, a personal favorite.
Bret Easton Ellis
When I was younger and hard-hearted, with hot, hostile artistic ambitions I yearned to charge at the aloof, faceless “thems” of our world until they said Uncle, I believed the scariest words ever spoken to be “The apple never falls far from the tree.” That whole concept inspired clinging fears in the wee hours, and a halting miserable shyness in the presence of those who seemed to be the anointed. If I fell not far from the tree, was I then fated to be, not, say, a college prof of English, but inmate 2679785? A parolee who spends seventeen years on the night shift with Custodial Services at KU Med Center in K.C., instead of a Prize-Winning Novelist with a saltbox on the Cape? An unwholesome artsy freak, and not an esteemed citizen whose voting privileges have never been revoked? I went through those pitiful, hangdog years being ashamed of my roots and origins, referring to home as “our place in the country,” and to my father as a “self-made man.” I hung my head and eenie-meenie-minie-moed when confronted at dinner tables by too many forks. I tried to give the impression that slapping an uppity snotnose silly was not the sort of act contained in my portfolio. It
Daniel Woodrell (Give Us a Kiss)
Weston, having been born in Chicago, was raised with typical, well-grounded, mid-western values. On his 16th birthday, his father gave him a Kodak camera with which he started what would become his lifetime vocation. During the summer of 1908, Weston met Flora May Chandler, a schoolteacher who was seven years older than he was. The following year the couple married and in time they had four sons. Weston and his family moved to Southern California and opened a portrait studio on Brand Boulevard, in the artsy section of Glendale, California, called Tropico. His artistic skills soon became apparent and he became well known for his portraits of famous people, such as Carl Sandburg and Max Eastman. In the autumn of 1913, hearing of his work, Margrethe Mather, a photographer from Los Angeles, came to his studio, where Weston asked her to be his studio assistant. It didn’t take long before the two developed a passionate, intimate relationship. Both Weston and Mather became active in the growing bohemian cultural scene in Los Angeles. She was extremely outgoing and artistic in a most flamboyant way. Her bohemian sexual values were new to Weston’s conventional thinking, but Mather excited him and presented him with a new outlook that he found enticing. Mather was beautiful, and being bisexual and having been a high-class prostitute, was delightfully worldly. Mather's uninhibited lifestyle became irresistible to Weston and her photography took him into a new and exciting art form. As Mather worked and overtly played with him, she presented a lifestyle that was in stark contrast to Weston’s conventional home life, and he soon came to see his wife Flora as a person with whom he had little in common. Weston expanded his horizons but tried to keep his affairs with other women a secret. As he immersed himself further into nude photography, it became more difficult to hide his new lifestyle from his wife. Flora became suspicious about this secret life, but apparently suffered in silence. One of the first of many women who agreed to model nude for Weston was Tina Modotti. Although Mather remained with Weston, Tina soon became his primary model and remained so for the next several years. There was an instant attraction between Tina Modotti, Mather and Edward Weston, and although he remained married, Tina became his student, model and lover. Richey soon became aware of the affair, but it didn’t seem to bother him, as they all continued to remain good friends. The relationship Tina had with Weston could definitely be considered “cheating,” since knowledge of the affair was withheld as much as possible from his wife Flora May. Perhaps his wife knew and condoned this new promiscuous relationship, since she had also endured the intense liaison with Margrethe Mather. Tina, Mather and Weston continued working together until Tina and Weston suddenly left for Mexico in 1923. As a group, they were all a part of the cozy, artsy, bohemian society of Los Angeles, which was where they were introduced to the then-fashionable, communistic philosophy.
Hank Bracker
Catty and Vanessa were vamping it up on the corner of Fairfax and Beverly, in bell-bottoms with exaggerated lacy bells that they must have pulled from Catty's mother's closet. Vanessa gave them the peace sign. "Feeling' groovy." She winked. She had gorgeous skin, movie-star blue eyes, and flawless blond hair. She was wearing a headband and blue-tinted glasses. Catty was forever getting Vanessa into trouble, but they remained best friends. "Love and peace," Catty greeted them. Catty was stylish in an artsy sort of way. Right now, she wore a hand-knit cap with pom-pom ties that hung down to her waist, and her puddle-jumping Doc Martens were so wrong with the bell-bottoms that they looked totally right. Her curly brown hair poked from beneath the fuchsia cap and her brown eyes were framed by granny glasses, probably another steal from her mother. "You like our retro look?" Vanessa giggled at all the cars honking at them.
