Arrangements In Blue Quotes

I no longer believed in the idea of soul mates, or love at first sight. But I was beginning to believe that a very few times in your life, if you were lucky, you might meet someone who was exactly right for you. Not because he was perfect, or because you were, but because your combined flaws were arranged in a way that allowed two separate beings to hinge together.

the redness had seeped from the day and night was arranging herself around us. Cooling things down, staining and dyeing the evening purple and blue black.

Wait--we have one left," the runner said, bringing out what was surely the most expensive bouquet of all: a three-foot tall arrangement of two hundred white roses, in the palest ivory color. All the girls swooned. Almost no boys bought white roses ever. It was a big sign of commitment. But this one practically trumpeted a captured heart. The runner set the bouquet in front of Schuyler. Mimi raised an eyebrow. She had always won the roses lottery. What was this all about? For me?" Schuyler asked, awestruck by the size of the thing. She took the card from the tallest stem. For Schuyler, who doesn't like love stories." It was not signed.

Shh." I squeeze his hand. His palm feels clammy. "We have to keep it down, okay? We don't want my dad coming in." He grits his teeth against more shivers. "Always knew I'd end up in your bed . . . and hear you say those words one day." He manages a smirk. Jeb snarls. "Unbelievable. Even when he's at death's door he's a tool." He arranges a pillow beneath Morpheus's neck. "Why don't you keep your mouth shut while we help you." Morpheus laughs weakly, his skin flashing with blue light. "What say Alyssa"--his breath rattles--"give my mouth something else to do?

Soon after the completion of his college course, his whole nature was kindled into one intense and passionate effervescence of romantic passion. His hour came,—the hour that comes only once; his star rose in the horizon,—that star that rises so often in vain, to be remembered only as a thing of dreams; and it rose for him in vain. To drop the figure,—he saw and won the love of a high-minded and beautiful woman, in one of the northern states, and they were affianced. He returned south to make arrangements for their marriage, when, most unexpectedly, his letters were returned to him by mail, with a short note from her guardian, stating to him that ere this reached him the lady would be the wife of another. Stung to madness, he vainly hoped, as many another has done, to fling the whole thing from his heart by one desperate effort. Too proud to supplicate or seek explanation, he threw himself at once into a whirl of fashionable society, and in a fortnight from the time of the fatal letter was the accepted lover of the reigning belle of the season; and as soon as arrangements could be made, he became the husband of a fine figure, a pair of bright dark eyes, and a hundred thousand dollars; and, of course, everybody thought him a happy fellow. The married couple were enjoying their honeymoon, and entertaining a brilliant circle of friends in their splendid villa, near Lake Pontchartrain, when, one day, a letter was brought to him in that well-remembered writing. It was handed to him while he was in full tide of gay and successful conversation, in a whole room-full of company. He turned deadly pale when he saw the writing, but still preserved his composure, and finished the playful warfare of badinage which he was at the moment carrying on with a lady opposite; and, a short time after, was missed from the circle. In his room,alone, he opened and read the letter, now worse than idle and useless to be read. It was from her, giving a long account of a persecution to which she had been exposed by her guardian's family, to lead her to unite herself with their son: and she related how, for a long time, his letters had ceased to arrive; how she had written time and again, till she became weary and doubtful; how her health had failed under her anxieties, and how, at last, she had discovered the whole fraud which had been practised on them both. The letter ended with expressions of hope and thankfulness, and professions of undying affection, which were more bitter than death to the unhappy young man. He wrote to her immediately: I have received yours,—but too late. I believed all I heard. I was desperate. I am married, and all is over. Only forget,—it is all that remains for either of us." And thus ended the whole romance and ideal of life for Augustine St. Clare. But the real remained,—the real, like the flat, bare, oozy tide-mud, when the blue sparkling wave, with all its company of gliding boats and white-winged ships, its music of oars and chiming waters, has gone down, and there it lies, flat, slimy, bare,—exceedingly real. Of course, in a novel, people's hearts break, and they die, and that is the end of it; and in a story this is very convenient. But in real life we do not die when all that makes life bright dies to us.

His dark blue shirt was plastered to his chest, covered with werewolf goop and tears. "Now we both need a bath," I said. "That can be arranged." "Please, Jean-Claude, no sexual innuendo until after I'm clean." "Of course, MA PETITE. It was crude of me tonight. My apologies." I stared at him. He was being far too nice. Jean-Claude was a lot of things, but nice wasn't one of them. "If you're up to something, I don't want to know about it. I can't handle any deep, dark plots tonight, okay?" He smiled and gave a low, sweeping bow, never taking his eyes off me. The way you bow on the judo mat when you're afraid the person may pound you if you look away. I shook my head. He WAS up to something. Nice to know that not everyone had suddenly become something else. One thing I could always depend on what Jean-Claude. Pain in the ass that he was, he always seemed to be there. Dependable in his own twisted way. Jean-Claude dependable? I must have been more tired than I thought.

It was not just the drink, though, that was making me happy, but the tenderness of things, the simple goodness of the world. This sunset, for instance, how lavishly it was laid on, the clouds, the light on the sea, that heartbreaking, blue-green distance, laid on, all of it, as if to console some lost suffering waybarer. I have never really got used to being on this earth. Somethings I think our presence here is due to a cosmic blunder, that we were meant for another planet altogether, with other arrangements, and other laws, and other, grimmer skies. I try to imagine it, our true place, off on the far side of the galaxy, whirling and whirling. And the ones who were meant for here, are they out there, baffled and homesick, like us? No, they would have become extinct long ago. How could they survive, these gentle earthlings, in a world that was meant to contain us?

A little thing, like children putting flowers in my hair, can fill up the widening cracks in my self-assurance like soothing lanolin. I was sitting out on the steps today, uneasy with fear and discontent. Peter, (the little boy-across-the-street) with the pointed pale face, the grave blue eyes and the slow fragile smile came bringing his adorable sister Libby of the flaxen braids and the firm, lyrically-formed child-body. They stood shyly for a little, and then Peter picked a white petunia and put it in my hair. Thus began an enchanting game, where I sat very still, while Libby ran to and fro gathering petunias, and Peter stood by my side, arranging the blossoms. I closed my eyes to feel more keenly the lovely delicate-child-hands, gently tucking flower after flower into my curls. "And now a white one," the lisp was soft and tender. Pink, crimson, scarlet, white ... the faint pungent odor of the petunias was hushed and sweet. And all my hurts were smoothed away. Something about the frank, guileless blue eyes, the beautiful young bodies, the brief scent of the dying flowers smote me like the clean quick cut of a knife. And the blood of love welled up in my heart with a slow pain.

And tomorrow, next month, next year? It will take a long time. Years from now, they will still be arranging the pieces they know, puzzling over her features, redrawing her outlines in their minds. Sure that they've got her right this time, positive in this moment that they understand her completely, at last. They will think of her often: when Marilyn opens the curtains in Lydia's room, opens the closet, and begins to take the clothing from the shelves. When their father, one day, enters a party for the first time does not glance, quickly, at all the blond heads in the room. When Hannah begins to stand a little straighter, when she begins to speak a bit clearer, when one day she flicks her hair behind her ear in a familiar gesture and wonders, for a moment, where she got it. And Nath. When at school people ask if he has siblings: two sisters, but one died; when one day, he looks at the small bump that will always mar the bridge of Jack's nose and wants to trace it, gently, with his finger. When a long, long time later, he stares down at the silent blue marble of the earth and thinks of his sister, as he will at every important moment of his life. He doesn't know this yet, but he senses it deep down in his core. So much will happen, he thinks, that I would want to tell you.

Why do we care about singers? Wherein lies the power of songs? Maybe it derives from the sheer strangeness of there being singing in the world. The note, the scale, the chord; melodies, harmonies, arrangements; symphonies, ragas, chinese operas,jazz, the blues: that such things should exist, that we should have discovered the magical intervals and distances that yield the poor cluster of notes, all within the span of a human hand from which we can build our cathedrals of sound, is alchemical a mystery as mathematics, or wine, or love. Maybe the birds taught us. Maybe not. Maybe we are just creatures in search of exaltation. We don't have much of it. Our lives are not what we deserve; they are, let us agree, in many painful ways deficient. Song turns them into something else. Song shows us a world that is worthy of our yearning, it shows us our selves as they might be, if we were worthy of the world.

I’d rather be waterboarded,” Henry says, smiling back. The camera snaps nearby. His eyes are big and soft and blue, and he desperately needs to be punched in one of them. “Your country could probably arrange that.

There was no water at my grandfather’s when I was a kid and would go for it with two zinc buckets. Down the path, past the cow by the foundation where the fine people’s house was before they arranged to have it burned down. To the neighbor’s cool well. Would come back with pails too heavy, so my mouth pulled out of shape. I see myself, but from the outside. I keep trying to feel who I was, and cannot. Hear clearly the sound the bucket made hitting the sides of the stone well going down, but never the sound of me.

Dusty hydrangeas pale as robins' eggs. Delphiniums iridescent as butterfly wings. Cornflowers the hazy blue of the summer skies

Mrs Darley, I noticed, always had her corn dolly amidst an arrangement of cornflowers and poppies (albeit they were artificial!). The corn, I was to later understand, represented the God, the red poppies his sacrificial blood and the blue cornflowers his death and this is something I still adhere to today.

Having shaved, washed, and dexterously arranged several artificial teeth, standing in front of the mirror, he moistened his silver-mounted brushes and plastered the remains of his thick pearly hair on his swarthy yellow skull. He drew on to his strong old body, with its abdomen protuberant from excessive good living, his cream-colored silk underwear, put black silk socks and patent-leather slippers on his flat-footed feet. He put sleeve-links in the shining cuffs of his snow-white shirt, and bending forward so that his shirt front bulged out, he arranged his trousers that were pulled up high by his silk braces, and began to torture himself, putting his collar-stud through the stiff collar. The floor was still rocking beneath him, the tips of his fingers hurt, the stud at moments pinched the flabby skin in the recess under his Adam's apple, but he persisted, and at last, with eyes all strained and face dove-blue from the over-tight collar that enclosed his throat, he finished the business and sat down exhausted in front of the pier glass, which reflected the whole of him, and repeated him in all the other mirrors. " It is awful ! " he muttered, dropping his strong, bald head, but without trying to understand or to know what was awful. Then, with habitual careful attention examining his gouty-jointed short fingers and large, convex, almond-shaped finger-nails, he repeated : " It is awful. . . .

Filip was from San Jose, but his painfully good looks excused that. He was tall, six-foot-something-or-other, intensely blue eyes, chiseled features, massive package. Didn't have Prince Albert in a Can, but he did have a thick gauged one through his cock head. His name really wasn’t Filip, it was Brent, an all-American moniker about as dark and mysterious as pastel-colored bobby socks. Initially, I joked about his choice of sobriquet, changing his name to go off to the big city, transform into Mr. Big Stuff, until it dawned on me I’d done the same damn thing with my ‘Catalyst’ surname. So I shut up. He comported himself with rigid shoulders and stiff gestures, as if he had a secret. Turns out he did. Filip was married, had a wife for more than a year now, but they had some kind of crazy arrangement. Days they were a couple; evenings they were free to do as they pleased. Where’d they come up with that idea, Jerry Springer?

