“
He: What’s the matter with you?
Me: Nothing.
Nothing was slowly clotting my arteries. Nothing slowly numbing my soul. Caught by nothing, saying nothing, nothingness becomes me. When I am nothing they will say surprised in the way that they are forever surprised, "but there was nothing the matter with her.
”
”
Jeanette Winterson (Gut Symmetries)
“
...you don't care because you're all that and I'm just an artery in a dress.
”
”
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
“
But there's a juicy artery in your groin," he said after a pause to regroup, his voice as slithery as a snake on a slide.
"Don't you talk dirty," I told him. "I won't listen to that.
”
”
Charlaine Harris (Dead Until Dark (Sookie Stackhouse, #1))
“
Take up a weapon and you become an instrument with as pure a purpose as the weapon itself: to find arteries and open them, limbs and sever them; to take what is alive and deliver it unto death.
”
”
Laini Taylor (Days of Blood & Starlight (Daughter of Smoke & Bone, #2))
“
Water is to India as blood is to the body, with the many rivers functioning as arteries – the Ganges being the aorta – and the monsoon timelessly arriving as a much-needed annual blood transfusion.
”
”
Colin Phelan (The Local School)
“
And she understood, all by herself, without reading it in a novel or hearing it on a radio program, that falling passionately in love with someone, without reservation or holding back, was good for the heart. For its valves and its arteries and that invisible shadow of the heart called the soul. Falling in love was good for the soul.
”
”
Paulette Jiles (Stormy Weather)
“
I'm searching for a shred of humanity in that shriveled tangle of arteries you call a heart.
”
”
Rachel Vincent (Blood Bound (Unbound, #1))
“
Amazing how being bathed in arterial blood can wash out any lingering romantic disappointments.
”
”
Diana Peterfreund (Rampant (Killer Unicorns, #1))
“
She had no mercy. He looked at her neck and thought how he would like to jab it with the knife he had for his muffin. He knew enough anatomy to make pretty certain of getting the carotid artery. And at the same time he wanted to cover her pale, thin face with kisses.
”
”
W. Somerset Maugham (Of Human Bondage)
“
The Montana sunset lay between the mountains like a giant bruise from which darkened arteries spread across a poisoned sky.
”
”
F. Scott Fitzgerald (The Diamond as Big as the Ritz & Other Stories)
“
His cheeks were slick with tears that spilled over his diamond eyes, a ceaseless flow he neither noticed nor appeared to care about. And she had a feeling it was going to be a while before the leaking stopped-an inner artery had been nicked and this was the blood of his heart, spilling out of him, covering him.
”
”
J.R. Ward (Lover Unleashed (Black Dagger Brotherhood, #9))
“
If you aren’t hearing your inner voice, it could mean you’re overburdened or not stimulated enough, or that you’ve learned to shut it off because the people around you have refused to engage it. Perhaps you’ve had a hardening of the arteries around your soul. I believe the choices we make in our lives and the people and places surrounding us increase the volume of our inner voice, decrease it, or annihilate it entirely.
”
”
Kelly Cutrone (If You Have to Cry, Go Outside: And Other Things Your Mother Never Told You)
“
Oh, come on, just this once," Eve said. "Protects your neck. As in your arteries and veins?
That's kind of crucial, right?"
"Thanks for the thought, but it doesn't go with my shoes."
"You're seriously going to worry about what people think right now?"
"No, I'm worrying about people taking pictures and putting them on Facebook. That crap never dies. Kind of like you, Mikey."
Michael, straight-faced, said, "He's got a point, because I would definitely take pictures. So would you."
Eve had to grin. "Yeah, I would. Okay, then. But you'd look glam. I could fix you up with silver eye shadow to match.
”
”
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
“
If your arteries are good, eat more ice cream. If they are bad, drink more red wine. Proceed thusly.
”
”
Sandra Byrd (Bon Appetit (French Twist #2))
“
Did you eat my Twinkies?"
She gulped. Keeping her eyes glued to the whip, she said, "Exactly what Twinkies are we talking about?"
"The Twinkies in the cupboard over the sink. The only Twinkies in the trailer." His fingers convulsed around the coils of leather.
Oh, Lord, she thought. Flayed to death for a Twinkle.
"Well?"
"It, uh — it won't happen again, I promise you. But they didn't have any special marking on them, so there was no way I could tell they were yours." Her eyes remained riveted on the whip. "And normally I wouldn't have eaten them— I never eat junk food-—but I was hungry last night, and, well, when you think about it, you'll have to admit I did you a favor because they're clogging my arteries now instead of yours."
His voice was quiet. Too quiet. In her mind she heard the howl of a rampaging Cossack baying at a Russian moon. "Don't touch my Twinkies. Ever. If you want Twinkies, buy your own.
”
”
Susan Elizabeth Phillips (Kiss an Angel)
“
A wave of yet more tender joy escaped from his heart, and went coursing in warm flood along his arteries. Like the tender fires of stars moments of their life together, that no one knew of, or would ever know of, broke upon and illumined his memory..
”
”
James Joyce (Dubliners)
“
If you knew the kind of little miracles happening every moment you breathe in, you wouldn’t be able to handle it. A valve could close and not open; an artery could split, you could die. At any moment. It’s nothing but miracles inside your tiny city.
”
”
Sally Thorne (The Hating Game)
“
Sometimes I look a the Moon, and I imagine that those darker spots are caverns, cities, islands, and the places that shine are those where the sea catches the light of the sun like the glass of a mirror...I would like to tell of war and friendship among the various parts of the body, the arms that do battle with the feet, and the veins that make love with the arteries or the bones with the marrow. All the stories I would like to write persecute me when I am in my chamber, it seems as if they are all around me, the little devils, and while one tugs at my ear, another tweaks my nose, and each says to me, 'Sir, write me, I am beautiful'.
”
”
Umberto Eco
“
Every single time you claim to understand even a fraction of what I’m feeling, I want to disembowel you. I want to sever your carotid artery. I want to rip out your vertebrae, one by one. You have no idea what it is to love her,” he says angrily. “You couldn’t even begin to imagine. So stop trying to understand.
”
”
Tahereh Mafi (Imagine Me (Shatter Me, #6))
“
They say the city gets in your blood, but that's crap. The city doesn't become part of you... you become part of it. It soaks you up bit by bit, year after year. Until you're just a tiny part of its system... Pumping through its veins, lost in its arteries.
”
”
Jeff Lemire (Essex County, Vol. 2: Ghost Stories)
“
His view of the world is one that keeps his blood pressure low, sweeping the cholesterol from his relaxed, freeway-sized arteries. Everyone knows he is going to live till age ninety, although the question that goes begging is, “for what?
”
”
Steve Martin (Shopgirl)
“
If you removed all the arteries, veins, & capillaries from a person’s body, and tied them end-to-end…the person will die.
”
”
Neil deGrasse Tyson
“
It is often said that the first sound we hear in the womb is our mother’s heartbeat. Actually, the first sound to vibrate our newly developed hearing apparatus is the pulse of our mother’s blood through her veins and arteries. We vibrate to that primordial rhythm even before we have ears to hear. Before we were conceived, we existed in part as an egg in our mother’s ovary. All the eggs a woman will ever carry form in her ovaries while she is a four-month-old fetus in the womb of her mother. This means our cellular life as an egg begins in the womb of our grandmother. Each of us spent five months in our grandmother’s womb and she in turn formed within the womb of her grandmother. We vibrate to the rhythms of our mother’s blood before she herself is born. . . .
”
”
Ashley Audrain (The Push)
“
Movement from Brenda grabbed Thomas's attention. He looked to see her drop the knife away from Minho and step back, absently wiping the small trace of blood there on her pants. "I really would've killed you, ya know," she said in a slightly scratchy voice. Almost husky. "Charge Jorge again and I'll sever an artery."
