Arrow Show Quotes

We've searched our database for all the quotes and captions related to Arrow Show. Here they are! All 100 of them:

The best teachers have showed me that things have to be done bit by bit. Nothing that means anything happens quickly--we only think it does. The motion of drawing back a bow and sending an arrow straight into a target takes only a split second, but it is a skill many years in the making. So it is with a life, anyone's life. I may list things that might be described as my accomplishments in these few pages, but they are only shadows of the larger truth, fragments separated from the whole cycle of becoming. And if I can tell an old-time story now about a man who is walking about, waudjoset ndatlokugan, a forest lodge man, alesakamigwi udlagwedewugan, it is because I spent many years walking about myself, listening to voices that came not just from the people but from animals and trees and stones.
Joseph Bruchac
Surely it wasn't possible that Vin diPietro was the first assignment. "Hello?" DiPietro waved. "You in there?" Nah, Jim thought. Can't be. That would be above and beyond any call of duty. Over the guy's shoulder, the commercial that was on the TV suddenly showed a price of $49.99-no, $29.99, with a little red arrow that ... considering where Vin was standing, poined right at his head. "Sh*t, no" Jim muttered. This was the guy? On the Tv screen, some woman in a pink bathrobe smiled up at the camera and mouthed, Yes, it is!
J.R. Ward (Covet (Fallen Angels, #1))
It's true: Everyone needs a reason to stay alive -- someone who justifies your existence. Someone who loves you. Not beyond all reason. Just loves you. Even just shows an interest. Even someone who doesn't exist, or isn't yours. No, no! They don't even have to love you! They just have to be there to love! Target for your arrows. Magnetic Pole to drag on your compass needle and stop it spinning and tell you where you're heading and...Someone to soak up all the yearning. That's what I think.
Geraldine McCaughrean (The White Darkness)
Code is not like other how-computers-work books. It doesn't have big color illustrations of disk drives with arrows showing how the data sweeps into the computer. Code has no drawings of trains carrying a cargo of zeros and ones. Metaphors and similes are wonderful literary devices but they do nothing but obscure the beauty of technology.
Charles Petzold (Code: The Hidden Language of Computer Hardware and Software)
Good friends, beware! the only life we know Flies from us like an arrow from the bow, The caravan of life is moving by, Quick! to your places in the passing show.
Richard Le Gallienne (رباعيات خيام)
It felt like being shot with an arrow, and Will jerked back. His wineglass crashed to the floor and shattered. He lurched to his feet, leaning both hands on the table. He was vaguely aware of stares, and the landlords anxious voice in his ear, but the pain was too great to think through, almost too great to breathe through. The tightness in his chest, the one he had thought of as one end of a cord tying him to Jem, had pulled so taut that it was strangling his heart. He stumbled away from his table, pushing through a knot of customers near the bar, and passed to the front door of the inn. All he could think of was air, getting air into his lungs to breathe. He pushed the doors open and half-tumbled out into the night. For a moment the pain in his chest eased, and he fell back against the wall of the inn. Rain was sheeting down, soaking his hair and clothes. He gasped, his heart stuttering with a misture of terror and desperation. Was this just the distance from Jem affecting him? He had never felt anything like this, even when Jem was at his worst, even when he'd been injured and Will had ached with sympathetic pain. The cord snapped. For a moment everything went white, the courtyard bleeching through as if with acid. Will jackknifed to his knees, vomiting up his supper into the mud. When the spasms had passed , he staggard to his feet and blindly away from the inn, as if trying to outpace his own pain. He fetched up against the wall of the stables, beside the horse trough. He dropped to his knees to plunge his hands into the icy water-and saw his own reflection. There was his face, as white as death, and his shirt, and a spreading stain of red across the front. With wet hands he siezed at his lapels and jerked the shirt open. In the dim light that spilled from the inn, he could see that his parabati rune, just over his heart, was bleeding. His hands were covered in blood, blood mixed with rain, the same ran that was washing the blood away from his chest, showing the rune as it began to fade from black to silver, changing all that had been sense in Will's life into nonsense. Jem was dead.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
Some bruises you wear like badges of honour: when you got it playing rugby, or quad racing, or falling off something while drunk, no opportunity is lost to show off a good contusion. A bruise inflicted by someone else, however, is a whole other story: it's like a big flashing arrow marking you out as punchable, and before long there'll be boys queuing up to add bruises of their own, as if they'd just been waiting for somebody to show them it could be done.
Paul Murray
But is life really worth so much? Let us examine this; it's a different inquiry. We will offer no solace for so desolate a prison house; we will encourage no one to endure the overlordship of butchers. We shall rather show that in every kind of slavery, the road of freedom lies open. I will say to the man to whom it befell to have a king shoot arrows at his dear ones [Prexaspes], and to him whose master makes fathers banquet on their sons' guts [Harpagus]: 'What are you groaning for, fool?... Everywhere you look you find an end to your sufferings. You see that steep drop-off? It leads down to freedom. You see that ocean, that river, that well? Freedom lies at its bottom. You see that short, shriveled, bare tree? Freedom hangs from it.... You ask, what is the path to freedom? Any vein in your body.
Seneca (Dying Every Day: Seneca at the Court of Nero)
My interpreter Sayuri is folding a piece of notebook paper. She is at step 21, where the crane's body is inflated. The directions show a tiny puff besides an arrow pointing at the bird. It makes sense if you already know what to do. Otherwise, it's wonderfully surreal: Put a cloud inside a bird.
Mary Roach (Packing for Mars: The Curious Science of Life in the Void)
In Chloe, a great city, the people who move through the streets are all strangers. At each encounter, they imagine a thousand things about one another; meetings which could take place between them, conversations, surprises, caresses, bites. But no one greets anyone; eyes lock for a second, then dart away, seeking other eyes, never stopping. A girl comes along, twirling a parasol on her shoulder, and twirling slightly also her rounded hips. A woman in black comes along, showing her full age, her eyes restless beneath her veil, her lips trembling. At tattooed giant comes along; a young man with white hair; a female dwarf; two girls, twins, dressed in coral. Something runs among them, an exchange of glances link lines that connect one figure with another and draws arrows, stars, triangles, until all combinations are used up in a moment, and other characters come on to the scene: a blind man with a cheetah on a leash, a courtesan with an ostrich-plume fan, an ephebe, a Fat Woman. And thus, when some people happen to find themselves together, taking shelter from the rain under an arcade, or crowding beneath an awning of the bazaar, or stopping to listen to the band in the square, meetings, seductions, copulations, orgies are consummated among them without a word exchanged, without a finger touching anything, almost without an eye raised. A voluptuous vibration constantly stirs Chloe, the most chaste of cities. If men and women began to live their ephemeral dreams, every phantom would become a person with whom to begin a story of pursuits, pretenses, misunderstandings, clashes, oppressions, and the carousel of fantasies would stop.
Italo Calvino
But before she could speak another word, he crushed his mouth against hers. It was so unexpected that she hadn't the chance to even think of pushing him away. His body pressed her firmly against the rough cave wall. His hands slid down to her waist to pull her closer to him. And just like that, with his proximity, with his kiss, he managed to fill her every sense. He was smoke from the campfire, he was leaves and moss and the night itself. There was nothing gentle in the rebel's kiss, nothing sweet or kind. It was like nothing she'd ever experience before, and so very dangerous—every bit as deadly as the kiss of an arrow. Finally, he pulled back just a little, his dark eyes glazed as if half drunk. "Princess..." He cupped her face between his hands, his breath ragged. Her lips felt bruised. "I suppose that's how Paelsians show their anger and frustration?
Morgan Rhodes (Rebel Spring (Falling Kingdoms, #2))
Love discovered me all weaponless, and opened the way to the heart through the eyes, which are made the passageways and doors of tears: so that it seems to me it does him little honour to wound me with his arrow, in that state, he not showing his bow at all to you who are armed
Francesco Petrarca
And around the time the moon and sun are coexisting in the sky, turning the room inside out with that eerie, yet calming pale glow, I have a terrible thought: I like him. I really, really like him. Like, love-like him. Like, with my metaphorical heart. Like, if I had an x-ray, it would show an arrow lodged right into the center of that bloody, bleeding mass of muscle in my chest. And I know, somehow, that things have changed between us.
Amber Smith (The Way I Used to Be (The Way I Used to Be, #1))
just say the word,” she tells me. there is something awe-inspiring about the way she always rushes in, arrows blazing, ready to defend my honor. she knows i’ve got this. i have dozens of scars to prove my resilience & i trusted her enough to show them to her.   “just say it,” she tells me. she only wants to reassure me she would throw herself to the wolves regardless.- huntress.
Nikita Gill (Dragonhearts)
Hey, hey, hey, hey Hey, hey, hey, hey Hey, hey, hey, hey Hey, hey, hey, hey Simmer down, simmer down They say we're too young now to amount to anything else But look around We work too damn hard for this just to give it up now If you don't swim, you'll drown But don't move, honey You look so perfect standing there In my American Apparel underwear And I know now, that I'm so down Your lipstick stain is a work of art I got your name tattooed in an arrow heart And I know now, that I'm so down (hey!) Hey, hey! Hey, hey, hey, hey Hey, hey, hey, hey Hey, hey, hey, hey Hey, hey, hey, hey Let's get out, let's get out 'Cause this deadbeat town's only here just to keep us down While I was out, I found myself alone just thinking If I showed up with a plane ticket And a shiny diamond ring with your name on it Would you wanna run away too? 'Cause all I really want is you You look so perfect standing there In my American Apparel underwear And I know now, that I'm so down I made a mixtape straight out of '94 I've got your ripped skinny jeans lying on the floor And I know now, that I'm so down Hey, hey! Hey, hey, hey, hey Hey, hey, hey, hey Hey, hey, hey, hey Hey, hey, hey, hey You look so perfect standing there In my American Apparel underwear And I know now, that I'm so down Your lipstick stain is a work of art I got your name tattooed in an arrow heart And I know now, that I'm so down Hey, hey! Hey, hey, hey, hey Hey, hey, hey, hey Hey, hey, hey, hey Hey, hey, hey, hey You look so perfect standing there In my American Apparel underwear And I know now, that I'm so down (hey) Your lipstick stain is a work of art (hey, hey) I got your name tattooed in an arrow heart (hey, hey) And I know now, that I'm so down (hey, hey) Hey
5 Seconds of Summer
I’m seething with rage, yet I can’t show it. I’d like to scream, stamp my foot, give Mother a good shaking, cry and I don’t know what else because of the nasty words, mocking looks and accusations that she hurls at me day after day, piercing me like arrows from a tightly strung bow, which are nearly impossible to pull from my body. I’d
Anne Frank (The Diary of a Young Girl: The Definitive Edition)
The world rising can put an end to anything: the murder of children whales elephants oceans. Get up. Roll over on that part of you that will not welcome recognize encourage or even see our rise. A compassionate roll: we must be done with cruelty especially to ourselves, to start again beaming like the sun; fresh. But a roll that shows we’ve reached the end of polite moves to repair and re-create the Earth, and will press hard on any parts of us even those we have loved, that insist on remaining oblivious and asleep.