 “If you wanted to go back to your place, we could,” Filip suggested. “But only until dawn.” Yeah, right. An affair is an affair, the way I see it. What difference is there between 5 and 7 a.m.? Was their marriage some sort of religious fasting thing, starve until the sun sets then binge and party down? I'd never sunk my teeth into married meat, but figured it was a logical progression from my I'm Not Gay But It's Different With You saga. And if I was going to sin, I was gonna sin good. That means no peeking to see whether it’s still dark outside.

Meanwhile the Hemulen was arranging firework set pieces in suitable places. They had Bengal Lights, Blue-Star Rain, Silver Fountains, and Rockets that exploded with stars.

the Blue Ribbon Inn, no ID is required because Ace of Diamonds prepaid and made certain other arrangements with the management

Why did they make babies so damn small? And loud. Surely better arrangements could be made for the propagation of the human race.

I hoped newness might knock grief clean out of me.

I think that’s how life works. Just when you think you have it all set up and perfectly arranged, someone sneezes, or God blows on it, and all the building blocks come tumbling down.

1 The summer our marriage failed we picked sage to sweeten our hot dark car. We sat in the yard with heavy glasses of iced tea, talking about which seeds to sow when the soil was cool. Praising our large, smooth spinach leaves, free this year of Fusarium wilt, downy mildew, blue mold. And then we spoke of flowers, and there was a joke, you said, about old florists who were forced to make other arrangements. Delphiniums flared along the back fence. All summer it hurt to look at you. 2 I heard a woman on the bus say, “He and I were going in different directions.” As if it had something to do with a latitude or a pole. Trying to write down how love empties itself from a house, how a view changes, how the sign for infinity turns into a noose for a couple. Trying to say that weather weighed down all the streets we traveled on, that if gravel sinks, it keeps sinking. How can I blame you who kneeled day after day in wet soil, pulling slugs from the seedlings? You who built a ten-foot arch for the beans, who hated a bird feeder left unfilled. You who gave carrots to a gang of girls on bicycles. 3 On our last trip we drove through rain to a town lit with vacancies. We’d come to watch whales. At the dock we met five other couples—all of us fluorescent, waterproof, ready for the pitch and frequency of the motor that would lure these great mammals near. The boat chugged forward—trailing a long, creamy wake. The captain spoke from a loudspeaker: In winter gray whales love Laguna Guerrero; it’s warm and calm, no killer whales gulp down their calves. Today we’ll see them on their way to Alaska. If we get close enough, observe their eyes—they’re bigger than baseballs, but can only look down. Whales can communicate at a distance of 300 miles—but it’s my guess they’re all saying, Can you hear me? His laughter crackled. When he told us Pink Floyd is slang for a whale’s two-foot penis, I stopped listening. The boat rocked, and for two hours our eyes were lost in the waves—but no whales surfaced, blowing or breaching or expelling water through baleen plates. Again and again you patiently wiped the spray from your glasses. We smiled to each other, good troopers used to disappointment. On the way back you pointed at cormorants riding the waves— you knew them by name: the Brants, the Pelagic, the double-breasted. I only said, I’m sure whales were swimming under us by the dozens. 4 Trying to write that I loved the work of an argument, the exhaustion of forgiving, the next morning, washing our handprints off the wineglasses. How I loved sitting with our friends under the plum trees, in the white wire chairs, at the glass table. How you stood by the grill, delicately broiling the fish. How the dill grew tall by the window. Trying to explain how camellias spoil and bloom at the same time, how their perfume makes lovers ache. Trying to describe the ways sex darkens and dies, how two bodies can lie together, entwined, out of habit. Finding themselves later, tired, by a fire, on an old couch that no longer reassures. The night we eloped we drove to the rainforest and found ourselves in fog so thick our lights were useless. There’s no choice, you said, we must have faith in our blindness. How I believed you. Trying to imagine the road beneath us, we inched forward, honking, gently, again and again.

The downtown local pulled in, its four yellow lights suggesting the feelers of some great dashing worm. Jane stood at the very rear of the train, and absently watched the tunnel lights. With a spurt, yellow meteors jumped up and arranged themselves in a row behind, one end of it growing, the other fading away in the tunnel. Sometimes a blue one flew into the row. Once the red eyes of an express train behind loomed up, a monster roaring past out of the dark. It was sinister but impersonal. It didn’t care in the least whether or not Jane liked civilization. It was civilization.

What is marriage, exactly, and how could we explain it to an alien anthropologist? It’s more than just a living arrangement. Is it an endeavor, a pledge, a symbol, or an affirmation? Is it a span of shared years and shared experiences? A vessel for intimacy? Or does the old joke nail it best? ‘If love is an enchanted dream, then marriage is an alarm clock.’ ” Mostly male laughter in the congregation is shushed. “Maybe marriage is difficult to define because of its array of shapes and sizes. Marriage differs between cultures, tribes, centuries, decades even, generations, and—our alien researcher might add—planets. Marriages can be dynastic, common-law, secret, shotgun, arranged, or, as is the case with Sharon and Peter”—she beams at the bride in her dress and the groom in his morning suit—“brought into being by love and respect. Any given marriage can—and will—go through rocky patches and calmer periods. Even within a single day, a marriage can be stormy in the morning, yet by evening turn calm and blue …

The paintings had been arranged in a single row that unspooled across the walls like a stave, and the tones JB had created—dense bruised blues and bourbonish yellows—were so distinctly their own, it was as if JB had invented a different

They're sitting on the floor in A Stitch in Time, surrounded on all sides by dresses of every imaginable color. Cora realizes as she glances around, her gaze flitting quickly from one wall to the next, that Etta has arranged them like the seasons: sparkling whites, grays, blacks for winter; shimmering greens and blues for spring; pinks and purples for summer; reds, oranges and yellows for autumn. Together they are breathtaking, almost too bright if stared at for too long, like falling through a rainbow lit by the sun.

The paintings had been arranged in a single row that unspooled across the walls like a stave, and the tones JB had created—dense bruised blues and bourbonish yellows—were so distinctly their own, it was as if JB had invented a different language of color altogether.

(The dining room ceiling was painted a shade of blue both deep and intense, and was covered in intricate configurations of carved leaves that had been painted gold, or, more accurately, the leaves had been gilded. The gilt leaves were arranged in flourishes which were surrounded by circles of gilt leaves within squares of gilt leaves. The ceiling was more in keeping with Versailles than Eastern Pennsylvania, and when I was a child I found it mortifying. Maeve and my father and I made a point of keeping our eyes on our plates during dinner.)

Leslie Marmon Silko whispers the story is long. No, longer. Longer than that even. Longer than anything. With Anne Sexton and Sylvia Plath drink at the bar. Laugh the dark laughter in the dark light. Sing a dark drunken song of men. Make a slurry toast. Rock back and forth, and drink the dark, and bask in the wallow of women knowing what women know. Just for a night. When you need to feel the ground of your life and the heart of the world, there will be a bonfire at the edge of a canyon under a night sky where Joy Harjo will sing your bonesong. Go ahead-with Anne Carson - rebuild the wreckage of a life a word at a time, ignoring grammar and the forms that keep culture humming. Make word war and have it out and settle it, scattering old meanings like hacked to pieces paper doll confetti. The lines that are left … they are awake and growling. With Virginia Woolf there will perhaps be a long walk in a garden or along a shore, perhaps a walk that will last all day. She will put her arm in yours and gaze out. At your backs will be history. In front of you, just the ordinary day, which is of course your entire life. Like language. The small backs of words. Stretching out horizonless. I am in a midnight blue room. A writing room. With a blood red desk. A room with rituals and sanctuaries. I made it for myself. It took me years. I reach down below my desk and pull up a bottle of scotch. Balvenie. 30 year. I pour myself an amber shot. I drink. Warm lips, throat. I close my eyes. I am not Virginia Woolf. But there is a line of hers that keeps me well: Arrange whatever pieces come your way. I am not alone. Whatever else there was or is, writing is with me.

It seemed to me a good day to be dead and by that I mean that if the dead cared no more about the worries they’d shouldered in life and could lie back and enjoy the best of what God had created it was a day for exactly such. The air was warm and still and the grass of the cemetery which Gus kept watered and clipped was soft green and the river that reflected the sky was a long ribbon of blue silk and I thought that when I died this was the place exactly I would want to lie and this was the scene that forever I would want to look upon. And I thought that it was strange that a resting place so kingly had been given to a man who had nothing and about whom we knew so little that even his name was a mystery. And though I didn’t know at all and still do not the truth of the arrangement, I suspected that it was somehow my father’s doing. My father and his great embracing heart.

I first learned about Aquino from a concerned mother in Santa Rosa who called the television station with one of the most horrific stories I’ve ever heard. You’ll meet her. Her name is Denise Beaumont and she arranged most everything for this event. Anyway, I began investigating and found out how widespread pedophilia and satanism actually are! It’s not limited to poor hill folk or a lone stranger on a playground like I thought; the richest, most influential people are involved. We even have a judge here in Marin County that is rumored to be a satanist! The more I looked, the more I learned that what I really didn’t want to believe was real.” Carol’s blue eyes widened as she leaned forward to whisper, “I found out its happening right here in my own back yard! My father, who is Air Force Intelligence, lives around the corner. When I told him what I discovered, he advised me to forget about it!

Waiting I am waiting for the special day, when you will say "i will stay", I am waiting for the night, when you will be there and everything's right, I am waiting for that magical rain, that will wash away the distance, sepration and pain, I am waiting for a change, when everything will get arranged, I am waiting for a meeting, when i can see you, and my heart can start beating, I am waiting for a fight, after which i can hold you in my arms tight, I am waiting for a blue moon, when we can meet and i hope it will come soon, I am waiting for the special day, when you will say "i will stay",

Let’s talk about ‘Coexist’ bumper stickers for a second. You’ve definitely seen them around. They’re those blue strips with white lettering that assemble a collection of religious icons and mystical symbols (e.g., an Islamic crescent, a Star of David, a Christian cross, a peace sign, a yin-yang) to spell out a simple message of inclusion and tolerance. Perhaps you instinctively roll your eyes at these advertisements of moral correctness. Perhaps you find the sentiment worthwhile, but you’re not a wear-your-politics-on-your-fender type of person. Or perhaps you actually have ‘Coexist’ bumper stickers affixed to both your Prius and your Beamer. Whatever floats your boat, man; far be it from us to cast stones. But we bring up these particular morality minibillboards to illustrate a bothersome dichotomy. If we were to draw a Venn diagram of (a) the people who flaunt their socially responsible “coexist” values for fellow motorists, and (b) the people who believe that, say, an evangelical Christian who owns a local flower shop ought to be sued and shamed for politely declining to provide floral arrangements for a same-sex wedding, the resulting circles would more or less overlap. The coexist message: You people (i.e., conservatives) need to get on board and start coexisting with groups that might make you uncomfortable. It says so right here on my highly enlightened bumper sticker. But don’t you dare ask me to tolerate the ‘intolerance’ of people with whom I disagree. Because that’s different.

I follow her into a storeroom at the back of the shop and catch my breath when I see the bouquets she has made for the shoot. I've seen a lot of wedding flowers, but nothing like these. There are soft apricot roses with dusty-blue delphiniums, creamy-white peonies with miniature pink alliums. Waxy green orchids with deep purple irises. A phone rings in the shop and she excuses herself and goes back outside to answer it. I bend down and pick up a pretty tumble of glossy green ivy and pale purple bells on slender stems. The flowers have a delicate scent, something elusive between hyacinth and freesia.