Minho wiped at his small wound with his thumb, then looked at the bright red smear. "That's one sharp knife. Makes me like you more.
”
”
James Dashner (The Scorch Trials (The Maze Runner, #2))
“
Joy and pain, they are but two arteries of the one heart that pumps through all those who don't numb themselves to really living.
”
”
Ann Voskamp (One Thousand Gifts: A Dare to Live Fully Right Where You Are)
“
You travel with a whetstone on your arm? (Kiara)
You don’t ever want to kill someone with a dull knife. It takes too long to sever their arteries, or puncture organs, and it makes it even messier than normal. (Nykyrian)
”
”
Sherrilyn Kenyon (Born of the Night (The League, #1))
“
What did okay mean to the harpy— not coughing up arterial blood?
”
”
Thea Harrison (Storm's Heart (Elder Races, #2))
“
My bird can drive her break straight through your neck and into your artery in less time than it takes for you to draw a weapon, and she already dislikes you intensely. If I were you, I'd do my best not to antagonize her further."
"I thought the bird obeyed you."
"Better not antagonize me either.
”
”
C.J. Redwine (The Shadow Queen (Ravenspire, #1))
“
He imagined dying and being cut open and there were all his bones and muscles and his bared arteries and capillaries leading to a cavity in his chest where instead of a heart he had his camera.
”
”
Ali Shaw (The Girl With Glass Feet)
“
The day I stood shoulder to shoulder with hundreds of thousands of my fellow civilians, staring down the barrels of the soldiers' guns, the day the bodies of those first two slaughtered were placed in a handcart and pushed at the head of the column, I was startled to discover an absence in side myself: the absence of fear. I remember feeling that it was all right to die; I felt the blood of a hundred thousand hearts surging together into one enormous artery, fresh and clean...the sublime enormity of a single heart, pulsing blood through that vessel and into my own. I dared to feel a part of it.
”
”
Han Kang (Human Acts)
“
I’ve got so much inside me I have no idea about. I’m like the mayor of a city I’ve never seen.”
He smiles at my phrasing. “If you knew the kind of little miracles happening every moment you breathe in, you wouldn’t be able to handle it. A valve could close and not open; an artery could split, you could die. At any moment. It’s nothing but miracles inside your tiny city.” He presses a kiss to my temple.
“Holy shit.” I clutch at him.
“You wouldn’t believe the stats on people who go to bed one night and never wake up. Normal, healthy people who aren’t even old.”
“Why would you tell me this? Is this what you think about?”
There’s the longest pause. “I used to. Not so much anymore.”
“I think I preferred it when I thought I was full of white bones and red goo. Why am I now thinking about dying tonight?”
“Now you see why I can’t do small talk.
”
”
Sally Thorne (The Hating Game)
“
Unicorns are man-eating monsters. They don't have wings, they aren't lavender or sparkly, and you could never catch one to ride without its goring you through the sternum. And even if it somehow managed to miss your major arteries-and it never misses-you'd still die from the deadly poison in its horn.
”
”
Diana Peterfreund
“
Touch me again, chakaar, and I’ll ram this into your carotid artery.”
“I haven’t got one.”
“Then I’ll have to keep stabbing you until I find somewhere else that bleeds copiously.
”
”
Karen Traviss (Legacy of the Force: Sacrifice (Star Wars: Legacy of the Force, #5))
“
Children can be disgusting, and often they can develop extraordinary talents, but I’m yet to meet any child who can stimulate his carotid arteries inside his ribcage.
”
”
Ben Goldacre
“
What was she thinking?” muttered Alexander, closing his eyes and imagining his Tania.
“She was determined. It was like some kind of a personal crusade with her,” Ina said. “She gave the doctor a liter of blood for you—”
“Where did she get it from?”
“Herself, of course.” Ina smiled. “Lucky for you, Major, our Nurse Metanova is a universal donor.”
Of course she is, thought Alexander, keeping his eyes tightly shut.
Ina continued. “The doctor told her she couldn’t give any more, and she said a liter wasn’t enough, and he said, ‘Yes, but you don’t have more to give,’ and she said, ‘I’ll make more,’ and he said, ‘No,’ and she said, ‘Yes,’ and in four hours, she gave him another half-liter of blood.”
Alexander lay on his stomach and listened intently while Ina wrapped fresh gauze on his wound.
He was barely breathing.
“The doctor told her, ‘Tania, you’re wasting your time. Look at his burn. It’s going to get infected.’ There wasn’t enough penicillin to give to you, especially since your blood count was so
low.” Alexander heard Ina chuckle in disbelief. “So I’m making my rounds late that night, and who do I find next to your bed? Tatiana. She’s sitting with a syringe in her arm, hooked up to a
catheter, and I watch her, and I swear to God, you won’t believe it when I tell you, Major, but I see that the catheter is attached to the entry drip in your IV.” Ina’s eyes bulged. “I watch her
draining blood from the radial artery in her arm into your IV. I ran in and said, ‘Are you crazy? Are you out of your mind? You’re siphoning blood from yourself into him?’ She said to me in
her calm, I-won’t-stand-for-any-argument voice, ‘Ina, if I don’t, he will die.’ I yelled at her. I said, ‘There are thirty soldiers in the critical wing who need sutures and bandages and their wounds cleaned. Why don’t you take care of them and let God take care of the dead?’ And she said, ‘He’s not dead. He is still alive, and while he is alive, he is mine.’ Can you believe it, Major? But that’s what she said. ‘Oh, for God’s sake,’ I said to her. ‘Fine, die yourself. I don’t care.’ But the next morning I went to complain to Dr. Sayers that she wasn’t following procedure,
told him what she had done, and he ran to yell at her.” Ina lowered her voice to a sibilant, incredulous whisper. “We found her unconscious on the floor by your bed. She was in a dead faint, but you had taken a turn for the better. All your vital signs were up. And Tatiana got up from the floor, white as death itself, and said to the doctor coldly, ‘Maybe now you can give him the penicillin he needs?’ I could see the doctor was stunned. But he did. Gave you penicillin and more plasma and extra morphine. Then he operated on you, to get bits of the shell fragment out
of you, and saved your kidney. And stitched you. And all that time she never left his side, or yours. He told her your bandages needed to be changed every three hours to help with drainage,
to prevent infection. We had only two nurses in the terminal wing, me and her. I had to take care of all the other patients, while all she did was take care of you. For fifteen days and nights she unwrapped you and cleaned you and changed your dressings. Every three hours. She was a ghost by the end. But you made it. That’s when we moved you to critical care. I said to her, ‘Tania, this man ought to marry you for what you did for him,’ and she said, ‘You think so?’ ” Ina tutted again. Paused. “Are you all right, Major? Why are you crying?
”
”
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
“
After a sleepless night the body gets weaker,
It becomes dear and not yours - and nobody's.
Just like a seraph you smile to people
And arrows moan in the slow arteries.
After a sleepless night the arms get weaker
And deeply equal to you are the friend and foe.
Smells like Florence in the frost, and in each
Sudden sound is the whole rainbow.
Tenderly light the lips, and the shadow's golden
Near the sunken eyes. Here the night has sparked
This brilliant likeness - and from the dark night
Only just one thing - the eyes - are growing dark.
”
”
Marina Tsvetaeva
“
Getting two-inch silver chain chokers around the neck of a guy, especially Shane, proved to be more of a problem.
Shane held the jewelry at arm's length, dangling it like a dead rat. "No way in hell am I caught dead or alive wearing that."
"Oh, come on, just this once," Eve said. "Protects your neck. As in your arteries and veins? That's kind of crucial, right?"
