“
Autumn Psalm
A full year passed (the seasons keep me honest)
since I last noticed this same commotion.
Who knew God was an abstract expressionist?
I’m asking myself—the very question
I asked last year, staring out at this array
of racing colors, then set in motion
by the chance invasion of a Steller’s jay.
Is this what people mean by speed of light?
My usually levelheaded mulberry tree
hurling arrows everywhere in sight—
its bow: the out-of-control Virginia creeper
my friends say I should do something about,
whose vermilion went at least a full shade deeper
at the provocation of the upstart blue,
the leaves (half green, half gold) suddenly hyper
in savage competition with that red and blue—
tohubohu returned, in living color.
Kandinsky: where were you when I needed you?
My attempted poem would lie fallow a year;
I was so busy focusing on the desert’s
stinginess with everything but rumor.
No place even for the spectrum’s introverts—
rose, olive, gray—no pigment at all—
and certainly no room for shameless braggarts
like the ones that barge in here every fall
and make me feel like an unredeemed failure
even more emphatically than usual.
And here they are again, their fleet allure
still more urgent this time—the desert’s gone;
I’m through with it, want something fuller—
why shouldn’t a person have a little fun,
some utterly unnecessary extravagance?
Which was—at least I think it was—God’s plan
when He set up (such things are never left to chance)
that one split-second assignation
with genuine, no-kidding-around omnipotence
what, for lack of better words, I’m calling vision.
You breathe in, and, for once, there’s something there.
Just when you thought you’d learned some resignation,
there’s real resistance in the nearby air
until the entire universe is swayed.
Even that desert of yours isn’t quite so bare
and God’s not nonexistent; He’s just been waylaid
by a host of what no one could’ve foreseen.
He’s got plans for you: this red-gold-green parade
is actually a fairly detailed outline.
David never needed one, but he’s long dead
and God could use a little recognition.
He promises. It won’t go to His head
and if you praise Him properly (an autumn psalm!
Why didn’t I think of that?) you’ll have it made.
But while it’s true that my Virginia creeper praises Him,
its palms and fingers crimson with applause,
that the local breeze is weaving Him a diadem,
inspecting my tree’s uncut gold for flaws,
I came to talk about the way that violet-blue
sprang the greens and reds and yellows
into action: actual motion. I swear it’s true
though I’m not sure I ever took it in.
Now I’d be prepared, if some magician flew
into my field of vision, to realign
that dazzle out my window yet again.
It’s not likely, but I’m keeping my eyes open
though I still wouldn’t be able to explain
precisely what happened to these vines, these trees.
It isn’t available in my tradition.
For this, I would have to be Chinese,
Wang Wei, to be precise, on a mountain,
autumn rain converging on the trees,
a cassia flower nearby, a cloud, a pine,
washerwomen heading home for the day,
my senses and the mountain so entirely in tune
that when my stroke of blue arrives, I’m ready.
Though there is no rain here: the air’s shot through
with gold on golden leaves. Wang Wei’s so giddy
he’s calling back the dead: Li Bai! Du Fu!
Guys! You’ve got to see this—autumn sun!
They’re suddenly hell-bent on learning Hebrew
in order to get inside the celebration,
which explains how they wound up where they are
in my university library’s squashed domain.
Poor guys, it was Hebrew they were looking for,
but they ended up across the aisle from Yiddish—
some Library of Congress cataloger’s sense of humor:
the world’s calmest characters and its most skittish
squinting at each other, head to head,
all silently intoning some version of kaddish.
Part 1
”
”