Her name was Rebecca, or Becky, or Bex. She'd been wearing a white hooded top with a navy-blue body-warmer. She would be twenty-three years old by now. She had been seen in the beech wood, climbing a tree. She had been seen at the railway station. She had been seen by the side of the road. She had been looked for, everywhere. She could have arranged to meet somebody, and been driven safely away.She could have fallen down a hole. She could have been hurt by her parents in some terrible mistake. She could have gone away because she'd chosen to, or because she had no choice. People still wanted to know.

... crystal spheres imprisoning green lizards, salamanders, millefiori bouquets dragonflies, a basket of pears, butterflies alighted on a frond of fern, swirls of pink and white and blue and white, shimmering like fireworks, cobras ready to strike, pretty little arrangements of pansies, magnificent poinsettias ...

They dream of the happiness of stretching out one's legs and of the relief one feels after going to the toilet. In Orotukan the earth thaws only in the summer and only to the depth of three feet—and only then can they bury the bones of those who died during the winter. And you have the right to arrange your own life under the blue sky and the hot sun, to get a drink of water, to stretch, to travel wherever you like without a convoy [escort]. So what's this about unwiped feet? And what's this about a mother-in-law? What about the main thing in life, all its riddles? If you want, I'll spell it out for you right now. Do not pursue what is illusory—property and position: all that is gained at the expense of your nerves decade after decade, and is confiscated in one fell night. Live with a steady superiority over life—don't be afraid of misfortune, and do not yearn after happiness; it is, after all, all the same: the bitter doesn't last forever, and the sweet never fills the cup to overflowing. It is enough if you don't freeze in the cold and if thirst and hunger don't claw at your insides. If your back isn't broken, if your feet can walk, if both arms can bend, if both eyes see, if both ears hear, then whom should you envy? And why? Our envy of others devours us most of all. Rub your eyes and purify your heart—and prize above all else in the world those who love you and who wish you well. Do not hurt them or scold them, and never part from any of them in anger; after all, you simply do not know: it may be your last act before your arrest, and that will be how you are imprinted in their memory!

«I’ve never been to a funeral until today. I see dazzling arrangements of red, yellow, and purple flowers with long, green stems. I see a stained-glass window with a white dove, a yellow sun, a blue sky. I see a gold cross, standing tall, shiny, brilliant. And I see black. Black dresses. Black pants. Black shoes. Black bibles. Black is my favorite color. Jackson asked me about it one time. “Ava, why don’t you like pink? Or yellow? Or blue?” ”I love black,” I said. ”It suits me.” ”I suit you,” he said. I’m not so sure I love black anymore. And then, beyond the flowers, beneath the stained-glass window, beside the cross, I see the white casket. I see red, burning love disappear forever. As we pull away, my eyes stay glued to the casket. It’s proof that sometimes life does not go on. I look around. If tears could bring him back, there’d be enough to bring him back a hundred times. That’s not what I’m thinking. I’m thinking, I hate good-byes. It’s like I was a garden salad with a light vinaigrette, and Jackson was a platter of seafood Cajun pasta. Alone, we were good. Together, we were fantastic. Memories might keep him alive. But they might kill me.»

Instead, as the crystal splinters entered Hornwrack's brain, he experienced two curious dreams of the Low City, coming so quickly one after the other that they seemed simultaneous. In the first, long shadows moved across the ceiling frescoes of the Bistro Californium, beneath which Lord Mooncarrot's clique awaited his return to make a fourth at dice. Footsteps sounded on the threshold. The women hooded their eyes and smiled, or else stifled a yawn, raising dove-grey gloves to their blue, phthisic lips. Viriconium, with all her narcissistic intimacies and equivocal invitations welcomed him again. He had hated that city, yet now it was his past and it was he had to regret...The second of these visions was of the Rue Sepile. It was dawn, in summer. Horse-chestnut flowers bobbed like white wax candles above the deserted pavements. An oblique light struck into the street - so that its long and normally profitless perspective seemed to lead straight into the heart of a younger, more ingenuous city - and fell across the fronts of the houses where he had once lived, warming up the rotten brick and imparting to it a not unpleasant pinkish colour. Up at the second-floor casement window a boy was busy with the bright red geraniums arranged along the outer still in lumpen terra-cotta pots. He looked down at Hornwrack and smiled. Before Hornwrack could speak he drew down the lower casement and turned away. The glass which no separated them reflected the morning sunlight in a silent explosion; and Hornwrack, dazzled mistaking the light for the smile, suddenly imagined an incandescence which would melt all those old streets! Rue Sepile; the Avenue of Children; Margery Fry Court: all melted down! All the shabby dependencies of the Plaza of Unrealized Time! All slumped, sank into themselves, eroded away until nothing was left in his field of vision but an unbearable white sky above and the bright clustered points of the chestnut leaves below - and then only a depthless opacity, behind which he could detect the beat of his own blood, the vitreous humour of the eye. He imagined the old encrusted brick flowing, the glass cracking and melting from its frames even as they shrivelled awake, the sheds of paints flaring green and gold, the geraniums toppling in flames to nothing, not even white ash, under this weight of light! All had winked away like reflections in a jar of water glass, and only the medium remained, bright, viscid, vacant. He had a sense of the intolerable briefness of matter, its desperate signalling and touching, its fall; and simultaneously one of its unendurable durability He thought, Something lies behind all the realities of the universe and is replacing them here, something less solid and more permanent. Then the world stopped haunting him forever.

The real jewel of my disease-ridden woodlot is the prothonotary warbler. He nests in an old woodpecker hole, or other small cavity, in a dead snag overhanging water. The flash of his gold-and-blue plumage amid the dank decay of the June woods is in itself proof that dead trees are transmuted into living animals, and vice versa. When you doubt the wisdom of this arrangement, take a look at the prothonotary.

Perhaps that's why art in all its forms can feel like the purest expression of one soul to another. A means of transcending the boundaried self. It turns out Joni's Blue is the case of wine I can drink and still remain standing. Her Blue pours out of me, not in a way she might recognise or even find at all touching, but it's there, nevertheless. The soul forever pouring from one to another, making something new through art.

It [the charcuterie] was almost on the corner of the Rue Pirouette and was a joy to behold. It was bright and inviting, with touches of brilliant colour standing out amidst white marble. The signboard, on which the name QUENU-GRADELLE glittered in fat gilt letter encircled by leaves and branches painted on a soft-hued background, was protected by a sheet of glass. On the two side panels of the shop front, similarly painted and under glass, were chubby little Cupids playing in the midst of boars' heads, pork chops, and strings of sausages; and these still lifes, adorned with scrolls and rosettes, had been designed in so pretty and tender a style that the raw meat lying there assumed the reddish tint of raspberry jam. Within this delightful frame, the window display was arranged. It was set out on a bed of fine shavings of blue paper; a few cleverly positioned fern leaves transformed some of the plates into bouquets of flowers fringed with foliage. There were vast quantities of rich, succulent things, things that melted in the mouth. Down below, quite close to the window, jars of rillettes were interspersed with pots of mustard. Above these were some boned hams, nicely rounded, golden with breadcrumbs, and adorned at the knuckles with green rosettes. Then came the larger dishes--stuffed Strasbourg tongues, with their red, varnished look, the colour of blood next to the pallor of the sausages and pigs' trotters; strings of black pudding coiled like harmless snakes; andouilles piled up in twos and bursting with health; saucissons in little silver copes that made them look like choristers; pies, hot from the oven, with little banner-like tickets stuck in them; big hams, and great cuts of veal and pork, whose jelly was as limpid as crystallized sugar. Towards the back were large tureens in which the meats and minces lay asleep in lakes of solidified fat. Strewn between the various plates and sishes, on the bed of blue shavings, were bottles of relish, sauce, and preserved truffles, pots of foie gras, and tins of sardines and tuna fish. A box of creamy cheeses and one full of snails stuffed with butter and parsley had been dropped in each corner. Finally, at the very top of the display, falling from a bar with sharp prongs, strings of sausages and saveloys hung down symmetrically like the cords and tassels of some opulent tapestry, while behind, threads of caul were stretched out like white lacework. There, on the highest tier of this temple of gluttony, amid the caul and between two bunches of purple gladioli, the alter display was crowned by a small, square fish tank with a little ornamental rockery, in which two goldfish swam in endless circles.

What about Sandridge?" McKenna asked. "Do you love him?" "Yes," Aline whispered. She loved Adam dearly- just not in the way he meant. "And yet you're here with me," he murmured. "Adam-" She stopped and cleared her throat. "Whatever I choose to do... he doesn't mind. This has nothing to do with him... you and I..." "No, it doesn't," he said with sudden anger. "My God, he should be trying to tear my throat out, instead of letting you go somewhere alone with me. He should be willing to do anything short of murder- hell, I wouldn't even stop at that- to keep other men away from you." Disgust thickened his voice. "You're lying to yourself, if you think that you'll ever be satisfied with the kind of bloodless arrangement your parents had. You need a man who will match your will, own you, occupy every part of your body, and every corner of your soul. In the eyes of the world, Sandridge is your equal- but you and I know better. He's as different from you as ice from fire." He leaned over her, his body forming a hard, living cage around her. "I'm your equal," he said harshly, "though my blood is red instead of blue, though I was condemned by my very birth never to have you... inside, we're the same. And I would break every law of God and man if-" McKenna stopped suddenly, biting back the words as he realized that he was revealing too much, allowing his rampaging emotions to get the better of him.

The small pergola that Michael had built was covered in loops of jasmine, and Lara's flower beds were blazing with color. Blowsy white peonies, dusky purple irises with golden stripes, pale orange poppies with sooty centers. The first tea roses of the year were budding. Elinas, pink petals tipped with crimson, and the ivory Jeanne Moreaus that smelled faintly of lemons. Lara wanted to pick one and put it on the breakfast tray, but Michael hated cut flowers. She went back inside and began to set the tray. Her mother's blue Venetian glass dish filled with raspberries. Orange juice in a white jug. A honey pot with a wooden dipper. Sunshine streamed in through the window, warming the terra-cotta tiles beneath her bare feet. She could not have cut flowers in the house so she had pictures of them instead. Two huge framed Georgia O'Keefe poppy prints. An apron with a pattern of climbing roses. A wooden clock that Phil had given her with a pendulum in the shape of a red rose.

Even though I don't believe in a god, I still feel I am in touch with something beyond myself. Sometimes it's an occurence timed with such ingenuity it feels cosmic. Like the gift of the piano. Other times, it's a sense of profound connection. One morning my cat settled on the pillow just above my head. It's always my desire for her to do this, but most often she does not; she lies between my legs, or on my hip, and after some minutes I feel the need to move, and she slopes away. But that particular morning she settled and inched her face forward until her cheek rested on my own. It felt like a connection beyond offering her the soft warmth of my body, a cosy place for her to nap. It felt like she was giving herself to me for my comfort alone, letting me lean on her. I felt the friendship of a cat and it touched me. Even though I could easily rathionalise the comfort out of it, I let it be taken as I needed to in that moment. My soul needs signs and symbols, not logic.

Furthermore, the sense of passion or of power, of depth and vibrancy, feeling and vision, we take away from any work is the result of the intermingling, balance, play, and antagonism between these: it is the arrangement of blues, not any blue itself, which lets us see the mood it formulates, whether pensive melancholy or thoughtless delight, so that one to whom aesthetic experience comes easily will see, as Schopenhauer suggested, sadness in things as readily as smoky violet or moist verdigris.