"Thanks for the thought, but it doesn't go with my shoes.
”
”
Rachel Caine
“
Her correspondence had been like the pumping of a heart into a severed artery, wild and incessant at first, then slowing down with a kind of muscular reluctance to a stream that became a trickle and finally ceased; the heart had stopped.
”
”
Michael Chabon (The Amazing Adventures of Kavalier & Clay)
“
We look back through countless millions of years and see the great will to live struggling out of the intertidal slime, struggling from shape to shape and from power to power, crawling and then walking confidently upon the land, struggling generation after generation to master the air, creeping down the darkness of the deep; we see it turn upon itself in rage and hunger and reshape itself anew, we watch it draw nearer and more akin to us, expanding, elaborating itself, pursuing its relentless inconceivable purpose, until at last it reaches us and its being beats through our brains and arteries...It is possible to believe that all the past is but the beginning of a beginning, and that all that is and has been is but the twilight of the dawn. It is possible to believe that all that the human mind has accomplished is but the dream before the awakening; out of our lineage, minds will spring that will reach back to us in our littleness to know us better than we know ourselves. A day will come, one day in the unending succession of days, when beings, beings who are now latent in our thoughts and hidden in our loins, shall stand upon this earth as one stands upon a footstool, and shall laugh and reach out their hands amidst the stars.
”
”
H.G. Wells
“
You know, I don't believe they noticed I had murdered them. I really don't. They just seemed faintly put out, as if it were a bit of bad luck, an act of God. 'Oh, my carotid artery has been severed with an open razor. I knew I should have cut down on greasy foods.' 'Botheration, I'm being belaboured with a fourteenth-century battleaxe. What are the odds, eh?
”
”
Jonathan L. Howard (Johannes Cabal the Necromancer (Johannes Cabal, #1))
“
Profound melancholia is a day-in, day-out, night-in, night-out, almost arterial level of agony.
”
”
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
“
Be thou as a throbbing artery, pulsating in the body of the entire creation, that through the heat generated by this motion there may appear that which will quicken the hearts of those who hesitate.
”
”
Bahá'u'lláh
“
Miles away, down through an opening in the hills, he could catch glimpses of a road where motor-cars sometimes passed, and yet here, so removed from the arteries of the latest civilization, was a bat-haunted old homestead, where something unmistakably like witchcraft seemed to hold a very practical sway.
”
”
Saki (The Chronicles of Clovis)
“
...seen from above, landscapes are made up of mountains and watercourses. Just as a transparent model of the human body consists of a framework of bone and a network of arteries, the earth's crust is structured in mountain ridges, river, creeks, and gullies.
”
”
Reinhold Messner (Mountains from Space: Peaks and Ranges of the Seven Continents)
“
Cannot you see, cannot all you lecturers see, that it is we that are dying, and that down here the only thing that really lives is the Machine? We created the Machine, to do our will, but we cannot make it do our will now. It has robbed us of the sense of space and of the sense of touch, it has blurred every human relation and narrowed down love to a carnal act, it has paralyzed our bodies and our wills, and now it compels us to worship it. The Machine develops - but not on our lies. The Machine proceeds - but not to our goal. We only exist as the blood corpuscles that course through its arteries, and if it could work without us, it would let us die.
”
”
E.M. Forster (The Machine Stops)
“
Why are you naked?" "The better to feed you, m'dear." He pointed between his legs and my gaze roved along his cock. Then I saw his forefinger tapping his inner thigh. "Femoral artery." "Riiight. And the major vein in your neck wasn't good enough because… ?" One black brow winged up and those delicious lips curved into a naughty smile. "Ah. Because then I wouldn't have had an excuse to get naked.
”
”
Michele Bardsley (I'm the Vampire, That's Why (Broken Heart, #1))
“
The fog still slept on the wing above the drowned city, where the lamps glimmered like carbuncles; and through the muffle and smother of these fallen clouds, the procession of the town's life was still rolling in through the great arteries with a sound as of a mighty wind.
”
”
Robert Louis Stevenson (The Strange Case of Dr. Jekyll and Mr. Hyde)
“
It’s good,” Jackson said. “You’re just saying that,” I replied. “No, really, it’s good. A little greasy….” “The grease is part of the charm,” I pointed out. “Said the heart attack to the clogged arteries.” “You’re in the South now, boy. Grease is one of the four main food groups.
”
”
Nick Wilgus (Shaking the Sugar Tree (Sugar Tree, #1))
“
A Kite is a Victim
A kite is a victim you are sure of.
You love it because it pulls
gentle enough to call you master,
strong enough to call you fool;
because it lives
like a desperate trained falcon
in the high sweet air,
and you can always haul it down
to tame it in your drawer.
A kite is a fish you have already caught
in a pool where no fish come,
so you play him carefully and long,
and hope he won't give up,
or the wind die down.
A kite is the last poem you've written
so you give it to the wind,
but you don't let it go
until someone finds you
something else to do.
A kite is a contract of glory
that must be made with the sun,
so you make friends with the field
the river and the wind,
then you pray the whole cold night before,
under the travelling cordless moon,
to make you worthy and lyric and pure.
Gift
You tell me that silence
is nearer to peace than poems
but if for my gift
I brought you silence
(for I know silence)
you would say
This is not silence
this is another poem
and you would hand it back to me
There are some men
There are some men
who should have mountains
to bear their names through time
Grave markers are not high enough
or green
and sons go far away to lose the fist
their father’s hand will always seem
I had a friend he lived and died
in mighty silence and with dignity
left no book son or lover to mourn.
Nor is this a mourning song
but only a naming of this mountain
on which I walk
fragrant, dark and softly white
under the pale of mist
I name this mountain after him.
-Believe nothing of me
Except that I felt your beauty
more closely than my own.
I did not see any cities burn,
I heard no promises of endless night,
I felt your beauty
more closely than my own.
Promise me that I will return.-
-When you call me close
to tell me
your body is not beautiful
I want to summon
the eyes and hidden mouths
of stone and light and water
to testify against you.-
Song
I almost went to bed
without remembering
the four white violets
I put in the button-hole
of your green sweater
and how i kissed you then
and you kissed me
shy as though I'd
never been your lover
-Reach into the vineyard of arteries for my heart.
Eat the fruit of ignorance and share with me the mist and
fragrance of dying.-
”
”
Leonard Cohen (The Spice-Box of Earth)
“
Here, are the stiffening hills, here, the rich cargo
Congealed in the dark arteries,
Old veins
That hold Glamorgan's blood.
The midnight miner in the secret seams,
Limb, life, and bread.
- Rhondda Valley
”
”
Mervyn Peake (Collected Poems)
“
Why should I give up revenge? On behalf of what? Moral principles? And what of the higher order of things, in which evil deeds are punished? For you, a philosopher and ethicist, an act of revenge is bad, disgraceful, unethical and illegal. But I ask: where is the punishment for evil? Who has it and grants access? The Gods, in which you do not believe? The great demiurge-creator, which you decided to replace the gods with? Or maybe the law? [...] I know what evil is afraid of. Not your ethics, Vysogota, not your preaching or moral treaties on the life of dignity. Evil is afraid of pain, mutilation, suffering and at the end of the day, death! The dog howls when it is badly wounded! Writhing on the ground and growls, watching the blood flow from its veins and arteries, seeing the bone that sticks out from a stump, watching its guts escape its open belly, feeling the cold as death is about to take them. Then and only then will evil begin to beg, 'Have mercy! I regret my sins! I'll be good, I swear! Just save me, do not let me waste away!'. Yes, hermit. That is the way to fight evil! When evil wants to harm you, inflict pain - anticipate them, it's best if evil does not expect it. But if you fail to prevent evil, if you have been hurt by evil, then avenge him! It is best when they have already forgotten, when they feel safe. Then pay them in double. In triple. An eye for an eye? No! Both eyes for an eye! A tooth for a tooth? No! All their teeth for a tooth! Repay evil! Make it wail in pain, howling until their eyes pop from their sockets. And then, you can look under your feet and boldly declare that what is there cannot endanger anyone, cannot hurt anyone. How can someone be a danger, when they have no eyes? How can someone hurt when they have no hands? They can only wait until they bleed to death.