Lynne Ewing (Into the Cold Fire (Daughters of the Moon, #2))
A lot of Christian creatives are skeptical of other Christians, too. Many creative believers we’ve talked to feel undervalued in the church, so much so that the church no longer feels like home for them. It seems the only time the church needs them is when they want someone “artsy” to decorate the sanctuary for the Christmas Spectacular, or when they need a “creative” to be onstage to show the congregation that they can “relate” to the culture and appeal to those “other” generations.
Thomas J. Terry (Images and Idols: Creativity for the Christian Life (Reclaiming Creativity))
THOUGH I WENT to a very artsy private high school in Cambridge, Massachusetts, I wasn’t raised by parents with a liberal attitude toward alcohol. There was no whimsical “sip of wine at Thanksgiving” for us kids while we were still teenagers, like we were in a Noah Baumbach movie. That was for the cool Jewish kids. This was the Clinton era, and my parents were already worried about the moral deterioration of the country. So I drank skim milk with dinner, and did so pretty much every night until I was a story editor at The Office.
Mindy Kaling (Why Not Me?)
If you have a tendency to find yourself in MacGyveresque situations, go ahead and choose a synthetic rope to craft with. I don't want you cursing my name as you hang from a cliff by your swiftly fraying Monkey's Fist necklace.
Maura Madden (Crafternoon: A Guide to Getting Artsy and Crafty with Your Friends All Year Long)
Goosy is my grandma. Her real name is Lucy. When I was little, I couldn’t say Grandma Lucy, so I called her Goosy. Now everybody calls her that. I guess you’d say it’s her nickname. Goosy thinks I’m artistic just because I drew a few cute pictures when I was little. Also, one day when I was coloring, I put a pair of underwear on my head. Goosy thought it looked like I was wearing an artist’s hat, so she took a picture of me. (WHY did I put underwear on my head? I don’t remember! I was only 3, for crying out loud!)
Karla Oceanak (Artsy-Fartsy: Book 1 (The Aldo Zelnick Comic Novel Series))
Arvie inwardly rolled his eyes. Kali’s dating history was like her artwork: colorful and baffling. He had never met her artsy couple, with whom she lived part-time in a log cabin in Poughkeepsie with their toddler, Jicama, and hoped he never would.
Kirthana Ramisetti (Dava Shastri's Last Day)
Igo, the sick old man, quoted Oziad, and reminded them all of how creation worked: the Dragon of Time created the sun and the moon, and Lurline cursed them and said that their children wouldn't know their own parents, and then the Kumbric Witch came along and the flood, the battle, the spilling of evil in the world. Oatsie Manglehand disagreed. She said, "You old fools, the Oziad is just a frilly, romantic poem of older, harsher legends. What lives in folk memory is truer than how some artsy poet says it. In folk memory veil always predates good." "Can this be true?" asked Igo, with interest. "Surely there is a handful of nursery marchen that start, 'Once in the middle of a forest lived an old witch' or 'The devil was out walking one day and met a child,'" said Oatsie, who was showing that she had some education as well as grit. "To the grim poor there need be no pour quoi tale about where evil arises; it just arises; it always is. One never learns ho the witch became wicked, or whether that was the right choice for her - is it ever the right choice? Does the devil ever struggle to be good again, or if so is he not a devil? It is at the very least a question of definitions.
Gregory Maguire (Wicked: The Life and Times of the Wicked Witch of the West (The Wicked Years, #1))
Nate remarked that the rich enjoy being hospitable to smart, artsy types. They need an audience of people discerning enough to truly appreciate all they have.
Adelle Waldman (The Love Affairs of Nathaniel P.)
At the same time, questions resurfaced from my subconsciousness, bobbing up and down upon the waves of my turbulent mind. Okay, just ignore that last sentence. That was way overwritten. Flowery. I was trying to be artsy, there. But there's nothing poetic about my situation.