Someone put a tea-tray on the table beside us, and I looked up to see the very prettiest girl I had ever set eyes on. She seemed little more than a child, and before the war would probably have still ranked as a flapper. She wore the neat blue dress and apron of a VAD, and her white cap was set on hair like spun gold. She smiled demurely as she arranged the tea-things, and I thought I had never seen eyes at once so merry and so grave. I stared after her as she walked across the lawn, and I remember noticing that she moved with the free grace of an athletic boy.

Milly took the hand held out to her, which was small, warm and chubby, the fingers armoured with rings...This was one of those well-preserved old things whose age it was impossible to guess; her cheeks pink and powdery and her white hair prettily arranged with a bang of fluffy curls in the front. The smile, Milly noticed, did not extend to the eyes, which were round and innocent, in color baby-blue; there was a twinkle in them, certainly, but they remained nevertheless quite frosty. Standing on tiptoe to reach Milly's ear, she whispered: 'I am the Princess Rapovska!

“Shh.” I squeeze his hand. His palm feels clammy. “We have to try to keep it down, okay? We don’t want my dad coming in.” He grits his teeth against more shivers. “Always knew I’d end up in your bed … and hear you say those words one day.” He manages a smirk. Jeb snarls. “Unbelievable. Even when he’s at death’s door he’s a tool.” He arranges a pillow beneath Morpheus’s neck. “Why don’t you keep your mouth shut while we help you.” Morpheus laughs weakly, his skin flashing with blue light. “What say Alyssa” —his breath rattles— “gives my mouth something else to do?”

Sugar-cube houses spilled down the last slope toward the sea. A full moon floated above the inky water; the air from the gardens they passed smelled of gardenias and jasmine. She slept as soon as she put her head on the pillow of the small white hotel room. When she opened the creaky blue shutters the following morning, brilliant sunlight fell in through the window and the hum of the bees on the vines below filled the room. The sea was every color of delphinium and larkspur. The smell of food drifted up from the small restaurant below her balcony. Bacon, fresh bread, coffee, cinnamon.

Beyond her, along the edge of the patio, a rainbow of color danced in the evening breeze. Olive's backyard efforts had gone well beyond the leafy herb garden. Arranged in sweet clusters, with a backdrop of desert sage and tall grasses, sat well-tended terracotta pots brimming with yellow snapdragons, deep-violet lobelia, and powder-blue pansies. Even in the dimming evening light, Julia noticed a couple of butterflies flitting near the bright arrangement of petals. It was such a charming sight, and her niece had been responsible for the entire thing. There was no doubt this girl had a serious green thumb.

Paco Fuentes," Mrs. Peterson says, pointing to the table behind Mary. The handsome young man with pale blue eyes like his mother's and smoky black hair like his father's takes his assigned seat. Mrs. Peterson regards her new student over the glasses perched on her nose. "Mr. Fuentes, don't think this class will be a piece of cake because your parents got lucky and developed a medication to halt the progression of Alzheimer's. Your father never did finish my class and he flunked one of my tests, although I have a feeling your mother was the one who should have failed. But that just means I'll expect extra from you.

While the burning fish is tracing his arc near the cypress, beneath the highest blue of all, and the blind boy flies away in the white stone, and the ivory poem of the green cicada beats and reverberates in the elm, let us give honor to the Lord— the black mark of his good hand— who has arranged for silence in all this noise. Honor to the god of distance and of absence, ff the anchor in the sea—the open sea… He frees us from the world—it’s everywhere— he opens roads for us to walk on. With our cup of darkness filled to the brim, with our heart that always knows some hunger, let us give honor to the Lord who created the zero and carved our thought out of the block of faith.

All the flowers were gorgeous, in fact. The ones with “See you in Hell” emblazoned on the sash were white roses, Asiatic lilies, football mums, carnations and blue delphinium, or so Chesterfield told me when I came up to it to get a better look. Another standing spray featured hot pink roses and carnations, orange lilies, yellow sunflowers, lavender stock and green Athos poms, as well as the sentiment of “Not soon enough.” I have to say I was especially taken with the basket arrangement of lavender daisy poms, mums, white roses, snapdragons and Monte Cassino, with the words “Suck it, motherfucker” lovingly engraved onto the base of its gorgeously ornate vase. There were others, but these were a representative sample.

A leaf, large and rough, a thorny stalk, blue flower. I borage bring courage. Than a saw-toothed leaf. Lemon balm. Soothe all troublesome care. Marigold---cureth the trembling of harte. Perhaps their medicine will cross through the cell walls of my drawing hand. The plants grow into a schematic, a garden, geometrically arranged. I consult the crackly herbals by my bed. Chamomile, catmint, sorrel. In Latin: Matricaria chamomilla, Nepeta X faassenii, Rumex acetosa. I get out of bed, retrieve my colored pencils, come back. The smell of earth fills the room. Root and flower and loam. Decay and regeneration. Mullein and comfrey, costmary, feverfew, betony. I sink into the earth, below verbena and lavender, descending as I draw.

Do tell the story,” says Shadow. Cal taps a finger against his cup. “It was almost as if she just appeared in my room one day, out of the blue.” “Oh! Who is she?” cries the duchess. “A lady I met in Renovia,” he answers, as Shadow’s cheeks burn. “In a castle.” “Renovian,” says the duchess with distaste. “What is she like?” “Shadow is about to answer when Cal cuts her off. He looks right at her when he speaks. “She’s the most beautiful girl I’ve ever met. Brave, courageous, loyal. In all the kingdoms of Avantine I have never met her equal.” “And how did you propose, brother? Seeing that you had sworn off marriage and children to look after Mother’s estate,” says Shadow softly. “Ah, but she too had vowed not to marry,” Cal answers. “So we promised to be unmarried to each other, but together forever.” “What an atypical arrangement,” says Shadow, not quite meeting his eye. The duchess was fully agitated by now. “Sworn off marriage and children? How strange! What kind of engagement is this?” She takes an aggressive bite of toast. “A promise between two souls,” he says, but he only has eyes for Shadow. “A promise can be broken,” Shadow replies. “Not mine,” he says, so quietly that he’s not sure she can hear him. “Nor mine,” she says, which means that she did. They catch each other’s eye, and Cal wants nothing more than to reach across the table for her hand and to pull her to him. But they are at the Duke and Duchess of Girt’s table, and must conform to propriety.

At the end of its eight-minute journey from the sun, light passes through the stained glass of St Matthias Church in Richmond, London, and enters the dual darkrooms of Jasper’s eyeballs. The rods and cones packing his retinas convert the light into electrical impulses that travel along optic nerves into his brain, which translates the varying wavelengths of light into ‘Virgin Mary blue’, ‘blood of Christ red’, ‘Gethsemane green’, and interprets the images as twelve disciples, each occupying a segment of the cartwheel window. Vision begins in the heart of the sun. Jasper notes that Jesus’s disciples were, essentially, hippies: long hair, gowns, stoner expressions, irregular employment, spiritual convictions, dubious sleeping arrangements and a guru.

At the end of its eight-minute journey from the sun, light passes through the stained glass of St. Matthias Church in Richmond, London, and enters the dual darkrooms of Jasper’s eyeballs. The rods and cones packing his retinas convert the light into electrical impulses that travel along optic nerves into his brain, which translates the varying wavelengths of light into “Virgin Mary blue,” “blood of Christ red,” “Gethsemane green,” and interprets the images as twelve disciples, each occupying a segment of the cartwheel window. Vision begins in the heart of the sun. Jasper notes that Jesus’s disciples were, essentially, hippies: long hair, gowns, stoner expressions, irregular employment, spiritual convictions, dubious sleeping arrangements, and a guru.

There is a musical instrument, one that is in fact little more than a toy, that we in Viron used to call Molpe’s dulcimer. Strings are arranged in a certain way and drawn tight above a chamber of thin wood that swells the sound when they are strummed by the wind. Horn made several for his young siblings before we went into the tunnels; when I made them, I dreamed of making a better one someday, one constructed with all the knowledge and care that a great craftsman would bring to the task, a fitting tribute to Molpe. I have never built it, as you will have guessed already. I have the craft now, perhaps; but I have never had the musical knowledge the task would require, and I never will. If I had built it, it might have sounded something like that, because I would have made it sound as much like a human voice as I could; and if I were the great craftsman I once dreamed of becoming, I would have come very near—and yet not near enough. That is how it was with the Mother’s voice. It was lovely and uncanny, like Molpe’s dulcimer; and although it was not in truth very remote as well as I could judge, there was that in it that sounded very far away indeed. I have since thought that the distance was perhaps of time, that we heard a song on that warm, calm evening that was not merely hundreds but thousands of years old, sung as it had been sung when the Short Sun of Blue was yet young, and floating to us across that lonely sea with a pain of loss and longing that my poor words cannot express. No, not even if I could whisper them aloud to you of the future, and certainly not as I am constrained to speak to you now with Oreb’s laboring black wingfeather. Nor with a quill from any other bird that ever flew. *

The great day dawned misty and overcast, but the glass was high and we had no fears. The mist was a good sign. It cleared about eleven, as Maxim had foretold, and we had a glorious still summer’s day without a cloud in the blue sky. All the morning the gardeners were bringing flowers into the house, the last of the white lilac, and great lupins and delphiniums, five foot high, roses in hundreds, and every sort of lily. Mrs. Danvers showed herself at last; quietly, calmly, she told the gardeners where to put the flowers, and she herself arranged them, stacking the vases with quick, deft fingers. I watched her in fascination, the way she did vase after vase, carrying them herself through the flower room to the drawing room and the various corners of the house, massing them in just the right numbers and profusion, putting color where color was needed, leaving the walls bare where severity paid.

On Floriography This poem explores the ancient practice of floriography, the coded language of flowers, as a way to express human love through the use of fragrance, colors, and vivid symbolism. By elucidating the phenomenon of florescence alongside the art of floral arrangement, the poem encourages readers to extract poetry and beauty out of a dystopic world. If you often find yourself at a loss for words or don’t know what to say to those you love, just extract poetry out of poverty, this dystopia of civilization rendered fragrant, blossoming onto star-blue fields of loosestrife, heady spools of spike lavender, of edible clover beckoning to say without bruising a jot of dog’s tooth violet, a nib of larkspur notes, or the day’s perfumed reports of indigo in the gloaming— what to say to those whom you love in this world? Use floriography, or as the flower-sellers put it, Say it with flowers. —Indigo, larkspur, star-blue, my dear.

Let us suppose that this ounce of mud is left in perfect rest, and that its elements gather together, like to like, so that their atoms may get into the closest relations possible. Let the clay begin. Ridding itself of all foreign substance, it gradually becomes a white earth, already very beautiful; and fit, with help of congealing fire, to be made into finest porcelain, and painted on, and be kept in kings’ palaces. But such artificial consistence is not its best. Leave it still quiet to follow its own instinct of unity, and it becomes not only white, but clear; not only clear, but hard; not only clear and hard, but so set that it can deal with light in a wonderful way, and gather out of it the loveliest blue rays only, refusing the rest. We call it then a sapphire. Such being the consummation of the clay, we give similar permission of quiet to the sand. It also becomes, first, a white earth, then proceeds to grow clear and hard, and at last arranges itself in mysterious, infinitely fine, parallel lines, which have the power of reflecting not merely the blue rays, but the blue, green, purple, and red rays in the greatest beauty in which they can be seen through any hard material whatsoever. We call it then an opal. In next order the soot sets to work; it cannot make itself white at first, but instead of being discouraged, tries harder and harder, and comes out clear at last, and the hardest thing in the world; and for the blackness that it had, obtains in exchange the power of reflecting all the rays of the sun at once in the vividest blaze that any solid thing can shoot. We call it then a diamond. Last of all the water purifies or unites itself, contented enough if it only reach the form of a dew-drop; but if we insist on its proceeding to a more perfect consistence, it crystallizes into the shape of a star. And for the ounce of slime which we had by political economy of competition, we have by political economy of co-operation, a sapphire, an opal, and a diamond, set in the midst of a star of snow.

