Artistic Senior Quotes

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When Dr. Jung said we must be able to look forward in old age to the next day and to look forward to the great adventure that is ahead, he was making life’s “imperative to grow” personal. As long as we are alive, we must be able to dream of the future, of a better world or better ways of life. We are also invited by our greater Self to dream new dreams of creativity and fresh ways of expressing ourselves, as many great artists have into their nineties.
Bud Harris
Although two senior Irish diplomats were in Switzerland at the time, neither attended Joyce's funeral, and the Irish government later declined Nora's offer to permit the repatriation of Joyce's remains. Nora, who had married Joyce in London in 1931, survived
James Joyce (The Complete Works of James Joyce: Novels, Short Stories, Plays, Poetry, Essays & Letters: Ulysses, A Portrait of the Artist as a Young Man, Finnegan's ... Giacomo Joyce, Critical Writings & more)
He was already a legend but still doing all this for us...That positivity was so overwhelming. And since he has so much more seniority in the music industry, we learned a lot from him. Things like, what attitude to have as artists when approaching fans. He's a great singer, of course, but it was also the way he was onstage and how he felt toward the members of his band that was so awesome.
BTS (Beyond The Story: 10-Year Record of BTS)
It was Day Three, Freshman Year, and I was a little bit lost in the school library,looking for a bathroom that wasn't full of blindingly shiny sophomores checking their lip gloss. Day Three.Already pretty clear on the fact that I would be using secondary bathrooms for at least the next three years,until being a senior could pass for confidence.For the moment, I knew no one,and was too shy to talk to anyone. So that first sight of Edward: pale hair that looked like he'd just run his hands through it, paint-smeared white shirt,a half smile that was half wicked,and I was hooked. Since, "Hi,I'm Ella.You look like someone I'd like to spend the rest of my life with," would have been totally insane, I opted for sitting quietly and staring.Until the bell rang and I had to rush to French class,completely forgetting to pee. Edward Willing.Once I knew his name, the rest was easy.After all,we're living in the age of information. Wikipedia, iPhones, 4G ntworks, social networking that you can do from a thousand miles away.The upshot being that at any given time over the next two years, I could sit twenty feet from him in the library, not saying a word, and learn a lot about him.ENough, anyway, for me to become completely convinced that the Love at First Sight hadn't been a fluke. It's pretty simple.Edward matched four and a half of my If My Prince Does, In Fact, Come Someday,It Would Be Great If He Could Meet These Five Criteria. 1. Interested in art. For me, it's charcoal. For Edward, oil paint and bronze. That's almost enough right there. Nice lips + artist= Ella's prince. 2. Not afraid of love. He wrote, "Love is one of two things worth dying for.I have yet to decide on the second." 3.Or of telling the truth. "How can I believe that other people say if I lie to them?" 4.Hot. Why not?I can dream. 5.Daring. Mountain climbing, cliff dying, defying the parents. Him, not me. I'm terrified of an embarrassing number of things, including heights, convertibles, moths, and those comedians everyone loves who stand onstage and yell insults at the audience. 5, subsection a. Daring enough to take a chance on me.Of course, in the end, that No. 5a is the biggie. And the problem. No matter how muuch I worshipped him,no matter how good a pair we might have been,it was never, ever going to happen. To be fair to Edward,it's not like he was given an opportunity to get to know me. I'm not stupid.I know there are a few basic truths when it comes to boys and me. Truth: You have to talk to a boy-really talk,if you want him to see past the fact that you're not beautiful. Truth: I'm not beautiful. Or much of a conversationalist. Truth: I'm not entirely sure that the stuff behind the not-beautiful is going to be all that alluring, either. And one written-in-stone, heartbreaking truth about this guy. Truth:Edward Willing died in 1916.
Melissa Jensen (The Fine Art of Truth or Dare)
That unwavering devotion has always intrigued me. People commit to an artist’s music in a way they won’t to a relationship or a career. It’s a constant in their lives, no matter what else changes. My earliest memories are of my parents dancing in the kitchen to Etta James. My mom listened to those same songs my senior year of high school, over a decade after they got divorced.
C.W. Farnsworth (King of Country)
Six Quotes to Get You Through Any Senior Exam. Use Them Wisely”:8 Indian summer is like a woman, ripe, hotly passionate but fickle. —Grace Metalious Immature artists imitate. Mature artists steal. —Lionel Trilling I think my favorite weapon is a twenty-dollar bill. —Raymond Chandler The statement credited to Grace
Garson O'Toole (Hemingway Didn't Say That: The Truth Behind Familiar Quotations)
The participants were twenty-six men engaged in a variety of professional occupations: sixteen engineers, one engineer-physicist, two mathematicians, two architects, one psychologist, one furniture designer, one commercial artist, one sales manager, and one personnel manager. At the time of the study, there were few women in senior scientific positions, and none was found who wished to participate. Nineteen of the subjects had no previous experience with psychedelics. They were selected on the basis of the following criteria: The participant’s occupation required problemsolving ability. The participant was psychologically stable, as determined by a psychiatric interview examination. The participant was motivated to discover, verify, and apply solutions within his current employment. Six groups of four and one group of three met in the evening several days before the session.a The sequence of events to be followed was explained in detail. In this initial meeting, we sought to allay any apprehension and establish rapport and trust among the participants and the staff.