Cube Kid (Path of Exile: Book 1)
Zach showed Kayla a sinister slideshow with eerie castles, dragons with razor-sharp talons, and fanged, busty women wearing skimpy black leather outfits with capes, which, Kayla thought, wasn't even logical. If it's cold enough for a cape, it's too cold for a leather bikini.
Thomas Pack (The Artsy Girl--in Bronze (The Artsy Girl, #1))
Maybe we're just too different, Zach," Kayla said. "I don't know. I like being with you even though we don't have fun." She laughed. "That's both the sweetest and the weirdest thing anybody's ever said to me.
Thomas Pack (The Artsy Girl--in Bronze (The Artsy Girl, #1))
The materials we provide from 0 to 3 determine what finger grips children will use and what stories they will tell. The purpose is not to create “artsy” products but to develop the hand skills that are required for any endeavor, because movement occupies the same real estate in the brain as thinking. Because each material causes children to move the hand in different ways, materials powerfully stimulate thinking (Ratey, 2002). Diverse materials are equally important to awaken interest in different children. From birth each child is unique; each group and each individual has different interests. Having varied materials ensures that there is something for everyone.
Ann Lewin-Benham (Infants and Toddlers at Work: Using Reggio-Inspired Materials to Support Brain Development (Early Childhood Education Series))
Why did you draw the chick in the ocean so fat and ugly?" asked a guy in a black tank top. "Where?" Kayla said. "Right there by the sandcastle. There on the right." "It's not a girl. It's a manatee.
Thomas Pack (The Artsy Girl--in Bronze (The Artsy Girl, #1))
I hate the Hudson Valley. Everyone loves it now, the artsy shops and rambling farmhouses occupied by Brooklynites making their own artisanal beer, jam, and pickles. That would have been Harry if he were alive, not in Brooklyn but in some run-down upstate town, making the cider vinegar he was so excited about. There’s a particular sadness lurking beneath the surface of those towns. Take a step back from the charming renovated main streets with their cafés and knitting shops and you’re in the heart of meth-land, of derelict textile mills and workers’ housing, sagging porches and weeds as tall as children. The shiny artisanal present is nothing more than a hasty coat of paint. And the past is heavy with decayed trappings of an American dream, textile fortunes made and lost, middle-class towns established and extinguished in only a few generations. I had a friend who studied Native American history and she wouldn’t set foot in that part of the world. “You can still smell the slaughter,” she’d said.
Jessica Shattuck (Last House)
RIVER QUAY In Kansas City, if one were to bring up the topic of River Quay (pronounced “River Key”), that conversation would no doubt evolve into a conversation about River Market. Today, River Market is a hip-and-trendy neighborhood in Kansas City, Missouri. Located just south of the Missouri River. Adorning River Market’s quaint neighborhood feel, you’ll find chic eateries. Coupled to an urban lifestyle. Complete with a streetcar. A stone’s throw to the west of Christopher S. Bond Bridge. That’s today. Today’s River Market. Yesterday’s River Quay. In 1971, Marion Trozzolo - then, a Rockhurst University professor - began renovating historic buildings alongside the “Big Muddy” in a section of Kansas City that we now know to be River Market. It was Professor Trozzolo who came up with the River Quay nickname. Trozzolo’s idea for River Quay? For River Quay to undergo a thorough, artsy-remake. Into a Kansas City-styled French Quarter. A neighborhood comparable to Chicago’s Old Town. To San Francisco’s Ghirardelli Square. Trozzolo envisioned a family-friendly environ for River Quay. Unfortunately, the latter half of the ‘70’s was a rough time for this neighborhood next to the muddy Missouri. The word Quay? It's a word of French origin. The translation for Quay? Loading platform. Or wharf. Did River Quay ever become a Kansas City French Quarter? Did River Quay ever become a Kansas City Old Town? Did River Quay ever become a Kansas City Ghirardelli Square? Hardly. By the late ‘70’s, revitalization efforts in River Quay had stalled. Leaving River Quay saddled with boarded up buildings. Deserted through-streets. A neighborhood, with no vibrancy. Streets, with no traffic. Sidewalks, with no passers-by. By the late ‘70’s, developers were walking away from unfinished River Quay projects. Whereas River Quay had once - not long before - been primed for a grandiose new identity. One which bespoke of a rebirth for this neighborhood. A transition. From blight. To that of an entertainment district. Yet by the late ‘70’s, River Quay was not on its way to becoming Kansas City’s French Quarter. By the late ‘70’s, you’d still find an X-rated theatre in River Quay. With mob ties. Homeless, sleeping next to decrepit River Quay buildings. Empty River Quay buildings which had once been fancied as prime renovation opportunities. Projects, sadly cast aside and forgotten. In River Quay.  In the late 1970’s? Well, at that time, River Quay was as an unfinished idea. Full of unrealized potential. Full of unrealized promise. Disappointing, no doubt. Yet today, on those same grounds, alongside the Missouri River, we have Kansas City’s stunning River Market. A great idea. Then a detour. Yet, a happy ending - and a nice story, with a unique history- in Kansas City.