”
”
Andrzej Sapkowski (Wieża Jaskółki (Saga o Wiedźminie, #4))
“
it’s grandma food, ‘bad for the arteries but good for the heart.
”
”
Louise Erdrich (The Sentence)
“
When my friend Melot set the trap, I think I knew it. I turned to death full face, as I had turned to love with my whole body. I would let death enter me as you had entered me. You had crept along my blood vessels through the wound, and the blood that circulates returns to the heart. You circulated me, you made me blush like a girl in the hoop of your hands. You were in my arteries and my lymph, you were the colour just under my skin, and if I cut myself, it was you I bled. Red Isolde, alive on my fingers, and always the force of blood pushing you back to my heart.
”
”
Jeanette Winterson
“
The key to faking deaths is a fine appreciation of arterial spray patterns. I have found that blood bags work very well at simulating spray with a strategically poked hole; apply pressure to the bottom of the bag, practice a bit, and before long you will be able to write stories of carnage and odes to gore.
A small fan brush-the sort that one dude used to paint happy little trees-can paint a picture of blunt force spatters if you flick the surface properly. You could even talk to yourself, as that painter did, while you flick blood around: "And maybe over here we have a nice stab wound. And, I don't know, maybe there's a few more back over here. Multiple stab wounds. It doesn't matter, whatever you feel like.
”
”
Kevin Hearne (Tricked (The Iron Druid Chronicles, #4))
“
Her German language made my arteries harden-
I've no annuity for the play we blew.
I chartered an aluminum canoe,
I had her six times in the English Garden.
”
”
Robert Lowell
“
Blood squirted as his transected femoral artery haemorrhaged to the rhythm of his horrible heart.
- From Potter's Field
”
”
Patricia Cornwell (From Potter's Field (Kay Scarpetta, #6))
“
Gunfire doesn’t startle real Texans, particularly those from rural towns. Miranda’s children mastered pistols, shotguns, and rifles like magicians master top hats, rabbits, and playing cards. Texas bravado aside, however, fully automatic gunfire wasn’t kosher. Not even close. Mirandites cowered at the ominous sounds of hoodlums firing M-16s and AK-47s from train cars barreling through the town’s arteries on largely secluded tracks.
”
”
Chad Boudreaux (Homecoming Queen)
“
Bruges was his dead wife. And his dead wife was Bruges. The two were united in a like destiny. It was Bruges-la-Morte, the dead town entombed in its stone quais, with the arteries of its canals cold once the great pulse of the sea had ceased beating in them.
”
”
Georges Rodenbach (Bruges-La-Morte)
“
He's at ease, his body sculpted to the music, his shoulder searching the other shoulder, his right toe knowing the left knee, the height, the depth, the form, the control, the twist of his wrist, the bend of his elbow, the tilt of his neck, notes digging into arteries, and he is in the air now, forcing the legs up beyond muscular memory, one last press of the thighs, an elongation of form, a loosening of human contour, he goes higher and is skyheld.
”
”
Colum McCann (Dancer)
“
You know,” Ricky began, “if you’re not busy tonight—”
Pointing at Ricky with her cell phone, the teen asked, “Are you our daddy?”
Disgusted, Ricky stated to the jackal, “Woman, there has to be an easier way for you to get rid of a man.”
“Perhaps, but I’ve found that there’s nothing quicker. “She winked at him, then gestured behind him with her chin. “And you may want to check on your brother—he’s still bleeding.”
“Yeah. I think Novikov nicked an artery . . . again.
”
”
Shelly Laurenston (Wolf with Benefits (Pride, #8))
“
There is lovemaking that is bad for a person, just as there is eating that is bad. That boysenberry cream pie from the Thrift-E Mart may appear inviting, may, in fact, cause all nine hundred taste buds to carol from the tongue, but in the end, the sugars, the additives, the empty calories clog arteries, disrupt cells, generate fat, and rot teeth. Even potentially nourishing foods can be improperly prepared. There are wrong combinations and improper preparations in sex as well. Yes, one must prepare for a fuck--the way an enlightened priest prepares to celebrate mass, the way a great matador prepares for the ring: with intensification, with purification, with a conscious summoning of sacred power. And even that won't work if the ingredients are poorly matched: oysters are delectable, so are strawberries, but mashed together ... (?!) Every nutritious sexual recipe calls for at least a pinch of love, and the fucks that rate four-star rankings from both gourmets and health-food nuts use cupfuls. Not that sex should be regarded as therapeutic or to be taken for medicinal purposes--only a dullard would hang such a millstone around the nibbled neck of a lay--but to approach sex carelessly, shallowly, with detachment and without warmth is to dine night after night in erotic greasy spoons. In time, one's palate will become insensitive, one will suffer (without knowing it) emotional malnutrition, the skin of the soul will fester with scurvy, the teeth of the heart will decay. Neither duration nor proclamation of commitment is necessarily the measure--there are ephemeral explosions of passion between strangers that make more erotic sense than lengthy marriages, there are one-night stands in Jersey City more glorious than six-months affairs in Paris--but finally there is a commitment, however brief; a purity, however threatened; a vulnerability, however concealed; a generosity of spirit, however marbled with need; and honest caring, however singled by lust, that must be present if couplings are to be salubrious and not slow poison.
”
”
Tom Robbins (Still Life with Woodpecker)
“
Fire!
Your nose ignites,
flameless kerosene
(and, some say, Drano)
laced with ephedrine
you want to cry
powdered demons bite
through cartilage and sinuses,
take dead aim at your
brain, jump inside
want to scream
troops of tapping feet
fall into rhythm,
marking time, right
between your eyes
get the urge to dance
louder, louder, ultra
gray-matter power,
shock waves of energy
mushroom inside your head
you want to let go
detonate,
annihilate barriers,
bring down the walls,
unleashing floodwaters,
freeing long-captive dreams
to ride the current
through
arteries and capillaries,
pulsing, rushing,
raging torrents
pounding against your heart
sweeping you away
”
”
Ellen Hopkins (Crank (Crank, #1))
“
He wanted to tear through Julian’s skin and map the shapes of liver and lungs, to memorize the path of every artery with his fingertips. He wanted to break Julian’s body open and move inside it alongside him, rib cages interlaced around a single heart.
”
”
Micah Nemerever (These Violent Delights)
“
Fifteen Ways to Stay Alive
1. Offer the wolves your arm only from the elbow down. Leave tourniquet space. Do not offer them your calves. Do not offer them your side. Do not let them near your femoral artery, your jugular. Give them only your arm.
2. Wear chapstick when kissing the bomb.
3. Pretend you don’t know English.
4. Pretend you never met her.
5. Offer the bomb to the wolves. Offer the wolves to the zombies.
6. Only insert a clean knife into your chest. Rusty ones will cause tetanus. Or infection.
7. Don’t inhale.
8. Realize that this love was not your trainwreck, was not the truck that flattened you, was not your Waterloo, did not cause massive haemorrhaging from a rusty knife. That love is still to come.
9. Use a rusty knife to cut through most of the noose in a strategic place so that it breaks when your weight is on it.
10. Practice desperate pleas for attention, louder calls for help. Learn them in English, French, Spanish: May Day, Aidez-Moi, Ayúdame.