Etienne now commanded a view of the whole district. It was still very dark, but the old man had peopled the darkness with untold sufferings, which the young one could sense all round him in the limitless space. Could he not hear a cry of famine borne over this bleak country by the March wind? The gale had lashed itself into a fury and seemed to be blowing death to all labour and a great hunger that would finish off men by the hundred. And with his roving eye he tried to peer through the gloom, with a tormenting desire to see and yet a fear of seeing. Everything slid away in the dark unknown, and all he could see was distant furnaces and coke-ovens which, set in batteries of a hundred chimneys arranged obliquely, made sloping lines of crimson flames; whilst further to the left the two blast-furnaces were burning blue in the sky like monstrous torches. It was as depressing to watch as a building on fire: as far as the threatening horizon the only stars which rose were the nocturnal fires of the land of coal and iron.

The Highest Octaves of Light Sands, in wild winds of surging waves Over the desert dunes, sing with the tones Of tiny pebbles moving all together, a shifting Of dust grains humming and moaning Over the growing and diminishing dunes. His body in the mirror is the color Of sands. The song he sings in the voice Of light shining like waves of wind Passing over his body inside the glass. The mirror sings with the color of sand In the highest octaves of light. Have you ever listened to sands sing With gold light as they fall in threads Through the needle-eye opening At the center of a hour-glass globe? Why not arrange such globes in rows Before a window of sun, each globe A different width, a different height Of refined or rudimentary glass, clear Amber rose, a tinted blue of noon sky, And listen to the chorus? And then why not turn the globes Upside down and over again to hear Sands sing one more time? The desert dunes are singing, wind-risen Voices from a primeval earth, haunting, Pacific, pining and irate. we listen For the repeating message we remember. The songs are only tumbling pebble grains; Their words are only notes of swirling dust, Sings the eternal light, Emanuel.

It's a lovely mask," Sara said, toying with the narrow black silk ribbons before tying it in place. Monique had artfully fashioned it out of black silk and lace, and glinting blue sapphires that matched her gown. "I'm not nervous at all." It was true. She felt as if some reckless stranger had replaced her usual cautious self. The midnight-blue gown molded to her figure, cut so low that her breasts seemed ready to spill from the meager bodice. A broad satin sash fastened with a gold buckle emphasized her small waist. The mask covered the upper half of her face but revealed her lips, which Monique and Lily had insisted on darkening with the faintest hint of rouge. Laboriously they had arranged her hair in a cluster of curls on top of her head, allowing a few ringlets to dangle teasingly against her cheeks and neck. A perfume that reminded Sara of roses blended with some deeper foresty scent had been applied sparingly to her bosom and throat. "A triumph," Monique had declared, gloating over the transformation. "Beautiful, worldly, but still fresh and young... ah, chérie, you will make many conquests tonight!" "Stunning," Lily had said, beaming with delight. "What a stir she'll cause.

Sometimes my soul feels very peaceful, happy to be contained. Other times it has the urge to send envoys into the world, and I find myself sending unguarded passionate messages, voice notes and even recordings of me singing to my friends. It makes me think of the bit in the song where Joni breaks into the Canadian national anthem. I find the whole song moving, but this particular part, her 'o Canada', sounds like a moment where she forgets the audience and performs in the way you might in a private scene with a lover, family member or friend. No one wants to be a lonely soul, only filled up with yourself and the abstractions of the soul in art. Like a squid stuffed with its own tentacles. A lonely painter, living in a box of paints. But, it occurs to me, needing to identify what or who the 'you' is when I sing Joni's song is another example of my ego troubling with a convention I don't really believe in. My 'you' could be liquid, flowing from one thing to another. It could contain many people and things, be so vast as to be God-sized, an oceanic you. Or it could be small and exact like a square of pure pigment, with a startling itselfness, which once it goes beyond me can transform all it touches.

Marlboro Man was out of town, on a trip to the southern part of the state, looking at farm ground, the night I began conceiving of the best way to arrange the reception menu. I was splayed on my bed in sweats, staring at the ceiling, when suddenly I gave birth to The Idea: one area of the country club would be filled with gold bamboo chairs, architecturally arranged orchids and roses, and antique lace table linens. Violins would serenade the guests as they feasted on cold tenderloin and sipped champagne. Martha Stewart would be present in spirit and declare, “This is my daughter, whom I love. In her I am well pleased.” Martha’s third cousin Mabel would prefer the ballroom on the other end of the club, however, which would be the scene of an authentic chuck wagon spread: barbecue, biscuits and gravy, fried chicken, Coors Light. Blue-checkered tablecloths would adorn the picnic tables, a country band would play “All My Exes Live in Texas,” and wildflowers would fill pewter jugs throughout the room. I smiled, imagining the fun. In one fell swoop, our two worlds--Marlboro Man’s country and my country club--would collide, combine, and unite in a huge, harmonious feast, one that would officially usher in my permanent departure from city life, cappuccino, and size 6 clothes.

While there are deeper regularities in the Universe than the simple circumstances we generally describe as orderly, all that order, simple and complex, seems to derive from laws of Nature established at the Big Bang (or earlier), rather than as a consequence of belated intervention by an imperfect deity. “God is to be found in the details” is the famous dictum of the German scholar Aby Warburg. But, amid much elegance and precision, the details of life and the Universe also exhibit haphazard, jury-rigged arrangements and much poor planning. What shall we make of this: an edifice abandoned early in construction by the architect? The evidence, so far at least and laws of Nature aside, does not require a Designer. Maybe there is one hiding, maddeningly unwilling to be revealed. Sometimes it seems a very slender hope. The significance of our lives and our fragile planet is then determined only by our own wisdom and courage. We are the custodians of life’s meaning. We long for a Parent to care for us, to forgive us our errors, to save us from our childish mistakes. But knowledge is preferable to ignorance. Better by far to embrace the hard truth than a reassuring fable. If we crave some cosmic purpose, then let us find ourselves a worthy goal. --Pale Blue Dot: A Vision of the Human Future in Space

I've got the kids in my room," she explained, while Jubal strove to keep up with her, "so that Honey Bun can watch them." Jubal was mildly startled to see, a moment later, what Patricia meant by that. The boa was arranged on one of twin double beds in squared-off loops that formed a nest - a twin nest, as one bight of the snake had been pulled across to bisect the square, making two crib-sized pockets, each padded with a baby blanket and each containing a baby. The ophidian nursemaid raised her head inquiringly as they came in. Patty stroked it and said, "It's all right, dear. Father Jubal wants to see them. Pet her a little, and let her grok you, so that she will know you next time." First Jubal coochey-cooed at his favorite girl friend when she gurgled at him and kicked, then petted the snake. He decided that it was the handsomest specimen of Bojdae he had ever seen, as well as the biggest - longer, he estimated, than any other boa constrictor in captivity. Its cross bars were sharply marked and the brighter colors of the tail quite showy. He envied Patty her blue-ribbon pet and regretted that he would not have more time in which to get friendly with it. The snake rubbed her head against his hand like a cat. Patty picked up Abby and said, "Just as I thought. Honey Bun, why didn't you tell me?"- then explained, as she started to change diapers, "She tells me at once if one of them gets tangled up, or needs help, or anything, since she can't do much for them herself - no hands - except nudge them back if they try to crawl out and might fall. But she just can't seem to grok that a wet baby ought to be changed - Honey Bun doesn't see anything wrong about that. And neither does Abby." "I know. We call her 'Old Faithful.' Who's the other cutie pie?" "Huh? That's Fatima Michele, I thought you knew." "Are they here? I thought they were in Beirut!" "Why, I believe they did come from some one of those foreign parts. I don't know just where. Maybe Maryam told me but it wouldn't mean anything to me; I've never been anywhere. Not that it matters; I grok all places are alike - just people. There, do you want to hold Abigail Zenobia while I check Fatima?" Jubal did so and assured her that she was the most beautiful girl in the world, then shortly thereafter assured Fatima of the same thing. He was completely sincere each time and the girls believed him - Jubal had said the same thing on countless occasions starting in the Harding administration, had always meant it and had always been believed. It was a Higher Truth, not bound by mundane logic. Regretfully he left them, after again petting Honey Bun and telling her the same thing, and just as sincerely.

The walls behind the counter had deep floor-to-ceiling shelves for vases and jam jars and scented candles, and there was an old wrought-iron revolving stand for cards. But most of the space in the long, narrow shop was taken up with flowers and plants. Today there were fifty-two kinds of cut blooms, from the tiny cobalt-blue violets that were smaller than Lara's little fingernail to a purple-and-green-frilled brassica that was bigger than her head. The flowers were set out in gleaming metal buckets and containers of every shape and size. They were lined up on the floor three deep and stacked on the tall three-tier stand in the middle of the shop. The plants, huge leafy ferns and tiny fleshy succulents, lemon trees and jasmine bushes and freckled orchids, were displayed on floating shelves that were built at various heights all the way up to the ceiling. Lara had spent weeks getting the lighting right. There were a few soft spotlights above the flower displays, and an antique crystal chandelier hung low above the counter. There were strings of fairy lights and dozens of jewel-colored tea lights and tall, slender lanterns dotted between the buckets. When they were lit, they cast star and crescent moon shapes along the walls and the shop resembled the courtyard of a Moroccan riad- a tiny walled garden right in the middle of the city.