Alice Walker (Taking the Arrow Out of the Heart)
And you gots a Purpose too. Your Purpose gonna show itself when the time be right.
Rita Leganski (The Silence of Bonaventure Arrow)
The dawn, even when it is cold and melancholy, never fails to shoot through my limbs as with arrows of sparkling piercing ice. I pull aside the thick curtains, and search for the first glow in the sky which shows that life is breaking through. And with my cheek leant upon the window pane I like to fancy that I am pressing as closely as can be upon the massy wall of time, which is for ever lifting and pulling and letting fresh spaces of life in upon us. May it be mine to taste the moment before it has spread itself over the rest of the world!
Virginia Woolf (The Complete Shorter Fiction of Virginia Woolf)
So often you blame God for the life you have, but you do not know what life you want. Certainly there is a dilemma here. The life you want may not be the life God wants for you. This is why the process must begin by loving God first. It is in loving God with all your heart and mind and soul that he begins to shape your passions. When God has your heart, you can trust your desires. His will is not a map; it is a match. He shows you the way by setting you on fire. You will know God’s desire for you by the fire in you! The fire in you will light the way.
Erwin Raphael McManus (The Last Arrow: Save Nothing for the Next Life)
like a handful of snow flung into the air. Low on the horizon, the full moon clung to the edge of the earth as if afraid to show its face. Perhaps even the moon was wary of this mad place.
Sarah K.L. Wilson (Fly with the Arrow (Bluebeard's Secret, #1))
Why do we need to be pardoned? What are we to be pardoned for? For not dying of hunger? For not accepting humbly the historic burden of disdain and abandonment? For having risen up in arms after we found all other paths closed? For not heeding the Chiapas penal code, one of the most absurd and repressive in history? For showing the rest of the country and the whole world that human dignity still exists even among the world’s poorest peoples? For having made careful preparations before we began our uprising? For bringing guns to battle instead of bows and arrows? For being Mexicans? For being mainly indigenous? For calling on the Mexican people to fight by whatever means possible for what belongs to them? For fighting for liberty, democracy and justice? For not following the example of previous guerrilla armies? For refusing to surrender? For refusing to sell ourselves out? Who should we ask for pardon, and who can grant it? Those who for many years glutted themselves at a table of plenty while we sat with death so often, we finally stopped fearing it? Those who filled our pockets and our souls with empty promises and words? Or should we ask pardon from the dead, our dead, who died “natural” deaths of “natural causes” like measles, whooping cough, break-bone fever, cholera, typhus, mononucleosis, tetanus, pneumonia, malaria and other lovely gastrointestinal and pulmonary diseases? Our dead, so very dead, so democratically dead from sorrow because no one did anything, because the dead, our dead, went just like that, with no one keeping count with no one saying, “Enough!” which would at least have granted some meaning to their deaths, a meaning no one ever sought for them, the dead of all times, who are now dying once again, but now in order to live? Should we ask pardon from those who deny us the right and capacity to govern ourselves? From those who don’t respect our customs and our culture and who ask us for identification papers and obedience to a law whose existence and moral basis we don’t accept? From those who oppress us, torture us, assassinate us, disappear us from the grave “crime” of wanting a piece of land, not too big and not too small, but just a simple piece of land on which we can grow something to fill our stomachs? Who should ask for pardon, and who can grant it?
Subcomandante Marcos
What makes my bed seem hard seeing it is soft? Or why slips downe the Coverlet so oft? Although the nights be long, I sleepe not tho, My sides are sore with tumbling to and fro. Were Love the cause, it's like I shoulde descry him, Or lies he close, and shoots where none can spie him? T'was so, he stroke me with a slender dart, Tis cruell love turmoyles my captive hart. Yeelding or striving doe we give him might, Lets yeeld, a burden easly borne is light. I saw a brandisht fire increase in strength, Which being not shakt, I saw it die at length. Yong oxen newly yokt are beaten more, Then oxen which have drawne the plow before. And rough jades mouths with stubburn bits are tome, But managde horses heads are lightly borne, Unwilling Lovers, love doth more torment, Then such as in their bondage feele content. Loe I confesse, I am thy captive I, And hold my conquered hands for thee to tie. What needes thou warre, I sue to thee for grace, With armes to conquer armlesse men is base, Yoke VenusDoves, put Mirtle on thy haire, Vulcan will give thee Chariots rich and faire. The people thee applauding thou shalte stand, Guiding the harmelesse Pigeons with thy hand. Yong men and women, shalt thou lead as thrall, So will thy triumph seeme magnificall. I lately cought, will have a new made wound, And captive like be manacled and bound. Good meaning, shame, and such as seeke loves wrack Shall follow thee, their hands tied at their backe. Thee all shall feare and worship as a King, Jo, triumphing shall thy people sing. Smooth speeches, feare and rage shall by thee ride, Which troopes hath alwayes bin on Cupids side: Thou with these souldiers conquerest gods and men, Take these away, where is thy honor then? Thy mother shall from heaven applaud this show, And on their faces heapes of Roses strow. With beautie of thy wings, thy faire haire guilded, Ride golden Love in Chariots richly builded. Unlesse I erre, full many shalt thou burne, And give woundes infinite at everie turne. In spite of thee, forth will thy arrowes flie, A scorching flame burnes all the standers by. So having conquerd Inde, was Bacchus hew, Thee Pompous birds and him two tygres drew. Then seeing I grace thy show in following thee, Forbeare to hurt thy selfe in spoyling mee. Beholde thy kinsmans Caesars prosperous bandes, Who gardes the conquered with his conquering hands. -- ELEGIA 2 (Quodprimo Amore correptus, in triumphum duci se a Cupidine patiatur)
Christopher Marlowe
The possibility that all recognition of images is connected with projections and visual anticipations is strengthened by the results of recent experiments. It appears that if you show an observer the image of a pointing hand or arrow, he will tend to shift its location somehow in the direction of the movement. Without this tendency of ours to see potential movement in the form of anticipation, artists would never have been able to create the suggestion of speed in stationary images.
E.H. Gombrich (Art and Illusion: A Study in the Psychology of Pictorial Representation)
I am telling you Discouraged One we will win. And I will show you why. We are the offspring of the ignorantly discarded: we conjure sunrise with our smiles and provoke music out of trash. Who can completely disappear such genius?
Alice Walker (Taking the Arrow Out of the Heart)
It’s true: Everyone needs a reason to stay alive — someone who justifies your existence. Someone who loves you. Not beyond all reason. Just loves you. Even just shows an interest. Even someone who doesn’t exist, or isn’t yours. No, no! They don’t even have to love you! They just have to be there to love! Target for your arrows. Magnetic Pole to drag on your compass needle and stop it spinning and tell you where you’re heading and…Someone to soak up all the yearning. That’s what I think.
Geraldine McCaughrean
He stalked into the room, leaned his long rifle against the mantelpiece and spread out his hands to the fire. He was clad from head to foot in fringed and beaded buckskin, which showed evidence of a long and arduous tramp. It was torn and wet and covered with mud. He was a magnificently made man, six feet in height, and stood straight as an arrow. His wide shoulders, and his muscular, though not heavy, limbs denoted wonderful strength and activity. His long hair, black as a raven's wing, hung far down his shoulders. Presently he turned and the light shone on a remarkable face. So calm and cold and stern it was that it seemed chiselled out of marble. The most striking features were its unusual pallor, and the eyes, which were coal black, and piercing as the dagger's point.
Zane Grey (Maude and Miriam: Or, the Fair Crusader)
Alas! there comes the time when man will no longer launch the arrow of his longing beyond man…. Lo! I show you the last man. The earth has become small and on it hops the last man who makes everything small. His species is ineradicable like the ground flea; the last man lives longest.
Robert S. de Ropp (The Master Game: Pathways to Higher Consciousness (Consciousness Classics))
Zeno of Elea, who belonged to the same philosophical school as Parmenides, formulated a famous paradox designed to show that motion is impossible. After an arrow shot at a target has got halfway there, it still has half the distance to go. When it has gone half that distance, it still has half of the way to go. This goes on forever. The arrow can never reach the target, so motion is impossible. In normal physics, with a notion of time, Zeno's paradox is readily resolved. However, in my timeless view the paradox is resurrected, but the arrow never reaches the target for a more basic reason: the arrow in the bow is not the arrow in the target.
Julian Barbour (The End of Time: The Next Revolution in Our Understanding of the Universe)
The original settlers of Massachusetts Bay Colony, founded in 1630, adopted an official seal designed in England before their journey. The central image depicts a near-naked native holding a harmless, flimsy-looking bow and arrow and inscribed with the plea, "Come over and help us." Nearly three hundred years later, the official seal of the US military veterans of the "Spanish-American War" (the invasion and occupation of Puerto Rico, Cuba, and the Philippines) showed a naked woman kneeling before an armed US soldier and a sailor, with a US battleship in the background. One may trace this recurrent altruistic theme into the early twenty-first century, when the United States still invades countries under the guise of rescue.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
To soften the ire of the pressure groups that were hammering He-Man, Filmation enlisted consultants to ensure that our female lead was appropriately maternal, nurturing and non threatening to male authority figures.They also decided that while the male characters on the show could use swords or arrows or punch the bad guys, our female lead was not free to do the same.
J. Michael Straczynski
This is what history means. He came to this country like a torch on fire and he swallowed air as he walked forward and he gave out light. Energy poured through him. That was all he had time for in those years. Language, customs, family, salaries. Patrick's gift, that arrow into the past, shows him the wealth in himself, how he has been sewn into history. Now he will begin to tell stories.
Michael Ondaatje (In the Skin of a Lion)
Sooner or later, we all go through a crucible. I'm guessing your's was that island. Most believe there are two types of people who go into a crucible: the ones who grow stronger from the experience and survive it, and the ones who die. But there's a third type: the ones who learn to love the fire. They chose to stay in their crucible because it's easier to embrace the pain when it's all you know anymore,
Marc Guggenheim
Children do not only have an innate hope; they are hope. And more than that: they are our future. As Kahlil Gibran writes, they are like "living arrows sent forth" into infinity, and their souls "dwell in the house of tomorrow..." They carry their hope with them to a future we can't see. Children come to us fresh from the divine source, from what I call "Mama," from life itself, and they lead us to the same: to the God-force within creation. That is why none of us - no matter our race, creed, religion, or politics - can look at a child and not feel joy. We look at them, and something thrills us to the depth of our hearts. They are living miracles, and when we see them we know that there is a God, that life itself is a miracle. Children show us, with their innocence and clarity, the very face of God in human form.