11. Don’t kiss trainwrecks. Don’t kiss knives. Don’t kiss.
12. Pretend you made up the zombies, and only superheroes exist.
13. Pretend there is no kryptonite.
14. Pretend there was no love so sweet that you would have died for it, pretend that it does not belong to someone else now, pretend like your heart depends on it because it does. Pretend there is no wreck — you watched the train go by and felt the air brush your face and that was it. Another train passing. You do not need trains. You can fly. You are a superhero. And there is no kryptonite.
15. Forget her name.
”
”
Daphne Gottlieb
“
God, but the coast here was painfully beautiful, the dark lush greens of the fir trees piercing his brain, the half-raging sky and sea, the surge of salt water against the rocks twinned to the urgent wash of blood through his arteries as he waited for her to kill him or hear him out. Seditious thoughts: there would be nothing too terrible about dying out here, about becoming part of all of this.
”
”
Jeff VanderMeer (Authority (Southern Reach, #2))
“
So quietly flows the Seine that
one hardly notices its presence. It is always there, quiet and unobtrusive, like a great
artery running through the human body. In the wonderful peace that fell over me
itseemed as if I had climbed to the top of a high mountain; for a little while I would be
able to look around me, to take in the meaning of the landscape.
Human beings make a strange fauna and flora. From a distance they appear
negligible; close up they are apt to appear ugly and malicious. More than anything they
need to be surrounded with sufficient space – space even more than time.
The sun is setting. I feel this river flowing through meits past, its ancient soil, the
changing climate. The hills gently girdle it about: its course is fixed.
”
”
Henry Miller (Tropic of Cancer (Tropic, #1))
“
If it is to be taken seriously again, the Left must find its voice. There is much to be angry about: growing inequalities of wealth and opportunity; injustices of class and caste; economic exploitation at home and abroad; corruption and money and privilege occluding the arteries of democracy.
”
”
Tony Judt (Ill Fares The Land: A Treatise On Our Present Discontents)
“
I've got so much inside me I have no idea about. I'm like the mayor of a city I've never seen."
He smiles at my phrasing. "If you knew the kind of miracles happening every moment you breathe in, you wouldn't be able to handle it. A valve could close and not open; an artery could split, you could die. At any moment. It's nothing but miracles inside your tiny city.
”
”
Sally Thorne (The Hating Game)
“
She has observed, with pleasure, the very fine china of which the establishment boasts: Meissen’s Ming Dragon, sinuous as arteries, persimmon bright against gilt-edged bone white. She looks forward to her own pot, anticipates the dark, smoky, malty path her chosen tea will pick between the notes of candied rose, delicate bergamot, champagne and muscat and violet.
”
”
Amal El-Mohtar (This Is How You Lose the Time War)
“
When he heard laughter, before he could think or feel anything, his heart would already be beating like he’d sprinted twenty yards. As the beating slowly normalized he’d think of how his heart, unlike him, was safely contained, away from the world, behind bone and inside skin, held by muscles and arteries in its place, carefully off-center, as if to artfully assert itself as source and creator, having grown the chest to hide in and to muffle and absorb—and, later, after innovating the brain and face and limbs, to convert into productive behavior—its uncontrollable, indefensible, unexplainable, embarrassing squeezing of itself.
”
”
Tao Lin (Taipei)
“
Tatiana hooked an IV to Alexander's vein herself and fed him morphine and fed him plasma. And when that wasn't enough, she gave Alexander her blood. And when that wasn't enough, and it looked as if nothing was going to be enough, she trickled blood from her arteries into his veins.
Drop by drop.
And as she sat by him, she whispered. All I want is for my spirit to be heard through your pain. I sit here with you, pouring my love into you, drop by drop, hoping you'll hear me, hoping you'll lift your head to me and smile again.
”
”
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
“
A city is half beast and half machine, with arteries of fresh water and veins of foul, nerves of telephone and electrical cables, sewer lines for bowels, pipes full of pressurized steam and others carrying gas, valves and fans and filters and meters and motors and transformers and tens of thousands of interlinked computers, and though its people sleep, the city never does.
”
”
Dean Koontz (Innocence)
“
It takes guts to walk into a burning building or staunch an arterial bleed—no question. But it also takes a special kind of brain. Firefighters think differently from other people, and this is especially true of me. Because when everybody else is panicking, when the entire whole world is freaking the heck out—that’s when I get calm.
”
”
Katherine Center (Things You Save in a Fire)
“
He open his mouth and gasps into the bag, and the vomiting goes on endlessly. It will not stop, and he keeps bringing up liquid, long after his stomach should have been empty. The airsickness bag fills up to the brim with a substance known as the vomito negro, or the black vomit. The black vomit is not really black; it is a speckled liquid of two colors, black and red, a stew of tarry granules mixed with fresh red arterial blood. It is hemorrhage, and it smells like a slaughterhouse. The black vomit is loaded with virus.
”
”
Richard Preston (The Hot Zone: The Terrifying True Story of the Origins of the Ebola Virus)
“
It is often said that the first sound we hear in the womb is our mother's heartbeat. Actually, the first sound to vibrate our newly developed hearing apparatus is the pulse of our mother's blood through her veins and arteries. We vibrate to that primordial rhythm even before we have ears to hear. Before we were conceived, we existed in part as an egg in our mother's ovary. All the eggs a woman will ever carry form in her ovaries while she is a four-month-old fetus in the womb of her mother. This means our cellular life as an egg begins in the womb of our grandmother. Each of us spent five months in our grandmother's womb and she in turn formed within the womb of her grandmother. We vibrate to the rhythms of our mother's blood before she herself is born. And this pulse is the thread of blood that runs all the way back through the grandmothers to the first mother. We all share the blood of the first mother. We are truly children of one blood.
”
”
Layne Redmond (When The Drummers Were Women: A Spiritual History of Rhythm)
“
The early anatomists were dealing with a chronic shortage of bodies for dissection, and consequently were motivated to come up with ways to preserve the ones they managed to obtain. Blanchard’s textbook was the first to cover arterial embalming. He describes opening up an artery, flushing the blood out with water, and pumping in alcohol. I’ve been to frat parties like that.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
I stayed under the moon too long.
I am silvered with lust.
Dreams flick like minnows through my eyes.
My voice is trees tossing in the wind.
I loose myself like a flock of blackbirds
storming into your face.
My lightest touch leaves blue prints,
bruises on your mind.
Desire sandpapers your skin
so thin I read the veins and arteries
maps of routes I will travel
till I lodge in your spine.
The night is our fur.
We curl inside it licking.
”
”
Marge Piercy
“
There was and still is a tremendous fear that poor and working-class Americans might one day come to understand where their political interests reside. Personally, I think the elites worry too much about that. We dumb working folk were clubbed into submission long ago, and now require only proper medication for our high levels of cholesterol, enough alcohol to keep the sludge moving through our arteries, and a 24/7 mind-numbing spectacle of titties, tabloid TV, and terrorist dramas. Throw in a couple of new flavours of XXL edible thongs, and you've got a nation of drowsing hippos who will never notice that our country has been looted, or even that we have become homeless ourselves.
”
”
Joe Bageant (Rainbow Pie)
“
Why are you naked?"
"The better to feed you, m'dear." Then I saw his forefinger tapping his inner thigh. "Femoral artery."
"Riiight. And the major vein in your neck wasn't good enough because… ?"
One black brow winged up and those delicious lips curved into a naughty smile.
"Ah. Because then I wouldn't have had an excuse to get naked."
"Or get chained to a wall."
"Hmmm.