Ted Ihde, Thinking About Becoming A Real Estate Developer?
A dream that no one has seen, remains an idea or a belief.
Tev Hemmans
The way you see yourself is the way the world sees you.
Tev Hemmans
It is better to be prepared for an unseen opportunity, than to be unprepared when the opportunity presents itself.
Tev Hemmans
Who you are seen with consistently, tells people about who you are.
Tev Hemmans
If you do not define yourself, someone else will define you for you.
Tev Hemmans
Karen is always the one who ticks all the boxes; the homeowner, the successful accountant, the mother of two, the dutiful daughter. I am always the one who demands pity: the single one, the poor one, the artsy one.
Winnie M. Li (Complicit)
The Other Side of the Wind is the story of Jake Hannaford, a hard-drinking, big-game-hunting, womanizing, adventure-seeking director who loves to shoot in remote locations around the world and revels in putting himself, his cast, and his crew in dangerous situations. Welles would joke that at least one crew member dies on the set of every Hannaford film. A product of the studio system, Hannaford fell out of favor and retreated to Europe for a few years of self-imposed exile and has finally returned to Los Angeles, seeking end money to complete his artsy, modernist attempt at a sex-infused and violence-laden comeback movie that reflects the style and values of New Hollywood circa 1970. As Welles mentioned in his introduction, the film examines the last day of Hannaford’s life as viewed through the medium of film in
Josh Karp (Orson Welles's Last Movie: The Making of The Other Side of the Wind)
Among artsy people, it can lead to the feeling—false almost by definition, and ubiquitous among white, relatively-not-poor Midwestern artsy kids—that nothing has ever happened to you. There was, a few years ago, a television show—one so over-discussed I cannot type its name without nausea—that came close to dealing with this dilemma in a thoughtful way. Its hero, a college graduate from East Lansing, Michigan, wanted to write books and conquer New York, but she so disbelieved that anything story-worthy had ever happened in her life that she exploited the experiences of others just so that she could do her work. In one particularly disturbing episode, she lured a recovering addict—who she knew was attracted to her—into buying crack for her, so that she could “have an experience” that would enable her to write. At the end of that season, she spiraled into a total collapse—which ought to have struck her as some sort of purchase, at least, on being interesting.
Phil Christman (Midwest Futures)
I had been the artsy kid, a paintbrush or colored pencil always somewhere in my hair, with only a handful of close friends before earning a bachelor of arts in graphic design from Northeastern. There hadn’t been many relationships in my past, but the ones I’d had lasted for years—distance usually the cause of our breakup—and it would take me months and months before I could even consider moving on.
Marni Mann (The Lawyer (The Dalton Family, #1))
I want to reach for her, to feel the comfort of her unfamiliar touch. But I don’t. I just watch. “He looks like a Picasso,” she continues as she nods toward Francis’s destroyed face. Her hand flows in his direction with birdlike grace. “Eyes over here, nose over there. Very artsy, Butcher. Embracing your cubism era. Cool.
Brynne Weaver (Butcher & Blackbird (The Ruinous Love Trilogy #1))
He looks like a Picasso,” she continues as she nods toward Francis’s destroyed face. Her hand flows in his direction with birdlike grace. “Eyes over here, nose over there. Very artsy, Butcher. Embracing your cubism era. Cool.