Mumia Abu-Jamal (Death Blossoms: Reflections from a Prisoner of Conscience)
In the elementary equations of the world,13 the arrow of time appears only where there is heat.* The link between time and heat is therefore fundamental: every time a difference is manifested between the past and the future, heat is involved. In every sequence of events that becomes absurd if projected backward, there is something that is heating up. If I watch a film that shows a ball rolling, I cannot tell if the film is being projected correctly or in reverse. But if the ball stops, I know that it is being run properly; run backward, it would show an implausible event: a ball starting to move by itself. The ball’s slowing down and coming to rest are due to friction, and friction produces heat. Only where there is heat is there a distinction between past and future. Thoughts, for instance, unfold from the past to the future, not vice versa—and, in fact, thinking produces heat in our heads. . . .
Carlo Rovelli (The Order of Time)
We must all show great constancy,” Caspian was saying. “A dragon has just flown over the tree-tops and lighted on the beach. Yes, I am afraid it is between us and the ship. And arrows are no use against dragons. And they’re not at all afraid of fire.” “With your Majesty’s leave--” began Reepicheep. “No, Reepicheep,” said the King very firmly, “you are not to attempt a single combat with it. And unless you promise to obey me in this matter I’ll have you tied up.
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
Beneath my wings was night—I was alone, 30,000 feet up in the daylight. I was the first to breathe in the warm life of the sun’s rays, which pierce the eyeball like arrows. In France, in England, in Belgium, in Holland, in Germany, men were suffering in the night, while I, alone in the sky, was the sole possessor of the dawning day—all was mine, the light, the sun; and I thought with calm pride all this is shining only for me! Moments such as these compensate for many a sacrifice and many a danger. *
Pierre Clostermann (The Big Show: The Classic Account of WWII Aerial Combat (Pierre Clostermann's Air War Collection Book 1))
I spoke to Massasoit, the sachem of the Pokanoket, as a pniese should, with respect and honor. “Befriend the English,” I said. “Make them come to understand and support our people.” Massasoit did not listen at first. He watched silently through that winter. Then Samoset came to visit. He was a sachem of the Pemaquid people, who lived farther up the coast. He had done much trading with the English. He knew some of their language. “Let me talk with the Songlismoniak,” he said to Massasoit, nodding to me as he spoke. Massasoit agreed. The next day, March 16th of 1621, Samoset strode into the English settlement. “Welcome, English,” he said in their tongue. He showed them the two arrows in his hand. One had a flint arrowhead, the other had the arrowhead removed. The arrows symbolized what we offered them, either war or peace. The English placed a coat about his shoulders to warm him. They invited him into one of their houses. They gave him small water, biscuits and butter, pudding and cheese. “The food was so good,” Samoset said to me later, laughing as he spoke, “I decided to spend the night.” When he left the next day, he promised to return with a friend who spoke their language well. So it was that five days later, on the 22nd of March, I walked with Samoset back into my own village. Once Patuxet, now it was Plymouth. I looked around me. Though much was changed, I knew that I at last had returned to the land of my home. “Perhaps these men can share our land as friends,” I told my brother, at my side.
Joseph Bruchac (Squanto's Journey: The Story of the First Thanksgiving)
We must all show great constancy,” Caspian was saying. “A dragon has just flown over the tree-tops and lighted on the beach. Yes, I am afraid it is between us and the ship. And arrows are no use against dragons. And they’re not at all afraid of fire.” “With your Majesty’s leave--” began Reepicheep. “No, Reepicheep,” said the King very firmly, “you are not to attempt a single combat with it. And unless you promise to obey me in this matter I’ll have you tied up. We must just keep close watch and, as soon as it is light, go down to the beach and give it battle. I will lead. King Edmund will be on my right and the Lord Drinian on my left. There are no other arrangements to be made. It will be light in a couple of hours. In an hour’s time let a meal be served out and what is left of the wine. And let everything be done silently.” “Perhaps it will go away,” said Lucy. “It’ll be worse if it does,” said Edmund, “because then we shan’t know where it is. If there’s a wasp in the room I like to be able to see it.
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
Usually given to mortals in exchange for their service, geases grant power, with a kick-in-the-teeth exception that comes upon you when you least expect it. Like, you're invulnerable, except to an arrow made of the heartwood of a hawthorn tree, which just so happens to be the exact kind of arrow that your worst enemy favours. Or you'll win every battle you're in, but you're not allowed to refuse invitations to dinner, so if someone invites you to dinner right before a battle, you're not going to be able to show up for that fight.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
Do you think we’re cursed?” I ask, and he stills the rag, mulling over my question before running it down the center of my back. “I think we’re our own worst enemies at times, and we’ve allowed too many outside forces to rip us apart. Me especially.” “Star-crossed,” I whisper. “I don’t disagree.” “What about the other outside forces? Where the hell were our fairy godmothers when we needed them?” He grunts in agreement. “They did a terrible job.” “Cupid?” I ask. “He shot one too many arrows into you.” “Well, he’s fucking fired too. Did no one show up for us?” “Non.” “The saints?
Kate Stewart (The Finish Line (The Ravenhood, #3))
Weary was as new to war as Billy. He was a replacement, too. As a part of a gun crew, he had helped to fire one shot in anger—from a 57-millimeter antitank gun. The gun made a ripping sound like the opening of the zipper on the fly of God Almighty. The gun lapped up snow and vegetation with a blowtorch thirty feet long. The flame left a black arrow on the ground, showing the Germans exactly where the gun was hidden. The shot was a miss. What had been missed was a Tiger tank. It swiveled its 88-millimeter snout around sniffingly, saw the arrow on the ground. It fired. It killed everybody on the gun crew but Weary. So it goes.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
Therefore put on the full armor of God, so that when the day of evil comes, you may be able to stand your ground, and after you have done everything, to stand. Stand firm then, with the belt of truth buckled around your waist . . .” Lord, I put on the belt of truth. I choose a lifestyle of honesty and integrity. Show me the truths I so desperately need today. Expose the lies I’m not even aware that I’m believing. “. . . with the breastplate of righteousness in place . . .” And yes, Lord, I wear your righteousness today against all condemnation and corruption. Fit me with your holiness and purity—defend me from all assaults against my heart. “. . . and with your feet fitted with the readiness that comes from the gospel of peace . . .” I do choose to live for the gospel at any moment. Show me where the larger story is unfolding and keep me from being so lax that I think the most important thing today is the soap operas of this world. “In addition to all this, take up the shield of faith, with which you can extinguish all the flaming arrows of the evil one . . .” Jesus, I lift against every lie and every assault the confidence that you are good, and that you have good in store for me. Nothing is coming today that can overcome me because you are with me. “. . . Take the helmet of salvation . . .” Thank you, Lord, for my salvation. I receive it in a new and fresh way from you and I declare that nothing can separate me now from the love of Christ and the place I shall ever have in your kingdom. “. . . and the sword of the Spirit, which is the word of God . . .” Holy Spirit, show me specifically today the truths of the Word of God that I will need to counter the assaults and the snares of the Enemy. Bring them to mind throughout the day. “. . . And pray in the Spirit on all occasions with all kinds of prayers and requests. With this in mind, be alert and always keep on praying for all the saints.” Finally, Holy Spirit, I agree to walk in step with you in everything—in all prayer as my spirit communes with you throughout the day. (6:13-18)
John Eldredge (Wild at Heart Revised and Updated: Discovering the Secret of a Man's Soul)
Even more important, however, was how the silhouettes and shadows of the pyramids appeared to an observer from the skies. As this aerial photograph shows (Fig. 155), the true shape of the pyramids casts arrow-like shadows, which serve as unmistakable direction pointers. When all was ready to establish a proper Spaceport, it required a much longer Landing Corridor than the one which served Baalbek. For their previous Spaceport in Mesopotamia, the Anunnaki (the biblical Nefilim) chose the most conspicuous mountain in the Near East—Mount Ararat—as their focal point. It should not be surprising that out of the same considerations they again selected it as the focal point of their new Spaceport.
Zecharia Sitchin (The Stairway to Heaven (The Earth Chronicles, #2))
It is time for man to fix his goal. It is time for man to plant the germ of his highest hope. Still is his soil rich enough for it. But that soil will one day be poor and exhausted, and no lofty tree will any longer be able to grow thereon. Alas! there cometh the time when man will no longer launch the arrow of his longing beyond man-and the string of his bow will have unlearned to whizz! I tell you: one must still have chaos in one, to give birth to a dancing star. I tell you: ye have still chaos in you. Alas! There cometh the time when man will no longer give birth to any star. Alas! There cometh the time of the most despicable man, who can no longer despise himself. Lo! I show you THE LAST MAN.
Friedrich Nietzsche (Thus Spake Zarathustra)
But I attach myself only to names and faces; and hoard them like amulets against disaster. I choose out across the hall some unknown face and can hardly drink my tea when she whose name I do not know sits opposite. I choke. I am rocked from side to side by the violence of my emotion. I imagine these nameless, these immaculate people, watching me from behind bushes. I leap high to excite their admiration. At night, in bed, I excite their complete wonder. I often die pierced with arrows to win their tears. If they should say, or I should see from a label in their boxes, that they were in Scarborough last holidays, the whole town runs gold, the whole pavement is illuminated. Therefore, I hate my looking-glasses which show me my real face. Alone, I often fall down into nothingness.
Virginia Woolf (The Waves)
[Chang Yu relates the following anecdote of Kao Tsu, the first Han Emperor: “Wishing to crush the Hsiung-nu, he sent out spies to report on their condition. But the Hsiung-nu, forewarned, carefully concealed all their able-bodied men and well-fed horses, and only allowed infirm soldiers and emaciated cattle to be seen. The result was that spies one and all recommended the Emperor to deliver his attack. Lou Ching alone opposed them, saying: “When two countries go to war, they are naturally inclined to make an ostentatious display of their strength. Yet our spies have seen nothing but old age and infirmity. This is surely some ruse on the part of the enemy, and it would be unwise for us to attack.” The Emperor, however, disregarding this advice, fell into the trap and found himself surrounded at Po-teng.”] 19.  Thus one who is skillful at keeping the enemy on the move maintains deceitful appearances, according to which the enemy will act. [Ts’ao Kung’s note is “Make a display of weakness and want.” Tu Mu says: “If our force happens to be superior to the enemy’s, weakness may be simulated in order to lure him on; but if inferior, he must be led to believe that we are strong, in order that he may keep off. In fact, all the enemy’s movements should be determined by the signs that we choose to give him.” Note the following anecdote of Sun Pin, a descendent of Sun Wu: In 341 B.C., the Ch’i State being at war with Wei, sent T’ien Chi and Sun Pin against the general P’ang Chuan, who happened to be a deadly personal enemy of the later. Sun Pin said: “The Ch’i State has a reputation for cowardice, and therefore our adversary despises us. Let us turn this circumstance to account.” Accordingly, when the army had crossed the border into Wei territory, he gave orders to show 100,000 fires on the first night, 50,000 on the next, and the night after only 20,000. P’ang Chuan pursued them hotly, saying to himself: “I knew these men of Ch’i were cowards: their numbers have already fallen away by more than half.” In his retreat, Sun Pin came to a narrow defile, with he calculated that his pursuers would reach after dark. Here he had a tree stripped of its bark, and inscribed upon it the words: “Under this tree shall P’ang Chuan die.” Then, as night began to fall, he placed a strong body of archers in ambush near by, with orders to shoot directly they saw a light. Later on, P’ang Chuan arrived at the spot, and noticing the tree, struck a light in order to read what was written on it. His body was immediately riddled by a volley of arrows, and his whole army thrown into confusion. [The above is Tu Mu’s version of the story; the SHIH CHI, less dramatically but probably with more historical truth, makes P’ang Chuan cut his own throat with an exclamation of despair, after the rout of his army.] ] He sacrifices something, that the enemy may snatch at it. 20.  By holding out baits, he keeps him on the march; then with a body of picked men he lies in wait for him. [With an emendation suggested by Li Ching, this then reads, “He lies in wait with the main body of his troops.”] 21.  The clever combatant looks to the effect of combined energy, and does not require too much from individuals.