”
”
Michele Bardsley (I'm the Vampire, That's Why (Broken Heart, #1))
“
I weigh just a little under two hundred pounds have brown hair blue eyes and a full set of teeth. As far as I know my thyroid gland pumps the right hormones into the twelve pints of blood that circulate in my arteries and veins. At six feet and two inches I have long femurs and tibias with solid connective tissue. Both my kidneys function properly and my heart runs at a steady clip of eighty-seven beats per minute. All in I figure I'm worth about 250 000.
”
”
Scott M. Carney (The Red Market: On the Trail of the World's Organ Brokers, Bone Thieves, Blood Farmers, and Child Traffickers)
“
The woman who later became his wife was sleeping in his bed, her face buried in the pillows and her feet crossed on top of each other like a child's. He watched her sleep and struggled to see her as she was, but what he saw instead were her muscles and bones. He saw right through the skin to where her femur connected to her tibia by way of the ligaments, to the hair web of nerves and the delicate forest of her lungs, to the abstract heart pumping blood through her arteries. It terrified him how easily these systems could fail her.
”
”
Nicole Krauss (Man Walks into a Room)
“
They laid me down again while somebody fetched a stretcher. As soon as I knew that the bullet had gone clean through my neck I took it for granted that I was done for. I had never heard of a man or an animal getting a bullet through the middle of the neck and surviving it. The blood was dribbling out of the comer of my mouth. ‘The artery's gone,’ I thought. I wondered how long you last when your carotid artery is cut; not many minutes, presumably. Everything was very blurry. There must have been about two minutes during which I assumed that I was killed. And that too was interesting—I mean it is interesting to know what your thoughts would be at such a time. My first thought, conventionally enough, was for my wife. My second was a violent resentment at having to leave this world which, when all is said and done, suits me so well. I had time to feel this very vividly. The stupid mischance infuriated me. The meaninglessness of it! To be bumped off, not even in battle, but in this stale comer of the trenches, thanks to a moment's carelessness! I thought, too, of the man who had shot me—wondered what he was like, whether he was a Spaniard or a foreigner, whether he knew he had got me, and so forth. I could not feel any resentment against him. I reflected that as he was a Fascist I would have killed him if I could, but that if he had been taken prisoner and brought before me at this moment I would merely have congratulated him on his good shooting. It may be, though, that if you were really dying your thoughts would be quite different.
”
”
George Orwell (Homage to Catalonia)
“
Imagine you are Siri Keeton:
You wake in an agony of resurrection, gasping after a record-shattering bout of sleep apnea spanning one hundred forty days. You can feel your blood, syrupy with dobutamine and leuenkephalin, forcing its way through arteries shriveled by months on standby. The body inflates in painful increments: blood vessels dilate; flesh peels apart from flesh; ribs crack in your ears with sudden unaccustomed flexion. Your joints have seized up through disuse. You're a stick-man, frozen in some perverse rigor vitae.
You'd scream if you had the breath.
Vampires did this all the time, you remember. It was normal for them, it was their own unique take on resource conservation. They could have taught your kind a few things about restraint, if that absurd aversion to right-angles hadn't done them in at the dawn of civilization. Maybe they still can. They're back now, after all— raised from the grave with the voodoo of paleogenetics, stitched together from junk genes and fossil marrow steeped in the blood of sociopaths and high-functioning autistics. One of them commands this very mission. A handful of his genes live on in your own body so it too can rise from the dead, here at the edge of interstellar space. Nobody gets past Jupiter without becoming part vampire.
”
”
Peter Watts (Blindsight (Firefall, #1))
“
Unix is not so much a product as it is a painstakingly compiled oral history of the hacker subculture. It is our Gilgamesh epic: a living body of narrative that many people know by heart, and tell over and over again—making their own personal embellishments whenever it strikes their fancy. The bad embellishments are shouted down, the good ones picked up by others, polished, improved, and, over time, incorporated into the story. […] Thus Unix has slowly accreted around a simple kernel and acquired a kind of complexity and asymmetry about it that is organic, like the roots of a tree, or the branchings of a coronary artery. Understanding it is more like anatomy than physics.
”
”
Neal Stephenson
“
Some Greek idiot believed the ring finger on the left hand had an artery that led straight to the heart. And they bought it. How such an intelligent species could be so uninformed about their own physiology for so much of their existence was beyond me. Humans scoffed at the idea of gods and turned their backs on us, leaving us all to die. Yet some ridiculous notion that wearing a chunk of metal on a certain finger bound two souls until death stuck. Figures.
”
”
Kaitlin Bevis (The Iron Queen (Daughters of Zeus, #3))
“
Mr. Blue's way of death was fitting. He had been utterly corrupted by America, and I find it proper that his carotid artery should have been severed by flak from a jumbo-sized can of mentholated shave cream. Like James Joyce, who tried to bend and subjugate the ironmongery of the cosmos with words (wasn't it The Word Joyce was after?), Mr. Blue tried to undo the empyrean mysteries with Seedy and his red carpet, with his elevated alligator shoes, with the ardent push-ups he seemed so sure would make him outlast time's ravages, with his touching search for some golden pussy that would yield to his lips the elixir of eternal life. And like Joyce's Leopold Bloom, like Quixote, Mr. Blue had become the perennial mock-epic hero of his country, the salesman, the boomer who believed that at the end of his American sojourn of demeaning doorbell-ringing, of faking and fawning, he would come to the Ultimate Sale, conquer, and soar.
”
”
Frederick Exley (A Fan's Notes)
“
As I speak, blood is coursing through our bodies. As it moves away from the heart it marches to a 2/4 or 4/4 beat and it's arterial blood, reoxygenated, assertive, active, progressive, optimistic. When it reaches our extremities and turns home--the heart--well, it's nostalgic, venous blood (as in veins), it's tired, wavelike, rising and falling, fighting against gravity and inertia, and it moves to the beat of a waltz, a 3/4 beat, a little homesick now, and full of longing.
”
”
Mary Ruefle (Madness, Rack, and Honey: Collected Lectures)
“
Interstate highways are the veins and arteries by which crime circulates in America. Serial killers seem to float through them like blood cells, sometimes fast, sometimes slow. Crimes committed along interstate highways ought to be considered extraterritorially, apart from the normal rules of geography, and separate from a state's good name. These huge highways form a kind of fifty-first state of their own, a state whose flower is the deadly nightshade and whose state bird is the vulture.
”
”
William R. Maples (Dead Men Do Tell Tales: The Strange and Fascinating Cases of a Forensic Anthropologist)
“
In the secret places of her thymus gland Louise is making too much of herself. Her faithful biology depends on regulation but the white T-cells have turned bandit. They don't obey the rules. They are swarming into the bloodstream, overturning the quiet order of spleen and intestine. In the lymph nodes they are swelling with pride. It used to be their job to keep her body safe from enemies on the outside. They were her immunity, her certainty against infection. Now they are the enemies on the inside. The security forces have rebelled. Louise is the victim of a coup.
Will you let me crawl inside you, stand guard over you, trap them as they come at you? Why can't I dam their blind tide that filthies your blood? Why are there no lock gates on the portal vein? The inside of your body is innocent, nothing has taught it fear. Your artery canals trust their cargo, they don't check the shipments in the blood. You are full to overflowing but the keeper is asleep and there's murder going on inside. Who comes here? Let me hold up my lantern. It's only the blood; red cells carrying oxygen to the heart, thrombocytes making sure of proper clotting. The white cells, B and T types, just a few of them as always whistling as they go.
The faithful body has made a mistake. This is no time to stamp the passports and look at the sky. Coming up behind are hundreds of them. Hundreds too many, armed to the teeth for a job that doesn't need doing. Not needed? With all that weaponry?
Here they come, hurtling through the bloodstream trying to pick a fight. There's no-one to fight but you Louise. You're the foreign body now.