Brynne Weaver (Butcher & Blackbird (The Ruinous Love Trilogy #1))
figured Harry Styles would notice me at the back of one of his concerts and whisk me to an unspecified European city to do adorably artsy date activities before we eventually made love, by candlelight, on a bed of rose petals
Annie Crown (Night Shift (Daydreamers, #1))
Stories collide at the table. In your own life, you can establish your own narrative. You don’t have to be the athletic one or the artsy one. You can exist on your own terms.
Maya Shanbhag Lang (What We Carry: A Memoir)
I want to take a second here to talk about my decision to go to school for music, since I get asked for advice on this pretty often. If you’re a young musician (or dancer, or musical theatre actor, or any type of creative performer for that matter) and you’ve progressed in your abilities to the point that a career in the arts seems like a viable path forward, it’s only logical that you’ll find yourself considering a formal continuation of your music studies post–high school. Whether you go the route of the conservatory or enroll in a music program within a more traditional college, you’ll receive training from professional musicians, perform in ensembles alongside other talented students, and have access to state-of-the-art facilities and concert halls. The icing on the cake? You’ll get to sleep in late on weekdays, take classes that appeal to you, and surround yourself with artsy, inspiring kids who share your interests and passions. If all that sounds like a dream, it’s because, in many ways, it is. But any dream has its potential downsides, and I think that it’s important that you’re aware of them, too.
Scott Bradlee (Outside the Jukebox: How I Turned My Vintage Music Obsession into My Dream Gig)
Have you seen the Magistrate’s quarters?” “What does that have to do with whether Tyler appreciates art or not?” Rivka demanded. “If he was artsy, he’d make you artsy, too.” “I’m artsy.” Lindy fired a full broadside across the bow. Red knew when the fight was lost. “I surrender because I’m not touching that one. I rescind my previous statements, withdraw my erroneous conclusion, and throw myself on the mercy of the court.” “You might as well throw yourself on the couch, because that’s where you’re sleeping,” Lindy noted,
Craig Martelle (The Art of Smuggling (Judge, Jury, & Executioner, #7))
Every experience whether emotional, physical, or spiritual, has something to teach you.
Tev Hemmans
With applications running double what they were ten years ago, Barnard has eclipsed Wellesley as the nation’s most popular women’s college. Barnard women are a little more artsy and a little more City-ish than their female counterparts at Columbia College. Step outside and you’re on Broadway. (Rising Stars - Barnard College)
Fiske Guide To Colleges (Fiske Guide to Colleges 2005)
I believe it is impossible to make sense of life in this world except through art.
Daniel Pinkwater (The Artsy Smartsy Club)
It's rough being without a librarian for a whole month, isn't it?" Starr Lackawanna said. "Yes!" we all said.
Daniel Pinkwater (The Artsy Smartsy Club)
The following morning, Wilhelmina awoke to a lone lily pad moaning after escaping from an exquisite Monet painting piece that was hosting some shades of watercolor chips that were a century and half-oldish that subbed as a dish for artsy gourmet-eating tadpoles that had both a yearning for the foggy past and longing for their froggy future.
J.S. Mason (The Satyrist...And Other Scintillating Treats)
And it wasn’t just Josh’s body. It was him. There wasn’t anything about him I didn’t like. I wished there were. He was easygoing and funny. My moods didn’t scare him. He just kind of shrugged them off. He was down for anything. We hated all the same stuff—artsy indie movies with endings that didn’t have any closure, pineapple on pizza, daylight savings time. Sometimes he said something right as I was going to say it, like our brains worked on the same wavelength. Every day I searched for some fatal flaw so I could stop having these feelings. Sometimes I purposely grilled him on things, just to see if his answers would irritate me. It never worked.
Abby Jimenez
Grow your skill not dgree
Pulokesh
Some utopias become purer, harder, and harsher as they diminish, like an evaporating lake growing more saline every year in its shores of crystalline salt: think of the theorist-revolutionary Guy Debord, ostracizing and expelling people from the Situationist International movement until you could fit the future of artsy council communism around the back table of a Parisian bar. Some utopias dilute into the surrounding society that gives them context - the well-lit, spare, clean, glass-and-steel spaces of the Bauhaus are now the default settings for expensive apartments and bank lobbies, their mystic-visionary content reduced to homeopathic doses. Some die all at once with their founder or settle into a second act as businesses: silverware from the Oneida Perfectionists, hammocks from the Skinnerian behaviorist community Twin Oaks, or wind chimes from Arcosanti, which was once the be the germ of anthill arcologies honeycombing the planet. Of all these ways to end, a handful of utopian projects -perhaps the most successful - evaporate in practice but produce a persistent icon of the future for a group or a subculture, a shared arrangement of visions, a magnetic field by which other people unknowingly set their compasses. Extropy was one of these.