Sun Tzu (The Art of War)
Their leader looked over at me, his flawless lips in an even line, his nose chiseled to a point like an arrow aimed my way. Raven waves fell away from big eyes exhibiting more alertness in their stare than any animal or human naturally possessed. Despite how defenseless I knew myself to be, I refused to show him fear. Jovani turned back to the four members from his clan. “I won’t need backup, Percival, I have a priceless bargaining chip.” From the way the others eyed my form, I understood it was me he considered his negotiating leverage. I felt somewhat confident that meant I was more valuable alive. “This stinks,” one of the lady vampires complained. “No, Concetta, that’s just the dog.” A perky nose sniffed in my direction as they shared a trill of amusement at my expense. All but Jovani.
Richelle E. Goodrich (The Tarishe Curse)
What is it about the ancients,’ Pinker asks at one point, ‘that they couldn’t leave us an interesting corpse without resorting to foul play?’ There is an obvious response to this: doesn’t it rather depend on which corpse you consider interesting in the first place? Yes, a little over 5,000 years ago someone walking through the Alps left the world of the living with an arrow in his side; but there’s no particular reason to treat Ötzi as a poster child for humanity in its original condition, other than, perhaps, Ötzi suiting Pinker’s argument. But if all we’re doing is cherry-picking, we could just as easily have chosen the much earlier burial known to archaeologists as Romito 2 (after the Calabrian rock-shelter where it was found). Let’s take a moment to consider what it would mean if we did this. Romito 2 is the 10,000-year-old burial of a male with a rare genetic disorder (acromesomelic dysplasia): a severe type of dwarfism, which in life would have rendered him both anomalous in his community and unable to participate in the kind of high-altitude hunting that was necessary for their survival. Studies of his pathology show that, despite generally poor levels of health and nutrition, that same community of hunter-gatherers still took pains to support this individual through infancy and into early adulthood, granting him the same share of meat as everyone else, and ultimately according him a careful, sheltered burial.15 Neither is Romito 2 an isolated case. When archaeologists undertake balanced appraisals of hunter-gatherer burials from the Palaeolithic, they find high frequencies of health-related disabilities – but also surprisingly high levels of care until the time of death (and beyond, since some of these funerals were remarkably lavish).16 If we did want to reach a general conclusion about what form human societies originally took, based on statistical frequencies of health indicators from ancient burials, we would have to reach the exact opposite conclusion to Hobbes (and Pinker): in origin, it might be claimed, our species is a nurturing and care-giving species, and there was simply no need for life to be nasty, brutish or short. We’re not suggesting we actually do this. As we’ll see, there is reason to believe that during the Palaeolithic, only rather unusual individuals were buried at all. We just want to point out how easy it would be to play the same game in the other direction – easy, but frankly not too enlightening.
David Graeber (The Dawn of Everything: A New History of Humanity)
From this point Clarke speculated briefly on the nature of knowledge. Did knowledge of one’s friends and colleagues impose a handicap on one? Perhaps it did. If so it showed how false was the common assumption that the more facts you could get about others the greater your power over them. Perhaps facts put you at a great disadvantage; perhaps they made you feel sorry and even responsible. Clarke rose to his feet and walked up and down, rather self-consciously. Perhaps this was the real difference between British and French colonial administrations. The French made up their minds about what they wanted to do and did it. The British, on the other hand, never did anything without first sending out a Commission of Inquiry to discover all the facts, which then ham-strung them. He sat down again, glowing with satisfaction.
Chinua Achebe (Arrow of God (The African Trilogy, #3))
When only in her novitiate, she received as a Christmas gift from Christ a very painful heart-trouble, which lasted for the whole period of her ordained life. But God showed her inwardly its purpose: it was to atone for the decay of the spirit of the Order, and especially for the sins of her fellow sisters. But what made this trouble most painful to her was the gift which she had possessed from youth, of seeing with her mind’s eye the inner nature of man as he really was. She felt the heart-trouble physically, as if her heart were continually pierced by arrows.36 These arrows—and for her this was a far worse spiritual torment—she recognized as the thoughts, schemings, secret gossipings, misunderstandings, and uncharitable slanders with which her fellow sisters, wholly without reason and conscience, plotted against her and her God-fearing way of life.
C.G. Jung (Collected Works of C. G. Jung, Volume 5: Symbols of Transformation (The Collected Works of C. G. Jung))
PSALM 91 He who dwells in  a the shelter of the Most High         will abide in  b the shadow of the Almighty. 2    I will say [1] to the LORD, “My  c refuge and my  d fortress,         my God, in whom I  e trust.”     3 For he will deliver you from  f the snare of the fowler         and from the deadly pestilence. 4    He will  g cover you with his pinions,         and under his  h wings you will  i find refuge;         his  j faithfulness is  k a shield and buckler. 5     l You will not fear  m the terror of the night,         nor the arrow that flies by day, 6    nor the pestilence that stalks in darkness,         nor the destruction that wastes at noonday.     7 A thousand may fall at your side,         ten thousand at your right hand,         but it will not come near you. 8    You will only look with your eyes         and  n see the recompense of the wicked.     9 Because you have made the LORD your  o dwelling place—         the Most High, who is my  c refuge [2]— 10     p no evil shall be allowed to befall you,          q no plague come near your tent.     11  r For he will command his  s angels concerning you         to  t guard you in all your ways. 12    On their hands they will bear you up,         lest you  u strike your foot against a stone. 13    You will tread on  v the lion and the  w adder;         the young lion and  x the serpent you will  y trample underfoot.     14 “Because he  z holds fast to me in love, I will deliver him;         I will protect him, because he  a knows my name. 15    When he  b calls to me, I will answer him;         I will be with him in trouble;         I will rescue him and  c honor him. 16    With  d long life I will satisfy him         and  e show him my salvation.
Anonymous (Holy Bible: English Standard Version (ESV))
The dawn, even when it is cold and melancholy, never fails to shoot through my limbs as with arrows of sparkling piercing ice. I pull aside the thick curtains, and search for the first glow in the sky which shows that life is breaking through. And with my cheek leant upon the window pane I like to fancy that I am pressing as closely as can be upon the massy wall of time, which is for ever lifting and pulling and letting fresh spaces of life in upon us. May it be mine to taste the moment before it has spread itself over the rest of the world! Let me taste the newest and the freshest. From my window I look down upon the Church yard, where so many of my ancestors are buried, and in my prayer I pity those poor dead men who toss perpetually on the old recurring waters; for I see them, circling and eddying forever upon a pale tide. Let us, then, who have the gift of the present, use it and enjoy it...
Virginia Woolf
Although Lasaraleen had said she was dying to hear Aravis's story, she showed no sign of really wanting to hear it at all. She was, in fact, much better at talking than at listening. She insisted on Aravis having a long and luxurious bath (Calormene baths are famous) and then dressing her up in the finest clothes before she would let her explain anything. The fuss she made about choosing the dresses nearly drove Aravis mad. She remembered now that Lasaraleen had always been like that, interested in clothes and parties and gossip. Aravis had always been more interested in bows and arrows and horses and dogs and swimming. You will guess that each thought the other silly. But when at last they were both seated after a meal (it was chiefly of the whipped cream and jelly and fruit and ice sort) in a beautiful pillared room (which Aravis would have liked better if Lasaraleen's spoiled pet monkey hadn't been climbing about it all the time) Lasaraleen at last asked her why she was running away from home.
C.S. Lewis (The Horse and His Boy (Chronicles of Narnia, #5))
To summarize, where the time is least is also where the time for the nearby paths is nearly the same; that's where the little arrows point in nearly the same direction and add up to a substantial length; that's where the probability of a photon reflecting off a mirror is determined. And that's why, in approximation, we can get away with the crude picture of the world that says that light only goes where the time is least (and it's easy to rpve that were the time is least, the angle of incidence is equal to the angle of reflection, but I don't have the time to show you). So the theory of quantum electrodynamics gave the right answer-the middle of the mirror is the important part for reflection-but this correct result came out at the expense of believing that light reflects all over the mirror, and having to add a bunch of little arrows together whose sole purpose was to cancel out. All that might seem to you to be a waste of time-some silly game for mathematicians only. After all, it doesn't seem like "real physics" to have something there that only cancels out!
Richard P. Feynman (QED: The Strange Theory of Light and Matter)
Then the guy in the yard opened the slider and stepped inside, and the back of Reacher’s brain showed him the whole chess game right there, laid out, obvious, like flashing neon arrows, in immense and grotesque detail, the snap pivot left and the round into the meat of the yard guy’s chest, where it was less likely than a head shot to go through-and-through, which was good, given a neighborhood behind them full of wooden fences, but where it was more likely to soak the Lair family with thick pink mist, from behind, hair and all, which wasn’t good, because it would be traumatic, especially during such a week, except on reflection Reacher figured the week was already pretty much a disaster from that exact point onward, given that the chess game said there would be a dead guy at that very moment sliding to the floor of their private house, even as the homeowner-owned Python was snapping right again for two rounds at where the silhouette of the shoulder had been, which two rounds might or might not hit anything, but which would give a second’s cover for the scramble around the sofa and the capture of the dead guy’s Ruger, for a total of three rounds expended and fifteen gained.
Lee Child (Make Me (Jack Reacher, #20))
I am lucky, Master Gill,” Mat said. “You just have a good meal waiting when I come back.” As he stood, he picked up the dice cup and spun the dice out beside the stones board for luck. The calico cat leaped down, hissing at him with her back arched. The five spotted dice came to rest, each showing a single pip. The Dark One’s Eyes. “That’s the best toss or the worst,” Gill said. “It depends on the game you are playing, doesn’t it. Lad, I think you mean to play a dangerous game. Why don’t you take that cup out into the common room and lose a few coppers? You look to me like a fellow who might like a little gamble. I will see the letter gets to the Palace safely.” “Coline wants you to clean the drains,” Mat told him, and turned to Thom while the innkeeper was still blinking and muttering to himself. “It doesn’t seem to make any odds whether I get an arrow in me trying to deliver that letter or a knife in my back waiting. It’s six up, and a half dozen down. Just you have that meal waiting, Thom.” He tossed a gold mark on the table in front of Gill. “Have my things put in a room, innkeeper. If it takes more coin, you will have it. Be careful of the big roll; it frightens Thom something awful.