”
”
Jeanette Winterson (Written on the Body)
“
Cannot you see, cannot all you lecturers see, that it is we that are dying, and that down here the only thing that really lives is the Machine? We created the Machine, to do our will, but we cannot make it do our will now. It has robbed us of the sense of space and of the sense of touch, it has blurred every human relation and narrowed down love to a carnal act, it has paralysed our bodies and our wills, and now it compels us to worship it. The Machine develops — but not on our lines. The Machine proceeds — but not to our goal. We only exist as the blood corpuscles that course through its arteries, and if it could work without us, it would let us die.
”
”
E.M. Forster (The Machine Stops)
“
Whatever this is that I am, it is flesh and a little spirit and an intelligence. Throw away your books; stop letting yourself be distracted. That is not allowed. Instead, as if you were dying right now, despise your flesh. A mess of blood, pieces of bone, a woven tangle of nerves, veins, arteries. Consider what the spirit is: air, and ever the same air, but vomited out and gulped in again every instant. Finally, the intelligence. Think of it this way: You are an old man. Stop allowing your mind to be a slave, to be jerked about by selfish impulses, to kick against fate and the present, and to mistrust the future.
”
”
Marcus Aurelius (Meditations)
“
In their 2001 study 'The Girl Who Cried Pain: A Bias Against Women in the Treatment of Pain,' Diane E Hoffmann and Anita J. Tarzian pointed out that women are 'more likely to have their pain reports discounted as 'emotional' or 'psychogenic' and, therefore, 'not real.' This invalidation parallels the invalidation of women's anger, which is similarly often reduced to proof of women's mental weakness. One study of postoperative pain relief for patients who had undergone coronary artery bypass surgery revealed that men in pain were given pain relief medication, but women were given sedatives. Sedatives aren't pain relievers, or analgesics. They're calming and dulling agents that 'take the edge off.' But for whom, exactly?
”
”
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
“
Nature likes to overinsure itself. Layers of redundancy are the central risk management property of natural systems. We humans have two kidneys (this may even include accountants), extra spare parts, and extra capacity in many, many things (say, lungs, neural system, arterial apparatus), while human design tends to be spare and inversely redundant, so to speak—we have a historical track record of engaging in debt, which is the opposite of redundancy (fifty thousand in extra cash in the bank or, better, under the mattress, is redundancy; owing the bank an equivalent amount, that is, debt, is the opposite of redundancy). Redundancy is ambiguous because it seems like a waste if nothing unusual happens. Except that something unusual happens—usually.
”
”
Nassim Nicholas Taleb (Antifragile: Things That Gain From Disorder)
“
His wedding gift, clasped round my throat. A choker of rubies, two inches wide, like an extraordinarily precious slit throat. After the terror, in the early days of the Directory, the aristos who’d escaped the guillotine had an ironic fad of tying a red ribbon round their necks at just the point where the blade would have sliced it through, a red ribbon like the memory of a wound. And his grandmother, taken with the notion, had her ribbon made up in rubies; such a gesture of luxurious defiance! That night at the opera comes back to me even now… the white dress; the frail child within it; and the flashing crimson jewels round her throat, bright as arterial blood.
I saw him watching me in the gilded mirrors with the assessing eye of a connoisseur inspecting horseflesh, or even of a housewife in the market, inspecting cuts on the slab. I’d never seen, or else had never acknowledged, that regard of his before, the sheer carnal avarice of it; and it was strangely magnified by the monocle lodged in his left eye. When I saw him look at me with lust, I dropped my eyes but, in glancing away from him, I caught sight of myself in the mirror. And I saw myself, suddenly, as he saw me, my pale face, the way the muscles in my neck stuck out like thin wire. I saw how much that cruel necklace became me. And, for the first time in my innocent and confined life, I sensed in myself a potentiality for corruption that took my breath away.
”
”
Angela Carter (Burning Your Boats: The Collected Short Stories)
“
It's interesting that penny-pinching is an accepted defense for toxic food habits, when frugality so rarely rules other consumer domains. The majority of Americans buy bottled drinking water, for example, even though water runs from the faucets at home for a fraction of the cost, and government quality standards are stricter for tap water than for bottled. At any income level, we can be relied upon for categorically unnecessary purchases: portable-earplug music instead of the radio; extra-fast Internet for leisure use; heavy vehicles to transport light loads; name-brand clothing instead of plainer gear. "Economizing," as applied to clothing, generally means looking for discount name brands instead of wearing last year's clothes again. The dread of rearing unfashionable children is understandable. But as a priority, "makes me look cool" has passed up "keeps arteries functional" and left the kids huffing and puffing (fashionably) in the dust.
”
”
Barbara Kingsolver (Animal, Vegetable, Miracle: A Year of Food Life)
“
I've been mistaken to assume that in this little village in the spring, so like a dream or a poem, life is a matter only of the singing birds, the falling blossoms, and the bubbling springs. The real world has crossed mountains and seas and is bearing down even on this isolated village, whose inhabitants have doubtless lived here in peace down the long stretch of years ever since they fled as defeated warriors from the great clan wars of the twelfth century. Perhaps a millionth part of the blood that will dye the wide Manchurian plains will gush from this young man's arteries, or seethe forth at the point of the long sword that hangs at his waist. Yet here this young man sits, beside an artist for whom the sole value of human life lies in dreaming. If I listen carefully, I can even hear the beating of his heart, so close are we. And perhaps even now, within that beat reverberates the beating of the great tide that is sweeping across the hundreds of miles of that far battlefield. Fate has for a brief and unexpected moment brought us together in this room, but beyond that it speaks no more.
”
”
Natsume Sōseki (The Three-Cornered World)
“
The guide showed us a coffee-colored piece of sculpture which he said was considered to have come from the hand of Phidias, since it was not possible that any other artist, of any epoch, could have copied nature with such faultless accuracy. The figure was that of a man without a skin; with every vein, artery, muscle, every fibre and tendon and tissue of the human frame, represented in detail. It looked natural, because somehow it looked as if it were in pain. A skinned man would be likely to look that way, unless his attention were occupied with some other matter. It was a hideous thing, and yet there was a fascination about it some where. I am sorry I saw it, because I shall always see it, now. I shall dream of it, sometimes. I shall dream that it is resting its corded arms on the bed's head and looking down on me with its dead eyes; I shall dream that it is stretched between the sheets with me and touching me with its exposed muscles and its stringy cold legs.