In case you haven't noticed,rodeos are a serious business.Careless cowboys tend to break bones,or even their skulls,as hard as that may be to believe." She stared down at the hand holding her wrist. Despite his smile,she could feel the strength in his grip. If he wanted to,he could no doubt break her bone with a single snap. But she wasn't concerned with his strength,only with the heat his touch was generating. She felt the tingle of warmth all the way up her arm.It alarmed her more than she cared to admit. "My job is to minimize damage to anyone who is actually hurt." "I'm grateful." He sat up so his laughing blue eyes were even with hers. If possible,his were even bluer than the perfect Montana sky above them. "What do you think? Any damage from that fall?" Her instinct was to move back,but his fingers were still around her wrist,holding her close. "I'm beginning to wonder if you were actually tossed from that bull or deliberately fell." "I'd have to be a little bit crazy to deliberately fell." "I'd have to be a little bit crazy to deliberately jump from the back of a raging bull just to get your attention, wouldn't I?" "Yeah." She felt the pull of that magnetic smile that had so many of the local females lusting after Wyatt McCord. Now she knew why he'd gained such a reputation in such a short time. "I'm beginning to think maybe you are. In fact,more than a little.A whole lot crazy." "I figured it was the best possible way to get you to actually talk to me. You couldn't ignore me as long as there was even the slightest chance that I might be hurt." There was enough romance in her nature to feel flattered that he'd go to so much trouble to arrange to meet her. At least,she thought,it was original. And just dangerous enough to appeal to a certain wild-and-free spirit that dominated her own life. Then her practical side kicked in, and she felt an irrational sense of annoyance that he'd wasted so much of her time and energy on his weird idea of a joke. "Oh,brother." She scrambled to her feet and dusted off her backside. "Want me to do that for you?" She paused and shot him a look guaranteed to freeze most men. He merely kept that charming smile in place. "Mind if we start over?" He held out his hand. "Wyatt McCord." "I know who you are." "Okay.I'll handle both introductions. Nice to meet you,Marilee Trainor. Now that we have that out of the way,when do you get off work?" "Not until the last bull rider has finished." "Want to grab a bite to eat? When the last rider is done,of course." "Sorry.I'll be heading home." "Why,thanks for the invitation.I'd be happy to join you.We could take along some pizza from one of the vendors." She looked him up and down. "I go home alone." "Sorry to hear that." There was that grin again,doing strange things to her heart. "You're missing out on a really fun evening." "You have a high opinion of yourself, McCord." He chuckled.Without warning he touched a finger to her lips. "Trust me.I'd do my best to turn that pretty little frown into an even prettier smile." Marilee couldn't believe the feelings that collided along her spine. Splinters of fire and ice had her fighting to keep from shivering despite the broiling sun. Because she didn't trust her voice, she merely turned on her heel and walked away from him. It was harder to do than she'd expected. And though she kept her spine rigid and her head high, she swore she could feel the heat of that gaze burning right through her flesh. It sent one more furnace blast rushing through her system. A system already overheated by her encounter with the bold, brash,irritatingly charming Wyatt McCord.

what I knew that morning in March 1977 as we settled around the conference table. I wasn’t even sure how these guys reached us, or how they’d arranged this meeting. “Okay, fellas,” I said, “what’ve you got?” It was a beautiful day, I remember. The light outside the room was a buttery pale yellow, and the sky was blue for the first time in months, so I was distracted, a little spring feverish, as Rudy leaned his weight on the edge of the conference table and smiled. “Mr. Knight, we’ve come up with a way to inject . . . air . . . into a running shoe.” I frowned and dropped my pencil. “Why?” I said. “For greater cushioning,” he said. “For greater support. For the ride of a lifetime.” I stared. “You’re kidding me, right?” I’d heard a lot of silliness from a lot of different people in the shoe business, but this. Oh. Brother. Rudy handed me a pair of soles that looked as if they’d been teleported from the twenty-second century. Big, clunky, they were clear thick plastic and inside were—bubbles? I turned them over. “Bubbles?” I said. “Pressurized air bags,” he said. I set down the soles and gave Rudy a closer look, a full head-to-toe. Six-three, lanky, with unruly dark hair, bottle-bottom glasses, a lopsided grin, and a severe vitamin D deficiency, I thought. Not enough sunshine. Or else a long-lost member of the Addams Family. He saw me appraising him, saw my skepticism, and wasn’t the least fazed. He walked to the blackboard, picked up a piece of chalk, and began writing numbers, symbols, equations. He explained at some length why an air shoe would work, why it would never go flat, why it was the Next Big Thing. When he finished I stared at the blackboard. As a trained accountant I’d spent a good part of my life looking at blackboards, but this Rudy fella’s scribbles were something else. Indecipherable.

What is that?” “Oh, it's… well, something personal to Lady Holly, and… sir, she wouldn't like it if ye—” Maude spluttered with dismayed protests as Zachary reached over and plucked the frame case from the pile. “A miniature?” he asked, deftly shaking the object from its leather casing. “Yes, sir, but… you shouldn't, really… oh, dear.” Maude's pudgy cheeks reddened, and she sighed in patent discomfort as he stared at the little portrait. “George,” Zachary said quietly. He had never seen a likeness of the man, had never wanted to before. It was only to be expected that Holly should carry a portrait of her late husband, for Rose's benefit as well as her own. However, Zachary had never asked to view a likeness of George Taylor, and Holly had certainly never volunteered to show him. Perhaps Zachary had expected that he would feel a pang of animosity at the sight of Taylor's face, but as he stared at the miniature, he was conscious only of a surprising feeling of pity. He had always thought of George as a contemporary, but this face was impossibly young, adorned with sideburns that amounted to a bit of peach fuzz on either side of his cheeks. Zachary was startled by the realization that Taylor couldn't have been more than twenty-four when he died, almost a full ten years younger than Zachary was now. Holly had been wooed and loved by this handsome boy, with his golden blond hair and untroubled blue eyes, and a smile that hinted of mischief. George had died before he'd barely tasted of life, widowing a girl who had been even more innocent than he. Try as he might, Zachary couldn't blame George Taylor for trying to protect Holly, arrange things for her, ensure that his infant daughter was taken care of. No doubt George would have been anguished at the thought of his wife being seduced and made miserable by the Zachary Bronsons of the world.

Quickly she shredded the cabbage on the chopping block and tossed it along with the onion and tomatoes in a blue Pyrex bowl. Then she slid the lamb chops, encrusted with fresh rosemary, into the oven. While the lamb baked, she brushed her hair in the washroom and pinned it back again. Then she zipped on a silk floral dress she'd purchased in Bristol and retrieved her grandmother's rhinestone necklace, one of the few family heirlooms her mother packed for her, to clasp around her neck. At the foot of the bed was the antique trunk she'd brought from her childhood home in Balham more than a decade ago. Opening the trunk, she removed her wedding album along with her treasured copy of 'The Secret Garden' and the tubes of watercolors her father had sent with her and her brother. Her father hoped she would spend time painting on the coast, but Maggie hadn't inherited his talent or passion for art. Sometimes she wondered if Edmund would have become an artist. Carefully she took out her newest treasures- pieces of crystal she and Walter hd received as wedding presents, protected by pages and pages of her husband's newspaper. She unwrapped the crystal and two silver candlesticks, then set them on the white-cloaked dining table. She arranged the candlesticks alongside a small silver bowl filled with mint jelly and a basket with sliced whole-meal bread from the bakery. After placing white, tapered candles into the candlesticks, she lit them and stepped back to admire her handiwork. Satisfied, she blew them out. Once she heard Walter at the door, she'd quickly relight the candles. When the timer chimed, she removed the lamb chops and turned off the oven, placing the pan on her stovetop and covering it with foil. She'd learned a lot about housekeeping in the past decade, and now she was determined to learn how to be the best wife to Walter. And a doting mother to their children. If only she could avoid the whispers from her aunt's friends.

Mrs Davidson was saying she didn’t know how they’d have got through the journey if it hadn’t been for us,’ said Mrs Macphail as she neatly brushed out her transformation. ‘She said we were really the only people on the ship they cared to know.’ ‘I shouldn’t have thought a missionary was such a big bug that he could afford to put on frills.’ ‘It’s not frills. I quite understand what she means. It wouldn’t have been very nice for the Davidsons to have to mix with all that rough lot in the smoking– room.’ ‘The founder of their religion wasn’t so exclusive,’ said Dr Macphail with a chuckle. ‘I’ve asked you over and over again not to joke about religion,’ answered his wife. ‘I shouldn’t like to have a nature like yours, Alec. You never look for the best in people.’ He gave her a sidelong glance with his pale, blue eyes, but did not reply. After many years of married life he had learned that it was more conducive to peace to leave his wife with the last word. He was undressed before she was, and climbing into the upper bunk he settled down to read himself to sleep. When he came on deck next morning they were close to land. He looked at it with greedy eyes. There was a thin strip of silver beach rising quickly to hills covered to the top with luxuriant vegetation. The coconut trees, thick and green, came nearly to the water’s edge, and among them you saw the grass houses of the Samoans; and here and there, gleaming white, a little church. Mrs Davidson came and stood beside him. She was dressed in black and wore round her neck a gold chain, from which dangled a small cross. She was a little woman, with brown, dull hair very elaborately arranged, and she had prominent blue eyes behind invisible pince–nez. Her face was long, like a sheep’s, but she gave no impression of foolishness, rather of extreme alertness; she had the quick movements of a bird. The most remarkable thing about her was her voice, high, metallic, and without inflexion; it

Finally, he allowed me to turn the key in the lock and the front door, with its porthole-shaped window, swung open. I don’t know what I’d expected. I’d tried not to conjure up fantasies of any kind, but what I saw left me inarticulate. The entire apartment had the feel of a ship’s interior. The walls were highly polished teak and oak, with shelves and cubbyholes on every side. The kitchenette was still located to the right where the old one had been, a galley-style arrangement with a pint-size stove and refrigerator. A microwave oven and trash compactor had been added. Tucked in beside the kitchen was a stacking washer-dryer, and next to that was a tiny bathroom. In the living area, a sofa had been built into a window bay, with two royal blue canvas director’s chairs arranged to form a “conversational grouping.” Henry did a quick demonstration of how the sofa could be extended into sleeping accommodations for company, a trundle bed in effect. The dimensions of the main room were still roughly fifteen feet on a side, but now there was a sleeping loft above, accessible by way of a tiny spiral staircase where my former storage space had been. In the old place, I’d usually slept naked on the couch in an envelope of folded quilt. Now, I was going to have an actual bedroom of my own. I wound my way up, staring in amazement at the double-size platform bed with drawers underneath. In the ceiling above the bed, there was a round shaft extending through the roof, capped by a clear Plexiglas skylight that seemed to fling light down on the blue-and-white patchwork coverlet. Loft windows looked out to the ocean on one side and the mountains on the other. Along the back wall, there was an expanse of cedar-lined closet space with a rod for hanging clothes, pegs for miscellaneous items, shoe racks, and floor-to-ceiling drawers. Just off the loft, there was a small bathroom. The tub was sunken with a built-in shower and a window right at tub level, the wooden sill lined with plants. I could bathe among the treetops, looking out at the ocean where the clouds were piling up like bubbles. The towels were the same royal blue as the cotton shag carpeting. Even the eggs of milled soap were blue, arranged in a white china dish on the edge of the round brass sink.

Chris smiled at me, showing two ridiculously cute dimples and a few feet away a waitress dropped an empty cup she had cleared from a table. Blushing, she muttered an apology and hurried inside. I scowled at him, refusing to be swayed by his charm. “I see,” he murmured, nodding slightly as if he had just solved a puzzle. “See what?” Ignoring my question, he pulled out a cell phone, hit a number and held the phone out to me. I hesitated for a few seconds then took the phone and put it to my ear. “What’s up, Chris?” said a familiar deep voice on the other end. “Good question,” I responded tersely. “I told Chris you’d recognize him if he got too close.” Was that amusement in his tone? “Great. You won the bet. Buy him a beer or whatever.” I glanced at Chris, saw that he looked amused now, too and I grew even more agitated. “I thought we had an understanding when you left here last week.” “And what understanding would that be?” I gritted my teeth. “The one where you go your way and I go mine and we all live happily ever after.” “I don’t recall that particular arrangement,” he replied in his infuriatingly easy manner. “I believe I told you I’d be seeing you again.” I opened my mouth but words would not come out. People say ‘I’ll be seeing you’ all the time when they say good bye. It doesn’t mean anything. It certainly doesn’t mean they will send their friends to stalk you. “Sara?” “What do you want from me, Nikolas? I told you I just want to be left alone.” There was a brief silence then a quiet sigh on the other end. “We got word of increased activity in Portland and we have reason to believe the vampire might be searching for you.” It felt like an icy breath touched the back of my neck. Eli’s face flashed through my mind and my knees wobbled. Roland stepped close to me. “What’s wrong, Sara? What is he saying to you?” I smiled weakly at Roland and put up a hand to let him know I’d fill him in when I got off the phone. “I don’t know anyone in Portland so there is no way he can trace me here, right?” “There is more than one way to track someone.” Nikolas’s voice hardened. “Don’t worry, we will keep you safe. Chris will stay close by until we handle this situation.” Great, I was the ‘situation’ again. “I don’t need a babysitter. I’m not a child.” “No you’re not,” he replied gruffly and warmth unfurled in my stomach. “But you are not a warrior either. It is our duty to protect you even if you don’t want it.” I felt like stomping my feet like a two year old. Didn’t I get any choice in this? My eyes fell on Chris as I spoke. “How close is he planning to stay? He’s kind of conspicuous and I can’t have my uncle or anyone else asking questions.” Chris peered in confusion down at his form-fitting blue jeans and black sweater as Nikolas said, “Conspicuous?” I looked heavenward. “If you guys wanted to blend in you shouldn’t have sent Dimples here. The way some of the women are staring at him, I might end up having to protect him instead.” There was a cough on the other end and Nikolas sounded like he was grinning when he said, “Ah, I’m sure Chris can take care of himself. He will be in town in case we suspect any trouble is coming that way.