Robert Jordan
She is also the power behind spiritual awakening, the inner force that unleashes spiritual power within the human body in the form of kundalini. And she is a guardian: beautiful, queenly, and fierce. Paintings of Durga show her with flowing hair, a red sari, bangles, necklaces, a crown—and eight arms bristling with weapons. Durga carries a spear, a mace, a discus, a bow, and a sword—as well as a conch (representing creative sound), a lotus (symbolizing fertility), and a rosary (symbolizing prayer). In one version of her origin, she appears as a divine female warrior, brought into manifestation by the male gods to save them from the buffalo demon, Mahisha. The assembled gods, furious and powerless over a demon who couldn’t be conquered, sent forth their anger as a mass of light and power. Their combined strength coalesced into the form of a radiantly beautiful woman who filled every direction with her light. Her face was formed by Shiva; her hair came from Yama, the god of death; her arms were given by Vishnu. Shiva gave her his trident, Vishnu his discus, Vayu—the wind god—offered his bow and arrow. The mountain god, Himalaya, gave her the lion for her mount. Durga set forth to battle the demon for the sake of the world, armed and protected by all the powers of the divine masculine.1 As a world protector, Durga’s fierceness arises out of her uniquely potent compassion. She is the deity to call on when you’re
Sally Kempton (Awakening Shakti: The Transformative Power of the Goddesses of Yoga)
Celia realized she'd shocked Mr. Pinter when his thick black brows drew together in a frown. His lean form seemed even more rigid than usual, and his angular features-the arrow of a nose and bladed jaw-even more stark. IN his severe morning attire of black serge and white linen, he radiated male disapproval. But why? He knew she was the only "hellion" left unmarried. Did he think she would let her brothers and sisters lose their inheritance out of some rebellious desire to thwart Gran's ultimatum? Of course he did. He'd been so kind and considerate during her recitation of the dream that she'd almost forgotten he hated her. Why else were his eyes, gray as slate after a storm, now so cold and remote? The blasted fellow was always so condescending and sure of himself, so...so... Male. "Forgive me, my lady," he said in his oddly raspy voice, "but I was unaware you had any suitors." Curse him for being right. "Well, I don't...exactly. There are men who might be interested but haven't gone so far as to offer marriage." Or even to show a partiality to her. "And you're hoping I'll twist their arms so they will?" She colored under his piercing gaze. "Don't be ridiculous." This was the Mr. Pinter she knew, the one who'd called her "a reckless society miss" and a "troublemaker." Not that she cared what he thought. He was like her brother's friends, who saw her as a tomboy because she could demonstrate a rifle's fine qualities. And like Cousin Ned. Scrawny bitch with no tits-you don't have an ounce of anything female on you. Curse Ned to hell.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Dear Curses and Blessings, How could there be two in one? I never knew a person could be cursed and blessed. There’s no such thing as having both. There no such thing as taking sides when it comes to blessings and curses—I always thought that a person had to pick one. I would never have made the decision to be cursed. It was given to me. Well... Kace and I apparently have been the chosen ones. We’ve been the main target. When curses shot their arrows, they hit the bullseye faithfully, without fail. Why couldn’t we have been the chosen ones for bountiful blessings? It is a blessing that Kace is alive, but it is a curse that he was in danger. My emotions are a waterfall of never-ending thoughts of what is going to happen next. Kace has so many tubes in him—it is like he is being smothered, dissolving in webs of lies one after another. The same lies that my mother told him—she told me when I was younger. I am sure she told him she would keep him safe. I am more than sure she told the judge she had changed. Kace was coiled in a web of lies. Now he is coiled in wires to survive. Our lives are surrounded by many curses, but I know there must be a couple of blessings to be spared. Please. I am begging you to show us some mercy. I will accept our blessings even if they are thrown at us like breadcrumbs. I will fall to my knees and scramble to pick them up one by one. When will mine and Kace’s lives be gentle as a flowing stream without any worries? Right now, I have to pack my feelings and tears away. Cruses and blessings, please think about what I said.
Charlena E. Jackson (Pinwheels and Dandelions)
Are we to treat persons known for liars and strife-makers as the children of the devil or not? Are we to turn away from them, and refuse to acknowledge them, rousing an ignorant strife of tongues concerning our conduct? Are we guilty of connivance, when silent as to the ambush whence we know the wicked arrow privily shot? Are we to call the traitor to account? or are we to give warning of any sort? I have no answer. Each must carry the question that perplexes to the Light of the World. To what purpose is the spirit of God promised to them that ask it, if not to help them order their way aright? One thing is plain—that we must love the strife-maker; another is nearly as plain—that, if we do not love him, we must leave him alone; for without love there can be no peace-making, and words will but occasion more strife. To be kind neither hurts nor compromises. Kindness has many phases, and the fitting form of it may avoid offence, and must avoid untruth. We must not fear what man can do to us, but commit our way to the Father of the Family. We must be nowise anxious to defend ourselves; and if not ourselves because God is our defence, then why our friends? is he not their defence as much as ours? Commit thy friend's cause also to him who judgeth righteously. Be ready to bear testimony for thy friend, as thou wouldst to receive the blow struck at him; but do not plunge into a nest of scorpions to rescue his handkerchief. Be true to him thyself, nor spare to show thou lovest and honourest him; but defence may dishonour: men may say, What! is thy friend's esteem then so small? He is unwise who drags a rich veil from a cactus-bush.
George MacDonald (Hope of the Gospel)
One of the Pima warriors on seeing the fire-arms used by the white soldiers, thought that the next time he went over to the [Maricopa] Wells, he would take his war weapons along and show them to the white soldiers. So the next time he went, he took along his war-club and shield. The soldiers on seeing his weapons, laughed and made all sorts of remarks as to the effective use of such weapons. The joking went on until the Pima made a challenge to the white man. He said: 'You, white warrior Take shooting iron. Stand here ready. I take war club and shield, Step off ten paces, Turn around, come back. If you see any part of me, Shoot!' The White soldier stood there with gun in hand while the Pima walked away ten paces, turned around and came back hiding behind the shield so well that no part of his body could be seen. The white soldier did not shoot as the Pima came up to him. With the edge of his shield the Pima knocked the gun out of the soldier's hand. He lifted his war club as if he was about to use it. But the soldier took to his heels and ran into a nearby house, closing the door after him. The people who saw this had a good laugh and no such challenge was ever made again. Sometimes there would be shooting contests between Pimas and whites, Pimas with their bows and arrows and the whites with their firearms. They would place a target at different distances and see who could hit the bull's eye. The Pimas often won the match. They often won prizes of a pair of Army pants or a coat. At other times, foot races were held at the Post. The Pimas always won the long distance races, but lost the short dashes. [page 40, Early Days]
George Webb (A Pima Remembers)
Write about an empty birdcage" Write about an empty birdcage. As in: write about your ribcage after robbery. Use negative space to wind a song from the place on the dresser where a music box isn’t. Write about the corners where the two of you used to meet. Draw the intersections, arrow to the sidewalk where her shoes aren’t near yours. Write about an empty birdcage. As in: write about a hinged-open jaw that is neither sigh nor scream. Use this to signify EXIT. Make sure to describe the teeth, the glint of metal deep down in the molars, the smell of breath after lack of water. Make sure to draw this mouth a thirsty and human portrait of what it means to be used up. Write about voice by writing about how it feels when it’s painful to swallow. If you must put noise in the scene make it the sound of bird wings flapping in a cardboard box. Show us an empty cage and give us the sound of confinement. Take hope and fold it small as seed, then suck on it. Slow and selfish. Write about an empty birdcage. Birdcage can read: building, structure, abandoned or adorned. As in: loop and tighten a vine of nostalgia around the room you currently brick yourself into. Recreate the sweet of jasmine, but mortar the door so it will not seep through. Write about an empty birdcage. Replay us the scene. As in: she presses her pale cheek against the window, as he turns his pinstriped back, slow and final. Again. She presses her pale cheek against the window, and he turns his pinstriped back, slow and final. Again. She presses her pale cheek against the window, as he turns his pinstriped back, slow and final. Again. She presses her her pale cheek against the window, as he turns his pinstriped back, slow and final. Write about an empty birdcage. Write about the hinges. Describe them as dry knuckles. Write how I became a moan.
Elaina M. Ellis (Write About an Empty Birdcage)
HOW TO USE THIS BOOK WHAT TO DO FIRST 1. Find the MAP. It will be there. No Tour of Fantasyland is complete without one. It will be found in the front part of your brochure, quite near the page that says For Mom and Dad for having me and for Jeannie (or Jack or Debra or Donnie or …) for putting up with me so supportively and for my nine children for not interrupting me and for my Publisher for not discouraging me and for my Writers’ Circle for listening to me and for Barbie and Greta and Albert Einstein and Aunty May and so on. Ignore this, even if you are wondering if Albert Einstein is Albert Einstein or in fact the dog. This will be followed by a short piece of prose that says When the night of the wolf waxes strong in the morning, the wise man is wary of a false dawn. Ka’a Orto’o, Gnomic Utterances Ignore this too (or, if really puzzled, look up GNOMIC UTTERANCES in the Toughpick section). Find the Map. 2. Examine the Map. It will show most of a continent (and sometimes part of another) with a large number of BAYS, OFFSHORE ISLANDS, an INLAND SEA or so and a sprinkle of TOWNS. There will be scribbly snakes that are probably RIVERS, and names made of CAPITAL LETTERS in curved lines that are not quite upside down. By bending your neck sideways you will be able to see that they say things like “Ca’ea Purt’wydyn” and “Om Ce’falos.” These may be names of COUNTRIES, but since most of the Map is bare it is hard to tell. These empty inland parts will be sporadically peppered with little molehills, invitingly labeled “Megamort Hills,” “Death Mountains, ”Hurt Range” and such, with a whole line of molehills near the top called “Great Northern Barrier.” Above this will be various warnings of danger. The rest of the Map’s space will be sparingly devoted to little tiny feathers called “Wretched Wood” and “Forest of Doom,” except for one space that appears to be growing minute hairs. This will be tersely labeled “Marshes.” This is mostly it. No, wait. If you are lucky, the Map will carry an arrow or compass-heading somewhere in the bit labeled “Outer Ocean” and this will show you which way up to hold it. But you will look in vain for INNS, reststops, or VILLAGES, or even ROADS. No – wait another minute – on closer examination, you will find the empty interior crossed by a few bird tracks. If you peer at these you will see they are (somewhere) labeled “Old Trade Road – Disused” and “Imperial Way – Mostly Long Gone.” Some of these routes appear to lead (or have lead) to small edifices enticingly titled “Ruin,” “Tower of Sorcery,” or “Dark Citadel,” but there is no scale of miles and no way of telling how long you might take on the way to see these places. In short, the Map is useless, but you are advised to keep consulting it, because it is the only one you will get. And, be warned. If you take this Tour, you are going to have to visit every single place on this Map, whether it is marked or not. This is a Rule. 3. Find your STARTING POINT. Let us say it is the town of Gna’ash. You will find it down in one corner on the coast, as far away from anywhere as possible. 4. Having found Gna’ash, you must at once set about finding an INN, Tour COMPANIONS, a meal of STEW, a CHAMBER for the night, and then the necessary TAVERN BRAWL. (If you look all these things up in the Toughpick section, you will know what you are in for.) The following morning, you must locate the MARKET and attempt to acquire CLOTHING (which absolutely must include a CLOAK), a SADDLE ROLL, WAYBREAD, WATERBOTTLES, a DAGGER, a SWORD, a HORSE, and a MERCHANT to take you along in his CARAVAN. You must resign yourself to being cheated over most prices and you are advised to consult a local MAGICIAN about your Sword. 5. You set off. Now you are on your own. You should turn to the Toughpick section of this brochure and select your Tour on a pick-and-mix basis, remembering only that you will have to take in all of it.