James Fadiman (The Psychedelic Explorer's Guide: Safe, Therapeutic, and Sacred Journeys)
In 2011, I interviewed a skilful young manga artist who asked me not to reveal his name because he still needs to defer to his seniors in the industry. He has had some considerable publishing success, and explained that, although the competitions are in theory open, in practice he now feels he needs to work first for the company that has supported him, and this also influences his choice of subject matter.
Joy Hendry (Understanding Japanese Society (Nissan Institute/Routledge Japanese Studies))
D. Donovan, Senior Reviewer, Midwest Book Review writes: "Sea Creatures and Poems: Plus Some Other Fish Rhymes illustrates the fun that poetry can embrace, providing a zany collection for all ages that is both ocean-focused and whimsical. The operative description for both poems and pictures is "silly," and the book fulfills this promise with a series of engaging observations that belay the usual staid approaches of too many poetry books. Art combined with poetry is "a delicious combination," as Richard Merritts reflects in the collection's introduction. The poems inspired the author to add illustrations which are just as whimsically touched...and, also, quite artistically rendered. These aren't demanding works. Take "Pompano Pompano Pompano," for example. Its very short observation concludes with an ironic twist after identifying the "flat fish from Florida" outside of its normal sea environment. Succinct? Yes. But the poem really...snags readers, landing a winning insight on both the pompano and its ultimate fate. Readers trawling for humor will find plenty in this book. Even the poetry titles present original, fun observations, as in "By Jove, I Hooked a Snook." Aside from its delightful observations, the poems represent diverse structures, from free verse to rhyme: "From the depths of the sea;/Came a fish that could be;/From a prison did flee;/Dressed in stripes, so you see..." From redfish and ahi to the anglers who long for them, Sea Creatures and Poems will appeal to a wide audience, especially those who do not view poetry as an opportunity for philosophical and psychological analysis alone. Its blend of natural history info, inviting color illustrations, and accompanying fun insights is recommended for those who fish to those who enjoy eating or studying them, as well as poetry lovers who will appreciate the very different approaches, poetic variety, and whimsical inspections within. Libraries catering to these audiences will want to include it in their collections, but Sea Creatures and Poems will prove a delightful choice for adults who seek to instill in the young an appreciation for poetry's capability for fun and its diverse structural representations.
D. Donovan, Senior Editor, Midwest Book Review
Anne Kihagi highlight’s some of the museum’s ongoing, current, and upcoming exhibits at San Francisco Museum of Modern Art The San Francisco Museum of Modern Art (SFMOMA) features a wide range of art exhibits. One of the ongoing exhibits at SFMOMA is the pop, minimal, and figurative art one, which features pieces from the 1960s on. The museum also features the Approaching American Abstraction exhibit, which showcases the various methods of abstraction since the 1950s. The Sea Ranch is a current exhibit that runs through April 28, 2019. The exhibit is from the 1960s Northern California Modernist movement and combines architecture, the environment, and idealism. The work of photographer Louis Stettner will be featured until May 26, 2019. Stettner’s work combines American street photography with French humanism. SFMOMA will debut the Andy Warhol – From A to B and Back Again exhibit on May 19, 2019. It is slated to run until September 2, 2019. The exhibit will cover three floors and will offer a dozen pieces unique to SFMOMA. The Chronicles of San Francisco will run from May 23, 2019, through April 27, 2010, and features the work of artist JR. The exhibit is the culmination of two months of on-the-street interviews the artist conducted with almost 1,200 people. The snap + share exhibit will run from March 30 – August 4, 2019, and focuses on the impact of photographs in our daily lives. SFMOMA is open Friday through Tuesday from 10:00 AM - 5:00 PM and Thursdays from 10:00 AM – 9:00 PM. Adult admission is $25.00, with senior admission at $22.00. Visitors ages 19-24 are $19.00, and anyone under 18 is free.
Anne Kihagi
Maddie and I walk in Central Park, feeling the sun on our faces and the snow crunching under our feet. It's a beautiful day for late February. The air is crisp and fresh, and even though the forecast calls for more snow later, perhaps as early as tonight, right now the sky is a bright blue. Just right. We've been here for a while, exploring the park and its wonders. We've seen so many things. So many people. So much diversity. We've seen children of all colors building snowmen and dogs of all breeds chasing squirrels. We've seen couples of all orientations cuddling on benches and seniors of all backgrounds feeding pigeons. We've seen athletes of all fitness levels jogging and biking and skating. We've seen artists and musicians and performers of all kinds. We've heard a symphony of sounds. A harmony of noises. A melody of music.
Alex Diaz-Granados (Reunion: Coda: Book 2 of the Reunion Duology)
what makes each artist unique is how their own experience meets the material they encounter; that what is obvious to one person is opaque to the next and that this is what each artist can bring to their craft.
Kimberly Senior (What Would a Person Do?: Thoughts on Directing and Living)
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