And it was big enough that organized crime was split two separate ways. The west of the city was run by Ukrainians. The east was run by Albanians. The demarcation line between them was gerrymandered as tight as a congressional district. Nominally it followed Center Street, which ran north to south and divided the city in half, but it zigged and zagged and ducked in and out to include or exclude specific blocks and parts of specific neighborhoods, wherever it was felt historic precedents justified special circumstances. Negotiations had been tense. There had been minor turf wars. There had been some unpleasantness. But eventually an agreement had been reached. The arrangement seemed to work. Each side kept out of the other’s way. For a long time there had been no significant contact between them

Susannah set the table with Provençal cotton linens, the tablecloth pale pumpkin and the napkins printed with faded red and purple flowers, her throat caught. She had wanted to make this meal so special for Sari and Grey. She set out silverware, bright crockery, a Lucite peppermill and a blue container of Fleur-de-Sel de Camargue. She still had Grey’s black scallop shells and she arranged them in the center of the table, around a vase of colorful wildflowers.

Becca and Danielle looked at each other joyously. What a pair they made: Becca, dark-skinned, shorter and chunkier than Danielle, wearing a flashy pair of jams, her thick hair arranged in ponytails; and Danielle, still pale, with the shape of a bean pole, wearing droopy jeans and her even droopier "BALD IS BEAUTIFUL" T-shirt, a blue-and-green scarf not really hiding her almost bald head.

LITTLE LOST PUP He was lost! — Not a shade of doubt of that; For he never barked at a slinking cat. But stood in the square where the wind blew raw, With a drooping ear, and a trembling paw, And a mournful look in his pleading eye. And a plaintive sniff at the passer-by That begged as plain as a tongue could sue, " Oh, Mister, please may I follow you?" A lorn, wee waif of a tawny brown Adrift in the roar of a heedless town. Oh, the saddest of sights in a world of sin Is a little lost pup with his tail tucked inl Well, he won my heart (for I set great store On my own red Bute, who is here no more) So I whistled clear, and he trotted up. And who so glad as that small lost pup? Now he shares my board, and he owns my bed, And he fairly shouts when he hears my tread. Then if things go wrong, as they sometimes do. And the world is cold, and I'm feeling blue. He asserts his right to assuage my woes With a warm, red tongue and a nice, cold nose, And a silky head on my arm or knee, And a paw as soft as a paw can be. When we rove the woods for a league about He's as full of pranks as a school let out; For he romps and frisks like a three-months colt. And he runs me down like a thunder-bolt. Oh, the blithest of sights in the world so fair Is a gay little pup with his tail in air! - Anonymous

What the universe actually does is a tiny proportion of all the things it could have done instead. For instance, suppose that a car park has one hundred parking slots, and that cars are either red, blue, green, white, or black. When the car park is full, how many different patterns of colour are there? Ignore the make of car, ignore how well or badly it is parked; focus solely on the pattern of colours. Mathematicians call this kind of question ‘combinatorics’, and they have devised all sorts of clever ways to find answers. Roughly speaking, combinatorics is the art of counting things without actually counting them. Many years ago a mathematical acquaintance of ours came across a university administrator counting light bulbs in the roof of a lecture hall. The lights were arranged in a perfect rectangular grid, 10 by 20. The administrator was staring at the ceiling, going ‘49, 50, 51 …’ ‘Two hundred,’ said the mathematician. ‘How do you know that?’ ‘Well, it’s a 10 by 20 grid, and 10 times 20 is 200.’ ‘No, no,’ replied the administrator. ‘I want the exact number.’*2 Back

pestilences have a way of recurring in the world; yet somehow we find it hard to believe in ones that crash down on our heads from a blue sky. There have been as many plagues as wars in history; yet always plagues and wars take people equally by surprise.In fact, like our fellow citizens, Rieux was caught off his guard, and we should understand his hesitations in the light of this fact, and similarly understand how he was torn between conflicting fears and confidence. When a war breaks out, people say: "It's too stupid, it can't last long." But though a war may well be "too stupid", that doesn't prevent its lasting. Stupidity has a knack of getting its way; as we should see if we were not always so much wrapped up in ourselves. In this respect, our townsfolk were like everybody else, wrapped up in themselves; in other words they were humanists; they disbelieved in pestilences. A pestilence isn't a thing made to a man's measure; therefore we tell ourselves that a pestilence is a mere bogy of the mind, a bad dream that will pass away. But it doesn't always pass away, and, from one bad dream to another, it is men who pass away, and the humanists first of all, because they haven't taken their precautions. Our townsfolk were not more to blame than others; they forgot to be modest, that was all, and thought that everything was still possible for them; which presupposed that pestilences were impossible. They went on doing business, arranged for journeys, and formed views. How should they have given a thought to anything like plague, which rules out any future, cancels journeys, silences the exchange of views. They fancied themselves free, and no one will ever be free so long as there are pestilences.

Hair fall - The two words that make up for the shortest yet the scariest horror story that no woman would ever want to witness. However, many women suffer from it and get stuck in a loop of trying various solutions to take control of hair fall. It’s important to understand to what amount the hair fall is normal and to what is abnormal. We lose about 100 strands every day but anything more than that is excessive and alarming. HAIR FALL PROBLEM Hair is a big part of our identity and appearance. It adds confidence and resembles our style in ways more than one. When one loses hair, they lose self-esteem and self-confidence. Therefore, it is necessary to find an answer to the question of ‘How to control hair fall?’ Hair Fall Problem For most of us, a good hair day instantly puts us in a good mood. Such is the importance associated with the appearance of our hair. When even an occasional bad hair day can seriously put a damper on our mood, imagine how dreadful it’s to deal with your precious hair locks beginning to fall off. If you're looking for a basic brush that gets rid of tangles with no discomfort or pain, look no moreoverthan the Patented Venting hairbrush DoubleC. This universal brush is made to detangle wet hair of all kinds and forms with ease. Each brush is made with light, soft, and strong bristles that can painlessly get rid of despite the most serious knots. The points also highlight SofTips at the top that massage the scalp and help improve follicle stimulation. Patented Venting hairbrushes work best on women with long, thick hair for they're usually too large and unwieldy on short or thin hair. Most maximum paddle brushes are created for dry hair, as a regular detangler, and smoother. Hair Fall Problem Different Types of Hair Brush Our wide collection of Nuway4haiHair Brushes covers DoubleC Brush, C Brush, Travel C Brush, Traveler Brush, MagicSpell Combo Brush, and many more. Available in various forms and sizes, these hair brushes for women have two hair types namely. Specially created to serve, appearance, and smoothen up the hair of all dimensions and arrangements, all the hairbrushes come following three distinct ranges, that is, Basic, Premium, and Specialist. Nuway4hair Top Sellers to Choose From 1. Patented Venting hairbrush DoubleC - Purple 2. Patented Venting hairbrush DoubleC - Blue 3. DoubleC Brush- Black 4. Patented Venting hairbrush DoubleC PRO - Gray

most of my first two years in office, Trump was apparently complimentary of my presidency, telling Bloomberg that “overall I believe he’s done a very good job”; but maybe because I didn’t watch much television, I found it hard to take him too seriously. The New York developers and business leaders I knew uniformly described him as all hype, someone who’d left a trail of bankruptcy filings, breached contracts, stiffed employees, and sketchy financing arrangements in his wake, and whose business now in large part consisted of licensing his name to properties he neither owned nor managed. In fact, my closest contact with Trump had come midway through 2010, during the Deepwater Horizon crisis, when he’d called Axe out of the blue to suggest that I put him in charge of plugging the well. When informed that the well was almost sealed, Trump had shifted gears, noting that we’d recently held a state dinner under a tent on the South Lawn and telling Axe that he’d be willing to build “a beautiful ballroom” on White House grounds—an offer that was politely declined.

This is where I was, this is where I am. And then to think towards an imagined future — this is where I now go. It struck me that this type of reflection, this assigning of importance to one's own journey through life, is a kind of love.

The window glass was cold as Jude touched his nose to its surface. He looked north over the centre of Tirana and drank in the thrill of the panorama. From a restaurant in the Sky Tower he could see down over the lush, green square of land criss-crossed with paths that was Rinia Park. He had arranged to meet Edona there at 3pm. To his left the apartment blocks clustered densely away to the horizon in colours of mustard, olive and denim blue. Ahead he could make out the rouge and yellow government ministry buildings on the edge of Skanderbeu Square, and the white needle of the Et’hem Bey Mosque. His eyes turned to the east past the black glass panelled Twin Towers and concrete Pyramid to the traffic flowing up the Gjergj Fishta Boulevard, where the harsh mid-day sunlight was glinting off car roofs and windscreens. Beyond that, through a haze of heat and light smog, Mount Dajti rose up to the blue, utterly cloudless sky. (From 'The Silencer').

The Star workstation he shepherded to launch was an amazing accomplishment. Enclosed in a squat beige-colored box which, like its ancestral Alto, slid on casters under a desk, the machine came packed with features no one had ever seen before and few envisioned in a commercial office machine. These included a bitmapped screen (in “muted blue,” as Xerox promotional literature described it at the time), a mouse (“an electronic pointing device”), windowed displays, and “What You See Is What You Get” document preparation. The bundled functions included text processing, a drawing program, the first integrated “help” program, and electronic mail. By far the system’s most striking feature was its graphical user interface, the stylized display that communicated with the user via the bitmapped screen. This arrangement of icons and folders built around what the Star designers called the “desktop metaphor” is so familiar today that it seems to have been a part of computing forever. But its pioneering implementation on the Star included some capabilities that had yet to resurface on the market nearly two decades later. Text, formulas, and graphics could all be edited in the same document. (Compare today’s “integrated” software, in

The pajamas are her own old set that she bought from the big Sainsbury’s, the ones with Moomins on them, but the quilt is another new thing: dark-blue and light-blue squares, alternating, arranged like patchwork but it’s just a print.