Diana Wynne Jones
It is time for man to fix his goal. It is time for man to plant the seed of his highest hope. His soil is still rich enough for it. But that soil will one day be poor and exhausted, and no lofty tree will any longer be able to grow there. Alas! there comes the time when man will no longer launch the arrow of his longing beyond man — and the string of his bow will have unlearned to whiz! I tell you: one must still have chaos in oneself, to give birth to a dancing star. I tell you: you have still chaos in yourselves. Alas! There comes the time when man will no longer give birth to any star. Alas! There comes the time of the most despicable man, who can no longer despise himself. Lo! I show you the Last Man. 'What is love? What is creation? What is longing? What is a star?' — so asks the Last Man, and blinks. The earth has become small, and on it hops the Last Man, who makes everything small. His species is ineradicable as the flea; the Last Man lives longest. 'We have discovered happiness' — say the Last Men, and they blink. They have left the regions where it is hard to live; for they need warmth. One still loves one's neighbor and rubs against him; for one needs warmth. Turning ill and being distrustful, they consider sinful: they walk warily. He is a fool who still stumbles over stones or men! A little poison now and then: that makes for pleasant dreams. And much poison at the end for a pleasant death. One still works, for work is a pastime. But one is careful lest the pastime should hurt one. One no longer becomes poor or rich; both are too burdensome. Who still wants to rule? Who still wants to obey? Both are too burdensome. No shepherd, and one herd! Everyone wants the same; everyone is the same: he who feels differently goes voluntarily into the madhouse. 'Formerly all the world was insane,' — say the subtlest of them, and they blink. They are clever and know all that has happened: so there is no end to their derision. People still quarrel, but are soon reconciled — otherwise it upsets their stomachs. They have their little pleasures for the day, and their little pleasures for the night, but they have a regard for health. 'We have discovered happiness,' — say the Last Men, and they blink.
Friedrich Nietzsche (Thus Spoke Zarathustra)
She started to head out, but she passed her room. It was the same as she'd left it: a pile of cushions by her bed for Little Brother to sleep on, a stack of poetry and famous literature on her desk that she was supposed to study to become a "model bride," and the lavender shawl and silk robes she'd worn the day before she left home. The jade comb Mulan had left in exchange for the conscription notice caught her eye; it now rested in front of her mirror. Mulan's gaze lingered on the comb, on its green teeth and the pearl-colored flower nestled on its shoulder. She wanted to hold it, to put it in her hair and show her family- to show everyone- she was worthy. After all, her surname, Fa, meant flower. She needed to show them that she had bloomed to be worthy of her family name. But no one was here, and she didn't want to face her reflection. Who knew what it would show, especially in Diyu? She isn't a boy, her mother had told her father once. She shouldn't be riding horses and letting her hair loose. The neighbors will talk. She won't find a good husband- Let her, Fa Zhou had consoled his wife. When she leaves this household as a bride, she'll no longer be able to do these things. Mulan hadn't understood what he meant then. She hadn't understood the significance of what it meant for her to be the only girl in the village who skipped learning ribbon dances to ride Khan through the village rice fields, who chased after chickens and helped herd the cows instead of learning the zither or practicing her painting, who was allowed to have opinions- at all. She'd taken the freedom of her childhood for granted. When she turned fourteen, everything changed. I know this will be a hard change to make, Fa Li had told her, but it's for your own good. Men want a girl who is quiet and demure, polite and poised- not someone who speaks out of turn and runs wild about the garden. A girl who can't make a good match won't bring honor to the family. And worse yet, she'll have nothing: not respect, or money of her own, or a home. She'd touched Mulan's cheek with a resigned sigh. I don't want that fate for you, Mulan. Every morning for a year, her mother tied a rod of bamboo to Mulan's spine to remind her to stand straight, stuffed her mouth with persimmon seeds to remind her to speak softly, and helped Mulan practice wearing heeled shoes by tying ribbons to her feet and guiding her along the garden. Oh, how she'd wanted to please her mother, and especially her father. She hadn't wanted to let them down. But maybe she hadn't tried enough. For despite Fa Li's careful preparation, she had failed the Matchmaker's exam. The look of hopefulness on her father's face that day- the thought that she'd disappointed him still haunted her. Then fate had taken its turn, and Mulan had thrown everything away to become a soldier. To learn how to punch and kick and hold a sword and shield, to shoot arrows and run and yell. To save her country, and bring honor home to her family. How much she had wanted them to be proud of her.
Elizabeth Lim (Reflection)
It might help a bit,” said Merch, standing with his arms crossed, “if you were to show us how it’s done.” “I believe I already have,” Brandegan replied; “several times.” “All you did was tell us what to do,” Merch retorted. “The only thing you’ve showed us so far is how to hold and draw. We’ve yet to see you shoot.” Brandegan raised an eyebrow. “And if I were to stand where you just did, draw my bow and fire an arrow ringed with white flames that sailed over forty leagues into the north and cracked the eastern crest of Baulon, how would that help you to enhance your own scanty skills?” Merch blinked.
Julius Bailey (Toils of the Valiant: Book Two of the Chronicles of Vrandalin (Læl Chronicles #2))
Hear my words, you wise men; listen to me, you men of learning. 3 For the ear tests words as the tongue tastes food. 4 Let us discern for ourselves what is right; let us learn together what is good. 5 “Job says, ‘I am innocent, but God denies me justice. 6 Although I am right, I am considered a liar; although I am guiltless, his arrow inflicts an incurable wound.’ 7 Is there anyone like Job, who drinks scorn like water? 8 He keeps company with evildoers; he associates with the wicked. 9 For he says, ‘There is no profit in trying to please God.’ 10 “So listen to me, you men of understanding. Far be it from God to do evil, from the Almighty to do wrong. 11 He repays everyone for what they have done; he brings on them what their conduct deserves. 12 It is unthinkable that God would do wrong, that the Almighty would pervert justice. 13 Who appointed him over the earth? Who put him in charge of the whole world? 14 If it were his intention and he withdrew his spirit[a] and breath, 15 all humanity would perish together and mankind would return to the dust. 16 “If you have understanding, hear this; listen to what I say. 17 Can someone who hates justice govern? Will you condemn the just and mighty One? 18 Is he not the One who says to kings, ‘You are worthless,’ and to nobles, ‘You are wicked,’ 19 who shows no partiality to princes and does not favor the rich over the poor, for they are all the work of his hands?
?
I’m working my way through college,” she said. “I’ve been on my own since twelve.” She was so pretty! How could she have known poverty and look so gay, so decorative? I turned to the other girls around me, my feeling of righteousness begging to crumble. Just because they had never been starved enough to steal bread from hungry children, I had condemned them as callous and frivolous. The truth with which I wanted to shock them had been only the vanity of the injured showing off scars. I had erected a wall of self-defense around me and shot arrows of envy at them. Immune to envy, immune to criticism, they swept across the wall and conquered me. All at once I loved them. As I had made a bunch of confetti from my prepared speech, so I would have gladly made a bonfire of everything I had to feed the flame of their trusting youth.
Anzia Yezierska (The Open Cage: An Anzia Yezierska Collection)
In 1913, on the eve of World War I, the Russian mathematician Andrei Markov published a paper applying probability to, of all things, poetry. In it, he modeled a classic of Russian literature, Pushkin’s Eugene Onegin, using what we now call a Markov chain. Rather than assume that each letter was generated at random independently of the rest, he introduced a bare minimum of sequential structure: he let the probability of each letter depend on the letter immediately preceding it. He showed that, for example, vowels and consonants tend to alternate, so if you see a consonant, the next letter (ignoring punctuation and white space) is much more likely to be a vowel than it would be if letters were independent. This may not seem like much, but in the days before computers, it required spending hours manually counting characters, and Markov’s idea was quite new. If Voweli is a Boolean variable that’s true if the ith letter of Eugene Onegin is a vowel and false if it’s a consonant, we can represent Markov’s model with a chain-like graph like this, with an arrow between two nodes indicating a direct dependency between the corresponding variables: Markov assumed (wrongly but usefully) that the probabilities are the same at every position in the text. Thus we need to estimate only three probabilities: P(Vowel1 = True), P(Voweli+1 = True | Voweli = True), and P(Voweli+1 = True | Voweli = False). (Since probabilities sum to one, from these we can immediately obtain P(Vowel1 = False), etc.) As with Naïve Bayes, we can have as many variables as we want without the number of probabilities we need to estimate going through the roof, but now the variables actually depend on each other.
Pedro Domingos (The Master Algorithm: How the Quest for the Ultimate Learning Machine Will Remake Our World)
Trogdor would basically show anyone who broke in where the electronics were kept, as long as they had food. Traitorous fluff-butt.
Meghan Scott Molin (The Frame-Up (The Golden Arrow #1))
Dating a non-geek means they might want to normal-fy me. I am terrified of someone constantly telling me my shows or comics are dumb, wishing I’d “tone down my hair a bit,
Meghan Scott Molin (The Frame-Up (The Golden Arrow #1))
It was Robert Poley who unhooded Will, much later in a candlelit room with an arrow slit that show only blackness but admitted the stink of the Thames.
Elizabeth Bear (Hell and Earth (Promethean Age, #4))
Everything he showed Leo was so amazing, it should’ve been illegal. Real Greek warships moored at the beach that sometimes had practice fights with flaming arrows and explosives? Sweet! Arts & crafts sessions where you could make sculptures with chain saws and blowtorches? Leo was like, Sign me up! The woods were stocked with dangerous monsters, and no one should ever go in there alone? Nice! And the camp was overflowing with fine-looking girls.
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
NDTV got an unpleasant surprise when a straight-as-an-arrow Income Tax Officer S K Srivastava, detected large-scale frauds in the accounts of NDTV in 2005 and early 2006. Its larger than law persona notwithstanding; he took up inquiries and investigation in the affairs of NDTV while working as the Additional Director of Income Tax (Inspection) in the Inspection Division of the Central Board of Direct Taxes (the CBDT). He was tasked with the “Preventive Vigilance” functions in the CBDT and the income Tax Dept. NDTV
Sree Iyer (NDTV Frauds V2.0 - The Real Culprit: A completely revamped version that shows the extent to which NDTV and a Cabal will stoop to hide a saga of Money Laundering, Tax Evasion and Stock Manipulation.)