Finn Brunton (Digital Cash: The Unknown History of the Anarchists, Utopians, and Technologists Who Created Cryptocurrency)
Football. Here's a surprise: I like it. That means everything didn't change when I fell on my head. It proves that you can be an athlete and a video club kid at the same time. Not in my case, obviously. Video club invited me to get lost. But it's possible to be both. I have no idea why more people don't do it. Maybe it's because the jocks will never find out if they enjoy doing something artsy because they'll never try it. And the arts kids feel the same way about sports.
Gordon Korman (Restart)
I have a complicated spiritual history. Here's the short version: I was born into a Mass-going Roman Catholic family, but my parents left the church when I was in the fifth grade and joined a Southern Baptist church—yes, in Connecticut. I am an alumnus of Wheaton College—Billy Graham's alma mater in Illinois, not the Seven Sisters school in Massachusetts—and the summer between my junior and senior year of (Christian) high school, I spent a couple of months on a missions trip performing in whiteface as a mime-for-the-Lord on the streets of London's West End. Once I left home for Wheaton, I ended up worshiping variously (and when I could haul my lazy tuckus out of bed) at the nondenominational Bible church next to the college, a Christian hippie commune in inner-city Chicago left over from the Jesus Freak movement of the 1960s, and an artsy-fartsy suburban Episcopal parish that ended up splitting over same-sex issues. My husband of more than a decade likes to describe himself as a “collapsed Catholic,” and for more than twenty-five years, I have been a born-again Christian. Groan, I know. But there's really no better term in the current popular lexicon to describe my seminal spiritual experience. It happened in the summer of 1980 when I was about to turn ten years old. My parents had both had born-again experiences themselves about six months earlier, shortly before our family left the Catholic church—much to the shock and dismay of the rest of our extended Irish and/or Italian Catholic family—and started worshiping in a rented public grade school gymnasium with the Southern Baptists. My mother had told me all about what she'd experienced with God and how I needed to give my heart to Jesus so I could spend eternity with him in heaven and not frying in hell. I was an intellectually stubborn and precocious child, so I didn't just kneel down with her and pray the first time she told me about what was going on with her and Daddy and Jesus. If something similar was going to happen to me, it was going to happen in my own sweet time. A few months into our family's new spiritual adventure, after hearing many lectures from Mom and sitting through any number of sermons at the Baptist church—each ending with an altar call and an invitation to make Jesus the Lord of my life—I got up from bed late one Sunday night and went downstairs to the den where my mother was watching television. I couldn't sleep, which was unusual for me as a child. I was a champion snoozer. In hindsight I realize something must have been troubling my spirit. Mom went into the kitchen for a cup of tea and left me alone with the television, which she had tuned to a church service. I don't remember exactly what the preacher said in his impassioned, sweaty sermon, but I do recall three things crystal clearly: The preacher was Jimmy Swaggart; he gave an altar call, inviting the folks in the congregation in front of him and at home in TV land to pray a simple prayer asking Jesus to come into their hearts; and that I prayed that prayer then and there, alone in the den in front of the idiot box. Seriously. That is precisely how I got “saved.” Alone. Watching Jimmy Swaggart on late-night TV. I also spent a painful vacation with my family one summer at Jim and Tammy Faye Bakker's Heritage USA Christian theme park in South Carolina. But that's a whole other book…
Cathleen Falsani (Sin Boldly: A Field Guide for Grace)
Oatsie Manglehand disagreed. She said, “You old fools, the Oziad is just a frilly, romantic poem of older, harsher legends. What lives in folk memory is truer than how some artsy poet says it. In folk memory evil always predates good.
Gregory Maguire (Wicked: The Life and Times of the Wicked Witch of the West (Wicked Years, #1))
I’m more of a science-fizz-bam-boom-poof girl than an artsy-fartsy type.
Angela Cervantes (Allie, First at Last)