The window glass was cold as Jude touched his nose to its surface. He looked north over the centre of Tirana and drank in the thrill of the panorama. From a restaurant in the Sky Tower he could see down over the lush, green square of land criss-crossed with paths that was Rinia Park. He had arranged to meet Edona there at 3pm. To his left the apartment blocks clustered densely away to the horizon in colours of mustard, olive and denim blue. Ahead he could make out the rouge and yellow government ministry buildings on the edge of Skanderbeu Square, and the white needle of the Et’hem Bey Mosque. His eyes turned to the east past the black glass panelled Twin Towers and concrete Pyramid to the traffic flowing up the Gjergj Fishta Boulevard, where the harsh mid-day sunlight was glinting off car roofs and windscreens. Beyond that, through a haze of heat and light smog, Mount Dajti rose up to the blue, utterly cloudless sky. (From 'The Silencer').

I made American pancakes this morning. Would you like some? I am about to serve the first batch to my guests." "I can make some for us," I said, taking in the batter, the greased griddle, and the bowl of apricots. "You can go and fuss over the guests." "Ah, bien," she answered, loading a platter full of beautiful apricot-studded pancakes to take away. "Bon, I pour the batter and place the slices over the top just so. They're very moist because of the crème fraîche, and then I serve them with a crème anglaise." "It looks great," I said, taking the ladle in hand and stirring the batter, just to get a feel for the consistency. "Don't worry about us." Sandrine grinned her thanks, and I turned my attention to breakfast. "I can do that, if you want to sit," Neil offered. I waved him away. "I can make pancakes in my sleep." "I liked that she called them 'American pancakes'." "Well, they are. French pancakes are crepes, and German pancakes are a whole other deal altogether." I ladled four puddles of batter onto the griddle, enjoying the sizzling sound they made as batter met butter. "English pancakes are closer to crepes, just thicker." "Reminds me of when I was in Toronto for a conference. I tried to order a Canadian bacon and pineapple pizza but got tongue-tied." I laughed and began to arrange the apricots. "What did you do?" "I said 'Hawaiian' instead. The guy seemed to know what I was talking about." "Quick thinking." "Thank you." "In truth, between the crème fraîche and the crème anglaise topping, I think these pancakes are a bit more trans-Atlantic than American." "I'll take your word for it.

The window glass was cold as Jude touched his nose to its surface. He looked north over the centre of Tirana and drank in the thrill of the panorama. From a restaurant in the Sky Tower he could see down over the lush, green square of land criss-crossed with paths that was Rinia Park. He had arranged to meet Edona there at 3pm. To his left the apartment blocks clustered densely away to the horizon in colours of mustard, olive and denim blue. Ahead he could make out the rouge and yellow government ministry buildings on the edge of Skanderbeu Square, and the white needle of the Et’hem Bey Mosque. His eyes turned to the east past the black glass panelled Twin Towers and concrete Pyramid to the traffic flowing up the Gjergj Fishta Boulevard, where the harsh mid-day sunlight was glinting off car roofs and windscreens. Beyond that, through a haze of heat and light smog, Mount Dajti rose up to the blue, utterly cloudless sky.

What the fuck, Hermes," he growled between fits of coughing. He had to close his eyes to keep them from burning as he made his way to the door and pushed it open. The smoke began to dissipate, and Hades came face-to-face with Hermes, who whore a bedazzled, light-blue leotard with the center cut out, exposing part of his chest and stomach. Perhaps the worst part was how it stuck to his privates, outlining his balls and semihard dick. "Why are you like this?" Hades asked. "What?" Hermes asked, looking down at his outfit. "You don't like it?" "I'm not even going to honor that question with a response," Hades said. "I need help. The souls have arranged a surprise engagement party and I...want to look..." "Less like a goth?" Hermes prompted. "I want to surprise Persephone," Hades said. "We could swap outfits," Hermes suggested. "That would really surprise her." Hades glared. "Fine," Hermes huffed and then stalked over to him.

but before he can elaborate, that door which separates Emile’s kitchen from the rest of the world swings open. It is Andrey, as prompt as ever, with his Book in hand and a pair of spectacles resting on the top of his head. Like a brigand after a skirmish, Emile slips his chopper under the tie of his apron and then looks expectantly at the door, which a moment later swings again. With the slightest turn of the wrist the shards of glass tumble into a new arrangement. The blue cap of the bellhop is handed from one boy to the next, a dress as yellow as a canary is stowed in a trunk, a little red guidebook is updated with the new names of streets, and through Emile’s swinging door walks Count Alexander Ilyich Rostov—with the white dinner jacket of the Boyarsky draped across his arm. One minute later, sitting at the table in the little office overlooking the kitchen were Emile, Andrey, and the Count—that Triumvirate which met each day at 2:15 to decide the fate of the restaurant’s staff, its customers, its chickens and tomatoes. As was customary, Andrey convened the meeting by resting his reading glasses on the tip of his nose and opening the Book. “There are no parties in the private rooms tonight,” he began, “but every table in the dining room is reserved for two seatings.” “Ah,” said Emile with the grim smile of the commander who prefers to be outnumbered. “But you’re not going to rush them, eh?” “Absolutely not,” assured the Count. “We’ll simply see to it that their menus are delivered promptly and their orders taken directly.” Emile nodded in acknowledgment. “Are there any complications?” asked the Count of the maître d’. “Nothing out of the ordinary.” Andrey spun the Book so that his headwaiter could see for himself.

Well, I did want to blow your mind.” “Indeed, you did.” He gathered her a little closer, arranging her legs on either side of him so she was comfortable. “You are a gift from the sea, Mira. A rare pearl I am so lucky to have found. I do love you, you know. More than anything else in this world. You hold my soul in your chest. Wherever you go, I will never be far from you.” Her hair billowed around them, red tangling around the electric blue of his body. “I love you,” she whispered, pressing a kiss to his gills. “No matter how different we are or where we came from. You are mine, Arges. And I am yours.

Fine,” I said. “You have a deal.” Pain ripped through my hand, worse than the fresh burns. I hissed a curse and leapt away from the wall. When I looked down, a black-and-blue mark adorned my left palm. The overlapping symbols resembled the ones marked into Ilyzath’s walls, arranged in a diamond shape, and it seemed to shimmer slightly, as if shards of silver were buried within the ink. “What is—?” I looked up, and a doorway now stood before me. You may leave, Ilyzath said. No one will stop you.

It was Jenny’s turn to nod. “That’s why we brought along an extra suit.” Jenny’s blue eyes filled with concern. “Did you tell her what I said?” “Yes, but I thought she’d get more out of it if she heard it from you in person. We pick her up at ten o’clock on Friday morning.” They stopped by the concierge desk long enough to make arrangements for Jenny’s videos. Joanna also increased the Thanksgiving dinner reservation from four to six. “Who’s coming to dinner?” Jenny asked as they, too, headed for the elevator. “Leann Jessup,” Joanna answered. “She’s a new friend, someone I met here at school. And

reaches for her purse, but I stretch out and catch her hand in mine. “Please don’t go,” I say. “Please.” She nods, biting her lower lip between her teeth. “Okay,” she breathes. She sits down beside me and fidgets. I lean over and place Kit in her arms and then press a kiss to her temple. “Let me love you,” I say softly. Then I sit back and I watch her as she arranges Kit in her lap so that she can look into the baby’s face. Silence sinks over the room like a wet, heavy blanket. “He was perfect,” she says quietly. “He looked like me. He had dark-blue eyes and freckles and he wasn’t but a minute old. Then I never got to see him again. Not close up. They took him from me, and I didn’t even get to hold him.” “Where is he now?” My throat clogs so tight with emotion that I have to cough past it. “He’s with a wonderful family that adopted him when he was a day old.” She finally looks up at me, and her eyes shimmer with tears. One drops down her cheek, and she doesn’t brush it away. “They send me pictures every six months. He’s beautiful. He plays baseball, and he loves trains.” “We all do what we have to do to survive,” I say. She snorts. I pass her a tissue because it almost comes out like a sob. “I was fifteen and completely alone.” She unwraps Kit and counts her toes and fingers. “She’s going to play guitar like her mom,” she says. “Look at these fingers.” Kit grips Friday’s finger in her sleep, and Friday wraps her back up. I don’t say anything because I don’t think she wants me to. “His name is Jacob,” she says. She smiles. “I have his footprints and his date of birth on my inner thigh. Pete did it for me.” Fucking Pete. He knew all this time and didn’t tell me. “Little fucker,” I grumble. “Pete knows the value of a well-placed secret.” I’m glad she had someone to tell her secrets to. I hope someday, it’ll be me. “I treasure your secrets. I’ll hold them close to my heart and keep them between us and only us, always.” She smiles. “I know.” She takes a deep breath, and I feel like she’s just relieved some of her burden. “You’ve never seen him?” “No. I’m allowed to. It was an open adoption. But I never have.” “Why not?” “I’m afraid that if I ever get my hands on him I won’t be able to let him go.” Her voice breaks again. “Or worse—what if I see him and he hates me? I wouldn’t be able to stand myself. It’s hard enough knowing that he doesn’t know who I am. If he hates me, too, I won’t be able to take it.” “Thank you for telling me,” I say softly.

Leelan,” Wrath barked as he exploded up from his chair. There were all kinds of deep-voiced greetings, but his brothers got out of the way so that she had a clear shot into his arms. And as he lifted her up, he was careful to put no pressure on her belly. “How are you?” he whispered in her ear, knowing that one of these days, she was going to answer that she was having contractions. “Fine and dandy. Oh, my God, I got the best stuff! I had to go blue—I mean, whatever, we’re having a boy. The crib and dressing table are perfect—right, iAm?” The Shadow answered, “Perfect.” No doubt the poor bastard had no interest in the shit at all, but that didn’t matter. He was another one who had stuck by Beth and been her protector in the human world—and Wrath knew the why, of course. It was iAm’s way of paying the household back for letting him and his it’s-complicated brother stay at the mansion after their pad at the Commodore had been compromised. Plus, it was pretty obvi that he liked Beth in a nonromantic kind of way. “Right? I know, right?” Beth hugged Wrath’s neck so hard he couldn’t swallow. “I’m so excited! I want to meet him now!” “Is this nesting?” Wrath asked in the direction of where he’d heard Z’s voice last. “Yeah. And wait for it. You still have Diaper Genies and bottles to get through.” “We’re going Born Free,” Beth informed him, like he knew what that meant. “In case my milk doesn’t come in.” Wrath just sat down in the chair and arranged her on his lap, content to ease back and let her enjoy making her report. And the brothers and the fighters? They rallied right around, asking questions like big brothers would. Any one of them would have laid down his life for her or that young in her womb. It was enough to make a male have to blink a little faster.

The walls were painted a robin's-egg blue. Antique wood-and-glass display cases had mottled milk chocolate-brown marble countertops. Antique iron-and-glass stands would make the future little cakes (under their glass domes) pop up and down on the counter like jaunty hats. From the top of the left wall of the bakery, Gavin had hung a canvas curtain and arranged a display area in front of it. Both the curtain and display would change each month- as would, of course, the colors and flavors we showcased. The idea was to sell not only cakes, but also cake stands, serving pieces, plates, paper napkins, and other goodies, so once your little cakes got home, they'd look as good as they did in my bakery. One-stop shopping. On the right, Gavin had arranged a seating area with dark bentwood chairs and cafe tables. It looked like a tea salon in Paris. I sighed with delight. But I wanted to see where I would spend most of my time. The work and storage areas were screened off in the back, although I would have been happy to show off my two Vulcan convection-ovens-on-wheels and the big stainless steel worktable with the cool marble slab at one end for chocolate work. The calm milk-chocolate plaster walls, stainless steel, and white marble made the workspace look like a shrine to the cake baker's art.