Is this what birds feel like?” Britta shouts excitedly. “No wonder they never wanted us to run.” And I stumble, the reminder as piercing as an arrow. The Infinite Wisdoms forbid running, as they do most things that don’t prepare girls for marriage and serving their families. Girls can’t shout, drink, ride horses, go to school, learn a trade, learn to fight, move about without a male guardian—we can’t do anything that doesn’t somehow relate to having a husband and family and serving them. Elder Durkas always told us that’s because they’re trying to show us how to live happy, righteous lives. What if they were meant to cage us instead?
Namina Forna (The Gilded Ones)
since the Supreme Court decisions such as the Mallory decision way back in nineteen fifty-seven …” Silence. I didn’t like that silence. “And Mapp versus Ohio.… Preston versus U.S.…” I could hear him breathing. Breathing heavily, it sounded like. Getting a little faster. I went on, slowing a bit, “Gideon versus Wainwright? And we can’t forget the Escobedo case, can we?” He’d stopped breathing. That was bad. “And then there’s that little beauty, Miranda versus Arizona … Sam? Sam, I’m merely showing you I had the law clearly in mind, what’s left of it.” I laughed lightly again. “I mean, what’s left of the law, not my mind. Sam?” Finally, he spoke. His voice seemed to come from a great distance. “You didn’t arrest them. Nobody arrested them. You merely ran them through with bows and arrows, beat upon them, shot them, coerced and threatened them, set fire to the countryside—the flames were seen from the corner of Hollywood and Vine!—entered illegally, probably raped the housekeeper—” “I did burn up four automobiles, now you remind me. But, Sam, everything’s swell—
Richard S. Prather (Shell Scott PI Mystery Series, Volume Six)
Dear Lord, I humbly pray for my husband today. There are many times I have the urge to reprimand or try to fix my husband, yet I am learning that I am not a substitute for Your Holy Spirit. Only You have the power to transform my husband. So I submit my grievances and desires to You and ask that You would radically transform my husband. He is a good man and I love him more than anyone else in this world. I desire the best for him and for our marriage. I implore You to protect our marriage. Strengthen the areas of our relationship that are weak, the parts that are vulnerable to attack or temptation. I pray that my husband and I can build up our marriage together and fight for our love every single day. I pray against evil, I pray against the lust of our flesh, I pray against anything and everything that threatens what we have. Please Lord, wrap us up in Your loving and strong arms and guard us against the flaming arrows of the evil one. May Your Holy Spirit strengthen us each day and remind us to intentionally invest in our marriage. You are so faithful, Lord! I am so thankful You have carried us through some of the most challenging circumstances we have ever encountered. Please continue to show us how to keep our eyes focused on You in Jesus’ name AMEN!
Jennifer Smith (Thirty-One Prayers For My Husband)
My aunts did not share in the housework, but they contributed greatly to all of the village gossip. They had fake faces, showing Mama kindness and calling her ate, “big sister,” but once they were alone, I heard the snide remarks they shot like an arrow in her direction. They had no shame. On that day of our deepest sorrow, the two of them snorted, elbowing each other while Mama writhed in agony on the floor,
Tess Uriza Holthe (When the Elephants Dance)
My life is ruined! My parents came home last night talking about how the teacher showed them the great essay I wrote. “I never knew you liked camp so much, son,” Dad said. “Yes, Honey. We were going to give you the summer to do whatever you wanted,” my Mom said. “Now that we know you love camp so much, we signed you up to go to camp this summer. There was a camp representative at the Parent-Teacher conference last night, so we signed you up right away.” “We even put down a non-refundable deposit for it too, son,” Dad said. “So, congratulations, you’re going to camp!” OMZ! My life is totally ruined! Now I’m going to spend my summer in the Swamp Biome at camp. Oh man, this is terrible! What am I going to do?!! I decided to ask Steve some advice on how to get out of my terrible situation. I found Steve in a cave crafting some fireworks. All of a sudden, “BOOOOMMM!” All that was left of him were his tools and his weapons. A few minutes later, Steve walked into the cave behind me. I totally understand how he does that trick now. “Hey, Steve!” “Wassup, Zombie?” Steve said. “I have a question for you.” “Shoot!” Steve said. So, I picked up his bow and arrow and I shot him. “Ow! What’d you do that for?” “You told me to shoot,” I said. “Forget about it. What’s your question?” “My Mom and Dad are making me go to camp this summer,” I said. “But I don’t want to go. I’ve got to find a way out of it, and I need your help.” “Why are they sending you to camp?” Steve asked. “Well, I kind of told them I wanted to go.” “And now, you don’t want to go?” Steve asked. “No, I never wanted to go,” I said. Steve just looked at me… Confused. “Well, I thought if I wrote an essay about how much I wanted to go to camp, my Mom and Dad wouldn’t send me to camp,” I said. After I said it out loud, I realized how dumb that idea was. “It sure made sense at the time,” I said. “So, you want to get out of camp, but your parents think you really want to go?” Steve asked. “Yeah.” “Well, you could always get in trouble and they’ll punish you by taking away your summer camp,” Steve said. Man, Steve is so smart. That was the best idea I have ever heard. So, I’ve got to get in trouble so that my parents will punish me by taking camp away. I can do that. I just have to find a class that I can fail this semester, and they’ll punish me for sure if that happens. See, this is why I always go to Steve when I need some good advice.
Herobrine Books (School Daze (Diary of a Minecraft Zombie, #5))
SUMMARY A vast array of additional statistical methods exists. In this concluding chapter, we summarized some of these methods (path analysis, survival analysis, and factor analysis) and briefly mentioned other related techniques. This chapter can help managers and analysts become familiar with these additional techniques and increase their access to research literature in which these techniques are used. Managers and analysts who would like more information about these techniques will likely consult other texts or on-line sources. In many instances, managers will need only simple approaches to calculate the means of their variables, produce a few good graphs that tell the story, make simple forecasts, and test for significant differences among a few groups. Why, then, bother with these more advanced techniques? They are part of the analytical world in which managers operate. Through research and consulting, managers cannot help but come in contact with them. It is hoped that this chapter whets the appetite and provides a useful reference for managers and students alike. KEY TERMS   Endogenous variables Exogenous variables Factor analysis Indirect effects Loading Path analysis Recursive models Survival analysis Notes 1. Two types of feedback loops are illustrated as follows: 2. When feedback loops are present, error terms for the different models will be correlated with exogenous variables, violating an error term assumption for such models. Then, alternative estimation methodologies are necessary, such as two-stage least squares and others discussed later in this chapter. 3. Some models may show double-headed arrows among error terms. These show the correlation between error terms, which is of no importance in estimating the beta coefficients. 4. In SPSS, survival analysis is available through the add-on module in SPSS Advanced Models. 5. The functions used to estimate probabilities are rather complex. They are so-called Weibull distributions, which are defined as h(t) = αλ(λt)a–1, where a and 1 are chosen to best fit the data. 6. Hence, the SSL is greater than the squared loadings reported. For example, because the loadings of variables in groups B and C are not shown for factor 1, the SSL of shown loadings is 3.27 rather than the reported 4.084. If one assumes the other loadings are each .25, then the SSL of the not reported loadings is [12*.252 =] .75, bringing the SSL of factor 1 to [3.27 + .75 =] 4.02, which is very close to the 4.084 value reported in the table. 7. Readers who are interested in multinomial logistic regression can consult on-line sources or the SPSS manual, Regression Models 10.0 or higher. The statistics of discriminant analysis are very dissimilar from those of logistic regression, and readers are advised to consult a separate text on that topic. Discriminant analysis is not often used in public
Evan M. Berman (Essential Statistics for Public Managers and Policy Analysts)
she shows up in this Biblical context connected with the satyrs and Azazel. The very next verse (Isa. 34:15) talks about the owl that nests and lays and hatches her young in its shadow. But lexicons such as the Theological Wordbook of the Old Testament and Brown, Driver, Briggs Hebrew Lexicon contest this Hebrew word for owl (qippoz) with more ancient interpretations of an “arrow snake.”[17] If they are correct, then the poetry of the passage would be more complete as the NASB indicates.   Isaiah 34:14–15 (NASB95) 14 Yes, the night monster (Lilith) will settle there And will find herself a resting place. 15 The tree snake (qippoz) will make its nest and lay eggs there, And it will hatch and gather them under its protection.
Brian Godawa (Joshua Valiant (Chronicles of the Nephilim Book 5))
Judge had definitely noticed him, but the man had been quiet the entire time. When Michaels came over to glare at him, Judge had to be sure not to show his surprise or amusement. The bold little fucker. Actually he wasn’t so little. He was tall and built. Compact muscles under smooth, ivory skin. No doubt he was as macho and straight as an arrow, those kinds usually were. Judge was eager to see how the man handled himself.
A.E. Via (Don't Judge (Nothing Special, #4))
Kahnawake August 1704 Temperature 75 degrees By summer, Kahnawake children had stopped wearing clothing. Mercy could not get over the sight of hundreds of naked children playing tag, or hide-and-seek, or competing in footraces. The boys--naked!--went into the woods to shoot squirrels and rabbits and partridge. They used bow and arrow, since their fathers did not like them using guns yet. Even the six- and seven-year-olds had excellent aim. Joseph didn’t go entirely bare, being a little too old, but wore a breechclout, a small square of deerskin in back and another square in front, laced on a slender cord. The boys played constantly. They were stalking, shooting, running, chasing, aiming, fishing, swimming--they never sat down. The men, however, mainly rested. They liked to smoke and talk, and when they were showing a son or nephew or captive how to feather an arrow or find ducks, they did it slowly and sometimes forgot about it in the middle. A Puritan must rise before dawn and never take his ease. Puritans believed in working hard. But for an Indian man, working hard was something to do for an hour or a week. After he killed the moose or fought the battle, an Indian took his ease. Hunting men and animals were dangerous; he deserved rest afterward, and besides, he had to prepare himself to do it again. A Deerfield man didn’t risk much plowing a field. A Kahnawake man risked everything going into a cave to rouse a sleeping bear.
Caroline B. Cooney (The Ransom of Mercy Carter)
Remember that Satan is the accuser of believers. He delights in heaping guilt feelings upon you, especially when you are enjoying My Presence. When you feel Satan’s arrows of accusation, you are probably on the right track. Use your shield of faith to protect yourself from him. Talk with Me about what you are experiencing, and ask Me to show you the way forward. Resist the devil, and he will flee from you. Come near to Me, and I will come near to you.