”
”
Mark Twain (The Innocents Abroad)
“
HAZEL WASN’T PROUD OF CRYING. After the tunnel collapsed, she wept and screamed like a two-year-old throwing a tantrum. She couldn’t move the debris that separated her and Leo from the others. If the earth shifted any more, the entire complex might collapse on their heads. Still, she pounded her fists against the stones and yelled curses that would’ve earned her a mouth-washing with lye soap back at St. Agnes Academy. Leo stared at her, wide-eyed and speechless. She wasn’t being fair to him. The last time the two of them had been together, she’d zapped him into her past and shown him Sammy, his great-grandfather—Hazel’s first boyfriend. She’d burdened him with emotional baggage he didn’t need, and left him so dazed they had almost gotten killed by a giant shrimp monster. Now here they were, alone again, while their friends might be dying at the hands of a monster army, and she was throwing a fit. “Sorry.” She wiped her face. “Hey, you know…” Leo shrugged. “I’ve attacked a few rocks in my day.” She swallowed with difficulty. “Frank is…he’s—” “Listen,” Leo said. “Frank Zhang has moves. He’s probably gonna turn into a kangaroo and do some marsupial jujitsu on their ugly faces.” He helped her to her feet. Despite the panic simmering inside her, she knew Leo was right. Frank and the others weren’t helpless. They would find a way to survive. The best thing she and Leo could do was carry on. She studied Leo. His hair had grown out longer and shaggier, and his face was leaner, so he looked less like an imp and more like one of those willowy elves in the fairy tales. The biggest difference was his eyes. They constantly drifted, as if Leo was trying to spot something over the horizon. “Leo, I’m sorry,” she said. He raised an eyebrow. “Okay. For what?” “For…” She gestured around her helplessly. “Everything. For thinking you were Sammy, for leading you on. I mean, I didn’t mean to, but if I did—” “Hey.” He squeezed her hand, though Hazel sensed nothing romantic in the gesture. “Machines are designed to work.” “Uh, what?” “I figure the universe is basically like a machine. I don’t know who made it, if it was the Fates, or the gods, or capital-G God, or whatever. But it chugs along the way it’s supposed to most of the time. Sure, little pieces break and stuff goes haywire once in a while, but mostly…things happen for a reason. Like you and me meeting.” “Leo Valdez,” Hazel marveled, “you’re a philosopher.” “Nah,” he said. “I’m just a mechanic. But I figure my bisabuelo Sammy knew what was what. He let you go, Hazel. My job is to tell you that it’s okay. You and Frank—you’re good together. We’re all going to get through this. I hope you guys get a chance to be happy. Besides, Zhang couldn’t tie his shoes without your help.” “That’s mean,” Hazel chided, but she felt like something was untangling inside her—a knot of tension she’d been carrying for weeks. Leo really had changed. Hazel was starting to think she’d found a good friend. “What happened to you when you were on your own?” she asked. “Who did you meet?” Leo’s eye twitched. “Long story. I’ll tell you sometime, but I’m still waiting to see how it shakes out.” “The universe is a machine,” Hazel said, “so it’ll be fine.” “Hopefully.” “As long as it’s not one of your machines,” Hazel added. “Because your machines never do what they’re supposed to.” “Yeah, ha-ha.” Leo summoned fire into his hand. “Now, which way, Miss Underground?” Hazel scanned the path in front of them. About thirty feet down, the tunnel split into four smaller arteries, each one identical, but the one on the left radiated cold. “That way,” she decided. “It feels the most dangerous.” “I’m sold,” said Leo. They began their descent.
”
”
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
“
The Peacemaker Colt has now been in production, without change in design, for a century. Buy one to-day and it would be indistinguishable from the one Wyatt Earp wore when he was the Marshal of Dodge City. It is the oldest hand-gun in the world, without question the most famous and, if efficiency in its designated task of maiming and killing be taken as criterion of its worth, then it is also probably the best hand-gun ever made. It is no light thing, it is true, to be wounded by some of the Peacemaker’s more highly esteemed competitors, such as the Luger or Mauser: but the high-velocity, narrow-calibre, steel-cased shell from either of those just goes straight through you, leaving a small neat hole in its wake and spending the bulk of its energy on the distant landscape whereas the large and unjacketed soft-nosed lead bullet from the Colt mushrooms on impact, tearing and smashing bone and muscle and tissue as it goes and expending all its energy on you.
In short when a Peacemaker’s bullet hits you in, say, the leg, you don’t curse, step into shelter, roll and light a cigarette one-handed then smartly shoot your assailant between the eyes. When a Peacemaker bullet hits your leg you fall to the ground unconscious, and if it hits the thigh-bone and you are lucky enough to survive the torn arteries and shock, then you will never walk again without crutches because a totally disintegrated femur leaves the surgeon with no option but to cut your leg off. And so I stood absolutely motionless, not breathing, for the Peacemaker Colt that had prompted this unpleasant train of thought was pointed directly at my right thigh.
Another thing about the Peacemaker: because of the very heavy and varying trigger pressure required to operate the semi-automatic mechanism, it can be wildly inaccurate unless held in a strong and steady hand. There was no such hope here. The hand that held the Colt, the hand that lay so lightly yet purposefully on the radio-operator’s table, was the steadiest hand I’ve ever seen. It was literally motionless. I could see the hand very clearly. The light in the radio cabin was very dim, the rheostat of the angled table lamp had been turned down until only a faint pool of yellow fell on the scratched metal of the table, cutting the arm off at the cuff, but the hand was very clear. Rock-steady, the gun could have lain no quieter in the marbled hand of a statue. Beyond the pool of light I could half sense, half see the dark outline of a figure leaning back against the bulkhead, head slightly tilted to one side, the white gleam of unwinking eyes under the peak of a hat. My eyes went back to the hand. The angle of the Colt hadn’t varied by a fraction of a degree. Unconsciously, almost, I braced my right leg to meet the impending shock. Defensively, this was a very good move, about as useful as holding up a sheet of newspaper in front of me. I wished to God that Colonel Sam Colt had gone in for inventing something else, something useful, like safety-pins.
”
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Alistair MacLean (When Eight Bells Toll)
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You think you know what a man is? You have no idea what a man is. You think you know what a daughter is? You have no idea what a daughter is. You think you know what this country is? You have no idea what this country is. You have a false image of everything. All you know is what a fucking glove is. This country is frightening. Of course she was raped. What kind of company do you think she was keeping? Of course out there she was going to get raped. This isn't Old Rimrock, old buddy - she's out there, old buddy, in the USA. She enters that world, that loopy world out there, with whats going on out there - what do you expect? A kid from Rimrock, NJ, of course she didn't know how to behave out there, of course the shit hits the fan. What could she know? She's like a wild child out there in the world. She can't get enough of it - she's still acting up. A room off McCarter Highway. And why not? Who wouldn't? You prepare her for life milking the cows? For what kind of life? Unnatural, all artificial, all of it. Those assumptions you live with. You're still in your olf man's dream-world, Seymour, still up there with Lou Levov in glove heaven. A household tyrannized by gloves, bludgeoned by gloves, the only thing in life - ladies' gloves! Does he still tell the one about the woman who sells the gloves washing her hands in a sink between each color? Oh where oh where is that outmoded America, that decorous America where a woman had twenty-five pairs of gloves? Your kid blows your norms to kingdom come, Seymour, and you still think you know what life is?" Life is just a short period of time in which we are alive. Meredith Levov, 1964. "You wanted Ms. America? Well, you've got her, with a vengeance - she's your daughter! You wanted to be a real American jock, a real American marine, a real American hotshot with a beautiful Gentile babe on your arm? You longed to belong like everybody else to the United States of America? Well, you do now, big boy, thanks to your daughter. The reality of this place is right up in your kisser now. With the help of your daughter you're as deep in the sit as a man can get, the real American crazy shit. America amok! America amuck! Goddamn it, Seymour, goddamn you, if you were a father who loved his daughter," thunders Jerry into the phone - and the hell with the convalescent patients waiting in the corridor for him to check out their new valves and new arteries, to tell how grateful they are to him for their new lease on life, Jerry shouts away, shouts all he wants if it's shouting he wants to do, and the hell with the rules of hte hospital. He is one of the surgeons who shouts; if you disagree with him he shouts, if you cross him he shouts, if you just stand there and do nothing he shouts. He does not do what hospitals tell him to do or fathers expect him to do or wives want him to do, he does what he wants to do, does as he pleases, tells people just who and what he is every minute of the day so that nothing about him is a secret, not his opinions, his frustrations, his urges, neither his appetite nor his hatred. In the sphere of the will, he is unequivocating, uncompromising; he is king. He does not spend time regretting what he has or has not done or justifying to others how loathsome he can be. The message is simple: You will take me as I come - there is no choice. He cannot endure swallowing anything. He just lets loose. And these are two brothers, the same parents' sons, one for whom the aggression's been bred out, the other for whom the aggression's been bred in. "If you were a father who loved your daughter," Jerry shouts at the Swede, "you would never have left her in that room! You would have never let her out of your sight!
”
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Philip Roth (American Pastoral)