Sarah Young (Jesus Calling: Enjoying Peace in His Presence)
MAY 15 SPENDING TIME alone with Me is essential for your well-being. It is not a luxury or an option; it is a necessity. Therefore, do not feel guilty about taking time to be with Me. Remember that Satan is the accuser of believers. He delights in heaping guilt feelings upon you, especially when you are enjoying My Presence. When you feel Satan’s arrows of accusation, you are probably on the right track. Use your shield of faith to protect yourself from him. Talk with Me about what you are experiencing, and ask Me to show you the way forward. Resist the devil, and he will flee from you. Come near to Me, and I will come near to you. Then I heard a loud voice in heaven say: “Now have come the salvation and the power and the kingdom of our God, and the authority of his Christ. For the accuser of our brothers, who accuses them before our God day and night, has been hurled down.” —REVELATION 12:10 In addition to all this, take up the shield of faith, with which you can extinguish all the flaming arrows of the evil one. —EPHESIANS 6:16
Sarah Young (Jesus Calling, with Scripture References: Enjoying Peace in His Presence (A 365-Day Devotional) (Jesus Calling®))
Frustration is an important directional arrow. It shows you where to go to move forward. And what to move away from.
Julie Connor (Dreams to Action Trailblazer's Guide)
She couldn’t help it; she looked hungrily at his dessert-covered chest and abs. Like a woman starved and stranded at sea. Her gaze rose slowly to meet his. But before she could reply, or attack and devour him, a boat horn sounded, making them both start. An amused voice carried the short distance across the water. “He surrenders, Kerry! Don’t make him walk the plank!” Kerry pulled back as if she’d been physically poked, swinging her gaze across the water to where another sailboat was passing by, getting ready to leave the harbor for the bay, sails fully unfurled. It was Jim Stein, with his wife, Carol, an older couple who were long-time friends of Fergus’s but well known to the whole McCrae clan. She felt her cheeks flaming in embarrassment and was grateful they were far enough away not to see the particulars of what was going on. Of course they could plainly see Cooper was shirtless, but she still had on the hoodie and fishing hat, so how inappropriately could they be behaving, right? If only they knew. Five more minutes and her old friends might have gotten a completely different eyeful. Hell, five more seconds. She waved, flashed a thumbs-up, then waved again as they sailed on, leaving laughter in their wake. With her teeth still gritted in a smile, she said, “This will be all over the Cove five seconds after they get back. Sooner if they have radio signal.” She turned back to Cooper, who was grinning shamelessly, hands linked behind his head now, as if preparing for his plank walk. “Very funny,” she said, trying to ignore how the posture made his biceps flex and showed off the definition in his six-pack. She couldn’t help but note that some of the blueberries had slid all the way down to the waistband of his cargo shorts, leaving streaks of blue on his skin, like arrows pointing to where she should go to resume their little game. She realized she was staring when her eyes slid a little lower still and--she jerked her gaze back to his, realizing he’d made her blush again. She typically wasn’t much of a blusher either. But she didn’t usually find herself playing food Twister with a half-naked man. Rather than finding a mocking smile waiting for her, the curve of his lips was amused, maybe even a little affectionate. Like she was being cute or something. She’d show him cute. Then she met his eyes and saw there was nothing amused or even borderline condescending to be found there. Incendiary was the word that came to mind.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
Shelby judiciously presents how love and soul have traditionally been conceptualized in depth psychology, and then tests this against the bar of ongoing human experience—showing how those pricked by Eros’ arrow and captured by Psyche’s beauty have continued to re-imagine their relationship
Stacey Shelby (Love and Soul-Making: Searching the Depths of Romantic Love)
If you wish to speed your mate’s healing, in addition to your blood, a pink-flowered weed sprouts by the river. Make him chew it.” I fired my arrow at the snare before I finished hearing its words. The trap sprang free. And the word clicked through me. Mate. “What did you say?” The Suriel rose to its full height, towering over me even from across the clearing. I had not realized that despite the bone, it was muscled— powerful. “If you wish to … ” The Suriel paused, and grinned, showing nearly all of those brown, thick teeth. “You did not know, then.” “Say it,” I gritted out. “The High Lord of the Night Court is your mate.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Psalm 90 (91) 1 The praise of an ode by David. He who dwells in the help of the Most High Shall lodge in the shelter of the God of heaven. 2He shall say to the Lord, “You are my protector and my refuge, My God; I will hope in Him; 3For He shall free me from the snare of the hunters, And from every troubling word.” 4He shall overshadow you with His shoulders, And under His wings you shall hope; His truth shall encircle you with a shield. 5You shall not be frightened by fear at night, Nor from an arrow that flies by day, 6Nor by a thing moving in darkness, Nor by mishap and a demon of noonday. 7A thousand shall fall at your side And ten thousand at your right hand, Yet it shall not come near you; 8But you shall observe with your eyes, And you shall see the reward of sinners. 9For You, O Lord, are my hope; You made the Most High your refuge. 10Evils shall not come to you, And a scourge shall not draw near your dwelling; 11For He shall command His angels concerning you, To keep you in all your ways; 12In their hands they shall bear you up, Lest you strike your foot against a stone; 13You shall tread upon the asp and the basilisk, And you shall trample the lion and the dragon. 14“For he hoped in Me, and I will deliver him; I will shelter him, because he knew My name. 15He shall call upon Me, and I will hear him; I am with him in affliction, And I will deliver and glorify him. 16With length of days I will satisfy him, And show him My salvation.
Anonymous (The Orthodox Study Bible: Ancient Christianity Speaks to Today's World)
Then it hit me that I had always seen her that way. Only now it felt like her seeing me in that same light was becoming more and more of a possibility. Every one-night stand, every girl whose number I took and never called back, every time I made a show of my dates to prove to everyone I was over Margo, was like an arrow to my heart. I wasn’t that person anymore. I didn’t want to be.
Lena Hendrix (One Chance (The Sullivan Family, #3))
I am rocked from side to side by the violence of my emotion. I imagine these nameless, these immaculate people, watching me from behind bushes. I leap high to excite their admiration. At night, in bed, I excite their complete wonder. I often die pierced with arrows to win their tears. If they should say, or I should see from a label on their boxes, that they were in Scarborough last holidays, the whole town runs gold, the whole pavement is illuminated. Therefore I hate lookingglasses which show me my real face. Alone, I often fall down into nothingness. I must push my foot stealthily lest I should fall off the edge of the world into nothingness. I have to bang my head against some hard door to call myself back to the body.
Virginia Woolf (The Waves)
If someone claimed to have an immortal body, he would have to prove his claim by being shot with an arrow and suffering no harm. Likewise, a man shows he is truly free when his spirit remains unfettered even though he is subject to masters.
John Chrysostom (On Marriage and Family Life (Popular Patristics Series))
So that is how to create a single story, show a people as one thing, as only one thing, over and over again, and that is what they become. It is impossible to talk about the single story without talking about power. There is a word, an Igbo [a language spoken in Nigeria] word, that I think about whenever I think about the power structures of the world, and it is “nkali.” It's a noun that loosely translates to “to be greater than another.” Like our economic and political worlds, stories too are defined by the principle of nkali: How they are told, who tells them, when they're told, how many stories are told, are really dependent on power. Power is the ability not just to tell the story of another person, but to make it the definitive story of that person. The Palestinian poet Mourid Barghouti writes that if you want to dispossess a people, the simplest way to do it is to tell their story and to start with, “secondly.” Start the story with the arrows of the Native Americans, and not with the arrival of the British, and you have an entirely different story. Start the story with the failure of the African state, and not with the colonial creation of the African state, and you have an entirely different story . . .
Chimamanda Ngozi Adichie
Last night was moonless, and we took a boat out onto Scapa Flow. There was broken light all across the sky, and columns of cloud twisting and turning through the pieces. Dust and dragon fire. Professor Semyonov said: 'That's the Milky Way. As much of it as we can see, anyway.' It was so beautiful I kept my eyes on it in case it suddenly disappeared, or turned out to be some gigantic illusion. Maybe it was the rocking of the deck, or maybe I stared for too long, but after a while I felt it all moving against me, the light and the clouds and the darkness, countless stars and planets flying like arrows from a bow hidden further back. Not that we three on the boat were the target; that was just an accident of scale. We crush ants all the time just walking through the park. I thought the best plan was to leave before the sky arrived, just jump into the sea and drown directly. The second-best plan was to close my eyes, but Myrna made me keep looking up. She said her own fear had been that those pinpricks of light were growing and that as they did, she shrank. She made me keep looking up until the panic was singed away. All I knew how to do with puppets, all I used to want to do, was play unsettling tricks. That's not enough any more. I want to put on stubborn little shows, find places here and there where we get to see what we'd be like if we were actually in control of anything. Cruel fantasies, maybe, but they can't hurt any more than glimpsing a galaxy does.
Helen Oyeyemi (What Is Not Yours Is Not Yours)
What’s the real reason you’re here?” I take a deep breath and remind myself that I’m a confident person who might as well be straightforward. “I guess I’ll be blunt.” “Please. Your candor struck me from the very beginning,” he presses. “I want to figure out if you’re the man who is the perfect fuck or the man who has the potential to be more.” If a man ever had a winning grin, then Hudson Arrows just displayed it. He leans in, his lips brushing along my cheek up toward my ear where I feel the tingle of his stubbled chin. “Baby, I know I can be both, and I have every intention of showing you.
Evey Lyon (Worth the Risk (Lake Spark #1))
Truth can be shown, but cannot be said. You can show truth – a buddha is an arrow, showing the truth, but he is not saying it. And whatsoever he says is a falsification.
Osho (Nirvana: The Last Nightmare: Learning to Trust in Life)
Rushing to bring a vaccine to market could also cause other sorts of safety problems in its manufacturing. Infamously, this happened in the Cutter Incident during the early launch of the polio vaccine, in 1955. When the polio vaccine was made available, mass vaccination days were organized by local communities. More than 120,000 children received a batch of the vaccine in which the process of inactivating the live virus was incomplete. Within days, there were reports of children developing paralysis, and the mass immunization program was abandoned within a month. Investigation showed that two batches of the vaccine, manufactured by Cutter Laboratories, had the live virus, resulting in symptoms in forty thousand people, permanent paralysis in fifty-one, and death in five; and this does not include cases of the virus spreading to other children.
Nicholas A. Christakis (Apollo's Arrow: The Profound and Enduring Impact of Coronavirus on the Way We Live)
At this critical point, the factions of magnets come in all sizes, ranging from single isolated magnets up to huge clumps that stretch across the entire magnet. If we added more magnets to make an array as big as the United States, the same thing would happen. The factions would range from tiny clumps to massive blobs stretching from New York to Los Angeles. As we know, the geometric regularity of any power law implies a lack of any typical scale—a feature that shows up clearly in the critical point image. But one picture really can’t do justice to the character of the critical state, which is forever changing. If you were to take snapshots at different moments, you would see the alliances of the factions constantly shifting, with some dissolving and others forming up. The critical state is subject to tremendous fluctuations, and always remains poised on the very edge of sudden, radical change. To call it “hypersensitive” would be an understatement. Since the army of arrows is balanced on the precipice between its two phases, always on the verge of falling into line, even the tiniest influence can push it over the edge. Just a single magnet flipping over can trigger an avalanche of further flippings that would rampage from one side to the other.
Mark Buchanan (Ubiquity: Why Catastrophes Happen)